freddy bonilla estudio's casa cóndor revives vernacular architecture in ecuador

Andes House, located in Puembo, a rural area on the outskirts of Quito, Ecuador, is a private residence designed by Correa+Fatehi | ODD. Completed in 2021, the project redefines the relationship between architecture, landscape, and materials. The design emphasizes integration with its environment, utilizing locally sourced materials and drawing inspiration from the Andean topography. The house's construction prominently features materials derived directly from its site. Excavated earth is compacted to form rammed earth walls and cast into custom adobe bricks. This choice of material not only grounds the structure physically but also provides functional benefits, such as regulating indoor temperature and light. The breathable, ventilated façade casts dynamic shadows throughout the day and emits a soft glow at night, transforming the otherwise monolithic structure into an atmospheric presence. The architectural strategy for Andes House incorporates a landscape design that mirrors the surrounding highland wilderness. The residence appears to rise from sculpted mounds of native vegetation, creating a seamless transition between built and natural environments. Access to the house is integrated into these sculpted mounds, with pathways reminiscent of the Chaquiñán, the ancestral Andean trails, guiding visitors through a sequence of spaces that gradually reveal the structure. This processional approach culminates in a sunken threshold, initiating an immersive sectional experience within the house. From an exterior perspective, Andes House presents itself as a compact, vertical monolith, appearing discreet and firmly rooted in its location. Internally, the design focuses on spatial flexibility and dynamic organization across three levels. A key feature is a mobile platform that traverses all floors, serving not merely as a circulation element but as a mechanism to adapt the living spaces. This mobility allows various programs within the house to shift, merge, and reconfigure, accommodating changing needs and uses over time. The second level of the house extends outward into a plateau featuring both an interior pool and an exterior garden. Operable glazing divides these two spaces, enabling them to merge and unite the interior living area with the external landscape. This design choice further blurs the boundaries between indoor and outdoor environments, enhancing the connection to nature. Correa+Fatehi | ODD, the architectural studio behind Andes House, was founded by Lucas Correa and co-directed with Parshan Fatehi. The firm, established in 2015, operates from Quito, Ecuador, and is expanding to Toronto, Canada. Their work is recognized for spatial clarity, material intelligence, and an approach described as adaptive grounding, which treats each project as a system influenced by its context, materials, and long-term functionality. Their portfolio includes residential, hospitality, and urban design projects, all aiming to produce architecture that is both rooted in its environment and forward-looking in its design principles. Andes House exemplifies this philosophy, showcasing an architecture that is deeply attuned to its site's contours and conditions, resulting in a dwelling characterized by quiet intentionality and environmental sensitivity. #AndesHouse #EcuadorArchitecture #SustainableDesign #RammedEarth #ModernResidence #CorreaFatehi #ArchitecturalInnovation #ContextualArchitecture #SouthAmericanArchitecture

The Rio Cedro House, designed by Plan:b arquitectos and completed in 2011, is situated in Moñitos, Colombia, on the Caribbean Sea coastline. This architectural project integrates with a tropical dry forest ecosystem, emphasizing a design approach that respects and responds to its natural surroundings. The house's location allows it to interact closely with both the forest and the sea, informing its material choices, spatial organization, and environmental strategies. Sergio Gomez provided the photography for the project. The design of the Rio Cedro House is characterized by its open structure and use of locally available materials. Wood, in particular, is a prominent material, selected for its aesthetic qualities, sustainability, and ability to blend with the natural environment. The house features elevated platforms and permeable enclosures that facilitate natural ventilation and offer panoramic views of the landscape. This open-plan approach helps to blur the boundaries between the interior and exterior spaces, promoting a continuous interaction with nature. The strategic placement of windows and openings maximizes natural light and minimizes the need for artificial cooling, contributing to the building's energy efficiency. Environmental considerations are central to the Rio Cedro House's design. The architects focused on creating a structure that is both resilient to the tropical climate and minimally impactful on the delicate ecosystem. The elevated design helps protect the house from potential flooding and allows the natural ground cover to thrive beneath. The use of natural materials and passive design techniques reflects a commitment to sustainable architecture. The house acts as a model for integrating modern living with environmental preservation, demonstrating how structures can coexist harmoniously with diverse natural habitats. The house's program includes various living spaces tailored to its coastal forest setting. These spaces are designed to be flexible and adaptable, catering to different activities while maintaining a strong connection to the outdoors. The layout promotes a fluid movement between rooms and encourages occupants to engage with the surrounding environment. This project exemplifies how thoughtful architectural design can enhance the human experience by immersing residents in a natural setting while adhering to principles of sustainability and ecological sensitivity. The integration of the house with its site in Moñitos, Colombia, showcases a balanced approach to development in sensitive ecological zones. #ResidentialArchitecture #Houses #Colombia #Moñitos #WoodConstruction #TropicalArchitecture #SustainableDesign

After 15 years in Singapore and three in Bangkok, along with extensive travel across 25 countries, Abhit and Shilpi Banerjee, now in their sixties, sought a home that resonated with their accumulated experiences upon returning to India. Six years prior, they had discovered a 50-year-old bungalow in Vadodara that captivated them with its abundant natural light, expansive balconies, and surrounding garden. Despite its age, they perceived its inherent charm and potential, envisioning a fresh revitalization rather than a complete overhaul. To actualize this vision, they collaborated with Darshali Golani, Parnavi Mendon, and Dweeta Dawda of Outhaus Collective. The Banerjees clearly articulated their desire for an interior that blended vintage aesthetics with modern conveniences, emphasizing a sense of openness and light. The designers embraced this direction, prioritizing a sensitive approach that preserved the home's existing architectural integrity rather than implementing drastic changes. This involved thoughtfully integrating new elements that complemented the historic character without overshadowing it. For instance, the original marble flooring in the common areas was retained, while other sections with older tiles were updated. The design philosophy also celebrated earthy textures and local materials, with specific choices varying from room to room. The kitchen features bold chequered tiles, while the grandparents' room and den are adorned with green stone strips and grey river-finish Kota. The primary bedroom and sons’ rooms utilize sunshine yellow Kota, balanced by off-white raw silk walls that encourage barefoot comfort. The designers, who named the project ‘Saanjh’ (sunset), strategically introduced a palette of dusk-inspired colors: mustard at the entrance, green on the lower balcony, and scarlet on the upper. They deliberately avoided modern wall panels and shiny new finishes, aiming for an aesthetic that felt authentic to the home's historical context. The bungalow reflects the Banerjees' warm, joyful, and adventurous spirit, infused with their love for travel, art, reading, and collecting unique objects. Their global journeys are evident throughout the home, from the cozy basement library to a Chinese shadow box and a Borobudur-style Buddha statue acquired in Bangkok. The decor also includes remarkable flea market finds, such as three solid wood pieces from Bangkok, and eclectic art like a pattachitra cloth painting of Lord Jagannatha sourced in Bangkok, wooden dolls from Myanmar, porcelain dolls from Japan, and a tile mosaic tree of life from Turkey. These diverse elements collectively narrate a rich life lived both within and beyond the confines of the home, creating a space that is a true testament to their worldly adventures. #Vadodara #BungalowRenovation #VintageCharm #ModernComfort #OuthausCollective #IndianHomes #ArchitecturalDesign #GlobalInspiredDecor #HomeRedesign

The article explores Casa Toquilla, a project by Ecuador-based Rama Estudio, which aims to revive vernacular architecture and local construction techniques in the aftermath of a devastating 2016 earthquake. The initiative addresses the displacement of 80 families from the island of Portete in the Province of Esmeralda, who, upon moving to the mainland, lost their connection to traditional building methods, local materials like bamboo, wood, toquilla straw, and kade, and a sense of ownership over their homes. These endemic materials had been stigmatized as low-quality alternatives to modern materials such as zinc plates, blocks, and concrete. Rama Estudio collaborated with the Portete community to develop Casa Toquilla, emphasizing responsible, respectful, and responsive architectural intervention. The project involved an extensive process of understanding site safety concerns, evaluating traditional construction techniques, and utilizing locally available materials. Through community discussions, experiments, and active participation, the architects and residents co-created three prototype houses: Casa Toquilla L, Casa Toquilla M, and Casa Toquilla S. These designs are rooted in sustainable design principles and feature bamboo construction. The housing trilogy comprises prototypes designed to cater to different family sizes, economic capacities, and ease of execution. Casa Toquilla L, the largest at 80 sqm, is a single-floor residence accommodating up to eight people, designed with elderly users and ease of movement in mind. It includes two bedrooms and a common area. Its thermal performance is enhanced by a floor grid for cold air recirculation and pambil screens with mosquito nets. Casa Toquilla M, covering 70 sqm, is a two-story structure for eight members, featuring ample meeting spaces and built on a raised deck to ensure material durability. Casa Toquilla S, the smallest at 60 sqm, optimizes space with an open-plan layout and omits the first-floor balcony present in Casa Toquilla M. A key aspect of Casa Toquilla's uniqueness lies in the integration of technical details into the spatial development. The toquilla straw weave is incorporated directly into the residential architecture, and the roof profile and attic spaces create functional areas on the upper floors. Pambil screens, highly resistant to weather and humidity, enclose the elevations and form the facade. These elements also facilitate cross-ventilation, creating open and comfortable living spaces. The project also included practical training for the local community in bamboo construction and toquilla straw weaving, fostering local labor engagement and knowledge transfer. The houses were treated with various preservation and curing methodologies to assess their durability in a humid and saline coastal environment, with the goal of creating accessible and efficient construction techniques. The initiative has led to the replication of its methodology in three additional homes in the area, demonstrating its potential for wider application and impact. The project serves as an example of humanitarian architecture, showcasing how responsible design can help a displaced community reconnect with its cultural heritage and build a sustainable future. #VernacularArchitecture #Ecuador #RamaEstudio #SustainableDesign #BambooConstruction #ToquillaStraw #CommunityParticipation #PostEarthquakeReconstruction #ResidentialDesign

The article details the transformation of an old family beach house in the rural Philippine province of Pangasinan, owned by Romana de Vera, the entrepreneur behind Romana Peanut Brittle. Originally a bamboo-and-mahogany pavilion, the house fell into disrepair over half a century. While the family contemplated its fate, Federico de Vera, one of Romana’s ten children and a renowned dealer of objects and jewelry in New York, decided to take on the renovation project himself. Federico, who resides primarily in upstate New York, stepped in due to concerns about his siblings' design choices and his desire to create something pleasing for his discerning mother, Romana. Federico's connection with his mother's aesthetic preferences goes back to his childhood, where he would help her select jewelry. This project became a personal mission for him, driven by a desire to fulfill his mother’s expectations. After his sister's initial renovation efforts were criticized, Federico took full control, ensuring a cohesive and complete vision. The house, finished a year and a half after Federico embarked on the project, stands as a testament to his unique design philosophy, which blends varied influences and materials. The renovation involved extensive international travel for Federico and coordination with another sister who acted as forewoman. The renovated structure, approximately 4,000 square feet, features a fortress-like coated-concrete design behind the original wooden facade. Its style draws inspiration from midcentury Palm Springs Modernism with clean lines, and 1960s-era Brazilian Tropical Brutalism, characterized by a sense of openness achieved through hundreds of custom-made 'dV' logo breeze blocks. These blocks, referencing early 1900s Wiener Werkstätte monograms, are a distinctive element of the new walls. The ground floor incorporates an enclosed kitchen that opens into an alfresco living and dining room, partially covered by the original thatched roof. Throughout the home, Federico collaborated with traditional Filipino artisans, guiding them to produce custom pieces that align with his unique aesthetic, such as brightly striped plastic rattan furniture and benches crafted from antique rice mortars. Federico's design approach embraces a fusion of elements, evident in his furniture designs that merge minimalist glass-and-stainless steel with repurposed traditional items. He has been creating similar designs since establishing his business in San Francisco in 1991. The art within the house, including portraits of his parents commissioned from a local artist, predominantly features Filipino works, emphasizing a homage to the island's culture. The three upstairs bedrooms are distinctively themed, moving from indigenous to colonial influences, with Federico’s own room serving as a collage of diverse elements. A semi-exposed hallway leads to Romana’s private quarters, a single-story rotunda accessed by a vintage glass-and-wood door painted in Federico’s signature fire engine red. Her room is a vibrant mix of colors and playful elements, including repainted antique beds and a unique totem crafted from local wood and crowned with a fringed handbag. The overall design harmoniously combines rarefied and humble, bold and simple, salvaged and self-created elements, culminating in a space that his mother profoundly appreciates. #PhilippineArchitecture #HomeRenovation #InteriorDesign #FedericoDeVera #TropicalModernism #FamilyHome #ArtisanCraftsmanship #CulturalHomage #SustainableDesign

Patrón, the premium spirits company, has created a luxury guest house, La Casona Guest House, at its Hacienda Patrón Distillery in Jalisco, Mexico. This exclusive facility serves as a first-hand brand experience for VIPs, media partners, and customers, allowing them to immerse themselves in the history and craft of Patrón tequilas. The guest house integrates art, architecture, local design, and Hispanic heritage, reflecting the brand's creation process. The project was a collaborative effort between Patrón’s architectural department and three local firms: Joaquin Homs Studio for interior design and interior landscaping, GVA architects for general landscape, and Grupo CASGO for construction management. The 20-room guest house, not open to the public, features dining and entertainment areas, a full-service bar, and conference facilities, offering world-class hospitality. Designed in a traditional Spanish Colonial style, La Casona incorporates architectural details from 1800s Spanish, French, and Italian designs to acknowledge their historical influence on Mexico. These traditional elements are seamlessly blended with modern design to achieve a cohesive, updated aesthetic. Joaquin Homs, who was deeply involved in the project, noted the correlation between the historical hacienda economic systems and the labor-intensive tequila distillation process. He emphasized the importance of community involvement, engaging over 2,000 local townspeople in creating almost all interior and exterior design elements. The design team implemented bioclimatic architectural processes to suit the local climate and pay homage to historical hacienda design principles. Features such as 16’ 6” high ceilings and strategically angled windows ensure optimal natural lighting and ventilation. Custom lighting systems compensate for variations in natural light throughout the day. The main building’s statement chandelier, crafted by local artisan Ernesto Cruz, features recycled glass and reclaimed wood with working bees on agave plants, symbolizing the importance of agave bees in tequila production. Other lamps and sconces are handmade from forged iron, metal, copper, hand-blown glass, and ceramic tile by local Mexican artisans. Attention to detail extends to the furnishings and fabrics, which are custom-made. Mattresses are custom-sized, and linens are locally sourced. All furniture is custom-designed, echoing early 1900s Mexican character while being modernized with various textiles. Wallpapers from Italy and France, textiles from Mexico and the U.S., French linens, and sustainable silk and grass fiber wallpapers are used throughout. Peter Leder, Patrón’s head of hospitality operations, highlighted the intention to convey Patrón’s legacy as a modern company rooted in heritage. Sustainability is a key aspect, with features like water recycling, rain absorption and well replenishment, red clay walls for climate and acoustic protection, LED lighting, and the use of cacti and semi-desert vegetation for reduced water consumption. Local materials such as Cantera (limestone), marble, onyx, clay tiles, and red bricks are utilized for their natural, reusable, durable, and biodegradable qualities. La Casona exemplifies a growing trend in design, where modern elements harmonize with old-world styles to create warm, inviting, and livable spaces, making commercial hospitality venues feel more like homes. #SpanishColonialDesign #ModernFlair #GuestHouse #MexicanArchitecture #LuxuryTravel #SustainableDesign #ArtisanCraftsmanship #BioclimaticArchitecture #InteriorDesign #PatronTequila

Quinta Fachada, an architecture studio based in Ibarra, Ecuador, has developed 'Taller Atemporal,' a multifunctional 18-square-meter space designed to serve as a coworking area, showroom, project workshop, and architectural office. The project emphasizes sustainable design and construction practices, focusing on minimizing environmental impact and optimizing resource use within the specific climatic conditions of Ecuador. The primary structural material chosen for Taller Atemporal is laminated wood, selected for its low environmental footprint, durability, and energy efficiency. This wood is responsibly sourced from certified forests, aligning with the studio's commitment to sustainability. The use of prefabricated wooden components significantly reduces the construction duration, contributing to overall efficiency and minimizing on-site waste. This approach not only speeds up the building process but also ensures a high level of precision and quality in the construction. To enhance the building's thermal and acoustic performance, polycarbonate and rice straws are incorporated into the facade design. These materials provide effective insulation, protecting the interior from noise and adverse weather conditions while maintaining a contemporary aesthetic. The thoughtful selection of these materials contributes to the energy efficiency of the structure, reducing the need for artificial heating or cooling. Internally, the space features low-maintenance OSB (Oriented Strand Board) panels, which are then coated with microcement. This combination offers both durability and a refined finish, suitable for a professional and versatile environment. A key design element is the large tempered glass facade, which opens the interior to the surrounding landscape. This integration of glass allows abundant natural light to penetrate the space, enhancing the visual connection with the outdoors and reducing reliance on artificial lighting during the day. Quinta Fachada's design for Taller Atemporal adopts a holistic approach to sustainability. The single, open-plan layout is adaptable, allowing for flexible use across its various functions—coworking, showroom, workshop, and office. The roof is not merely a protective element but acts as a significant structural and symbolic feature, contributing to the overall aesthetic and functional integrity of the building. This open design, combined with strategic solar orientation, ensures optimal thermal comfort without compromising energy efficiency. The natural light that floods the space further shapes the interior experience, creating a bright and inviting atmosphere conducive to productivity and creativity. The project underscores Quinta Fachada’s dedication to innovative, environmentally conscious architecture that responds effectively to its local context. By prioritizing sustainable materials, prefabrication techniques, and passive design strategies, Taller Atemporal serves as a practical example of how small-scale architectural interventions can achieve high standards of environmental responsibility and functional versatility. #prefabricatedWood #multifunctionalSpace #sustainableArchitecture #QuintaFachada #EcuadorianArchitecture #lowEnvironmentalFootprint #coworkingSpace #laminatedWood #OSBpanels

The Courtyard House, completed in 2019, is situated in the hills of Boliqueime, Portugal, an area characterized by mild winters and hot, dry summers. The architectural design by cal30.arquitectos, with a total area of 273 square meters, strategically positions the house to maximize natural light and views. Access to the property is from the north side, which allows the dwelling spaces and gardens to benefit from optimal southern sun exposure. The entrance sequence involves skirting a vegetated bench, leading into the shade before opening up to a light-filled patio, creating a sense of arrival and transition. The project involved a comprehensive team of specialists. Catarina Rebelo de Sousa and Gilberto Veiga de Oliveira served as the lead architects. The design team included João França Felix and Ana Manta, with MONDA contributing to the overall design. Structural engineering was handled by Miguel Villar of BETAR, while Andreia Cardoso, also from BETAR, managed hydraulic engineering. Climate installations were overseen by Gonçalo Brito of EACE, and mechanical & electrical engineering was provided by Maria João Azevedo, also from EACE. João Caramelo, another EACE member, was responsible for electromechanical installations. Thermal engineering expertise was provided by Liliana Manhita of BIGDEAL. The general contractor for the project was Martinho Luz of LUZNOVIT. Site management and supervision were carried out by Pedro Moreira and João Lage from ALGARVE SURVEYORS. Key manufacturers and suppliers involved in the construction and finishing of the Courtyard House included Technal, Bega, Grohe, Amop, Astral Pool, Binderholz, CIN, Efapel, Farrow & Ball, FLOS, Fassa Bortolo, Foscarini, Ikos, JNF, Represtor, Roca, and Smeg. These companies contributed various materials and products, ranging from windows and sanitary ware to lighting and kitchen appliances, ensuring a high standard of quality and aesthetics throughout the house. The architectural text emphasizes the house's integration with its natural surroundings and its response to the local climate. The design prioritizes the panoramic views of the ocean to the south, while the northern access point contributes to a thoughtful progression from entry to the main living areas. The use of a courtyard as a central element suggests a focus on creating intimate outdoor spaces that are protected from the elements while still allowing light and air to penetrate the interior. The house is a notable example of residential architecture in Boliqueime, Portugal, reflecting a modern approach to design that respects its context. #ResidentialArchitecture #CourtyardHouse #Boliqueime #Portugal #cal30Arquitectos #NunoAlmendra #ModernDesign #ArchitecturalProject

The "Patio House," designed by Renata Barbugli and completed in 2022, is a residential project located in Quinta das Laranjeiras, Brazil. This 514 square meter house was conceived with a strong emphasis on fostering coexistence and social gatherings, while simultaneously maintaining the privacy of its more intimate spaces. The architectural design revolves around a central patio, a common element in Brazilian residential architecture, which serves as a nexus for various activities and visual connections within the home. The project incorporates several key manufacturers and suppliers, including Indusparquet for flooring, Deca for sanitary ware, Depósito de Pedras São José for natural stones, Docol for plumbing fixtures, Durafloor for laminates, Marcenaria Móveis Figueira for custom cabinetry, Portobello for ceramic tiles, Portpedras for additional stone work, Rn Esquadrias de Aluminio for aluminum frames, and Sincol portas for doors. The lighting design was handled by Jabu Elétrica, and the landscape architecture was developed by Licuri Paisagismo, ensuring a comprehensive and cohesive design. Photographs by Favaro Jr. extensively document the house, capturing both its exterior and interior features. The images showcase the facade, garden areas, living rooms, dining rooms, kitchens, and various interior details, highlighting the interplay of light, materials, and spatial arrangements. Notable interior elements include a prominent wooden ceiling, extensive use of glass for natural light, and strategically placed furniture that defines functional zones within open-plan areas. The architectural approach prioritizes natural light and ventilation, achieved through large windows and glass panels that blur the boundaries between indoor and outdoor spaces. The design's success lies in its ability to create a harmonious environment for both communal activities and private retreat, adapting to the needs of a family that values both social interaction and personal space. The use of a patio is central to this concept, acting as an organizing element that facilitates flow and visual connection across different parts of the house. The house's design is characterized by modern aesthetics combined with functional considerations. The selection of materials reflects a commitment to quality and durability, while contributing to the overall aesthetic appeal. The integration of landscape design further enhances the living experience, providing green spaces and natural elements that complement the built environment. This project exemplifies how contemporary residential architecture in Brazil can successfully balance openness with privacy, creating a comfortable and inviting home for its inhabitants. #ResidentialArchitecture #HouseDesign #PatioHouse #BrazilianArchitecture #ModernHome #InteriorDesign #LandscapeDesign #QuintaDasLaranjeiras #RenataBarbugli

Quito, Ecuador's capital, is undergoing a significant transformation, marked by the relaxation of height restrictions for towers, the relocation of its airport, and the imminent opening of its metro system. These developments are ushering in a new era of urban densification, attracting global architects and fostering a vibrant local design scene. This guide offers a curated tour of Quito's revitalized cityscape, highlighting key architectural marvels, culinary hotspots, and unique accommodations. Among the architectural highlights is Iqon, the tallest building in Quito, designed by Bjarke Ingels Group (BIG). This brutalist structure features a distinctive 'pineapple skin' facade, incorporating balconies designed for planting trees. BIG, in collaboration with local developer Uribe Schwarzkopf, is also developing Epiq, another urban forest project. These projects signify a commitment to integrating green spaces within urban high-rises. The Metro de Quito, an extensive 22.6km long tunnel system with 15 stations, represents the city's largest urbanism project. Completed ahead of schedule in 2019 but delayed in opening, the metro is set to significantly reduce the city's carbon footprint by 60,000 tons of CO2 annually, promising efficient and sustainable transportation for residents and visitors. Quito's culinary scene is also evolving, with establishments like Foresta offering sophisticated dining experiences. Chef Rodrigo Pacheco's restaurant sources much of its ingredients from his Bocavaldivia regenerative food forest. The indoor-outdoor space, designed by Estudio Felipe Escudero, features a striking glass roof that brings Ecuador's lush forest environment indoors. Roveta, a notable architectural coffee shop, provides an eco-conscious caffeine stop. Designed by Rama Estudio, it occupies a glass triangle at the base of the Alianza Tower, utilizing 100% recycled pine for its interiors and offering views of nearby midcentury architectural masterpieces. Unique living spaces contribute to Quito's modern appeal. Casa Parasito, a 12 sq m 'parasite' structure built on a shoestring budget on a grandmother's roof terrace, offers a clever contrast to the city's densification. This tiny home, now available on Airbnb, provides impressive views despite its compact size. Similarly, Qorner, designed by Moshe Safdie, offers micro-units for rent. One such unit, a 28 sq m studio named Doméstico, created by Juan Alberto Andrade and María José Váscones, features space-saving foldaway furniture, proving popular on Airbnb. The city also boasts significant cultural institutions, such as Fundación Guayasamín, the former home and studio of artist Oswaldo Guayasamín. This site, designed by the artist and completed by his nephew, Handel Guaysamín, houses Guayasamín's paintings and murals within his studio and the adjoining Capilla del Hombre, a monolithic chapel constructed from volcanic rocks. Culinary experiences also extend to Somos, a restaurant led by chef Alejandra Espinoza. Designed by Interni, it offers a superb tasting menu and features graffiti by Apitatan, celebrating Ecuador's bioregions and Indigenous wisdom. The establishment also includes a boutique selling local products. #QuitoArchitecture #UrbanDevelopment #SustainableDesign #TinyHomes #EcuadorTravel #DesignLedCityGuide #ContemporaryArchitecture #CulinaryExperience

This article highlights the renovation of a two-bedroom condo in a historical 1870 townhouse in Boston's Back Bay, undertaken by architect and interior designer Dana Arazi Levine. The homeowners, Lauren DeVestern and Stan German, were initially drawn to the unit's original mahogany paneling and Charles River views. Levine's expertise in modernizing spaces while preserving architectural integrity was a key factor in her selection for the project. The primary goals of the renovation were to update the kitchen and bathrooms, establish a cohesive interior design, and introduce architectural details to the private areas that would complement the existing grand living and dining room. Levine noted the initial "disjointed" nature of the front and back sections of the 1,200-square-foot condo. The design brief involved reconciling the owners' contrasting preferences: Stan favored a modern aesthetic, while Lauren appreciated older elements. Levine's chosen solution was an Art Deco-inspired interior, which she described as combining "clean geometry for him with rich materials for her." The nine-month renovation touched nearly every part of the home. In the main living space, a chinoiserie-style triptych depicting flowering branches was incorporated into built-ins, catering to DeVestern's romantic tastes. German's preference for modern design was reflected in a contemporary, branch-like chandelier over the dining table. The sitting area was designed to balance formality and comfort, featuring a Gus Design Group sofa with loose cushions for relaxation and deep, velvet-upholstered club chairs for sophistication, creating a space suitable for both entertaining and private use. In the kitchen, Levine enhanced the connection to the main living space by widening the opening and framing it with mahogany trim. The kitchen itself was expanded by reallocating space from an adjacent guest bathroom. The expanded kitchen features a mahogany island, a reproduction of a 19th-century piece, and encaustic cement floor tiles that lend a sense of age, contrasting with the contemporary cabinetry, range, and marble-slab backsplash. This blend creates a completely new kitchen that still feels integrated with the condo's historical context. The master bedroom, overlooking Beacon Street, also showcases a blend of modern and antique details. Smart black accents, such as an iron-and-steel canopy bed, provide a contemporary contrast to the white walls and new moldings. Softer elements include a velvet pillow with silk fringe, a carved giltwood mirror, and an heirloom Oriental carpet, creating a tranquil environment. The en suite bathroom, inspired by London’s Henrietta Hotel, features a 1920s color palette, with the main wall divided into three sections: dusty-pink paint, herringbone-patterned tiles, and marble wainscoting. Scalloped, mosaic floor tiles further reinforce the Art Deco aesthetic. The homeowners expressed satisfaction with Levine's ability to articulate their tastes and create a seamless mix of modern furniture and antique accessories. #ArtDeco #CondoRenovation #InteriorDesign #HistoricalHome #BostonProperty #KitchenRemodel #BathroomDesign #MahoganyPaneling #DanaAraziLevine

In 1927, French diplomat Larz Anderson designed a guest house in Brookline, Massachusetts, drawing inspiration from his and his wife’s travels to Santa Monica, California. This Spanish Colonial-style residence, characterized by its red terra-cotta tile roof, adobe-colored stucco walls, and cast stone entrance, presented a unique architectural style in Brookline. Nearly a century later, the property found new owners with family ties to Spain, making the home's original design particularly fitting. However, the interior required a modern refresh to align with contemporary preferences. Alexandra Aquadro of AGA Interior Design spearheaded the renovation, aiming to brighten, clean, and open up the previously dark and heavy spaces. The initial state of the house featured heavy window treatments and dark wood, which contrasted with the client's desire for a warm environment that seamlessly integrated the outdoors. The renovation, which began in the fall of 2020, involved a collaborative effort with R L Clancy Builders, T.A. Hatcher Architects, and landscape architect Zen Associates. Significant structural changes were made, including opening up the kitchen, dining room, and back entrance. Walls were removed to create an expansive primary suite. After one year, the historic, two-story property was transformed, blending its historical integrity with a more modern aesthetic. The clients' taste was described as a mix of minimal, clean contemporary, and a fondness for midcentury modern design. Aquadro's goal was to balance these styles while remaining true to the home's historic character. Upon entering, visitors are greeted by a neutral-toned seating area featuring A. Rudin chairs and a minimalist hanging light from Urban Electric. Adjacent to this space is a blue family room, which incorporates clean lines, traditional styles, and eclectic items collected during the couple’s travels. The blue hue, a favorite of the client, was integrated throughout the house, including the primary suite, providing a cohesive and calming palette that complemented the neutrals and warm woods. The primary suite on the second floor boasts an upholstered blue bed by A. Rudin, a modern magnifying glass-esque hanging light from Urban Electric, and early 1900s Japanese artwork. A walk-in closet leads to a bright, spa-like en suite bathroom, finished with bianco dolomite marble floors and a custom Jonathan Browning Studios ceiling light. Leaving the primary suite, a bridge offers views of the main living room, where the original Spanish Baroque-style white stucco wood-burning fireplace stands as a historical centerpiece. Contemporary elements, such as a neutral sofa and chairs from A. Rudin, an Evan Lewis glass coffee table, and a subtly detailed Patterson Flynn rug, were incorporated around this historical feature. Large windows extend to the ceiling, filling the room with natural light and offering views of the lush exterior. The kitchen, once described as dark and cramped, underwent a complete transformation. It now features leather Bright Chair bar stools, a glass backsplash, Caesarstone countertops, and a large picture window. The adjacent dining room, designed for entertaining, showcases a framed black shawl, a special family heirloom belonging to the wife’s grandmother, which she wore to church in Spain. This detail underscores the home’s connection to the couple's heritage, making the property a fitting blend of historical charm and modern living. #HomeRenovation #InteriorDesign #BrooklineHome #SpanishColonial #ModernDesign #HistoricPreservation #LuxuryHomes #ResidentialArchitecture #HomeDecor

Taller General, an Ecuador-based architectural studio, has completed La Miradora, a residential project situated in the rural landscape of Machachi. The house is located at an altitude of 3,403 meters above sea level within the Páramo ecosystem, a tropical wetland region in the Andes. Its strategic positioning along the highest point of an elongated plot allows the dwelling to provide expansive views of a steep ravine, with a backdrop of meadows and distant volcanoes. The design of La Miradora is meticulously integrated with the land's natural slope, allowing for a two-level interior organization. The upper floor accommodates the main living areas for the primary residents, featuring wide windows that optimize natural light and ventilation. A loft on this level offers framed views of the surrounding volcanoes to the north and south. The lower level, designed to be smaller due to the terrain, provides additional rooms and service areas for visiting family members, ensuring functionality without compromising the house's compact appearance on the slope. The architects at Taller General prioritized both communal gathering spaces and individual privacy in the layout of La Miradora. The dwelling encourages interaction while offering secluded areas for residents and guests. Outdoor circulation is thoughtfully incorporated through a covered ramp that runs along one side of the house. This ramp provides direct exterior access to the main level and acts as a sheltered pathway, mediating between the interior and the outdoor environment, and offering a series of framed views of the Páramo landscape. Ecological performance was a key consideration in the design. La Miradora utilizes solar panels for electricity, and a sophisticated grey and black water treatment system. This system includes grease traps, a biodigester, and a wetland, ensuring that all water is treated before being released back into the ground. This closed-loop system mirrors the natural water cycle of the Páramo, emphasizing the project's commitment to environmental sustainability and minimizing its impact on the fragile ecosystem. The construction also minimizes waste by leaving materials exposed, such as wood, brick, and metal, thereby eliminating the need for additional coatings or plasters. This approach highlights the structural honesty of the building and reduces material consumption. The house's structure is characterized by an array of ten wooden ribs, spaced 2.44 meters apart. Each rib consists of four inclined elements that converge upwards, forming protective eaves and supporting the upper level. On the north side, these ribs rest on a brick base that conforms to the slope, while on the south side, they extend into durable metal members designed to withstand environmental elements and adapt to the terrain's gradient. This adaptable structural system allows for variations in rhythm to accommodate specific spatial requirements, such as the loft, and to maximize outward views. The combination of wood, brick, and metal creates a balanced aesthetic that conveys both shelter and exposure, durability and lightness. The extensive roofline and eaves offer protection to the timber and regulate sunlight penetration into the interior spaces, enhancing comfort and energy efficiency. Local craftsmen were integral to the project, contributing their skills in wood, metal, ceramics, and textiles for integrated lamps, furniture, and partitions, which further enrich the material expression of the house. #ResidentialArchitecture #EcuadorianArchitecture #SustainableDesign #PáramoEcosystem #VolcanoViews #NaturalMaterials #EcoFriendlyHome #Machachi #TallerGeneral

This article highlights the successful transformation of a Boston brownstone condo into a family-friendly home, expertly blending contemporary aesthetics with traditional elements by interior designer Kristen Rivoli. Situated in Boston's Back Bay, the late 1800s brownstone's two-floor condo had not been updated since the late 1980s, necessitating a significant renovation to meet the needs of a modern family with two young children. The primary goal was to create an open-plan living space while honoring the building's historical character. Kristen Rivoli's design approach focused on opening up the floor plan, particularly the kitchen and family room areas, to foster a more spacious and communal environment. Care was taken to preserve and recreate classic architectural details, such as mouldings and trim work, ensuring the new design remained consistent with the brownstone's original style. The curved stair opening was thoughtfully mirrored in the new kitchen entrance, adding a refined touch. The main living area, expansive enough to span the entire width of the building, was strategically divided to serve multiple functions. By utilizing back-to-back sofas, Rivoli created distinct zones for a cozy sitting area and a dining space. A custom banquette was incorporated into the bay window, providing versatile seating for both everyday meals and larger gatherings, while also allowing occupants to enjoy views of the Public Garden. The opposite side of the room was designated as a comfortable reading area, centered around an existing fireplace, highlighting the deliberate use of the home's original features as focal points. The design incorporated practical considerations for family living. All furniture fabrics were chosen for their stain-resistant properties, offering the luxurious look of high-end materials without sacrificing durability, a crucial aspect for a household with young children. The walls in the main living space were custom painted in a chartreuse strié, contributing to a warm and inviting atmosphere. A significant part of the renovation involved converting a small, cramped kitchen and the old dining room into an open-island kitchen seamlessly integrated with a new family room. This new family room was designed for a casual lifestyle, featuring a custom cabinet for toy storage and a comfortable sectional, promoting family togetherness. Dark Phillip Jeffries grass cloth wallpaper was applied in the family room and the adjacent office to create a connected, cozy ambiance. The office, a dedicated workspace for the client, also saw existing antique chairs lovingly restored with new fabric. Additional design elements include a bold powder room featuring David Hicks-inspired wallpaper in red, adding a vibrant touch. The primary bedroom was designed around the client's favorite hydrangea purple/blue, creating a serene retreat with a sitting area by an old fireplace and a deep blue desk. The children's rooms were adorned with a coastal blue palette and a whimsical, water-themed wallpaper in their bathroom, reflecting their interests and providing ample space for play and relaxation. The overall project successfully transformed an outdated condo into a harmonious and highly functional family home, praised by the designer for its new open kitchen and family room, which significantly enhanced the sense of space. #BostonBrownstone #CondoRenovation #OpenPlanLiving #FamilyFriendlyDesign #InteriorDesign #HistoricPreservation #ContemporaryTraditionalBlend #KristenRivoli #HomeTour

Houston-based interior designer Ryia Jose of Kin and Kasa undertook the design of her parents' new Kochi home, aiming to create a serene and soulful space that would evoke the essence of their former bungalow, which had been demolished. The project presented a unique challenge as the parents, Joseph Karukapally and Sherly Jose, were accustomed to bungalow living and found apartment life unfamiliar. Their preference for traditional and wooden elements led to an initial disagreement with Ryia over a black front door, which they eventually embraced after Ryia assured them of its suitability. The design philosophy centered on honoring the past while integrating modern elements. A significant aspect of the renovation involved salvaging and repurposing materials from the old bungalow. Wooden floorboards from the former courtyard were relaid in the new bedroom, discarded rosewood logs were transformed into a dining table, and Ryia's baby crib was converted into a daybed for the balcony. An eight-foot-tall engraved pillar, assembled from two smaller salvaged pillars, became a focal point in the living room. Doors for rooms and wardrobes from the old home were retrofitted and repainted, contributing to the home's sense of continuity and history. This approach ensured that the new apartment felt lived-in and deeply connected to the family's past, rather than appearing cold or impersonal. The balcony was envisioned as the home's centerpiece, inspired by a friend's apartment that felt more like a house due to its integrated outdoor space. Ryia and her father aimed to recreate the feeling of their previous home's courtyard, which had often been underutilized. In the new apartment, the balcony was strategically designed to be a prominent feature, influencing the layout of the surrounding areas. Ryia consciously avoided an open-plan concept, preferring that the living room, dining area, family room, and foyer maintain distinct identities while seamlessly connecting to the central balcony. The presence of balconies on all sides further supported this vision. Ryia's design process, conducted largely from Houston, necessitated collaboration with local designer Lyla John of Lyla John Interiors for on-site execution and vendor coordination. Despite the geographical distance, this arrangement allowed Ryia to develop a broader vision for the home, blending Indian traditions with modern aesthetics. Examples include the chequerboard flooring in the balcony, reminiscent of Chettinad mansions, and barn-style beams in common areas, inspired by her grandparents’ Kerala home. The powder room was a bolder departure, featuring Sabyasachi wallpaper and a deep brown ceiling, along with vintage lighting and antique mirrors. Throughout the home, meticulous attention to detail, including mouldings, exposed brick, transoms, pillars, bamboo ceilings, antiques, and various traditional artifacts, ensured the home reflected the distinct personalities of her parents. After a year, the black front door, initially a point of contention, has become a cherished element. The balcony, fulfilling its role as the home's core, serves as a daily gathering spot for Joseph and Sherly. This design narrative highlights a successful integration of sentimental elements from a bygone home with contemporary living, culminating in a space that is both personal and timeless. #KochiHome #KeralaHomes #InteriorDesign #TraditionalElements #ReclaimedWood #VintageDecor #ArchitecturalDesign #FamilyHome #IndianDesign

A 100-year-old Spanish bungalow in Pasadena, California, underwent a problematic house flip before being purchased by a young couple. The property, initially featuring three bedrooms and two bathrooms, presented several significant issues that required the intervention of Alice Cheng of Shialice Spatial Design. Despite a new kitchen and an additional bathroom, the home's layout was impractical. A door from the primary bedroom opened directly into the main entry, compromising privacy, and a shared bathroom had two doors, one from the primary bedroom and another from the hallway, which reduced usable space and created an awkward configuration. Further inspection revealed serious structural problems, including rotting flooring under the primary bathroom due to inadequate waterproofing during the flip. The bathroom's design was cramped, featuring a poorly placed shower/tub combo and a single vanity with minimal clearance. To address these deficiencies, Cheng's team initiated a comprehensive remediation and redesign process. The initial steps involved rectifying cosmetic issues in the main living areas. The flipper's choice of cobalt blue for interior doors was replaced with classic stained hardwood to complement the vaulted ceiling, and the original Swiss Coffee wall paint was updated to a softer, more neutral white. The homeowners took the initiative to refresh the kitchen themselves by repainting cabinets and redoing the backsplash, integrating a minor facelift into the larger renovation. Strategic furnishing and accent choices were crucial for rooms that did not require major structural changes. Cheng introduced floor-length drapery and antique rugs to unify the spaces and visually redefine rooms. Modern and contemporary lighting fixtures were carefully selected to harmonize the home's existing architecture with the new furnishings. In the living room, a Castiglioni cocoon light was installed, alongside floor-to-ceiling drapery and minimalist artwork. The sitting area was reoriented closer to the fireplace, creating a clear walkway from the entry to the dining room. In the family room, slim stools at the kitchen island maximized floor space. A custom-sized sofa from Croft House LA, with a specific back height, was chosen to prevent the room from feeling divided, and custom leather ottomans served as versatile surfaces. A wall-hung wooden console further contributed to an uncluttered feel. The dining room received black leather Mario Bellini Cab chairs, providing a material contrast and balancing the color palette. Vintage plates and decorative objects with patina were added to soften the space, while a Dunn Studio light fixture elegantly illuminated the dining table. The most extensive renovations focused on the primary bedroom's entry and the mold-infested primary bathroom. Cheng's team closed off one bathroom door and replaced the existing windows with a single, centrally placed wood window, optimizing for storage, flow, and natural light. The door connecting the primary bedroom directly to the main entry was removed, and a hallway extension was created to incorporate the bathroom, forming a private en-suite. A strategically placed pocket door further enhanced space efficiency without altering the overall square footage. This renovation successfully transformed the bungalow, achieving an optimal layout and seamlessly blending modern aesthetics with the home's original charm. The design thoughtfully integrated the homeowners' collection of modernist classics, vintage pieces, and flea market finds, reflecting their appreciation for unique and interesting design elements over transient trends. The project exemplified a meticulous approach to correcting prior renovation errors, resulting in a stylish, functional, and personalized living environment. #SpanishBungalow #HomeRenovation #InteriorDesign #HouseFlipping #PasadenaHomes #SpatialDesign #HomeTours #DesignTips