Step Inside a New York Town House That’s the Picture of Understated Elegance

Australian designer Greg Natale's firm undertook the makeover of a narrow 19th-century town house in New York, drawing inspiration from the art deco era as seen through 1970s European cinema. The project, located on Manhattan's Upper East Side, was commissioned by repeat clients Leticia Francini and Stephen Ninnes, who sought to infuse their new American pied-à-terre with the color, pattern, and layering reminiscent of maximalist European restaurants. The four-story, mixed-use property includes a ground-floor retail space, which was converted into a white-box studio for their Art With Love Foundation, offering free workshops in Renaissance painting techniques. Natale's design approach for the 3,330-square-foot residence involved painting rooms—walls and ceilings—in a rich palette of blush, plum, terra-cotta, and various greens. Colorful shades of veined marble, such as Calacatta Viola, Rosso Levanto, and Verde Alpi, are extensively used on floors, walls, countertops, a fireplace, and to frame portals and doors. The intricate stonework was facilitated by the clients' relationship with an Italian quarrier, who cut the marble in Italy and sent masons to New York for installation. An exterior intervention included reinstating a historically appropriate double street entrance, with two doors defined by fluted limestone pilasters, leading separately to the art foundation and the residence. Engineered oak flooring in a herringbone pattern, designed by Natale, is used throughout much of the home, creating a vivid and welcoming interior within the narrow 12½-foot-wide brick building. The town house, previously renovated in the 1970s, retained its general layout but was stripped to the studs. The living spaces, including a sitting room, kitchen, and dining room, are situated on the middle level, flanked by two two-bedroom floors to accommodate the clients' five adult children. Mirror paneling, especially an art deco-inflected arrangement of bronze- and smoke-hued rectangles in the dining area, enhances the sense of space. The dining area also features a starburst molding centered on an 1980s Murano-glass chandelier, a modern interpretation of Italy's Liberty style. Murals play a significant role in setting the European tone, with an embroidered linen-and-silk mural based on Henri Matisse’s Jazz cutouts in the second-floor hallway and a wallpaper blowup of Wassily Kandinsky’s 1935 painting Deux points verts in the living room. The furniture selection combines vintage and contemporary Italian pieces. The living room features a Gianfranco Frattini 1970s Sesann sofa and Arnold Madsen 1944 Clam armchairs, complemented by a concrete-framed Iris mirror by Shawna and Matt Heide and a custom Anna Bonino paper pendant fixture. The dining area includes Dirk van der Kooij’s recycled-plastic Meltingpot table and Juliana Lima Vasconcellos’s Giraffe chairs. The main bathroom showcases Italian rationalism with a complex inlaid-marble shower pattern, while the adjacent bedroom features Mehmet and Dimonah Iksel’s hand-painted White Blossom wallpaper and Vincent Darré’s Neofutur headboard. A notable feature is the dressing room, connected to the main bedroom by marble-encrusted portals, designed to resemble a high-end boutique with sculptural marble-slab dividers forming open closets. #GregNatale #NewYorkTownHouse #ArtDeco #EuropeanCinemaInfluence #MaximalistDesign #MarbleInteriors #VintageFurniture #CustomMurals #InteriorRenovation

In Pelham, New York, designer Joan Enger of J. Patryce Design embarked on a project to transform a client's home into a soft-hued, textured environment that harmonized with the stately character of the neighborhood. The client, who had already undertaken significant renovations including updating bathrooms, replacing wood flooring, and upgrading the heating system, doors, and moldings, found the decorating aspect of her home daunting. Her introduction to Enger through a mutual acquaintance led to an immediate connection and the initiation of a comprehensive design overhaul. Enger's approach centered on meticulously furnishing the home with luxurious wallcoverings and a diverse array of chic, personalized pieces tailored to the client's preferences. A significant portion of the furnishings and rugs were custom-designed, allowing for considerable creative freedom in achieving a unique aesthetic. The entryway, for instance, features a striking wallcovering from Alt for Living, providing a vibrant and welcoming first impression for guests. The living room was conceived as a comfortable lounge space, anchored by a custom chaise lounge upholstered in a subtly striped fabric from Rogers & Goffigon, perfect for relaxation and reading, illuminated by a tent lamp from Visual Comfort. In the dining room, a blush-colored wallcovering from Kneedler|Fauchère sets a warm and inviting tone. Custom mirrors introduce geometric elements, complemented by an orb lighting fixture from Bourgeis Boheme, while Rogers & Goffigon fabric elegantly frames the windows. Contrasting elements are strategically employed throughout the home, as seen with sleek, lacquered custom consoles paired with Christen Maxwell stools that introduce a metallic shimmer. The family room is a study in layered textures and soft, warm neutrals, featuring two custom sofas upholstered in Schumacher chenille and custom club chairs in Holly Hunt fabric. A custom bronze and cerused oak cocktail table serves as a central piece, and Jim Thompson Fabrics window shades add a subtle pattern. A raffia console from Made Goods contributes an unexpected texture, and the mantle surround, built-ins, and a wool-and-silk area rug are all custom-designed. Custom millwork is a hallmark of the design, with Enger and her team crafting built-ins throughout the home, including practical solutions in the mudroom. The sunroom is designed to maximize natural light, creating a bright and comfortable space. Almost all its furnishings are custom, from the Holly Hunt fabric lounge chair and the wool flat weave area rug to the hexagonal lacquered linen coffee tables. Even the guest bedroom incorporates subtle patterns, with a Cisco Brothers daybed upholstered in Holland & Sherry fabric. The master bedroom exudes tranquility with a textured Wolf-Gordon wallcovering. The custom bed is upholstered in Holly Hunt fabric, and the bedding is from Signoria Firenze. A dark, vintage sunburst mirror above the bed creates a striking contrast against the room's lighter colors, flanked by two Visual Comfort lamps on custom nightstands. A plush lounge chair at the foot of the bed offers additional comfortable seating. The home also includes custom-designed cabinetry by J. Patryce Design for an office nook, showcasing the comprehensive and personalized nature of the project. #InteriorDesign #HomeDecor #LuxuryHomes #CustomFurnishings #TexturedInteriors #Wallcoverings #PelhamNewYork #JoanEnger #JPatryceDesign

In Park Slope, New York, a townhouse renovation blends the old with the new, focusing on the transformation of a client's childhood home into a contemporary and functional space for a young, artistic family. Ethan Pomerance of Ethan Pomerance Architecture was tasked with this challenge, aiming to infuse new life while respecting the home's original Romanesque Revival architectural style. The design subtly weaves in echoes of the home's exterior and traditional downstairs elements with fresh interpretations, maintaining an airy feel. The project held significant sentimental value for the client, a filmmaker, who desired a vibrant space to raise her family above her mother, a Renaissance art historian. This artistic environment necessitated a design that honored historical elements while introducing modern, unique features. The renovation of the kitchen, which was originally the client's childhood bedroom, required innovative solutions to accommodate ample storage and cooking needs, as well as a dining table, despite the presence of an original chimney stack and a pathway to a terrace. Pomerance embraced these structural challenges, allowing the chimney breast to dictate the placement of the cooktop and sink, thus preserving its form and integrating it as a visual and functional anchor. To maintain the room's loftiness and volume, upper kitchen cabinets were reconceived as horizontal, shorter, and wider elements, hanging on the chimney stack like a tree trunk to create a sense of verticality. These sculptural cabinets feature sliding doors with blue geometric forms that act as functional elements and artistic statements, creating a full, dark circle when closed. The material palette combines traditional architecture with modern elements. Speckled terrazzo countertops, chosen from Concrete Collaborative, incorporate various colors present in the kitchen, tying together warm wooden parquet flooring, plaster walls, and the oat, white, and blue cabinet scheme. This selection aims to make the kitchen appear to 'grow out of the floor,' ensuring a radiant and blended look without feeling sterile, and augmenting the natural light. Exposed ductwork was utilized to eliminate soffits and preserve plaster crown moldings, adding to the room's dynamic shapes and forms. Playfulness and color were crucial to the design, with different colored cabinet frames and unique cabinet pulls adding mindfulness and a sense of mystery to everyday activities. The use of soft geometry, like the half-ellipse vent hood, introduces personality and meaning, symbolizing a balance of power. The most striking feature is the Delft tile backsplash, which Pomerance transformed into a modern, surreal collage by cutting and arranging traditional blue and white tiles, adding a storybook quality with animal and nature scenes. Subtle details, such as squiggle handles, further enhance the space's character, blending functionality with a playful aesthetic. The overall design successfully marries historical reverence with contemporary artistry, creating a unique and personal kitchen. #TownhouseRenovation #KitchenDesign #DelftTiles #ModernKitchen #ArchitecturalPreservation #InteriorDesign #TerrazzoCountertops #GeometricForms #ParkSlope

This article explores a historic 1920s double-wide townhouse on the Upper East Side of New York City, which served as the 47th Annual Kips Bay Decorator Show House. The clients purchased the entire building after attending the show house, initiating a gut renovation led by Francis Nicdao, principal designer and chief creative officer of Pembrooke & Ives, and Stephanie Sarkies-Schabot, the firm's managing director of decorating. The renovation, which began during the COVID-19 pandemic, aimed to create a family home capable of displaying a vast, museum-quality art and antique collection without feeling overly formal. The design achieved a balance between contemporary cleanliness and traditional detailing, respecting the building's historical character. The entryway features checkerboard marble flooring and a spectacular spiral staircase connecting five of the six levels, designed to facilitate a smooth transition to vertical living. The living room, expansive due to the home's double-wide layout, is furnished with collectible design pieces and art, creating a grand and impactful atmosphere. Gold accents add a glamorous edge to a soft color palette. The combined breakfast and family room functions as the home's hub, with a custom back-to-back sofa dividing dining and lounge areas. This space, which opens into the kitchen, incorporates rich textures and blue hues, overlooked by Ralph Goings's artwork, _Tom’s Diner_. The kitchen, located on the entry floor, was designed for high functionality and ease of maintenance, with easily cleanable surfaces and ample counter space. Its blue island and barstools create a cohesive connection with the adjacent breakfast room. The wine cellar and wet bar, located in the basement and dining room respectively, demonstrate that even lower-level spaces can be glamorous, featuring specialty lighting for the wine display and a high-gloss blue paint with a mirrored backsplash in the wet bar. The primary suite, one of seven bedrooms, offers a dreamy ambiance with pink details and natural light enhancing its glow. The unique layout connects the bedroom to a walk-in closet and bathroom through a windowed corridor along the back facade. A guest bedroom provides a relaxing retreat with a neutral color palette, plush carpeting, embroidered drapery, a custom upholstered headboard, and a high-gloss wall finish. The primary bathroom integrates decorative lighting as a focal point, with a stunning chandelier and sconces, alongside symmetrical design and stone detailing for a luxurious and modern feel. Finally, the backyard patio, designed by landscape architect Luciano Guibbilei, serves as a “zen-like enclave” in the city, covering approximately 1,500 square feet and featuring a mural by artist Annie Morris, providing a serene outdoor escape. #NewYorkCity #TownhouseRenovation #InteriorDesign #LuxuryHomes #HistoricPreservation #ArtCollection #PembrookeAndIves #KipsBayShowHouse #HomeDecor

This article details the transformative design of an East Harlem townhouse owned by Gordon Espinet and Jonathan Ledoux, emphasizing the strategic use of color and a collaborative design approach. The project was led by Melissa Miller and Helen Lazic of LAMILL Design, who leveraged their shared professional history with Espinet from the beauty industry, particularly MAC Cosmetics, to establish a foundation of trust and a collective visual understanding. This shared background facilitated an intuitive design process, aligning their aesthetic sensibilities from the outset. The clients' vision for their home was clear: a tranquil yet playful space characterized by simple, clean details, and abundant natural light. They also sought a residence suitable for entertaining, capable of showcasing their art collection and travel-acquired furniture, while maintaining a sense of connectivity and layered design. Gordon Espinet, drawing from his expertise in makeup artistry, played a pivotal role in the thoughtful placement of vibrant color accents, which were carefully balanced against natural wood, neutral finishes, and incoming light. This approach ensured that color, while prominent, integrated harmoniously into the overall scheme. Prior to the renovation, the townhouse was segmented into numerous small, dimly lit rooms. A primary objective of the design team was to open up these spaces, linking them with natural light filtering from both the front and back of the house. This reconfigured layout aimed to create a unified, single-family home ambiance. Given the narrow footprint of the property, structural partitions were minimized. Instead, transitions between rooms were subtly defined through variations in texture, material, and color. Examples include the soft lighting and wood elements in the kitchen, contrasted with high-gloss paint surrounding a sliding door in the dining room. The design strategy extended to the upper levels, where each room was assigned a distinct mood tailored to its function and desired level of privacy. Guest rooms were conceived as more open and expressive, featuring lively tile accents and visual continuity with the hallways. In contrast, the back library and the primary suite were designed as more introspective retreats, characterized by quieter, more focused energy. Lighting received meticulous attention, with the owners expressing specific preferences for its application. The design incorporated a minimal number of recessed lights, prioritizing the strategic placement of decorative pendant fixtures and task lighting. The intention was for the lighting to serve as a complementary backdrop, enhancing the architectural features and finishes rather than dominating them. Additionally, the design team created a series of distinct zones throughout the home, catering to gatherings of various scales. These zones, unified by the natural light from the north and south ends of the property, contribute to a home that is both open and thoughtfully attuned, reflecting its history while being reinterpreted through light and color. #EastHarlem #TownhouseDesign #ColorPalette #CollaborativeDesign #LAMILLDesign #InteriorRenovation #StrategicLighting #ArtIntegration #ModernDesign

This blog post showcases the meticulous redesign of an elegant Brownstone apartment located on 5th Avenue, Upper East Side, NYC, opposite The Met. The apartment is part of a 1926 block and retains classic period details, which the owners were keen to preserve while updating the interiors for modern living. Interior designer Joshua Smith was tasked with this challenge, aiming to create a timeless, elevated, and elegant space that was also highly livable and harmonious, providing a tranquil escape from the bustling city. The design process prioritized classic and timeless aesthetics over fleeting trends. Smith emphasized the importance of considering the building's architecture in relation to the interior design, blending antiques with comfortable, modern furniture to achieve a fresh, light, and serene atmosphere. This approach is evident from the entryway, which was designed to create a sense of arrival. Architectural interest was added through varying ceiling colors, complemented by an antique French mirror, vintage brass lamp, and Swedish chairs upholstered in Fortuny fabric, creating a welcoming and visually engaging space. In the large formal living room, Smith addressed the challenge of its size by creating distinct zones. The room features a desk area, a primary seating arrangement with a coffee table, and a grand piano at the opposite end. Contemporary elements, such as striking lamps from Christopher Spitzmilner, were introduced to balance traditional styles. A light sisal rug was used to add warmth and texture, while silk velvets from Romo Fabrics and detailed finishes like fringe on pillows added sophistication, with careful consideration given to every detail. The kitchen design capitalized on the original architecture, featuring simple cabinets that align with the classic Upper East Side paneled ceiling. Smith focused on functionality, incorporating custom-made barstools in vegan leather with contrasting welting and buttons. The eat-in kitchen area, considered the central part of the house, was designed to be soft and transitional in color. A custom banquette in vegan leather was paired with mismatched antique chairs, utilizing fabrics from Kravet and Schumacher, and wallpaper by Philip Jefferies, to tell a cohesive design story. The dining room serves a dual purpose, functioning as both a dining area and a home library with an inviting seating and reading space. The custom-designed green and cream diamond-patterned carpet served as the initial inspiration, bringing a fresh and youthful geometric element to the room. A 1940s Lucite glass table with a brass base and coordinating vintage porcelain lamps further enhanced the blend of old and new. Antique cameos in gilt frames added a touch of heritage. However, the designer expressed a desire to have used Fortuny fabric for the club chairs in this room for a more playful touch. The primary bedroom was designed to be a serene and beautiful sanctuary, with a focus on rich textures and fabrics to add modern appeal. Achieving the perfect ethereal softness on the walls required multiple attempts. A custom-designed modern bed by Dune, with Sabina Fay Braxton fabric on the headboard and a Christopher Spitzmilner lamp on the nightstand, contributed to the elevated look. The layout of the large bedroom also cleverly incorporates a seating area with a leather-topped antique desk and chair, maximizing the use of space. For the guest room, Smith opted for a more vibrant color palette, combining lavender blue and aqua with custom watercolor stripes on the walls. The Romo fabric on the custom bed served as the starting point for this room's color scheme. Vintage furniture pieces, such as a curved-back 1940s chair upholstered in contemporary purple wool fabric and a custom white lacquer nightstand, added character. The room also features detailed millwork, a custom marble floor, and a tufted Greek edge banquet cushion, demonstrating a cohesive design aesthetic throughout the apartment. The overall success of the redesign is attributed to its classic and timeless approach, consciously avoiding trends, resulting in a cohesive and deeply appreciated transformation by the clients. #LuxuryApartment #InteriorDesign #NewYorkCity #HeritageHome #TransitionalDesign #ElegantInteriors #HomeRenovation #ClassicStyle #CustomFurniture

Christina Roughan of Roughan Interiors embarked on an exciting redesign of a historic New York country house, built in 1900 by Charles Wetmore, a prominent NYC architect. This grand English-style manor, set on 20 acres with original horse stables converted into a barn, presented a rewarding project. The clients, knowledgeable in design, art, and furniture, sought a warm, inviting, and child-friendly home that honored its elegance and history, reflecting their family's lifestyle. The entry was designed to make a strong first impression. Christina incorporated the clients’ favorite color, blue, through a focal point artwork, a patterned rug, and antique blue and white jars. Warmth was introduced with a walnut table and camel leather stools, exemplifying happiness within a blue environment. The living room, described as a ballroom, features a custom Venetian plaster ceiling that adds emotional significance and grandeur. With a semi-domed 22-foot-high ceiling and four sets of French doors overlooking the gardens, it evokes a relaxed yet opulent atmosphere. Design details include a custom bookcase with spine colors incorporating the blue, soft gray, and ivory palette, and a year-in-the-making carpet echoing these tones with hints of silver. A flexible seating arrangement around the fireplace, comprising a sofa, armchairs, and a chaise, ensures elegance and comfort. The kitchen's design prioritized timelessness, featuring a classic country style with Carrera marble countertops and a large stainless steel range cooker for a modern twist. A dining area was integrated into the kitchen, serving as a central space for family gatherings, with mid-century Laverne T Chairs in whisky leather and walnut Michael Smith head chairs adding texture against the marble and pale walls. For the dining room, the goal was to create a light-filled space. The room underwent a full renovation, including new millwork, a fireplace surround, and gloss paint. Modern traditional furnishings introduced color with lavender and moss green accents complementing off-white and soft gray schemes. The family room, originally the dining room, was strategically relocated near the kitchen for convenience with young children. It combines oak bookcases with pops of color, fun art, and modern lighting, maintaining an elevated feel suitable for entertaining. The main bedroom balances masculine and feminine elements with a palette of camel, sage, and brown tones, wool sateen drapery, and rattan chairs for added texture. Guest bedrooms were designed to be distinct and inviting; one twin bed guestroom features rose rattan walnut burl headboards, which maximize space while adding texture and depth. The white bathroom offers a light and fresh scheme with a practical, elegant period-style double basin vanity. The extensive project, which included a guest house and pool house, took approximately two years. The pool house renovation was designed to complement the main house and guest house, ensuring a seamless flow throughout the property. The overall interior design, executed by Roughan Interiors and photographed by Jane Beiles, successfully transformed the historic New York country house into a refined yet comfortable family home. #HistoricHome #CountryHouse #InteriorDesign #NewYorkRealEstate #RoughanInteriors #TimelessDesign #LuxuryHomes #HomeRenovation #FamilyLiving

Homepolish designer Tali Roth offers practical advice for renters looking to personalize their temporary living spaces, emphasizing that a rental unit's potential should not be wasted due to its temporary nature. She asserts that individuals often reside in rentals longer than anticipated, making it essential to create a comfortable and personalized environment rather than living in a state of limbo. Roth's own Chelsea loft serves as a prime example of how to infuse personal style into a rental without undertaking extensive, permanent renovations that could jeopardize a security deposit. Roth suggests focusing on easily modifiable elements within a rental. Lighting and window treatments are identified as key areas for impactful changes. For instance, an existing, generic light fixture can be replaced with a more aesthetically pleasing one. In her dining room, Roth replaced an IKEA light with a Synapse chandelier by Apparatus Studio, which helped to make the space feel cozier by lowering the ceiling's visual height. For those hesitant to alter existing wiring, sculptural wall lamps that plug into outlets and can be mounted high are presented as a viable alternative. Installing blinds and full-length curtains is also recommended to add warmth, texture, and privacy, with Roth opting for gray Belgian flax linen curtains to complement her home's modern color scheme. The article highlights Roth's innovative approach to customizing furniture, particularly her collaboration with Semihandmade to transform standard IKEA cabinet systems. Through this, she added custom taupe doors, a counter, and brass hardware to her units, demonstrating how affordable, modular furniture can be elevated to appear bespoke. One of the most significant transformations in Roth's loft was the application of faux concrete to a large wall by i faux. This technique was used to address the challenge of vast, white rental walls, adding significant texture and depth to prevent the space from feeling like a stark, empty box. Roth's design philosophy embraces geometric patterns and chunky forms, which she refers to as a "Flintstones aesthetic," influenced by her appreciation for modernism. This theme is consistently applied throughout her home, evident in sculptural vases, Hubble Wall Sconces by Pietro Russo for Baxter in the living room, and terrazzo wallpaper in the bathroom. While Roth chose traditional wallpaper, the article also suggests removable wallpaper options for renters seeking less commitment. The process of designing each rental space is also presented as a learning opportunity, allowing individuals to refine their tastes and understand what works best for their lifestyle, including considerations for living with young children. Roth shares a personal insight regarding her velvet couch, noting that its susceptibility to watermarks might lead her to choose a different material in future rentals, at least until her son is older. Ultimately, Roth emphasizes that customizing a rental is a common practice, particularly in cities like New York, where landlords generally expect tenants to personalize their living spaces. She reassures renters that most lease agreements simply require the unit to be returned to its original state, detailing her plans to reverse her changes, such as reinstalling the original light fixture, deconstructing the faux concrete, removing wallpaper, and repainting walls white, before moving out. #RentalDesign #LoftLiving #InteriorDecor #HomepolishDesigner #TaliRoth #DIYDecor #ApartmentRenovation #ModernAesthetic #IKEAHacks

This article details the transformation of artist John Alexander's SoHo loft into a family home, meticulously designed by Richard Mishaan, without compromising its inherent bohemian character. John Alexander, who moved to New York in 1980, initially occupied a raw, expansive loft characterized by 20-foot pressed-tin ceilings, abundant natural light, and minimal internal divisions. The original space featured a rudimentary kitchen and a storage room used as a bedroom, epitomizing the typical 1970s artist's loft experience. Over a decade, Alexander made some structural improvements, adding a couple of bedrooms and upgrading the kitchen and bathrooms. However, the loft largely retained its open, airy quality, serving primarily as a vast studio and living area. The dynamic of the space shifted significantly with the arrival of Fiona Waterstreet and her son, Harrison, in the early 1990s. Waterstreet undertook the task of domesticating the loft, integrating her global textile collection, chintz furniture, and ceramic artwork. Despite these personal touches, Waterstreet desired more defined rooms and a greater sense of English-style coziness, which the open-plan loft inherently lacked. The opportunity for a more cohesive design arose when Waterstreet engaged with designer Richard Mishaan, whom she and Alexander knew socially. Mishaan, an art collector whose wife, Marcia, had studied under Alexander, had a pre-existing appreciation for their artistic sensibilities and their unique living space. Mishaan's challenge was to introduce structure and warmth without sacrificing the loft's expansive dimensions or its artistic, unpretentious spirit, a concern particularly voiced by Alexander, who valued the open layout. Mishaan's solution involved creating ingenious 17-foot-tall screens made from ebonized-oak frames and natural linen panels, along with metallic open bookshelves. These elements were strategically used to delineate various zones within the once-undivided living area, establishing an entryway, dining area, living area, a den for Alexander’s sports viewing, and a small sitting area adjacent to the bedroom and kitchen. This configuration, which Mishaan compared to a presidential suite, effectively introduced distinct rooms while maintaining a sense of fluidity and openness. The design incorporated Waterstreet’s existing textiles and art. The new screens also served a practical purpose, featuring gallery rods for displaying a rotating collection of small artworks and the linen panels providing crucial acoustic dampening. The metallic bookshelves offered storage for books previously scattered on the floor and showcased Waterstreet’s ceramic pieces. Fabrics from Waterstreet’s collection, such as a chevron print and an ikat, were used to reupholster furniture, including a pair of French chairs. A suzani from Homer adorned a daybed. The furniture arrangements were designed to be flexible, with chairs and zebra-print cubes easily moved between the dining room and other areas, and the screens themselves light enough to be repositioned. Mishaan’s approach was one of preservation and enhancement, ensuring that the loft’s original features, such as the metal ceilings and unstained floors, were maintained. He also exercised restraint in the use of color and pattern, allowing the resident artists' significant artwork to remain the focal point. Mishaan even persuaded Waterstreet to keep a chintz-covered camelback sofa, refreshing it with a vibrant burnt orange upholstery that complemented Alexander’s blue hollyhock painting, proving that effective decorating could amplify, rather than diminish, the impact of the art and the space’s intrinsic charm. This thoughtful transformation successfully blended bohemian spirit with functional family living, creating a harmonious and aesthetically rich environment. #SoHoLoft #RichardMishaan #InteriorDesign #ArtistHome #BohemianStyle #HomeTransformation #ArtisticInteriors #NYCInteriors

This blog post highlights a stunning five-bedroom, turn-of-the-century townhouse located at 343 East 84th Street in Yorkville, New York City, currently available for either rent at $20,000 per month or purchase at $5.995 million. The article focuses on the property's luxurious features and its appeal, especially during the winter season. The main floor of the townhouse boasts a majestic ballroom-sized living and dining area, characterized by a soaring, double-height vaulted ceiling. This expansive space is adorned with rich wood-paneled walls on one side and exposed light-colored brick on the other, creating a sophisticated and inviting ambiance. A magnificent mantled fireplace serves as a focal point, contributing to the cozy atmosphere. One of the most notable features of the main living area is a spectacular full wall of casement windows that open up to an 800-square-foot private garden and patio. This outdoor space provides a serene retreat and is ideal for entertaining or quiet relaxation. The kitchen is designed with a modern black-and-white theme, equipped with a Viking range and an oversized Sub Zero refrigerator. A checkerboard floor adds a whimsical touch to the clean lines of the appliances, and ample customized cabinet storage ensures functionality for culinary endeavors. An elegant staircase leads to the parlor floor, which features a sun-drenched lounge with an impressive 11-foot ceiling. This area is distinguished by oversized windows, another fireplace, and extensive built-in cabinets and bookshelves, making it a perfect spot for intimate gatherings or a peaceful escape. Inlaid wood doors open to a paneled balcony that overlooks the grand main floor room, further enhancing the architectural grandeur of the home. The upper two floors of the townhouse accommodate five bedrooms. The master bedroom includes a large terrace that overlooks the garden, offering a picturesque setting for morning coffee or evening relaxation. The property is presented by Jane Beal and Jennie Ma of the Corcoran Group, with photos provided by the same agency and information sourced from CityRealty. #YorkvilleTownhouse #LuxuryRealEstate #NewYorkCityHomes #VaultedCeiling #PrivateGarden #HistoricHome #UpperEastSide #CorcoranGroup #HomeDesign

A circa 1824 brick townhouse in Brooklyn Heights, formerly owned by landscape designer Alice Ireys, underwent a decorative makeover by Brooklyn-based design studio White Arrow for a family with two school-age children. The homeowners desired a design that honored the home's history while incorporating a fresh, modern sensibility, with a particular appreciation for cozy, antique elements and the simplicity of modern design. Keren Richter, co-founder and principal designer of White Arrow, aimed to create interiors that felt rooted in tradition yet updated for a young family. This project was a decorative overhaul rather than a gut renovation, as the townhouse's historical integrity, including Federal-era details like the newel post, stair, and parlor moldings, had been well-preserved by the previous owner. The structure, mechanical systems, and the four-story layout were suitable for a family of four, described by Richter as not overly grand, allowing for an intimate living experience. The design approach was strategic, focusing on enhancing existing features and introducing new decorative elements. Inspired by British decorating aesthetics, characterized by pattern mixing, florals, and a sense of coziness, White Arrow removed old wallpaper, repainted walls, and introduced layered lighting. Most of the furnishings were new acquisitions. The front parlor, designated as an adult entertaining space, features a crescent-shaped green velvet sofa and a Kant coffee table by RW Guild, chosen for their curvilinear forms to promote gathering and a convivial atmosphere. The room's white paint was selected to highlight the patterning of the antique fireplace tiles, avoiding visual clutter that wallpaper might introduce. The entry hall includes a Sawkille Rabbit bench beneath a contemporary photograph by Dean West. The rear parlor houses the formal dining room, which is adorned with hand block-printed wallpaper by Marthe Armitage for Hamilton Weston. A custom O’lampia chandelier illuminates a Nickey Kehoe Harvest dining table and Svenskt Tenn dining chairs. A modernist console and various artworks were brought by the homeowners from their previous residence. The garden level hosts the kitchen in the center, with a dining/breakfast area at the rear and a children's play area at the front. The kitchen cabinets are painted a pale blue from Fine Paints of Europe, complemented by Gordon stools from Lostine and rattan cone lights from Soane. The family dining area, situated at the rear of the garden level, opens to the backyard through sliding glass doors and features a round Bobbin table by Alfred Newall. A boldly striped stair runner connects the four floors of the house, adding a consistent design element. The second floor includes a sitting/family room adjacent to the primary bedroom. This room, painted in a deep blue, is conceived as an evening space with ample seating, including a rolled-arm sectional and a Chinese Art Deco rug. The dark color scheme in this room is intended to create a cozy, English library-like atmosphere and discreetly camouflage the television. The primary bedroom is furnished with a Kyma headboard by Ensemblier and a Nickey Kehoe bench upholstered in striped fabric by Flora Soames. The main bathroom retained its existing claw-foot bathtub and blue painted floors, requiring minimal intervention. The children’s top-floor bedrooms feature dormer windows, with the daughter's room enveloped in Svensk Tenn botanical wallpaper and the son's room decorated with bold primary colors, both designed to create lasting memories. #BrooklynHeights #TownhouseRenovation #InteriorDesign #EnglishDesign #WhiteArrow #HistoricHome #DecorativeMakeover #FamilyHome #TraditionalModernBlend

This article highlights a $4.95 million condominium located at 161 Hudson Street in Tribeca, presenting it as a prime example of current decorating trends. The 2,315-square-foot, three-bedroom (with potential for a fourth) corner loft boasts unobstructed sky views, sound-proof windows, central HVAC, a laundry room, and a well-thought-out layout with bedrooms strategically placed for privacy. The property is described as the "epitome of chic downtown style," showcasing a multitude of popular design elements within its renovated spaces. The great room features wide-plank Brazilian walnut flooring, soaring ceilings, and original columns, creating an expansive atmosphere. Notable trend-driven additions include a built-in bench crafted from vintage wood, painted diagonal wall paneling, custom-crafted copper pipe lighting, and an open shelving unit that cleverly delineates the dining and living areas. Two work spaces are integrated into a corner, complemented by floor-to-ceiling cabinetry providing extensive storage and housing an entertainment system. The kitchen is equipped with white-glazed Dutch subway tiled walls accented by black grout, open wood-slab shelves, and encaustic tile flooring. Modern amenities include an appliance garage and a statement modernist faucet, alongside high-end appliances such as a Viking range and hood, a SubZero refrigerator, Poggenpohl cabinetry, a Miele dishwasher, microwave, and espresso/cappuccino machine, and a Gaggenau wine fridge. An adjacent powder room and laundry area benefit from attractive millwork. The master suite is presented as a serene retreat and a comprehensive display of trends. It features walls clad in reclaimed wood planks, a George Nelson bubble light, and a shower enclosed by steel-framed casement doors. Slate hex tile flooring and moody blue-painted accents further enhance the contemporary aesthetic. The suite also incorporates custom closets and remote-controlled blackout shades. On the opposite side of the loft, two additional bedrooms offer generous sizing and ample closet space, sharing a large second bathroom. This second bathroom incorporates subway tile walls, slate hex tiles, a vintage-style cast iron console sink, and lacquer-painted glass storage cabinets. While a free-standing tub is noted as absent, the overall design maintains a consistent trendy appeal. The condominium building, constructed in 1930, is a boutique elevator building offering resident services including a part-time doorman, a full-time super, and access to a common roof deck. The property is marketed through Compass and CityRealty.com. #TribecaLoft #InteriorDesignTrends #LuxuryRealEstate #NewYorkCity #Condominium #ModernDecor #DowntownStyle #HomeRenovation

This article details the transformation of a dated, “cookie-cutter” tract house in Moorpark, California, into a charming and character-filled home. The property, a four-bedroom, three-and-a-half-bathroom residence, was initially lacking in personality despite its promising layout and abundant natural light. Madison Lussier of Madison Nicole Design spearheaded a comprehensive renovation to bring the homeowners' vision of a serene, timeless, and comfortable space to life. The clients, who primarily reside in Chicago and intended this as a second home for extended family, sought a design that balanced refinement with comfort. Their aesthetic preferences leaned towards warm natural materials, a soft, neutral palette, and an overall elegant yet lived-in feel. The goal was to create a home that felt collected, approachable, and easy to live in, with thoughtful details integrated throughout. The renovation encompassed every surface of the house, introducing new flooring, updated lighting, and custom millwork to enhance the architectural detailing. A significant part of the project involved redesigning the kitchen, which was previously disjointed. The new layout improved functionality and openness, incorporating custom cabinetry and an added walk-in pantry. Similarly, the two main living areas benefited from new custom cabinetry, serving both functional storage needs and providing focal points that grounded each room. The primary bathroom was transformed into a tranquil retreat, featuring organic textures and soft finishes, while bedrooms were imbued with a sense of warmth and coziness. One unique and favored detail of the renovation is a custom dog wash installed in the backyard. Reflecting the homeowners' love for animals, this feature utilized leftover zellige tiles and unlacquered brass fixtures, blending style with utility. This small yet significant addition highlights the personalized approach taken throughout the design process. The renovation successfully moved the house beyond its initial generic state, creating a peaceful, personal, and beautifully layered environment that the owners find welcoming and well-loved, making the entire process rewarding for the design team. #HomeRenovation #InteriorDesign #TractHouseMakeover #CustomCabinetry #MoorparkHome #MadisonNicoleDesign #HomeDecor #FunctionalDesign #TimelessDesign

This article explores a unique interior design project where designer Amy Aidinis Hirsch transformed a classic 1903 shingle-style home in Greenwich, New England, for a couple, one of whom is colorblind. The primary challenge was to create vibrant, engaging spaces that the colorblind homeowner could still appreciate, despite not perceiving colors in the traditional way. This necessitated a design approach that emphasized texture, pattern, and strong graphic elements to allow the homeowner to "feel" the spaces through dimension and contrast. Amy Aidinis Hirsch and her design firm collaborated closely with the homeowners, who were open to creative exploration and risk-taking. The initial state of the home, while meticulously maintained with original architectural features like Palladian windows and dentil moldings, felt impersonal and cold. The goal was to infuse warmth and personality while honoring the historical integrity of the property. The design team focused on a layered, collected aesthetic, integrating the couple's growing art collection, curated with adviser Liz Parks, in a natural and organic manner. Key design decisions were heavily influenced by the homeowner's colorblindness. Instead of shying away from color, the team embraced bold choices. For instance, in the dining room, extensive wallpaper options were explored to find one that balanced romance and boldness, resonating with the homeowner on an emotional level. The article highlights how this constraint fostered a unique creative process, leading to a home that is both colorful and deeply personal. Specific examples of this design philosophy are evident throughout the house. The entryway sets a layered and mysterious tone with abstract artwork and a phoenix-motif rug. In the living room, multiple gathering areas, a custom banquette, and a floating light fixture create unconventional and versatile spaces. The kitchen was kept pared down, deferring to a previous designer's choices, but the adjoining breakfast area features bolder elements like a sculptural Fern table and dramatic lighting to enhance intimacy in a soaring space. The stair landing showcases a cascading John Pomp light fixture, paired with plush carpet and a Christian Siriano bench, illustrating the use of varied textures and statement pieces. The purple guest bedroom exemplifies fearless design, with a period niche upholstered to create a headboard, layered raspberry and blue tones, and handwoven benches with tribal-inspired fabrics. The dining room, described as the heart of the home, features a custom de Gournay mural with a golden-rod, melon, and navy palette, chosen to reverberate throughout the house and engage the colorblind homeowner through its intricate patterns and textures. The master bedroom, initially daunting in scale, was designed to create intimacy using layered textures such as stitched leather wall panels from Studio Art behind a custom bed, a sectional for lounging, and a dramatic Hammerton chandelier. The design process also involved significant structural changes to the lower level, transforming it into a gym, wine room, sauna, and mudroom. This blend of preserving historical elements with modern, personalized interventions resulted in a home that feels both timeless and uniquely suited to its inhabitants. The overall approach was characterized by a balance of restraint and drama, ensuring that bold elements were intentional rather than overwhelming, providing breathing space within each room. #InteriorDesign #Colorblindness #ShingleStyleHome #NewEngland #HomeRenovation #CustomDesign #TexturalDesign #PatternPlay

Blair Harris Interior Design, a relatively new name in the New York design landscape, has completed a remarkable renovation of an Upper East Side townhouse. This project exemplifies sophisticated interior design, blending opulent textures, colors, and patterns to create an atmosphere of regal allure. The architectural elements of the townhouse, such as floor-to-ceiling windows, intricate ceiling medallions, detailed molding, and bespoke built-ins, provide a foundation for the luxurious aesthetic. The living room's design centers around a harmonious interplay of cool blue-purple tones and various shades of warm brown, which complement the dark hardwood floors. Large plantation shutters on the extensive front windows enhance the room's natural luminosity. Adjacent to the main living area is a secondary, less formal seating space, distinguished by a unique light fixture resembling a cactus or sea urchin. This fixture's angular design is softened by the plush textures of a wide sofa and chaise, while dark built-ins and an accent chair further enrich the space. The dining room echoes the color scheme of blue, purple, and warm browns. A substantial dark hardwood table, surrounded by opulent purple dining chairs, anchors the room. Light blue walls and glass chandeliers with an ice-like appearance contribute to a lighter, more inviting ambiance. The kitchen, in contrast, is characterized by its bright and airy feel, with white cabinets and a kitchen table that reflect the abundant natural sunlight. Light blue tiles provide a decorative accent on the kitchen walls. Throughout the townhouse, decorative elements such as low-relief designs on molding and ceilings, and intricately inlaid floor patterns, underscore the attention to detail. The stairwell, connecting the lower and upper levels, features a chic gold light fixture and a rich banister, adding to the home's overall elegance. The design team's approach has successfully integrated color, texture, and material into each room, crafting a cohesive and inviting narrative for the clients. #UpperEastSide #TownhouseDesign #BlairHarrisInteriorDesign #LuxuryInteriors #NewYorkDesign #InteriorDecoration #OpulentDetails