prefabricated wooden structure hosts multifunctional space for quinta fachada in ecuador

Taller General, an Ecuador-based architectural studio, has completed La Miradora, a residential project situated in the rural landscape of Machachi. The house is located at an altitude of 3,403 meters above sea level within the Páramo ecosystem, a tropical wetland region in the Andes. Its strategic positioning along the highest point of an elongated plot allows the dwelling to provide expansive views of a steep ravine, with a backdrop of meadows and distant volcanoes. The design of La Miradora is meticulously integrated with the land's natural slope, allowing for a two-level interior organization. The upper floor accommodates the main living areas for the primary residents, featuring wide windows that optimize natural light and ventilation. A loft on this level offers framed views of the surrounding volcanoes to the north and south. The lower level, designed to be smaller due to the terrain, provides additional rooms and service areas for visiting family members, ensuring functionality without compromising the house's compact appearance on the slope. The architects at Taller General prioritized both communal gathering spaces and individual privacy in the layout of La Miradora. The dwelling encourages interaction while offering secluded areas for residents and guests. Outdoor circulation is thoughtfully incorporated through a covered ramp that runs along one side of the house. This ramp provides direct exterior access to the main level and acts as a sheltered pathway, mediating between the interior and the outdoor environment, and offering a series of framed views of the Páramo landscape. Ecological performance was a key consideration in the design. La Miradora utilizes solar panels for electricity, and a sophisticated grey and black water treatment system. This system includes grease traps, a biodigester, and a wetland, ensuring that all water is treated before being released back into the ground. This closed-loop system mirrors the natural water cycle of the Páramo, emphasizing the project's commitment to environmental sustainability and minimizing its impact on the fragile ecosystem. The construction also minimizes waste by leaving materials exposed, such as wood, brick, and metal, thereby eliminating the need for additional coatings or plasters. This approach highlights the structural honesty of the building and reduces material consumption. The house's structure is characterized by an array of ten wooden ribs, spaced 2.44 meters apart. Each rib consists of four inclined elements that converge upwards, forming protective eaves and supporting the upper level. On the north side, these ribs rest on a brick base that conforms to the slope, while on the south side, they extend into durable metal members designed to withstand environmental elements and adapt to the terrain's gradient. This adaptable structural system allows for variations in rhythm to accommodate specific spatial requirements, such as the loft, and to maximize outward views. The combination of wood, brick, and metal creates a balanced aesthetic that conveys both shelter and exposure, durability and lightness. The extensive roofline and eaves offer protection to the timber and regulate sunlight penetration into the interior spaces, enhancing comfort and energy efficiency. Local craftsmen were integral to the project, contributing their skills in wood, metal, ceramics, and textiles for integrated lamps, furniture, and partitions, which further enrich the material expression of the house. #ResidentialArchitecture #EcuadorianArchitecture #SustainableDesign #PáramoEcosystem #VolcanoViews #NaturalMaterials #EcoFriendlyHome #Machachi #TallerGeneral

Andes House, located in Puembo, a rural area on the outskirts of Quito, Ecuador, is a private residence designed by Correa+Fatehi | ODD. Completed in 2021, the project redefines the relationship between architecture, landscape, and materials. The design emphasizes integration with its environment, utilizing locally sourced materials and drawing inspiration from the Andean topography. The house's construction prominently features materials derived directly from its site. Excavated earth is compacted to form rammed earth walls and cast into custom adobe bricks. This choice of material not only grounds the structure physically but also provides functional benefits, such as regulating indoor temperature and light. The breathable, ventilated façade casts dynamic shadows throughout the day and emits a soft glow at night, transforming the otherwise monolithic structure into an atmospheric presence. The architectural strategy for Andes House incorporates a landscape design that mirrors the surrounding highland wilderness. The residence appears to rise from sculpted mounds of native vegetation, creating a seamless transition between built and natural environments. Access to the house is integrated into these sculpted mounds, with pathways reminiscent of the Chaquiñán, the ancestral Andean trails, guiding visitors through a sequence of spaces that gradually reveal the structure. This processional approach culminates in a sunken threshold, initiating an immersive sectional experience within the house. From an exterior perspective, Andes House presents itself as a compact, vertical monolith, appearing discreet and firmly rooted in its location. Internally, the design focuses on spatial flexibility and dynamic organization across three levels. A key feature is a mobile platform that traverses all floors, serving not merely as a circulation element but as a mechanism to adapt the living spaces. This mobility allows various programs within the house to shift, merge, and reconfigure, accommodating changing needs and uses over time. The second level of the house extends outward into a plateau featuring both an interior pool and an exterior garden. Operable glazing divides these two spaces, enabling them to merge and unite the interior living area with the external landscape. This design choice further blurs the boundaries between indoor and outdoor environments, enhancing the connection to nature. Correa+Fatehi | ODD, the architectural studio behind Andes House, was founded by Lucas Correa and co-directed with Parshan Fatehi. The firm, established in 2015, operates from Quito, Ecuador, and is expanding to Toronto, Canada. Their work is recognized for spatial clarity, material intelligence, and an approach described as adaptive grounding, which treats each project as a system influenced by its context, materials, and long-term functionality. Their portfolio includes residential, hospitality, and urban design projects, all aiming to produce architecture that is both rooted in its environment and forward-looking in its design principles. Andes House exemplifies this philosophy, showcasing an architecture that is deeply attuned to its site's contours and conditions, resulting in a dwelling characterized by quiet intentionality and environmental sensitivity. #AndesHouse #EcuadorArchitecture #SustainableDesign #RammedEarth #ModernResidence #CorreaFatehi #ArchitecturalInnovation #ContextualArchitecture #SouthAmericanArchitecture

The Rio Perdido West Bungalows, designed by Studio Saxe, are located in Bagaces, Costa Rica, near a volcanic range. This project, completed in 2024 and spanning 816 square meters, consists of floating pavilions integrated into lush forests, offering views of a canyon. The design philosophy of Studio Saxe emphasizes connecting inhabitants with nature, aligning with the firm's broader approach to tropical architecture. The bungalows are part of a hospitality development that seeks to enhance the natural environment through its architectural language. The bungalows are designed to be light and environmentally sensitive, minimizing their impact on the surrounding ecosystem. This approach is rooted in the Studio Saxe's commitment to sustainable design, where structures are conceived as part of the landscape rather than an imposition upon it. The use of natural materials and careful siting are key elements in achieving this integration. The design strategy specifically addresses the challenges and opportunities presented by the unique topography and climate of Costa Rica's volcanic region. Structural engineering for the project was handled by SOTELA ALFARO and BILDTEK, ensuring the stability and safety of the elevated structures. UTSUPRA was responsible for the electromechanical systems, focusing on efficiency and minimal environmental footprint. JIMACO Constructores executed the construction, bringing the architectural vision to fruition. Dania Saragovia provided the interior design, ensuring that the internal spaces complement the natural external environment and provide comfort for guests. Key materials used in the construction include wood, steel, and concrete. Wood is extensively utilized for its aesthetic qualities and its ability to blend with the natural surroundings, as well as for its renewable properties. Steel provides structural integrity, especially for the 'floating' elements of the pavilions, allowing for large spans and a lighter visual impact. Concrete is likely used for foundations and other critical structural components, ensuring durability and stability in the tropical climate. The selection of these materials reflects a balance between architectural expression, structural requirements, and environmental considerations. The project falls under the category of 'Cabins & Lodges' and 'Hospitality Architecture,' indicating its function as accommodation for visitors seeking an immersive natural experience. The bungalows are situated in Bagaces, a location known for its ecological significance and proximity to volcanic landscapes. The design aims to create a harmonious relationship between the built environment and the rich biodiversity of Costa Rica, offering a serene retreat that respects and highlights its natural context. #HospitalityArchitecture #CabinsLodges #SustainableDesign #TropicalArchitecture #WoodenStructures #CostaRica #Bagaces #StudioSaxe

OJA (Organic and Joyful Architecture), an Argentinian studio, developed Casa Gallareta, a 250-square-meter boutique holiday complex nestled within the native Coihues and Arrayanes forest of Villa la Angostura, Patagonia. Lead architects María Ayelén Olivieri Martinez and Juan Segundo Diaz Dopazo aimed to create a retreat that harmonizes with the natural environment, utilizing the region's steep slopes, panoramic views, and proximity to Lake Correntoso. The project consists of several timber-clad cabins, designed to offer tourists an immersive experience within the forested surroundings. The core design principle of Casa Gallareta emphasizes integration with the landscape. Each cabin is conceptualized as an extension of the forest, blending into the environment through a balance of structured design and natural placement. The architectural language deliberately connects the built spaces with nature, ensuring that while the cabins share a cohesive aesthetic, each possesses unique characteristics. The strategic positioning of the cabins involved identifying and utilizing vacant spaces within the forest, thereby avoiding any deforestation. This approach reflects the architects' commitment to creating a structure that coexists with the ecosystem without intrusion. The cabins feature an inventive spatial arrangement that blurs the lines between the interior and the forest, all within a compact footprint. The exterior of each structure is clad in eucalyptus wood, treated with the traditional Japanese Shou Sugi Ban technique. This method involves charring the wood surface, which not only creates a distinct texture but also enhances its durability, water resistance, and fire retardancy. The resulting darkened facade, complemented by materials like lapacho wood, black zinguería, glass, and exposed concrete, establishes a visual contrast against the vibrant green trees and snow-covered landscapes. In contrast to the robust exterior, the interiors are designed to evoke tranquility and spaciousness. Guatambú, a light-colored, knot-free wood, is used for the seamless interior coating. This material choice creates an exquisite contrast with the charred exterior and contributes to an expansive feel within the cabins. The use of large Guatambú slabs also streamlined the construction process. Furthermore, all interior furniture is custom-designed to match the materiality of the walls, contributing to a clean, monolithic, and minimalistic aesthetic throughout the living spaces. The design incorporates expansive windows, strategically placed to offer immersive views of the surrounding myrtle trees while maintaining privacy for guests. #PatagoniaArchitecture #EucalyptusWood #ShouSugiBan #SustainableArchitecture #CabinDesign #BoutiqueHotel #OJAArchitecture #TimberArchitecture #ArgentinianDesign

Quito, Ecuador's capital, is undergoing a significant transformation, marked by the relaxation of height restrictions for towers, the relocation of its airport, and the imminent opening of its metro system. These developments are ushering in a new era of urban densification, attracting global architects and fostering a vibrant local design scene. This guide offers a curated tour of Quito's revitalized cityscape, highlighting key architectural marvels, culinary hotspots, and unique accommodations. Among the architectural highlights is Iqon, the tallest building in Quito, designed by Bjarke Ingels Group (BIG). This brutalist structure features a distinctive 'pineapple skin' facade, incorporating balconies designed for planting trees. BIG, in collaboration with local developer Uribe Schwarzkopf, is also developing Epiq, another urban forest project. These projects signify a commitment to integrating green spaces within urban high-rises. The Metro de Quito, an extensive 22.6km long tunnel system with 15 stations, represents the city's largest urbanism project. Completed ahead of schedule in 2019 but delayed in opening, the metro is set to significantly reduce the city's carbon footprint by 60,000 tons of CO2 annually, promising efficient and sustainable transportation for residents and visitors. Quito's culinary scene is also evolving, with establishments like Foresta offering sophisticated dining experiences. Chef Rodrigo Pacheco's restaurant sources much of its ingredients from his Bocavaldivia regenerative food forest. The indoor-outdoor space, designed by Estudio Felipe Escudero, features a striking glass roof that brings Ecuador's lush forest environment indoors. Roveta, a notable architectural coffee shop, provides an eco-conscious caffeine stop. Designed by Rama Estudio, it occupies a glass triangle at the base of the Alianza Tower, utilizing 100% recycled pine for its interiors and offering views of nearby midcentury architectural masterpieces. Unique living spaces contribute to Quito's modern appeal. Casa Parasito, a 12 sq m 'parasite' structure built on a shoestring budget on a grandmother's roof terrace, offers a clever contrast to the city's densification. This tiny home, now available on Airbnb, provides impressive views despite its compact size. Similarly, Qorner, designed by Moshe Safdie, offers micro-units for rent. One such unit, a 28 sq m studio named Doméstico, created by Juan Alberto Andrade and María José Váscones, features space-saving foldaway furniture, proving popular on Airbnb. The city also boasts significant cultural institutions, such as Fundación Guayasamín, the former home and studio of artist Oswaldo Guayasamín. This site, designed by the artist and completed by his nephew, Handel Guaysamín, houses Guayasamín's paintings and murals within his studio and the adjoining Capilla del Hombre, a monolithic chapel constructed from volcanic rocks. Culinary experiences also extend to Somos, a restaurant led by chef Alejandra Espinoza. Designed by Interni, it offers a superb tasting menu and features graffiti by Apitatan, celebrating Ecuador's bioregions and Indigenous wisdom. The establishment also includes a boutique selling local products. #QuitoArchitecture #UrbanDevelopment #SustainableDesign #TinyHomes #EcuadorTravel #DesignLedCityGuide #ContemporaryArchitecture #CulinaryExperience

Muka Arquitectura has completed the Fuensanta House, a residential project in Ciudad Real, Spain. This unique dwelling serves as the inaugural structure in a largely undeveloped urban area, addressing the uncertainty of future adjacent constructions by adopting a fortress-like design. The house features ribbed concrete walls, distinguished by a corduroy-like texture, and is crowned with a pitched roof. Two substantial abutments extend above the main structure, contributing to its robust appearance. The exterior presents a small, recessed doorway within its brown concrete facade, emphasizing its self-contained nature. The architects chose this robust, isolated design due to the lack of existing architectural context or typological references in the surrounding unbuilt plots. The project's full integration and contextual meaning are anticipated to evolve as neighboring plots are developed, positioning the Fuensanta House as the initial element in the urban development of Ciudad Real. Three slender glass boxes vertically span the facade, accommodating a bathroom, a bar, and a staircase. These translucent elements are veiled with white frosted glass, featuring a ridged texture that visually complements the concrete, while simultaneously allowing natural light to permeate the interior spaces. The design intentionally conceals any overt domestic indicators, reinforcing the structure's singular and preparatory role within the evolving urban landscape. Internally, a double-height void centrally bisects the building. On one side of this void, a narrow galley kitchen and an adjoining dining room are situated. Below these, at the basement level, a toilet and a storage room are located. The opposing side of the void houses a reception room, a garage, and a utility room. The kitchen benefits from porthole skylights integrated into the concrete ceiling and wall, which project distinct light patterns onto the interior surfaces. A suspended corridor traverses the atrium, connecting the master bedroom, which is situated within the larger of the two end blocks, to a sauna located in the smaller block. The elevated walkway features steel base plates with slits, allowing light to filter through, and is secured to the ceiling by a series of metal cables. The interaction of sunlight entering through the glass bays with the textured concrete walls creates dynamic patterns of light and shadow, highlighting the material's rich characteristics. Behind the elevated walkway, four concrete cuboids are arranged between the two end blocks. Two of these cuboids house double-height bedrooms, characterized by wood-paneled interiors designed to enhance the vertical dimension. The remaining two cuboids are two-storey spaces, each containing a bathroom on the ground level and a study above, and are connected to the adjacent bedrooms. Curved metal rungs provide access to glass-fronted perches that project from each study. Each bedroom cubicle also incorporates a strip of glazing on its back wall for additional light and features a trio of teardrop-shaped bulbs. The external surfaces of the four volumes are illuminated by up-lights, emphasizing the textural details, crevices, and chips in the concrete, with low-consumption LEDs integrated into continuous strips within the concrete cracks for artificial lighting. #MukaArquitectura #FuensantaHouse #ConcreteArchitecture #SpanishArchitecture #ResidentialDesign #UrbanDevelopment #CiudadReal #TexturedConcrete

The article explores Casa Toquilla, a project by Ecuador-based Rama Estudio, which aims to revive vernacular architecture and local construction techniques in the aftermath of a devastating 2016 earthquake. The initiative addresses the displacement of 80 families from the island of Portete in the Province of Esmeralda, who, upon moving to the mainland, lost their connection to traditional building methods, local materials like bamboo, wood, toquilla straw, and kade, and a sense of ownership over their homes. These endemic materials had been stigmatized as low-quality alternatives to modern materials such as zinc plates, blocks, and concrete. Rama Estudio collaborated with the Portete community to develop Casa Toquilla, emphasizing responsible, respectful, and responsive architectural intervention. The project involved an extensive process of understanding site safety concerns, evaluating traditional construction techniques, and utilizing locally available materials. Through community discussions, experiments, and active participation, the architects and residents co-created three prototype houses: Casa Toquilla L, Casa Toquilla M, and Casa Toquilla S. These designs are rooted in sustainable design principles and feature bamboo construction. The housing trilogy comprises prototypes designed to cater to different family sizes, economic capacities, and ease of execution. Casa Toquilla L, the largest at 80 sqm, is a single-floor residence accommodating up to eight people, designed with elderly users and ease of movement in mind. It includes two bedrooms and a common area. Its thermal performance is enhanced by a floor grid for cold air recirculation and pambil screens with mosquito nets. Casa Toquilla M, covering 70 sqm, is a two-story structure for eight members, featuring ample meeting spaces and built on a raised deck to ensure material durability. Casa Toquilla S, the smallest at 60 sqm, optimizes space with an open-plan layout and omits the first-floor balcony present in Casa Toquilla M. A key aspect of Casa Toquilla's uniqueness lies in the integration of technical details into the spatial development. The toquilla straw weave is incorporated directly into the residential architecture, and the roof profile and attic spaces create functional areas on the upper floors. Pambil screens, highly resistant to weather and humidity, enclose the elevations and form the facade. These elements also facilitate cross-ventilation, creating open and comfortable living spaces. The project also included practical training for the local community in bamboo construction and toquilla straw weaving, fostering local labor engagement and knowledge transfer. The houses were treated with various preservation and curing methodologies to assess their durability in a humid and saline coastal environment, with the goal of creating accessible and efficient construction techniques. The initiative has led to the replication of its methodology in three additional homes in the area, demonstrating its potential for wider application and impact. The project serves as an example of humanitarian architecture, showcasing how responsible design can help a displaced community reconnect with its cultural heritage and build a sustainable future. #VernacularArchitecture #Ecuador #RamaEstudio #SustainableDesign #BambooConstruction #ToquillaStraw #CommunityParticipation #PostEarthquakeReconstruction #ResidentialDesign

The 'Faire le vide' public art installation is situated on a rocky promontory on Island no. 22 within Poisson Blanc Regional Park in Notre-Dame-du-Laus, Quebec. This installation is the inaugural piece in a series of artistic interventions planned for the park's islands, aiming to transform the reservoir area into a cultural and outdoor destination. The project originated from Poisson Blanc Regional Park, indicating a strategic effort to integrate art into the natural landscape and enhance visitor experience. Designed by a team comprising artist and architect Luca Fortin and Atelier mock/up, 'Faire le vide' was the winning entry in a design competition. The artwork manifests as a wooden cube, characterized by a minimalist and monolithic exterior. In contrast, its interior features sculpted, flowing curves and intricate textures, creating a juxtaposition between its outer and inner forms. This dual aesthetic is central to the installation's artistic expression. The design process for the monolith was deeply influenced by its insular environment. The installation is only accessible by water, typically via canoe or kayak, underscoring its remote and integrated nature. From the lake, its form and materiality serve as a subtle landmark, designed to pique curiosity and encourage visitors to explore Island no. 22. This integration with the natural setting highlights a thoughtful approach to site-specific art. Logistical constraints of the remote island location informed innovative construction methods. The structure was entirely prefabricated off-site to avoid the need for heavy machinery. Each wooden slab was transported by boat and then assembled manually on-site, demonstrating a commitment to minimizing environmental impact. The installation's design and placement were carefully considered to ensure minimal disruption to the rocky outcrop and the surrounding natural landscape. Constructed from CNC-milled laminated cedar, the structure showcases two distinct geometric expressions: an orthogonal exterior shell and an organically shaped inner chamber. The exterior walls are clad with vertical slats, intended to visually harmonize with the surrounding forest. The interior surfaces retain the marks left by the milling tool, creating textures that evoke the natural ripples of wind on water. These toolpaths are the result of meticulous experimentation, illustrating how industrial processes can be leveraged to produce perceptual and poetic experiences. 'Faire le vide' represents a confluence of place and craft, where artistic vision and fabrication techniques are intertwined. The installation fosters a dialogue between human intervention, natural materials, and the rhythms of the landscape. It functions as a threshold, bridging the visible and invisible aspects of the environment and celebrating the poetic qualities of both place and time. The project emphasizes that art can emerge in unexpected locations, prompting a re-evaluation of how individuals perceive their surroundings and find meaning in the simplicity of the present moment. #PublicArtInstallation #ArchitecturalDesign #EnvironmentalIntegration #PrefabricatedConstruction #CNCmilling #CedarWood #QuebecArchitecture #RemoteInstallation #SiteSpecificArt

The Rio Cedro House, designed by Plan:b arquitectos and completed in 2011, is situated in Moñitos, Colombia, on the Caribbean Sea coastline. This architectural project integrates with a tropical dry forest ecosystem, emphasizing a design approach that respects and responds to its natural surroundings. The house's location allows it to interact closely with both the forest and the sea, informing its material choices, spatial organization, and environmental strategies. Sergio Gomez provided the photography for the project. The design of the Rio Cedro House is characterized by its open structure and use of locally available materials. Wood, in particular, is a prominent material, selected for its aesthetic qualities, sustainability, and ability to blend with the natural environment. The house features elevated platforms and permeable enclosures that facilitate natural ventilation and offer panoramic views of the landscape. This open-plan approach helps to blur the boundaries between the interior and exterior spaces, promoting a continuous interaction with nature. The strategic placement of windows and openings maximizes natural light and minimizes the need for artificial cooling, contributing to the building's energy efficiency. Environmental considerations are central to the Rio Cedro House's design. The architects focused on creating a structure that is both resilient to the tropical climate and minimally impactful on the delicate ecosystem. The elevated design helps protect the house from potential flooding and allows the natural ground cover to thrive beneath. The use of natural materials and passive design techniques reflects a commitment to sustainable architecture. The house acts as a model for integrating modern living with environmental preservation, demonstrating how structures can coexist harmoniously with diverse natural habitats. The house's program includes various living spaces tailored to its coastal forest setting. These spaces are designed to be flexible and adaptable, catering to different activities while maintaining a strong connection to the outdoors. The layout promotes a fluid movement between rooms and encourages occupants to engage with the surrounding environment. This project exemplifies how thoughtful architectural design can enhance the human experience by immersing residents in a natural setting while adhering to principles of sustainability and ecological sensitivity. The integration of the house with its site in Moñitos, Colombia, showcases a balanced approach to development in sensitive ecological zones. #ResidentialArchitecture #Houses #Colombia #Moñitos #WoodConstruction #TropicalArchitecture #SustainableDesign

Patrón, the premium spirits company, has created a luxury guest house, La Casona Guest House, at its Hacienda Patrón Distillery in Jalisco, Mexico. This exclusive facility serves as a first-hand brand experience for VIPs, media partners, and customers, allowing them to immerse themselves in the history and craft of Patrón tequilas. The guest house integrates art, architecture, local design, and Hispanic heritage, reflecting the brand's creation process. The project was a collaborative effort between Patrón’s architectural department and three local firms: Joaquin Homs Studio for interior design and interior landscaping, GVA architects for general landscape, and Grupo CASGO for construction management. The 20-room guest house, not open to the public, features dining and entertainment areas, a full-service bar, and conference facilities, offering world-class hospitality. Designed in a traditional Spanish Colonial style, La Casona incorporates architectural details from 1800s Spanish, French, and Italian designs to acknowledge their historical influence on Mexico. These traditional elements are seamlessly blended with modern design to achieve a cohesive, updated aesthetic. Joaquin Homs, who was deeply involved in the project, noted the correlation between the historical hacienda economic systems and the labor-intensive tequila distillation process. He emphasized the importance of community involvement, engaging over 2,000 local townspeople in creating almost all interior and exterior design elements. The design team implemented bioclimatic architectural processes to suit the local climate and pay homage to historical hacienda design principles. Features such as 16’ 6” high ceilings and strategically angled windows ensure optimal natural lighting and ventilation. Custom lighting systems compensate for variations in natural light throughout the day. The main building’s statement chandelier, crafted by local artisan Ernesto Cruz, features recycled glass and reclaimed wood with working bees on agave plants, symbolizing the importance of agave bees in tequila production. Other lamps and sconces are handmade from forged iron, metal, copper, hand-blown glass, and ceramic tile by local Mexican artisans. Attention to detail extends to the furnishings and fabrics, which are custom-made. Mattresses are custom-sized, and linens are locally sourced. All furniture is custom-designed, echoing early 1900s Mexican character while being modernized with various textiles. Wallpapers from Italy and France, textiles from Mexico and the U.S., French linens, and sustainable silk and grass fiber wallpapers are used throughout. Peter Leder, Patrón’s head of hospitality operations, highlighted the intention to convey Patrón’s legacy as a modern company rooted in heritage. Sustainability is a key aspect, with features like water recycling, rain absorption and well replenishment, red clay walls for climate and acoustic protection, LED lighting, and the use of cacti and semi-desert vegetation for reduced water consumption. Local materials such as Cantera (limestone), marble, onyx, clay tiles, and red bricks are utilized for their natural, reusable, durable, and biodegradable qualities. La Casona exemplifies a growing trend in design, where modern elements harmonize with old-world styles to create warm, inviting, and livable spaces, making commercial hospitality venues feel more like homes. #SpanishColonialDesign #ModernFlair #GuestHouse #MexicanArchitecture #LuxuryTravel #SustainableDesign #ArtisanCraftsmanship #BioclimaticArchitecture #InteriorDesign #PatronTequila

Casa Cóndor is a family residence situated on a 2,000 sqm plot of land in one of the valleys of Loja, Ecuador. The architectural firm Freddy Bonilla Estudio designed and constructed the house with significant involvement from a local workforce, emphasizing the revival of Ecuadorian vernacular architecture. The design integrates traditional materials and construction techniques, with a strong focus on sustainability and self-sufficiency. The residence primarily utilizes mud, wood, adobe masonry, bamboo, reed, brick, and tile. Notably, many of these materials were repurposed from a disused house on the same site, which the team meticulously dismantled. This approach not only promotes recycling but also preserves the local architectural heritage and reduces environmental impact. A defining characteristic of Casa Cóndor is its abundance of portals and terraces, designed to encourage outdoor living and capitalize on the scenic views of the surroundings. The interior layout is thoughtfully planned to delineate social and private spaces. On the ground floor, C-shaped walls separate a double-height living room and kitchen area from two bedrooms that can be merged into a single larger space using sliding doors. The first floor accommodates a suite, a laundry room, and a terrace that provides expansive views of both the exterior landscape and the living room below. From a structural standpoint, the construction employs a combination of bamboo, soil, and reed, all sourced and harvested locally by a skilled master builder. The ground floor's recycled tile roof is supported by a robust wooden foundation, featuring two large trusses. These trusses rest on the walls and posts, serving to shelter the portals and create the impressive double-height ceilings in the living room and master bedroom. The upper floor features two inverted, funnel-shaped water tanks that shield the suite and collect rainwater. This collected water feeds a pond, providing a water source for domestic animals. The suite's distinctive architectural character includes a wing-like roof, which cleverly incorporates a skylight. This design element ensures ample natural light penetration and enhances the spatial breathability within the suite. The house emphasizes self-sufficiency through its integrated systems. The bathroom facilities are connected to a biodigester, an anaerobic digester that processes wastewater. The treated wastewater is then utilized to irrigate crops, establishing a closed-loop system that minimizes waste and maximizes resource efficiency. Freddy Bonilla Estudio views Casa Cóndor as a testament to the enduring effectiveness and power of vernacular knowledge, highlighting the importance of its transmission, improvement, and application for future generations. #VernacularArchitecture #SustainableDesign #EcuadorianArchitecture #RecycledMaterials #SelfSufficientHome #TerraceLiving #WoodAndTimberArchitecture #MudConstruction #AdobeMasonry

The 'gold digger' public art installation, designed by Nicola Dario Baldassarre, Salvatore Dentamaro, Francesco Di Salvo, and Ilyass Erraklaouy, was featured at Tortosa’s A Cel Obert Festival in Spain. This ephemeral art intervention involved covering the entire patio of the 16th-century Sant Jordi and Sant Domènec dels Reials Col·legis convent with a large sheet made from 112 golden thermal blankets. The convent, historically built to educate the Moors, represents a significant example of civil Renaissance architecture in Catalonia and served as a fitting backdrop for the project, which aims to transform historical spaces into stages for artistic expression while highlighting the city's architectural heritage. The installation, named 'gold digger', explores themes of curiosity and the desire for discovery, transforming the traditional appearance of the historic convent. The thermal blanket sheet, suspended 1.30 meters above the ground, creates a striking visual contrast within the patio. Its design intentionally incorporates two distinct sides: the golden surface faces inward towards the courtyard, while the silver side faces the surrounding building. This dual-sided approach generates an interplay of warmth and cold, light and shadow, and contrasting gold and silver tones, offering visitors varied visual experiences depending on their vantage point. Upon entering the installation, visitors are initially met with a darker space dominated by the silver side of the blankets. Circular perforations in the sheet allow shafts of light to penetrate, piquing curiosity and inviting exploration. This encourages users to interact physically with the artwork by crouching to pass under the sheet, transitioning from a darker, silvery space to a bright, golden-lit courtyard. This journey through the installation is designed to foster a sense of discovery and immersion. The movement of the fabric, influenced by the local wind, adds another dynamic element, producing reflections of light and a sound that resembles ocean waves. The aesthetic and atmospheric qualities of the 'gold digger' installation evolve throughout the day, dictated by natural light conditions. During midday, direct sunlight creates intense, almost blinding reflections on the golden surface. As the sun sets, the golden hue softens and takes on a pinkish tint. At night, artificial lighting emphasizes the contrast between darkness and light, further enhancing the installation's dramatic effect. This temporal variation ensures a continuous and dynamic experience for visitors, encouraging multiple visits at different times. The installation proved to be a highly successful and interactive piece of public art, winning recognition at the festival. It encouraged visitors, particularly children, to engage with their surroundings and each other. Observers from the upper floors of the convent could watch people moving beneath the fabric, with children playfully peeking through the holes and waving. This interaction not only allowed for a new appreciation of the courtyard's Renaissance ornamentation but also fostered a sense of community and shared experience, reinforcing the festival’s goal of making historical sites accessible and engaging through ephemeral art. #PublicArt #EphemeralArchitecture #HistoricConvent #ThermalBlankets #ArchitecturalInstallation #SpanishArchitecture #InteractiveArt #AcelObertFestival

The Tierramor retreat in Nosara, Costa Rica, commissioned Bali-based architectural firm Ibuku to design a new wellness space called the Maloca Dome. Ibuku, known for its sustainable bamboo structures, was founded in 2010 by Elora Hardy. The firm has completed various projects globally, including homes, hotels, schools, and event spaces. The Maloca Dome project aims to create a multi-functional space for yoga, meditation, and ceremonial gatherings, harmonizing with its 800-acre reforested mountain setting. The design prioritizes sustainability, utilizing bamboo as the primary structural component and emphasizing low-impact construction techniques to minimize environmental disturbance. Architect Lucas Schlüter describes the Maloca Dome as an organic extension of the landscape, positioned on a hilltop to blend seamlessly with its surroundings and frame the natural beauty of the area. The interior features an open, adaptable floorplan that can accommodate various group sizes and activities, from intimate gatherings to large ecstatic dance sessions. Strategic placement of openings and architectural elements enhances views, connecting occupants with the exterior environment. The design process began with an analysis of the site's views, vegetation, airflow, and light, integrating these natural aspects with Costa Rica’s building traditions. Ibuku drew inspiration from the vernacular architecture of Costa Rica, particularly the pre-Columbian 'cosmic house,' a cone-shaped building that held religious significance for the region's early inhabitants. This traditional form was reinterpreted for the 21st century to create the Maloca Dome. The design principle of "designing for nature with nature" guided material selection and building shape. Bamboo poles, for instance, necessitated long, steeply pitched overhangs to protect them from direct sunlight and rain, allowing for the integration of natural roofing materials. One of the main challenges for the project was adapting Ibuku's Indonesian bamboo construction expertise to Costa Rica's high wind speeds. In collaboration with engineers at Atelier One, a cross-braced structural system was developed using leaning columns that expand and contract, framing the circulation area while creating a strong and flexible space. The yoga floor was designed to be round and column-free, providing unobstructed views of the hillside. Another challenge involved bridging the skills gap between local Costa Rican carpenters and Ibuku’s established bamboo craftsmanship. This was addressed by simplifying designs and, where necessary, substituting certain structural elements with steel, such as the ring beams in the roof, when traditional bamboo techniques were not feasible. Local carpenters quickly adapted their woodworking skills to bamboo, demonstrating increasing confidence and curiosity. Different types of bamboo were utilized to support the structure and enhance the design concept. Local Guadua Angustifolia bamboo was used for the main structural supports due to its straight poles, which visually elevate the roof. Meandering steel rings were integrated to hold the rafters in place and highlight the cosmic house's concept of different universal levels. Black Gigantochloa Atroviolacea bamboo from Indonesia was used to direct attention upwards to a central copper tip, contrasting with the light blond bamboo ceiling. The building also incorporates the local red soil from Tierramor’s hills into the flooring and walls, fostering a sense of grounding and connection to the site. Natural stone boulders from the river on site were used as a moisture barrier between the foundation and bamboo poles, while local wood shingles were chosen for the roof to blend visually with nature and create a calm appearance. Bamboo was deemed ideal for the project due to its sustainability, structural strength, and lightweight nature, aligning with Tierramor’s vision for a sustainable, nature-connected community. The project underscored the importance of adaptability and translating design principles to new cultural contexts. #BambooArchitecture #SustainableDesign #WellnessSpace #CostaRica #Ibuku #NaturalMaterials #BiophilicDesign #TraditionalCraftsmanship

Studio MK27, led by architect and filmmaker Marcio Kogan, designed the Vista House, an 8,343-square-foot seaside villa in Trancoso, Bahia province, Brazil. Completed in early 2020, the residence is situated atop a 46-meter-high cliff, offering expansive views of the ocean and its escarpments. The design of the house was significantly influenced by its tropical environment and the need to frame the panoramic ocean vista, which the architects describe as being captured "like a wide-angle camera." The central feature of the Vista House is its impressive low-slung, gabled roof, measuring approximately 15 meters wide, 3.5 meters tall, and 60 meters long. This substantial wooden roof creates a sense of scale and protection, beneath which the living areas are strategically placed. The roof's exterior is clad in hand-carved wooden shingles, adding to the organic aesthetic, while the outer structure is wrapped in eucalyptus staves. The elongated volume of the roof delineates the horizontal proportions of the house, with its ends enclosing the kitchen and the primary bedroom. These two enclosed volumes serve as anchor points for the structure, while the space beneath the central portion of the roof is largely open to the environment, fostering an indoor-outdoor living experience. The main living areas are designed to be fluid and connected to the surrounding landscape. A notable aspect of the interior is the inclusion of four additional bedrooms housed within a smaller, interior volume. This inner structure is set back from the exterior walls and constructed from Viroc, a composite panel made from wood and cement. The Viroc panels function as folding screens, allowing the inner house to open completely or to be shuttered for privacy and climate control, providing flexibility in how the space is used. The architectural team carefully considered the interplay of Brazil's intense sunlight with the chosen materials. The perforated Viroc panels and the slender eucalyptus staves create dynamic patterns of light and shadow throughout the home. Furthermore, the expansive overhang of the gabled roof offers ample shade, enabling residents to comfortably enjoy the outdoors regardless of weather conditions. The interiors are characterized by a restrained palette of creamy tones and wood finishes, which contrast with the more organic, textured exterior. This polished interior design complements the softer, natural feel of the external cladding. The design philosophy of Vista House emphasizes a harmonious integration with its natural surroundings, utilizing local materials and an open plan to maximize views and outdoor living. The architectural execution ensures both aesthetic appeal and practical functionality, allowing for a deep connection between the inhabitants and the stunning Brazilian coastline. The project exemplifies Studio MK27's approach to creating residences that are deeply rooted in their context while offering modern, flexible living spaces. #BrazilianArchitecture #BeachHouseDesign #StudioMK27 #GabledRoof #IndoorOutdoorLiving #TropicalArchitecture #EucalyptusCladding #VirocPanels #ArchitecturalDesign

The Pergola House in Playa Grande, Costa Rica, designed by Studio Saxe, represents a harmonious blend of indoor and outdoor living, conceived after the clients experienced a personal loss and sought a fresh start in Costa Rica. The architectural design was specifically tailored to integrate with the vibrant natural landscapes of the region, focusing on a seamless transition between the home and its environment. The project's genesis stems from the clients' desire for a deep connection with nature and an active family lifestyle following the loss of their previous home to wildfires. The core concept of the Pergola House revolves around a series of elegant pergolas. These structures serve multiple functions: they unify the garden with the living spaces, extend the outdoor experience by inviting coastal breezes and panoramic mountain and ocean views into the home, and provide natural shade. The design is characterized by structured rib elements that can expand or contract, adapting to the surrounding topography and existing trees. This adaptability allowed for the incorporation of natural elements directly into the architectural scheme, with intentional gaps in the roofline to accommodate and celebrate the verdant vegetation. Sustainability was a paramount consideration in the design and construction of the Pergola House. The residence generates its own energy through solar power, while the extensive pergolas and overhangs provide natural shading to mitigate heat gain. Strategic placement of windows promotes natural cross-ventilation, drawing cool air from both the ocean and the mountains, thereby reducing reliance on artificial cooling systems. Furthermore, water recycling systems are implemented to irrigate the surrounding landscape, supporting local flora and contributing to the cooling of the home's exterior surfaces. This holistic approach ensures that the house not only minimizes its environmental footprint but also actively enhances its ecological setting. The construction process emphasized efficiency and minimal environmental impact. Prefabricated structural metal ribs were assembled on-site, a method chosen to reduce disruption to the natural landscape. This technique also offered flexibility, allowing the architecture to navigate around existing trees and challenging topographical features. The project utilized a combination of local materials and prefabricated elements, showcasing a commitment to light-touch construction that integrates innovation with traditional building practices. This approach underscores the project's dedication to both aesthetic harmony and ecological responsibility. Completed in December 2022, the Pergola House spans approximately 400 square meters. The design director for Studio Saxe was Benjamin G. Saxe, with interior design by Sofía Interiorismo, landscape design by Studio Saxe, structural engineering by GUIDI Estructurales, and electromechanical engineering by DYNAMO. C+C served as the builder. The clients expressed that the home symbolizes renewal and resilience, providing a sanctuary where family life can thrive amidst nature. The architectural philosophy captivated them with its seamless integration into the environment and its reflection of the inhabitants' personal journey, creating a dwelling that embodies hope and new beginnings in the vibrant Costa Rican landscape. #PergolaHouse #CostaRicanArchitecture #SustainableDesign #IndoorOutdoorLiving #StudioSaxe #PlayaGrande #TropicalArchitecture #EcoFriendlyHome

The Pérgola House, designed by Sidney Quintela Architecture + Urban Planning, is located in Praia do Forte, an old fishing village in Brazil known for its rustic charm and contemporary feel. Completed in 2021, this residential project spans an area of 750 square meters. The design addresses the client's desire for ample space to host friends and family, making large balconies a prominent feature. The architectural style blends contemporary aesthetics with tropical influences, emphasizing open spaces and a seamless transition between indoor and outdoor environments. A core design principle was to maximize natural light and ventilation throughout the house. This approach not only enhances the comfort of the inhabitants but also contributes to energy efficiency by reducing reliance on artificial lighting and air conditioning. The integration of the living spaces with the surrounding environment is a key aspect of tropical architecture, a style that prioritizes harmony with nature and climatic responsiveness. The project's location in Praia do Forte further dictates this emphasis, requiring designs that are adapted to the local climate, which typically involves warm temperatures and abundant sunlight. The project involved a dedicated team, with Sidney Quintela as the Architect In Charge. The team included Christianne Midlej, Lais Barreto, Sinval Neto, Thiara Maciel, and Jouse Sena. Their collaborative efforts focused on bringing the client's vision to life while adhering to the principles of sustainable and contextual design. The use of specific manufacturers such as Arqluz, Bizâncio, Bontempo, Básica Home, Home Design Casual, Oca Brasil, Portobello, and Tidelli suggests a commitment to quality materials and furnishings that complement the contemporary and tropical aesthetic of the house. Key materials used in the construction and finishing of Pérgola House include wood, which is often favored in tropical architecture for its natural beauty, durability, and ability to blend with the environment. The choice of wood also aligns with sustainable building practices when sourced responsibly. The house features elements like beams, decks, and pergolas, which are integral to its design and functionality, providing shade and defining outdoor living areas. The photographs by Manuel Sá capture various aspects of the house, including its exterior, facade, garden, courtyard, and interior spaces, highlighting the interplay of light, shadow, and materiality. The interior design includes spaces like a living room, dining area, and bedrooms, all designed to be open and inviting. Features such as large windows and open layouts promote cross-ventilation and allow natural light to penetrate deep into the living areas. The presence of stairs, sofas, tables, and specific lighting fixtures indicates a thoughtful approach to creating comfortable and functional spaces for both intimate family life and larger social gatherings. The emphasis on indoor-outdoor living is evident through design choices that blur the lines between these zones, creating a cohesive and expansive living experience. #ResidentialArchitecture #TropicalArchitecture #SustainableDesign #PraiaDoForte #Brazil #SidneyQuintela #ContemporaryDesign #NaturalLighting #Ventilation #WoodConstruction

The Capilla del Retiro, a new chapel located in Santuario Santa Teresa de Los Andes in Auco, Chile, exemplifies the country's unique approach to contemporary architecture. Designed by Cristian Undurraga of Undurraga Deves Arquitectos, the chapel is situated in the Valley of the Andes, adjacent to Auco's Carmelite Monastery. The existing monastery features red roofs and white walls, nestled into the valley floor. In contrast, the Capilla del Retiro is a modest, square concrete structure, characterized by an arrangement of four intersecting concrete walls. These walls are raised on blocks, and a simple cross on a pole serves as a subtle marker for the chapel. Upon closer inspection, the chapel reveals architectural complexities beyond its initial unassuming appearance. Beneath the grid formed by the four substantial concrete walls, a significant cavity has been excavated. This roughly carved space is lined with rustic stone, creating an artificial geographical feature that integrates the structure with its natural surroundings. Within this stone-lined void, the actual chapel takes the form of a wooden box. This wooden structure is ingeniously built from recycled railway sleepers and is suspended from the overarching concrete framework. Further enhancing this unique design, the entire wooden chapel is enclosed by glass walls. This creates a striking visual effect: a room that appears to float within a void, effectively inverting the traditional concept of a top-lit ecclesiastical space. Access to the worship space is facilitated by a winding ramp that begins from the north. This ramp guides visitors downwards, taking them underground before they eventually emerge into the intimate and warm interior of the chapel. The design intentionally limits distant views from within the worship area, a deliberate choice aimed at fostering contemplation and focusing the mind. The natural light that permeates the space is carefully filtered by the surrounding stone, which imparts a warm glow. This combination of filtered light, rustic materials, and a secluded approach creates a calm and life-affirming sanctuary amidst the rugged landscape of the Andes. Ellie Stathaki, the Architecture & Environment Director at Wallpaper*, authored the piece. Her background includes training as an architect at the Aristotle University of Thessaloniki in Greece and studying architectural history at the Bartlett in London. Since joining Wallpaper* in 2006, she has established herself as a journalist, covering architectural developments globally and interviewing prominent figures in the field. Her experience extends to judging panels, moderating events, curating exhibitions, and contributing to several architectural publications. #Architecture #ChileanArchitecture #ChapelDesign #ConcreteArchitecture #SustainableDesign #RecycledMaterials #AndesValley #ReligiousArchitecture #CristianUndurraga