i29 Updates Classical Interiors of Landmarked Building

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

This article explores the transformation of a 1910 Mediterranean Revival home in Seattle, which underwent a significant modern update while meticulously preserving its historic essence. The homeowners, with a young family, aimed to integrate contemporary systems and design elements without compromising the residence's original grandeur and craftsmanship. This ambitious vision was realized through the collaboration of Studio AM Architecture and Kelly Hohla Interiors, who balanced modern functionality with historical integrity. The initial challenge involved updating the home's outdated layout, which featured segmented spaces typical of its era, including separate areas for servants. Studio AM reconfigured the downstairs space by removing a back staircase, thereby enlarging the entry and improving circulation to the mudroom, powder room, and kitchen. This adjustment also enhanced sight lines to the kitchen and the outdoors, creating a more open and cohesive flow. Kelly Hohla Interiors introduced calm and textural hallway designs that seamlessly connect the original front door and period detailing with the refreshed interiors. Contemporary consoles with gilt detailing were strategically placed to contrast with the wainscoting and moldings, while modern artwork with geometric patterns subtly echoed the historical architectural elements. The kitchen's design exemplifies the juxtaposition of old and new, featuring a traditional black range hood and stove alongside contemporary lighting and a striking geometric tile backsplash. This mid-century style geometric motif is recurrent throughout the home, appearing perfectly integrated with the existing architecture. An adjacent dining nook was enhanced with a glass table and banquette seating, offering uninterrupted views of the backyard. Enlarged windows and glass doors in the kitchen, coupled with an open floor plan, significantly increased natural light and improved the connection to the home’s entertaining areas. The dining room, leading into a sunroom, showcases pared-back furniture, including a dark wood table and contemporary chairs, allowing the room's original architectural details to stand out. The smaller family room adopts a cozy atmosphere with a wrap-around taupe color scheme and a gray sectional sofa, drawing inspiration from an original fire surround for its paint effects. In contrast, the main living room features a more formal arrangement of armchairs and couches, whose curved forms complement the home's arched windows, alongside a gilded cabinet that adds a touch of modern glamor. The study is a notable space, blending dark wood paneling and bookcases with a decorative plasterwork ceiling and contemporary furnishings. A patterned rug and curtain fabric echo the ceiling motifs, creating a cohesive design. The primary bedroom, benefitting from new windows, is a serene space with a harmonious scheme of soft neutrals and blue accents, highlighted by a mid-century style chandelier and an upholstered bed. A child's bedroom features nature-inspired butterfly wallpaper, paneled walls, and geometric bedding, combined with luxurious touches like a pink stool and a gold lamp. Off the child's room, a den created from a covered balcony serves as a vibrant hangout space with extensive windows, a hanging rattan chair, and sofa beds for sleepovers. The family bathroom incorporates matching geometric wall and floor tiles, enhancing the definition of the space with smart detailing such as square drawer pulls and brass/gold fittings. The exterior maintains its whitewashed Mediterranean Revival aesthetic. This renovation project, while not historically registered, successfully transformed a well-known community landmark into a modern family home. The architects and designers carefully integrated contemporary systems and elements, using new fabrication methods to recreate historical details and ensure the home's longevity for future generations. The result is a residence that seamlessly marries modern comfort with historic grandeur, demonstrating that thoughtful design can bridge the gap between different eras. #HistoricHomeRenovation #MediterraneanRevival #ModernInteriorDesign #SeattleArchitecture #LuxuryHomes #InteriorDesign #HomeTransformation #ArchitecturalPreservation

Updating a historic home while preserving its original character presents a common design challenge. This article details the process of reinventing a mansion-scaled limestone townhouse in Brooklyn, NYC, built in 1898, which featured wood-paneled walls, ornate ceiling moldings, and polished parquet floors. Jason Saft, founder of Staged to Sell Home, undertook this renovation, introducing contemporary, high-end furnishings to appeal to potential buyers while honoring the special historic details of the property. The renovation focused on several key principles. First, respecting the property's history was paramount. The neo-Italian Renaissance townhouse, designed by architect Montrose Morris, holds significant historical presence overlooking Prospect Park. Saft's approach was to enhance, not diminish, this heritage. Second, the project emphasized preserving original features. In areas like the hallway with mirrored closets and stained glass windows, architectural integrity was maintained, with modern art serving as the sole contemporary addition. This strategy allowed the inherent character of the home to shine through, complemented by modern elements. Achieving balance in the color palette and styles was another crucial aspect. Drawing inspiration from Prospect Park, varying shades of green were incorporated. To counteract the visual weight of the dark wood paneling, a palette of creams, beige, and white was introduced to lighten the space. Saft strategically mirrored existing architectural details, such as ceiling moldings, with furniture choices like curved ivory couches, creating visual symmetry and connectivity throughout the rooms. Light-colored upholstery was extensively used to modernize the space, addressing concerns that dark woodwork could make the home feel dated or museum-like. By integrating lighter case goods and upholstered pieces, the living areas were brightened, and the woodwork appeared less heavy. The shape of new furniture, such as contemporary couches, was also considered to introduce modern lines. To foster a collected atmosphere, lighter profiled pieces were chosen for areas like the staircase, contrasting with the grand original features. This approach aimed to make the home feel welcoming rather than overwhelming, blending grandeur with comfort. Curating views within the home was also important, as exemplified in the dining room, where a custom dowel table and Rodin dining chairs brought a contemporary flair, harmonizing with traditional elements like ceiling beams and dark wood paneling. The design philosophy advocated for a mix of antique and modern pieces, recognizing that successful integration often requires trial and error. Dressing the space with well-chosen pieces provided an instant uplift. In the home office, a period-style fireplace and paneling were complemented by a comfortable mix of midcentury furniture, antiques, and found objects. Saft underscored the importance of researching historical design styles to inform the integration of traditional and modern elements. Finally, selecting timeless, transitional pieces for major furnishings, such as beds and couches, ensured longevity in design. Art played a significant role in every room, with contemporary artworks often placed in traditional frames to bridge design styles. Midcentury-style furniture was combined with custom contemporary pieces to create a cohesive and updated aesthetic. The transformation of this historic home, executed with speed and precision, demonstrates how a thoughtful blend of styles, colors, art, and furnishings can update a property while preserving its inherent charm and maximizing its appeal. #HistoricHomeRenovation #TransitionalDesign #NYCRealEstate #InteriorStyling #HomeStaging #VintageCharm #ModernInteriors #DesignBalance #ArchitecturalPreservation

The Kaufman House, a historical landmark in Zelienople, Pennsylvania, originally built in 1902, has undergone a significant restoration after being severely damaged by a fire in 2011. This 121-year-old building, which served as a hotel, factory worker housing, and an iconic tavern, was a vital rest stop for travelers and a community focal point. After the fire, the building remained closed until 2020, facing potential demolition. However, the Zelienople Borough recognized its cultural and economic importance, purchasing it in 2017 with a state Redevelopment Assistance Capital Grant to ensure its preservation. The restoration project aimed to maintain the building's original aesthetic, particularly concerning its windows. James Druschel, former vice president of finance and CFO of Veka, played a crucial role by initiating the project and facilitating the donation of window profiles from Veka Inc. Wincore Windows contributed by charging only for labor, glass, and hardware. The choice was made to use residential windows, specifically the 7700 Series from Veka, to replicate the original single-hung, wood windows. These included double-hung, fixed, and awning glass windows, with picture windows on the street level and double-hung windows on the upper floors. The 7700 Series is an LC-rated product, deemed suitable for the project. Technical specifications include white interior and exterior frames and low-e argon insulated glass with a 0.29 U-value, totaling 51 double-hungs, 30 fixed, and 3 awning windows. Beyond windows, the restoration also involved reinforcing the Main Street-facing balcony on the second floor with beams and updating it with VEKAdeck in Signature Storm color and white Veka rails, with the contractor receiving a reduced price for these materials. The rehabilitation proved more extensive than initially anticipated, as structural deficiencies were progressively discovered. Many previous repairs had overlooked structural integrity, leading to a situation where 60 percent of the building's structural integrity was found to be compromised and required replacement. The interior was gutted, re-walled, rewired, and re-plumbed, essentially rebuilt to meet modern codes. In its reimagined state, the Kaufman House now serves multiple purposes. The ground floor has been re-established as a restaurant, coffee shop, and bar. The second floor features a banquet hall, retail and office spaces, and meeting rooms. The third floor accommodates the regional office of a marketing firm. The basement is designed to host entrepreneurs offering complementary products to the restaurant. To ensure compliance with local codes, an elevator and a new stairwell were installed. Looking ahead, the building is also slated to function as a boutique hotel and a training facility for the tourism, culinary arts, and hospitality industries, further cementing its role as a revitalized community asset. #HistoricPreservation #BuildingRestoration #ArchitecturalDesign #WindowRenovation #KaufmanHouse #CommunityRevitalization #VekaWindows #WincoreWindows #ZelienoplePennsylvania

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

Architectural trends today often favor streamlined designs and technological integration. However, historic homes offer an undeniable charm, characterized by artistry and meticulous hand-crafted details rarely found in modern constructions. While the prospect of buying and renovating a property over 80 years old presents a significant financial and emotional commitment, many homeowners find the investment deeply rewarding. This article explores the experiences of five individuals who embraced the challenge of preserving and modernizing historic residences, delving into their motivations, the obstacles they faced, and ultimately, whether the endeavor was worthwhile. Sarah Magness, an interior designer, acquired a Frank Lloyd Wright-designed home built in 1959. Her renovation focused on meticulous restoration, preserving original millwork, plaster, concrete, linoleum, and tile, while introducing contemporary furnishings to bridge the past and present. She highlights the profound satisfaction of being a "caretaker of a home designed by a legendary American architect" and the unexpected discovery of the architect's field notes. Despite the challenge of replacing angled plaster ceilings, Magness firmly believes the continuous effort, cost, and love invested are justified to maintain the home's original design intent and legacy. John and Mandy McCauley undertook a gut renovation of their 1936 Coronado, California bungalow, which expanded to include an extensive remodel of a 1970s back house. Their project aimed to balance honoring the original Cliff May house's character with necessary modernizations, particularly in plumbing, electric, HVAC, kitchen, and bathrooms. Despite doubling their initial budget and the difficulties of living in a construction zone, especially during COVID, they credit their success to a skilled team of architects, landscapers, and interior designers. The McCauleys emphasize the importance of preserving historic homes and community character, finding unique value in elements like 100-year-old Douglas fir and original tiled floors, which a new build could not replicate. Becky Shea, an interior designer, and her husband Jake purchased a 1940 two-bedroom home in Mamakating, New York. They were fortunate to find a well-maintained property, allowing their renovations to focus primarily on aesthetic preferences. Shea preserved original elements like the floors while gutting the mudroom, undertaking extensive painting, installing shiplap in lofted rooms, and incorporating reclaimed beams and modern electrical fixtures. The couple valued the property's size and affordability, which allowed regular visits to Manhattan. Despite a devastating flood caused by frozen pipes nine months post-renovation, Shea finds immense satisfaction in preserving the cultural significance and architectural beauty of historic structures, affirming the experience as incredibly enjoyable. Lisa Knobloch and her family acquired a 1901 four-story home near Chicago during the early days of COVID-19, intending a minor renovation that evolved into a full-gut overhaul across all four levels. They worked with architect Diana Melichar and interior designer Kendall Severson to address outdated 1970s finishes and reconfigure spaces for functionality, particularly to maximize river views. The renovation transformed a "creepy basement" into an entertainment hub and re-imagined the primary suite, all while carefully retaining character-defining features like the main staircase, moldings, stained glass, and millwork. Knobloch acknowledges the emotional and financial toll but views the process as transformative, appreciating the irreplaceable charm and unique elements of their Victorian home that a new construction could not offer. Lisa Schwert, founder of Innate Studio, faced the additional challenge of renovating her 1905 Pelham, NY home during the onset of the pandemic. Her partial gut renovation included replacing HVAC and electrical systems, removing non-load-bearing walls, reconfiguring the kitchen, and restoring original Douglas fir hardwood floors. She prioritized preserving existing finishes and original details. Although unforeseen circumstances led her to sell the home after completing the renovation, the significant upgrades allowed her to recoup costs and make a profit, which she then invested in her new home. Schwert cherishes the "beautiful proportions and details" of older homes and highlights the value of addressing systemic issues like outdated wiring early in the process. She found the experience gratifying, reinforcing her passion for working on single-family, especially older, homes. Ultimately, the consensus among these homeowners is a resounding "yes" to the worthiness of renovating historic homes. However, this commitment requires a willingness to invest substantial time, financial resources, and effort to adapt these venerable structures for a 21st-century lifestyle. The decision to embark on such a project hinges on an appreciation for both the aesthetic appeal and the inherent costs, emphasizing that historic home renovation is not for everyone, but for those who commit, it offers unparalleled rewards. #HistoricHomes #HomeRenovation #InteriorDesign #ArchitecturalPreservation #HomeRemodeling #RealEstateInvestment #RenovationChallenges #LuxuryHomes #SustainableDesign

The Nolintha Residence, an American Foursquare from the 1920s, underwent a significant transformation from a state of disrepair into a fully restored and updated three-bedroom home. The clients, a brother-sister duo and successful restaurateurs, enlisted in situ studio to renovate the historic structure with a layout optimized for large food-related events. The project presented unique challenges, primarily due to the Raleigh Historic District Commission’s (RHDC) mandate to preserve the front and side facades largely unchanged, despite the home’s severely decayed condition. The architects described the existing state as having brick mortar that had turned to powder and rotten exterior trim, allowing water to compromise the walls. Adding to the complexity, the home's prior use as a rental unit with three separate tenant spaces resulted in a "haphazard" layout and compromised load-bearing elements. Consequently, in situ studio performed a gut renovation, which involved removing much of the interior framing and installing new structural components from the top down. Essential systems such as plumbing, mechanical, and electrical were entirely replaced. While the RHDC's restrictions applied to the exterior, the architects were afforded creative freedom with the interior, leading to a contemporary, light-filled refresh. The ground floor was reconfigured into an open-plan layout, integrating the kitchen, dining room, and living area around a central bathroom and storage unit. A significant art wall now defines the entry space, separating the kitchen and informal eating area from the dining and living spaces that connect to the backyard. Notably, a west-wall fireplace was preserved due to structural integrity concerns. Upstairs, the design team created three distinct bedroom suites, providing private accommodations for a guest and each sibling. These bedrooms are designed to be separate, well-lit, and offer views of the surrounding area and downtown Raleigh. The most distinctive feature of the renovation is the rear of the home, which adopted a surprisingly modern architectural style, humorously referred to as a "mullet" design. This stark contrast to the traditional front facade incorporates durable fiber-cement HardiePlank cladding. An updated south-facing deck, sheltered by the upstairs addition, extends from the main floor living spaces to the backyard, enhancing the home’s outdoor connection. Throughout the interior, white oak tongue-and-groove flooring was installed, contributing to a cohesive and elegant aesthetic. The kitchen features Cosmos Quartz countertops, custom Dopko Cabinetry, and a Soapstone backsplash, reflecting a blend of functionality and modern design. An informal eating space is conveniently located beneath the stair, adjacent to the kitchen, while a new staircase, placed next to original windows, ascends to a brightly lit hall above. The project successfully transformed a decaying 1920s American Foursquare into a modern, functional home, ensuring its usability for another fifty years. #HistoricHomeRenovation #MulletArchitecture #InSituStudio #RaleighHistoricDistrict #AmericanFoursquare #InteriorDesign #ModernAddition #StructuralRenovation #AdaptiveReuse

RAAD Studio recently undertook the redesign of a luxury apartment located at 240 Centre Street, a Beaux-Arts style former police headquarters in New York City. The building, over 100 years old, was converted into 55 luxury condominiums in the late 1980s. This particular apartment, now showcasing RAAD Studio's vision, features a blend of classic grandeur and modern design. The most striking element of the redesign is found in the master bedroom, which incorporates one of the building's signature domes into its ceiling. This arched, original wood ceiling creates an impressive and unique focal point, enhanced by nautical-style windows carved into the canopy. The design includes wedge-shaped skylights, open wooden shelving, and contemporary built-ins along the room's lower perimeter, all contributing to an expansive and visually captivating space. Beyond the master bedroom, the loft maintains a distinctly modern aesthetic while thoughtfully preserving historical details. Exposed brickwork throughout the apartment serves to bridge the gap between contemporary design elements and the building's enduring classic charm. This contrast is particularly evident in the open kitchen, which combines a stone counter, sleek metal stools, and stainless steel appliances. To prevent an overly austere appearance, the kitchen incorporates staggered pendant lighting, rustic brick, and a built-in bench, which collectively soften the industrial edges and introduce warmth into the area. The redesign by RAAD Studio exemplifies how historical architectural features can be integrated with modern sensibilities to create a sophisticated and inviting living space. The project highlights a successful balance between respecting the building's heritage and introducing contemporary functionality and style. The transformation of this loft underscores the potential for creating arresting and functional interiors within historically significant structures. #RAADStudio #LoftRedesign #CentreStreet #PoliceBuilding #LuxuryApartment #BeauxArtsArchitecture #WoodenDome #Nolita #InteriorDesign #HistoricConversion

This article explores a historic 1920s double-wide townhouse on the Upper East Side of New York City, which served as the 47th Annual Kips Bay Decorator Show House. The clients purchased the entire building after attending the show house, initiating a gut renovation led by Francis Nicdao, principal designer and chief creative officer of Pembrooke & Ives, and Stephanie Sarkies-Schabot, the firm's managing director of decorating. The renovation, which began during the COVID-19 pandemic, aimed to create a family home capable of displaying a vast, museum-quality art and antique collection without feeling overly formal. The design achieved a balance between contemporary cleanliness and traditional detailing, respecting the building's historical character. The entryway features checkerboard marble flooring and a spectacular spiral staircase connecting five of the six levels, designed to facilitate a smooth transition to vertical living. The living room, expansive due to the home's double-wide layout, is furnished with collectible design pieces and art, creating a grand and impactful atmosphere. Gold accents add a glamorous edge to a soft color palette. The combined breakfast and family room functions as the home's hub, with a custom back-to-back sofa dividing dining and lounge areas. This space, which opens into the kitchen, incorporates rich textures and blue hues, overlooked by Ralph Goings's artwork, _Tom’s Diner_. The kitchen, located on the entry floor, was designed for high functionality and ease of maintenance, with easily cleanable surfaces and ample counter space. Its blue island and barstools create a cohesive connection with the adjacent breakfast room. The wine cellar and wet bar, located in the basement and dining room respectively, demonstrate that even lower-level spaces can be glamorous, featuring specialty lighting for the wine display and a high-gloss blue paint with a mirrored backsplash in the wet bar. The primary suite, one of seven bedrooms, offers a dreamy ambiance with pink details and natural light enhancing its glow. The unique layout connects the bedroom to a walk-in closet and bathroom through a windowed corridor along the back facade. A guest bedroom provides a relaxing retreat with a neutral color palette, plush carpeting, embroidered drapery, a custom upholstered headboard, and a high-gloss wall finish. The primary bathroom integrates decorative lighting as a focal point, with a stunning chandelier and sconces, alongside symmetrical design and stone detailing for a luxurious and modern feel. Finally, the backyard patio, designed by landscape architect Luciano Guibbilei, serves as a “zen-like enclave” in the city, covering approximately 1,500 square feet and featuring a mural by artist Annie Morris, providing a serene outdoor escape. #NewYorkCity #TownhouseRenovation #InteriorDesign #LuxuryHomes #HistoricPreservation #ArtCollection #PembrookeAndIves #KipsBayShowHouse #HomeDecor

Annie Brahler, owner of the award-winning design firm Euro Trash, initially dismissed her husband Charles Smith's idea of acquiring an English Gothic church at the intersection of Delmar and Union for their business. Brahler's firm, renowned for its design projects throughout St. Louis and nationally, had been operating its studio and corporate offices separately from its rented warehouses. These warehouses stored a vast inventory of art, antique furnishings, and other items imported from around the world. The logistical challenges and expenses associated with managing separate locations prompted Smith to seek a more integrated solution for their operations. Upon visiting the Westminster Presbyterian Church and its adjacent school building, Brahler quickly recognized the potential of the space. The church, which became available after its small congregation merged with another, offered a more functional layout than traditional warehouses. Brahler envisioned dedicated rooms for textiles, chairs, and paintings, realizing the existing architecture would streamline their inventory management and creative processes. Built in 1916 and completed in 1925, the Westminster Presbyterian Church was designed by Albert Groves and designated an official St. Louis City Landmark in 1975. Its sanctuary features significant stained-glass windows created by Marx and Jones. A crucial factor in Euro Trash's successful acquisition of the property was their commitment to preserving the building's historical integrity. Brahler emphasized their dedication to respecting the church's past as a religious home for decades, assuring former parishioners that no disrespectful alterations would be made. During meetings with the church's former members, some of whom had been part of the congregation since birth, Brahler and Smith conveyed their plans to maintain the building's original features, particularly the stained-glass windows. They proposed illuminating these windows from within and without, allowing them to be appreciated by the broader Delmar Maker’s District community. This approach aimed not only to preserve the landmark but also to showcase St. Louis's architectural heritage as something vibrant and well-maintained, rather than dilapidated. The former congregants responded positively to this vision, easing their concerns about the future of their beloved church. Euro Trash acquired the church in February 2024 and took occupancy in June of the same year. The building was found to be structurally sound, well-maintained, and compliant with current codes, including ADA accessibility. Brahler's approach to the space is one of repurposing rather than remodeling. She explicitly stated that no walls would be removed or spaces torn out. Instead, the firm is updating the interiors with fresh paint, new carpeting, furniture, and art, while retaining the original architectural elements. The former school building's large, open room, featuring expansive windows, crown molding, and an original brick fireplace, has been converted into a shared office space. Brahler noted that this communal arrangement reflects the team's collaborative working style, offering ample room for both group interaction and individual tasks. The church's sanctuary is currently used for storing larger items, such as imported French doors. Brahler envisions the sanctuary serving multiple creative functions in the future, including potentially as a gallery for sizable art installations by artists the firm collaborates with across the country. The fully intact and operational pipe organ in the sanctuary adds to its unique character. Brahler expressed her desire to use the transformed space to inspire others to rethink the potential of historic buildings. She highlighted the importance of preserving architectural heritage and demonstrating how such structures can be adaptively reused without compromising their original design. Unlike some conversions that extensively alter historical spaces, Euro Trash aims to accentuate and celebrate the existing architecture, contributing to the revitalization of the Delmar Maker's District while honoring the church's rich history. #InteriorDesign #HistoricPreservation #AdaptiveReuse #StLouisArchitecture #DelmarMakersDistrict #EuroTrash #CommunityEngagement #ArchitecturalHeritage #RepurposedSpaces

Interior designer Boo Randle undertook a comprehensive redesign of her 1906 Uptown New Orleans home, transforming a previously all-white interior into a vibrant, personalized space. Randle, who moved into the home in spring 2022, aimed to create a living expression of her personal style that was also family and animal-friendly, and conducive to entertaining. She approached the project with a structured methodology, similar to how she manages client projects, assembling a team of an architect, contractor, fabricators, installers, and artisans from the outset. The redesign began with conceptualization, moving through design, procurement, and installation. Randle envisioned a home that felt collected, layered, and timeless, incorporating a mix of antique, vintage, and modern pieces. Many items have a personal history, such as 1960s wingback chairs that have been reupholstered multiple times, a glass and iron table from her childhood home, and mid-century modern lamps acquired from a former employer. This approach ensures that the home tells a story and retains sentimental value, aligning with her philosophy of integrating clients' special pieces into their designs. A distinctive aspect of Randle's design is her color palette, which features a blend of greens, blues, and soft pinks. She strategically used darker, richer colors in the front rooms, transitioning to cream paint in areas with more natural light towards the back of the house. To maintain cohesion, the same green trim was used throughout the main level, and a consistent color palette was echoed in various combinations across rooms. Randle views the downstairs as a single, interconnected space, where each room flows into the next, and elements like rugs and trim complement each other seamlessly. Whimsical elements are also integrated to add a playful touch. For instance, the formal dining room features music-inspired wallpaper from MINDTHEGAP, reflecting Randle's love for music. Near the bar area, a southern tropical wallpaper adds another layer of print, complemented by bold-patterned vinyl floor covering from Spicher and Company, which Randle praises for its durability and aesthetic appeal in high-traffic areas. The renovation encountered structural challenges typical of historic homes, particularly in the kitchen. Instead of moving the range due to electrical issues, Randle opted for sleek European custom cabinetry to enhance aesthetics and storage. An island made of Infinity White Quartzite was added to the kitchen, creating more prep space and fostering an open, welcoming environment for entertaining, a crucial aspect given the kitchen's role as the central gathering spot for her family and guests. Upstairs, a significant design decision involved combining two bedrooms and two bathrooms into a quad design, achieved in collaboration with architect Kim Payne Allen of Studio BKA. This transformation was driven by the need for more functional space, including a large, multifunctional closet and a larger bathroom, sacrificing a fifth bedroom to accommodate these desires. Architectural obstacles, particularly concerning existing plumbing, led to creative solutions like a walk-through shower. The design prioritized natural light, especially in the primary bedroom and bathroom, where wood plantation shutters offer views of pecan trees and enhance the lustrous marble surfaces. Allen's design for the closet made the original fireplace a focal point, framing the display of Randle's shoes and bags, creating a stylish backdrop. The expanded space also includes an office nook, his and her closets, and a small exercise area. Randle's personal touches, such as French artwork, vintage dressers, plush rugs, and objet d’art, further personalize the bedrooms, which are kept light and bright to maximize natural light, with color accents in upholstery and accessories. The entire project reflects Randle's ethos of surrounding oneself with beloved items, resulting in a home that is authentically her, functional, and imbued with warmth. #HomeRedesign #HistoricHome #InteriorDesign #UptownNewOrleans #BooRandle #ArchitecturalRenovation #PersonalStyle #ColorPalette #WhimsicalElements

The Brooklyn town house belonging to actor David Harbour and singer-actor Lily Allen is a vibrant and unconventional space, designed in collaboration with AD100 designer Billy Cotton and architect Ben Bischoff of MADE. The home, described as a "familial fantasyland of daring beauty and individual connoisseurial vision," stands in stark contrast to the prevailing trend of minimalist, neutral aesthetics. Its interiors feature a dynamic mix of chintz balloon shades, crystal chandeliers, pink silk, tiger-patterned textiles, and Mylar wallpaper, reflecting Allen's bold, eclectic, and fun personal taste, as noted by both Cotton and Harbour. The project began with the renovation of a late-19th-century Italianate brownstone in Brooklyn’s Carroll Gardens neighborhood. Architect Ben Bischoff recalls the house's initial deteriorated state and the subsequent discovery of original moldings and doors beneath layers of past renovations. The couple sought to preserve the historical character while creating a casual, family-friendly environment, rejecting overt formality. Billy Cotton presented three design directions: traditional English, modern Brooklyn town house, and a layered Italian style, which the couple embraced due to the neighborhood's Italian-American history and Allen's desire for something "weird and wonderful." The layout of the house also deviates from typical conventions. The second level features a primary bath-cum-sitting room, adorned with wall-to-wall floral carpet, Zuber wallpaper, and sink stands fashioned from Louis XVI–style commodes. This eclectic design prioritizes the owners' preferences over traditional resale value concerns, as highlighted by Allen. The primary bedroom, uniquely situated as a windowless chamber between the main bath and dressing rooms, further exemplifies the personalized approach to the home's design. On the piano nobile, the kitchen and dining area are positioned at the front of the house, immediately accessible from the street, signifying its role as the home's central gathering space. Conversely, the living/garden room, featuring a double-sided sofa in emerald velvet, is located at the rear. The lower-level media room, devoid of original 19th-century details, adopts a crisp, contemporary interior with a glamorous, Madeleine Castaing-inspired aesthetic, showcasing matching tiger-patterned carpet and sofa against high-gloss, creamy-white walls. This design choice, according to Cotton, is a reflection of Allen’s captivating presence and her aversion to conventional living spaces. David Harbour, a self-proclaimed "suburban boy" accustomed to a more conventional aesthetic, expresses admiration for his wife's distinctive vision and willingness to take design risks. Despite the unconventional style, which their children playfully refer to as the "clown house," the home embodies a deeply personal and creatively executed living environment that perfectly suits the family's unique preferences. The collaboration between the homeowners, designer, and architect resulted in a unique and character-filled Brooklyn residence. #HomeDesign #InteriorDesign #CelebrityHomes #BrooklynRealEstate #EclecticDecor #RenovationProject #ArchitecturalStyle #LuxuryInteriors

This blog post details the renovation of a three-story Victorian home overlooking Long Island Sound in Larchmont, owned by the Pinchin family. The project, led by architect Robert Keller of Keller/Eaton and homeowner Gillian Pinchin, who also runs her interior design firm Wondernose, focused on transforming the traditional exterior with a funky, eclectic, and modern interior designed for contemporary family living. The primary objective was to modernize the home while maintaining its historical charm. The most substantial changes were implemented on the third floor. This area, which previously consisted of five small maids' rooms, was reconfigured to create a spacious master suite. This new suite now includes a master bedroom, a dedicated bathroom, a dressing room, separate his-and-hers offices, and a deck offering views of the water. The architect noted that the goal was to repurpose underutilized spaces into functional and aesthetically pleasing areas suitable for a modern lifestyle. A unique challenge was creating a sense of privacy for the parents within the master suite without isolating it from their three young children. The solution was a 2-inch-thick, 400-pound walnut door, crafted by Pinchin’s father, which slides on casters like a barn door. This door provides privacy when closed but allows the third floor to feel contiguous with the rest of the house when open. The second floor of the home features three bedrooms and a bathroom for the children, along with a guest room, an additional bathroom, and a laundry room. On the first floor, a modern island was incorporated into the traditional kitchen, blending new elements with existing aesthetics. Additionally, a formal living room was re-envisioned as a "grown-up room" by Pinchin, providing a tranquil space with two chaises for relaxation. The basement was also renovated to include a bedroom, a bathroom, a mudroom, and a gym, all designed with a clean, simple, and functional style. For the interior design, Pinchin adopted a "gallery approach," painting most walls white to allow select pieces of artwork or furniture to stand out. The most striking element in the house is a custom graffiti wall in the dining room. Pinchin commissioned an artist from San Francisco, who used traditional paint to create a "sloppy" graffiti look, even incorporating the children's initials into the design. This "crazy wall" creates a compelling contrast with the otherwise quiet room, furnished with midcentury pieces inherited from Pinchin's grandmother. The architect highlighted this surprising juxtaposition between the home's traditional exterior and its modern interior as a key success of the project. The article further elaborates on specific design choices in various rooms. In the master bedroom, artwork above the bed provides a splash of color against a neutral backdrop. Her office maintains an all-white theme with a zebra-skin chair and personal artwork. The kitchen features a modern island and a bubble chandelier alongside a reproduction of an old master's painting and green subway tiles. The "grown-up room" boasts a lenticular image of a ballerina above the mantel, offering a dynamic visual element, and combines high-end B&B Italia chaises with an Ikea shelving unit, showcasing a blend of high and low furnishings. The overall renovation successfully merges historical architecture with contemporary design and personal artistic expression. #VictorianHome #HomeRenovation #ModernInteriorDesign #ArchitecturalUpdate #MasterSuite #EclecticDecor #GraffitiArt #InteriorDesign #GillianPinchin #RobertKeller

This article details the transformation of an early 20th-century Art Nouveau apartment in Catania, Italy, into a bed and breakfast. The project, undertaken by Marasco and Santangelo along with Galati Casmiro Giorno, focuses on reinterpreting the Stile Liberty language by blending historical elements with contemporary design. The core of the renovation involved restoring the original colored cement tile floors, which subsequently informed the color palette for new interior additions. These floors, a hallmark of the period, are not only preserved but also highlighted as central decorative features within each room. The spatial reorganization of the apartment was a key aspect, ensuring that each room now functions independently, equipped with its own private bathroom. The bathrooms are subtly separated from the sleeping areas by lightweight, colorful partitions. A deliberate design choice was made to keep these partitions lower than the original ceilings, allowing the distinctive vaulted ceilings to remain visible and untouched, thus respecting the apartment’s historical architecture. The entrance area has been reimagined with a striking red volume, which serves as a central hub for the reception and kitchen. This central space facilitates access to the various autonomous rooms, enhancing the functionality of the new hospitality concept. The project emphasizes a dialogue between the past and present, achieved through thoughtful additions and a cohesive color scheme derived directly from the existing architectural details. The minimalist design interventions for lighting, seating, and small furnishings complement the historical context without overshadowing it. This approach allows the Art Nouveau heritage to shine through while integrating modern amenities necessary for a contemporary hospitality experience. The renovation successfully bridges the gap between historical preservation and modern functionality, creating a unique and inviting atmosphere for guests. The completed project in 2024 showcases a sensitive yet innovative approach to repurposing a historically significant building. #ArtNouveau #StileLiberty #CataniaArchitecture #HistoricRenovation #HospitalityDesign #InteriorDesign #ArchitecturalPreservation #CementTiles #VaultedCeilings

The penthouse residence within a 37-story Neo-Romanesque luxury condominium tower in downtown Brooklyn underwent an extensive renovation, spearheaded by Jaklitsch/Gardner Architects. This landmark building, originally constructed in the 1920s as the Williamsburgh Savings Bank Tower, now houses 179 apartments. The transformation of the 3,000-square-foot penthouse proved to be a protracted endeavor, lasting seven to eight years, in stark contrast to the building's initial two-year construction period. The extended timeline was largely due to the client's demanding schedule, which frequently caused project pauses, and also to unforeseen obstacles, including Hurricane Irene in 2011, which caused flooding in 40 units and significantly delayed work for months. Despite these challenges, the client's adventurous spirit in design collaboration pushed the architects to create a unique living space. The renovation unfolded in two primary phases: an architectural gut renovation followed by interior design. During the architectural phase, significant structural changes were implemented. The apartment's front door was relocated to open into the living area instead of the kitchen, creating a new vestibule and enhancing the sense of arrival and spaciousness. Two existing bedrooms were combined to form a primary bedroom and an adjacent sitting area, separated by three curved, telescoping wood walls. This innovative design allows for both connection and privacy within the expanded space. Throughout the apartment, ebony-stained white oak flooring was installed to provide a consistent and cohesive aesthetic. The interior design phase focused on creating a fluid landscape, where many custom-designed pieces serve as metaphorical representations of nature. Notable examples include a 'fountain' coat rack with looping brass arcs, a 'cumulus' chandelier featuring spheres of cast glass, and a record cabinet adorned with incised white flowers—all conceptualized and designed by Jaklitsch/Gardner Architects. The dining table, another bespoke piece from the firm, is composed of three configurable parts, allowing for flexible arrangements and evoking the appearance of a large tree stump when joined. The designers noted that the themes of 'celestial and landscape' symbolize the apartment's unique position between ground and sky. Stephan Jaklitsch, who founded the firm in 1998, highlighted the intention behind the movable elements, which aim to provide tactility, psychological warmth, and a human scale to the residence. He also pointed out that the building's conversion from offices to residences in 2007 resulted in generic layouts and nondescript interiors, which the firm sought to overcome. The renovation capitalized on the penthouse's prime location, just three floors below the building's gilded, four-sided clock, offering panoramic views of New York City and infusing the interior with a distinctive character. The project ultimately created a sophisticated and unique living environment, harmonizing with the building's historic essence while incorporating modern, nature-inspired design elements. #PenthouseRenovation #BrooklynArchitecture #HistoricBuilding #LuxuryDesign #JaklitschGardnerArchitects #CustomFurniture #InteriorDesign #ArchitecturalRenovation #NewYorkRealEstate