Step Inside KREWE’s Luxe New Global Headquarters in New Orleans

The Metropolitan Opera's Patron Lounge, now known as the Keebler J. Straz Lounge, underwent a significant redesign by ELLE DECOR A-Listers Christine and John Gachot of Gachot Studios. This renovation marks a new chapter for the storied space, originally decorated by Billy Baldwin when the opera house opened in 1966. The Gachots, longtime fans of the Met Opera, were tasked with refreshing the lounge to reflect contemporary luxury while honoring its rich history and the grand aesthetics of the opera house. The original lounge, characterized by its wall-to-wall windows and domed ceiling, was designed by Baldwin to offer practical, flexible seating areas for guests. However, after decades, the space required a modern update. The Gachots were selected for their expertise in warm, sophisticated interiors, demonstrated in previous luxury hospitality projects like the Pendry Manhattan West and Detroit’s Shinola Hotel. Their approach to the Met Opera lounge involved a deep dive into the Met’s extensive archives, studying original sketches and photographs to reinterpret Baldwin's vision while introducing a fresh perspective. Inspired by Baldwin's initial layout, the Gachots divided the lounge into distinct zones for various activities, including a bar area, comfortable sofas, and tables for gathering. This zoning strategy ensures that the space remains versatile and inviting. The design seamlessly integrates with the opera's iconic common areas, such as the lobby with its red carpeting and travertine accents. The chosen color palette of blush, red, and camel complements these existing elements, creating a cohesive aesthetic throughout the venue. One of the standout features of the redesigned lounge is a glittering gold custom carpet by Creative Matters, which evokes the effervescence of freshly popped Champagne, serving as a luxurious counterpoint to the lobby's famous red carpet. Other custom elements include a brass Amuneal bar, screens upholstered in Clarence House fabric, and all furniture supplied by Roche Bobois. The bathrooms feature fixtures by Waterworks from the Bond collection, designed in collaboration with Gachot, alongside Waterworks sinks, mirrors, and stone. The lounge's new name, the Keebler J. Straz Lounge, honors a managing director on the Met Opera’s board who generously funded the renovation. Access to this exclusive space is reserved for Metropolitan Opera sponsor members. The redesign is intended to symbolize a renewed commitment to attracting and nurturing a new generation of opera enthusiasts and patrons, a sentiment echoed by both Straz and the Gachots. The project underscores the importance of cultural institutions and the role of design in preserving and evolving these significant spaces. #MetropolitanOpera #LoungeRedesign #GachotStudios #LuxuryInteriorDesign #CulturalRenovation #HospitalityDesign #NewYorkDesign #OperaHouse #InteriorDecor

Blue Heron, a prominent custom home builder in the Las Vegas Valley known for its design-forward luxury homes, has recently inaugurated its new Blue Heron Lifestyles Design Studio. This expansive 12,200-square-foot facility is designed to serve as a comprehensive hub for interior design, showcasing a wide array of fine art, furnishings, accessories, and textiles. The studio's primary purpose is to enable clients to visualize and curate the intricate design elements of their prospective custom homes, providing a tactile and immersive experience that goes beyond traditional design consultations. Leading the Blue Heron Lifestyles Design Studio as its president is Hedy Woodrow, an industry veteran with over three decades of experience spanning retail, hospitality, design, and product development. Woodrow's extensive background, which includes working with VIP and luxury clientele on bespoke interior projects, informs her leadership at the new studio. She draws inspiration from diverse sources, including global travel, luxurious hotel interiors, floral arrangements, various geographies, and cultural aesthetics. Woodrow notes a significant parallel between trends in fashion and interior design, observing how both fields often align in their adoption of specific colors, textures, and overall impact. The client engagement process at the Blue Heron Lifestyles Design Studio is structured into three distinct phases to ensure a streamlined and personalized experience. The initial phase, known as the Discovery Phase, involves clients visiting the studio to articulate their lifestyle, preferences, and design inspirations. During this stage, clients are encouraged to bring visual aids such as magazine tear sheets, photographs of inspiring environments, and collections of desired colors, room aesthetics, and floral arrangements to help communicate their vision effectively. Following the Discovery Phase is the Design Phase. In this stage, clients collaborate with the studio's design team, utilizing advanced technological tools to explore a three-dimensional model of their future home. This allows for a detailed selection process for color palettes, fabrics, textures, and finishes, ensuring that every element aligns with the client's vision. The immersive 3D modeling helps clients make informed decisions about their home's interior, seeing how various choices will come together in a cohesive design. The final stage is the Procurement Phase, where Blue Heron takes full responsibility for managing all logistical aspects of the design project. This includes handling interactions with vendors, placing orders for selected materials and furnishings, scheduling deliveries, and overseeing installation timelines. This comprehensive approach aims to provide clients with a seamless, turnkey experience, minimizing stress and ensuring that the entire interior design process is executed efficiently and to the highest standards. Woodrow emphasizes the rewarding aspect of working with her talented team to help clients achieve homes that not only meet but exceed their expectations, celebrating each milestone in the transformation of their living spaces. #BlueHeron #LifestylesDesignStudio #LuxuryHomes #InteriorDesign #LasVegas #CustomHomes #HomeDecor #DesignProcess #HedyWoodrow

The article showcases the innovative office design for Shanghai Transaction Succeed, a financial investment company, created by One House Design, led by founder and chief designer Lei Fang. Located on the banks of Shanghai's Huangpu River, the 21,500-square-foot office on the top floor of a four-story building in Yuejie Expo Park, draws inspiration from futuristic, digital worlds, and even the client's affinity for Star Wars. Key themes for the design include technology, future, and diversity, aiming to create a wonder-filled encounter between people and space, and work and life. The project is Fang's third for this client, extending a minimalist aesthetic and restrained formal language previously established. The office, designed for 15 employees, features a mix of private meeting rooms, offices, open-plan desks, and leisure areas including music and banquet rooms, and a fitness area. A recurring design language of curved walls, reflective surfaces, and monochromatic colors contributes to a futuristic, portal-like ambiance, described as a liminal space between the present and an imagined future. Fang likens the organic forms and undulating silhouettes to a 'wormhole,' enhancing the sense of fluidity and seamlessness throughout the space. Upon entry, the reception area instantly conveys a high-tech environment with a high-shine, stainless-steel desk set against a concave, dark-gray curved accent wall, with window openings creating a visual separation from the outside world. This design choice aims to disrupt the conventional workplace aesthetic. At the core of the office is a distinctive exhibition showcase, enclosed within two stacked, open-square frames inside an oversized glass cylinder. This gallery-like volume displays examples of the core products the company invests in, primarily raw materials for the renewable energy industry. This 'realm within a realm' concept extends its aesthetic influence to the rest of the project, with the curvature of the glass partitions inspiring the curving walls and dividers throughout the office. The blue from the company's logo, screen-printed on the installation, is subtly incorporated into select furnishings and accent walls. The inspiration for the curves is also deeply rooted in the company's branding, specifically the letter 'D' in its logo. Fang utilized variations of this shape for partitions, window openings, and furniture, associating it with the philosophical concept of 'Dao,' representing the natural order of the universe. This design approach creates a tension between physical and digital existence, where the abstract and seamless qualities reminiscent of the metaverse are achieved through meticulous craftsmanship. Fang used a resin-based artificial stone, which can be heated, curved, and polished to create a 'one-piece' effect, ensuring a fluid and handcrafted artistry that contrasts with the digital aesthetic. Despite the digital and futuristic aesthetic, the office dedicates significant space to personal interaction, as evidenced by the music room and a lounge area adjacent to the gallery. The music room, featuring a Darth Vader motif and LED strip-embedded aluminum panels, serves as a break-out space, highlighting the client's 'Star Wars' enthusiasm. Ultimately, the design emphasizes that while digital landscapes are increasingly prevalent, the tactile and communal pleasures of a thoughtfully designed physical space remain essential, offering a reminder of the enduring value of in-person experiences. #OfficeDesign #FuturisticArchitecture #OneHouseDesign #ShanghaiTransactionSucceed #InteriorDesign #CommercialInteriors #SciFiInspired #ModernWorkplace #CurvedWalls

The Shed, located in New York, United States, is a non-profit cultural organization dedicated to commissioning, developing, and presenting original works of art across various disciplines for diverse audiences. Completed in 2019, the building, known as the Bloomberg Building, was designed by Diller Scofidio + Renfro in collaboration with Rockwell Group. The facility spans an area of 18,500 square meters and is notable for its physical adaptability, engineered to accommodate a wide range of artistic endeavors. The Bloomberg Building features an eight-level base structure. This base includes two dedicated levels for gallery space, providing ample room for art exhibitions. Additionally, it houses the versatile Griffin Theater, designed to host performances and events. The upper levels of the base are home to The Tisch Skylights, which encompass a rehearsal space, a creative lab for local artists, and a skylit event space, offering flexible areas for artistic development and public engagement. A key architectural feature of The Shed is its telescoping outer shell. This shell can be deployed from over the base building and glides along rails onto an adjoining plaza, creating an expansive outdoor performance area known as The McCourt. This innovative design allows the building to physically transform, effectively expanding its footprint and capacity to host large-scale performances, installations, and events, responding dynamically to the needs of different artistic presentations. The project involved a comprehensive team of consultants and specialists to bring its complex design to fruition. Diller Scofidio + Renfro served as the lead architects, with Rockwell Group collaborating on the architectural design. Key consultants included Thornton Tomasetti for structural design, facade engineering, and kinetic engineering services, highlighting the intricate movable structure. Jaros Baum & Bolles handled MEP and fire protection, while Vidaris provided energy modeling consultation. Lighting design was managed by Tillotson Design Associates, and acoustic consultation by Akustiks. Construction management was overseen by Sciame Construction. Vertical transport consultants Van Deusen & Associates contributed to the building's internal logistics. Specialized consultants for the kinetic systems included Hardesty & Hanover, and Fisher Dachs Associates served as theater consultants, ensuring the functionality of the performance spaces. Cimolai was the structural steel fabricator, and Vector Foiltec fabricated the ETFE (Ethylene TetrafluoroFluoroethylene) material used in the outer shell. Additional expertise was provided by Code Consultants Inc. for building codes, Ducibella Venter & Santore for security, Entek Engineering for facade maintenance, James R. Gainfort for waterproofing, and Construction Specifications Inc. for specifications. Graphic design and wayfinding were handled by Other Means. The project's photography was primarily captured by Timothy Schenck, documenting the building's exterior and interior spaces. #CulturalArchitecture #ExhibitionCenter #NewYork #DillerScofidioRenfro #RockwellGroup #KineticArchitecture #PublicArtSpace #ArchitecturalInnovation #BuildingTransformation

Knowhow Shop, a design/build firm based in Los Angeles, has created an experimental micro-office named Lighthouse in Highland Park. This 154-square-foot structure serves as both their office and a showcase of their innovative design and construction capabilities. The firm, founded by Kagan Taylor and Justin Rice, sought to challenge their skills by constructing a modern office that deviates from traditional architectural practices. The project aimed to free up space in their main fabrication and machine shop while also demonstrating their expertise in experimental design. The Lighthouse draws inspiration from various sources, including boatbuilding techniques, and centrally features custom-built structural insulated panels (SIPs). These SIPs, combined with a lightweight, prefabricated construction system and oversized glazed openings, contribute to the building's moniker. Taylor and Rice personally undertook the entire construction process, including tasks they had no prior experience with, such as installing glazing, fiberglass, and a topcoat, as well as the interior fit-out and finishes. This hands-on approach allowed them to bypass conventional architectural production methods and fully leverage their design/build model. Operating with an approximate budget of $50,000, including labor time, the project was completed entirely in-house between other client projects. The design emphasized fundamental architectural elements—door, window, and skylight—approaching the construction more like crafting a piece of furniture than a conventional building. The custom front door features an August Smart Lock and eschews right angles, reflecting the project's unconventional aesthetic. A custom-made skylight integrates traditional boatbuilding materials with elements inspired by car sunroofs. The interior worktops are made from Formica 2297 Terril, and a custom Douglas Fir bookshelf echoes the angular geometry of the office. Flexibility and mobility were key design considerations. The micro-office is not set on a traditional foundation but rather on industrial casters, similar to those used for roll-off dumpsters, allowing it to be easily moved around the shop-yard. Its asymmetrical wedge shape was partly influenced by the need to accommodate forklift clearances for transporting plywood into their adjacent shop. The flooring is Douglas Fir with an OSMO finish, while the angled walls and ceiling are constructed from Douglas Fir Marine Grade Plywood with a whitewash finish. Taylor and Rice envision Lighthouse as more than just an office; it functions as a testament to their craftsmanship and a practical example of rethinking architectural design and construction methods. They hope that future iterations of "Lighthouses" could inspire a movement towards smaller, sustainable buildings that incorporate contemporary architectural principles. The project includes detailed floor plans and wall sections, highlighting the innovative construction. It was published in October 2018, emphasizing its relevance to small spaces and modern workplace design. #MicroOffice #ExperimentalArchitecture #DesignBuildFirm #StructuralInsulatedPanels #PrefabricatedConstruction #LosAngelesDesign #SmallSpaces #ModernDesign #MobileArchitecture

Walt Disney World is undertaking a two-year refurbishment project at Old Key West, aiming to modernize all guest rooms in the large Disney Vacation Club (DVC) resort. This extensive hard goods refurbishment involves updating kitchen appliances, replacing or reupholstering all furniture, altering wall and window coverings, replacing flooring, and completely overhauling bathrooms. Due to the scope of work and the number of guest rooms, this project is longer than typical hotel refurbishments at Walt Disney World. The previous major refurbishment of Old Key West occurred in 2010 and 2011, which updated flooring, kitchen counters, upholstery, televisions, and some furniture, and added a fold-out sleeper chair. However, bathrooms were largely untouched, and much of the furniture was simply refinished. While the earlier refurbishment transitioned the decor from an older style to a more modern, laid-back beach vibe, its aesthetic did not age well. The current refurbishment represents a significantly larger undertaking. Early impressions of the refurbished studios were mixed, with some guests finding the new design sterile and lacking the tropical personality of the previous rooms, favoring white and neutral colors over more vibrant themes. This contrasts with the generally well-received refurbishment of Vero Beach, which could have served as a successful template for Old Key West with minor stylistic and color palette adjustments. A notable point of contention among some guests is the absence of bed runners in the new rooms, which could add a much-needed thematic element or splash of color, as seen in other DVC properties like Vero Beach, Copper Creek, and Polynesian Villas. Conversely, the 2-bedroom and 1-bedroom units demonstrate a more successful refurbishment, featuring significantly more personality and color. The living rooms, in particular, are highlighted as a major improvement, boasting a new rug that effectively ties the room together and invokes a tropical feel, despite some furniture being more neutral. The upholstery also contributes positively to the overall aesthetic, making the living spaces feel fresher and more modern, a substantial upgrade from the outdated 1990s sensibility of the old rooms. The indoor-outdoor living spaces of Old Key West further enhance the theme, benefiting from the lush vegetation surrounding the rooms. However, the master bedrooms in these larger units are described as thematically bland and generic, despite receiving new furniture and an aesthetic refresh. Similarly, the bathrooms, while nice, lack distinctive character, with the exception of specific artwork like the Minnie & Mickey beach art. The refurbishment is progressing across the resort, with buildings 20-56 fully renovated. Buildings 16-19 are currently in progress, while buildings 11-14 (Hospitality House booking category), 15, and 62-64 are yet to be completed or started. The project has experienced delays, pushing the completion timeline beyond original expectations. Approximately 75% of the resort is finished, increasing the likelihood of guests receiving a new room unless they are in the Hospitality House booking category. Overall, the refurbishment at Old Key West is viewed as a mixed bag. While the new living room designs in the 1-bedroom and larger units are a notable success, offering appropriate theming and a modern feel, the studio and bedroom spaces are criticized for their generic and uninspired appearance. This disparity in design approach across different room types has led to varied guest reactions, particularly among DVC owners who often value strong thematic design. The project's saving grace is the successful transformation of the living areas in the larger units, contributing to an overall positive, albeit inconsistent, refresh of the resort's accommodations. #WaltDisneyWorld #OldKeyWest #DVCRefurbishment #ResortRenovation #HotelDesign #RoomModernization #DisneyVacationClub #InteriorDesign #ThemedResort

The recently opened J.Crew men’s store on the Bowery in New York City offers a unique shopping experience infused with vintage aesthetics and a distinct boathouse theme. Designed by Estelle Bailey-Babenzien of Dream Awake, the concept shop serves to launch the brand's first men's collection, spearheaded by her husband, Brendon Babenzien, J.Crew men’s creative director and Noah cofounder. The design aims to blend a classic yet current vibe that resonates with the J.Crew customer and the New York lifestyle, incorporating elements like unlacquered brass, warm woods, worn rugs, nutty brown leathers, and strategic splashes of J.Crew green, a deep foresty shade visible on the coffee bar walls. Beyond its retail function, the store's highly curated interior also serves as a source of practical and creative closet organizing inspiration. Bailey-Babenzien highlights three key strategies homeowners can adopt to transform their dressing rooms into spaces that are both functional and visually appealing. The first technique, termed 'Either Oar,' involves utilizing decorative items like oars not just for their aesthetic appeal but also for practical purposes. In the store, paddles are adapted into a rack for hanging garments, a concept that can be replicated in entryways or mudrooms to provide useful hanging space while maintaining a nautical theme. The second tip, 'Go Vertical,' encourages moving away from conventional enclosed closet rods. The store showcases an innovative hanging solution where clothing rods, rigged by a sailboat captain with climbing rope, can be installed in open spaces. This method allows for greater flexibility in placement and offers an opportunity to incorporate unique materials like black rope to match personal style, transforming a mundane storage solution into a design feature. Finally, 'Forward Thinking' focuses on the strategic use of simple hooks or knobs, exemplified by brass fixtures in the store. These elements are designed to turn clothing forward, making it easier to view and select outfits. Additionally, hooks provide convenient spots for organizing accessories, enhancing the overall functionality and tidiness of a closet or dressing area. These design insights from the J.Crew store demonstrate how retail space design can inspire practical and stylish home organization solutions, creating dressing rooms that are both efficient and aesthetically pleasing. #ClosetOrganization #DesignInspiration #RetailDesign #HomeOrganization #InteriorDesign #FunctionalDecor #JcrewStore #EstelleBaileyBabenzien

Stickbulb, a sustainable lighting company founded by Yale University architecture graduates Russell Greenberg and Chris Beardsley, recently opened its first showroom in Long Island City, New York. Previously operating from a cramped space with limited shelving, the company acquired a 10,000-square-foot former steel factory to accommodate its growing operations. The new location, featuring terracotta walls and wooden floors, not only provides ample space but also reflects the company's commitment to sustainability and modern design. Stickbulb's core mission revolves around sustainability, utilizing salvaged wood from demolished buildings and dismantled water towers for its LED light fixtures. This approach allows each product to carry a unique history, traceable back to its original source. The founders emphasized the importance of this narrative, noting that the wood, often high-grade and knot-free from water towers with a 40-year lifespan, is no longer actively harvested, making its reclamation both environmentally conscious and integral to the product's character. The company’s design process is highly collaborative, focusing on iterating on a foundational system of wooden sticks with embedded LEDs and various metal connector pieces. This modular approach allows for the creation of a diverse range of lighting solutions, including linear pendants, chandeliers, wall sconces, and even functional pieces like side tables, all while maintaining the common element of the reclaimed wooden sticks. A notable art piece in the showroom, "Ambassador," was inspired by Russell Greenberg's sketch of a water tower. This sculpture aims to convey the history and urban context of the reclaimed water tower redwood without explicit words, highlighting the material's past in a sculptural form. The decision to use water tower wood was driven by its iconic presence in New York and other Northeastern urban centers, its consistent supply due to replacement cycles, and its high quality, being free of defects. The new showroom consolidates all aspects of Stickbulb's business—design, production, sales, and marketing—under one roof, a long-held dream for the founders. This unified space allows visitors to not only view the finished products but also observe the manufacturing process and meet the team behind them. The design of the showroom itself was approached with flexibility in mind, incorporating elements like curtains to easily reconfigure the space. While currently enjoying their expanded premises, the founders expressed confidence in the space's ability to support future growth. #Stickbulb #LongIslandCity #SustainableDesign #LEDLighting #ReclaimedWood #ArchitecturalSalvage #ShowroomDesign #ProductDesign #NewYorkCity #InteriorLighting