Photo Tour: New Rooms at Old Key West

The Metropolitan Opera's Patron Lounge, now known as the Keebler J. Straz Lounge, underwent a significant redesign by ELLE DECOR A-Listers Christine and John Gachot of Gachot Studios. This renovation marks a new chapter for the storied space, originally decorated by Billy Baldwin when the opera house opened in 1966. The Gachots, longtime fans of the Met Opera, were tasked with refreshing the lounge to reflect contemporary luxury while honoring its rich history and the grand aesthetics of the opera house. The original lounge, characterized by its wall-to-wall windows and domed ceiling, was designed by Baldwin to offer practical, flexible seating areas for guests. However, after decades, the space required a modern update. The Gachots were selected for their expertise in warm, sophisticated interiors, demonstrated in previous luxury hospitality projects like the Pendry Manhattan West and Detroit’s Shinola Hotel. Their approach to the Met Opera lounge involved a deep dive into the Met’s extensive archives, studying original sketches and photographs to reinterpret Baldwin's vision while introducing a fresh perspective. Inspired by Baldwin's initial layout, the Gachots divided the lounge into distinct zones for various activities, including a bar area, comfortable sofas, and tables for gathering. This zoning strategy ensures that the space remains versatile and inviting. The design seamlessly integrates with the opera's iconic common areas, such as the lobby with its red carpeting and travertine accents. The chosen color palette of blush, red, and camel complements these existing elements, creating a cohesive aesthetic throughout the venue. One of the standout features of the redesigned lounge is a glittering gold custom carpet by Creative Matters, which evokes the effervescence of freshly popped Champagne, serving as a luxurious counterpoint to the lobby's famous red carpet. Other custom elements include a brass Amuneal bar, screens upholstered in Clarence House fabric, and all furniture supplied by Roche Bobois. The bathrooms feature fixtures by Waterworks from the Bond collection, designed in collaboration with Gachot, alongside Waterworks sinks, mirrors, and stone. The lounge's new name, the Keebler J. Straz Lounge, honors a managing director on the Met Opera’s board who generously funded the renovation. Access to this exclusive space is reserved for Metropolitan Opera sponsor members. The redesign is intended to symbolize a renewed commitment to attracting and nurturing a new generation of opera enthusiasts and patrons, a sentiment echoed by both Straz and the Gachots. The project underscores the importance of cultural institutions and the role of design in preserving and evolving these significant spaces. #MetropolitanOpera #LoungeRedesign #GachotStudios #LuxuryInteriorDesign #CulturalRenovation #HospitalityDesign #NewYorkDesign #OperaHouse #InteriorDecor

Kim Kardashian and Kanye West have meticulously designed their dream home, a sprawling property that serves as a sanctuary for their family, including their four children: North, Saint, Chicago, and Psalm. In stark contrast to conventional home design, which often emphasizes furniture, art, and vibrant decor, the couple has embraced an extreme minimalist aesthetic. Kardashian describes their residence as a "minimalistic monastery." The interior of their home is characterized by a predominantly neutral palette, featuring elements such as bleached wood floors, stone furniture, and white upholstery. A notable absence of furniture defines the living spaces. For instance, expansive entryways are adorned with only a single table. A bedroom, significantly larger than many typical apartments, contains just a king-size bed. Long, empty hallways are devoid of any furnishings or ornamentation, with their architectural archways being the sole decorative elements. This deliberate lack of possessions contributes to the serene and uncluttered atmosphere they sought to create. The article offers 22 visual insights into the couple's home, showcasing its vastness and the distinct minimalist design choices. The bleached wood floors are a recurring feature, lending both a rustic and sleek, modern feel to the spaces. These floors seamlessly blend into the walls and furniture, creating a cohesive, neutral, and monochromatic theme throughout the residence. The only deviation from this neutral palette is found in the kitchen, where a wall of stainless steel appliances provides a metallic accent, including a splatter-proof backsplash made from the same material. The kitchen also boasts an open layout with a large island, designed to accommodate their extensive family gatherings. Natural light is a key element in the design, with various seating nooks strategically placed to maximize its influx. One such nook is highlighted for its comfort, featuring a banquette that appears suitable for sleeping. While the main living areas adhere strictly to minimalism, the children's rooms exhibit a slight departure from this theme, with visible stuffed animals indicating a touch more "clutter." This suggests that as the children mature, the minimalist aesthetic might gradually extend to their spaces as well. Kim's accessories closet, however, stands out as the most adorned room, housing a collection of designer items, including Birkin bags, Louis Vuitton duffles, Judith Leiber clutches, and numerous pairs of heels, offering a glimpse into her personal style amidst the home's otherwise sparse environment. #KimKardashian #KanyeWest #CelebrityHomes #MinimalistDesign #HomeDecor #InteriorDesign #NeutralPalette #LuxuryHomes #ArchitecturalDesign

This article details the design and aesthetic of a newly constructed American farmhouse located in a rural area outside Los Angeles. The homeowners, who previously resided in a busy Southern Californian beach community, sought to return to their roots in a serene setting. Architect Erik Evens of Evens Architects designed the house to embody the traditions of American farmhouses, emphasizing comfort, family life, and outdoor living. The property was strategically situated atop a hill to maximize views of the Santa Monica Mountains and was carefully planned around existing mature oak trees, which are protected in California. The architectural design features a central Great Hall housing formal living and dining areas, flanked by adjoining wings for casual family spaces and bedrooms. This layout creates the illusion of a home that has evolved over time. The central two-story section is clad in white clapboard with a gable roof and dormers, while the single-story wings are covered in cedar shingle. Reflecting Southern California's outdoor lifestyle, the back of the house includes a spacious veranda for al fresco living and dining, a swimming pool, a large pool terrace, and an outdoor fireplace. Interior designer Joe Lucas of Lucas Studio, Inc., was commissioned to craft a classic interior with a contemporary touch. The design drew inspiration from the clients' desire for a more traditional East Coast style, with a color scheme initiated by their preference for blue and green. These colors were chosen to reflect the youthful, modern family living in the home and the surrounding California hills. The entry hall incorporates a layered scheme with antique furniture and a salon art wall to enhance the sense of a home that has grown over time. The family room boasts a lofty barn truss ceiling, designed for comfort and ease of entertaining a large extended family. Seating includes a plush sofa, armchairs, and pouffes. Classic furniture and floral patterns nod to the rural location. The kitchen also features a barn truss ceiling, with wooden cladding, elegant powder blue cabinetry, a breakfast bar, and a focal wooden island, creating a homey, New England farmhouse atmosphere. The breakfast room showcases hand-painted wallpaper by Fromental above period-style paneling, complemented by cane-back French-style chairs and a Bunny Williams Home table. The formal dining room, situated in the Great Hall, features pink leather dining chairs, a large table, and a statement pendant light. The library was designed as a central hub for family life, serving as a pathway to the bedroom wing. It features a cozy palette of deep, smoky colors and an exposed stone fireplace wall. A large button-back sofa and comfortable cane chairs provide inviting reading nooks. The main bedroom includes a William Yeoward gray oak four-poster bed, inspired by traditional Mallorcan designs, and an Alex Conroy Textiles fabric pillow. The daughter's bedroom features a pastel palette, a traditional white bobbin bed, and a white console table, designed to age gracefully with her. The daughter's bathroom continues the classic, feminine theme with a dusky pink washstand and period-style faucets. #WestCoastNewbuild #AmericanFarmhouse #ClassicInterior #EastCoastVibe #RuralLiving #ArchitecturalDesign #InteriorDesign #LuxuryHomes #FamilyHome #CaliforniaDesign

The eyewear brand KREWE transformed a former food storage warehouse in New Orleans' Lower Garden District into its new global headquarters. This project, spearheaded by KREWE's in-house designers and Olivia Erwin Interiors, aimed to create an adaptable, light-filled space centered around the sun, reflecting the brand's identity. The headquarters features an open floor plan that extends into a courtyard with a pool, serving as both a testing ground for new shade designs and a social club. The SUN_DAYS courtyard was designed in collaboration with hospitality group LeBlanc + Smith, intending to foster a community space for creative individuals in New Orleans. It offers amenities like a heated or chilled pool, wellness classes, and a sauna, and is utilized as a vital part of the company headquarters when not open to the public. The design emphasizes a minimalist aesthetic, built for function rather than preciousness, incorporating workstations from Poppin and Hem, alongside vintage finds. The kitchen areas feature concrete floors, marble counters, and Farrow & Ball's 'Breakfast Room Green' cabinets, with a nostalgic neon sign paying homage to a former Canal Street landmark. Beyond the headquarters, the article also explores KREWE's 1818 Magazine Street store and the gallery apartment above it, located in a historic early 1800s building. The store's interiors, a collaboration with Goodwood New Orleans and Nicole Cota, showcase a green terrazzo bar, custom-framed mirrors, and cypress cabinetry. The gallery apartment, designed by KREWE and Olivia Erwin Interiors, serves as a versatile space for hosting brand friends, dinner parties, or offsite retreats. This apartment signifies KREWE's evolution into a lifestyle brand, emphasizing physical spaces over an increasing number of products. Its entrance and stairway feature Farrow & Ball's 'Setting Plaster' and 'Cuban Heritage' tile, with a Signal Globe pendant from Workstead. The living room includes a vintage Milo Baughman sectional upholstered in pink, a custom coffee table, and a walnut dining table by Studioilse. The kitchen backsplash is pink marble, complemented by dark green fluted cabinets from Goodwood and a custom brass island. The apartment also features mid-century modern furniture, step-through windows leading to wraparound gallery balconies for natural light and indoor-outdoor flow, and outdoor furniture from HAY. A library features a custom sofa with paprika velvet cushions and automotive paint, with walls painted in Benjamin Moore's 'Dakota Shadow' and an Atollo Table Lamp. The bedroom includes a Nordic II Bed from Unison Home, an Ethnicraft 'Spindle' bedside table, a West Elm rug, and walls in Benjamin Moore's 'Winter Orchard'. The adjoining bath is painted in Farrow & Ball’s 'Green Smoke'. #WorkplaceDesign #OfficeInteriors #WarehouseConversion #NewOrleansDesign #EyewearBrand #CommercialArchitecture #InteriorDesign #LifestyleBrand #CommunitySpace

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

The Grand Floridian Resort, a prominent Disney property, has been undergoing extensive renovations to its lobby area for several months. Recent updates indicate significant progress, with several key components of the reimagining now either completed or nearing completion. This ongoing project aims to refresh the aesthetic and functionality of the resort's central gathering space, aligning it with contemporary design while preserving its classic charm. A central feature of this renovation is the grand staircase, which has received a complete overhaul. Previously, a mural was installed, and now the staircase itself has been recarpeted, presenting a fresh appearance. This refreshed staircase, complemented by the newly revealed mural, serves as a focal point within the redeveloped lobby. The new carpeting and mural contribute to an updated visual experience for guests entering and moving through the lobby. Alongside the staircase, wallpaper upgrades have been implemented throughout various sections of the lobby. The previous wallpaper, characterized by vertical lines, has been replaced with new designs. In the elevator foyer areas on the second floor, the new wallpaper features intricate patterns of tree branches and birds. This particular design choice is consistent with similar wallpaper found in other campus-style buildings within the Grand Floridian Resort, suggesting a cohesive design strategy across the property. Additionally, different wallpaper designs have been introduced in the transition areas between the main first-floor entrance and the monorail egress, further enhancing the refreshed ambiance. Changes have also been made to the functional areas of the lobby, specifically Bell Services and check-in. The Bell Services area has been relocated to the left side of the lobby, when viewed from the porte cochere main entrance. This strategic relocation utilizes a space that was previously underutilized, optimizing the flow and accessibility for guests. The main check-in area is still undergoing construction, but visible progress includes the installation of new lighting fixtures and updated wallpaper. While the check-in desks are yet to be completed, the removal of construction walls and the presence of only curtains suggest that this area is nearing its operational phase. Significant advancements are also evident in the development of the lobby's birdcage bar. This area, which was initially a skeletal frame, now features thematic elements. The addition of wood grain panels provides a warm and sophisticated appearance, indicating a clear progression towards its final design. Multiple photographs from various angles showcase the bar's evolving thematic elements, highlighting the detailed work being undertaken. The entire lobby reimagining project is projected to be completed early next year, as indicated by previously released concept art, signifying a comprehensive transformation of the Grand Floridian Resort's central lobby into a modernized yet elegant space for its guests. #GrandFloridianResort #LobbyRenovation #StaircaseDesign #WallpaperUpgrade #BirdcageBar #DisneyResort #ResortRefurbishment #InteriorDesign #DisneyWorld

This article details the interior design transformation of a unique, stoopless turn-of-the-20th-century brick and limestone row house in Park Slope, Brooklyn. The project was spearheaded by Park Slope-based interior designer Jennifer Morris of JMorris Design, who executed a comprehensive renovation and redecoration. The house, notable for its well-preserved original features like woodwork, plaster decoration, and diamond-paned leaded windows, presented a foundation for a glamorous modern aesthetic tailored to the homeowners, a family with teenage twins and a younger son. The residence spans four floors. The ground level features two entrances, leading to a reception room and a service entrance that opens into a hallway, playroom, guest bedroom, and bath. The main living area, referred to as the piano nobile, is located on the high-ceilinged second floor. The third floor accommodates the primary bedroom, a newly designed luxurious bath, and a sitting room, while the children's bedrooms are situated on the top floor. A significant part of the renovation focused on the kitchen, previously a long, dark galley-style space with a single small window, located in a rear extension off the formal dining room. Mark Pennell of Pennell Design redesigned the kitchen within its existing footprint, dramatically improving its character by integrating large expanses of window glass. Jennifer Morris then infused the space with a glamorous aesthetic, blending new acquisitions with existing client pieces. The homeowner's preference for 'Miami energy' — playful, iridescent, and shiny elements — guided some of the decorating choices. Throughout the house, Morris meticulously blended modern design with the home's historic integrity. In the downstairs reception room, elaborate plaster relief panels and parquet flooring were in excellent condition, complemented by new marble tile flooring in the vestibule. The reception area features Philip Jeffries grasscloth wall covering with a subtle sheen, and charcoal paint for moldings and trim. An existing powder room was updated with a water-jet-cut mosaic stone floor, porcelain tile wainscoting, and a compact corner sink. Upstairs, a landing area between the living and dining rooms showcases Trove wallpaper with a falling feather motif, a Julian Chichester console, and a client-owned glass chandelier, alongside an unexpectedly successful IKEA rug. The front parlor, or living room, was envisioned as a serene space with a powder blue and cream color palette, featuring a scalloped pendant light and sofa from Mitchell Gold Bob Williams, blue velvet armchairs with chrome legs, and a modern coffee table from Modern Interiors of Brooklyn. Benjamin Moore’s Mineral Ice provided a silvery cast to moldings against white walls. The dining room stands out as the only area where the original woodwork, including built-in cabinets, a coffered ceiling, and leaded glass pocket doors, was preserved unpainted. This decision maintained a historical contrast to other areas where previously painted wood was refreshed. A round white table from Modern Interiors of Brooklyn was chosen to enhance light, and a Schumacher patterned wallpaper added subtle texture. An original undulating window seat under leaded glass windows received a custom cushion. The primary bedroom was updated with Benjamin Moore’s Veil Cream on moldings, while the adjacent sitting room was furnished with existing client pieces. The primary bath was completely renovated to create a sparkling environment using a mix of glossy and matte glass tiles, with a door leading to a roof terrace. Two top-floor children's baths were also fully redesigned, featuring graphic tile floors and glimmering half-walls with tiles from Nemo, and a utility-style double sink from Kohler. The teenage daughter's bedroom was designed to be feminine yet bold, incorporating magenta accents on the lower walls and carpet tiles for easy future updates. #InteriorDesign #ParkSlope #HomeRenovation #JMorrisDesign #ModernGlamour #KitchenRemodel #BathroomDesign #HistoricHome #BrooklynInteriors

This blog post details the restoration of a 684-square-foot midcentury cabin located within the renowned Sea Ranch community in Sonoma, California. Originally constructed in 1968 by architect Joseph Esherick, the cabin, known as the "MiniMod," was designed to embody Sea Ranch's principles of harmonious integration with nature and affordable living. Over time, the cabin fell into disrepair, prompting new owners, including the creative director of Framestudio, to undertake a renovation in 2017. Their objective was to preserve the dwelling's historical significance while incorporating modern amenities and functionalities. The renovation focused on honoring Esherick's original architectural vision, particularly the open-plan concept across its three levels. The 20-foot by 20-foot cabin maintains an interconnected feel, with a key addition being a full-height partition. This partition allows for the privacy of two bedrooms when needed, yet can discreetly retract into Douglas Fir paneling, thereby upholding the open aesthetic. The project involved a thoughtful approach to materials, reusing original wood and introducing new components from similar materials, designed to contrast subtly with the existing structure. A significant aspect of the modernization was the kitchen. While original upper cabinets were meticulously restored, the lower cabinetry was replaced with Baltic Birch plywood clad in matte black laminate, accommodating new appliances, storage drawers, and toe kicks. The exhaust system was meticulously reconstructed to its original 1960s standards, using an authentic exhaust fan. This blend of preservation and contemporary functionality ensured the kitchen met modern living standards while respecting the cabin's heritage. The upper-level bedrooms were intentionally kept minimally designed. To optimize storage in the compact space, custom blue laminate cupboards were installed within the existing closet alcoves. The second bedroom features playful built-in bunk beds, while the main level's sleeping capacity was enhanced with a built-in sofa that includes integrated storage and a pullout bed. These thoughtful design choices maximize utility and comfort within the cabin's limited footprint. The exterior, crafted from wood, was designed to blend seamlessly with the surrounding timber landscape, reinforcing the Sea Ranch philosophy of living lightly on the land. Large windows and sliding glass doors further connect the interior with the natural outdoor environment, creating an office space overlooking the redwoods. The renovation successfully transformed the MiniMod into a comfortable and functional rental property, ready for guests. #MidcenturyModern #CabinRenovation #SeaRanch #JosephEsherick #Framestudio #TinyHomes #CaliforniaHomes #ArchitecturalPreservation #SustainableDesign

In 2001, Marion and Jeffery Barker purchased a 1960s brick ranch home on 18 acres in Virginia's Northern Neck, overlooking Nomini Creek, a tributary of the Potomac. Despite the house being outdated and the timing of the purchase—just a week after 9/11—being uncertain, the couple was drawn to the property's prime waterfront location and its manageable two-hour drive from their Bethesda residence, making it ideal for weekend escapes. At the time, Marion owned the consulting firm Palladian Partners, and Jeffery was a scientist at the National Institutes of Health. They envisioned transforming the modest ranch into a modern dream home but knew it would require significant time and resources. After saving for 15 years, the Barkers initiated a gradual redesign in 2016, enlisting Jeffery’s daughter, Brooklyn architect Alexandra Barker, for the project. A key challenge was environmental regulations, which mandated that the new structure adhere to the existing foundation and original footprint due to its proximity to the water. Despite these constraints, the renovated home represents a dramatic transformation from its original, cramped layout. The new design emphasizes an open floor plan, extensive walls of windows, and expansive water views, creating a stark contrast to the previous structure. Alexandra Barker's design strategy focused on maximizing the property's natural surroundings. She incorporated oversized storefront glass instead of standard residential windows to offer uninterrupted vistas, a feature she considers the home's most special detail. The architect also prioritized the use of locally sourced materials where possible, including granite for the kitchen backsplash from Richmond, reclaimed-oak floors, and bluestone around the pool area. This approach not only supported local businesses but also integrated the home more deeply with its regional environment. The homeowners, Marion and Jeffery, were described by Alexandra as highly collaborative and flexible clients, contributing to a smooth design process. An added benefit for Alexandra was the prospect of personally enjoying the finished product with her family. The redesigned home includes three guest rooms, each with an en suite bathroom, providing comfortable accommodation for visiting family members, including Alexandra and her siblings. The primary suite, located on the second floor, is a highlight, featuring 365-degree views and access to a private roof deck. This rooftop space, initially intended for an office, was repurposed due to budget considerations and ultimately became one of the owners' favorite features. The renovation was completed in 2021, and the retired couple, Marion and Jeffery, expressed that the two-decade wait was worthwhile. They now share their property with local wildlife, including bald eagles, deer, ospreys, and otters. The constant natural beauty, particularly the sunrises and sunsets over Nomini Creek, provides immense satisfaction, with Jeffery reportedly having captured hundreds of photographs of these daily spectacles. The project successfully converted a dated ranch into a modern, waterfront marvel that harmonizes with its natural setting. #HomeRenovation #ModernDesign #WaterfrontProperty #ArchitecturalTransformation #VirginiaRealEstate #SustainableMaterials #BeforeAndAfter #FamilyProject #NorthernNeck

This article details the comprehensive renovation of a 190-year-old Federal-style townhouse in Tribeca, Manhattan, which was originally constructed in 1828. The house, initially a residence for a genteel family, transformed into a poultry and egg shop during the area's wholesale produce market era, and later, after the market relocated, was one of nine homes granted individual landmark status by the Landmark Preservation Commission in the 1960s to prevent demolition. A previous owner, an artist, lived in the house for nearly 40 years before it was purchased by a new pair of artists who embarked on a significant remodel. The challenge for the new owners and their team, architect Susan Yun of Yun Architecture and interior designer Penelope August, was that while the exterior remained largely unchanged and landmarked, the interior had lost all original features. Their approach was not to recreate historical accuracy or adopt a modern interpretation, but rather to create a layered, evolving aesthetic that combined vintage and modern elements, reflecting the passage of time. This involved incorporating salvaged materials, antique finds, and contemporary designs to achieve a unique, lived-in feel. The exterior restoration was meticulous, focusing on preserving the landmarked facade. Energy-efficient wooden windows were installed to match the original design, and a new porch with ironwork railings was crafted, inspired by neighboring buildings but meeting modern code requirements. Inside, the design team established a historic-appearing background with elements like plaster crown molding, wide-plank salvaged wood floors from Reclamation Lumber, and newly designed handrails and balusters with classic lines. The owners actively participated in the sourcing process, finding doorknobs and some light fixtures on eBay, and purchasing antique and vintage sinks, bathtubs from Big Reuse, wallpaper from Secondhand Rose, and doors from Demolition Depot. Modern interventions include sleek limestone fireplace mantels (reactivating all four wood-burning fireplaces), a spacious kitchen with colorful terrazzo countertops by Precast Terrazzo, and a Jean Prouvé-inspired built-in designed by August. A key architectural modification involved relocating the first-floor staircase from the back to the center of the house, which facilitated the creation of a generously sized kitchen with an outdoor connection. The kitchen features purple-gray Shaker-style cabinets with glass pulls, a vibrant mustard-yellow Lacanche range, and custom terrazzo countertops made with recycled glass chips. Lighting fixtures were a mix of eBay finds and custom pieces by Penelope August and Andrew Hughes. In contrast to the modern kitchen, a study was designed to evoke a more traditional ambiance, featuring antique wallpaper, a wood mantel recreated after an unfortunate theft, and modern art and furniture to avoid a museum-like feel. The powder room exemplifies the eclectic approach with electric blue hex tiles by Fireclay Tile, a vintage pedestal sink from Demolition Depot, and unique sconces repurposed from an optometrist's shop. A midcentury-inspired shelving unit designed by August, with cork shelves and orange cabinet fronts, displays the owners’ diverse collections. Working with vintage and salvaged materials required considerable patience and effort due to necessary repairs and size adjustments, but the result was a highly customized and authentic interior. The owners expressed a deep appreciation for the history of New York City and viewed their role as caretakers of this historic property, embracing the restrictions that came with renovating a landmarked building. #TribecaTownhouse #HistoricRenovation #EclecticDesign #LandmarkPreservation #InteriorDesign #SalvagedMaterials #VintageFinds #ModernInterventions #NewYorkCityHistory

The Captain Whidbey, a 100-plus-year-old inn located 30 miles north of Seattle in Washington’s Puget Sound, has been reimagined and reopened by brothers Mike and Matt French, along with designer Eric Cheong. Known for their work with the Pioneertown Motel and Ace Hotels, the team has a history of revitalizing historic properties. Their approach to the Captain Whidbey involved immersing themselves in the inn's existing environment for nine months before making significant changes, allowing them to connect with the landscape, history, and community that held many cherished memories of the beloved place. The renovation incorporated a collaborative spirit, inviting various designers to contribute their unique visions. The four stand-alone cabins, for instance, were given to different designers like We the Nomads, Glasswing, Whidbey Edit, and heritage company Filson, with no specific directives. This resulted in a diverse range of styles, from an airy space with nature-inspired palettes and hand-drawn heron wallpaper to a cabin designed by Filson to emulate a yacht's interior, utilizing reclaimed teak and bass from boats. This collaborative ethos extended throughout the property, engaging local artists, craftspeople, and experts. Handwoven woolen blankets were created by local weaver Hannah Ruth Levy, carrying on a family legacy of weaving on the island. Gardens by Salty Acres hosted chef talks, and Portland fashion designer Kate Towers designed fleece housecoats for guests. The bar featured hand-painted ceramic tiles by Portland’s Mixed Needs, depicting water species and a poem by South Whidbey poet David Whyte. An eccentric library was curated from Captain Rhys Balmer's childhood collection, filled with maritime children’s books, classic sea tales, obscure hippie counterculture stories, and sea survivalist handbooks. For the historic lodge itself, the design aimed for a natural, timeless, and quirk-embracing aesthetic with subtle, organic modern updates. The inn's location within Ebey’s Landing National Historic Reserve meant adhering to historic building restrictions, which Cheong, an avid sailor, viewed as boundaries that deepened the design narrative, much like restoring an old ship. The original building’s idiosyncratic style, influenced by Judge Still who hand-built the inn in 1907, was respected. The more than 100-year-old, hand-hewn Pacific madrone logs, known for their cinnamon bark that darkens to red with age, and a unique, hand-built stone fireplace, where guests traditionally left poems and love letters, became central design elements. These historical features were complemented by custom Scandinavian-inspired furniture and jewel-toned mohair fabric, creating a dialogue with the past while incorporating modern comfort and style. The project showcases a deep reverence for historical context, blending it with contemporary design without compromising the inn's unique character. #HotelRenovation #HistoricPreservation #PacificNorthwestDesign #CollaborativeDesign #InteriorDesign #BoutiqueHotel #WhidbeyIsland #SustainableDesign #CommunityEngagement

The 2020 Lake Forest Showhouse & Gardens, which opened on July 11 and ran until August 9, 2020, showcased a historic Colonial-style estate designed by Frost & Granger in 1906 and later remodeled by Stanley Anderson in 1926. This biennial event benefits the Infant Welfare Society of Chicago, an organization providing healthcare to medically underserved communities for over a century. The estate features 23 light-filled rooms with architectural details, serving as a canvas for over 30 interior and landscape designers. Each space incorporates a mix of antique and vintage items, along with innovative uses of color, texture, and pattern. The outdoor areas include gardens by Scott Byron & Co. and Mariani Landscape Architecture, featuring lush purple and green plantings and original Japanese lilac trees. Inside, the foyer by Konstant Home combines traditional architectural elements and Zuber scenic wallpaper with French Modernist furniture by Charlotte Perriand and Jean Royère, accented by sculptural art and vintage finds. Kelly Hurliman Design's living room emphasizes luxurious textures with Italian velvet sofas, vintage alpaca chairs, a marble cocktail table, and a shagreen cabinet, all within a palette of apricot, rust, and chalky white. Paloma Contreras Design’s dining room is enveloped in an Iksel chinoiserie wallpaper, reflecting a classic-meets-contemporary style, complemented by Schumacher fabrics on window shades and a settee. The powder room by Sarah Vaile Design features de Gournay wallpaper depicting an exotic jungle, highlighted by hot pink lacquered trim and a geometric black and white floor. The sunroom by M + M Interior Design showcases patterned textiles and natural textures, with emerald walls covered in a hand-painted silk wallpaper from a collaboration between Erdem Moralioglu and de Gournay. Shelley Johnstone Design's sun porch and adjacent terrace integrate the outdoors with a custom Gracie wallpaper, a celadon lacquered ceiling, and Janus et Cie furniture, offering views of the gardens. The kitchen, a collaboration between the ABL Group and Dovetails Custom Cabinetry, blends historical design with modern functionality. It features brass hardware, Cambria and Artistic tile surfaces, and custom cabinetry painted in Sherwin Williams’ Sleepy Hollow and Inkwell. Stephanie Kaslow Interiors created a cozy reading room with rustic wood, dusty blue trim and ceiling, and a mix of modern and antique furniture, lighting, and art. Cynthia McCullough Interiors designed a cheerful guest bedroom with a vintage-inspired floral wallpaper by Cole and Son, blue upholstered beds, yellow mohair armchairs, vintage pieces, and seagrass flooring. Wendy Labrum Interiors' sitting room emphasizes its high ceilings with earthy plaster walls, complemented by a Jean Royère sofa, Pierre Jeanneret chairs, vintage lighting, and a custom marble table. Finally, James Thomas's potting room draws inspiration from English manor houses, featuring limed oak, green trim, and off-black plaster walls, filled with baskets, pots, and topiaries. The showhouse offers a range of design ideas across its varied spaces. #LakeForestShowhouse #InteriorDesign #ColonialEstate #LuxuryDecor #GardenDesign #ChinoiserieWallpaper #VintageFurniture #ModernDesign #Showhouse2020

In 1788, the Enlightenment society Felix Meritis, Latin for 'Happy Through Merit,' constructed its namesake clubhouse on an Amsterdam canal. The building, designed by Neoclassical architect Jacob Otten Husly, served as a hub for members to study various disciplines like music, natural sciences, drawing, commerce, and literature, embodying the rational principles of Enlightenment thought through its Corinthian-style facade and geometrically shaped rooms. A century later, after the society's dissolution, the building underwent several transformations, serving as a printing factory, the Dutch Communist party headquarters, and a 1960s cabaret, yet it remarkably maintained its architectural integrity despite wear and tear. In 2014, Amerborgh, an investment firm with a focus on the arts, acquired the landmarked Felix Meritis. The company aimed to repurpose it as a cultural center, leveraging its renovated spaces as event venues to support various programs. Tasked with revitalizing the 50,000-square-foot interior, i29, led by co-founder and partner Jeroen Dellensen, sought to bring the historic building 'into the now.' Their approach involved respecting the original architecture while infusing contemporary design elements to appeal to a younger demographic. This restoration project necessitated a careful balance between preserving historical aspects and introducing innovative designs. Working alongside MATH Architecten, which managed structural renovations, i29 co-founders Jeroen Dellensen and Jaspar Jansen focused on cultivating the individual character of each space. They found inspiration in the building's original use by the Felicians, who organized it by departments, allowing each room to retain its distinct function and story. The building's layout, divided by a five-story wooden staircase, comprises 11 staggered levels. A key requirement from the city was the meticulous restoration of two historically significant areas: the oval Concertzaal, renowned as one of Europe's premier small classical-music halls, and the Zuilenzaal, a colonnaded reception room. In the Concertzaal, where Beethoven's Ninth Symphony premiered in the Netherlands, a chromatic analysis revealed the original wall color between the pilasters was a brown-tinted beige, which was reinstated to restore the room's serene ambiance. To accommodate modern musical performances, i29 incorporated discreet, pivoting wall panels that optimize acoustics and conceal electronic equipment. MATH seamlessly integrated new mechanical systems within the existing structure, rendering them invisible in the auditorium. For the majestic Zuilenzaal, i29 opted for a more minimalist approach, stripping back boiserie and stabilizing cracked wood columns, leaving the room largely in its found state. This 'un-Photoshopped' authenticity required carefully dismantling and reassembling fragile woodwork to integrate modern ventilation and sound systems, making the Zuilenzaal a highly sought-after venue. i29 introduced significant visual diversity in the remaining rooms, utilizing color and texture as primary design tools. They incorporated crisply geometric, often mirrored, built-in cabinetry and furniture to create a striking contrast with the classical surroundings, thereby giving these spaces a unique identity and importance comparable to the historic rooms. The main entry is flanked by a reception area and Felix, a 100-seat restaurant. In the reception, custom tufted-shag wall coverings reproduce an 18th-century etching of a Felician meeting, offering a historical greeting to modern visitors. The restaurant's walls are adorned with woven textiles depicting Amsterdam's skies, immersing diners in a Dutch landscape. The Shaffyzaal, a domed, oval room above the Concertzaal, was once a physics lab and later a popular nightspot. Named after performer Ramses Shaffy, its acoustical perforated-steel panels feature an ombré effect, fading from deep to pale blue, evoking its psychedelic past. Jansen emphasizes that this contrast between contemporary and historical elements invigorates both. In the attic Koepelzaal, exposed timber roof beams lend a modern angularity. Dellensen highlights the firm's narrative approach, embedding stories within the design to add depth to the interiors. In the Teekenzaal, formerly the drawing studio, translucent fabric rectangles suspended from the ceiling diffuse light and symbolize the paper used by the Felicians, bringing the spirit of the Enlightenment to life. #InteriorDesign #ArchitecturalRenovation #HistoricalPreservation #AmsterdamLandmark #CulturalCenter #NeoclassicalArchitecture #i29Design #FelixMeritis #RestorationProject

This article highlights the transformation of a Lake Claire duplex in Atlanta, a rare intown home nestled within a wooded ravine. The property, initially purchased by young film industry professionals as a second home, presented designer Jessica Davis with the challenge of revitalizing a unique midcentury-meets-industrial structure. The duplex was originally divided into two separate units with no internal connection and featured awkward open-concept layouts that blurred the lines between living and dining areas, along with dated bathrooms. Jessica Davis, discovered by the homeowners on Instagram, was tasked with infusing the home with her signature vibrant style while optimizing its layout for both livability and renter-friendliness. A key intervention was the installation of a new interior spiral staircase, which connected the upper and lower levels, allowing the clients to utilize the property as a single cohesive residence or to rent out the lower unit independently. This dual-purpose design was critical to meeting the clients' needs. On the upper level, which houses the primary bedroom, a daughter’s bedroom, and an open-concept living space, Davis implemented strategic design choices to define areas without obstructing the natural views. A stylish banquette was introduced to create a clear separation between the sofa and kitchen areas, ensuring a more functional and aesthetically pleasing flow. Low-profile furniture and retractable window shades were deliberately chosen to maintain an unobstructed vista of the surrounding woods. Although the kitchen and bathrooms had functional layouts and acceptable tile work, Davis performed light renovations, focusing on impactful yet economical swaps such as new hardware and updated base cabinets to refresh these spaces. The lower level was conceived as a self-contained apartment, catering to its potential as a rental unit or an in-law suite. Davis embraced the existing industrial aesthetic of this section. The kitchenette features happy blue cabinetry complemented by a utilitarian stainless-steel backsplash and a compact dining table that can also serve as an island. To maximize storage and better delineate spaces, the kitchen cabinets were extended along the wall behind the sofa, with a color variation that made them function as a credenza, effectively defining the living area. The office on this level was designed to be versatile, doubling as a guest room. Further design details across the home include a vibrant family room where a low-slung teal sofa and rainbow rug draw the eye while preserving the view of the ravine. A secondary seating area in the family room features rattan lounge chairs that swivel, offering flexibility to enjoy the view or engage with the main living space. The sunroom off the main living area, furnished with Couture Jardin sofas and a lime green-and-blue rug, creates a serene space immersed in nature. The daughter’s bedroom was transformed into a playful, treehouse-like environment with a Blu Dot desk and chair, a sculptural pendant, and a trundle bed, designed to adapt as she grows. In the primary bedroom, walls and ceiling were painted a peaceful blue to enhance the sense of space, and a built-in headboard serves as both storage and a focal point, accented by a wood knot sculpture. The primary bath received a refresh with a new floating vanity, knotted pulls, and bubble sconces, while the daughter’s bath was updated with new drawers, coral hardware, and a modern sconce. The downstairs guest bath creatively repurposed the old powder room sink, custom-fitted into a vanity with half-moon pulls and red hairpin legs, alongside a petite red sconce, giving it a contemporary vintage appeal. The overarching design philosophy centered on enhancing existing elements with colorful, modern touches to create a vibrant home that harmoniously integrates with its unique natural setting. #HomeDesign #InteriorDesign #LakeClaire #DuplexRenovation #MidcenturyModern #IndustrialStyle #JessicaDavis #AtlantaHomes #ColorfulInteriors

Designer Rebecca Philipson undertook a significant remodel of a 1990s-built, 5,300-square-foot home in Aurora, Ohio, focusing on transforming the kitchen, great room, and lounge into more open and inviting spaces. The homeowners sought to infuse warmth and an open concept into their residence, a vision Philipson brought to life through a blend of traditional and rustic elements, with distinct French Country influences. Central to the design is the incorporation of Amish hand-hewn ceiling beams and elaborate stonework, which serve as prominent features, particularly in the lounge. This area, designed for relaxation and entertaining, includes a wet bar, a built-in refrigerator, and custom alder cabinetry. The adjacent sunroom houses a pool table, creating a seamless flow for social gatherings and post-dinner interactions. The overall layout was reimagined to foster a sense of togetherness, allowing family and guests to interact comfortably across the connected rooms. Philipson achieved this open concept by strategically removing the wall between the great room and kitchen, then linking the kitchen to the lounge. Archways were introduced to formalize these open transitions. The kitchen underwent the most substantial transformation. Previously walled off, it featured an angled peninsula, an irregularly shaped island, and low-hanging soffits. Philipson replaced these with faux beams to maintain the rustic aesthetic and installed a central island with seating for three. The homeowners' desire for warmth and intricate details was met through design elements such as decorative island legs. Attention to detail extends throughout the kitchen, with intricate touches found in the baseboards, legs, valances, and along the bottom of the island cabinetry. The refrigerator was artfully concealed with cabinet panels and mirrored glass, designed to resemble an armoire rather than an appliance, fulfilling the client's wish for cabinetry that emulated furniture. A built-in coffee maker contributed to a decluttered countertop space. The great room further showcases the sophisticated stonework, with cream-colored stone extending from floor to ceiling around the fireplace. This central feature is flanked by built-in cabinets that mirror the design of the kitchen's concealed refrigerator. Oversized iron hardware on the cabinetry adds a dramatic flair, complementing the multi-tiered iron chandelier, which serves as a focal point. Recessed lighting supplements the chandelier, with all lighting choices made to enhance the room's warm ambiance. The remodel successfully integrated rustic charm with French Country elegance, creating a cohesive and welcoming environment across the main living areas. #HomeRemodel #AuroraHome #FrenchCountryStyle #RusticDesign #KitchenRenovation #GreatRoomDesign #LoungeArea #InteriorDesign #OpenConcept