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A Japanese-inspired garden on Sydney’s north shore
Nestled in Longueville, a leafy suburb on Sydney's lower north shore, lies a sprawling garden oasis offering breathtaking views of Woodford Bay and the Lane Cove River. This garden, a creation by landscape designer Hugh Main of Spirit Level Designs, is a harmonious blend of sculpted and organic elements, juxtaposing intimacy with expansiveness and ruggedness with softness. It serves as an ideal complement to the crisp, minimalist architecture of the Stanic Harding-designed home it surrounds.
The garden's inception in 2011 was a collaborative effort between the homeowner, architect, and landscape designer, aiming to forge a private family sanctuary that resonated with the strong, elegant lines of the residence and the magnificent Sydney landscape. As it matures, the garden showcases a sophisticated interplay of textures and forms. Clipped mounds of westringia, raphiolepsis, and elaeagnus create a structured contrast against the natural screens of bamboo, effectively softening the architectural starkness and defining a tranquil, restorative space away from the city's commotion.
Hugh Main expresses his satisfaction in witnessing the garden's evolution, noting that it has grown into the envisioned space, a process that takes years to fully materialize. A striking courtyard, located at the end of the northern pavilion, features an arresting display of crassula and Dracaena draco, framed by clipped hedges of magenta syzygium. The unique, velvety grey spikes of Dracaena draco resemble living sculptures, rising from a vibrant carpet of flowering lime green jade, all leading to an intimate sandstone path.
This secluded enclosure transitions seamlessly into an expansive lawn and an elegant pool area, mirroring the building's clean, linear structure. The dark-tiled pool further enriches the landscape, drawing in the sky above and casting dynamic shadows and reflections across its opaque surface. Hugh emphasizes that his design philosophy centers on subtlety and complementarity, ensuring that the garden enhances the architecture rather than competing with it. His goal is to cultivate a sense of calmness, quietude, and serenity, providing a soothing experience for those who traverse his gardens.
Among the garden's many features, Hugh holds a special affinity for the 'girl’s courtyard,' a serene space inspired by Japanese Zen gardens and the wabi-sabi philosophy, which celebrates beauty in imperfection. This courtyard incorporates rough-cut Sydney sandstone, echoing the home’s cladding, used as a central bench. It is flanked by a beautiful crackle-glazed Vietnamese water bowl on one side and a solitary Japanese maple tree on the other. No detail is overlooked, including a pebbled rooftop sculpture visible from the main living pavilion, inspired by British land artist Sir Richard Long, and an array of handmade charcoal and copper vessels filled with textured green and grey succulents adorning the terrace doorways. The property's design orchestrates a journey through hidden pockets and sweeping grounds, each alive with mystery and contemplation, reflecting the elegance of the architecture and the designer's skill. The journey through the garden is designed to evoke a rhythmic breathing experience, where one encounters expansive open areas upon 'inhaling' and retreats into intimate, private settings upon 'exhaling,' fostering a profound sense of exploration and tranquility.
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