Andes House, Puembo, Ecuador property design

Taller General, an Ecuador-based architectural studio, has completed La Miradora, a residential project situated in the rural landscape of Machachi. The house is located at an altitude of 3,403 meters above sea level within the Páramo ecosystem, a tropical wetland region in the Andes. Its strategic positioning along the highest point of an elongated plot allows the dwelling to provide expansive views of a steep ravine, with a backdrop of meadows and distant volcanoes. The design of La Miradora is meticulously integrated with the land's natural slope, allowing for a two-level interior organization. The upper floor accommodates the main living areas for the primary residents, featuring wide windows that optimize natural light and ventilation. A loft on this level offers framed views of the surrounding volcanoes to the north and south. The lower level, designed to be smaller due to the terrain, provides additional rooms and service areas for visiting family members, ensuring functionality without compromising the house's compact appearance on the slope. The architects at Taller General prioritized both communal gathering spaces and individual privacy in the layout of La Miradora. The dwelling encourages interaction while offering secluded areas for residents and guests. Outdoor circulation is thoughtfully incorporated through a covered ramp that runs along one side of the house. This ramp provides direct exterior access to the main level and acts as a sheltered pathway, mediating between the interior and the outdoor environment, and offering a series of framed views of the Páramo landscape. Ecological performance was a key consideration in the design. La Miradora utilizes solar panels for electricity, and a sophisticated grey and black water treatment system. This system includes grease traps, a biodigester, and a wetland, ensuring that all water is treated before being released back into the ground. This closed-loop system mirrors the natural water cycle of the Páramo, emphasizing the project's commitment to environmental sustainability and minimizing its impact on the fragile ecosystem. The construction also minimizes waste by leaving materials exposed, such as wood, brick, and metal, thereby eliminating the need for additional coatings or plasters. This approach highlights the structural honesty of the building and reduces material consumption. The house's structure is characterized by an array of ten wooden ribs, spaced 2.44 meters apart. Each rib consists of four inclined elements that converge upwards, forming protective eaves and supporting the upper level. On the north side, these ribs rest on a brick base that conforms to the slope, while on the south side, they extend into durable metal members designed to withstand environmental elements and adapt to the terrain's gradient. This adaptable structural system allows for variations in rhythm to accommodate specific spatial requirements, such as the loft, and to maximize outward views. The combination of wood, brick, and metal creates a balanced aesthetic that conveys both shelter and exposure, durability and lightness. The extensive roofline and eaves offer protection to the timber and regulate sunlight penetration into the interior spaces, enhancing comfort and energy efficiency. Local craftsmen were integral to the project, contributing their skills in wood, metal, ceramics, and textiles for integrated lamps, furniture, and partitions, which further enrich the material expression of the house. #ResidentialArchitecture #EcuadorianArchitecture #SustainableDesign #PáramoEcosystem #VolcanoViews #NaturalMaterials #EcoFriendlyHome #Machachi #TallerGeneral

The Rio Cedro House, designed by Plan:b arquitectos and completed in 2011, is situated in Moñitos, Colombia, on the Caribbean Sea coastline. This architectural project integrates with a tropical dry forest ecosystem, emphasizing a design approach that respects and responds to its natural surroundings. The house's location allows it to interact closely with both the forest and the sea, informing its material choices, spatial organization, and environmental strategies. Sergio Gomez provided the photography for the project. The design of the Rio Cedro House is characterized by its open structure and use of locally available materials. Wood, in particular, is a prominent material, selected for its aesthetic qualities, sustainability, and ability to blend with the natural environment. The house features elevated platforms and permeable enclosures that facilitate natural ventilation and offer panoramic views of the landscape. This open-plan approach helps to blur the boundaries between the interior and exterior spaces, promoting a continuous interaction with nature. The strategic placement of windows and openings maximizes natural light and minimizes the need for artificial cooling, contributing to the building's energy efficiency. Environmental considerations are central to the Rio Cedro House's design. The architects focused on creating a structure that is both resilient to the tropical climate and minimally impactful on the delicate ecosystem. The elevated design helps protect the house from potential flooding and allows the natural ground cover to thrive beneath. The use of natural materials and passive design techniques reflects a commitment to sustainable architecture. The house acts as a model for integrating modern living with environmental preservation, demonstrating how structures can coexist harmoniously with diverse natural habitats. The house's program includes various living spaces tailored to its coastal forest setting. These spaces are designed to be flexible and adaptable, catering to different activities while maintaining a strong connection to the outdoors. The layout promotes a fluid movement between rooms and encourages occupants to engage with the surrounding environment. This project exemplifies how thoughtful architectural design can enhance the human experience by immersing residents in a natural setting while adhering to principles of sustainability and ecological sensitivity. The integration of the house with its site in Moñitos, Colombia, showcases a balanced approach to development in sensitive ecological zones. #ResidentialArchitecture #Houses #Colombia #Moñitos #WoodConstruction #TropicalArchitecture #SustainableDesign

The "Calx Sustainable Houses" project, designed by Pezestudio, involves the construction of two interconnected houses located approximately 40 kilometers south of Lima, Peru, in front of the Pachacámac Islands. The project was commissioned by a group of four individuals: a filmmaker, a psychotherapist, an anthropologist, and a dancer, who desired a shared living space near the Los Pulpos spa to enjoy the beach environment together. The design of the houses is deeply influenced by their spectacular natural setting, characterized by the rich biological diversity of the marine-coastal ecosystems surrounding the Pachacámac Islands. This location, coupled with the existing topography, guided the architectural approach. The houses are conceptualized as two distinct blocks, strategically arranged around a central patio. This central courtyard serves multiple functions: it accommodates various plant species, fostering a connection with nature, and crucially, it ensures that all rooms within both houses receive ample natural light and ventilation, enhancing energy efficiency and living comfort. The architectural execution emphasizes simplicity and elegance, creating a harmonious dialogue between the built structures, local materials, and the surrounding landscape. The choice of materials and design elements aims to integrate the houses seamlessly into their environment while providing modern amenities. The houses are designed to offer a unique vertical journey through their different levels, culminating in a rooftop area. This rooftop features a swimming pool, offering residents a prime spot to relax and observe the sunset over the Pacific Ocean, further enhancing the experiential quality of the homes. The project was completed in 2021 and covers an area of 560 square meters. Gonzalo Cáceres Dancuart is credited for the photography, capturing the essence of the design and its integration with the Peruvian coastline. Manufacturers involved in the project include MADERALIA and iBambú, suggesting a focus on wood and bamboo materials, which aligns with the "sustainable" aspect highlighted in the project's title. The structural engineering was handled by Jorge Avendaño, and Marisa Mujica was responsible for the ATREZZO, indicating attention to detail in the interior styling and furnishings. The project's location in Lima, Peru, underscores its regional architectural context. The emphasis on natural lighting, ventilation, and the use of local materials points towards sustainable design principles. The layout around a central patio promotes a sense of community between the two houses while maintaining individual privacy. The vertical design and rooftop amenities maximize the use of space and capitalize on the scenic views, offering a luxurious yet environmentally conscious living experience in a unique coastal setting. This project exemplifies how contemporary architecture can respond to specific client needs and environmental conditions, creating aesthetically pleasing and functional residences. #ResidentialArchitecture #Houses #SustainableDesign #CoastalArchitecture #Peru #Lima #Pezestudio #NaturalLighting #Ventilation #LocalMaterials

Sussurro House, designed by Italian architect Davide Andracco, is situated in São Miguel do Gostoso, Brazil, amidst palm trees along the Atlantic coast. Completed in 2023, this project, spanning 283 square meters on an 1100 square meter plot, integrates modern design principles with respect for the natural environment, aiming to create an elegant and comfortable living space for an Italo-Brazilian family. The house’s orientation, east-west, is deliberately chosen to maximize natural light exposure and optimize ventilation from the trade winds, a crucial aspect for tropical climates. The architectural layout of Casa Sussurro is organized into three distinct zones, each identifiable from the exterior, which define the structure's volume and aesthetic. The primary sector, serving as the central hub of the residence, features a spacious living room combined with an island kitchen. This area is specifically designed to encourage family interaction and conviviality, boasting a high ceiling of 3.6 meters to enhance comfort and spaciousness. An expansive veranda extends from this central living area, opening into a garden adorned with native flora, thereby seamlessly blending the indoor and outdoor environments. This design choice highlights a commitment to integrating the living space with its natural surroundings. The project’s specifications include the architectural firm Davide Andracco Architetto, with the lead architect being Davide Andracco himself. The total area of the house is 283 square meters. Andrew Franca is credited for the photography, capturing the essence of the design. Key collaborators in the project include NS Brazil for manufacturing, Ricardo Simon for engineering, Carmelo Lombardo for metallic works, Adriano Fontes for carpentry works (Obras De Carpintaria), and Jailson Miranda for carpentry. Wando Carneiro was responsible for masonry works. These details underscore the collaborative effort and the range of expertise involved in bringing Casa Sussurro to fruition. Casa Sussurro exemplifies a thoughtful approach to residential architecture, where contemporary design meets environmental consciousness. The strategic use of orientation for light and ventilation, the integration of living spaces with nature through the veranda and garden, and the clear volumetric definition of its sectors contribute to a dwelling that is both aesthetically pleasing and highly functional within its unique geographical context. The project reflects a careful consideration of its inhabitants' needs for comfort and elegance, while also harmonizing with the idyllic landscape of São Miguel do Gostoso. #ResidentialArchitecture #Houses #Brazil #SãoMiguelDoGostoso #DavideAndraccoArchitetto #ContemporaryDesign #NaturalVentilation #IndoorOutdoorLiving

A 100-year-old Spanish bungalow in Pasadena, California, underwent a problematic house flip before being purchased by a young couple. The property, initially featuring three bedrooms and two bathrooms, presented several significant issues that required the intervention of Alice Cheng of Shialice Spatial Design. Despite a new kitchen and an additional bathroom, the home's layout was impractical. A door from the primary bedroom opened directly into the main entry, compromising privacy, and a shared bathroom had two doors, one from the primary bedroom and another from the hallway, which reduced usable space and created an awkward configuration. Further inspection revealed serious structural problems, including rotting flooring under the primary bathroom due to inadequate waterproofing during the flip. The bathroom's design was cramped, featuring a poorly placed shower/tub combo and a single vanity with minimal clearance. To address these deficiencies, Cheng's team initiated a comprehensive remediation and redesign process. The initial steps involved rectifying cosmetic issues in the main living areas. The flipper's choice of cobalt blue for interior doors was replaced with classic stained hardwood to complement the vaulted ceiling, and the original Swiss Coffee wall paint was updated to a softer, more neutral white. The homeowners took the initiative to refresh the kitchen themselves by repainting cabinets and redoing the backsplash, integrating a minor facelift into the larger renovation. Strategic furnishing and accent choices were crucial for rooms that did not require major structural changes. Cheng introduced floor-length drapery and antique rugs to unify the spaces and visually redefine rooms. Modern and contemporary lighting fixtures were carefully selected to harmonize the home's existing architecture with the new furnishings. In the living room, a Castiglioni cocoon light was installed, alongside floor-to-ceiling drapery and minimalist artwork. The sitting area was reoriented closer to the fireplace, creating a clear walkway from the entry to the dining room. In the family room, slim stools at the kitchen island maximized floor space. A custom-sized sofa from Croft House LA, with a specific back height, was chosen to prevent the room from feeling divided, and custom leather ottomans served as versatile surfaces. A wall-hung wooden console further contributed to an uncluttered feel. The dining room received black leather Mario Bellini Cab chairs, providing a material contrast and balancing the color palette. Vintage plates and decorative objects with patina were added to soften the space, while a Dunn Studio light fixture elegantly illuminated the dining table. The most extensive renovations focused on the primary bedroom's entry and the mold-infested primary bathroom. Cheng's team closed off one bathroom door and replaced the existing windows with a single, centrally placed wood window, optimizing for storage, flow, and natural light. The door connecting the primary bedroom directly to the main entry was removed, and a hallway extension was created to incorporate the bathroom, forming a private en-suite. A strategically placed pocket door further enhanced space efficiency without altering the overall square footage. This renovation successfully transformed the bungalow, achieving an optimal layout and seamlessly blending modern aesthetics with the home's original charm. The design thoughtfully integrated the homeowners' collection of modernist classics, vintage pieces, and flea market finds, reflecting their appreciation for unique and interesting design elements over transient trends. The project exemplified a meticulous approach to correcting prior renovation errors, resulting in a stylish, functional, and personalized living environment. #SpanishBungalow #HomeRenovation #InteriorDesign #HouseFlipping #PasadenaHomes #SpatialDesign #HomeTours #DesignTips

The article describes the transformation of an old Mexican house into an artist's retreat for financial adviser Dorsey Gardner, located in San Miguel de Allende. Gardner initially sought a small studio but acquired a significantly larger 19th-century cottage, which was later expanded to 12,000 square feet. The property, built in the late 1700s, was surrounded by high walls and presented several challenges. Upon acquiring the property, Gardner faced initial issues, including a dense "cactus farm" on the premises. Hundreds of cacti, including a large candelabra cactus, were carefully relocated. The house also featured numerous false ceilings installed in the 1950s in its oldest section, which architect Sebastian Zavala removed to restore the original height and appearance of the rooms. Zavala also enhanced some ceilings with grand wooden crossbeams and refinished existing 1950s wood doors and windows with a light whitewash. During the renovation, a hand-painted frieze in the primary bedroom was uncovered and preserved. Gardner, who had previously undertaken remodeling projects on his own homes in Boston, entrusted the design of this Mexican property to Zavala and Paris-born, San Miguel–based designer Anne-Marie Midy. Gardner expressed a preference for a neutral aesthetic, distinct from traditional Mexican decor. He provided the designers with inspiration from magazines and gave them "carta blanca" for the project before embarking on an extended trip. Midy, along with her partner Jorge Almada, founded Casa Midy, a design firm specializing in furniture and accessories. Gardner's house became their first major interior design project. He had discovered Midy and Almada at their former bistro, Plum, known for its distinctive all-purple decor, which Midy noted was an effective way to attract clients. Zavala converted the original structure into a three-bedroom, five-bathroom artist's retreat, maintaining the house's Spanish Colonial architectural elements, stone walls, and archways. He added a spacious studio and installed robust columns on the patio, using locally quarried stone. A new second-floor guest room was also added, offering views of the 17th-century parish church's Gothic-style tower, an 1880 addition inspired by European postcards. Midy and Almada adhered to Gardner's request for a more understated Mexican interior design. They avoided extensive use of decorative elements like talavera tiles, except for a minimal application in the kitchen, and chose muted colors. However, they integrated rich local decorative resources, using jute from Yucatán for curtains, linens from local cotton mills, and furniture sourced from regional antiques shops. Even the traditional lime-and-pigment paint was mixed with San Miguel dirt to achieve a warmer tone. Midy and Almada also designed furniture and accessories for the house, such as iron sconces, a leather cocktail table, and bed linens. They collaborated with Zavala to create trench-like fountains inspired by hacienda horse troughs. The project concluded after a year, with Gardner expressing immense satisfaction, declaring the house fit for a king. #MexicanDesign #ArtistStudio #SanMiguelDeAllende #HomeRenovation #InteriorDesign #SpanishColonial #ArchitecturalRestoration #CasaMidy #LuxuryHome

The author, Hanya Yanagihara, reflects on the concept of 'home,' noting that her transient upbringing across nine cities and 20 residences prevented her from associating the idea with a single physical space. Instead, her sense of rootedness is derived from an accumulation of specific details, rooms, furniture, and light from the various places she inhabited. This personal reflection introduces a broader exploration of diverse relationships with the notion of home, as presented in T Magazine's Design Issue. The article highlights several distinct examples of family residences, each offering a unique perspective on what constitutes a home. One featured residence is a mountain compound in Brazil, meticulously constructed by furniture designer Etel Carmona and her grown children. This compound is designed to accommodate three generations, balancing communal living with the need for individual privacy for each family member. This arrangement demonstrates a contemporary approach to multi-generational living, where shared spaces coexist with distinct personal areas. Another case study involves an English art dealer in Italy who decides to rededicate himself to Venice, a city with which he has a complex relationship. His new apartment, situated in a 17th-century palazzo, surprisingly turns out to be a place he was familiar with during his teenage years. This narrative explores the serendipitous return to a place that held previous personal significance, illustrating how history and personal memory can intertwine with one's definition of home. The story suggests that familiarity and a sense of connection can transcend the novelty of a new dwelling, transforming it into a deeply personal space. The cover story of the Design Issue focuses on the three residences created by the Swedish painter Carl Larsson and his wife, Karin, located north of Stockholm. Their first house, Lilla Hyttnäs, has been maintained by their descendants since the 1940s, with parts accessible to visitors and others remaining private. This home, more than a century after the Larssons' passing, continues to preserve their artistic legacy, furniture, and overall spirit, while also adapting to the improvisations and additions introduced by subsequent generations. This longevity and evolving nature of the Larsson home exemplify a living history, where a residence becomes a vessel for enduring family heritage and creative expression. The Larssons' original vision for their home was revolutionary for its time, rejecting the perceived monotony of bourgeois design characterized by dark furniture and neo-Renaissance styles. Instead, they championed folk art, craftsmanship, vibrant colors, and a sense of coziness. Their intention was to create an environment that felt inherently like a 'home,' rather than merely a 'house.' This distinction underscores the emotional and experiential qualities that define a true home, emphasizing comfort, personal expression, and a departure from conventional, often sterile, architectural norms. The article concludes by reinforcing the idea that a home is not just a structure but a dynamic entity shaped by personal histories, family connections, and artistic values. #HomeDesign #FamilyResidences #InteriorDesign #ArchitecturalStyle #BrazilianDesign #VenetianApartment #SwedishArt #MultiGenerationalLiving

Casa Clausura, a single-family residence designed by architect Agustín Lozada in Mendiolaza, Argentina, offers a distinctive approach to suburban housing. Situated in a rapidly expanding suburb of Córdoba, the project distinguishes itself by resisting typical suburban development norms, emphasizing restraint and spatial responsibility. The house is strategically placed on the flattest section of its site, allowing a pre-existing mound to conceal much of its structure from street view. This intentional subtlety ensures that the dwelling's roofline remains low, preserving the natural vista of trees and mountains. The design philosophy behind Casa Clausura, meaning 'cloister house,' centers on creating a retreat from the visual clutter often found in suburban environments. While the site provides expansive western views, the house deliberately turns away from them to mitigate the intense afternoon sun prevalent in Córdoba. Instead, the structure is oriented northeast, optimizing for soft light, environmental comfort, and enhanced privacy. These practical considerations dictate the home's layout and overall flow. The core of the residence is a central courtyard, which serves as the organizing principle for the entire domestic program. This shaded, enclosed space functions as a communal area, featuring a pool and surrounded by full-height glazed openings. These openings create a seamless transition between the indoor and outdoor environments, blurring the traditional boundaries. Lozada highlights that such courtyards are a common architectural element in rural Argentine homes, suggesting a connection to traditional local building practices. A notable deviation from conventional suburban design is the placement of the garage. Unlike typical homes where the garage is prominently featured at the front, Casa Clausura relocates it to the rear of the property. This decision necessitates a driveway that wraps around the house's perimeter, requiring the concrete volume to adapt its form to accommodate access without rigid linearity. The result is a structure that feels both firmly anchored and responsive to its site, with its shape influenced by both movement and spatial constraints. Materially, Casa Clausura is characterized by its use of cast-in-place concrete. This material contributes significant weight and thermal mass, while its natural, earthy tone harmonizes with the surrounding terrain's subdued palette. The house's openings are meticulously crafted to prioritize privacy and maintain an inward-focused orientation. The interior spaces feature a minimalist material palette, designed to direct attention to the exterior gardens that they open onto. Overall, Casa Clausura stands as an example of architecture that thoughtfully integrates with its environment, prioritizing privacy, comfort, and a departure from conventional suburban aesthetics. #CasaClausura #AgustinLozada #CourtyardHouse #ArgentineArchitecture #SuburbanDesign #ConcreteArchitecture #ResidentialDesign #Mendiolaza

An art director, after a decade of renting in Los Angeles's Hancock Park neighborhood, purchased a 1934 Spanish-style house in 2018. The acquisition followed four years of being outbid in a competitive housing market. The opportunity arose unexpectedly when he discovered the house with a 'reduced' sticker during a walk to a local restaurant, leading to him being in escrow within 24 hours. Given his architectural background, the prospect of restoring a Spanish-style home within a historic preservation district was appealing. He enlisted the help of project manager Ari Engelman from Tim Barber Architects and interior designer Tricia Portelli of Scribe Studio to undertake the renovation. The renovation began with addressing dated elements, including magnesite tile in the entry and stairwell, and a 'ketchup-and-mustard' color scheme in the kitchen, all slated for removal. A unique challenge was the faux wood ceiling in the dining room, which the homeowner insisted on keeping despite its red and orange hues. Portelli strategically incorporated an almost-black shade of green paint, 'Nitty Gritty' by Portola, on the walls to connect with the ceiling and create a cohesive atmosphere for entertaining. The den, which doubles as a game room, features existing wood paneling and reclaimed doors that received a fresh stain. The color palette for the home was inspired by a beloved pie chest in the primary bedroom, an antique acquired in Nantucket, and also by the homeowner's travels to safari lodges and various collected objects. A significant design decision involved the entryway, which was initially dim. To introduce more light, a custom rondel glass door was installed. This door, crafted by J. Michael Designs and Leslie Osinoff of Osinoff General Contractors, incorporates round glass disks characteristic of 1930s homes in the area. This design ensures privacy while allowing ample natural light to enter the space. In the primary bathroom, a marble-clad soaking tub is a focal point. Wood flooring extends into this area for visual warmth, and a brass shower enclosure was extended to the ceiling to create a makeshift steam room when the ventilation window is closed. The homeowner's personal preferences also influenced the home's ambiance, notably his choice of incense, 'Tuscon' by Astier de Villatte, discovered at the Nickey Keyhoe store. This scent has become a signature element of the home, frequently noted by visitors. The overall renovation focused on blending the home's historic Spanish style with contemporary design elements, personal collections, and practical functionality, transforming the house into a personalized living space. #HomeTour #SpanishStyleHouse #LosAngelesRealEstate #HistoricPreservation #InteriorDesign #HomeRenovation #ArchitecturalRestoration #DesignInspiration #HancockPark

This article highlights the design philosophy and execution of a beach house in Pulpos, Peru, owned by Bettina Lolas and designed in collaboration with Venezuelan-born designer Carlos Mota. The home is characterized by its open-air structure and a relaxed, bohemian aesthetic, eschewing traditional beach house tropes. Lolas, a creative consultant based in Lima, acquired the house in 2008, drawn to the laid-back atmosphere of the surfer town and the architecture of the 1980s Juvenal Baracco-designed property. Mota's design approach focused on creating a comfortable and unfussy environment where furniture and decor would gain character and patina over time from the coastal elements. For instance, the outdoor dining table is crafted from butcher's block wood, complemented by folding bamboo chairs that Mota painted black for added drama. The living spaces are kept minimal, emphasizing comfort over extensive furnishings, with a custom sofa banquette topped with pillows from John Derian serving as a key seating area. A notable design choice is the use of museum posters for wall art instead of expensive paintings, contributing to the home's carefree vibe. The primary bedroom features an Indian screen, painted white by Mota, which functions as a headboard, adding texture to the concrete walls, and is adorned with a vintage Turkish suzani bedcover. The bedroom also provides direct access to the pool area, where Mota extended a bamboo wall to enhance privacy from neighboring properties and incorporated a sculptural cactus garden around the pool's edge, chosen for its resilience to direct sun and heat. The collaboration between Lolas and Mota proved highly successful, leading to plans for a second beach house project in Máncora, northwestern Peru. The Pulpos beach house is described as a place where Lolas feels happy, free, and relaxed, particularly when enjoying the terrace overlooking the Pacific Ocean. The article underscores Mota's unique vision of a beach house that blends seamlessly with its natural surroundings while offering a distinctive and relaxed living experience. #CarlosMota #BeachHouse #PeruvianDesign #OpenAirLiving #BohemianStyle #CoastalDecor #InteriorDesign #ArchitecturalRenovation #OutdoorLiving

Designer Jules Moore undertook a comprehensive renovation of a Pueblo-style home in Santa Fe, New Mexico, which had been vacant and in disrepair for a decade. Despite the extensive damage, the property's prime location on a canyon ridge, offering panoramic views of piñon pines, cypress trees, and daily sunrises and sunsets, captivated Moore and inspired her to take on the project. The existing structure, while dilapidated, featured the traditional adobe construction characteristic of Pueblo architecture, a sustainable building method that appealed to Moore's design philosophy. This ancient technique provides natural thermal regulation, keeping the interior cool in summer and warm in winter. The renovation aimed to honor the historic Pueblo architecture while integrating sleek, contemporary details, creating a dynamic interplay between past and present. The home’s original elements, such as organic forms, heavy doors, large timber features, prominent timber ceiling beams, and smooth plaster walls, were preserved and highlighted. Traditional kiva fireplaces with hand-tooled plaster benches were retained throughout the house, adding to its authentic charm. Moore, having moved to Santa Fe on a whim, found solace and a unique connection to the adobe walls, describing their soothing and calming effect. The interior color palette was inspired by the natural surroundings, featuring earth tones. Timber rafters were stained to echo the surrounding trees, the kitchen island's soft gray matched the bark of piñon pines, and snowy white walls were contrasted with deep bronze window frames. This neutral base serves as a backdrop for textures, weaves, and claywork from local artisans, reflecting Moore's eclectic design sensibilities developed through her travels. One of the most significant changes involved expanding the windows to maximize the 360-degree views. The small original windows were replaced with much larger Marvin Ultimate Narrow Frame windows and doors, quadrupling their size. This alteration brought an abundance of natural light into the 3,800-square-foot home, which comprises three bedrooms, three bathrooms, a spacious living area, a formal dining room, and a large kitchen. Moore chose Marvin’s elegant Ultimate line in a dark bronze finish, which creates a striking contrast with the organic plastered walls and makes the wilderness an unobstructed painting in every room. A particularly innovative addition is the glass-enclosed Marvin Skycove in the primary bedroom, offering a unique space to experience the surrounding landscape, whether during a lightning show, a monsoon, or snowfall. The home now serves as a gallery for Moore's extensive collection of objets d’art from around the world and new acquisitions from local artisans. These pieces are strategically arranged within the home's niches and ledges, with items like ladders repurposed as hanging storage and rugs transformed into wall hangings. Moore describes her daily routine of opening the large windows to the mountain air, enjoying gatherings in the living area with views of the Jemez mountain range, and falling asleep under the New Mexico stars. The project successfully transformed a neglected property into a vibrant, modern home that respects its historical roots and integrates seamlessly with its breathtaking natural environment. #PuebloStyle #HomeRenovation #SantaFeArchitecture #ModernDesign #SustainableDesign #AdobeConstruction #JulesMooreStudio #MarvinWindows #InteriorDesign

The "Patio House," designed by Renata Barbugli and completed in 2022, is a residential project located in Quinta das Laranjeiras, Brazil. This 514 square meter house was conceived with a strong emphasis on fostering coexistence and social gatherings, while simultaneously maintaining the privacy of its more intimate spaces. The architectural design revolves around a central patio, a common element in Brazilian residential architecture, which serves as a nexus for various activities and visual connections within the home. The project incorporates several key manufacturers and suppliers, including Indusparquet for flooring, Deca for sanitary ware, Depósito de Pedras São José for natural stones, Docol for plumbing fixtures, Durafloor for laminates, Marcenaria Móveis Figueira for custom cabinetry, Portobello for ceramic tiles, Portpedras for additional stone work, Rn Esquadrias de Aluminio for aluminum frames, and Sincol portas for doors. The lighting design was handled by Jabu Elétrica, and the landscape architecture was developed by Licuri Paisagismo, ensuring a comprehensive and cohesive design. Photographs by Favaro Jr. extensively document the house, capturing both its exterior and interior features. The images showcase the facade, garden areas, living rooms, dining rooms, kitchens, and various interior details, highlighting the interplay of light, materials, and spatial arrangements. Notable interior elements include a prominent wooden ceiling, extensive use of glass for natural light, and strategically placed furniture that defines functional zones within open-plan areas. The architectural approach prioritizes natural light and ventilation, achieved through large windows and glass panels that blur the boundaries between indoor and outdoor spaces. The design's success lies in its ability to create a harmonious environment for both communal activities and private retreat, adapting to the needs of a family that values both social interaction and personal space. The use of a patio is central to this concept, acting as an organizing element that facilitates flow and visual connection across different parts of the house. The house's design is characterized by modern aesthetics combined with functional considerations. The selection of materials reflects a commitment to quality and durability, while contributing to the overall aesthetic appeal. The integration of landscape design further enhances the living experience, providing green spaces and natural elements that complement the built environment. This project exemplifies how contemporary residential architecture in Brazil can successfully balance openness with privacy, creating a comfortable and inviting home for its inhabitants. #ResidentialArchitecture #HouseDesign #PatioHouse #BrazilianArchitecture #ModernHome #InteriorDesign #LandscapeDesign #QuintaDasLaranjeiras #RenataBarbugli

This article details the transformation of a 1920s Spanish bungalow in Los Angeles, which had previously undergone a quick, character-lacking flip. Candace Shure of Shure Design Studio was tasked with reimagining the home for a young lawyer and first-time home buyer, aiming to infuse it with joy, relaxation, and productivity. Instead of a complete overhaul, the design approach focused on sustainability by retaining existing quality materials such as flooring and kitchen components. The primary challenge was the home's monochromatic aesthetic and mismatched lighting fixtures. The client, who splits his time between Downtown L.A. and working from home, desired a vibrant and personal space. Shure Design Studio strategically added impact to the three-bedroom, two-bathroom home, with particular attention paid to the kitchen and dining room. The galley kitchen, which had a significant gap, was enhanced with a custom island painted in a contrasting deep navy (Sherwin Williams' Indigo Batik) and adorned with unique brass and inlaid bone hardware. This design choice ensured the new island complemented the existing white cabinets and countertops while adding the client's personality. The small dining area, positioned off the kitchen and in front of French doors leading to the patio, was optimized with a custom banquette. This solution maximized space in the awkward corner, with a notable feature being velvet cylinder forms hanging by leather straps for the banquette's back, and custom iron legs under the seat. The living room presented a layout challenge due to its narrowness, requiring careful selection of furniture dimensions to ensure a comfortable flow. The client had already ordered an emerald green velvet sectional, which, fortunately, fit the space and became a bold statement piece, aligning with the designer's desire to incorporate vibrant colors. The primary bedroom, benefiting from natural light and direct access to the backyard, was designed to maintain a sense of lightness while featuring a bold accent wall and an unexpected bed choice. A blue-toned wallpaper and an arched canopy bed were incorporated, reflecting the client's preference for shades of blue. This blue and green color palette was extended to the home office, aiming to create a quietly uplifting effect. The renovation successfully transformed the bungalow into a bright, welcoming, and joyful space that the client and his guests enjoy. #SpanishBungalow #HomeRenovation #InteriorDesign #LosAngelesHomes #ShureDesignStudio #KitchenDesign #LivingRoomDesign #BedroomDesign #SustainableDesign

The article details the design transformation of a Santa Fe vacation home, undertaken by Atelier Interior Design principal designer Katie Schroder for clients seeking a vibrant and personalized retreat. The owners, a large family with four children and three dogs, aimed to blend traditional Santa Fe architectural elements with bold colors and eclectic patterns, departing from the design constraints of their primary residence. The house chosen for this project features a primary suite, guest bedroom, a bunk room designed for six, and two bathrooms, providing ample space for the family. Key areas of focus during the renovation included upgrading the home's three fireplaces to meet modern standards while enhancing their traditional Southwestern Kiva-style aesthetics. The kitchen, initially featuring dated finishes and fixtures, received a comprehensive overhaul with new appliances, upgraded plumbing, fresh countertops, and refreshed tilework. Despite these modernizations, the design team consciously preserved the original woodwork and terracotta flooring on the main level. These elements were considered crucial for maintaining the home's inherent adobe style and rustic charm, ensuring that the modernization efforts complemented rather than overshadowed the existing character. The clients' desire for a playful and risk-taking approach to interior design allowed for the incorporation of vibrant color palettes and creative design elements. This approach was carefully balanced with the integration of natural textures and regional design traditions to create a warm and inviting atmosphere. The overall vision was to produce a space that was both artistically dynamic and comfortably cozy, serving as a sanctuary for family gatherings and personal escapes. The project successfully merged the clients' unique tastes with the traditional Southwestern architecture. The vibrant colors, patterns, and tiles were intentionally chosen to enhance the architectural features of the home, creating a cohesive and visually stimulating environment without being overwhelming. The design process was collaborative, with the clients entrusting Schroder's team to capture their personality while respecting the Santa Fe location's unique characteristics. This blend of personalized aesthetics and regional tradition resulted in a vacation home that functions as a relaxing getaway and a source of creative inspiration, perfectly suiting the family's needs for unwinding and quality time. #SantaFeDesign #SouthwesternStyle #HomeRenovation #InteriorDesign #VacationHome #BoldColors #AdobeArchitecture #FamilyHome #AtelierInteriorDesign

This article highlights a 3,000-square-foot home in Los Angeles, along with its 400-square-foot Accessory Dwelling Unit (ADU), designed by Shanty Wijaya and James Mulyadi from the firm Allprace. The design incorporates a soft interpretation of Catalan Modernism, also known as Modernisme, while honoring the home's original Spanish-style architecture, which is prevalent in the neighborhood. Unlike traditional Catalan Modernism, the design eschews elaborate stained-glass windows and mosaic-tiled exteriors in favor of a subtler approach. The residence maintains key characteristics of California-Spanish homes, such as an earthy color palette and smooth archways. However, the designers introduce distinct elements in the floors and ceilings to create visual interest and tension. For instance, the family room features a barrel-vaulted white oak ceiling, a bathroom showcases groovy Bibiena Variegato terracotta floor tiles, and the entry steps are adorned with a round Lucite baluster. These details intentionally shift focus from eye-level elements to the upper and lower architectural features. Wijaya shares several design insights from the renovation. The majority of the home's ceilings and walls are finished with European plaster, with some painted surfaces. The dining room, centrally located, acts as a focal point, featuring wallpaper with a detailed nature-landscape pattern in a neutral hue that aligns with the Catalan Modernism theme. Color is used impactfully, particularly in a bathroom where midnight port zellige tiles create a moody atmosphere. The texture and color of these tiles complement the wood ceiling and wall, adding depth to the space while keeping eye-level elements muted. Natural light is also thoughtfully integrated; in the guest bathroom, skylights complement a window, casting shadows that highlight the terracotta floor and add drama to the simple plaster walls. The ADU significantly enhances the property's value and functionality, offering flexibility for use as a guesthouse, office, or income-generating Airbnb. Throughout the main house, curves, arches, and geometrical designs are consistently applied, as seen in the round, curvy marble bullnose vanity in a bathroom, ensuring design cohesion. The barrel-vaulted ceiling serves as both an artistic element and a focal point, beautifully framing the view of the pool and complementing the cabana's ceiling, thus strengthening the indoor-outdoor connection. Regarding the budget, the biggest splurges were on high-quality finishes, including lighting, plumbing fixtures, appliances, and flooring. Conversely, a bio-ethanol fireplace in the living room represented a significant cost-saving measure. Wijaya particularly favors the Lucite stair baluster and the curved barrel-vaulted white oak ceiling, intending to reuse these unique, art-like details in future projects. #HomeDesign #SpanishStyleHome #CatalanModernism #ADUDesign #InteriorRenovation #ArchitecturalDetails #TerracottaTiles #NaturalLight #CustomFinishes

The Courtyard House, completed in 2019, is situated in the hills of Boliqueime, Portugal, an area characterized by mild winters and hot, dry summers. The architectural design by cal30.arquitectos, with a total area of 273 square meters, strategically positions the house to maximize natural light and views. Access to the property is from the north side, which allows the dwelling spaces and gardens to benefit from optimal southern sun exposure. The entrance sequence involves skirting a vegetated bench, leading into the shade before opening up to a light-filled patio, creating a sense of arrival and transition. The project involved a comprehensive team of specialists. Catarina Rebelo de Sousa and Gilberto Veiga de Oliveira served as the lead architects. The design team included João França Felix and Ana Manta, with MONDA contributing to the overall design. Structural engineering was handled by Miguel Villar of BETAR, while Andreia Cardoso, also from BETAR, managed hydraulic engineering. Climate installations were overseen by Gonçalo Brito of EACE, and mechanical & electrical engineering was provided by Maria João Azevedo, also from EACE. João Caramelo, another EACE member, was responsible for electromechanical installations. Thermal engineering expertise was provided by Liliana Manhita of BIGDEAL. The general contractor for the project was Martinho Luz of LUZNOVIT. Site management and supervision were carried out by Pedro Moreira and João Lage from ALGARVE SURVEYORS. Key manufacturers and suppliers involved in the construction and finishing of the Courtyard House included Technal, Bega, Grohe, Amop, Astral Pool, Binderholz, CIN, Efapel, Farrow & Ball, FLOS, Fassa Bortolo, Foscarini, Ikos, JNF, Represtor, Roca, and Smeg. These companies contributed various materials and products, ranging from windows and sanitary ware to lighting and kitchen appliances, ensuring a high standard of quality and aesthetics throughout the house. The architectural text emphasizes the house's integration with its natural surroundings and its response to the local climate. The design prioritizes the panoramic views of the ocean to the south, while the northern access point contributes to a thoughtful progression from entry to the main living areas. The use of a courtyard as a central element suggests a focus on creating intimate outdoor spaces that are protected from the elements while still allowing light and air to penetrate the interior. The house is a notable example of residential architecture in Boliqueime, Portugal, reflecting a modern approach to design that respects its context. #ResidentialArchitecture #CourtyardHouse #Boliqueime #Portugal #cal30Arquitectos #NunoAlmendra #ModernDesign #ArchitecturalProject

Casa Cóndor is a family residence situated on a 2,000 sqm plot of land in one of the valleys of Loja, Ecuador. The architectural firm Freddy Bonilla Estudio designed and constructed the house with significant involvement from a local workforce, emphasizing the revival of Ecuadorian vernacular architecture. The design integrates traditional materials and construction techniques, with a strong focus on sustainability and self-sufficiency. The residence primarily utilizes mud, wood, adobe masonry, bamboo, reed, brick, and tile. Notably, many of these materials were repurposed from a disused house on the same site, which the team meticulously dismantled. This approach not only promotes recycling but also preserves the local architectural heritage and reduces environmental impact. A defining characteristic of Casa Cóndor is its abundance of portals and terraces, designed to encourage outdoor living and capitalize on the scenic views of the surroundings. The interior layout is thoughtfully planned to delineate social and private spaces. On the ground floor, C-shaped walls separate a double-height living room and kitchen area from two bedrooms that can be merged into a single larger space using sliding doors. The first floor accommodates a suite, a laundry room, and a terrace that provides expansive views of both the exterior landscape and the living room below. From a structural standpoint, the construction employs a combination of bamboo, soil, and reed, all sourced and harvested locally by a skilled master builder. The ground floor's recycled tile roof is supported by a robust wooden foundation, featuring two large trusses. These trusses rest on the walls and posts, serving to shelter the portals and create the impressive double-height ceilings in the living room and master bedroom. The upper floor features two inverted, funnel-shaped water tanks that shield the suite and collect rainwater. This collected water feeds a pond, providing a water source for domestic animals. The suite's distinctive architectural character includes a wing-like roof, which cleverly incorporates a skylight. This design element ensures ample natural light penetration and enhances the spatial breathability within the suite. The house emphasizes self-sufficiency through its integrated systems. The bathroom facilities are connected to a biodigester, an anaerobic digester that processes wastewater. The treated wastewater is then utilized to irrigate crops, establishing a closed-loop system that minimizes waste and maximizes resource efficiency. Freddy Bonilla Estudio views Casa Cóndor as a testament to the enduring effectiveness and power of vernacular knowledge, highlighting the importance of its transmission, improvement, and application for future generations. #VernacularArchitecture #SustainableDesign #EcuadorianArchitecture #RecycledMaterials #SelfSufficientHome #TerraceLiving #WoodAndTimberArchitecture #MudConstruction #AdobeMasonry