Brooklyn Home Keeps its Historic Bones While Getting a Much Needed Interior Update

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Updating a historic home while preserving its original character presents a common design challenge. This article details the process of reinventing a mansion-scaled limestone townhouse in Brooklyn, NYC, built in 1898, which featured wood-paneled walls, ornate ceiling moldings, and polished parquet floors. Jason Saft, founder of Staged to Sell Home, undertook this renovation, introducing contemporary, high-end furnishings to appeal to potential buyers while honoring the special historic details of the property. The renovation focused on several key principles. First, respecting the property's history was paramount. The neo-Italian Renaissance townhouse, designed by architect Montrose Morris, holds significant historical presence overlooking Prospect Park. Saft's approach was to enhance, not diminish, this heritage. Second, the project emphasized preserving original features. In areas like the hallway with mirrored closets and stained glass windows, architectural integrity was maintained, with modern art serving as the sole contemporary addition. This strategy allowed the inherent character of the home to shine through, complemented by modern elements. Achieving balance in the color palette and styles was another crucial aspect. Drawing inspiration from Prospect Park, varying shades of green were incorporated. To counteract the visual weight of the dark wood paneling, a palette of creams, beige, and white was introduced to lighten the space. Saft strategically mirrored existing architectural details, such as ceiling moldings, with furniture choices like curved ivory couches, creating visual symmetry and connectivity throughout the rooms. Light-colored upholstery was extensively used to modernize the space, addressing concerns that dark woodwork could make the home feel dated or museum-like. By integrating lighter case goods and upholstered pieces, the living areas were brightened, and the woodwork appeared less heavy. The shape of new furniture, such as contemporary couches, was also considered to introduce modern lines. To foster a collected atmosphere, lighter profiled pieces were chosen for areas like the staircase, contrasting with the grand original features. This approach aimed to make the home feel welcoming rather than overwhelming, blending grandeur with comfort. Curating views within the home was also important, as exemplified in the dining room, where a custom dowel table and Rodin dining chairs brought a contemporary flair, harmonizing with traditional elements like ceiling beams and dark wood paneling. The design philosophy advocated for a mix of antique and modern pieces, recognizing that successful integration often requires trial and error. Dressing the space with well-chosen pieces provided an instant uplift. In the home office, a period-style fireplace and paneling were complemented by a comfortable mix of midcentury furniture, antiques, and found objects. Saft underscored the importance of researching historical design styles to inform the integration of traditional and modern elements. Finally, selecting timeless, transitional pieces for major furnishings, such as beds and couches, ensured longevity in design. Art played a significant role in every room, with contemporary artworks often placed in traditional frames to bridge design styles. Midcentury-style furniture was combined with custom contemporary pieces to create a cohesive and updated aesthetic. The transformation of this historic home, executed with speed and precision, demonstrates how a thoughtful blend of styles, colors, art, and furnishings can update a property while preserving its inherent charm and maximizing its appeal. #HistoricHomeRenovation #TransitionalDesign #NYCRealEstate #InteriorStyling #HomeStaging #VintageCharm #ModernInteriors #DesignBalance #ArchitecturalPreservation

This article explores a historic 1920s double-wide townhouse on the Upper East Side of New York City, which served as the 47th Annual Kips Bay Decorator Show House. The clients purchased the entire building after attending the show house, initiating a gut renovation led by Francis Nicdao, principal designer and chief creative officer of Pembrooke & Ives, and Stephanie Sarkies-Schabot, the firm's managing director of decorating. The renovation, which began during the COVID-19 pandemic, aimed to create a family home capable of displaying a vast, museum-quality art and antique collection without feeling overly formal. The design achieved a balance between contemporary cleanliness and traditional detailing, respecting the building's historical character. The entryway features checkerboard marble flooring and a spectacular spiral staircase connecting five of the six levels, designed to facilitate a smooth transition to vertical living. The living room, expansive due to the home's double-wide layout, is furnished with collectible design pieces and art, creating a grand and impactful atmosphere. Gold accents add a glamorous edge to a soft color palette. The combined breakfast and family room functions as the home's hub, with a custom back-to-back sofa dividing dining and lounge areas. This space, which opens into the kitchen, incorporates rich textures and blue hues, overlooked by Ralph Goings's artwork, _Tom’s Diner_. The kitchen, located on the entry floor, was designed for high functionality and ease of maintenance, with easily cleanable surfaces and ample counter space. Its blue island and barstools create a cohesive connection with the adjacent breakfast room. The wine cellar and wet bar, located in the basement and dining room respectively, demonstrate that even lower-level spaces can be glamorous, featuring specialty lighting for the wine display and a high-gloss blue paint with a mirrored backsplash in the wet bar. The primary suite, one of seven bedrooms, offers a dreamy ambiance with pink details and natural light enhancing its glow. The unique layout connects the bedroom to a walk-in closet and bathroom through a windowed corridor along the back facade. A guest bedroom provides a relaxing retreat with a neutral color palette, plush carpeting, embroidered drapery, a custom upholstered headboard, and a high-gloss wall finish. The primary bathroom integrates decorative lighting as a focal point, with a stunning chandelier and sconces, alongside symmetrical design and stone detailing for a luxurious and modern feel. Finally, the backyard patio, designed by landscape architect Luciano Guibbilei, serves as a “zen-like enclave” in the city, covering approximately 1,500 square feet and featuring a mural by artist Annie Morris, providing a serene outdoor escape. #NewYorkCity #TownhouseRenovation #InteriorDesign #LuxuryHomes #HistoricPreservation #ArtCollection #PembrookeAndIves #KipsBayShowHouse #HomeDecor

This article details the comprehensive renovation of an 1887 four-story Brooklyn Heights house, transformed from a multi-family dwelling previously owned by the Jehovah's Witnesses into a luxurious one-family residence. The property, located on a unique trapezoidal plot measuring 24 feet wide at one end and narrowing to 16 feet, presented significant architectural challenges. CWB Architects, based in Dumbo, was tasked with this extensive restoration, and the new homeowners allocated significant resources to achieve a high-end outcome. The renovation involved several major structural changes and aesthetic enhancements. A narrow four-story extension on the side of the house was demolished and replaced with a new building-wide, two-story wooden extension. This new addition was designed to evoke the enclosed tea porches popular in the mid-19th century. A significant structural issue arose during construction when the wall facing Joralemon Street was found to be collapsing, necessitating its complete rebuilding. Additionally, the interior floor framing required replacement. These unforeseen challenges extended the project duration by three months, bringing the total renovation time to approximately 18 months. The original interior details of the house were largely unsalvageable, with the exception of a single newel post. However, CWB Architects meticulously researched and replicated historical trim and casing styles to ensure the new details were historically accurate. The former clockwise-running oval-shaped staircase, though beautiful, was dilapidated and was rebuilt with a reversed orientation, which ingeniously allowed for the creation of a mudroom accessible via separate steps. All plumbing fixtures and finish materials were selected by CWB Architects, while Kelly Giesen of Kelly G Design handled the interior decoration of the 3,500-square-foot space. ABR Builders, LLC served as the general contractor for the project. Key interior features include an entry foyer adorned with patterned encaustic tile from Mosaic del Sur, and a custom mahogany island in the kitchen. The kitchen also features white granite slabs from Cancos Tile on the perimeter counters, Grove Brick tile from Waterworks in Sugar White for the backsplash, and cabinets painted with Farrow & Ball's Downpipe color. The parlor level boasts Carlisle wide plank white oak flooring. Above the parlor level, the flooring consists of 2-1/4" white oak, laid in a mix of herringbone pattern and straight-lay. The second floor accommodates a formal living room (piano noble) and a guest suite. The master bath is outfitted with Waterworks plumbing fixtures, Bardiglio mosaic marble on the tub area floor, and Carrara marble cladding the walls. The third-floor master suite incorporates extensive custom built-ins, and the top floor houses children's bedrooms within the original attic and hipped roof structure. The new two-story extension's design received unanimous approval from Landmarks. The outdoor space, designed by Urban Landscape Concepts, features a garden, a seating area, a parking court made of permeable pavers, and a custom fence crafted to complement the neighborhood's historic character. #BrooklynHeights #TownhouseRenovation #CWBArchitects #LuxuryHome #HistoricRestoration #InteriorDesign #ArchitecturalRenovation #BrownstoneLiving #NewYorkRealEstate

This article details the renovation of a 19th-century Newton home, transforming it into a luxurious yet family-friendly space for a family of six. The homeowners, moving from a condo, were drawn to the original charm of the 1848 abode, including its authentic millwork, curved staircase, and glass-etched double front doors. Their vision was to infuse the historic property with a fresh, modern energy while preserving its inherent character. Interior designer Cara Fineman spearheaded the "glow up" primarily focusing on the first floor. This involved minor modifications to improve livability in the kitchen, pantry, and three bathrooms. Key updates included new countertops, tile backsplashes, brass hardware, and modern fixtures. Notably, the existing custom Kochman Reidt + Haigh kitchen cabinetry was in excellent condition, necessitating only a fresh coat of wispy white paint. The adjacent pantry and wet bar received a more dramatic makeover with bold new color schemes on existing cabinets, complemented by Aux Abris grasscloth and Ferrick Mason wallcoverings, along with linen window treatments, enhancing both functionality and aesthetic appeal. Fineman's design strategy for the study, family, and living rooms centered on integrating soft furnishings crafted from family-friendly textiles and contemporary lighting. In the family room, a spacious and plush sectional, ottoman, and lounge chairs were installed to create a comfortable gathering space. The living room now features a sleek game table made of lacquered swirl resin, designed to encourage board games and social activities. A significant design element across the communal spaces was the strategic incorporation of color and pattern, particularly through wallpaper, fulfilling the clients' desire for a vibrant and dynamic interior. The home boasts a sophisticated yet serene atmosphere, achieved through a diverse material palette including silk, grasscloth, antique brass, velvet, and rattan. A personalized sanctuary was created for the mother of the house in the first-floor study. This feminine space, designed for quiet reading, features an opal wall color, warm artwork, and bookshelves filled with books, accompanied by an overstuffed sofa for relaxation. Despite having four young children under the age of six, the first floor was intentionally designed to feel luxurious and mature without being overly precious or inaccessible to the kids. The design philosophy emphasized materials that were not easily damaged and the rehabilitation of existing elements rather than complete replacement, such as using natural fibers and updating existing cabinetry. This approach allowed for the preservation of the home's originality while adapting it to the contemporary needs of a young family. The playroom, adjacent to the boys' bedroom, features a lively Serengeti wallpaper, beanbags, storage baskets, and wall shelves, designed to be age-appropriate yet durable for a growing family. #HomeRenovation #InteriorDesign #NewtonHome #HistoricHome #FamilyLiving #ModernDesign #LuxuryInteriors #ResidentialDesign

The penthouse residence within a 37-story Neo-Romanesque luxury condominium tower in downtown Brooklyn underwent an extensive renovation, spearheaded by Jaklitsch/Gardner Architects. This landmark building, originally constructed in the 1920s as the Williamsburgh Savings Bank Tower, now houses 179 apartments. The transformation of the 3,000-square-foot penthouse proved to be a protracted endeavor, lasting seven to eight years, in stark contrast to the building's initial two-year construction period. The extended timeline was largely due to the client's demanding schedule, which frequently caused project pauses, and also to unforeseen obstacles, including Hurricane Irene in 2011, which caused flooding in 40 units and significantly delayed work for months. Despite these challenges, the client's adventurous spirit in design collaboration pushed the architects to create a unique living space. The renovation unfolded in two primary phases: an architectural gut renovation followed by interior design. During the architectural phase, significant structural changes were implemented. The apartment's front door was relocated to open into the living area instead of the kitchen, creating a new vestibule and enhancing the sense of arrival and spaciousness. Two existing bedrooms were combined to form a primary bedroom and an adjacent sitting area, separated by three curved, telescoping wood walls. This innovative design allows for both connection and privacy within the expanded space. Throughout the apartment, ebony-stained white oak flooring was installed to provide a consistent and cohesive aesthetic. The interior design phase focused on creating a fluid landscape, where many custom-designed pieces serve as metaphorical representations of nature. Notable examples include a 'fountain' coat rack with looping brass arcs, a 'cumulus' chandelier featuring spheres of cast glass, and a record cabinet adorned with incised white flowers—all conceptualized and designed by Jaklitsch/Gardner Architects. The dining table, another bespoke piece from the firm, is composed of three configurable parts, allowing for flexible arrangements and evoking the appearance of a large tree stump when joined. The designers noted that the themes of 'celestial and landscape' symbolize the apartment's unique position between ground and sky. Stephan Jaklitsch, who founded the firm in 1998, highlighted the intention behind the movable elements, which aim to provide tactility, psychological warmth, and a human scale to the residence. He also pointed out that the building's conversion from offices to residences in 2007 resulted in generic layouts and nondescript interiors, which the firm sought to overcome. The renovation capitalized on the penthouse's prime location, just three floors below the building's gilded, four-sided clock, offering panoramic views of New York City and infusing the interior with a distinctive character. The project ultimately created a sophisticated and unique living environment, harmonizing with the building's historic essence while incorporating modern, nature-inspired design elements. #PenthouseRenovation #BrooklynArchitecture #HistoricBuilding #LuxuryDesign #JaklitschGardnerArchitects #CustomFurniture #InteriorDesign #ArchitecturalRenovation #NewYorkRealEstate

Designers Barry Bordelon and Jordan Slocum, known as the Brownstone Boys, undertook a unique brownstone renovation project in Bedford-Stuyvesant, Brooklyn, for clients Taylor and Moore. Unlike typical brownstone remodels that often require extensive varnish stripping, this project allowed them to preserve much of the original wood. The three-story home's existing wood bones were in solid condition, enabling the retention of original floors, a feature Bordelon highlighted as particularly appealing. The clients, who were expecting their first child, also had the unusual advantage of living on the ground floor during construction, after a light touch-up of its kitchen and bathroom. The renovation focused on the top two floors, where the designers introduced new elements while preserving and enhancing existing features. A key addition was a new kitchen on the main parlor level, a space that previously lacked one. For this, Slocum and Bordelon utilized Semihandmade’s paintable DIY Shaker cabinets, finished in their preferred neutral shade, Shaded White by Farrow & Ball, a creamy white with gray undertones. The vent hood was cleverly crafted from a simple drywall box with a 2-inch radius corner bead, painted to match the walls. This design philosophy extended to the adjacent dining area, where custom open shelves by Brooklyn Builders Collective mirrored the curved silhouette. Addressing the challenge of narrow brownstone layouts, discreet 15-inch-deep cabinets were integrated into the island for extra storage. Unique pendant lights, sourced from Taylor's ceramist mother, complemented the Paonazzo stone counters, which featured subtle brown-gray flecks. The primary bathroom's design drew inspiration from the clients' backgrounds, incorporating coastal elements reflecting Moore's Californian roots, Taylor's Australian heritage, and their shared time in North Carolina. A bespoke touch was the pinkish terracotta Roman Clay backdrop behind the tub, contrasted with an off-the-shelf slatted white vanity from Signature Hardware. The renovation also involved restoring missing historical elements. Fireplace mantels, likely original to the 1800s construction but later removed, were acquired through an Instagram message from a New Jersey homeowner, saving the designers from purchasing new marble surrounds. Existing features were also given a modern update. The home’s original staircase, deemed structurally sound, was painted Tricorn Black by Sherwin-Williams and adorned with a custom runner created from Moroccan rugs collected by Taylor and sewn together. A skylight on the top floor, originally part of a ventilation shaft, was creatively repurposed. By removing flanking windows, the space was reclaimed to build a shower stall directly beneath the skylight, allowing natural light to flood the area. This sun-drenched corner was finished with a moody, two-tone tile scheme, using Zia Tile’s 4-by-4-inch zellige tiles in Tidepool and Aegean, showcasing a blend of preserved history and modern functionality. #BrownstoneRenovation #BrooklynDesign #HistoricPreservation #KitchenDesign #BathroomRemodel #InteriorDesign #CustomCabinetry #SustainableRenovation #HomeTours

This article details a home renovation project undertaken by designers Josh Linder and Tom Egan of Evolve Residential for Margaret Chu-Moyer and Mike Moyer's Brookline home. The initial request was for updated furniture on the first floor, but the project evolved into a comprehensive reconfiguration to improve flow and connectivity between rooms. The designers introduced the concept of "enfilade," a term for a row of aligned doorways, to describe the redesigned space, which Chu-Moyer described as "brilliant." The renovation focused on optimizing existing spaces with relatively minor structural changes. On the left side of the house, a significant improvement was the replacement of a large gas fireplace with a picture window in the family room, which increased natural light. This change created a brighter and more inviting atmosphere. A custom sectional sofa, upholstered in striated velvet with verdigris and plum colors, was chosen as a durable and family-friendly centerpiece, accommodating the entire family. Chu-Moyer's grand piano was strategically placed in a nearby niche, integrating it seamlessly into the new layout. The right side of the house exemplified the "enfilade" design, with the living room, dining room, and kitchen flowing front to back through newly widened cased openings. The kitchen underwent a complete renovation to maximize space and functionality. Quartzite countertops, chosen for their lower maintenance compared to marble, featured wavy horizontal veining, adding visual interest. A wood-lined breakfast bar was incorporated to cleverly conceal coffee-making equipment, contributing to a clean and organized aesthetic. Lighting fixtures also played a crucial role in the design. Spiral chandeliers with red cords were installed above the kitchen island, casting cool shadows that Chu-Moyer particularly appreciated. These red accents were intentionally included to subtly reflect Chu-Moyer's Chinese heritage, adding a personal touch to the contemporary elements. Egan noted that these chandeliers were visible from the living room, bridging the contemporary kitchen design with the more traditional furnishings of the living room. The dining area was made more inviting with a curved settee that complemented a round table the couple had owned for 30 years. This choice was deliberate, as Egan explained that upholstered seating encourages people to use dining rooms more frequently. Indeed, the family began using their dining table daily for meals and work, a change Chu-Moyer initially did not expect. The living room featured a symmetrical arrangement with an antique Biedermeier chest flanked by striped chairs, positioned to create an appealing view. Incorporating such antique pieces is a signature of Evolve Residential, highlighting the value of older, well-crafted items. The living room's seating arrangements combined a curved custom settee in midnight blue chenille with a tufted rust mohair sofa, creating a welcoming yet sophisticated ambiance. The designers favored plush fabrics for their rich color palette, making them versatile for pairing with other textiles. Ceramic garden stools provided additional functional elements around a diminutive coffee table, and an abstract artwork by Ken Sloan added a lighthearted touch to the space. The final element, a Persian rug with purple accents, was installed after all other furnishings and was noted by Chu-Moyer as an unexpected yet perfectly cohesive addition, demonstrating the designers' expertise in bringing diverse elements together to achieve a harmonious overall effect. #HomeRenovation #InteriorDesign #BrooklineHome #EvolveResidential #EnfiladeDesign #KitchenRemodel #LivingRoomDesign #DiningRoomTransformation #CustomFurnishings

This blog post details a comprehensive gut renovation and two-story addition to a Brooklyn Heights townhouse, transforming a former multi-unit building into a spacious single-family home for a growing family. Platt Dana Architects spearheaded the project, which expanded the living space to approximately 7,000 square feet. A key feature of the renovation involved replacing the solid back wall of the 19th-century row house with a two-story glass and steel expanse, extending the garden and parlor levels almost 20 feet into the backyard to enhance light and living area. The entire structure underwent a complete overhaul, including new heating, electrical, and sprinkler systems, with a focus on modernizing the house while respecting its classic prewar aesthetic. The architectural firm reworked the layout from the cellar, which was excavated to create sufficient headroom for a home gym, up to the attic, which now accommodates a guest suite. The design prioritizes the needs of a family with young children, featuring a flexible parlor-floor layout. A formal dining room, primarily used for special occasions, is situated at the front of the parlor floor, while the remainder of this level is dedicated to an open-plan kitchen and family room that overlooks the garden. This informal arrangement is designed to suit the family's current lifestyle and future growth, deferring the need for a formal living room. A new staircase connects the parlor floor to a playroom and garden on the level below. Given the lack of salvageable original details, the interior design, managed by Marie-Christine McNally of Marie-Christine Design, opted for a simple yet classic approach. New doors, moldings, and mantels were installed, along with a relocated main staircase that maintains a traditional appearance. The family room features a Montauk Sofa sectional and a new stair with a tempered safety glass rail leading to the garden level. Ten-inch-wide oak flooring from Carlisle was installed throughout the house. The kitchen boasts custom traditional-style cabinetry fabricated by ABR Builders, durable 3-by-6-inch marble tile backsplash, and a maintenance-free Glassos countertop, complemented by pendant lights from Alison Berger. A second sink in a storage wall expands the kitchen's functionality, and a vintage Knoll table with Elbow chairs serves as the everyday dining area. The front dining room is distinguished by painted wood panels and new plaster moldings, evoking the formality of the original front parlor. This space is furnished with vintage chairs, a Normandy table by Démiurge New York, and a modern chandelier by Jonathan Browning Studios. The master bedroom includes a walk-in closet with bleached oak cabinetry and direct access to a deck atop the new addition. The master bathroom is positioned at the front of the house to maximize natural light, featuring a large cast iron Kohler tub, marble tile from Complete Tile, marble walls from Stone Source, and fixtures from Waterworks and Dornbracht. The children's bathroom includes a long Duravit sink with Waterworks faucets and spacious linen closets. Abundant natural light is also drawn in through two elliptical skylights above. The connection between the family room and the playroom below is visually seamless, with an open stair featuring floating oak treads and a glass rail to preserve the flow of light and view of the garden. #BrooklynHeights #TownhouseRenovation #GutRenovation #HomeAddition #InteriorDesign #PlattDanaArchitects #FamilyHome #ArchitecturalDesign #LuxuryRenovation

The article details the thoughtful reimagining of a century-old Brooklyn brownstone by the design studio Enso, co-founded by Yuria Kailich and Joel Harding. Located just one block from Prospect Park, this three-story home, originally constructed in 1888 by architect William Flanagan, has been transformed into a midcentury-inspired haven, particularly appealing during the autumn season. Enso's renovation philosophy emphasizes softness, restraint, and meticulous craftsmanship, creating a space that embodies a quiet intelligence. The interior design incorporates an eclectic array of furnishings, balancing high-end pieces with affordable finds, and significantly featuring vintage items sourced from platforms like 1stDibs, Amsterdam Modern, and Chairish. A subtle yet distinct mid-century modern aesthetic permeates the home, evidenced by design elements such as a paper lampshade, a geometric coffee table, chrome accents, a modular wall unit, and Nordic Knots rugs. These contemporary and vintage additions are harmoniously juxtaposed with the home's original architectural features, including period moldings, cornicing, and stained glass transoms in the living area, which contribute to a sense of timeworn elegance within the eclectic decor. A significant aspect of the renovation involved addressing the inherent challenges of a historic property. The architecture firm Practical Arts collaborated on the project, creating several bespoke elements to overcome these quirks. For instance, in the primary bedroom, a custom wall-to-wall upholstered headboard, composed of three striped fabric panels, was designed to not only visually enlarge the room but also ingeniously conceal electrical cords, negating the need for extensive structural modifications. Another innovative solution tackled the issue of immovable standing AC units. Enso devised custom millwork to integrate these units seamlessly into the design. In the living room, a credenza made from solid white oak with woven rattan panels and a slatted top was crafted to allow for both storage and efficient airflow. Similarly, in the dining room, a sideboard, drawing inspiration from the work of Jean Prouvé, features sliding doors with rhythmic circular cutouts, which provide necessary ventilation while also serving as a compelling visual feature. The design studio Enso draws its inspiration from the Buddhist principles of enso, which encompass zen, transience, and the unhurried passage of time. These values are deeply embedded in the home's aesthetic, which is characterized by the use of natural materials, tactile finishes, and an overarching sense of calm and tranquility. The resulting atmosphere is one of understated sophistication; the space avoids excessive polish or preciousness, yet it manages to convey an exquisitely elevated impression. The renovation successfully blends historic charm with contemporary and mid-century design elements, creating a unique and serene living environment. #BrooklynBrownstone #MidcenturyModern #HomeRenovation #InteriorDesign #EnsoDesignStudio #HistoricHomes #VintageFurniture #CustomMillwork #ArchitecturalPreservation

The decision of whether to paint original woodwork in old homes, particularly brownstones and row houses, is a common dilemma for homeowners, architects, and designers. This choice is influenced by factors such as the owner's personal preference, the architectural style and era of the house, and the inherent quality and condition of the wood itself. While design trends fluctuate, with fads like all-white interiors giving way to bold colors such as navy blue or hot pink, natural wood finishes and neutral painted options like cream or gray remain popular in Brooklyn. Interior designer Louisa Roeder, for instance, opted to paint the well-preserved mahogany woodwork in her 1870s Prospect Heights brownstone white during a 2014 renovation. Her goal was to achieve a modern kitchen aesthetic, and she found that extending the white paint to the parlor floor and hallway woodwork significantly modernized the space, moving away from a Victorian feel. She acknowledged the decision as a "big gamble" due to its permanence. Fellow interior designer Tamara Eaton bases her decisions on the quality of the craftsmanship. She meticulously preserves elaborate, high-quality woodwork, such as mahogany with mother-of-pearl inlays, but is more liberal with painting lower-grade wood, as demonstrated by her choice to paint an entire parlor level with less distinguished woodwork a dark gray. Eaton emphasizes that owning a townhouse means embracing its history while adapting it for modern living, highlighting the constant negotiation between preservation and modernization. Preservationists, including Andrew Dolkart, a notable author and former director of Columbia University's Historic Preservation program, often consider painting original, unpainted woodwork as sacrilegious. Dolkart argues that if the intention was for the wood to be painted, less expensive materials like plaster would have been used. He points out that before the 1870s, woodwork was commonly painted, often with faux graining. In the late Victorian era, elaborate, natural woodwork on main levels was a status symbol. Pine and poplar in secondary spaces were typically meant for painting. The early 20th century saw a rise in white-painted woodwork with the Colonial Revival and natural oak in Arts & Crafts interiors. The mid-to-late 20th century 'brownstoning movement' led to stripping paint to reveal original wood beauty. Dolkart asserts that painting over beautiful original wood destroys the character of an old house, questioning the purpose of buying such a home if its historical artistry is not appreciated. Conversely, architect Jeff Sherman of Delson or Sherman often recommends painting woodwork, even if his clients frequently prefer restoration. He suggests that old moldings often require patching and replication, and sometimes stripping reveals inferior wood species like poplar. Sherman believes that painted molding can unify a home's aesthetic, especially in shades of white or pale gray, which can lighten and authenticate dark, wood-heavy rooms. Interior designer Fawn Galli embraces color, sometimes painting both woodwork and walls the same hue for a modern look or using contrasting colors. She famously painted a newel post in her Carroll Gardens brownstone hot pink, viewing it as an opportunity to inject fun and even shock into a space. Galli acknowledges that while townhouses tend to be dark, beautiful wood should be left natural, with an icy gray paint on the walls to brighten the space. #InteriorDesign #Woodwork #HomeRenovation #Brownstones #ArchitecturalPreservation #BrooklynHomes #DesignTrends #HistoricHomes

This blog post details the renovation of a three-story Victorian home overlooking Long Island Sound in Larchmont, owned by the Pinchin family. The project, led by architect Robert Keller of Keller/Eaton and homeowner Gillian Pinchin, who also runs her interior design firm Wondernose, focused on transforming the traditional exterior with a funky, eclectic, and modern interior designed for contemporary family living. The primary objective was to modernize the home while maintaining its historical charm. The most substantial changes were implemented on the third floor. This area, which previously consisted of five small maids' rooms, was reconfigured to create a spacious master suite. This new suite now includes a master bedroom, a dedicated bathroom, a dressing room, separate his-and-hers offices, and a deck offering views of the water. The architect noted that the goal was to repurpose underutilized spaces into functional and aesthetically pleasing areas suitable for a modern lifestyle. A unique challenge was creating a sense of privacy for the parents within the master suite without isolating it from their three young children. The solution was a 2-inch-thick, 400-pound walnut door, crafted by Pinchin’s father, which slides on casters like a barn door. This door provides privacy when closed but allows the third floor to feel contiguous with the rest of the house when open. The second floor of the home features three bedrooms and a bathroom for the children, along with a guest room, an additional bathroom, and a laundry room. On the first floor, a modern island was incorporated into the traditional kitchen, blending new elements with existing aesthetics. Additionally, a formal living room was re-envisioned as a "grown-up room" by Pinchin, providing a tranquil space with two chaises for relaxation. The basement was also renovated to include a bedroom, a bathroom, a mudroom, and a gym, all designed with a clean, simple, and functional style. For the interior design, Pinchin adopted a "gallery approach," painting most walls white to allow select pieces of artwork or furniture to stand out. The most striking element in the house is a custom graffiti wall in the dining room. Pinchin commissioned an artist from San Francisco, who used traditional paint to create a "sloppy" graffiti look, even incorporating the children's initials into the design. This "crazy wall" creates a compelling contrast with the otherwise quiet room, furnished with midcentury pieces inherited from Pinchin's grandmother. The architect highlighted this surprising juxtaposition between the home's traditional exterior and its modern interior as a key success of the project. The article further elaborates on specific design choices in various rooms. In the master bedroom, artwork above the bed provides a splash of color against a neutral backdrop. Her office maintains an all-white theme with a zebra-skin chair and personal artwork. The kitchen features a modern island and a bubble chandelier alongside a reproduction of an old master's painting and green subway tiles. The "grown-up room" boasts a lenticular image of a ballerina above the mantel, offering a dynamic visual element, and combines high-end B&B Italia chaises with an Ikea shelving unit, showcasing a blend of high and low furnishings. The overall renovation successfully merges historical architecture with contemporary design and personal artistic expression. #VictorianHome #HomeRenovation #ModernInteriorDesign #ArchitecturalUpdate #MasterSuite #EclecticDecor #GraffitiArt #InteriorDesign #GillianPinchin #RobertKeller

Camilla Gale and Zach Aarons, born and raised in Manhattan apartments, embarked on their first stand-alone house journey in 2007 by purchasing a brownstone in Brooklyn. Initially, a major renovation was not their immediate plan as they sought to understand their living needs in the new space. The 19th-century Italianate brownstone was conveniently located near Fort Greene Park and Gale’s former boutique. However, with the arrival of three children—Rhyse (9), Wes (5), and Margot (2)—the existing layout, characterized by a confined downstairs area, insufficient storage, and limited natural light, became impractical. A critical issue that prompted the renovation was the melting of a bubblegum painting, a gift from Aarons's mother, due to the summer heat under a skylight, highlighting the urgent need for central air conditioning. Architects Alan Barlis and Liza Paredes of BarlisWedlick were enlisted for the remodel. A key decision was the removal of a powder room that obstructed access between the entryway and the kitchen, a late-20th-century addition. This removal aimed to restore the home's original flow, emphasize the existing crown moldings, and enhance natural light. Initially, Gale was hesitant, concerned about the inconvenience of not having a downstairs bathroom during her second pregnancy. Barlis devised an innovative solution: a new powder room was discreetly integrated into what appeared to be an extra-deep cabinet adjacent to the stove. This strategic placement allowed for the complete opening of the back of the house, transforming it into an expansive eat-in kitchen that offers views of the backyard. In redesigning the kitchen, Barlis implemented strategies to break down its scale despite the extensive millwork. He varied materials to define different zones; white oak was used for the four corner cupboards, while a blue-gray tone was applied to the utilitarian areas, including the stove, refrigerator, and island. To further differentiate the spaces, cabinets on the cooking side were built-in, contrasting with the floating cabinets on the eat-in side, which flanked the original mantel. This design choice echoed the presence of freestanding furniture found elsewhere in the house. The living room's typical parlor floor layout was reconfigured, moving away from a central seating arrangement around the fireplace. The dining room was positioned by the front windows, intentionally placed further from the kitchen's eat-in area. The narrower pass-through zone at the rear of the room was converted into a library and TV nook, incorporating numerous shelves at Gale's request due to her passion for reading. These wall-to-wall bookcases also concealed a functional mudroom. Given the narrow entryway, Barlis designed a wall of storage doors flush with the living room wall. An extra-deep built-in on the opposing side accommodated boots, backpacks, and jackets. Gale noted that despite these storage units, the high ceilings prevented the space from feeling cramped. Upstairs, the structural layout remained largely unchanged, except for a formerly misplaced hallway that Barlis transformed into a spacious dressing area within the main bedroom. This provided a more convenient storage solution for out-of-season clothing, which previously occupied a third-floor room. To preserve the Italianate architectural details, a substantial gap was maintained between the top of the cabinetry and the ceiling. Similar to the downstairs kitchen, the dressing area featured white oak planks and a central island designed for folding clothes, a new and useful addition for Gale. Cosmetic enhancements were applied to both bathrooms, incorporating clean white subway tile, whimsical giraffe wallpaper for the children's bathroom, and a large freestanding tub for the main bathroom. An old top-floor closet was repurposed into a home office. The most significant, albeit invisible, upgrade was the installation of ductless air-conditioning units, ensuring comfort for both the residents and delicate artworks year-round. The redesigned kitchen, with its direct access to the yard, now allows for outdoor dining on the porch during warmer months. The article concludes with a list of favorite home items and renovation lessons learned by the homeowners, such as preferring round sinks for easier cleaning and reconsidering wall-mounted toilets. #BrooklynBrownstone #HomeRenovation #InteriorDesign #SpaceOptimization #KitchenRemodel #HiddenFeatures #ArchitecturalPreservation #FamilyHome #CustomMillwork

Renovating historic homes often presents a unique challenge: balancing the preservation of original charm with the need for modern functionality and increased property value. While historic houses possess an undeniable allure, they frequently come with outdated systems, uneven floorboards, and other issues that require significant attention. This article, featuring insights from interior designers Barry Bordelon and Jordan Slocum of Brownstone Boys, and architect James Hartford of River Architects, offers a comprehensive guide to navigating such renovations efficiently and cost-effectively. Experts emphasize the importance of creating a master plan before commencing any work. This strategic approach ensures that all projects, even those in different rooms, align with a cohesive vision for the entire house. For instance, knowing that a kitchen will eventually be opened up can influence decisions made in other areas from the outset. Hartford recommends prioritizing essential upgrades like kitchens and bathrooms, as these areas significantly impact daily comfort and are often where modern functionality is most welcomed. Slocum highlights the appeal of juxtaposing old and new elements, particularly in these spaces, where modern appliances enhance usability. After addressing critical functional areas, the focus can shift to creating comfortable living spaces, such as a family room, before moving on to cosmetic improvements. The general principles for adding value, like selecting paint colors or upgrading kitchen appliances, remain consistent whether renovating a historic or a modern home. However, historic renovations demand careful consideration of which original features to preserve and which to update or remove. Contractor Dan Sullivan of Davaro Contracting advises meticulously removing and storing desired historic elements, such as moldings and trims, to prevent damage during construction. Conversely, not all vintage aspects should be retained. Some older appliances, though aesthetically pleasing, may lack modern efficiency, and certain materials like lead-based paint or leaded glass pose health hazards. Hartford specifically warns about lead paint in houses built before 1970 and suggests replacing original windows if restoration isn't feasible, despite this being a contentious point within the preservation community. Modernizing essential systems like heating, air-conditioning, electrical, and water management is paramount, with structural integrity and water damage prevention being top priorities. Financially, grouping major projects is a key strategy for cost savings. Sullivan advocates for saving up to complete a larger renovation in one go, rather than tackling it room by room, which can lead to increased costs and inconsistent results. If a full-scale renovation isn't immediately possible, completing work floor by floor can still minimize disruption and costs. Homeowners can also save money by undertaking DIY tasks for smaller, manageable upgrades, such as learning plaster techniques or installing light fixtures. Finally, the article underscores the importance of knowing when to stop. Historic preservation involves making choices about which quirks are worth maintaining and which are not. While the romantic idea of restoring every original detail is appealing, it can be prohibitively expensive. Slocum notes that a complete overhaul of elements like an original staircase can significantly inflate the budget. Bordelon advises homeowners to consider resale value even if they have no immediate plans to sell, suggesting adaptive design choices—like ensuring a yoga room can also function as a bedroom—to maintain broader appeal. Ultimately, a balanced approach that respects historical character while integrating practical modern updates is crucial for a successful and valuable historic home renovation. #HistoricHomeRenovation #HomeValue #InteriorDesign #BrownstoneBoys #HomeRemodeling #BudgetRenovation #ArchitecturalPreservation #Modernization #DIYHomeImprovement