Where I Work: See how Stickbulb’s first-ever showroom is lighting up Long Island City

Knowhow Shop, a design/build firm based in Los Angeles, has created an experimental micro-office named Lighthouse in Highland Park. This 154-square-foot structure serves as both their office and a showcase of their innovative design and construction capabilities. The firm, founded by Kagan Taylor and Justin Rice, sought to challenge their skills by constructing a modern office that deviates from traditional architectural practices. The project aimed to free up space in their main fabrication and machine shop while also demonstrating their expertise in experimental design. The Lighthouse draws inspiration from various sources, including boatbuilding techniques, and centrally features custom-built structural insulated panels (SIPs). These SIPs, combined with a lightweight, prefabricated construction system and oversized glazed openings, contribute to the building's moniker. Taylor and Rice personally undertook the entire construction process, including tasks they had no prior experience with, such as installing glazing, fiberglass, and a topcoat, as well as the interior fit-out and finishes. This hands-on approach allowed them to bypass conventional architectural production methods and fully leverage their design/build model. Operating with an approximate budget of $50,000, including labor time, the project was completed entirely in-house between other client projects. The design emphasized fundamental architectural elements—door, window, and skylight—approaching the construction more like crafting a piece of furniture than a conventional building. The custom front door features an August Smart Lock and eschews right angles, reflecting the project's unconventional aesthetic. A custom-made skylight integrates traditional boatbuilding materials with elements inspired by car sunroofs. The interior worktops are made from Formica 2297 Terril, and a custom Douglas Fir bookshelf echoes the angular geometry of the office. Flexibility and mobility were key design considerations. The micro-office is not set on a traditional foundation but rather on industrial casters, similar to those used for roll-off dumpsters, allowing it to be easily moved around the shop-yard. Its asymmetrical wedge shape was partly influenced by the need to accommodate forklift clearances for transporting plywood into their adjacent shop. The flooring is Douglas Fir with an OSMO finish, while the angled walls and ceiling are constructed from Douglas Fir Marine Grade Plywood with a whitewash finish. Taylor and Rice envision Lighthouse as more than just an office; it functions as a testament to their craftsmanship and a practical example of rethinking architectural design and construction methods. They hope that future iterations of "Lighthouses" could inspire a movement towards smaller, sustainable buildings that incorporate contemporary architectural principles. The project includes detailed floor plans and wall sections, highlighting the innovative construction. It was published in October 2018, emphasizing its relevance to small spaces and modern workplace design. #MicroOffice #ExperimentalArchitecture #DesignBuildFirm #StructuralInsulatedPanels #PrefabricatedConstruction #LosAngelesDesign #SmallSpaces #ModernDesign #MobileArchitecture

New York Design Week, held in May, showcased a diverse range of innovative lighting designs, establishing lighting as a central element of cultural storytelling and cutting-edge home design. Shelter by Afternoon Light, a newcomer to the design fair scene, made a significant debut with a focus on fresh talent and remarkable lighting products, including the popular “Jonald Dudd” exhibition, playfully titled “Grateful Dudd.” Minya Quirk, co-founder of Shelter, highlighted the transformative power of lighting, noting its ability to swiftly alter a space's aesthetic and mood. The event featured a variety of exhibitions across different venues, from major fairs like ICFF and WantedDesign to galleries and ateliers such as Love House, Colony, Lyle Gallery, and Lawton Mull, all contributing to a vibrant display of creativity and functionality. Among the standout pieces were Lana Launay’s ‘Kinship I & II,’ exhibited at Love House Gallery, which utilize stainless steel, aluminum, LED, and antique doilies to reflect on domestic craft and interconnectedness. Andreea Avram Rusu’s ‘Marea’ chandelier, presented at Shelter, captivated viewers with its hand-blown glass and ombre colors, reminiscent of a jellyfish’s fluid movement, created through a unique molten process. Samuel Aguirre, a Providence-based artist, debuted a collection of table lamps at WantedDesign, crafted from handmade Mexican Amate paper, combining ancient paper-making traditions with contemporary design principles, resulting in organic and archival pieces. Cuff Studio, founded by Kristi Bender and Wendy Schwartz, introduced a new triangular metal sconce as part of their “Within” exhibition at WantedDesign. This piece, available in patinated brass or copper, offers a graphic aesthetic with a soft uplight. Lawton Mull’s gallery featured the ‘Norrlanda Lamp,’ a collaboration with glass artist Jennie Olofsson, which blends industrial brass with mouth-blown, asymmetrical glass lobes, creating a balance of strength and lightness. Soft-Geometry’s ‘Long Hair’ sconces, showcased at Lyle Gallery, were inspired by intimate domestic rituals and incorporate sustainable hemp-lime composite material, marking a move towards eco-conscious design. Scott Newlin Design Studio presented whimsical ‘Stack Lights’ at the Jonald Dudd exhibition, transforming slip-cast ceramic into versatile, colorful lamps. Marmar Studio’s ‘Ette Sconce,’ displayed at Colony’s “The Independents” exhibition, combined ash wood and hand-painted dye to create a fixture that evokes both architectural lines and natural forms. FDK Junior Studio, led by Fernando Kabigting, launched a new porcelain lighting collection at Shelter, emphasizing the material’s delicate beauty and celebrating imperfections. Michiko Sakano Studio’s ‘Droplets’ glass lighting collection, also at Shelter, merged traditional Japanese aesthetics with glassblowing techniques, creating luminous sculptures that exude organic fluidity. Larose Guyon’s ‘Saule’ collection at ICFF drew inspiration from the willow tree, featuring hand-formed brass and glowing glass in an immersive display. Lastly, Steven Haulenbeek’s ‘RBS Nopal Chandelier,’ featured at Egg Collective, utilized resin-bonded sand in a subtractive process to create organic, desert flora-inspired forms, blurring the lines between art and lighting design. These diverse creations collectively highlighted the innovative spirit and artistic depth of contemporary lighting at New York Design Week. #NewYorkDesignWeek #LightingDesign #InteriorDesignTrends #ContemporaryLighting #HomeDecor #ArtisticLighting #SustainableDesign #HandcraftedLighting #DesignInnovation

Jamb founders Will Fisher and Charlotte Freemantle, known for their bespoke lighting tailored for leading interior designers, are set to launch their new Deco collection. This collection, which will debut at London Design Week, features five distinct pieces that deliberately eschew current trends, focusing instead on timeless design and exceptional craftsmanship. The duo, operating from their London home and studio, emphasizes traditional skills and meticulous attention to detail, a philosophy that stands in contrast to the rapid-fire launch cycles common in contemporary design. The Deco collection is characterized by a glamorous and somewhat majestic aesthetic, designed to soften the edges of each piece in a romantic fashion. This romantic sensibility extends from their previous work, including their distinctive pink room at the Wow! House at Chelsea Harbour Design Centre. Will Fisher's background in studying antique objects heavily influences their design process. The team initiates new designs by identifying original antique pieces that serve as the foundational inspiration. Their deep immersion in historical objects led to the early twentieth-century themes evident in the Deco collection, drawing from movements and periods such as The Bloomsbury Group, the Roaring Twenties, and the Belle Époque. The collection highlights a focus on rich materiality, combining hand-planished metal, luminous alabaster, and shimmering silk textiles to create compelling juxtapositions. Some designs incorporate hand-carved patterns, which are then cast using the traditional lost wax technique, a method Will Fisher describes as the "noblest form of manufacture." Charlotte Freemantle is particularly interested in integrating decorative fabrics, a concept carried over from the Wow! House show, into their new product lines. She notes that drapery softens and diffuses light in a room, and similarly, the textiles in their collection evoke the gentle glow of candlelight, enhancing the overall ambiance. Often described as the "jewelry of the home," lighting in the Deco collection aims to create unique and inviting atmospheres. The pieces are designed to complete and complement diverse interior aesthetics, whether mid-century modern or traditional, effectively bucking trends and potentially establishing new ones. To illustrate their versatility, the designers have photographed the collection in various in situ settings, demonstrating how these objects can seamlessly integrate into different environments. The article specifically mentions pieces like the Hopper Alabaster wall sconce, the Thelma pendant light with its hand-stippled brass frame and optional linen or silk skirt, a new floor lamp styled with antique furniture, and the Hatton Rod, which embodies the Art Deco aesthetic with its alabaster bowl and brass detailing, offering both down and uplighting. The collection will be available from Jamb at 95-97 Pimlico Road, London, and through their website. #JambLighting #DecoCollection #LondonDesignWeek #BespokeLighting #InteriorDesignTrends #AntiqueInspired #Craftsmanship #AlabasterLighting #LuxuryLighting

Artist and architect Inés Esnal has unveiled her Prism installation, transforming the lobby of a new residential building in New York City. The artwork utilizes colorful elastic ropes to create intricate triangular formations that serve to filter light, producing a dynamic interplay of vivid colors and optical illusions. This installation provides a stark and compelling contrast to the lobby's existing concrete walls, injecting an element of artistic vibrancy into the otherwise stark architectural setting. The Prism installation is characterized by its use of stretched elastic ropes, meticulously arranged to form geometric patterns. These ropes, varying in color, intersect and overlap, creating a complex web that interacts with the ambient light. As light passes through these colored strands, it is fractured and dispersed, casting a spectrum of hues across the lobby space. This optical phenomenon changes throughout the day, depending on the angle and intensity of natural light, offering a constantly evolving visual experience for residents and visitors. The design intention behind Prism is to introduce an element of surprise and visual engagement within a functional architectural space. By contrasting the inherent rigidity and monochromatic nature of concrete with the fluidity and vibrant palette of the elastic ropes, Esnal challenges conventional perceptions of lobby design. The installation effectively redefines the entrance area, transforming it from a transitional zone into an immersive artistic environment. Esnal's work often explores the relationship between art, architecture, and human perception. In Prism, she employs principles of geometry and optics to manipulate space and light, thereby creating an illusory depth and movement within a static structure. The triangular shapes formed by the ropes evoke the concept of prisms, which are known for their ability to refract light into its constituent colors. This not only imbues the space with aesthetic appeal but also invites viewers to contemplate the scientific and artistic principles at play. The installation aims to enhance the sensory experience of the building's occupants, offering a momentary escape from the urban environment. The selection of elastic ropes as the primary material allows for flexibility in form and an ethereal quality that belies the material's strength. This choice also contributes to the lightweight and seemingly gravity-defying appearance of the artwork, further emphasizing its illusory nature. The vibrant colors chosen are intended to evoke a sense of energy and warmth, counteracting the potentially cold aesthetic of modern concrete architecture. The overall effect is one of harmony between the artistic intervention and the architectural context, demonstrating how art can profoundly alter and enrich built environments. #ArchitecturalInstallation #PublicArt #LobbyDesign #InesEsnal #OpticalIllusions #ElasticRopeArt #NYCArchitecture #ColorTheory #GeometricArt

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

This article highlights an affordable portable lamp from O'Bright available on Amazon, which offers the elegant aesthetic typically found in upscale New York cocktail bars. The O'Bright Seraph table lamp, priced at $36, distinguishes itself with a linen shade and antique brass base, departing from the common all-metal designs prevalent in the portable lamp market. This design choice contributes to a more dignified and classic look, reminiscent of establishments like Bemelmans Bar. The lamp is designed for creating ambiance rather than task lighting, featuring a rechargeable battery that powers an LED bulb with three dimmable settings: 20%, 50%, and 100% brightness. This functionality allows users to easily adjust the mood for various occasions, such as dinner parties, with a simple button press. While the brand claims a 48-hour battery life, reviewer feedback suggests it lasts closer to 10 hours. However, this discrepancy is considered a minor trade-off given the lamp's aesthetic appeal and affordability. Customer reviews praise the lamp for its quality and appearance, with many noting that it looks even better than depicted in product images. Shoppers appreciate its compact size, making it suitable for locations without electrical outlets, including small tables between chairs, bedside nightstands, entryway console tables, and kitchen counters. Its portability and design make it a versatile piece for various home settings. To further cultivate a New York cocktail bar ambiance, the article suggests additional accessories. These include roll-top bowls for snacks like olives or citrus, trios of snack dishes for nuts and truffle potato crisps, delicate martini glasses, and cocktail trays. Specific product recommendations are provided for items such as Arthur Court Squirrel Bowls, Solino Home Linen Cocktail Napkins, Torres Black Truffle Potato Chips, Filthy Pimento Stuffed Olives, American Metalcraft Stainless Steel Serving Tray, Winco Roll-Top Bowl, SZLFSX Stainless Steel Cocktail Picks, and LSA Borough Martini Glasses. Overall, the O'Bright Seraph Cordless LED Table Lamp is presented as a valuable find for those seeking to incorporate sophisticated, movable mood lighting into their homes without a significant investment. Its blend of classic design, practical features, and positive user feedback makes it a noteworthy option in the home decor market. #AmazonFinds #PortableLamp #HomeDecor #MoodLighting #AffordableDesign #TableLamp #CocktailBarStyle #HomeAccessories

Decimal, a company with bases in Vancouver and Mexico City, is at the forefront of integrating design and technology to produce innovative 3D printed light fixtures. The company emphasizes a novel approach to lighting, departing from the traditional lightbulb and socket paradigm that has persisted since 1879. Instead, Decimal centers its products around a single, high-quality LED module, engineered for longevity and superior performance. These LED modules are designed to last up to 70,000 hours, offering a sustainable and efficient lighting solution. The unique forms of Decimal's light fixtures are made possible through additive manufacturing, commonly known as 3D printing. This technology allows for the creation of intricate and previously impossible shapes and designs, offering a significant advancement in the aesthetic and functional possibilities of lighting. The company highlights that these fixtures are highly customizable, with a variety of attractive colors and finishings available to suit diverse preferences and interior design schemes. This level of customization ensures that each fixture can be tailored to meet specific aesthetic requirements. Decimal operates on a collaborative platform, engaging tech-savvy designers from around the globe to create its 3D printed shades. This international collaboration fosters a diverse range of design perspectives and constantly pushes the boundaries of lighting design. The company aims to appeal to individuals worldwide who possess a passion for both design and technology, offering them access to cutting-edge lighting solutions that merge artistry with engineering. The integration of LED technology and additive manufacturing represents a transformative period in the lighting industry. LED technology provides endless design possibilities by liberating designers from the constraints of traditional light sources, allowing for greater flexibility in form and function. Concurrently, additive manufacturing empowers the creation of complex geometries and intricate details that would be unachievable with conventional manufacturing methods. Decimal positions itself at this intersection, leveraging these advancements to deliver a new generation of light fixtures that are both visually striking and technologically sophisticated. By focusing on a single, optimized LED light source and utilizing the creative potential of 3D printing, Decimal is challenging conventional notions of lighting. Their products are not merely functional items but serve as contemporary design elements that embody the synergy of modern technology and global design talent. This approach promises to reshape consumer expectations for lighting, offering products that are durable, energy-efficient, customizable, and aesthetically revolutionary. #3DPrinting #LightFixtures #LEDTechnology #ProductDesign #AdditiveManufacturing #HomeDecor #TechnologicalInnovation #SustainableDesign

This article explores the benefits of upgrading swimming pool lighting to LED technology, focusing on energy savings, reduced maintenance, and enhanced aesthetic appeal. Many existing pools, equipped with older incandescent or fiberoptic lighting systems, present a significant opportunity for service professionals to offer LED conversions. LEDs offer substantial energy savings compared to traditional lighting. Incandescent lights consume up to 500 watts, fiberoptic lights use 150 to 200 watts, while LED pool lights typically use between 20 and 50 watts per hour. This drastic reduction in energy consumption can lead to considerable cost savings for pool owners, potentially paying for the conversion within one to two years, depending on usage habits. Beyond energy efficiency, LEDs also boast lower maintenance requirements. Incandescent bulbs need replacement approximately every 2,000 hours, and fiberoptic systems require replacement every three to seven years, alongside other components like motors and color wheels. LED lights, in contrast, have a much longer lifespan, often exceeding 10 years, significantly reducing the frequency and cost of replacements. This longevity makes LEDs a more sustainable and economically sound option for pool owners. The ease of upgrading is another compelling factor. Many LED models are designed to fit into existing light niches, simplifying the installation process for service technicians. For instance, Hayward’s Universal ColorLogic LEDs are UL listed for various niche styles, eliminating the need for technicians to determine specific niche types. Similarly, Pentair’s GloBrite lights are made entirely of plastic, removing the need for grounding or bonding and making them suitable for gunite, fiberglass, or vinyl pools. One of the most appealing aspects of LED pool lighting is its ability to introduce a vibrant spectrum of colors. Pool owners can select from a wide range of hues or program dynamic light shows to match specific moods or events. This customizable lighting transforms the backyard ambiance, offering a significant upgrade from the static illumination of older systems. The transition to LEDs also extends beyond just the pool; modern platforms allow for the integration of multiple LED lights on a single transformer, enabling homeowners to illuminate landscaping, water features, and other outdoor elements, thereby creating a cohesive and visually striking outdoor environment. This expanded application presents additional opportunities for service professionals to broaden their offerings. Specialized LED replacements are available for fiberoptic systems as well. Companies like Fiberstars offer small-niche LED lights that fit directly into existing wall fittings, replacing fiberoptic cables and connecting to a 'Power Tower' controller with built-in transformers and wireless remote control. This allows for a straightforward conversion from older, more expensive fiberoptic systems to modern, color-rich LED lighting. Finally, the convenience of remote control is a major draw for contemporary pool owners. Systems like Zodiac’s iAqualink enable users to manage their pool lighting and other features via smartphones or tablets, enhancing user experience and control. The inherent safety of low-voltage LED systems (typically 12 volts) is also highlighted, particularly in contrast to the potential electrical hazards associated with high-voltage pool lights. Overall, upgrading to LED pool lighting offers a combination of energy savings, reduced maintenance, aesthetic versatility, and enhanced safety, making it an attractive investment for pool owners. #LEDLighting #PoolDesign #EnergyEfficiency #HomeImprovement #OutdoorLighting #SmartHome #PoolMaintenance #TechnologicalAdvancement #BackyardDesign

Saltwolf, an e-commerce furniture company based in Boulder, launched its mobile showroom in June 2021, one year after its initial founding. The company, established by husband-and-wife team Lindy and Jordan Williams in May 2020, aimed to address common challenges faced by interior designers, such as the difficulty of sampling and ordering high-quality furnishings with quick turnaround times. Saltwolf distinguishes itself by offering direct-to-designer services, providing heirloom-quality pieces through an online platform. The decision to create a mobile showroom, affectionately known as "Ms. Saltwolf," stemmed from the founders' desire to provide designers with a tactile experience of their products, without committing to a traditional brick-and-mortar presence. Lindy Williams noted that while many trade brands rely on third-party showrooms, Saltwolf wanted to explore alternative methods to showcase their furniture. The 18-foot-long box truck, designed with a theater background by Jordan Williams, functions as a fully immersive living room environment. This setup allows designers to visualize how Saltwolf's furniture would integrate into their projects. The mobile showroom was particularly timely given the onset of the COVID-19 pandemic. It enabled Saltwolf to safely introduce its products to design firms through masked, outdoor meetings, adhering to health and comfort guidelines. The interior of Ms. Saltwolf is meticulously designed, featuring painted wainscoting and patterned wallpaper, creating an inviting atmosphere. It showcases upholstered furniture from each of Saltwolf’s four lines: a 7-foot Linden sofa in Belgian linen, a Hawthorne chair in Italian leather, a Mapleton chair in performance velvet, and a Norwood bench in Belgian linen. Additionally, the showroom features examples of the brand’s three wood finishes and large fabric swatches. These larger swatches allow designers to gauge the material and color at scale, offering a more comprehensive understanding than small samples. After initial test drives in various Western cities like Boulder, Denver, Aspen, Salt Lake City, Park City, and Austin, the mobile showroom commenced its official tour in Southern California in June 2021. The tour itinerary included further stops in Portland, Seattle, Bozeman, Jackson, and Sun Valley. Team members, including Lindy and Jordan, travel to each destination to meet with individual designers and host events within the showroom. The summer tour was scheduled to conclude on the Front Range with an event at Roth Living in Denver on August 26. Future plans for the fall involved visits to Colorado mountain resort towns, Utah, and Lake Tahoe. While Ms. Saltwolf has played a crucial role in introducing the brand, the company plans to transition to a permanent display at its Boulder design studio by the end of the year. Remote tours via video conferencing will also be offered, and discussions are underway to place Saltwolf pieces in designers’ showrooms in various mountain resort towns. Lindy Williams observed a significant shift in consumer and designer purchasing behavior due to the pandemic, with an increased comfort level in buying luxury goods online. Saltwolf aims to continue innovating to make the online purchasing experience as effortless as possible for its clients. The article provides practical information for interested designers, stating that Saltwolf's upcoming mobile showroom stops are listed on their website, where designers can RSVP to events or request a visit. Updates on new stops are also available online, ensuring designers can stay informed about the showroom's schedule and plan their engagement accordingly. #mobileShowroom #furnitureDesign #directToDesigner #homeFurnishings #interiorDesign #BoulderBusiness #eCommerceFurniture #luxuryGoods #designInnovation

Osram, a German lighting firm, has completed an eight-year project to retrofit several iconic Vatican sites with LED lighting. This initiative aimed to address significant issues associated with traditional incandescent bulbs, including high energy consumption, considerable heat generation, and inadequate illumination that hindered the full appreciation of priceless artworks. The project began in 2011, following discussions between Osram and EU officials seeking to demonstrate the potential of LED technology for sustainable, high-quality illumination in culturally significant spaces. Before implementation, Osram undertook rigorous testing to ensure the LEDs would not damage the delicate pigments and materials of the Vatican's art. Over 280 pigments were tested for more than a year at intensified illumination levels, revealing only one instance where the heat from LEDs affected a pigment made with egg whites. This meticulous approach underscored Osram's commitment to preservation while introducing modern lighting solutions. The successful testing paved the way for the installation of luminaires in the Sistine Chapel, the Raphael Rooms, the Sala Regia, and later, St. Peter's Square and St. Peter's Basilica. In the Sistine Chapel, luminaires were strategically placed along the upper railing, designed to be largely invisible to visitors. The new system allows for a standard visitor illumination of 75 lux, a significant increase from the previous 5 to 6 lux, and can be boosted to 110 lux for special events using wireless controls. This upgrade has resulted in a 90 percent reduction in energy consumption in the equipped rooms, drastically cutting the Vatican's electricity costs. Previously, the immense cost of lighting St. Peter's Basilica meant that not all lights could be activated simultaneously, obscuring many artworks. The enhanced lighting scheme now permits visitors to view the masterpieces by Michelangelo, Botticelli, Perugino, Pinturicchio, Raphael, and other Renaissance artists as they were originally intended. In the Sala Regia, the improved illumination highlights the marble and Vasari's paintings with unprecedented clarity. Similarly, the intricate details of the Raphael Rooms, depicting historical and mythological scenes, are now fully visible. St. Peter's Basilica, which attracts approximately 27,000 visitors daily, benefits from 780 luminaires that provide even lighting throughout the interior, with Bernini's altar receiving special, brighter illumination. This extensive project not only resolves practical issues of cost and preservation but also elevates the visitor experience by revealing previously dimly lit details of the Vatican's artistic and architectural heritage. The success of this endeavor positions LED technology as a viable and approved solution for illuminating even the most sensitive and artful interiors globally, earning a significant endorsement from the Vatican. #LEDLighting #Vatican #ArchitecturalLighting #ArtPreservation #EnergyEfficiency #HistoricPreservation #ReligiousArchitecture #MuseumLighting #SistineChapel

skinflint, a British lighting brand, has dedicated over a decade to giving new life to vintage lights, rescuing more than 50,000 items from landfills. The company sources lights globally, from abandoned glassworks in Budapest to old Navy ships, meticulously restoring them to modern electrical standards while preserving their original character. Co-founder Chris Miller emphasizes that repairing, restoring, fixing, and mending were integral to his upbringing, influencing his career path and the foundation of skinflint, which was established with a mission to prevent vintage lights from ending up in landfills. He notes that the practice of repairing vintage lights is an act of care for both the planet and its inhabitants. The appeal of repairing objects over creating new ones for skinflint lies in a triple-bottom-line approach, prioritizing people and the planet over profit, especially as a Certified B Corp. Miller believes that restoring and repairing vintage lights is the most effective way to achieve this. The company aims to counteract "fast furniture" trends, thus avoiding the creation of new waste through designing and manufacturing new lighting. Vintage lights, crafted before the concept of planned obsolescence, were built to endure. This inherent durability allows skinflint to find them in remarkable locations worldwide, often outliving the structures they once illuminated. Miller prefers the term "restoration" to describe skinflint's work, defining it as an effort to preserve as much of each vintage light's original character as possible. This involves ensuring modern technological standards are met while consciously retaining signs of age and patina, which tell the unique story of each light's journey from diverse locations such as UK churches, private residences in Prague, and Eastern Bloc factories. The inspiration for skinflint stemmed from a desire to challenge the conventional approach to lighting in modern spaces. In 2009, the founders tested their theory in a Victorian home in North London, which ultimately led to the brand's establishment. Fourteen years later, skinflint remains true to its founding mission, with an ethos that positions business as a force for good, demonstrated through initiatives like 1% for the Planet. The restoration process is varied, tailored to each light, and involves techniques such as soda-blasting for paint removal, polishing, and lacquering. The process is slow and meticulous, always executed with sustainability and environmental priorities in mind. The objective is to preserve the original function of salvaged vintage lights, enabling them to continue their stories. This means a light that once illuminated a mine shaft could later adorn the ceilings of B Corps like Aesop and Patagonia. The visibility of repair is managed to retain the light's character, with patina seen as an asset that adds to its history and makes for interesting conversation pieces. However, all electrical components are rigorously updated to meet modern technological standards. As a member of the UK Lighting Industry Association, skinflint undergoes independent audits and verification to ensure faultless functionality. Consumer attitudes towards mending and repair are evolving, with clients showing increased awareness of environmental impact. skinflint's B Corp Certification legally obligates the company to consider and report on its impact, pushing it to continuously refine its circular working methods. This commitment is exemplified by the recent introduction of Full Circle, a product buy-back scheme that offers clients a 50% credit for returning vintage lights, ensuring their continued existence. The company also provides a lifetime guarantee for repairs, reinforcing its dedication to circularity. Looking ahead, skinflint envisions a future where its fully circular approach to vintage lighting, particularly with its buy-back scheme, inspires other industry players to adopt similar practices, fostering sector-wide change and a more sustainable future. Katie Treggiden, a purpose-driven journalist, author, and podcaster, champions a circular approach to design and contributed to this article as Editor at Large for Design Milk. Her work explores how craft can contribute to saving the world through initiatives like her book "Wasted: When Trash Becomes Treasure" and her podcast, "Circular with Katie Treggiden." #VintageLighting #Restoration #CircularEconomy #SustainableDesign #BCorp #HomeFurnishings #InteriorDesign #RepairCulture #EnvironmentalImpact

Tabarka Studio, a company known for its unique tiles and custom flooring, has opened a new showroom in Los Angeles, marking a significant expansion for the brand. The showroom highlights Tabarka Studio's signature handprinted terracotta tiles, which have been a cornerstone of its identity, alongside new and innovative flooring options. The company's Zenati & Edri Parquet collection is a key feature, offering extensive customization possibilities for discerning clients. This collection represents a blend of traditional craftsmanship and modern design, allowing for nearly limitless patterns and configurations to suit diverse aesthetic preferences. In addition to showcasing its established lines, the new Los Angeles showroom introduces Tabarka Studio's latest offering: a new terrazzo flooring collection. This collection is presented as an homage to the distinctive style and spirit of Southern California, incorporating design elements and material choices that reflect the region's unique architectural and artistic landscape. A detailed view of this new terrazzo flooring reveals intricate patterns and the inclusion of brass inlay, demonstrating a commitment to high-quality materials and sophisticated design. The creative vision behind Tabarka Studio's offerings is spearheaded by its creative director, Meir Zenati. Zenati plays a pivotal role in shaping the brand's aesthetic and guiding the development of new collections, ensuring that Tabarka Studio remains at the forefront of luxury tile and flooring design. The opening of the Los Angeles showroom not only serves as a retail space but also as a gallery where clients and designers can experience the tactile qualities and visual impact of the materials firsthand. The showroom's design itself reflects Tabarka Studio's artistic approach, with the entry featuring a vibrant display of 'pattern on pattern,' creating an immersive and inspiring environment. This design choice underscores the company's philosophy of embracing bold aesthetics and intricate details in its products. The expansion into Los Angeles signifies Tabarka Studio's strategic move to strengthen its presence in a key market for high-end home design and interior decoration, catering to a clientele that values bespoke and handcrafted elements in their living spaces. The article also briefly mentions other luxury home design topics, such as a contemporary Pebble Beach home inspired by butterflies, a modern Swiss chalet with old-world architecture cues, a dining pavilion with a bespoke kitchen, and a postmodern Seattle house transformed into a modern cabin. These additional mentions contextualize Tabarka Studio's offerings within the broader landscape of luxury home design, emphasizing the demand for unique, high-quality, and architecturally significant elements in upscale residences. #TabarkaStudio #LosAngelesShowroom #LuxuryTiles #CustomFlooring #HandprintedTerracotta #TerrazzoCollection #HomeDesign #InteriorDecoration #MeirZenati

This article highlights the new 48-piece lighting collection from Arteriors, a collaboration with architecture and design firm Workshop/APD. This partnership marks a significant first for Arteriors, as it is their initial venture with an external design firm, aiming to infuse a distinctly contemporary aesthetic into their typically more traditional offerings. The collection is designed to serve as the “jewelry of a room,” emphasizing the transformative power of lighting in interior design. A central feature of this collection is the “Glaze” assortment, which draws inspiration from the ceramic artistry of Workshop/APD principal Andrew Kotchen’s wife. Each piece within this line incorporates a handmade ceramic shade or backplate, notable for its delicate crackled ivory glaze. This ceramic component is thoughtfully contrasted with blackened steel elements, creating a sophisticated and modern look. The versatility of these fixtures is a key selling point, as they are suitable for various settings, whether installed individually as a focal point or in multiples to create a cohesive design statement. The article showcases several specific pieces from the Glaze collection, providing descriptions and potential applications. The Glaze Large Sconce, priced at $715, is praised for its sleek shape and subtle hue, making it an ideal choice for bathrooms or bedside areas due to its effortless integration into diverse decors. The Glaze Linear Pendant, available for $1,040, is highlighted for its ability to stand out as a singular piece while also creating a striking impact when hung in a series. This suggests its adaptability for different spatial requirements and design ambitions. Another featured item is the Glaze Large Flushmount, costing $965, which distinguishes itself with a trio of frosted opal glass globes that add visual intrigue to a classic bowl-shaped flush-mount design. For larger spaces, the Glaze Floor Lamp, priced at $1,395, is presented as an ultramodern silhouette that casts a warm, inviting glow, enhancing the ambiance of its surroundings. Finally, the Glaze Sculptural Sconce, at $1,365, is noted for its geometric form and rotating armature, offering the unique capability to create a personalized focal point on any wall. This adjustability allows users to customize the lighting effect and direct light as needed. Overall, the collaboration between Arteriors and Workshop/APD introduces a collection that blends artistic inspiration with functional design, providing contemporary lighting solutions that can refresh and brighten any home interior. The pieces emphasize unique craftsmanship through ceramic details and modern silhouettes, offering versatile options for various design preferences and spatial requirements. #Arteriors #WorkshopAPD #LightingDesign #HomeDecor #InteriorDesign #ContemporaryLighting #CeramicLighting #DesignCollaboration

This article explores the enduring appeal of loft living, showcasing 12 distinct examples of modern lofts from the Dwell Magazine archives. Lofts are characterized by their industrial flavor, open floor plans, and their ability to blend work and home life seamlessly, appealing to a creative, city-dwelling demographic. The featured lofts demonstrate a wide range of transformations, from historical factory buildings and warehouses to more compact, unconventional spaces, each maintaining a distinctive industrial aesthetic while serving as modern residences or live/work environments. The article begins by highlighting a 17th-century manufacturing plant in Paris, reimagined as author and French designer Daniel Rozensztroch's industrial loft. This space retains its historical character with vintage iron cabinets and industrial-inspired lighting. Next, a Barcelona warehouse is presented as a live/work space for an architect and artist, featuring a courtyard that provides a transition between living and working areas. A compact three-story brick boiler room in San Francisco is shown to have been ingeniously transformed into a loft-like guesthouse, maximizing vertical space within a small footprint. Further examples include a renovated apartment in an 1864 factory building in Tribeca, New York, where partitions were removed and ceilings raised to create a spacious feel. A modern live/work space in Chicago, constructed from concrete panels, pays homage to its industrial neighborhood's history. Copenhagen features a converted loft in a former Viking pencil factory, adapted for a modern family. In Jersey City, a 19th-century Wells Fargo horse-and-carriage facility became a flexible art studio and residence for a pair of artists. The article also features an industrial loft in Italy, a 200-year-old factory transformed into an inviting home by designer Paola Navone. In Brooklyn, the founders of Calico Wallpaper reside in a rental flat that was once a 19th-century warehouse, preserving exposed structural beams. A cinder-block duplex in Charleston, Virginia, was creatively challenged and transformed into an elegant, gallery-like New York-style loft. An auto repair garage in San Francisco's South of Market neighborhood became an artist's loft, serving as a perfect live/work retreat with space for an art gallery, studio, and office. Finally, a former Portland, Oregon, warehouse and auto repair shop was renovated into a versatile live/work space. These diverse projects collectively illustrate the versatility and appeal of industrial-style loft conversions, demonstrating how historical structures can be adapted into functional and aesthetically pleasing modern homes. #LoftLiving #IndustrialDesign #LiveWorkSpaces #UrbanHomes #AdaptiveReuse #ModernLofts #InteriorDesign #ArchitecturalRenovation #WarehouseConversion

The Poplight Wall Light offers a practical and aesthetically pleasing solution for individuals residing in rented spaces, addressing common challenges associated with decorating and lighting. This innovative lighting fixture, which has gained significant traction on social media platforms, stands out for its modern design, ease of installation, and a key feature: it leaves no marks on walls, a crucial consideration for renters aiming to maintain landlord satisfaction. Designed with accessibility in mind, the Poplight comes in three color options: Vermillion Red, Sage Green, and Matte Black, providing choices to complement various interior styles. The installation process is simplified through a cleverly designed back plate that discreetly conceals two Command strips, eliminating visible adhesives or mounting hardware that often deters renters. A built-in level is integrated into the design, facilitating precise placement without the need for additional tools, further streamlining the setup process. Once the back plate is secured, the light fixture easily attaches with a simple swivel, locking firmly into position. One of the most notable features is its rechargeable capability via USB-C. This design choice provides flexibility, allowing users to remove the battery for charging at an accessible outlet or to keep the unit plugged in if a power source is conveniently located nearby. A single full charge is estimated to power the light continuously for approximately 2 to 3 days, offering sustained illumination without constant recharging. This eliminates the need for hardwiring or relying on proximity to power outlets, making it suitable for a wider range of placements within a rented property. The product's popularity is underscored by its successful crowdfunding campaign on Kickstarter, where it significantly surpassed its initial goal. This viral success highlights a clear demand for renter-friendly home decor solutions that combine functionality, modern aesthetics, and non-damaging installation methods. The Poplight Wall Light represents a thoughtful design innovation that caters specifically to the needs of the rental market, where permanent alterations to living spaces are typically restricted. Its features provide an elegant workaround, enabling renters to personalize their homes with stylish lighting without compromising their security deposits or adhering to complex installation procedures. The Poplight provides a practical solution for enhancing ambiance and functionality in temporary living situations. #RenterFriendly #WallLight #HomeDecor #InteriorDesign #ModernLighting #EasyInstallation #RechargeableLight #Poplight

Designer Lee Broom launched his new 'Optical' lighting collection by transforming his studio's delivery van into a mobile exhibition space. This innovative concept, named 'Salone del Automobile,' involved meticulously designing the van's interior to resemble a traditional Italian palazzo. The transformation included painting the van's interior in Broom's signature grey, and adding ornate Corinthian columns, architraves, and stuccoed details, complemented by an illuminated floor. This elaborately decorated van served as a dramatic backdrop for the new monochromatic lighting fixtures. The 'Salone del Automobile' embarked on a journey from Broom's London headquarters to Milan, where it was showcased at various prominent locations during Salone del Mobile, including Brera Design District, Spazio Rossana Orlandi, ZonaTortona, San Gregorio Docet, and Ventura Lambrate. This unconventional exhibition strategy allowed the collection to reach a wider audience and provided a unique viewing experience, highlighting the pieces within an unexpected, yet grand, setting. The 'Optical' lighting collection itself features illuminated globes adorned with graphic, linear patterns. These designs are asymmetrical, creating a dynamic visual effect where their appearance shifts depending on the viewer's angle. Broom drew inspiration for this collection from his own experiences in the early 1990s, specifically recalling his use of monochrome graphics when decorating his bedroom. This personal connection to the design imbues the collection with a sense of nostalgia while maintaining a contemporary aesthetic. The collection is characterized by its stark black and white palette, which further emphasizes the graphic quality of the patterns. Each piece is designed to create an interplay of light and shadow, enhancing the 'optical' illusion and making the fixtures captivating from all perspectives. The installation within the van was carefully orchestrated to maximize this effect, presenting the lights as functional art pieces within a curated, mobile environment. This method of presentation not only served as a launch for the 'Optical' collection but also demonstrated a creative approach to exhibition design in the competitive world of furniture and lighting. By bringing the showroom directly to the audience in an artistic and memorable way, Lee Broom successfully generated significant attention and discussion around his new works, solidifying his reputation for innovative design and marketing. #LeeBroom #LightingDesign #SaloneDelMobile #ProductLaunch #ExhibitionDesign #OpticalLighting #MilanDesignWeek #InteriorDesign