Universal Design Studio: the practice quietly shaping the way we live, work, shop and eat

The concept of universal design, which aims to make spaces accessible to everyone regardless of age or physical limitations, is explored through the renovation experience of Jenna Reed-Côté, a wheelchair user. Initially hesitant to embrace universal design due to a desire to overcome physical challenges, Reed-Côté eventually committed to renovating her Vancouver condo with the help of interior designer Kendall Ansell. The renovation focused on transforming Reed-Côté's kitchen and bathroom to enhance her independence and safety. In the kitchen, 90-degree angles were eliminated from the countertop layout, replaced by gentle curves and obtuse angles, facilitating easier wheelchair maneuverability. Cabinetry under the counters was recessed, allowing Reed-Côté to get closer to essential work zones like the cooktop, prep surfaces, and sink, which helps maintain her center of gravity and reduce fall risks. Most counters were lowered to 34 inches, two inches below the standard, for improved comfort and visibility into pots. One section retained standard height to accommodate the dishwasher, although alternatives like dishwasher drawers were considered but deemed too costly for the budget. Overhead cabinetry was designed with pull-down shelves, making previously inaccessible items reachable. A chest-height oven with a side-opening door was installed, eliminating the need for precarious leaning and significantly reducing injury risk. These modifications, while specifically addressing Reed-Côté's needs, are presented as beneficial for all users, exemplifying the core principle of universal design. The bathroom renovations included modified counters and a shower bench for stability. The article also mentions the growing trend of 'smart' toilets that combine toilet and bidet functions, which can aid individuals with mobility issues and offer eco-friendly benefits by reducing toilet paper use. Interior designer Kendall Ansell highlights that these universal design adaptations not only improve functionality but can also serve as a selling point for resale, especially with an increasing focus on aging in place. A significant challenge discussed is the cost associated with universal design elements. Reed-Côté's renovation required higher-end finishes and custom cabinetry to withstand the wear and tear from wheelchairs and walkers. For instance, quartz countertops and backsplashes were chosen for durability and ease of cleaning, and specialized door handles were installed. The team also sought standard shallow sinks to avoid the expense of custom-made alternatives. The article concludes with the hope that sharing such renovation stories will build momentum for wider adoption of universal design principles, which could lead to a decrease in the cost of UD-related products. Reed-Côté expresses how her home, once merely a shelter, has become a place where she feels limitless and empowered to pursue her life goals. #UniversalDesign #HomeRenovation #AccessibleDesign #InteriorDesign #WheelchairAccessibility #KitchenDesign #BathroomDesign #AgingInPlace #AccessibilityStandards

This interview features Jason Holley and Paul Gulati of London-based Universal Design Studio, known for their bespoke approach to design that prioritizes user experience and sensibility over fleeting styles. Both designers recall early inclinations towards creation; Holley's interest in architecture emerged from a desire to make things, while Gulati's obsession with drawing led him to understand design as a practical endeavor. Holley recounts a childhood anecdote where he convinced his grandfather to tear down a built-in wardrobe to create a more effective bedroom space, much to his parents' dismay. Gulati remembers drawing on old engineering prints, which instilled in him an understanding of design's functional purpose. Holley pursued architecture at Kingston University and Westminster University, drawn to their experimental approaches and interdisciplinary collaboration, particularly under the influence of David Greene of Archigram. Gulati's university studies transformed his perception of space and the built environment. When discussing how they imbue projects with distinctiveness while maintaining their signature, Holley emphasizes understanding social implications and defining experiences that respond to user needs, aiming to uplift spirits. This process, he explains, creates a unique voice for each project that reflects their signature approach. Gulati highlights the importance of embedding hotels within their local creative communities. They cite challenging projects they are particularly proud of. For Holley, the At Six Hotel in Stockholm presented the challenge of integrating a world-class art collection into a luxury hotel within a Brutalist building in a lesser-known area, ultimately succeeding in creating a social space centered on engagement and storytelling. Gulati points to the Ace Hotel in Shoreditch as a rewarding project, their first hotel, which demanded success due to its proximity and the desire to create layered, convivial, and informal spaces. The intention was to deeply integrate the hotel into the local creative community, yielding results that exceeded their expectations. Looking ahead, Holley is enthusiastic about their newly established New York studio, viewing it as a natural progression given their existing projects in the city and the strong collaborative spirit they appreciate there. Both designers share inspirations beyond their immediate field. Holley admires the Dutch artist Constant Nieuwenhuys's architectural project, New Babylon, which explored a future city model that put people at the center of their environments, allowing them to design their own spaces and selves. Gulati continues to be inspired by the work of Alvar Aalto. Their dream projects reflect these inspirations; Holley dreams of realizing New Babylon, while Gulati envisions planning and designing a new city or sector as part of a wider team. He believes collaboration and applying human-centered design principles on a larger, city scale are crucial for promoting wellbeing and democratizing knowledge. When asked about dinner companions, Holley chooses novelist J.G. Ballard, expecting conversations on psychology, time, and technological fetishism. Gulati would choose his late father to share updates and stories. They would dine at Odette in Singapore, a Universal Design Studio project, or an Ottolenghi restaurant in London, respectively. If not designers, Holley would run a bakery specializing in one perfected type of bread, while Gulati would create soundtracks for films or spaces, drawing on his electronic music background. #UniversalDesignStudio #HospitalityDesign #ArchitecturalDesign #InteriorDesign #LuxuryHotels #CreativeProcess #DesignPhilosophy #UserExperience #HotelDesign

The article highlights Jules Stafford, an interior design alumna from George Fox University, and her impactful work at DesignCase, a firm recognized for its community-focused projects. Stafford, a bi-cultural woman with Mexican and Filipino heritage, integrates her understanding of diverse cultures into her design philosophy, emphasizing the creation of hospitable spaces that foster community. A notable project discussed is the Immigrant Food restaurant in Ballston, Virginia, which she helped design. This restaurant is celebrated for its vibrant aesthetic, reflecting various immigrant cultures, and its role as a hub for cultural exploration and community engagement. Stafford's work extends beyond commercial projects to pro bono community initiatives. DesignCase recently revamped teacher lounges in a local K-12 public school, designing intentional spaces for educators across different grade levels. This project deeply resonated with Stafford, who witnessed the profound positive impact these revitalized spaces had on the teachers, reinforcing her belief in the power of design to serve and uplift communities. She views these opportunities as a way to steward her talents and contribute meaningfully to society. The article also delves into Stafford's personal journey, detailing her upbringing in Hesperia, California, within a large family that instilled in her a strong sense of community and a knack for organizing events. Her early experiences with hospitality and planning naturally transitioned into an interest in interior design. As a first-generation college student of color, Stafford faced unique challenges in pursuing higher education. Her family, with no prior college attendees, found the prospect of university cumbersome. She navigated a crossroads between pursuing a design-focused school or a faith-based institution, ultimately finding George Fox University and its Mosaic Scholars Program, which offered both academic and leadership development support. Her transition to George Fox was initially difficult due to the distance from home and financial pressures. Overwhelmed, Stafford considered leaving after only two weeks. However, the unwavering support from university staff, particularly Bryce Coefield and Jenny Elsey, played a crucial role in her decision to stay. They provided her with options and encouragement, demonstrating the strong community ethos at George Fox. Further support came in the form of a nanny position with George Fox’s women’s volleyball coach, Emily Davis, which offered her housing and extended her stay at the university, allowing her to thrive academically and personally. Casey Martin, Stafford's interior design professor, also provided significant mentorship and practical assistance, including helping her secure employment when an initial job fell through. Martin's commitment to connecting students with industry professionals and offering comprehensive support, whether professional or personal, was instrumental in Stafford's success. The collaborative spirit among her peers in the interior design program, where students supported each other through competitions and celebrated collective achievements, further underscored the importance of community. Stafford's story culminates in her securing a position at DesignCase, a moment celebrated by her classmates, symbolizing a shared victory and the fulfillment of her aspirations. She continues to advocate for collaborative design, emphasizing the need for diverse perspectives to create impactful and meaningful spaces, believing that even small organizations can achieve significant positive change. #InteriorDesign #CommunityEngagement #AlumniSuccess #GeorgeFoxUniversity #FirstGenerationStudent #CulturalFluency #ProBonoWork #Mentorship #CareerJourney

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles

The field of interior design is undergoing a significant transformation, moving beyond traditional aesthetics to embrace technology-driven experiences. This shift is highlighted by David Taglione of ICRAVE, a multidimensional design studio, who emphasizes the integration of physical, digital, and virtual elements to create immersive environments. The article outlines how digital technology is drastically changing how physical environments are created, requiring designers to think multidimensionally and incorporate digital strategy and customer journey mapping into their briefs. The evolution of interior design now prioritizes "experience design," where spaces are crafted to engage patrons through immersive brand experiences, integrating digital and immersive design with strong visual narratives. Key examples illustrate this evolution, starting with Sphere in Las Vegas, a project that demonstrates the critical role of emerging technology in the entertainment industry. For Sphere, a high-tech architectural lighting system was implemented to manipulate the venue's mood and energy, ensuring an immersive connection for guests and building anticipation for events. Another project, TSX Broadway in Times Square, aims to revolutionize artist-fan connections by blending physical and virtual worlds. This multi-use building incorporates augmented retail, futuristic showrooms with LED screens, a retractable stage, and a 'Retail Alley' with a programmable tunnel, offering both real-life and metaverse experiences. The project leverages Web3 capabilities to unite entertainment-seekers and level the playing field for artists and brands. The impact of virtual and digital technologies extends to healthcare and travel, as seen in the Memorial Sloan Kettering Cancer Center project. Here, technology was used to enhance the patient and family experience, making cancer care less anxiety-inducing. A personalized Real-Time Locating System (RTLS) device was introduced to allow patients, caregivers, and staff to move more freely within the facility, providing patients with greater agency and control over their time during treatment. This approach aims to create a more hospitable and less restrictive environment, enabling patients to use their time more thoughtfully and productively. Digital technology is also instrumental in revitalizing historical destinations and exhibitions. For London's iconic Battersea Station, digital elements such as animated technical drawings and interactive tables with AR web apps were integrated to engage a new generation of audiences. These digital tools worked together to tell a cohesive story, allowing visitors to participate actively in the Power Station's rich history, transforming it into a dynamic entertainment destination. Since its reopening, Battersea Station has attracted over 11 million visitors, demonstrating the success of combining historical reverence with modern technological engagement. As a result of these advancements, the role of interior designers has expanded significantly. Designers are now tasked with finding technological solutions that harmonize with physical spaces and connect emotionally with consumers. The shift from focusing purely on aesthetics to creating multidimensional experiences signifies a new era in design, where technology is not just a tool but a fundamental component in crafting engaging and impactful environments. #InteriorDesign #DigitalTransformation #ExperienceDesign #ImmersiveExperiences #TechnologicalInnovation #SphereLasVegas #TSXBroadway #HealthcareDesign #ArchitecturalLighting

The article features an interview with Leo Cesareo, an interior designer, discussing his journey, artistic influences, and personal recommendations for exploring Los Angeles. Cesareo recounts his decision to start his own business after years of working for other designers. He describes a pivotal moment at his last firm, where a negative interaction with a junior designer led him to quit on the spot and establish Leo Cesareo Design seven years ago. This experience highlighted his desire to focus on design rather than office politics and bureaucracy. He notes that this decision was a positive one, as he has not encountered similar issues with his own clients. Cesareo attributes his artistic inclination to his family background. His grandfather was an illustrator and 'Ad Man' in Buenos Aires during the 1950s and 60s, creating hand-drawn advertisements for magazines like Time and Life. His father was an architect and contractor, and Cesareo credits learning to draw by observing his father's work at a drafting table. He humorously mentions learning three-point perspective by kindergarten, much to his elementary teacher's surprise. His artistic education continued at the Visual Arts program at LACHSA and then at RISD, where he studied Film and Art History. During his film studies, he developed an interest in set design, focusing on 'world-building' and the psychology behind characters and their environments, which ultimately led him to transition into interior design. At Leo Cesareo Design, his firm aims to create unique, tailor-made interiors for contemporary individuals and households, drawing on his visual arts background to influence spatial composition and light. When asked about local spots in Los Angeles, Cesareo, a native, emphasizes approaching the city through its individual neighborhoods due to its spread-out nature. He suggests that framing LA in this way makes visitors more open to experiencing different areas, even if it involves traffic. He highly recommends The Cara Hotel, praising its transformation from a 1950s motel into a chic, European-feeling establishment with elegant rooms and a stylish courtyard. Its central location is also a plus for accessing both the East and West Sides of the city. For shopping, he points to Departamento in Downtown LA, highlighting the area's growth into a vibrant, walkable neighborhood with interesting shops and cafes. His favorite Korean BBQ spot is Dan Sung Sa, valued for its unique interior design with cubby booths and graffitied walls, which contributes to its 'frenzied cool' atmosphere, making the long wait worthwhile. For an authentic LA experience, he recommends late-night taco trucks, particularly those on Sunset in Echo Park, and diners like Norms and the iconic Johnie’s Broiler (now a Bob’s Big Boy), noting the historical significance of Googie Architecture and fast food in LA's development. For nightlife, he suggests El Cid, Akbar, and underground or gay bars, describing a quintessential LA experience involving secret passwords and unexpected celebrity sightings in unusual locations. Cesareo concludes by giving credit to his alma maters, the LA County High School for the Arts (LACHSA) and the Rhode Island School of Design (RISD). He emphasizes that these institutions provided him with the foundational experiences, work ethic, and community that have supported him since he was 15 years old. The article also provides contact information for Leo Cesareo Design, including his website, Instagram, LinkedIn, and Facebook profiles. #InteriorDesign #Entrepreneurship #LosAngeles #ArtisticInfluence #CreativeJourney #BusinessStartUp #LocalCulture #DesignPhilosophy #RISDEducation

Sarasota County, Florida, has implemented a voluntary, certification-based Universal Design and Visitability Program to encourage the construction and remodeling of homes that are accessible to people of all abilities. The program aims to promote "aging in place" through Universal Design (UD) features and to ensure homes are visitable, allowing residents to easily visit neighbors. Universal Design incorporates elements such as no-step entries, wide doorways for wheelchair access, and lever-style handles, making homes adaptable for various residents, particularly older adults and individuals with disabilities. The incentives offered for participation in this program include public recognition, a certification decal, eligibility for awards, and expedited building permit processing for projects that incorporate universal design. Despite these incentives, a primary challenge lies in the lack of perceived demand from customers and builders for these accessible features. Many home buyers, including older adults, do not consider accessibility needs until they become critical, often due to an unexpected health event or aging-related challenges. Caregivers, however, tend to have a stronger understanding of the need for accessible housing. To address this gap in demand and awareness, Sarasota County, in partnership with the University of Florida, has developed a public education program titled “How to Make Your Home Age-Friendly.” These classes provide detailed, room-by-room examples of accessibility improvements that can be integrated into existing homes or new designs. The program aims to educate the public about the benefits of universal design and visitability, fostering an environment where these features are more widely requested and understood. The program defines specific criteria for both visitability and universal design. For visitability, homes must feature an accessible entry with a minimum 25-square-foot landing, a 36-inch-wide no-step door, and a hard, barrier-free approach with weather protection. Additionally, a first-floor accessible bathroom is required, featuring wide entrances (preferably 36 inches or minimally 32 inches), ample floor space (30 x 48 inches minimum) for maneuverability, a 5-foot diameter or T-shaped turning space, an ADA-compliant comfort-height toilet, and grab bars for the toilet and bathing fixtures. Universal Design expands upon the visitability criteria by adding requirements such as a main-floor accessible bedroom with an accessible full bathroom (or an upper-floor option with an elevator). The bathroom must include a flexible shower extension, ADA-compliant fixtures, and knee space under the sink and vanity. Furthermore, electrical outlets must be located 18 inches from the floor, rocker- or touch-style light switches positioned 44 to 48 inches from the floor, and lever-style or easy-grasp pull handles must be used throughout the home. Windows are also subject to a sill height no greater than 36 inches. Kitchens in universally designed homes need clear floor space (a 5-foot diameter circle), knee space under ADA-compliant sinks and cooktops, variable height work surfaces including 32-inch high options, pullout shelves or drawers in base cabinets, and ADA-acceptable appliances. The Sarasota County Universal Design Coalition, an educational organization of local professionals, also works to raise awareness and promote these concepts. #UniversalDesign #AgingInPlace #AccessibleHousing #SarasotaCounty #HomeModification #Visitability #AgeFriendlyHomes #HousingAccessibility #AdaptiveLiving

The eyewear brand KREWE transformed a former food storage warehouse in New Orleans' Lower Garden District into its new global headquarters. This project, spearheaded by KREWE's in-house designers and Olivia Erwin Interiors, aimed to create an adaptable, light-filled space centered around the sun, reflecting the brand's identity. The headquarters features an open floor plan that extends into a courtyard with a pool, serving as both a testing ground for new shade designs and a social club. The SUN_DAYS courtyard was designed in collaboration with hospitality group LeBlanc + Smith, intending to foster a community space for creative individuals in New Orleans. It offers amenities like a heated or chilled pool, wellness classes, and a sauna, and is utilized as a vital part of the company headquarters when not open to the public. The design emphasizes a minimalist aesthetic, built for function rather than preciousness, incorporating workstations from Poppin and Hem, alongside vintage finds. The kitchen areas feature concrete floors, marble counters, and Farrow & Ball's 'Breakfast Room Green' cabinets, with a nostalgic neon sign paying homage to a former Canal Street landmark. Beyond the headquarters, the article also explores KREWE's 1818 Magazine Street store and the gallery apartment above it, located in a historic early 1800s building. The store's interiors, a collaboration with Goodwood New Orleans and Nicole Cota, showcase a green terrazzo bar, custom-framed mirrors, and cypress cabinetry. The gallery apartment, designed by KREWE and Olivia Erwin Interiors, serves as a versatile space for hosting brand friends, dinner parties, or offsite retreats. This apartment signifies KREWE's evolution into a lifestyle brand, emphasizing physical spaces over an increasing number of products. Its entrance and stairway feature Farrow & Ball's 'Setting Plaster' and 'Cuban Heritage' tile, with a Signal Globe pendant from Workstead. The living room includes a vintage Milo Baughman sectional upholstered in pink, a custom coffee table, and a walnut dining table by Studioilse. The kitchen backsplash is pink marble, complemented by dark green fluted cabinets from Goodwood and a custom brass island. The apartment also features mid-century modern furniture, step-through windows leading to wraparound gallery balconies for natural light and indoor-outdoor flow, and outdoor furniture from HAY. A library features a custom sofa with paprika velvet cushions and automotive paint, with walls painted in Benjamin Moore's 'Dakota Shadow' and an Atollo Table Lamp. The bedroom includes a Nordic II Bed from Unison Home, an Ethnicraft 'Spindle' bedside table, a West Elm rug, and walls in Benjamin Moore's 'Winter Orchard'. The adjoining bath is painted in Farrow & Ball’s 'Green Smoke'. #WorkplaceDesign #OfficeInteriors #WarehouseConversion #NewOrleansDesign #EyewearBrand #CommercialArchitecture #InteriorDesign #LifestyleBrand #CommunitySpace

Chencong Zhang, an interior designer and spatial experience designer, embarked on her creative journey driven by a deep desire to create spaces that evoke a sense of belonging. Her personal experience of longing for comfort and familiarity, stemming from being away from her family since the age of 11 and being unable to see them for over 4.5 years due to the pandemic, fueled this aspiration. Initially, Zhang pursued civil engineering as an undergraduate, a popular field in China at the time. However, after two years, she realized it was not her true calling and took a gap year to explore modern arts, design, and other creative avenues. This period ignited an urge to pursue work that resonated emotionally and could impact others' feelings positively. Her first significant step into interior design came in 2015 when she had the opportunity to work on a 7000 sq ft office in Shanghai. The project's goal was to create a comfortable, communicative working environment that seamlessly integrated with its spacious outdoor terrace. Zhang's creative input, particularly her use of colors and materials in material boards and Photoshop renderings, was highly praised. She also collaborated on designing and installing a ceiling installation made of stone and wood, a challenging but rewarding experience that solidified her passion for design. In 2016, Zhang officially began her interior design education at RISD (Rhode Island School of Design). There, she learned about transforming old spaces, gaining inspiration from successful case studies, and connecting with like-minded peers and professors. A pivotal experience was a 2018 visit to Morocco with the Architecture and Ceramics department, where she immersed herself in Islamic art, rich colors, and intricate patterns. This trip, and the subsequent creation of pieces reflecting cross-cultural exchange, broadened her perspective and reinforced the impact of cultural fusion in design. Zhang views storytelling as the core magic behind creating distinctive and tailored spaces. She emphasizes that interior design is about imbuing spaces with personality and crafting a journey for occupants. Her process involves extensive research and imaginative exploration of possibilities. She cites a hotel rooftop design project in Miami, where she integrated elements inspired by the local subtropical climate, lush landscapes, and Bahamian murals, resulting in a bold and unique space that garnered positive online reviews. Zhang attributes her ability to be a good storyteller of spaces to her sensitive nature, which allows her to deeply feel and, in turn, enable others to feel. Her time at RISD, interacting with artists from various disciplines like digital art, glassmaking, furniture design, and textiles, further enriched her understanding of different media and their application in expressing a space's personality. While acknowledging the challenges of bringing creative designs to fruition, including time, cost, and durability, Zhang highlights the importance of problem-solving. Her experience leading the construction administration for a 200-key, $50 million hotel renovation project taught her invaluable lessons in collaboration with consultants, contractors, and clients, and in making informed compromises to deliver high-quality results. She defines her role as a designer as helping clients realize their dreams, emphasizing listening to their needs, offering options, and respecting their perspectives. Zhang's personal journey underscores the message of following one's heart to discover one's true self and purpose. #InteriorDesign #SpatialExperienceDesign #CreativeJourney #StorytellingInDesign #RISDAlumni #CulturalExchange #ProjectManagement #DesignPhilosophy #Entrepreneurship

In Fairfax, California, ceramicist and Pilates instructor Annalisa Chasan and general contractor Alex Martin transformed a large, unused grass yard on their double lot into a functional accessory dwelling unit (ADU) during the pandemic. The couple sought a dedicated space for Annalisa's sculpture practice, previously confined to the main house's basement, and for hosting private Pilates classes. This dual-purpose brief was presented to Obata Noblin Office (ONO), a San Francisco-based architecture and design firm cofounded by Tyler Noblin and Max Obata. The architects approached the design by focusing on orientation, strategically angling the building around an existing magnolia tree. This created a boomerang shape that naturally divides the art and workout spaces while also forming an interior courtyard with the main house. The ceramics workspace features large sliding glass doors that open to the landscape, providing Annalisa with a visual connection to her family. On the street-facing side, a row of clerestory windows, custom-made in Sacramento with powder-coated yellow aluminum frames, allows afternoon sunlight to flood the space. The entire window set, a significant design element, cost $55,000. Noblin and Obata drew inspiration from precedents such as Ryōan-ji, the rock viewing garden in Kyoto, to emphasize views of nature. The Pilates area, similarly, incorporates floor-to-ceiling panes to capture the morning sun, fostering a meditative atmosphere. The homeowners' specific design requests included post-and-beam construction, the distinctive bright-yellow windows, and decks with overhangs. Functionality was also paramount for each internal area. The sculpture studio required a robust sink, integrated into a 12-foot-long zinc countertop, an easy-to-maintain plaster floor from EcoStucco, a dedicated kiln nook, and display areas for Annalisa’s artworks. The Pilates studio needed ample natural light, wood flooring, and space to accommodate a Pilates wall unit and floor mats. These distinct functional requirements informed the unique ambiance of each space. The Pilates studio was designed with neutral tones to create a quiet, intimate, and relaxing experience, while the art space is energetically separate, featuring pops of color in its built-ins and freestanding furniture. A folding screen door physically divides these two zones, but a continuous tongue-and-groove bleached wood ceiling unifies the overhead space. The exterior features cedar shingles on the street-side facade, chosen to blend with the neighborhood's vernacular and the main house's 1912 architecture, with the lemon-hued window frames offering a vibrant contrast. The architects aimed to imbue the ADU with an element of surprise, noting how the building’s personality shifts as one moves around the courtyard. Max Obata, whose mother was also a ceramic artist, expressed a personal connection to designing the light-filled studio for a working artist. The ADU also offers practical versatility, with a tadelakt-clad three-quarter bath designed to serve the Pilates studio but also capable of supporting future use as a guesthouse. A small room off the ceramics wing can be easily converted into a bedroom, and bespoke blue cabinetry provides multifunctional storage, seating, and shelving. Annalisa describes the building's geometries as special and inspiring, fostering a significant burst of creativity for her work. #ADUDesign #CreativeSpace #ArchitecturalDesign #FairfaxCalifornia #ObataNoblinOffice #PilatesStudio #CeramicsStudio #CustomWindows #SustainableDesign

This article highlights seven innovative design studios from across the globe, showcasing their unique approaches to architecture and design. These emerging practitioners are recognized for transcending traditional disciplinary boundaries, from product design blending technology with furniture to architectural firms challenging physical space limitations through virtual installations. Norman Kelley, based in Chicago and New York, is featured for its sly and conceptual approach, often playing with visual expectations. Their "Wrong Chairs" exhibit, for instance, exaggerated elements of the iconic Windsor chair, making them appear "wrong" yet fully functional. Principals Carrie Norman and Thomas Kelley emphasize a rigorous playfulness in their work, valuing impact and gratification over overwhelming designs. Despite being geographically separated, they maintain constant collaboration, blurring the lines between academic and professional practice. Their work extends to residential rehabs and commercial projects, such as their first retail space for Aesop in Chicago, where they utilized reclaimed common brick, and a subsequent project in New York's Tribeca district, using ombré paint to reflect the neighborhood's character. Homeowner Sam Vinz, who commissioned Norman Kelley for a residential project, praises their ability to refresh existing concepts in an accessible manner. San Francisco-based Branch Creative, led by Nick Cronan and Josh Morenstein, specializes in making technology discreet or "invisible." Their product, Plume, replaces traditional Wi-Fi routers with hexagonal pods that blend into home decor, providing efficient wireless connectivity. Both Cronan and Morenstein bring extensive industrial design experience, having worked for notable companies like fuseproject and Ammunition. They ventured into developing futuristic devices, including the modular Google Ara phone and Athos exercise clothing that provides real-time muscle activity feedback, which they refined to be seamless and intuitive. Despite their focus on technology, they are passionate about furniture design, creating pieces for Council's Drift collection that combine classic forms with subtle illusions, emphasizing longevity and sophistication. SIBLING, a young Melbourne-based firm, is recognized for its experimental and participatory approach to design. The five directors—Amelia Borg, Nicholas Braun, Jane Caught, Qianyi Lim, and Timothy Moore—engage in a wide array of projects, including exhibitions, commercial fit-outs, and residential designs. They actively initiate their own research projects, such as the ON/OFF exhibition, which explored the digital and physical worlds by creating a space that blocked smartphone reception. These conceptual investigations inform their commercial work, exemplified by the DUST retail space that integrated a digital commercial platform into a physical setting. SIBLING's freedom from established practice allows them to design a business model that is unique to their founders' processes, clients, and community. Refik Anadol, a media artist based in Los Angeles, explores the intersection of architecture and digital art. Inspired by the Walt Disney Concert Hall, Anadol created large-scale video artworks that transform architectural facades into dynamic canvases. His collaboration with Gehry Technologies and the Los Angeles Philharmonic resulted in immersive experiences like "Visions of America: Amériques," where real-time custom software projected images responsive to music and conductor movements. Anadol's work also extends to public art commissions, such as "Virtual Depictions: San Francisco" for 350 Mission, which uses Twitter data to generate animations on a large LED display, exploring how public art interacts with public data. He envisions a "post-digital architectural future" where media architecture transcends traditional screens and VR. Tropical Space, from Ho Chi Minh City, focuses on eco-friendly and avant-garde architecture that utilizes simple building materials. Founders Nguyen Hai Long and Tran Thi Ngu Ngon specialize in designing porous homes that "breathe" in tropical climates, moving away from conventional closed-off modern Vietnamese housing. Their projects, such as the Terra Cotta Studio and the two-story Termitary House, showcase innovative facades made from traditional red baked bricks, providing both graphic appeal and natural ventilation. They also design custom furniture from recycled materials, emphasizing simplicity and cost-effectiveness while fostering social interaction within living spaces. APRDELESP, a Mexico City-based architecture office, distinguishes itself through a multidisciplinary approach that integrates commercial ventures with design practice. Founders Rodrigo Escandón and Guillermo González operate a variety of "subspaces" including a restaurant, a café that doubles as a furniture showroom, an art gallery, and a print shop. This model allows them to experiment with how space is used and to circumvent traditional design practices. They view these ventures not merely as revenue streams but as experimental projects to foster new thinking and better conditions for their design work. Their unconventional approach to client engagement and public relations emphasizes dynamic interaction over formal style, resulting in a design methodology that documents the full lifespan of a project through casual snapshots and detailed drawings of everyday objects. LCLA, led by Colombian architect Luis Callejas with bases in Oslo and Medellín, integrates landscape, cartography, and botany into architecture. Callejas, who gained prominence through public competitions and his work on the Aquatic Center in Medellín, challenges conventional architectural typologies by blending natural elements with built structures. His conceptual motif of the "island" highlights the potential for unique developments within contained environments. Callejas advocates for cultivating atmospheres rather than prescriptive sequences, using evocative collages as a key representational tool. His work, like "The River That Is Not" study for the Medellín River, proposes integrated strategies for hydrologic remediation and public engagement, demonstrating a political resonance in his designs. His current projects explore topographical sites in the Andes and Norwegian mountains, applying large-scale thinking to residential jobs. #ArchitecturalInnovation #DesignStudios #ProductDesign #SustainableArchitecture #MediaArt #UrbanPlanning #InteriorDesign #ExperimentalDesign #EmergingTalent

Cuff Studio, based in Los Angeles, has unveiled its Common Ground collection of furniture and lighting as part of the Virtual Design Festival (VDF) x Sight Unseen collaboration. This collection is featured in Offsite Online, a virtual exhibition curated by Sight Unseen, a digital magazine focused on contemporary design. The Common Ground series includes two tables, a bench, an armchair, and a light, all designed to showcase the studio's distinctive design philosophy that merges angular, architectural forms with playful, feminine elements. The studio's co-founder, Kristi Bender, explains that Cuff Studio consistently integrates curves and edges, formality with casualness, and femininity with a sense of 'testosterone' into their designs. This approach is evident in the Arc bench, chair, and console table, which incorporate the classic architectural arch. For the seating designs, this typically masculine architectural element is softened by luxurious leather or pink velvet upholstery. The Arc console table, while possessing a solid volume, features brass-filled channels that allow light to pass through and hand-chiselled grooves on its exterior, providing an organic counterpoint to its geometric shape. Another piece, the Paddle table, modernizes a traditional material, solid oak. The oak is bleached to achieve a clean white tone, and its thick edges are rounded, giving it a playful, substantial silhouette. The Five Track Surface Light, conversely, utilizes a flexible material—rope—which is meticulously wrapped around a rigid, tubular frame. This light fixture can be installed on walls or ceilings and is available in natural white cotton, as well as a variety of other colors. Wendy Schwartz, the other half of Cuff Studio, emphasizes that the collection aims to demonstrate how contrasting design elements can coexist harmoniously, reflecting a broader message of unity. The studio believes that the creative process can bring people together, particularly in a world marked by political polarization. The Common Ground collection was initially launched in early 2020 at the duo's new studio in Hollywood. This launch was intended not just for press or buyers but as a celebration with fellow makers and artisans, fostering in-person connections within the design community in Los Angeles. This initial gathering highlighted the value of direct interaction and shared passion among creatives. #FurnitureDesign #LightingDesign #CuffStudio #VirtualDesignFestival #SightUnseen #InteriorDesign #ContemporaryDesign #ProductLaunch #DesignPhilosophy

The article emphasizes the transformative power of design in real estate, asserting that innovative design can significantly impact business growth, create value, and help organizations achieve their strategic objectives. It highlights JLL's approach to design, focusing on creating human-centric experiences that are both functional and inspiring. This comprehensive design philosophy aims to meet diverse client needs, ranging from corporate workplaces to retail environments. JLL's design services are structured around three core principles: actionable insights, future-focused design, and comprehensive solutions. Actionable insights involve leveraging data-driven business intelligence to formulate a design strategy centered on the needs of people. This approach ensures that design decisions are informed by concrete data, leading to spaces that are not only aesthetically pleasing but also highly effective and aligned with organizational goals. By understanding user behavior and preferences, JLL aims to create environments that enhance productivity, well-being, and overall satisfaction. Future-focused design is another critical aspect, focusing on creating spaces that are adaptable and sustainable over time. This involves anticipating future trends and technological advancements, ensuring that the designed spaces can evolve and remain relevant in a rapidly changing world. The emphasis is on blending innovation with foresight, thereby creating enduring value for clients. This proactive approach helps clients avoid premature obsolescence and ensures their real estate assets continue to serve their needs effectively for years to come. Comprehensive solutions involve crafting tailored workplace and retail experiences through meticulous analysis of client needs. JLL's team designs environments that inspire users and drive business success at any scale, whether it's a new office layout, a retail store revamp, or a large-scale development project. The article showcases several client stories that exemplify JLL's design capabilities. For instance, JLL assisted Bob’s Discount Furniture in reimagining their in-store experience to facilitate nationwide expansion, demonstrating how design can directly support business growth and market reach. Similarly, ALDI's "Modern Market" project redefined the new-generation shopping experience by introducing innovative in-store journeys and facilitating widespread store rollouts, highlighting design's role in enhancing customer engagement and brand perception. Furthermore, the article points to JLL's own East Bay office as a testament to thoughtful design, integrating sustainability, functionality, and local community aesthetics. This internal project underscores JLL's commitment to practicing what it preaches, creating an office space that reflects contemporary design principles and supports employee well-being. Another client story details how AVI-SPL, a global collaboration technology provider, partnered with JLL to create a tech-driven office space aimed at boosting team collaboration, illustrating the integration of technology and design to foster a productive work environment. JLL also shares its outlook on top trends influencing the design of places and spaces for 2025 and beyond, indicating a forward-thinking approach to design that considers emerging societal and technological shifts. The article concludes by inviting potential clients to contact JLL's design experts, such as Stephen Jay, Global Design Advisory Retail and Branding Lead, to explore how their services can transform real estate challenges into strategic advantages, optimize portfolios, and enhance value and performance. #DesignSolutions #RealEstateDesign #WorkplaceStrategy #RetailExperience #FutureOfSpaces #ClientStories #ProjectManagement #SustainableDesign #Innovation

Universal Design, a concept developed by architect Ron Mace, advocates for creating environments and products that are accessible and usable by everyone, regardless of age or ability. This approach extends beyond mere disability access, benefiting a wide range of individuals, from parents pushing strollers to the elderly. For example, wide sidewalks without obstructions serve all pedestrians, while extended crossing times at intersections enhance safety for children and individuals with mobility challenges alike. Raising crosswalks to sidewalk level not only aids people with disabilities but also compels drivers to reduce speed, improving overall safety. In the context of housing, less than one percent of homes are wheelchair-ready, a significant challenge for an aging population and individuals with mobility impairments. Eleanor Smith's concept of Visitability proposes essential accessible housing features: a level entrance, an accessible first-floor bathroom, and sufficient space to maneuver in a kitchen. This approach allows for diverse architectural styles, including multi-story homes, and promotes social inclusion by enabling people with disabilities to visit neighbors. Despite initial resistance from builders, cities adopting Visitability standards have not experienced a decline in housing development. For multifamily buildings, Universal Design elements include unobstructed entrances, spacious elevators, and roll-in/walk-in showers instead of traditional tubs. These features demonstrate that Universal Design can be integrated into high-quality, modern aesthetics, moving beyond the perception of clinical, institutional design. Beyond individual buildings, accessible and frequent public transit is crucial. Research indicates that up to one-third of the population does not drive, relying on public transport for various reasons, including age, disability, or economic constraints. Many older transit systems, such as those in New York and Chicago, lack elevators, making them inaccessible to a large segment of the population, including wheelchair users, individuals with respiratory issues, or parents with young children. In less dense areas, the absence of accessible, weather-protected bus stops and insufficient training for bus drivers on operating lifts further exacerbate accessibility problems for the 80 million people with disabilities in the U.S. Community infrastructure also plays a vital role in fostering intergenerational communities. The removal of street benches, often an ill-conceived effort to deter homeless individuals, can inadvertently prevent elderly people from engaging in physical activity or accessing local amenities. People cannot successfully age in place if their homes, sidewalks, public transit, parks, and civic buildings are not inclusive. Similarly, children's independence and safety are compromised when sidewalks are blocked, bike lanes are obstructed, and streets are unsafe due to fast-moving traffic. Simple policy changes, such as more rigorous enforcement against blocked sidewalks and bike lanes, and traffic calming measures through redesign, can address these issues. The financial aspects of implementing Universal Design are also manageable. Retrofitting existing housing for accessibility can be integrated into existing economic development incentives offered by cities. Transit training programs can be refined to ensure drivers are adept at assisting passengers with disabilities. While adding elevators to older transit systems is costly, substantial federal funding is available for such upgrades. Real estate professionals recognize the value of Universal Design. For instance, the Heartland REALTOR® Organization in Illinois, in collaboration with the city of Woodstock, the local school district, and Illinois REALTORS®, developed a prototype model home incorporating Universal Design principles. This initiative, supported by a Housing Opportunity grant from NAR, aims to educate communities and builders on constructing homes with "Universal Design from the ground up," promoting aging in place and attracting interest from organizations like AARP and the Metropolitan Mayors Caucus. Universal Design aligns with broader urban planning movements such as the 15-minute city, the Congress for New Urbanism, LEED certification, and smart growth principles, ultimately enhancing dignity, independence, and well-being within intergenerational communities. #UniversalDesign #IntergenerationalCommunities #Accessibility #InclusiveDesign #HousingAccessibility #Visitability #PublicTransit #AgingInPlace #SmartGrowth

Philip Oloo, an Architectural Designer, Virtual Reality (VR) for Architecture specialist, and Licensed General Contractor, discusses his journey into entrepreneurship, the unique aspects of his design firm SPACIALISTS, and the lessons learned along the way. His decision to start his own business was driven by a combination of frustration with traditional employment, dissatisfaction with his work, and a desire for personal growth and recognition. Influenced by his entrepreneurial father and supported by his wife, he embarked on this path to overcome career stagnation. SPACIALISTS stands out in the architectural industry by integrating virtual reality for architectural design. The firm creates immersive visual experiences and handles comprehensive construction documents and plan submissions to Building and Safety departments. A key innovation is enabling real-time reviews of buildings, allowing for immediate design adjustments. This approach has fostered collaborations with architectural firms across the United States. Oloo's success is attributed to continuous learning, practice, and the mastery of tools like Unreal Engine, which led him to connect with talented game designers globally. He emphasizes that achieving mastery is a gradual process, akin to compound interest, requiring daily dedication over several years. Oloo highlights that many struggles arise from a lack of solutions, advocating for continuous learning, experimentation, and questioning to cultivate innovation. SPACIALISTS' philosophy centers on constant improvement and a proactive adoption of AI in architecture, aiming to simplify clients' lives, ensure sound design decisions, and promote sustainable and innovative solutions that benefit both projects and the environment. Beyond his professional life, Oloo shares some of his favorite local spots and travel ideas, including a scenic drive along Highway 1 from Santa Barbara to San Francisco, a visit to Redwood National Park, and the vibrant atmosphere of Las Vegas. He also expresses appreciation for authentic Mexican cuisine from local establishments. He concludes by acknowledging the significant role of his family—his wife Jen, children Zuri, Amani, and Jaidyn—and his parents, Portash and Heddah, for their unwavering support and inspiration. He also thanks his brother for encouraging a Kaizen mindset of continuous, incremental growth and credits 'The Great Courses' for broadening his understanding of human nature and achievement. #ArchitecturalDesign #VirtualReality #GeneralContractor #Entrepreneurship #SPACIALISTS #UnrealEngine #BusinessInnovation #AIinArchitecture #SustainableDesign

The article highlights six innovators in Denver who are using design ideas to address problems and foster significant developments within the city. These individuals and firms represent diverse fields, including real estate development, museum direction, furniture design, and home technology, all contributing to Denver's evolving aesthetic and functionality. Mike Blea and Breton Lujan, co-founders of Raw Creative, are presented as pioneers in a comprehensive design-build-fabricate model. Their firm handles architectural design, construction, and custom furnishing fabrication, creating unique commercial spaces like Señor Bear and Morin restaurants. Their integrated approach allows them to maintain control over design concepts, pushing boundaries that might challenge others unfamiliar with fabrication. They emphasize their hands-on involvement, from architectural planning to the actual building process, which they find rewarding. The co-founders recall solving budget constraints at Table 79 by manipulating inexpensive materials to achieve a high-end Scandinavian look and meticulously designing hair-cutting stations for Elle.B Salon Central based on observed stylist movements. Looking ahead, Raw Creative is exploring micro-housing concepts to address Denver's affordability issues and expanding into residential projects, focusing on modest, comfortable, and sustainable designs, particularly in areas like Aspen. Alex Capecelatro, co-founder and CEO of Josh.ai, introduces Josh, an AI-powered home assistant designed to understand natural human speech and control home automation systems. Unlike other voice assistants, Josh integrates advanced intelligence to monitor various home aspects, including energy usage, weather patterns, and even specific room locations to tailor responses. Josh Micro, the hardware component, is designed with aesthetic appeal, featuring a concave shape inspired by Richard Serra sculptures and an invisible LED ring that indicates listening and touch controls. The device primarily processes data locally, ensuring customer privacy. Capecelatro envisions future home technology focusing on health and wellness, with products monitoring indoor air quality, water quality, and sleep patterns to improve residents' lives. Jonathan Alpert, a partner at Westfield Company, discusses his firm's contributions to Denver's development, including the Mission Ballroom, Stanley Marketplace, and S*Park, a sustainable condo community with an urban farm. He explains how Westfield Company collaborated with AEG to develop the Mission Ballroom as part of the larger North Wynkoop project, which includes offices, retail, and future residential and hotel components. Alpert defines sustainable development as encompassing environmental, social, and economic viability, exemplified by S*Park's urban farm. He acknowledges the challenges of Denver's growth, particularly regarding housing affordability, and advocates for public-private partnerships, expedited permitting for affordable housing projects, and increased efforts to build more financially viable affordable homes to ensure Denver remains an inclusive and thriving city. Nora Burnett Abrams, the new director of the Museum of Contemporary Art Denver (MCA), shares her vision for the institution. Having previously worked at prestigious New York museums, Abrams highlights Denver's unique culture of risk-taking and entrepreneurial spirit, which allows for greater artistic experimentation. She aims to build upon MCA's strong foundation, prioritizing support for local artists and expanding outreach to teen and young adult audiences, offering free admission for teens. Abrams also plans to embed the museum more deeply within the city through partnerships with other organizations, exploring topics beyond aesthetics, such as environmentalism, social justice, and mental health. She envisions MCA as a versatile space for both social gatherings and intellectual discovery, fostering curiosity and appreciation for contemporary culture. Richard Shirtcliffe, co-CEO of Noho, a Boulder and New Zealand-based furniture company, details his innovative approach to furniture design rooted in sustainability and human physiology. Motivated by the pervasive plastic pollution in oceans, Shirtcliffe co-founded Noho to create good-looking furniture from sustainable polymers and upcycled ocean plastic. His collaboration with Formway, a company known for dynamic comfort in commercial furniture, led to the development of chairs that support blood flow and improve cognitive function. Their first product, the Move Chair, is designed to flex and move with the body, made from repolymerized plastic, and features interchangeable wool toppers. Shirtcliffe emphasizes Noho’s mission to build a thriving business that positively impacts the world and individual well-being, starting with significant steps towards addressing environmental challenges through commerce. #DenverDesign #ArchitecturalInnovation #SustainableDevelopment #HomeAutomation #UrbanPlanning #ContemporaryArt #FurnitureDesign #AffordableHousing #CircularEconomy

Elleci, a company founded in 1992 and still led by the Traversa family, recently introduced its latest creations: a multifunctional kitchen workstation and an advanced laundry solution. These innovations aim to redefine the functionality and aesthetics of everyday living spaces through cutting-edge materials, ergonomic precision, and a sustainable vision. The company, which began as an Italian idea, has grown into a global design powerhouse, known for its patented materials such as Granitek, Keratek, and Duratek, its eco-friendly practices, and continuous innovation. One of Elleci's flagship products is Mixology, a dual-purpose workstation designed for contemporary lifestyles that blur the lines between home and hospitality, personal and professional life. As the centerpiece of the new Élite Kitchen line, Mixology reimagines the concept of domestic conviviality and functional design. Created with shared living trends like co-living and co-housing in mind, it transcends the traditional sink by offering a multi-layered hub for creativity. The workstation features dual basins with a low divider, a triple-tiered workspace, and integrated modular accessories, allowing two people to use it simultaneously. This design caters to both home chefs and amateur mixologists, fostering collaborative use. Mixology has received significant recognition, including the prestigious Red Dot Design Award 2025 and iF Design Award 2025. It is crafted from Keratek, a patented nano-tech composite, known for its high resistance, velvety matte finishes, and diverse color palettes. This material contributes to a sensorially rich and performance-driven surface. To further enhance the user experience, Elleci offers custom accessory kits, including "Chef" and "Barman" versions, which come with cutting boards, colanders, and Pod sets for organized storage. These accessories transform Mixology into a versatile tool for daily routines and celebratory occasions. In addition to the kitchen workstation, Elleci has reimagined the laundry area with its Laundry concept, aiming to elevate a often-overlooked space within the home. This concept focuses on combining beauty and efficiency, turning mundane chores into more graceful rituals. The Laundry basin, made from Duratek, features an extra-large design and a multi-position laundry board that can function as a washboard, a countertop, or be stored vertically. Its design incorporates ergonomic elements such as a semi-recessed installation, a Ghost Drain System, and a Linear Overflow. Duratek, Elleci’s latest material innovation, provides powdery matte textures, ultra-smooth surfaces, and exceptional resilience against chemicals, heat, and impacts. The material's sustainable production processes and extended lifecycle align with responsible design principles. The Laundry basin is available in four color options—white, grey, black, and sage—and is paired with a light wood laundry board, creating natural contrasts and a sense of serenity. Both Mixology and the Laundry concept exemplify Elleci’s human-centric approach to design, prioritizing durability, usability, and elegance in every product. Elleci's approach emphasizes that design extends beyond mere objects, influencing how individuals interact with and experience their living environments. #kitchenDesign #laundryDesign #homeInnovation #multifunctionalDesign #sustainableMaterials #ergonomicDesign #smartHome #interiorDesign