Inside a Historic Brooklyn Penthouse That Took Years to Remodel

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

In the vibrant Greenpoint section of Brooklyn, a creative couple, Jill Magid, a conceptual artist, and Jonny Bauer, an advertising executive, embarked on a significant remodel of their row house. This property, originally a workman’s cottage, underwent a head-to-toe transformation completed in mid-2013, blending its historical essence with modern design sensibilities. The exterior of the home immediately signals its updated character through subtle yet impactful design choices. For instance, the house numbers, a sleek neon '175' rendered in a sans serif font, serve as a modern beacon on a street otherwise characterized by more traditional architecture. This miniature, functional art piece, created by Magid herself, hints at the artistic and thoughtful approach taken throughout the renovation. The project focused on preserving the historic 'bones' of the structure while introducing contemporary interior updates to suit the couple's lifestyle and aesthetic preferences. This careful balance ensures that the home respects its past as a workman's cottage but simultaneously functions as a modern family residence. The renovation involved a comprehensive overhaul, from structural adjustments to the selection of finishes and fixtures, all designed to enhance both the functionality and visual appeal of the space. The integration of modern elements, such as the distinctive neon house numbers and potentially other interior design features, contrasts with the traditional brick siding, creating a unique visual identity for the property. The article highlights how the couple approached the renovation, suggesting a collaborative effort that infused their individual creative and professional backgrounds into the home's design. The choice of materials, color palettes, and spatial arrangements would have been meticulously considered to achieve a harmonious blend of old and new. This thoughtful renovation process aims to create a living space that is not only aesthetically pleasing but also highly functional for a contemporary family. The remodel transforms the historic dwelling into a personalized sanctuary that reflects the artistic inclinations of its owners while maintaining a connection to its architectural heritage. Ultimately, the project in Greenpoint serves as an example of how historic properties can be revitalized through careful and creative renovation. By updating the interior while honoring the original structure, Magid and Bauer have created a home that stands out with its unique blend of artistic expression and historical charm. The narrative implicitly suggests that the renovation involved strategic decisions to modernize living spaces, improve natural light, and optimize the layout, all contributing to a more comfortable and visually engaging environment. The home becomes a testament to how art and design can elevate everyday living within an urban historical context. #BrooklynHome #HomeRenovation #HistoricPreservation #ModernInteriorDesign #Greenpoint #ArtisticHome #RowHouseRenovation #CreativeCouple #UrbanDesign

This article details the comprehensive renovation of an 1887 four-story Brooklyn Heights house, transformed from a multi-family dwelling previously owned by the Jehovah's Witnesses into a luxurious one-family residence. The property, located on a unique trapezoidal plot measuring 24 feet wide at one end and narrowing to 16 feet, presented significant architectural challenges. CWB Architects, based in Dumbo, was tasked with this extensive restoration, and the new homeowners allocated significant resources to achieve a high-end outcome. The renovation involved several major structural changes and aesthetic enhancements. A narrow four-story extension on the side of the house was demolished and replaced with a new building-wide, two-story wooden extension. This new addition was designed to evoke the enclosed tea porches popular in the mid-19th century. A significant structural issue arose during construction when the wall facing Joralemon Street was found to be collapsing, necessitating its complete rebuilding. Additionally, the interior floor framing required replacement. These unforeseen challenges extended the project duration by three months, bringing the total renovation time to approximately 18 months. The original interior details of the house were largely unsalvageable, with the exception of a single newel post. However, CWB Architects meticulously researched and replicated historical trim and casing styles to ensure the new details were historically accurate. The former clockwise-running oval-shaped staircase, though beautiful, was dilapidated and was rebuilt with a reversed orientation, which ingeniously allowed for the creation of a mudroom accessible via separate steps. All plumbing fixtures and finish materials were selected by CWB Architects, while Kelly Giesen of Kelly G Design handled the interior decoration of the 3,500-square-foot space. ABR Builders, LLC served as the general contractor for the project. Key interior features include an entry foyer adorned with patterned encaustic tile from Mosaic del Sur, and a custom mahogany island in the kitchen. The kitchen also features white granite slabs from Cancos Tile on the perimeter counters, Grove Brick tile from Waterworks in Sugar White for the backsplash, and cabinets painted with Farrow & Ball's Downpipe color. The parlor level boasts Carlisle wide plank white oak flooring. Above the parlor level, the flooring consists of 2-1/4" white oak, laid in a mix of herringbone pattern and straight-lay. The second floor accommodates a formal living room (piano noble) and a guest suite. The master bath is outfitted with Waterworks plumbing fixtures, Bardiglio mosaic marble on the tub area floor, and Carrara marble cladding the walls. The third-floor master suite incorporates extensive custom built-ins, and the top floor houses children's bedrooms within the original attic and hipped roof structure. The new two-story extension's design received unanimous approval from Landmarks. The outdoor space, designed by Urban Landscape Concepts, features a garden, a seating area, a parking court made of permeable pavers, and a custom fence crafted to complement the neighborhood's historic character. #BrooklynHeights #TownhouseRenovation #CWBArchitects #LuxuryHome #HistoricRestoration #InteriorDesign #ArchitecturalRenovation #BrownstoneLiving #NewYorkRealEstate

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

This article explores a historic 1920s double-wide townhouse on the Upper East Side of New York City, which served as the 47th Annual Kips Bay Decorator Show House. The clients purchased the entire building after attending the show house, initiating a gut renovation led by Francis Nicdao, principal designer and chief creative officer of Pembrooke & Ives, and Stephanie Sarkies-Schabot, the firm's managing director of decorating. The renovation, which began during the COVID-19 pandemic, aimed to create a family home capable of displaying a vast, museum-quality art and antique collection without feeling overly formal. The design achieved a balance between contemporary cleanliness and traditional detailing, respecting the building's historical character. The entryway features checkerboard marble flooring and a spectacular spiral staircase connecting five of the six levels, designed to facilitate a smooth transition to vertical living. The living room, expansive due to the home's double-wide layout, is furnished with collectible design pieces and art, creating a grand and impactful atmosphere. Gold accents add a glamorous edge to a soft color palette. The combined breakfast and family room functions as the home's hub, with a custom back-to-back sofa dividing dining and lounge areas. This space, which opens into the kitchen, incorporates rich textures and blue hues, overlooked by Ralph Goings's artwork, _Tom’s Diner_. The kitchen, located on the entry floor, was designed for high functionality and ease of maintenance, with easily cleanable surfaces and ample counter space. Its blue island and barstools create a cohesive connection with the adjacent breakfast room. The wine cellar and wet bar, located in the basement and dining room respectively, demonstrate that even lower-level spaces can be glamorous, featuring specialty lighting for the wine display and a high-gloss blue paint with a mirrored backsplash in the wet bar. The primary suite, one of seven bedrooms, offers a dreamy ambiance with pink details and natural light enhancing its glow. The unique layout connects the bedroom to a walk-in closet and bathroom through a windowed corridor along the back facade. A guest bedroom provides a relaxing retreat with a neutral color palette, plush carpeting, embroidered drapery, a custom upholstered headboard, and a high-gloss wall finish. The primary bathroom integrates decorative lighting as a focal point, with a stunning chandelier and sconces, alongside symmetrical design and stone detailing for a luxurious and modern feel. Finally, the backyard patio, designed by landscape architect Luciano Guibbilei, serves as a “zen-like enclave” in the city, covering approximately 1,500 square feet and featuring a mural by artist Annie Morris, providing a serene outdoor escape. #NewYorkCity #TownhouseRenovation #InteriorDesign #LuxuryHomes #HistoricPreservation #ArtCollection #PembrookeAndIves #KipsBayShowHouse #HomeDecor

Homepolish designer Tali Roth offers practical advice for renters looking to personalize their temporary living spaces, emphasizing that a rental unit's potential should not be wasted due to its temporary nature. She asserts that individuals often reside in rentals longer than anticipated, making it essential to create a comfortable and personalized environment rather than living in a state of limbo. Roth's own Chelsea loft serves as a prime example of how to infuse personal style into a rental without undertaking extensive, permanent renovations that could jeopardize a security deposit. Roth suggests focusing on easily modifiable elements within a rental. Lighting and window treatments are identified as key areas for impactful changes. For instance, an existing, generic light fixture can be replaced with a more aesthetically pleasing one. In her dining room, Roth replaced an IKEA light with a Synapse chandelier by Apparatus Studio, which helped to make the space feel cozier by lowering the ceiling's visual height. For those hesitant to alter existing wiring, sculptural wall lamps that plug into outlets and can be mounted high are presented as a viable alternative. Installing blinds and full-length curtains is also recommended to add warmth, texture, and privacy, with Roth opting for gray Belgian flax linen curtains to complement her home's modern color scheme. The article highlights Roth's innovative approach to customizing furniture, particularly her collaboration with Semihandmade to transform standard IKEA cabinet systems. Through this, she added custom taupe doors, a counter, and brass hardware to her units, demonstrating how affordable, modular furniture can be elevated to appear bespoke. One of the most significant transformations in Roth's loft was the application of faux concrete to a large wall by i faux. This technique was used to address the challenge of vast, white rental walls, adding significant texture and depth to prevent the space from feeling like a stark, empty box. Roth's design philosophy embraces geometric patterns and chunky forms, which she refers to as a "Flintstones aesthetic," influenced by her appreciation for modernism. This theme is consistently applied throughout her home, evident in sculptural vases, Hubble Wall Sconces by Pietro Russo for Baxter in the living room, and terrazzo wallpaper in the bathroom. While Roth chose traditional wallpaper, the article also suggests removable wallpaper options for renters seeking less commitment. The process of designing each rental space is also presented as a learning opportunity, allowing individuals to refine their tastes and understand what works best for their lifestyle, including considerations for living with young children. Roth shares a personal insight regarding her velvet couch, noting that its susceptibility to watermarks might lead her to choose a different material in future rentals, at least until her son is older. Ultimately, Roth emphasizes that customizing a rental is a common practice, particularly in cities like New York, where landlords generally expect tenants to personalize their living spaces. She reassures renters that most lease agreements simply require the unit to be returned to its original state, detailing her plans to reverse her changes, such as reinstalling the original light fixture, deconstructing the faux concrete, removing wallpaper, and repainting walls white, before moving out. #RentalDesign #LoftLiving #InteriorDecor #HomepolishDesigner #TaliRoth #DIYDecor #ApartmentRenovation #ModernAesthetic #IKEAHacks

Interior designer Neal Beckstedt adopted a unique strategy for integrating color into the House of ELLE Decor, a 4,100-square-foot penthouse in downtown Manhattan. Instead of either completely eschewing color or using it extensively, Beckstedt opted for a sporadic application to guide visitors through the apartment and introduce excitement. He drew inspiration from past issues of ELLE Decor and the palette of Farrow & Ball paints, envisioning a well-traveled international couple as the home's inhabitants. The design aimed to merge traditional and modern aesthetics, reflecting the building's late 19th-century architecture and recent condo conversion. Berwick Edel, an interior renovation company, executed the painting and wallpapering. Beckstedt's approach involved layering colors and creating contrasts to establish a progressive journey through the home, from an intimate foyer to a more neutral living room and culminating in a striking wine room. In the foyer, Beckstedt selected Farrow & Ball’s Pigeon, an earthy green-gray, for the walls to create an intimate welcome. This was complemented by Blue Gray on the wainscoting and Farrow’s Cream, a slightly darker cream, on the ceiling. All three shades were applied in Farrow & Ball’s Modern Emulsion finish. This subtle combination was intended to provide a contrast with the brighter living-dining area, making the white spaces appear crisper. For the expansive living-dining room, Beckstedt introduced an unexpected touch of color with a ceiling alcove painted in Farrow & Ball’s Setting Plaster, a warm, dusty pink, using Estate Emulsion, and an accent of Archive in the same finish. This creative use of color aimed to add a sense of surprise and drama. Beckstedt emphasized that the key to cohesion without being overly matching lies in the relationship between the chosen colors and artwork. In the guest bedroom, a single wall was painted in Farrow & Ball’s Red Earth, a sunbaked terracotta in Estate Emulsion. This bold backdrop was paired with desert-hued furnishings, including custom velvet bedding and a Dan Christensen painting, maintaining a calm and modern feel through a harmonious color family and varied textures. The wine room, located just off the living room, was designed as the most dramatic space. Beckstedt transformed it into a glossy red jewel box by painting the walls and ceiling in Farrow & Ball’s Picture Gallery Red with a Full Gloss finish. The rug, vintage sofa, Napoleon chair, and a Larry Zox painting all matched this scarlet hue, accented by black and brass in the floor-to-ceiling wine rack. This room was the only one to feature a glossy finish, providing a striking contrast to the matte finishes used elsewhere in the penthouse, and served as a focal point for drama and shine within the entire home. #InteriorDesign #ColorPalette #LuxuryPenthouse #ManhattanRealEstate #FarrowAndBall #PaintColors #HomeDecor #ModernTraditionalBlend #Showhouse

Interior designer Vanessa Alexander of Alexander Design has completed a 4,500-square-foot loft conversion in Venice, California, located in a building originally constructed in 1926 for a telephone company. The penthouse-level residence, which also features a roof garden, showcases restored gray concrete floors and zinc windows, establishing a rugged and masculine aesthetic. The three floors below the penthouse are currently being developed by Alexander Design for additional office and gallery spaces. Despite the loft's expansive open layout, Alexander focused on creating a sense of intimacy by incorporating various compartments and separated seating areas to reduce the perceived scale of the interior. The design palette is characterized by dark tones, including blacks and grays, complemented by warm, weathered leathers in saddle and cognac, and organic textural linens. This dark palette works in conjunction with the abundant natural light, maintaining the space's inherent openness while adding depth and sophistication. Industrial influences extend throughout the home, from the living areas to the kitchen. In the kitchen, wall shelving is suspended from the ceiling to emphasize the extreme ceiling heights and to echo the design of the zinc windows. Alexander collaborated with local artisanal furniture brand Stahl + Band and design/build studio PSS Design Cult to construct the kitchen, which features a large island counter with concrete poured on-site. The faucets in the kitchen, made from copper pipe fittings, serve as a nod to the building's historical industrial roots. The dining area incorporates massive custom-made mirrors with metallic frames, strategically placed to provide privacy while also creating dynamic light and shadow effects. The bedroom features a bed platform crafted from reclaimed wood and a custom leather headboard. This bed structure strategically separates the bathroom from the sitting areas and is oriented towards a large picture window that offers views of the Santa Monica Pier and the Malibu Coastline. The bedroom is furnished with bedding by Society Linen, a striped throw by Tenfold from The Line, and vintage embroidered textile pillows. The rooftop garden provides an outdoor sanctuary with an olive tree, a Bocce court, an outdoor kitchen, a yoga platform, and a dining area shaded by a reed and metal pergola structure built by PSS Design Cult. The bathroom includes an oversized, custom-made concrete trough on a bronze base, paired with industrial copper piping and taps. A mirror, suspended from the ceiling by braided leather straps, was manufactured by PSS Design Cult, and the oval bathtub is from NativeStone. A vintage Beni Ourain rug from Mehraban adds a touch of warmth to the bathroom. The interior design thoughtfully integrates Danish antiques, including pieces by Poul Henningsen, Arne Jacobsen, and Ditto Heath, alongside textiles and furniture from Le Corbusier. Alexander also incorporated items from her own custom furniture collection. The project involved collaborations with builders PSS Design Cult, Stahl + Band, and Spark and Dowel. #PenthouseConversion #IndustrialDesign #VeniceCalifornia #LoftLiving #AlexanderDesign #VintageFurniture #RooftopGarden #HistoricBuildingRenovation

The article details the transformation of a 7,100-square-foot Edwardian-style house in Pelham, New York, by Dufner Heighes for Erica Holborn, CEO of Sandow Design Group, and her family. The house, rich in history with previous owners including the island nation of Barbados and a Coca-Cola executive who hosted President Eisenhower, was meticulously preserved before its modern redesign. Holborn, a self-professed real-estate enthusiast drawn to properties with stories, initially found the eight-bedroom house too large. However, a year later, with a growing family and the need for more space than their Sutton Place apartment could provide, coupled with an offer on their upstate getaway, the Holborns revisited the Pelham property when its price dropped and ultimately purchased it. The house was in pristine condition, having been restored by previous owners who meticulously stripped paint from moldings and updated certain areas, making it nearly move-in ready. Dufner Heighes initially anticipated a primarily decorative and cosmetic project, involving reupholstering existing furniture, acquiring new items, replacing antique light fixtures, updating cabinetry, and hanging artwork. However, midway through planning the kitchen, it became evident that its current footprint was too small and featured an inadequate island for cooking and dining. The design team, in collaboration with Bilotta, decided to remove a wall to annex the adjoining butler's pantry, which, though a dream feature for Holborn, proved necessary for a functional kitchen space. This decision led to significant structural changes, including plumbing and electrical rerouting and the installation of new structural steel. The extensive month-long renovation resulted in a brighter and more spacious kitchen, characterized by a long Arabescato Corchia marble island seating four and a window-wrapped breakfast nook. Dufner Heighes strategically used two patterns of Artistic Tile terrazzo flooring, incorporating marble chips, to create area rug-like accents that define different zones. Shaker-style cabinetry was chosen to complement the period architecture while maintaining a modern aesthetic, and this same flooring and cabinetry extended into the adjacent mudroom, a former family room now serving as a storage-packed service hub. Given the house's numerous existing living spaces, including a ground-floor salon, sunroom, a second-floor playroom, a primary suite sitting room, and a daylit basement with family and game rooms, the design challenge was to imbue each area with a unique function and purpose. Seating was carefully selected to align with specific activities and postures, such as the upright Bob sectional in the salon for entertaining, the lounge-y Bouroullec Brothers Ploum sofa in the sunroom for relaxation, and a deep, nap-conducive sofa in the family room for television viewing. Despite the traditional layout with discrete rooms, the spaces open graciously into one another, making sight lines a crucial design consideration. Features were holistically curated to ensure cohesion across rooms, particularly on the first floor where lighting fixtures from various spaces could be seen simultaneously. The designers balanced bold choices with toned-down elements to prevent the interior from feeling too heavy or overly layered. An example of this bolder approach is the dining room's trippy graphic wallpaper, Borderline Chinoiserie by Voutsa, which extends from crisp wainscoting lacquered in a mercurial green-gray, creating a striking contrast between the historic 1914 bones of the house and its modern interventions. This blend of historic charm with contemporary design elements encapsulates the essence of the entire project. #HistoricHomeRenovation #ModernFamilyHome #InteriorDesign #PelhamNewYork #DufnerHeighes #EdwardianArchitecture #KitchenRemodel #LuxuryInteriors #ResidentialDesign

Light and Air Architecture (L/AND/A), a Brooklyn-based studio, has completed a significant renovation of a 2,700-square-foot (251-square-meter) row house, originally built in the 1880s in the Bedford Stuyvesant (Bed Stuy) neighborhood. The project, named Switchback House, focuses on redesigning the interior around a new structural stairwell, aiming to address the inherent challenges of traditional row houses, which are often characterized by their dark, narrow, and divided spaces. The renovation strategically replaces the original stacked stair with a more dynamic "switchback" staircase. This design alteration is central to the project's goal of enhancing natural light penetration and visual connectivity throughout the home. A key element of this transformation is the installation of a 14-foot (four-meter) skylight directly above the new vertical stair volume. This skylight is designed to flood the interior with natural light, which then cascades down through the various levels of the house, thanks to the reconfigured stairwell. To facilitate the new staircase and improve structural integrity, steel beams were integrated at each of the three storeys. These beams reinforce the existing joists and enabled the doubling of the staircase's original opening, thereby creating a more expansive and open vertical circulation space. The switchback design also allowed for the removal of a traditional hallway that typically connected stacked stairs, resulting in a continuous 32-foot-high (10-meter) volume that visually unites the three floors. Additionally, other interior walls were eliminated to create open-plan living areas, further contributing to the sense of spaciousness. The interior aesthetic of the Switchback House is characterized by a minimal approach, complemented by warm material choices. The existing wooden spools and railings of the original staircase were replaced with solid white guardrails, harmonizing with the overall minimalist theme. American white oak flooring is used throughout, along with other timber accents that add warmth and texture to the spaces. The ground floor features a living room and a kitchen with a dining area, separated by a storage area and a powder room. The kitchen cabinetry includes lower timber units that match the flooring, tables, and chairs, contrasted with white storage units and white marble countertops. A large black pendant light by Brendan Ravenhill hangs above the dining table, serving as a focal point. The first floor accommodates a large bedroom and a bathroom, while the upper level houses three additional rooms and another bathroom. These stacked floor plans highlight the narrow footprint typical of row houses, with a private garden situated at the rear of the building. Light and Air Architecture noted that the house was found in disrepair, with much of its historic detailing removed and the original layout having been modified into a rooming house with multiple small apartments. This presented an opportunity to reimagine the potential of an urban townhouse, transforming a historically grand but subsequently neglected space into a bright, open, and visually interconnected contemporary home. This project is part of a broader trend of property renovations in New York City that often involve significant alterations to staircases to enhance light and open up interiors, as seen in various other Brooklyn and New York City projects. #SwitchbackHouse #BrooklynRenovation #StaircaseDesign #NaturalLight #OpenPlanLiving #NewYorkCityArchitecture #ResidentialInterior #HomeRenovation #MinimalistInterior

Daniel Thompson, a lifelong admirer of 19th-century homes, acquired an 1881 brownstone in Bedford-Stuyvesant sixteen years ago. Having grown up in a similar architectural style, Thompson views his brownstone not merely as a residence but as an ongoing artistic endeavor, a historical restoration project, and a continuous learning experience. His approach distinguishes him from contemporary brownstone owners, prioritizing historical accuracy over modern renovation trends. The brownstone, located on a desirable tree-lined street, was originally built by developers Susanna Russell and architect I.D. Reynolds, who were known for constructing durable buildings. Despite falling into disrepair and having its spacious rooms partitioned into apartments over the years, the inherent quality of the original construction facilitated its revival. Thompson's goal was a faithful restoration, aiming to bring the 'grand old lady' back to her former glory, rather than undertaking a modern transformation. Thompson's efforts extended beyond a simple facelift. He benefited from the house's robust original features, such as remarkably level floors and preserved details like marble washbasins and rose bronze hardware. He diligently sourced period-appropriate items from salvage dealers and online platforms, dedicating significant personal time and expertise to the restoration. This detailed approach is evident throughout the home, from the reinterpretation of the parlor mirror to the display of Royal Worcester porcelain. His commitment to authenticity led him to research the home's past extensively. He consulted old social registers and newspaper archives, enabling him to identify former residents and even pinpoint historical events that occurred within his living room. This deep connection to the house's history, rather than being a constraint, serves as an inspiration, making the space feel vibrant and conducive to contemporary life. The woodwork, including the wall panels and the banister, stands out immediately upon entering. These intricate details, characteristic of the period, required specialized and costly labor for their original creation and subsequent restoration. For instance, the banister underwent a painstaking process of stripping, shellacking, and hand-rubbing with eight layers to achieve its current luster. Thompson's attention extends to minute, often unnoticed details, such as the elaborately engraved interior hinge of a door salvaged from a nearby, similar home. Thompson's philosophy echoes Florenz Ziegfeld's famous anecdote about silk underwear for his performers: the value of beauty lies in its intrinsic quality, even if it's not always overtly visible to others. He believes that beautiful environments, much like grand public spaces such as Grand Central Terminal, elevate the human spirit. The kitchen, designed by Thompson himself, reflects his dedication to historical accuracy while incorporating modern conveniences discreetly. He meticulously researched 1880s kitchen designs, integrating elements like a china cupboard and a hearth-set stove, while cleverly concealing contemporary appliances. While committed to historical integrity, Thompson avoids rigid historical reenactment. His furnishings and collections, though period-appropriate, are items he genuinely loves and has collected over time, allowing for a layered history within the house rather than a static recreation of a single year. He utilizes the residence as both his home and for tenants, seamlessly integrating modern comforts, such as radiant heating in the bathroom and refrigerated drawers in the kitchen, alongside his Victorian decor. This approach demonstrates a balanced perspective, embracing the spirit of the past without being confined by it, aiming to live well and make every day a great day within his beautifully restored brownstone. #BrownstoneRestoration #BedStuy #VictorianArchitecture #HistoricalPreservation #InteriorDesign #BrooklynHome #PeriodDetails #HomeRenovation #ArchitecturalHistory

The 2024 Brooklyn Heights Designer Showhouse, located at a landmarked four-story Greek Revival townhouse at 182 Clinton Street, opened to the public and will run through November 3. Benefiting the Brooklyn Heights Association, the showhouse features rooms envisioned by various local interior designers, transforming the mid-19th-century dwelling with inventive and colorful vignettes. The house, historically part of “Doctors’ Row” and later home to the Penny Bridge Opera Company and Alcoholics Anonymous founder Bill Wilson, now showcases a diverse range of design aesthetics. Jennifer Morris of JMorris Design created an enchanted forest theme for the entry area and original staircase, inspired by local green spaces. She commissioned a 33-panel mural from Brooklyn maker Eskayel, which wraps the vestibule, entry hall, and lower floors, transitioning to a pale limewash on upper levels. Mossy green carpet on each floor enhances the illusion of a natural canopy. Allegra O. Eifler designed the front parlor, blending sophistication with casual elements. The room’s salmon wall color was inspired by the original marble mantel. Slipcovered seating with custom button details and antique wood pieces are arranged minimally on flatweave rugs, complemented by a gilded chandelier made of pressed metal leaves, adding a touch of lightness to the traditionally formal space. Steven Walsh’s rear parlor draws inspiration from Hubert de Givenchy's 1970s Paris apartment, exuding a glamorous yet refined ambiance. Faux suede wallcovering, a backless daybed, black leather club chairs, rose gold-plated nesting tables, and an abstract painting create an inviting and impressive space for entertaining. On the second floor, Lynn Kloythanomsup of Landed Interiors envisioned the primary bedroom as a late-summer meadow. This concept is brought to life through extraordinary bas-relief plaster ornamentation by Brooklyn-based Arkada Plus, depicting wildflowers and wheatgrass. A woven leather headboard by Jim Zivic Design, a Josef Hoffmann chandelier, and an Arts and Crafts-era chair add contrast, while a steel floor lamp introduces an unexpected element. Isy’s Interiors designed the en suite primary bathroom, incorporating a leafy Rebel Walls pattern to align with the house's overall forest theme. The designers worked with existing beige travertine countertops and floors, adding playful scalloped backsplash tiles and deep green-painted wood window shutters to enhance the space. Sisters Parul Jain Ghei and Kanika Jain Gupta of Studio Jai created a dramatic and functional writer’s study. Dark blue-green wallpaper from Ever Atelier, a chandelier with pastel glass discs by Tracy Glover Studio, and custom millwork with hidden desktops and bookshelves define the space. Whimsical art and accessories, such as a Hansel-and-Gretel candelabra by Nicholas Devlin, complete the room. Megan Prime and Joe McGuier of JAM crafted a "Midnight Study" with bold red-orange wallpaper, a William Morris carpet, and an asymmetrical amber marble mantel of their own design. The room features a 1930s Swedish cabinet, wood ceiling trim, and Art Deco plaster crown molding. A 1970s French table lamp and a cocktail bar, converted from a closet with gilded walls and a furry rug, showcase their unique approach to vintage finds and bespoke elements. Jennifer and Albe Angulo of Casa Angulo furnished a top-floor study for a creative individual using pieces sourced from live auctions. The room, described as a collector’s trove, includes an antique secretary desk, a shearling-covered Danish sofa, a Kandinsky-inspired wall hanging, 19th-century footstools, and a 1950s Gino Sarfatti pendant light, all anchored by an antique Persian rug. Rebecca Amir designed a charming and versatile children’s room with a blue-gray palette. The room features a canopy bed with a Schumacher print and an ethereal floral mural by Robert Christian on closet doors. Inspired by Block Island, the design incorporates white shiplap on the ceiling, shutters, and vintage white wicker furniture. Alyssa Alon of Alon Studio transformed a ground-floor powder room and a skylit top-floor bath. The upstairs bath, previously pink, now features waterproof tadelakt plaster, a marble vanity shelf, egg-and-dart molding, and brass sconces from Rosie Li Studio. Kate McElhiney took a practical approach to an existing top-floor bath, using Venetian plaster walls and “rental hacks” such as a Velcro-attached vanity skirt, battery-powered sconces, and a fabric window treatment using tension rods. Shapeless Studio created a nocturnal fantasy in the ground-floor mudroom, featuring a ceiling dusted with silver stars, polished brass wall hooks, a mural by children’s book illustrator Esmé Shapiro, a large Calacatta Viola marble bench, and a hand-carved sculptural screen by James Harmon, replacing a stair rail. Rinehardt | Miller Interiors designed a dining room/lounge on the garden level, prioritizing books, art, and conversation. A blue velvet banquette, a gleaming double-pedestal table, a striped velvet swivel chair, and an open expanse of ruddy textured carpet define the space. A neon sign above the mantel, reading “It was all a dream,” adds a celebratory touch. Ingui Architecture and BIA Interiors renovated the kitchen at the rear of the garden level, transforming it from white-on-white to a rich, deep emerald. The design emphasizes luxury and elevation, with two-tone limestone floors, a marble island with triple-bullnose edging, and vertically ribbed glass behind backlit shelving. Sliding glass doors connect the kitchen to the backyard. Project Plant designed the back garden with four tiers of expansive limestone hardscaping, offering a breathing space for city dwellers. Seasonal goldenrod and rudbeckia, ferns, and shade-tolerant species create a living canvas, complemented by acuba along a butter-colored back wall. Hormuz Batliboi of Batliboi Studio conjured an atmospheric plum-colored media room in the subterranean cellar. The room features crimson drapes, plush tiered seating with child-size nooks, and state-of-the-art hexagonal speakers disguised as wall art. A turntable for vinyl records and the immersive feel evoke an old-time movie palace, blending modern technology with nostalgic elements. The showhouse is open Wednesdays, Fridays, Saturdays, and Sundays from 11 a.m. to 7 p.m., and Thursdays until 8 p.m., through November 3. General admission is $50, with discounts for BHA members and students. Proceeds support the Brooklyn Heights Association's community initiatives, including plans for the BQE reconstruction and small business development on Montague Street. #BrooklynHeightsShowhouse #InteriorDesign #GreekRevivalTownhouse #BespokeDetails #LocalDesigners #HomeDecor #Renovation #ArchitecturalGrandeur #DesignImagination

This article highlights a two-bedroom corner condominium located at 29 Tiffany Place in Brooklyn's Columbia Street Waterfront district. The residence is a warehouse conversion that seamlessly blends rustic structural elements with sophisticated, custom renovations. The home features 11-foot ceilings and expansive oversized windows equipped with attractive wood blinds. These design choices complement the exposed post-and-beam construction and original wood details, maintaining the building's historical character while introducing modern comforts. The interior design incorporates a diverse color palette, transitioning from serene grays to a distinctive Tiffany blue, which adds a unique touch to the living space. The kitchen has undergone a recent renovation, featuring new GE appliances, including a range and refrigerator, a GE dishwasher, and sleek quartz countertops. A wooden breakfast bar serves as a functional and aesthetic divider between the kitchen and the generously proportioned, open-plan living room, fostering a sense of continuity and spaciousness. Attention to detail is evident throughout the condominium, particularly in the bedrooms. The master bedroom is painted in a pale Farrow & Ball gray, creating a tranquil atmosphere. Storage solutions have been carefully considered, with custom walk-in his-and-hers closets designed by transFORM, maximizing organizational efficiency. The second bedroom is also equipped with optimized storage, featuring closets designed by transFORM, along with additional coat and storage closets to meet diverse storage needs. The bathroom is presented as fresh and modern, characterized by ample natural light, contributing to a bright and inviting environment. Beyond the individual unit, the building offers a range of desirable amenities, enhancing the living experience for residents. These include a well-equipped gym, a communal roof deck offering scenic views, convenient laundry facilities, and additional storage options. The presence of a live-in superintendent ensures prompt assistance and maintenance, while a dedicated bike room caters to residents' cycling needs. This condominium at 29 Tiffany Place represents a harmonious blend of historical architecture, modern renovation, and practical amenities, making it a distinctive offering in the Columbia Street Waterfront neighborhood. #BrooklynRealEstate #CondominiumLiving #WarehouseConversion #ColumbiaStreetWaterfront #InteriorDesign #CustomRenovation #TiffanyPlace #NYCRealEstate #RusticModern

The article details the renovation of a 900-square-foot basement in Manasquan, New Jersey, by designer Christina Kim. The project aimed to transform a previously beige and underutilized space into a multi-functional hangout area for a young family with a newborn. The design brief included creating a dark, moody media zone and wet bar, alongside a bright, kid-friendly playroom, distinct yet visually connected by sliding glass doors for supervision. Christina Kim addressed the common challenge of basements lacking natural light by embracing the darkness in the media area. She opted for a soft black paint, Benjamin Moore’s Wrought Iron, which has a hint of navy to prevent it from appearing too stark and to complement a charcoal velvet sofa. This approach created a contrasting ambiance compared to the home’s otherwise beachy aesthetic. The media zone incorporates multiple wall-mounted TVs and a large movie screen, with an awkward small window covered to eliminate glare, enhancing the cinematic experience. The renovation also tackled structural elements, specifically a deep soffit that could not be removed. Instead of viewing it as an obstacle, Kim transformed it into a purposeful arcade nook, providing a dedicated space for the husband to relax and play games. This creative solution not only optimized the space but also contributed to budget efficiency by avoiding costly structural changes. Another detail involved the ceiling in the powder room, which was updated from an undesirable popcorn texture to tongue-and-groove planks. These planks were left unfinished to achieve a warm, modern, and casual aesthetic suitable for a basement setting, with careful installation to accommodate recessed lighting. For the playroom section, a complete shift in palette was implemented to create a bright and stimulating environment. The space, formerly a utilitarian storage room, was painted with Benjamin Moore’s Simply White, retaining a small window for natural light. A prominent feature is a colorful rainbow mural landscape by Rebel Walls, providing a cheerful backdrop. Custom built-ins were installed not for typical basement storage, but for organizing toys, crafts, and books, helping to minimize visual clutter. To add a pop of color and visual interest, the interior of the open shelves within the built-ins was painted in a dark teal hue, offering a softer contrast than black while maintaining aesthetic appeal. The overall design prioritizes both functionality and visual appeal, offering distinct yet cohesive zones within the renovated basement. #BasementRenovation #InteriorDesign #KidsRooms #MediaRoom #HomeMakeover #HighContrastDesign #PlayroomDesign #BudgetFriendlyDesign #HomeRenovation

This article highlights the historical residence at 46 Willow Place in Brooklyn Heights, a structure that has not been on the market since the 1960s. This property is significant as it is the sole remaining house from an original colonnade row, a style popular in New York during the 1830s and 1840s. The house, situated within the Brooklyn Heights Historic District, dates back to the 1840s and retains several original features, including wide-plank floorboards and a black marble mantelpiece with a Greek Revival profile. The facade features simple wooden columns, indicative of its architectural origins, with a more complete colonnade row still visible across the street at 43 to 49 Willow Place. The 21-foot-wide single-family dwelling is structured two rooms deep with a side stair hall. The entry hall showcases wide-planked floorboards and an original staircase with a newel post and a curved railing. The front parlor, despite later additions like a wood floor and ceiling tiles, maintains its historic character with the aforementioned marble mantel. The rear parlor has seen additions such as paneling and floor tiles, and the kitchen, located in the rear of the parlor floor, features circa 1950s cabinets, a vintage wall oven, and a cooktop. Historically, the property and its surrounding area faced challenges, as evidenced by an 1853 Brooklyn Daily Eagle report detailing unsanitary conditions in the row's yards and privies. The original row that included 46 Willow Place was intact on a 1929 map, but by 1940, only two houses, Nos. 44 and 46, remained. The vacant lots were later developed with three modernist houses in the 1960s. The house at 46 Willow Place has been in its current ownership since 1969, shortly after the Brooklyn Heights Historic District was established. The upper floors of the house accommodate bedrooms and study areas. The first floor above the parlor contains two bedrooms, joined by closets, and a smaller third bedroom or study. The street-facing bedroom on this level features wide floorboards, later wall moldings, and a mantel with Colonial Revival details, alongside hearth tiles that suggest a Deco-era modification. The full bathroom on this floor also retains Deco-era elements, including a green console sink and tub. A 1930s alteration, indicated by a 1935 building permit to convert the property into a two-family dwelling, may account for some of these bathroom details. The top floor offers two additional bedrooms and two small study spaces, one equipped with a Deco-era wall-hung sink and the other with a skylight. A bathroom is absent on this floor, suggesting a potential area for renovation. The street-facing bedroom on this level lacks windows, featuring only a skylight and a brick chimney wall. The garden level, which houses the mechanicals, is mostly unfinished with a recently painted concrete floor. This level provides access to the rear yard, and an enclosed front garden, both offering potential for landscaping. The property is currently listed at $3.45 million with Paul Murphy of Compass. #BrooklynHeights #HistoricHome #ColonnadeRow #RealEstate #HouseOfTheDay #VintageArchitecture #MarbleMantel #GreekRevival #HomeRenovation

Christina Roughan of Roughan Interiors embarked on an exciting redesign of a historic New York country house, built in 1900 by Charles Wetmore, a prominent NYC architect. This grand English-style manor, set on 20 acres with original horse stables converted into a barn, presented a rewarding project. The clients, knowledgeable in design, art, and furniture, sought a warm, inviting, and child-friendly home that honored its elegance and history, reflecting their family's lifestyle. The entry was designed to make a strong first impression. Christina incorporated the clients’ favorite color, blue, through a focal point artwork, a patterned rug, and antique blue and white jars. Warmth was introduced with a walnut table and camel leather stools, exemplifying happiness within a blue environment. The living room, described as a ballroom, features a custom Venetian plaster ceiling that adds emotional significance and grandeur. With a semi-domed 22-foot-high ceiling and four sets of French doors overlooking the gardens, it evokes a relaxed yet opulent atmosphere. Design details include a custom bookcase with spine colors incorporating the blue, soft gray, and ivory palette, and a year-in-the-making carpet echoing these tones with hints of silver. A flexible seating arrangement around the fireplace, comprising a sofa, armchairs, and a chaise, ensures elegance and comfort. The kitchen's design prioritized timelessness, featuring a classic country style with Carrera marble countertops and a large stainless steel range cooker for a modern twist. A dining area was integrated into the kitchen, serving as a central space for family gatherings, with mid-century Laverne T Chairs in whisky leather and walnut Michael Smith head chairs adding texture against the marble and pale walls. For the dining room, the goal was to create a light-filled space. The room underwent a full renovation, including new millwork, a fireplace surround, and gloss paint. Modern traditional furnishings introduced color with lavender and moss green accents complementing off-white and soft gray schemes. The family room, originally the dining room, was strategically relocated near the kitchen for convenience with young children. It combines oak bookcases with pops of color, fun art, and modern lighting, maintaining an elevated feel suitable for entertaining. The main bedroom balances masculine and feminine elements with a palette of camel, sage, and brown tones, wool sateen drapery, and rattan chairs for added texture. Guest bedrooms were designed to be distinct and inviting; one twin bed guestroom features rose rattan walnut burl headboards, which maximize space while adding texture and depth. The white bathroom offers a light and fresh scheme with a practical, elegant period-style double basin vanity. The extensive project, which included a guest house and pool house, took approximately two years. The pool house renovation was designed to complement the main house and guest house, ensuring a seamless flow throughout the property. The overall interior design, executed by Roughan Interiors and photographed by Jane Beiles, successfully transformed the historic New York country house into a refined yet comfortable family home. #HistoricHome #CountryHouse #InteriorDesign #NewYorkRealEstate #RoughanInteriors #TimelessDesign #LuxuryHomes #HomeRenovation #FamilyLiving