Get Hygge with This Bright Harlem Townhouse

This article details the transformative design of an East Harlem townhouse owned by Gordon Espinet and Jonathan Ledoux, emphasizing the strategic use of color and a collaborative design approach. The project was led by Melissa Miller and Helen Lazic of LAMILL Design, who leveraged their shared professional history with Espinet from the beauty industry, particularly MAC Cosmetics, to establish a foundation of trust and a collective visual understanding. This shared background facilitated an intuitive design process, aligning their aesthetic sensibilities from the outset. The clients' vision for their home was clear: a tranquil yet playful space characterized by simple, clean details, and abundant natural light. They also sought a residence suitable for entertaining, capable of showcasing their art collection and travel-acquired furniture, while maintaining a sense of connectivity and layered design. Gordon Espinet, drawing from his expertise in makeup artistry, played a pivotal role in the thoughtful placement of vibrant color accents, which were carefully balanced against natural wood, neutral finishes, and incoming light. This approach ensured that color, while prominent, integrated harmoniously into the overall scheme. Prior to the renovation, the townhouse was segmented into numerous small, dimly lit rooms. A primary objective of the design team was to open up these spaces, linking them with natural light filtering from both the front and back of the house. This reconfigured layout aimed to create a unified, single-family home ambiance. Given the narrow footprint of the property, structural partitions were minimized. Instead, transitions between rooms were subtly defined through variations in texture, material, and color. Examples include the soft lighting and wood elements in the kitchen, contrasted with high-gloss paint surrounding a sliding door in the dining room. The design strategy extended to the upper levels, where each room was assigned a distinct mood tailored to its function and desired level of privacy. Guest rooms were conceived as more open and expressive, featuring lively tile accents and visual continuity with the hallways. In contrast, the back library and the primary suite were designed as more introspective retreats, characterized by quieter, more focused energy. Lighting received meticulous attention, with the owners expressing specific preferences for its application. The design incorporated a minimal number of recessed lights, prioritizing the strategic placement of decorative pendant fixtures and task lighting. The intention was for the lighting to serve as a complementary backdrop, enhancing the architectural features and finishes rather than dominating them. Additionally, the design team created a series of distinct zones throughout the home, catering to gatherings of various scales. These zones, unified by the natural light from the north and south ends of the property, contribute to a home that is both open and thoughtfully attuned, reflecting its history while being reinterpreted through light and color. #EastHarlem #TownhouseDesign #ColorPalette #CollaborativeDesign #LAMILLDesign #InteriorRenovation #StrategicLighting #ArtIntegration #ModernDesign

In Park Slope, New York, a townhouse renovation blends the old with the new, focusing on the transformation of a client's childhood home into a contemporary and functional space for a young, artistic family. Ethan Pomerance of Ethan Pomerance Architecture was tasked with this challenge, aiming to infuse new life while respecting the home's original Romanesque Revival architectural style. The design subtly weaves in echoes of the home's exterior and traditional downstairs elements with fresh interpretations, maintaining an airy feel. The project held significant sentimental value for the client, a filmmaker, who desired a vibrant space to raise her family above her mother, a Renaissance art historian. This artistic environment necessitated a design that honored historical elements while introducing modern, unique features. The renovation of the kitchen, which was originally the client's childhood bedroom, required innovative solutions to accommodate ample storage and cooking needs, as well as a dining table, despite the presence of an original chimney stack and a pathway to a terrace. Pomerance embraced these structural challenges, allowing the chimney breast to dictate the placement of the cooktop and sink, thus preserving its form and integrating it as a visual and functional anchor. To maintain the room's loftiness and volume, upper kitchen cabinets were reconceived as horizontal, shorter, and wider elements, hanging on the chimney stack like a tree trunk to create a sense of verticality. These sculptural cabinets feature sliding doors with blue geometric forms that act as functional elements and artistic statements, creating a full, dark circle when closed. The material palette combines traditional architecture with modern elements. Speckled terrazzo countertops, chosen from Concrete Collaborative, incorporate various colors present in the kitchen, tying together warm wooden parquet flooring, plaster walls, and the oat, white, and blue cabinet scheme. This selection aims to make the kitchen appear to 'grow out of the floor,' ensuring a radiant and blended look without feeling sterile, and augmenting the natural light. Exposed ductwork was utilized to eliminate soffits and preserve plaster crown moldings, adding to the room's dynamic shapes and forms. Playfulness and color were crucial to the design, with different colored cabinet frames and unique cabinet pulls adding mindfulness and a sense of mystery to everyday activities. The use of soft geometry, like the half-ellipse vent hood, introduces personality and meaning, symbolizing a balance of power. The most striking feature is the Delft tile backsplash, which Pomerance transformed into a modern, surreal collage by cutting and arranging traditional blue and white tiles, adding a storybook quality with animal and nature scenes. Subtle details, such as squiggle handles, further enhance the space's character, blending functionality with a playful aesthetic. The overall design successfully marries historical reverence with contemporary artistry, creating a unique and personal kitchen. #TownhouseRenovation #KitchenDesign #DelftTiles #ModernKitchen #ArchitecturalPreservation #InteriorDesign #TerrazzoCountertops #GeometricForms #ParkSlope

Australian designer Greg Natale's firm undertook the makeover of a narrow 19th-century town house in New York, drawing inspiration from the art deco era as seen through 1970s European cinema. The project, located on Manhattan's Upper East Side, was commissioned by repeat clients Leticia Francini and Stephen Ninnes, who sought to infuse their new American pied-à-terre with the color, pattern, and layering reminiscent of maximalist European restaurants. The four-story, mixed-use property includes a ground-floor retail space, which was converted into a white-box studio for their Art With Love Foundation, offering free workshops in Renaissance painting techniques. Natale's design approach for the 3,330-square-foot residence involved painting rooms—walls and ceilings—in a rich palette of blush, plum, terra-cotta, and various greens. Colorful shades of veined marble, such as Calacatta Viola, Rosso Levanto, and Verde Alpi, are extensively used on floors, walls, countertops, a fireplace, and to frame portals and doors. The intricate stonework was facilitated by the clients' relationship with an Italian quarrier, who cut the marble in Italy and sent masons to New York for installation. An exterior intervention included reinstating a historically appropriate double street entrance, with two doors defined by fluted limestone pilasters, leading separately to the art foundation and the residence. Engineered oak flooring in a herringbone pattern, designed by Natale, is used throughout much of the home, creating a vivid and welcoming interior within the narrow 12½-foot-wide brick building. The town house, previously renovated in the 1970s, retained its general layout but was stripped to the studs. The living spaces, including a sitting room, kitchen, and dining room, are situated on the middle level, flanked by two two-bedroom floors to accommodate the clients' five adult children. Mirror paneling, especially an art deco-inflected arrangement of bronze- and smoke-hued rectangles in the dining area, enhances the sense of space. The dining area also features a starburst molding centered on an 1980s Murano-glass chandelier, a modern interpretation of Italy's Liberty style. Murals play a significant role in setting the European tone, with an embroidered linen-and-silk mural based on Henri Matisse’s Jazz cutouts in the second-floor hallway and a wallpaper blowup of Wassily Kandinsky’s 1935 painting Deux points verts in the living room. The furniture selection combines vintage and contemporary Italian pieces. The living room features a Gianfranco Frattini 1970s Sesann sofa and Arnold Madsen 1944 Clam armchairs, complemented by a concrete-framed Iris mirror by Shawna and Matt Heide and a custom Anna Bonino paper pendant fixture. The dining area includes Dirk van der Kooij’s recycled-plastic Meltingpot table and Juliana Lima Vasconcellos’s Giraffe chairs. The main bathroom showcases Italian rationalism with a complex inlaid-marble shower pattern, while the adjacent bedroom features Mehmet and Dimonah Iksel’s hand-painted White Blossom wallpaper and Vincent Darré’s Neofutur headboard. A notable feature is the dressing room, connected to the main bedroom by marble-encrusted portals, designed to resemble a high-end boutique with sculptural marble-slab dividers forming open closets. #GregNatale #NewYorkTownHouse #ArtDeco #EuropeanCinemaInfluence #MaximalistDesign #MarbleInteriors #VintageFurniture #CustomMurals #InteriorRenovation

This article highlights the renovation of a 1,500-square-foot Harlem apartment, designed by the architecture firm Ten to One, with a specific focus on creating a wheelchair-accessible and universally designed living space. The renovation emphasizes innovative architectural solutions that enhance the quality of life for a family member using a wheelchair, showcasing how thoughtful design can transform a residence. The apartment's design features architectural details that allow rooms to seamlessly blend or be separated, alongside surfaces that function as both aesthetic elements and enclosures. A system of walls and ceilings was introduced, cutting through the existing structure to reveal new dimensions and depth within the space. The living and dining rooms incorporate an open floor plan, which can be extended to the kitchen via a frosted glass sliding door. The music room is accessible through a vibrant neon yellow door, while the den is accessed through a cleverly concealed wood door that blends with the surrounding walls. The dining area is illuminated by a warm orange glow emanating from a custom shelving unit, which is adorned with wooden accessories and bowls and also functions as a built-in bar, suitable for entertaining. The kitchen is characterized by bright colors, featuring elongated blue cabinetry and bright red dining chairs. These chairs are complemented by openly displayed red pots and pans near the sink and window, contributing to the kitchen's lively aesthetic. The bedroom offers an open and airy atmosphere, decorated with bright yellow bookshelves, distinctive art pieces, and two large circular wall sconces. The children's bedroom is designed to be an engaging space, featuring a giant world map on the walls and brightly colored carpet squares on the floors. Access to the bathroom is designed for ease of use by all residents, featuring an iridescent tile wall and stainless steel drawers. The renovation demonstrates the versatility of design in creating spaces that are not only aesthetically pleasing but also highly functional and inclusive. The project serves as an example of universal design principles applied to a residential setting, illustrating how architectural ingenuity can cater to specific accessibility needs without compromising on style or comfort. The work by Ten to One architecture showcases a successful integration of accessibility and modern design. #HarlemApartment #WheelchairAccessible #UniversalDesign #TenToOneArchitecture #SpaceSavingDesign #MultiFunctionalFurniture #InclusiveDesign #InteriorRenovation #NYCRealEstate

This article highlights the transformation of a Victorian terrace in south London, where designer Laura Stephens reconfigured its layout to inject light and modern living while preserving its historical character. The project addressed the common dilemma of modernizing classic townhouses by integrating contemporary elements without compromising original features like paneling, plasterwork, and traditional layouts. Instead of extensive structural changes, Stephens focused on a less interventionist approach, retaining the 19th-century architecture and skillfully adapting the floor plan to suit a modern family. Key changes included relocating the sitting room to the back, moving the kitchen to the middle, and positioning the dining room, which also functions as a small home office, at the front of the house. To enhance natural light, a glazed screen was installed between the hallway and dining room, creating an effect similar to an old-fashioned office partition, which significantly brightened the front of the home. The design incorporated fresh colors, and natural textures like jute and seagrass, along with subtle architectural details to create a living space that feels both contemporary and timeless. The kitchen features periwinkle blue cabinetry designed to complement the high ceilings, contrasted with 'utilitarian' white metro tiles and bronze hardware, which adds a touch of aged elegance. In the sitting room, a new fireplace was installed, and half-paneling was introduced to balance the striped wallpaper. The designer also focused on sustainability and cost-effectiveness by recovering existing furniture pieces such as sofas, armchairs, dining chairs, and an ottoman, demonstrating a commitment to preserving and repurposing items. The main bedroom underwent a significant transformation, with previously 'bleak' wardrobes being revitalized by glazed doors lined with gathered fabric. A gauzy pendant light was chosen for its sculptural quality, echoing the textured pink wallcovering that envelops the room. In the top-floor bathroom, an innovative solution was found when a shortage of mustard and white tiles led to the installation of a mirror panel. This not only extended the striped design but also visually expanded the cozy, eaves-tucked space. Laura Stephens also designed unique rugs in collaboration with Bombay Sprout, incorporating motifs based on antique passementerie and natural jute textures, reflecting the blend of past and present in the home's overall design. Laura Stephens shared her style inspiration, citing her satisfaction with the glazed wall, her preference for 'Spruce' by Paint & Paper Library as a go-to color, and drawing inspiration from interior design books, historical and contemporary, as well as her youngest daughter. She expressed admiration for architect Gil Schafer and the Chrysler Building in New York City. The project successfully created a bright, comfortable, and ageless living space that honors its Victorian roots while embracing modern functionality and aesthetics. #LondonTownhouse #VictorianRenovation #InteriorDesign #LauraStephens #HomeRedesign #ColorPalette #TextureMixing #NaturalLight #KitchenDesign #BedroomTransformation

AD100 designer Hadley Wiggins recently completed a significant project: the interior design of a stately limestone town house located on Manhattan's Upper East Side. The residence, home to a family with two young children, required a design approach that respected its historical architectural features while introducing softness, warmth, and individuality suitable for contemporary family living. When the house was acquired, it retained its original architectural details such as moldings, windows, and fireplace surrounds, but had undergone a previous renovation that resulted in a very stark, optic white aesthetic. The primary objective for Wiggins was to implement more nuanced design choices to create visual contrast and interest, thereby enhancing the inherent beauty of the existing architecture rather than overshadowing it. Wiggins's design philosophy is characterized by an intriguing interplay of subtle tones interspersed with strategically placed moments of saturated color. For example, richly hued spaces, such as the dining room—which Wiggins considers one of her favorite projects—were designed to "compress" the home's expansive layout. This technique allows for the creation of cozy and intimate areas within a large home, contrasting with the more airy, light-filled spaces. A unifying element across the diverse palette of the home is Wiggins’s meticulous curation of furnishings, art, and decorative objects, a process she undertook with the assistance of art advisor Kate Bellin. Each room is a blend of pieces from various eras, styles, and origins, reflecting Wiggins's signature approach of selecting items that resonate with her and then integrating them harmoniously into the space. This method results in a collected aesthetic, giving the impression that the homeowners have accumulated these cherished pieces over a long period. Notable elements in the design include an antique tapestry in the living room, which serves as a foundational piece for the space, complemented by an oil painting and a diverse array of lighting fixtures. Wiggins's proficiency with pattern and texture, honed during her tenure at Ralph Lauren, is evident throughout the home. She emphasizes that incorporating pattern is a complex process, involving numerous fabric choices that must meet criteria for design, durability, and client approval, ultimately leading to a rewarding outcome. This detailed attention extends even to functional areas, such as the powder room, which features a custom wood vanity and matching toilet seat, clad in a moody, cocoon-like wallpaper. Wiggins believes that a powder room's purpose transcends mere function, aiming instead to evoke a sense of the incredible. Despite the exquisite detailing and bespoke elements, Wiggins maintains that the house is fundamentally a family home. She asserts that her role is not to create a museum-like environment, but a living space capable of accommodating the realities of family life. The design is intended to evolve and age gracefully, improving over time. This distinctive blend of elegance and approachability, historical respect and modern sensibility, and deliberate specificity combined with serendipitous finds, defines Wiggins's work. She actively seeks out pieces that possess beauty due to their age and wear, striving to achieve an "imperfect perfection" in every space she designs. #HadleyWiggins #AD100Designer #NewYorkTownHouse #UnderstatedElegance #InteriorDesign #UpperEastSide #HomeDecor #ArchitecturalRenovation #FamilyHome

The article details the redesign of a 1920s Mediterranean Revival home in Bronxville, focusing specifically on the living room. The family of four, upon purchasing the home, sought to restore its original architectural details that had been removed by previous owners, while also creating a family-friendly environment. Designer Alexandra Denburg of M&P Design Group, in collaboration with contractor Michael Guttilla, spearheaded this transformation, aiming to reintroduce Mediterranean elements and revitalize the space. Denburg's design approach for the living room emphasizes a careful selection of furniture shapes and materials to create a balanced and cohesive aesthetic. She strategically paired a square sofa with a curved one, demonstrating a mindful consideration of how different forms interact within a space. The choice of fabrics and materials was guided by both functionality and visual appeal. For instance, a large, fully upholstered sofa was complemented by a smaller, leg-exposed upholstered sofa, and two armchairs with decorative metal frames were placed on the opposite side of a wooden coffee table. This combination ensures visual interest and variety. Central to Denburg's material palette for the living room were woods, stones, metals, clays, and various fabrics. She explains her design philosophy by highlighting the importance of juxtaposing different textures and finishes—such as polished against raw stones, soft velvets with chunky knits, and woods with diverse surface textures. Mixed metals were also incorporated to add depth. This layering of textures and materials is crucial, especially within a monochromatic scheme, as it prevents the space from appearing flat and instead introduces tactile interest. Architectural details were also a significant focus of the redesign. To reinstate some of the home's original character, Denburg installed ceiling beams. These beams serve a dual purpose: they visually heighten the room by extending sightlines and provide a contrasting element to the dark wood flooring, enhancing a neutral color palette. The fireplace was another area of significant renovation. Denburg removed the wall jut behind it, creating a flush surface for the new fireplace, and added an angled surround to further contribute to the room's perceived height. Moravian star lights were installed, hanging alongside strong linear beams, exemplifying Denburg's eclectic approach to furnishing styles. She states that she always incorporates a mix of styles, regardless of the overarching aesthetic, to achieve a dynamic and engaging design. The overall transformation of the Bronxville living room by Alexandra Denburg successfully marries the restoration of historical architectural details with modern, family-friendly design principles, utilizing a rich interplay of shapes, textures, and materials to create an elegant and inviting space. #BronxvilleLivingRoom #HomeRedesign #InteriorDesign #AlexandraDenburg #MediterraneanRevival #FamilyFriendlyDesign #TextureAndMaterial #ArchitecturalRestoration

Hudson Moore, a design editor, resides in a Harlem studio apartment that he secured quickly, only realizing its lack of closets after signing the lease. Despite the initial oversight, Moore was drawn to the apartment's good ceiling height, wood floors, and attractive paneling. His move from an Upper West Side apartment was prompted by a significant rent increase, but the Harlem studio offered an upgrade in living space, with the main living/sleeping area measuring approximately 17-by-17 feet, larger than his previous 9-by-18-foot studio, and a separate 30-square-foot kitchen. Moore, who frequently moves, approaches the process of boxing and unboxing his belongings with enthusiasm rather than stress. Having lived in eleven different homes before graduating high school, he has adopted his parents' habit of fixing up homes and shedding possessions before each move. This practice allows him to maintain a carefully curated collection of items, preventing his small space from becoming cluttered. He opted to keep his plush, deep-seated Blu Dot sofa from his previous studio, valuing its armless design for its minimal visual impact and its versatility. The sofa's ability to fit on various walls is crucial for Moore, who treats his space as a laboratory for constant re-arrangement. Similarly, he incorporated easy-to-lift slipper chairs, inspired by a design shoot, which are covered in a graphic Schumacher fabric that appears solid from a distance. A key feature that attracted Moore to the apartment was the natural wood wainscoting. However, the wainscoting did not fully encircle the room due to the building's conversion from a single-family home. To create a cohesive look, Moore extended the visual delineation by painting the missing sections black, effectively unifying the space. This dark paint also serves to create the illusion of a headboard behind his unique house-shaped canopy bed, a piece his uncle welded in the 1980s. Despite the bed frame being slightly mismatched for his mattress and held together by boat straps, Moore has devised solutions to ensure its stability. Moore's apartment also features several pieces acquired through the kindness of others. For instance, bookshelves found in a family member's barn were transported from Oklahoma to New York by his former roommate's stepfather as a gesture of gratitude for Moore's help in decorating her apartment. To compensate for the lack of closets, Moore found two black Italian dressers and a large vintage armoire on Facebook Marketplace. Another Facebook Marketplace discovery was a black wall sculpture for the dining area. During the purchase, Moore connected with Hugo Vicente, brand director at ASH NYC, who encouraged the acquisition. The lightweight sculpture is mounted with magnets. The IKEA dining table, initially painted vermilion, created an unwanted red glow in the apartment when hit by sunlight, leading Moore to repaint it a light pink shade that he has come to appreciate. These experiences have taught him that most spontaneous decisions turn out well, and any that don't are easily remedied, reflecting a flexible and adaptive approach to home decoration. #HarlemStudio #SmallSpaceLiving #ApartmentTour #DesignEditor #Wainscoting #FurnitureSourcing #DIYDesign #InteriorDesign #HomeDecor

Architect and designer Ili Hidalgo-Nilsson, owner of Terracotta Design/Build, undertook a comprehensive renovation of a 1990s Decatur townhouse to create a vibrant and personalized living space for herself and her daughter. The primary appeal of the property was its abundant natural light, facilitated by 12-foot ceilings and numerous windows in the corner unit. This feature allowed for light fixtures to be chosen more for their aesthetic contribution than their functional necessity, contributing to the home's luminous atmosphere. Hidalgo-Nilsson prioritized factors such as a charming neighborhood, good schools, proximity to work, and minimal landscaping maintenance, all of which the townhouse satisfied. The renovation involved several key transformations. A significant aspect was the application of high-gloss paint to all walls and trim throughout the house. This choice was deliberate to amplify natural light, creating a glowing effect that brightens the interiors. The design philosophy integrated classical modern aesthetics with personal touches inspired by Hidalgo-Nilsson’s Puerto Rican heritage. For example, the office features a woven rug that evokes Caribbean porch styles, and the kitchen’s concrete tile backsplash, with its geometric navy-and-white pattern, is reminiscent of coastal Caribbean design, providing a sense of home and a visual anchor when descending the stairs. Experimentation with a more exuberant color palette marked a departure from previous residences. Favorite shades of blue were prominently used in the kitchen and master bath, while raspberry and lavender accents complemented a base of light gray and white in other areas. The renovation adhered to an 'edit, edit, edit' mantra, which involved removing dated elements such as columns, archways, cherry kitchen cabinets, and ornate lighting. Hardwood floors were refinished from a honey tone to a refined gray. Furnishings were curated to a selection of beloved antiques and contemporary pieces, reflecting a balance between old and new. Specific room transformations included a kitchen remodel where original cabinetry was replaced with ceiling-height units, featuring a wall of high-gloss navy cabinets that ground the space against pale-gray island and perimeter cabinets, all equipped with Thermador appliances. The staircase was modernized with glossy white paint and a simplified railing, and museum trim was added to highlight artwork. The former dining room was converted into a stylish office, featuring a glossy gray ceiling, white lacquered furniture from West Elm, and raspberry accents through X-benches and Jonathan Adler lamps. A sunroom was repurposed into a dining area, furnished with a Saarinen dining table and ivory leather reupholstered chairs, alongside a gallery wall displaying personal items including a vintage Caribbean map and a drawing by her father. A bar area was updated with light lavender-gray cabinets, glass doors, and a mirrored backsplash, complemented by a bargain light fixture from Cost Plus World Market. The master bedroom, a spacious area, accommodates a tranquil sitting area with an Oushak rug and furry benches from Mitchell Gold + Bob Williams. The master bath’s design was inspired by ocean art, influencing the choice of striking blue, shiny cabinets, and includes a wooden ledge for convenience near the tub. Bird prints, acquired inexpensively, were elevated with gold frames in the master bedroom’s seating area, adding a sophisticated touch. The project served as a demonstration of the significant impact high-gloss paint can have on interior spaces, showcasing a blend of glamour and functionality. The design choices, from material selections to color schemes, collectively contribute to a sophisticated yet personally resonant home that maximizes its natural light and embodies the architect’s creative vision. #DecaturTownhouse #HomeRenovation #InteriorDesign #HighGlossPaint #ColorfulInteriors #TerracottaDesignBuild #IliHidalgoNilsson #ModernClassics #PuertoRicanInfluence

Textile designer Aelfie Oudghiri's Brooklyn townhouse, shared with her husband, Hicham, and daughter, Mirah, serves as a living showcase for her eponymous line of bedding, soft goods, rugs, and furniture. Housed in a former industrial pencil factory, the 1,800-square-foot space reflects an easy, comfortable, and effortlessly stylish aesthetic deeply rooted in Oudghiri’s upbringing. Her parents, both builders and developers, introduced her to the transformative power of design early on, and an oversized Kerman rug from her childhood ignited her passion for textiles, inspiring her eventual career. Many pieces in her home are samples from her company, allowing her to live with and test products before their official launch, ensuring they are practical and durable. Oudghiri's journey into design began with an e-commerce store in her teens, focusing on products made by other young women, which taught her the foundations of design. Her childhood dream, however, was to design bedding, driven by frustration with the gendered, corny, or poor-quality synthetic options available at the time. Her early sketchbooks are filled with bedding concepts, foreshadowing her future in textile design. When designing her home, the living room was the starting point, prioritized for its comfort, openness, and suitability for entertaining. Her Moroccan husband influenced the layout, seeking a space reminiscent of a Moroccan salon with ample seating for guests. This led to the inclusion of a mint green sofa from CB2, praised for its durability, and another from ABC Carpet & Home. Oudghiri approaches home design with a lack of inherent attachment to spaces, a common sentiment in New York, preferring to evolve the design slowly. Her access to her own home decor line means her apartment is filled with a complementary array of her designs, from bath mats and pillows to poufs and tables, all serving as practical testaments to their wear and tear resistance. A key design element for Oudghiri was baby-proofing and creating a kid-friendly environment for her daughter, Mirah. The massive, open layout allowed for a play-friendly space free from hard obstacles or fragile items. The open and industrial nature of the former factory presented challenges in making the space feel cozy and welcoming. Oudghiri overcame this by strategically using rugs and artwork to soften the industrial brick walls and warm up the cold aesthetic. Her favorite aspects of the home include the exposed beams, high ceilings, abundant wall space for art, and the intricate texture of the floors. A design element she recommends for readers is foregoing a traditional coffee table in favor of side tables and poufs. This decision, initially driven by an inability to find a beloved coffee table, later proved invaluable for creating a large, open play area for her daughter. Visitors often comment on the home's established feel, assuming Oudghiri has lived there for a long time, despite only a few years passing, indicating the successful integration of her personal style and products. #TextileDesign #BrooklynHome #HomeTour #InteriorDesign #ColorfulDecor #PatternMixing #KidFriendlyDesign #IndustrialConversion #DesignerHome

Rodney Lawrence, an ELLE DECOR A-List designer, developed a model apartment in The Cortland, a new luxury development in West Chelsea, New York City. The building, designed by Robert A.M. Stern, features a historic feel with over a million hand-laid bricks, inspired by the iconic London Terrace. The interior architecture by Olson Kundig maintains a restrained aesthetic with rigorous lines and a limited palette, including an open-plan kitchen, living, and dining area, marble fireplaces, and high-end finishes like hand-brushed artisanal Italian metallic lacquer and Statuario Belgia marble. Lawrence aimed to infuse nature into this structured environment, departing from the base design while respecting its spirit. He researched Olson Kundig’s projects, noting their tendency to feature minimal structures set within natural landscapes. His goal was to bring this natural essence indoors, specifically for a hypothetical young family seeking cool yet approachable design. His design strategy for the 1,500-square-foot, two-bedroom, two-and-a-half-bath apartment focused on incorporating a multitude of colors and layered organic shapes. The combined living and dining area exemplifies this approach with curvaceous silhouettes. Key elements include a custom sofa in a velvety Élitis fabric, a Crate & Barrel three-legged cocktail table, and dining chairs from Burke Decor. A custom banquette elegantly snakes around the dining space, highlighting the multi-functional aspect of modern living, where the dining table can double as a workspace and a console as a desk or bar. To seamlessly connect the living and dining zones, Lawrence utilized subtle design cues. He selected a chain-link chandelier from Trueing Studio, strategically hanging its glass link chains so that each bulb illuminated a focal point in both areas. A custom ombré gradient wallpaper from Trove was commissioned, creating an illusion of distant water or fog. Lawrence explained that this was a deliberate choice to establish an internal horizon within the apartment, as the exterior view primarily consisted of other buildings. In the main bedroom, the horizon theme continues with a "floating" platform bed illuminated from behind its custom headboard. The wall behind the bed is upholstered in an azure satin fabric from Coraggio, a color echoed in the lacquered, built-in side tables. Curvaceous forms are also present in the channel-tufted banquette nestled into the bay window and in a pair of pendant lamps by Brooklyn artist Yuko Nishikawa. A charcoal drawing by the late Belgian-American artist Jan Yoors, a special print arranged through his estate, hangs above a textured credenza from Burke Decor. The children’s room is designed with a playful sea theme, featuring a fort-like bunk bed and a dedicated work area. The walls are covered in a wave-textured material and adorned with 3D-printed fish that create a sense of movement. Jellyfish paper lamps dangle from the ceiling, and plump poufs from RH provide a buoy-like effect. A rug by Trish Andersen Studio serves as an abstract coral reef. Lawrence acknowledged that the recent lockdown significantly influenced his design, shaping both space allocation and decor choices. The design emphasizes comfort and ample space for families, reflecting new priorities for homeowners. The model apartment's dreamy design can be replicated in other units with similar layouts within The Cortland. #luxuryRealEstate #interiorDesign #modelApartment #ombreDesign #rodneyLawrence #newYorkCity #designInspiration #architecturalDesign #homeDecor

A circa 1824 brick townhouse in Brooklyn Heights, formerly owned by landscape designer Alice Ireys, underwent a decorative makeover by Brooklyn-based design studio White Arrow for a family with two school-age children. The homeowners desired a design that honored the home's history while incorporating a fresh, modern sensibility, with a particular appreciation for cozy, antique elements and the simplicity of modern design. Keren Richter, co-founder and principal designer of White Arrow, aimed to create interiors that felt rooted in tradition yet updated for a young family. This project was a decorative overhaul rather than a gut renovation, as the townhouse's historical integrity, including Federal-era details like the newel post, stair, and parlor moldings, had been well-preserved by the previous owner. The structure, mechanical systems, and the four-story layout were suitable for a family of four, described by Richter as not overly grand, allowing for an intimate living experience. The design approach was strategic, focusing on enhancing existing features and introducing new decorative elements. Inspired by British decorating aesthetics, characterized by pattern mixing, florals, and a sense of coziness, White Arrow removed old wallpaper, repainted walls, and introduced layered lighting. Most of the furnishings were new acquisitions. The front parlor, designated as an adult entertaining space, features a crescent-shaped green velvet sofa and a Kant coffee table by RW Guild, chosen for their curvilinear forms to promote gathering and a convivial atmosphere. The room's white paint was selected to highlight the patterning of the antique fireplace tiles, avoiding visual clutter that wallpaper might introduce. The entry hall includes a Sawkille Rabbit bench beneath a contemporary photograph by Dean West. The rear parlor houses the formal dining room, which is adorned with hand block-printed wallpaper by Marthe Armitage for Hamilton Weston. A custom O’lampia chandelier illuminates a Nickey Kehoe Harvest dining table and Svenskt Tenn dining chairs. A modernist console and various artworks were brought by the homeowners from their previous residence. The garden level hosts the kitchen in the center, with a dining/breakfast area at the rear and a children's play area at the front. The kitchen cabinets are painted a pale blue from Fine Paints of Europe, complemented by Gordon stools from Lostine and rattan cone lights from Soane. The family dining area, situated at the rear of the garden level, opens to the backyard through sliding glass doors and features a round Bobbin table by Alfred Newall. A boldly striped stair runner connects the four floors of the house, adding a consistent design element. The second floor includes a sitting/family room adjacent to the primary bedroom. This room, painted in a deep blue, is conceived as an evening space with ample seating, including a rolled-arm sectional and a Chinese Art Deco rug. The dark color scheme in this room is intended to create a cozy, English library-like atmosphere and discreetly camouflage the television. The primary bedroom is furnished with a Kyma headboard by Ensemblier and a Nickey Kehoe bench upholstered in striped fabric by Flora Soames. The main bathroom retained its existing claw-foot bathtub and blue painted floors, requiring minimal intervention. The children’s top-floor bedrooms feature dormer windows, with the daughter's room enveloped in Svensk Tenn botanical wallpaper and the son's room decorated with bold primary colors, both designed to create lasting memories. #BrooklynHeights #TownhouseRenovation #InteriorDesign #EnglishDesign #WhiteArrow #HistoricHome #DecorativeMakeover #FamilyHome #TraditionalModernBlend

This blog post showcases a Chestnut Hill home designed by Michelle Gage, known for its vibrant and saturated color palette. The homeowner, a writer and mother of two, expressed a clear preference for bold colors, art, and brass, which became the foundational elements for the home's interior design. The design process began with a specific request for a hot pink velvet sofa, setting the tone for the playful and colorful aesthetic that permeates the entire residence. A significant challenge addressed by Gage was the open-concept layout of the first floor. This design choice necessitated a careful approach to ensure that each area, while distinct, harmonized with the overall flow of the space. Gage achieved this by utilizing a range of vibrant but complementary hues, and by incorporating unifying elements such as art, rugs, and brass accents throughout the connecting rooms. In more self-contained spaces, such as the entryway, mudroom, and bathrooms, Gage intensified the whimsical feel by layering multiple patterns, a signature aspect of her design style. The kitchen area features blue cabinets and is further enhanced by apricot-hued island seating and a patterned window treatment created by Claudia Clobes Yudis of Urban Loft Design Studio. A brass credenza in the adjacent family room establishes a cohesive metallic theme with the kitchen. The dining area is furnished with an expandable round table crafted by Chad Barranco of Salvage Works in Downingtown, complemented by oxblood chairs. In the living room, the central hot pink velvet sofa was chosen for its durability, making it suitable for a household with children and a dog. This bold piece is balanced by a gray vintage rug and drapery that echo the kitchen's cabinet color. An Anthropologie throw pillow and a ceramic table, repurposed from a patio, add further personalized touches to the space. The entryway makes a strong first impression with a vibrant wallpaper that perfectly matches the existing floor tiles. This area also displays one of 25 art pieces selected by Gage and the homeowner from The Little Gallery in Chestnut Hill. The primary bedroom continues the home's colorful theme with lively wallpaper and a striking purple bed frame. Rounded wooden side tables soften the bed's strong color, and additional pillows from Anthropologie complete the room's inviting atmosphere. This article was originally published as “Color Me Happy” in the January/February 2021 issue of Philadelphia magazine. #InteriorDesign #HomeDecor #ColorfulHomes #ChestnutHill #MichelleGage #OpenConcept #VibrantLiving #PhiladelphiaMagazine

The article details the transformation of a traditional Cape Cod-style Manhattan Beach home, originally characterized by corporate-like colors and commercial carpeting, into a vibrant and personalized space for a young family. Homepolish designer Mandy Cheng was tasked with injecting fun, color, and modernity into the abode while ensuring it retained a timeless appeal that the family could grow into. Her design philosophy centered on utilizing bold accent walls, functional furnishings, and a cohesive color palette throughout the home. Cheng addressed the challenge of an open-concept floor plan by establishing visual cohesion between the family room and kitchen. She achieved this by extending the kitchen's color palette, particularly a dark blue used on the island, to the living area's fireplace. Additionally, dusty orange throw pillows in the living room echoed the leather barstools in the kitchen, creating a subtle yet effective link between the spaces. The dining room's design was initiated by a small turquoise print, which inspired a bold application of Benjamin Moore’s Sherwood Forest on the walls, transforming a naturally darker, central room into a striking focal point. Large-scale art and light window treatments were introduced to balance the dark walls. For the boys' bedroom, Cheng introduced accent walls as a test for her clients' willingness to embrace bold design choices. Instead of wallpaper, she used Benjamin Moore’s Blue Macaw and Bluebelle paints, meticulously applying celestial-inspired decals. This approach not only showcased the impact of an accent wall but also resonated with the client’s profession in aeronautics, making space a central theme. The success of this room paved the way for more adventurous choices in other areas. In the nursery, Cheng fully embraced wallpaper, opting for a pink elephant print on two adjacent walls. To manage the budget and create visual contrast, the remaining two walls were painted a soft blue. This strategic application ensured that the most visible walls featured the decorative element, maximizing its impact. The master bedroom was designed as a serene retreat, incorporating a Japanese woven silk wallpaper for the headboard wall, complemented by greenery and sheepskin rugs. Floating shelves were chosen over traditional artwork to allow for easy display and rotation of personal items. Cheng emphasized the natural beauty of mixed wood tones, using brass brackets and wood planks, adhering to the principle that different wood colors can coexist harmoniously if their tones are consistent. An unexpected design challenge arose with the formal living room's vintage spindle back chairs. An order mix-up resulted in chairs with an incorrect stain color and seat cushion. Cheng resolved this by having the chairs bleached by a wood finisher, ultimately achieving the desired aesthetic. The room was further personalized with a six-foot-tall print by photographer Toby Cheng. Finally, in the kids' bathroom, the design prioritized fun and budget-friendliness. A bold floor tile was selected for the small area, complemented by standard wall tiles, demonstrating how a striking design can be achieved without excessive cost, especially in less-frequented areas like children’s bathrooms. #ManhattanBeachHome #InteriorDesign #AccentWalls #ColorPalette #HomeRenovation #FamilyHome #DesignInspiration #MandyCheng #Homepolish

Homepolish designer Mandy Cheng transformed a traditional, corporate-feeling Cape Cod-style house in Manhattan Beach, California, into a vibrant and modern home for a young family with two children. The initial state of the house was characterized by 'office colors' and commercial carpeting, which did not align with the clients' lively personalities. Cheng's design philosophy centered on injecting color, print, and mixed wood finishes to create a timeless yet contemporary aesthetic that the family could evolve with. One of the primary design challenges was achieving cohesion in the open-concept living spaces, particularly between the family room and the kitchen. Cheng addressed this by employing a consistent color palette across both areas. For instance, the dark blue used on the kitchen island was extended to the fireplace in the living room, and dusty orange throw pillows in the living room echoed the leather barstools in the kitchen, effectively tying the spaces together. The dining room provided an opportunity for a bold statement. Inspired by a small turquoise print, Cheng opted to paint the walls in Benjamin Moore’s Sherwood Forest, creating a dramatic and eye-catching effect. This choice aimed to counteract the room's inherently darker orientation within the house and infuse it with a distinct personality. Large-scale artwork and light window treatments were incorporated to balance the bold wall color and introduce a sense of airiness. In the children's bedrooms, Cheng experimented with accent walls as a means of pushing design boundaries with her clients. For the boys' room, instead of immediate wallpaper, she used Benjamin Moore’s Blue Macaw and Bluebelle paints, meticulously applying celestial-inspired decals. This approach served as a temporary solution to demonstrate the potential impact of accent walls, particularly relevant to the wife's profession in aeronautics. The nursery featured a combination of wallpaper and paint to manage the budget and create visual contrast; a pink elephant print wallpaper was used on two visible walls, while the remaining walls were painted in a soft blue. This strategic application maximized visual impact without overspending. The master bedroom was designed as a tranquil retreat. Cheng incorporated Japanese woven silk wallpaper, lush greenery, and sheepskin rugs to foster a serene atmosphere. Floating shelves were chosen over traditional gallery walls, allowing the family to display personal items and easily update family photos. The designer emphasized the use of mixed wood finishes, explaining that varying wood tones, as long as they share a similar base tone, emulate natural environments and add texture to a space. Brass brackets and wood planks on the shelves further enhanced this design element. A particular challenge arose with the vintage spindle-back chairs for the formal living room when an order went wrong, resulting in an incorrect stain color and seat cushion. Cheng resolved this by having a wood finisher bleach the chairs repeatedly until they matched the desired aesthetic, highlighting her adaptability in unforeseen circumstances. The room was completed with a significant print by her brother, photographer Toby Cheng. Finally, for the kids' bathroom, Cheng prioritized a fun yet budget-friendly design. She opted for bold floor tiles in a small area and used standard wall tiles, demonstrating that impactful design can be achieved without excessive spending, especially in less-frequented spaces. The overall project showcases Cheng's ability to transform a dated house into a vibrant, personalized home through thoughtful color coordination, strategic use of accents, and innovative problem-solving. #ManhattanBeachHome #HomePolishDesign #AccentWalls #ColorPalette #OpenConceptLiving #ChildrensRooms #MasterBedroomDesign #MixedWoods #CustomFurniture

In a vibrant Noho building, a two-bedroom corner-lot loft in Manhattan has been transformed into a cozy cocoon by Beirut-born architect and interior designer Rabih Hage. The primary focus of the design was to leverage the abundant natural daylight, which shifts throughout the day, revealing the inherent beauty and potential of the space. The clients, cosmopolitan globe-trotters, sought a design that could balance the city's energy with the intimacy of home. Rather than leaving the industrial space as a polished yet impersonal canvas, Hage developed a design narrative that brought the interior to life, allowing light to infuse the space and create moments of calm and character. Hage's vision centered on creating a sense of joy and serenity, a unique yet homely experience for his clients, who intended to use the apartment as their Manhattan pied-à-terre. The design subtly integrates the dynamic interplay of natural light, which Hage describes as an optical illusion. The expansive windows of the corner plot frame city views, establishing a strong connection between the interior and the surrounding Noho neighborhood. This link to the exterior extends to the apartment's structural elements, where the industrial character of the area inspired Hage's approach. The apartment's vaulted ceilings and exposed metal beams, characteristic of Noho's industrial heritage, are not concealed but celebrated. They are painted in anthracite grey, enhancing their rugged texture and linear drama, with projector-style lighting further highlighting their presence. This approach blends raw industrial energy with a sense of refined calm, embracing imperfections and elevating them to create a personal and atmospheric environment. Despite these utilitarian elements, Hage succeeded in making the apartment feel warm and inviting, emphasizing the importance of textures. The warmth emanates from how light interacts with the textures and forms of the furniture and interior volumes. Every surface, from soft upholstery to subtle polished finishes, is designed to invite exploration. The entrance makes a bold statement with textured black leather mosaic tiles, gradually transitioning to quieter living areas where layered materials establish a calming rhythm. A muted, earthy color palette serves as a serene backdrop, enhancing the sensory experience of the space. Hage designed the entrance to act like a 'camera obscura,' drawing visitors' eyes toward the external light filtering through the bay windows across the living room. Furniture is strategically placed to amplify this ambiance, with pieces changing tones and revealing new dimensions as the light shifts throughout the day. An open and flexible layout allows the apartment to evolve with the clients' lifestyle, accommodating their growing art and object collection from their travels. This design caters to the neighborhood's cosmopolitan sensibilities while creating an interior that feels adaptive and responsive to new influences. Collaborations with French upholsterers and cabinet makers introduce nuanced craftsmanship, creating striking shadows. A bespoke double-sided sofa exemplifies this fluidity, acting as both a functional element and a symbol of the boundaryless space. Murano glass table lamps by Barovier & Toso further enhance the artistry, reflecting and refracting the evolving hues of light. Hage describes the design as a combination of 'vertical and horizontal design,' blending heritage and discovery. The vertical aspect connects to family and inheritance, providing a sense of history, while the horizontal speaks to the clients' well-traveled lifestyle, incorporating global objects and art. This creates a deeply personal yet cosmopolitan space where every detail, whether an heirloom or a travel-inspired piece, adds layers of meaning without being overt. The design embraces the building's industrial character, complementing it with a tactile material palette and muted tones, ultimately creating a home that embodies contrasts: rugged architectural features with luxurious materials, and an intimate ambiance reflecting the clients' individuality within the vibrancy of Manhattan. The ultimate goal was to subtly integrate the city, allowing residents to feel distinctly in New York. #ManhattanApartment #LoftDesign #InteriorDesign #RabihHage #NaturalLight #IndustrialChic #Noho #HomeDecor #CosmopolitanDesign