Universal design hits home for all

The article highlights the critical need for Universal Design in American homes, emphasizing that contemporary housing largely fails to accommodate the diverse needs and abilities of its residents. It centers on the story of Rosemarie Rossetti, whose life-altering spinal cord injury in 1998 rendered her previous home largely inaccessible. This personal experience spurred her and her husband, Mark Leder, to embark on a journey to create a home that epitomizes Universal Design principles, which advocate for environments and products accessible to all, irrespective of age, size, or ability. Rossetti's challenges post-injury underscore the shortcomings of conventional home design. Simple tasks became formidable obstacles, revealing how standard layouts and features—like narrow doorways, thick carpets, and high counters—create significant barriers for individuals with mobility issues. Her basement office, previously central to her publishing business, became unusable, ultimately leading to the closure of her company. This realization fueled her determination to design a home that would support her evolving lifestyle and serve as a model for others. After an unsuccessful search for existing accessible homes, Rossetti and Leder decided to build their own custom residence, the Universal Design Living Laboratory (UDLL), in Columbus, Ohio. They collaborated with local architect Patrick Manley and extensively researched accessible home design, drawing inspiration from independent-living centers and literature on Universal Design. This approach provided them with hope, demonstrating that thoughtful design could address their needs without compromising aesthetics or functionality. The UDLL, completed in 2014, is a LEED Silver-certified national demonstration home that incorporates numerous Universal Design features, such as 36-inch wide doorways, tiered countertops, curbless showers, and elevated dishwashers. These elements are designed to accommodate both Rossetti, who uses a wheelchair, and Leder, who is over six feet tall, proving that Universal Design can cater to a wide range of physical characteristics. The UDLL serves as a living resource, educating visitors on the practicality and aesthetics of Universal Design. Rossetti actively advocates for its wider adoption, dispelling the misconception that accessible design looks institutional. She emphasizes that Universal Design benefits everyone, not just those with disabilities, by promoting safety, convenience, and independence for all family members, from children to seniors. The article connects Rossetti's personal initiative to broader discussions about inclusive design, referencing exhibitions like "Access + Ability" at the Cooper Hewitt, Smithsonian Design Museum, and "Without Walls: Disability and Innovation in Design" at the Victoria & Albert Museum. Furthermore, the piece highlights a National Building Museum exhibition, "Making Room: Housing for a Changing America," which showcases how American households have diversified significantly over the past six decades. The exhibition argues that housing design has lagged in adapting to these demographic shifts, with nuclear families no longer being the dominant household type. The rise of single-adult households, couples without children, and multi-generational living arrangements underscores the increasing demand for flexible and adaptable housing solutions. Universal Design is presented as a crucial strategy to meet the needs of this diverse population, offering adaptable living spaces that can evolve with residents' changing circumstances. Rosemarie Rossetti’s efforts, including her self-published "The Universal Design Toolkit" and her consultations with organizations like Habitat for Humanity, exemplify a commitment to fundamentally rethinking home design to be inclusive and forward-thinking, urging designers and builders to integrate these principles from the outset. #UniversalDesign #AccessibleHomes #HomeAdaptation #InclusiveDesign #DisabilityAccess #ResidentialArchitecture #AgingInPlace #HousingInnovation #DesignForAll

Klopper and Davis Architects recently completed an award-winning extension for a 1970s family home in Western Australia. The project presented a unique challenge: designing a living environment that prioritises the comfort and accessibility needs of the family's eldest child, Owen, who has a rare genetic condition. Architect Sam Klopper's approach was grounded in universal design principles, aiming to create a highly functional yet non-institutional environment that supports Owen’s mobility and independence without compromising on residential warmth or the home’s mid-century aesthetic. Klopper emphasizes that the design holistically supports Owen and his family. The core considerations included ease of movement throughout the interior and exterior spaces and nourishing visual connections to the outdoors. Owen’s wing, which includes a bedroom, bathroom, and equipment storeroom, integrates a Guldmann ceiling hoist system for safe movement and to empower him in daily tasks. A large window seat in his room overlooks a courtyard garden, drawing in northern light and providing a tranquil view of a silver birch tree. This design also maintains sightlines with the family’s living area, fostering connection while allowing Owen moments of sensory calm. The project involved an alteration and addition to a 1970s home, and the design aimed to celebrate its mid-century architecture while introducing modern amenities. The original single-level structure, with its L-shaped configuration, allowed Owen’s new wing to be added near his parents’ suite for accessibility and support. The design addressed existing barriers, such as a threshold change to the backyard, by ensuring the internal concrete floor finish was flush with the external paving for seamless wheelchair movement. Archways and the front door were widened, with a generous 1.2-metre-wide glass entry door offering clear visibility to the back garden. Sensory considerations, including texture and color, heavily influenced material and product choices to maintain warmth and avoid a clinical aesthetic. It was crucial for Owen’s wing to feel comfortable and cohesive with the rest of the house. All three bathrooms were designed with earthy tones from nature, featuring ceramic wall and floor tiles from Original Ceramics. Owen’s bathroom, in particular, uses soothing matt khaki green tones that complement the garden view, creating a peaceful, non-institutional environment while meeting all accessibility requirements. Colour-blocked cabinetry in Laminex Possum matches the feature tiles, and an Omvivo Neo solid surface wall-hung basin with an integrated bench ensures ease of use and cleaning, allowing the tiles to be the focal point. Product sourcing included Phoenix tapware in a brushed gold finish, chosen to add warmth and personality. The clients, one of whom is a plumber, had existing brass tapware that inspired this selection. Phoenix's newly released Vivid Slimline mixers with an extended pin allowed for diverse needs to be met while maintaining a consistent design language. The clients played an integral collaborative role in the design process, providing valuable feedback on functionality, accessibility, and comfort, often with input from an occupational therapist. This close client involvement ensured the design truly met their lifestyle and needs. Future-proofing was a significant influence, balancing immediate needs with long-term adaptability. The design anticipates that Owen’s needs and interests may change, ensuring he can always feel supported and participate in family activities. An example is the special pool ledge included in the swimming pool design, allowing Owen to sit comfortably with his equipment, fostering an inclusive space for family time. The Mitchell Street Residence is designed to evolve, providing enduring independence, comfort, and connection. The project underscored the belief that thoughtful, inclusive design improves lives and empowers individuals. Klopper emphasizes the importance of collaborative client engagement to create spaces that celebrate diverse abilities and enhance daily life. Looking forward, there is a recognized need for innovations in the Australian accessible design market, particularly in understanding and designing for neurodiversity, moving beyond just mobility considerations. The design industry is encouraged to push boundaries by involving clients with diverse needs and integrating products and features that enhance quality of life without differentiating individuals. #AccessibleDesign #UniversalDesign #HomeExtension #ResidentialArchitecture #MidCenturyModern #InclusiveDesign #ClientCollaboration #ProductSpecification #FutureProofing

Erick Mikiten, an architect and universal design expert, transformed a Berkeley home for a wheelchair user by integrating an inconspicuous elevator. Mikiten, who uses a wheelchair himself due to osteogenesis imperfecta, emphasizes that universal design should not compromise aesthetic appeal. His new firm, The Art of Access, aims to advocate for radical levels of universal design, demonstrating that accessibility and artistic design are compatible. The project in Berkeley involved Fran and her husband, Chris, who faced the decision of selling their century-old Craftsman-inspired home or undergoing extensive remodeling to accommodate Fran’s multiple sclerosis. They chose to remodel, and Mikiten’s approach differed from other architects by holistically integrating accessibility into the overall design. Before the remodel, Fran had difficulty leaving her 3,000-square-foot home due to 22 stairs at the entrance and multiple internal flights. Mikiten's solution involved tunneling back into the hillside from the garage and bringing the house's facade forward. This created a stack that allowed for an elevator shaft connecting all four levels. Instead of a simple elevator shaft, he incorporated it into a larger addition, creating nooks on the upper floors and an improved exterior entry experience with a new arbor. The nooks on the third and fourth floors made these rooms more interesting, and bookshelves around the elevator walls disguised blank spaces, making the design feel more intentional. Additionally, a laundry space was converted into an in-law unit for a future caregiver or their college-aged son, and the primary bathroom was rearranged without moving walls to be wheelchair-friendly. Mikiten highlights that universal design should consider diverse needs, not just specific disabilities. He argues that often, perceived trade-offs in design occur because accessibility is treated as an afterthought rather than an integral part of the initial design process. He believes that building spaces that cater to a single condition limits future freedom, advocating for flexible designs that accommodate changes over time. The architect acknowledges that adding an elevator can be expensive, but much of universal design can be achieved through thoughtful planning and smart choices that don't necessarily increase costs. This includes decisions like allocating extra space for a bathroom or selecting appropriate fixtures and smart home features. He points out that the architectural profession often views ADA compliance as an add-on, whereas he sees it as a minimum standard from which to build greater accessibility and inclusion. The article also discusses the growing demand for "aging-in-place" driven by the Baby Boomer generation, coupled with soaring housing costs and the rise of multigenerational living and Accessory Dwelling Units (ADUs). Mikiten observes a shift in mindset, with more people planning for future accessibility needs proactively, rather than reactively in times of crisis. This proactive approach, he notes, provides flexibility for homeowners to accommodate aging parents or adult children, and even to downsize into ADUs themselves, alleviating housing pressures across generations. He also sees an increasing expectation for inclusion among younger generations, particularly in tech workplaces, which suggests a broader shift towards a more universally designed built environment for everyone, throughout their lives. #universalDesign #agingInPlace #accessibleDesign #homeRenovation #architecturalInnovation #disabilityAdvocacy #multigenerationalHousing #residentialArchitecture #berkeleyHome

Sarasota County, Florida, has implemented a voluntary, certification-based Universal Design and Visitability Program to encourage the construction and remodeling of homes that are accessible to people of all abilities. The program aims to promote "aging in place" through Universal Design (UD) features and to ensure homes are visitable, allowing residents to easily visit neighbors. Universal Design incorporates elements such as no-step entries, wide doorways for wheelchair access, and lever-style handles, making homes adaptable for various residents, particularly older adults and individuals with disabilities. The incentives offered for participation in this program include public recognition, a certification decal, eligibility for awards, and expedited building permit processing for projects that incorporate universal design. Despite these incentives, a primary challenge lies in the lack of perceived demand from customers and builders for these accessible features. Many home buyers, including older adults, do not consider accessibility needs until they become critical, often due to an unexpected health event or aging-related challenges. Caregivers, however, tend to have a stronger understanding of the need for accessible housing. To address this gap in demand and awareness, Sarasota County, in partnership with the University of Florida, has developed a public education program titled “How to Make Your Home Age-Friendly.” These classes provide detailed, room-by-room examples of accessibility improvements that can be integrated into existing homes or new designs. The program aims to educate the public about the benefits of universal design and visitability, fostering an environment where these features are more widely requested and understood. The program defines specific criteria for both visitability and universal design. For visitability, homes must feature an accessible entry with a minimum 25-square-foot landing, a 36-inch-wide no-step door, and a hard, barrier-free approach with weather protection. Additionally, a first-floor accessible bathroom is required, featuring wide entrances (preferably 36 inches or minimally 32 inches), ample floor space (30 x 48 inches minimum) for maneuverability, a 5-foot diameter or T-shaped turning space, an ADA-compliant comfort-height toilet, and grab bars for the toilet and bathing fixtures. Universal Design expands upon the visitability criteria by adding requirements such as a main-floor accessible bedroom with an accessible full bathroom (or an upper-floor option with an elevator). The bathroom must include a flexible shower extension, ADA-compliant fixtures, and knee space under the sink and vanity. Furthermore, electrical outlets must be located 18 inches from the floor, rocker- or touch-style light switches positioned 44 to 48 inches from the floor, and lever-style or easy-grasp pull handles must be used throughout the home. Windows are also subject to a sill height no greater than 36 inches. Kitchens in universally designed homes need clear floor space (a 5-foot diameter circle), knee space under ADA-compliant sinks and cooktops, variable height work surfaces including 32-inch high options, pullout shelves or drawers in base cabinets, and ADA-acceptable appliances. The Sarasota County Universal Design Coalition, an educational organization of local professionals, also works to raise awareness and promote these concepts. #UniversalDesign #AgingInPlace #AccessibleHousing #SarasotaCounty #HomeModification #Visitability #AgeFriendlyHomes #HousingAccessibility #AdaptiveLiving

The quality of life in cities significantly impacts human lifespan, with differences potentially spanning two decades, according to the WHO. The World Health Organization's 2001 International Qualifications Framework for Health (ICF) highlights that most individuals will experience some form of temporary disability due to factors like illness, age, or pregnancy. This perspective reframes disability not as a minority issue, but as a universal human experience. This shift underscores the importance of inclusive urbanism, barrier-free design, and universal access, moving beyond basic 'accessibility' discussions to widespread implementation, particularly in the US, Canada, and Europe. This article explores the progression of inclusive design, its philosophical underpinnings, and its current status in Ukraine. In the United States, the Americans with Disabilities Act (ADA) Standards for Accessible Design, established in 1991, marked a significant legal framework. While violations persist, the American legal system effectively enforces these standards through litigation. This has solidified inclusive design as a civil rights concept, a result of hard-won battles against initial resistance from state and corporate entities. Pioneering figures like industrial designer Patricia Moore faced resistance in advocating for design solutions that accommodated diverse needs, illustrating the historical struggle. An early example of adaptive architecture is Frank Lloyd Wright's Laurent House (1952), designed for a wheelchair-bound World War II veteran. Wright incorporated features like gentle ramps, wide doorways, and ergonomically placed fixtures, demonstrating that adaptive design can coexist with aesthetic appeal. Today, the Laurent House serves as a museum, a testament to this principle. While private, adapted mansions are now common, the urban environment required a more widespread fight. Activist Ed Roberts, partially paralyzed by polio, spearheaded the movement for accessible urban environments. His persistence led to the conversion of a university ward for his accommodation and, subsequently, the formation of the 'Rolling Quads' – a group that used radical methods, including smashing curbs, to advocate for accessibility. This activism, alongside broader civil reforms of the 1960s and 70s, culminated in the signing of the ADA in 1990. Ronald Mace, an architect and industrial designer also affected by polio, was another pivotal figure. He developed the first US building accessibility code in 1973 and coined the term 'universal design.' This concept goes beyond minimum accessibility, aiming for aesthetically pleasing and comfortable environments usable by everyone, regardless of age, ability, or status. Mace formulated seven principles of universal design: equitable use, flexibility in use, simple and intuitive use, perceptible information, tolerance for error, low physical effort, and appropriate size and space for approach and use. These principles were applied in the reconstruction of the World Trade Center site, including the 9/11 Memorial, where subtle slopes replaced stairs, and monument details were made visible to individuals of varying heights and mobilities. The Ed Roberts Campus in Berkeley, a world model for accessibility, exemplifies universal design principles, featuring acoustic landmarks, high-contrast decor, textured floors, remote-controlled elevators, and a spiral ramp. The building also prioritizes natural materials and advanced air filtration for those with environmental sensitivities. Terms like 'universal design' (US), 'inclusive design' (UK, Central Europe), and 'design for all' (Nordic countries) are largely synonymous, reflecting a global movement towards accommodating diverse needs in infrastructure and public spaces. 'Design to the Edges' is a more recent term that emphasizes designing for extreme user parameters to achieve versatility. Originating from a mid-20th century US Air Force study that found only a small percentage of pilots fit 'average' anthropometric data, this approach advocates for adjustable designs that cater to the broadest possible range of users. This principle leads to innovations like adjustable car seats and multifunctional urban elements. In contrast, Ukraine's progress in inclusive design lags despite ratifying the UN Convention on the Rights of Persons with Disabilities in 2009. Accessibility is often addressed reactively and inadequately. Examples include the delayed adaptation of parliamentary premises for a wheelchair-bound MP and instances of poor hospital design. Ukrainian cities grapple with fundamental issues like pedestrian mobility, with traffic light timings often prioritizing vehicular flow over pedestrian needs, particularly for those with reduced mobility. The lingering effects of Soviet-era neglect have fostered a 'learned helplessness' among many disabled individuals, who remain largely confined to their homes. However, individual initiatives, such as landscape designer Yuliya Polyanska's inclusive flowerbed project, offer glimpses of progress and advocate for sensory gardens. The challenges include lack of funding, absence of governmental programs, and vandalism. The broader implication of these struggles is that true inclusiveness is not about an accumulation of ramps but a fundamental rethinking of environmental design. In the digital age, inclusivity extends to corporate practices and UX design, benefiting a wide range of users beyond those with disabilities. Despite some famous architects still failing to implement inclusive designs, the pursuit of universal design continues. Ultimately, inclusive design represents a new elegance for cities, reflecting a humane and thoughtful approach to urban planning that offers comfort and dignity to all, often in subtle and harmonious ways. #inclusiveDesign #universalDesign #urbanism #accessibility #disabilityRights #barrierFree #architecture #urbanPlanning #socialEquality

Dezeen Showroom has unveiled 14 new products this week, featuring a diverse range of furniture, lighting, and finishes for both commercial and residential projects. Among the highlights is the "Technicolour" textile collection by graphic designer Peter Saville for Danish brand Kvadrat. This collection draws inspiration from the colorful sprays used by farmers to mark sheep, translating this rustic aesthetic into a series of vibrant handwoven and robot-tufted rugs with color spots, iridescent curtains, and upholstery made from British sheep's wool. Saville describes the collection as bringing "the industry of the land, in raw form, into the living environment," likening it to "rural graffiti." Other notable product additions include the "Mouro" lamp, designed by Patricia Perez for Case Furniture. This portable and rechargeable table lamp, suitable for indoor and outdoor use, features a disc-shaped LED light that rotates 360 degrees, enclosed within a rectangular frame that doubles as a handle. Rainlight's "Phlox" collection for Okamura offers a comprehensive range of seating and tables, including conference chairs, lounge chairs, high stools, and five table shapes. The collection, characterized by its gently undulating silhouettes, is inspired by the petals of the night-blooming phlox flower. For storage solutions, Bruno Rainaldi's "Ptolomeo" bookshelf for Opinion Ciatti is designed to emulate the appearance of books stacked in high piles while providing structural stability. Named after the founder of the Library of Alexandria, this stainless steel shelf is available in black, white, or Corten effect lacquered finishes. Dedar introduces two new textile collections: "The Art of Jacquard" and a "Textile wall covering collection." The Jacquard collection features ultra-thin yarns woven directly into the fabric to create rich patterns, including tropical bird motifs, nature-inspired designs, bold graphics, and abstract floral landscapes. The wall covering collection, inspired by grand tapestries, includes four patterns, such as screen-printed illustrations on linen and classic weaves of jute and linen, aimed at creating a cozy atmosphere. The "Hymn" lamp by Hiroto Yoshizoe for Ambientec is another portable and durable lighting option for indoor and outdoor settings. It employs two magnets to create constant oscillations, producing a flickering effect reminiscent of a candle flame. GamFratesi's "Beetle Chair," available through Suite NY, has been re-released with four new upholstery options in neutral shades, alongside black or brass leg finishes. John Pawson's "Frame" dining table for Nikari, originally designed for his own farmhouse, is a minimalist piece made from responsibly sourced ash or oak wood with a natural oil finish, boasting a lifespan of over 100 years. Alegre Design's "Talent" desk for Actiu is a versatile, mobile, and height-adjustable workstation designed for educational and training environments, featuring a dry-erase worktop that functions as a whiteboard when folded. Finishes also see new additions with CDUK's expanded "Corian Solid Surface" range, now available in a broader spectrum of neutral and warm colors. This material is lauded for its hygienic, durable, abrasion-resistant, and fade-proof qualities, making it suitable for both commercial and residential applications. Forbo Flooring Systems introduces "Marmoleum Linear," a carbon-neutral, plant-based linoleum flooring made from linseed oil, waste wood flour, and jute, designed to mimic wood with irregular grey and neutral stripes. ADEX presents the "Habitat" tile collection, a sustainable ceramic option for interior walls made with 55 percent white-body ceramics for enhanced durability. Lastly, Decocer's "Crag" tiles offer a family of porcelain tiles that replicate the look of stone and weathered steel, suitable for indoor and outdoor walls and floors, characterized by an industrial aesthetic and textured matte finish. #ProductLaunch #InteriorDesign #FurnitureDesign #TextileDesign #LightingDesign #SustainableMaterials #DesignInnovation #HomeDecor #WorkplaceSolutions

Dims., a direct-to-consumer design brand based in Los Angeles, has collaborated with Brooklyn-based creative studio Wade and Leta to introduce a reimagined Alfa Lounge Chair and Ottoman. This partnership marks the first installment of the "New Eclectic" collection, launching today for a limited time on dims.world at a price point of $3,395. The collaboration leverages the self-described "maximalist" aesthetic of Wade Jeffree and Leta Sobierajski, integrating new 2022 Kvadrat fabric in a selection of bold and electric hues. The design aims to infuse a "purposefully eclectic" character into the inherent relaxed form of the Alfa Lounge Chair and Ottoman, a project that the collaborators refer to as "contained chaos." This approach combines Dims.' commitment to accessible, well-designed furniture with Wade and Leta's vibrant, pattern-rich, and often playful artistic vision. The choice of Kvadrat fabric, known for its quality and innovative textiles, further emphasizes the premium aspect of this limited-edition offering. The partnership highlights a growing trend of design brands collaborating with artists and creative studios to produce unique, limited-run pieces that stand out in the market. The specific visual language of Wade and Leta—characterized by strong colors, graphic patterns, and a maximalist sensibility—is clearly applied to the minimalist form of the Alfa Lounge Chair, creating a juxtaposition that defines the "New Eclectic" concept. This release is targeted at design enthusiasts who appreciate bold statements and unique artistic interpretations within their living spaces. The collaboration not only introduces a new product but also serves as a testament to the dynamic interplay between different design philosophies, creating a piece that is both functional and a work of art. #HomeFurnishings #FurnitureDesign #ProductLaunch #DesignCollaboration #MaximalistDesign #EclecticStyle #KvadratFabric #WadeAndLeta #DimsWorld

Universal Design, a concept developed by architect Ron Mace, advocates for creating environments and products that are accessible and usable by everyone, regardless of age or ability. This approach extends beyond mere disability access, benefiting a wide range of individuals, from parents pushing strollers to the elderly. For example, wide sidewalks without obstructions serve all pedestrians, while extended crossing times at intersections enhance safety for children and individuals with mobility challenges alike. Raising crosswalks to sidewalk level not only aids people with disabilities but also compels drivers to reduce speed, improving overall safety. In the context of housing, less than one percent of homes are wheelchair-ready, a significant challenge for an aging population and individuals with mobility impairments. Eleanor Smith's concept of Visitability proposes essential accessible housing features: a level entrance, an accessible first-floor bathroom, and sufficient space to maneuver in a kitchen. This approach allows for diverse architectural styles, including multi-story homes, and promotes social inclusion by enabling people with disabilities to visit neighbors. Despite initial resistance from builders, cities adopting Visitability standards have not experienced a decline in housing development. For multifamily buildings, Universal Design elements include unobstructed entrances, spacious elevators, and roll-in/walk-in showers instead of traditional tubs. These features demonstrate that Universal Design can be integrated into high-quality, modern aesthetics, moving beyond the perception of clinical, institutional design. Beyond individual buildings, accessible and frequent public transit is crucial. Research indicates that up to one-third of the population does not drive, relying on public transport for various reasons, including age, disability, or economic constraints. Many older transit systems, such as those in New York and Chicago, lack elevators, making them inaccessible to a large segment of the population, including wheelchair users, individuals with respiratory issues, or parents with young children. In less dense areas, the absence of accessible, weather-protected bus stops and insufficient training for bus drivers on operating lifts further exacerbate accessibility problems for the 80 million people with disabilities in the U.S. Community infrastructure also plays a vital role in fostering intergenerational communities. The removal of street benches, often an ill-conceived effort to deter homeless individuals, can inadvertently prevent elderly people from engaging in physical activity or accessing local amenities. People cannot successfully age in place if their homes, sidewalks, public transit, parks, and civic buildings are not inclusive. Similarly, children's independence and safety are compromised when sidewalks are blocked, bike lanes are obstructed, and streets are unsafe due to fast-moving traffic. Simple policy changes, such as more rigorous enforcement against blocked sidewalks and bike lanes, and traffic calming measures through redesign, can address these issues. The financial aspects of implementing Universal Design are also manageable. Retrofitting existing housing for accessibility can be integrated into existing economic development incentives offered by cities. Transit training programs can be refined to ensure drivers are adept at assisting passengers with disabilities. While adding elevators to older transit systems is costly, substantial federal funding is available for such upgrades. Real estate professionals recognize the value of Universal Design. For instance, the Heartland REALTOR® Organization in Illinois, in collaboration with the city of Woodstock, the local school district, and Illinois REALTORS®, developed a prototype model home incorporating Universal Design principles. This initiative, supported by a Housing Opportunity grant from NAR, aims to educate communities and builders on constructing homes with "Universal Design from the ground up," promoting aging in place and attracting interest from organizations like AARP and the Metropolitan Mayors Caucus. Universal Design aligns with broader urban planning movements such as the 15-minute city, the Congress for New Urbanism, LEED certification, and smart growth principles, ultimately enhancing dignity, independence, and well-being within intergenerational communities. #UniversalDesign #IntergenerationalCommunities #Accessibility #InclusiveDesign #HousingAccessibility #Visitability #PublicTransit #AgingInPlace #SmartGrowth

Universal Design Studio (UDS), an architectural practice founded in 2001 by Edward Barber and Jay Osgerby, is celebrating two decades of groundbreaking work. Documented in their new book, 'Inside Out' (Phaidon), the studio’s success is attributed to its collaborative spirit, involving over 240 individuals throughout its history. Unlike traditional design firms that emphasize a singular artistic vision, UDS operates as an “experimental playground” where multiple thinkers contribute to a diverse portfolio of projects. These projects span retail spaces for luxury brands like Stella McCartney and Mulberry, hospitality ventures such as the Ace Hotel in Shoreditch and a cocktail bar for Fortnum & Mason, exhibition designs for the V&A Museum and Frieze Art Fair, and workspaces for IMB and Jimmy Choo. Barber and Osgerby initially established UDS to differentiate their architectural and interiors work from their product and furniture design studio. They recognized that while a multidisciplinary approach was common in Italy, it was less understood in the UK. This led them to create a new division focused on architecture and interiors, with a strong emphasis on collaboration. The studio maintains an egalitarian approach, where no single author dictates a project's direction. Instead, teams work collectively, valuing diverse perspectives to break new ground and challenge conventional thinking in each sector. UDS is also known for its commitment to reusing and repurposing existing buildings, prioritizing how spaces are utilized and how they serve their communities over demolition and new construction. Despite being an architectural practice, Osgerby notes that they primarily focus on interior and adaptive reuse projects rather than constructing new buildings from the ground up. Jason Holley, director of UDS, explains that the studio's principle is to work 'from the inside out,' focusing on human experience and the specific context of a building. This ensures that every design solution is tailored to its site and users, rather than adhering to a signature stylistic approach. Key projects illustrate UDS's impact. The Stella McCartney stores in New York and London, completed in 2003, were early successes, demonstrating the seamless integration of bespoke product, industrial design, and interior architecture. The custom-made tile used in these stores exemplifies the studio's philosophy of bringing the detail of furniture design to architectural spaces. In 2012, the interactive Google Web Lab at the Science Museum showcased UDS's ability to blend physical and digital worlds, creating an engaging space for technological exploration and storytelling. The Ace Hotel in Shoreditch, completed in 2013, marked a pivotal moment for both the studio and the surrounding neighborhood. UDS, despite having no prior hotel experience, embraced the challenge and collaborated closely with the Ace team. This project, which blended hotel functionality with local culture and casual workspace, became a significant contributor to the area's identity. This success led to a long-term partnership with The Office Group, for whom UDS designed Tintagel House and other workspaces. Looking ahead, co-director Paul Gulati identifies future areas of focus, including improving experiences in healthcare for the aging community and revitalizing high streets, leveraging their expertise in creating community-focused spaces. Mobility and electric vehicles are also areas of interest. Holley emphasizes the studio's goal of creating spaces that people deserve, seeking clients and collaborators who share their passion for openness and innovation. Osgerby reflects on the studio's core aim as recreating a 'campus atmosphere,' reminiscent of his time at the Royal College of Art, where interdisciplinary collaboration fostered productive and exciting exchanges of ideas. #UniversalDesignStudio #ArchitecturePractice #InteriorDesign #CollaborativeDesign #SustainableDesign #EdwardBarber #JayOsgerby #HospitalityDesign #RetailDesign

Accessible or universal design often conjures images of institutional public spaces, a perception that can overshadow its potential for residential applications. However, at its core, accessibility is about creating environments that cater to the diverse needs of all individuals who inhabit or visit a space. When viewed from this perspective, universal design transforms into a solvable design challenge, capable of producing beautiful, creative, and uplifting homes. This article highlights nine distinct residences, encompassing both renovated properties and newly constructed homes, that exemplify and champion accessible design principles. One featured home is a 1952 midcentury ranch, transformed to be wheelchair-accessible after a motorcycle accident prompted Derek and LeAnne Lavender to seek suitable housing. Their experience underscored the prevalence of inaccessible design features in many homes, such as sunken living rooms and upstairs bedrooms, leading them to select a property with renovation potential. Another example is a family guesthouse designed by architect Neal Schwartz. This project aimed to accommodate an aging relative and a wheelchair user within a 775-square-foot limit imposed by local zoning. The solution involved a single-level structure connected to the main house via a breezeway, incorporating a sculptural roof opening for natural light and ventilation. Karen Braitmayer, an architect specializing in universal access and ADA compliance and a wheelchair user herself, revamped her 1954 Seattle home. Although its original single-level, open layout was beneficial, the family's evolving accessibility needs, particularly those of her daughter, also a wheelchair user, necessitated updates. The renovation integrated the main living area, dining space, and Braitmayer’s workspace, with interiors by Lucy Johnson and windows/doors from Lindal and Marvin, respectively. A family of five with two wheelchair-using daughters collaborated with Kuklinski + Rappe Architects in Chicago to design an accessible home with a long-term vision. Their focus on the family’s lifestyle and health over time led to a non-traditional layout centered around courtyards, including a shared courtyard accessible from the children's bedrooms. TJ Hill and Jay Heiserman opted to replace their cramped bungalow with an accessible and affordable prefab home from Connect Homes. Architects Jared Levy and Gordon Stott designed a 16-foot-wide house, utilizing the remaining space for a large deck, thereby creating a flexible and seamless first-floor plan that prioritized universal design and affordability. Ed Slattery sought to create a sustainable and accessible home that avoided a clinical feel after one of his sons became a wheelchair user due to an accident. The design incorporated universal features such as drop-down kitchen counters, a cooktop from Freedom Lift Systems, and smooth, barrier-free polished concrete floors, balanced with warm wood materials for a homely ambiance. Frank Lloyd Wright's Kenneth and Phyllis Laurent House, completed in 1952, stands as his only handicap-accessible building. Designed for Ken Laurent, who was paralyzed from the waist down, the Usonian home featured innovative accessible designs for its time, including flush thresholds and ground-level floors for easy indoor-outdoor transitions. Wright also designed much of the built-in furniture. In New York City, David Carmel, paralyzed from the waist down after a diving accident, worked with Della Valle Bernheimer to create an apartment that is both beautiful and accessible, featuring a lightweight sliding wall to separate the bedroom and living area. Finally, a loft-cum-farmhouse in Sebastopol, California, designed for a family from Manhattan, needed to be open, rustic, and accommodate a son who uses a power wheelchair. The home features wide, generously sized spaces, from the front door to an open central living area, facilitating ease of movement and communal living. #AccessibleDesign #UniversalDesign #HomeRenovation #WheelchairAccessible #InclusiveDesign #ModernHomes #Architecture #PrefabHomes #AgingInPlace

The article highlights Jules Stafford, an interior design alumna from George Fox University, and her impactful work at DesignCase, a firm recognized for its community-focused projects. Stafford, a bi-cultural woman with Mexican and Filipino heritage, integrates her understanding of diverse cultures into her design philosophy, emphasizing the creation of hospitable spaces that foster community. A notable project discussed is the Immigrant Food restaurant in Ballston, Virginia, which she helped design. This restaurant is celebrated for its vibrant aesthetic, reflecting various immigrant cultures, and its role as a hub for cultural exploration and community engagement. Stafford's work extends beyond commercial projects to pro bono community initiatives. DesignCase recently revamped teacher lounges in a local K-12 public school, designing intentional spaces for educators across different grade levels. This project deeply resonated with Stafford, who witnessed the profound positive impact these revitalized spaces had on the teachers, reinforcing her belief in the power of design to serve and uplift communities. She views these opportunities as a way to steward her talents and contribute meaningfully to society. The article also delves into Stafford's personal journey, detailing her upbringing in Hesperia, California, within a large family that instilled in her a strong sense of community and a knack for organizing events. Her early experiences with hospitality and planning naturally transitioned into an interest in interior design. As a first-generation college student of color, Stafford faced unique challenges in pursuing higher education. Her family, with no prior college attendees, found the prospect of university cumbersome. She navigated a crossroads between pursuing a design-focused school or a faith-based institution, ultimately finding George Fox University and its Mosaic Scholars Program, which offered both academic and leadership development support. Her transition to George Fox was initially difficult due to the distance from home and financial pressures. Overwhelmed, Stafford considered leaving after only two weeks. However, the unwavering support from university staff, particularly Bryce Coefield and Jenny Elsey, played a crucial role in her decision to stay. They provided her with options and encouragement, demonstrating the strong community ethos at George Fox. Further support came in the form of a nanny position with George Fox’s women’s volleyball coach, Emily Davis, which offered her housing and extended her stay at the university, allowing her to thrive academically and personally. Casey Martin, Stafford's interior design professor, also provided significant mentorship and practical assistance, including helping her secure employment when an initial job fell through. Martin's commitment to connecting students with industry professionals and offering comprehensive support, whether professional or personal, was instrumental in Stafford's success. The collaborative spirit among her peers in the interior design program, where students supported each other through competitions and celebrated collective achievements, further underscored the importance of community. Stafford's story culminates in her securing a position at DesignCase, a moment celebrated by her classmates, symbolizing a shared victory and the fulfillment of her aspirations. She continues to advocate for collaborative design, emphasizing the need for diverse perspectives to create impactful and meaningful spaces, believing that even small organizations can achieve significant positive change. #InteriorDesign #CommunityEngagement #AlumniSuccess #GeorgeFoxUniversity #FirstGenerationStudent #CulturalFluency #ProBonoWork #Mentorship #CareerJourney

Modulyss, a Belgium-based flooring design company, has introduced a new collection of carpet tiles specifically developed to support inclusive and neurodiverse interior design schemes. The company highlights that carpet tiles are often underestimated in their potential to contribute significantly to the physical and psychological well-being of occupants in mixed-use interiors. This collection aims to bring attention to these benefits by offering features that cater to a wide range of sensory needs. One of the primary functions of these carpet tiles is to assist with wayfinding and spatial awareness, particularly for individuals with visual impairments. Modulyss explains that the strategic use of striking patterns and varied textures within the carpet tile arrangements can serve as clear navigational markers. Changes in pattern, texture, and color can effectively delineate different zones within a space, guiding users and indicating transitions between areas. This thoughtful design approach helps to create environments that are easier to navigate and understand for everyone. Beyond navigation, the color palette of the carpet tiles is designed to influence the atmosphere of a space, allowing designers to either stimulate or calm the environment based on the specific needs of its users. For instance, vibrant colors might be used in areas intended for high energy or engagement, while more subdued tones could be employed in spaces designated for relaxation or focused work. Furthermore, the inherent sound-absorbing properties of tactile carpets are leveraged to minimize sensory overload, a crucial consideration for individuals sensitive to auditory stimuli. By reducing ambient noise, these carpets contribute to a more comfortable and less overwhelming environment. Modulyss emphasizes that flooring plays a vital role in creating inclusive spaces that embrace diversity. The company believes that well-selected carpet features can significantly enhance a design, cultivating a sense of comfort and belonging. To achieve this, Modulyss has developed an extensive range of carpet tile collections, each offering unique design variations. Among their notable collections is Artcore, which draws inspiration from topographical landscapes and their seamless transitions. This collection is designed to provide both visual and tactile cues throughout interior schemes, further supporting navigation and spatial understanding. Another collection, Modus, features multiple subtly patterned finishes that evoke the passage of time and various natural processes, such as the formation of rust on metal, adding depth and organic aesthetics to the flooring. The Handcraft collection comprises four distinct patterns that explore the connection between craftspeople and the natural world. Examples include the Leaf pattern, which mimics the appearance of fallen leaves, and Grind, which reflects the rough pathways created by human movement through nature. These collections showcase Modulyss's commitment to combining aesthetic appeal with functional design tailored for inclusivity. An important aspect of Modulyss's product development is its dedication to sustainability. All of their carpet tile collections are cradle-to-cradle certified. This certification signifies that the products adhere to rigorous standards for environmental and social responsibility, supporting the principles of a circular economy. This means the products are designed with the intention of eradicating waste and facilitating the repurposing of materials at the end of their lifecycle, aligning with broader goals of ecological stewardship in design and manufacturing. Modulyss, as a Belgian brand, specializes in designing and manufacturing floor tiles suitable for diverse interior applications, consistently integrating principles of accessibility and sustainability into their offerings. #CarpetTiles #InclusiveDesign #Neurodiversity #InteriorDesign #AccessibleDesign #SpatialAwareness #SoundAbsorption #Sustainability #CircularEconomy

Designing a home with accessibility in mind enhances independence, comfort, and reduces physical and cognitive strain for all occupants. Implementing universal design principles can future-proof a home and potentially increase its market value by making it more user-friendly across all ages and capabilities, including those with specific physical and cognitive challenges. This approach ensures peace of mind and greater independence for family members. Whether the goal is to make a kitchen more accessible or plan a multi-generational bathroom, several key strategies can significantly improve a home's accessibility, creating a more inclusive and restful environment. Effective accessibility planning involves identifying potential challenges and making changes that facilitate ease of use. Consulting accessibility experts or occupational therapists is recommended to receive personalized recommendations tailored to specific family needs. One crucial aspect is integrating smart home technology. Devices like voice-activated controls and automated systems reduce physical demands, allowing control over lighting, temperature, and security via voice commands or smartphone apps. Smart assistants can also manage daily routines, reminders, and tasks, reducing cognitive load for individuals with memory issues and enhancing safety and independence. Visual and tactile cues are vital for individuals with visual impairments. Using contrasting colors, textured flooring, and Braille signage aids navigation. For instance, dark colors on doorways against light walls create visual definition, improving depth perception. Different flooring textures can signal transitions between rooms or approaching stairs. Incorporating adjustable features like countertops, sinks, and furniture allows customization to individual accessibility and comfort needs. Adjustable shelves and pull-out drawers in kitchens, bathrooms, or closets make items more reachable, particularly for wheelchair users. Height-adjustable desks and ergonomic seating with adjustable depths and armrests also enhance comfort and usability in home offices. Ensuring easy entry and exit is fundamental. Doorways should be wide enough (at least 32 inches) to accommodate wheelchairs. If widening isn't feasible, offset or swing-clear hinges can provide more clearance. Sliding doors save space and are easier to operate than swinging doors. Replacing doorknobs with lever-style handles benefits those with limited hand strength. Automatic door openers offer hands-free access. Seamless transitions are also essential; avoiding abrupt changes in flooring height, leveling floors, or using ramps creates smooth pathways, minimizing obstacles for mobility aids. Maintaining clear and uncluttered pathways is critical for smooth movement and safe maneuvering. Decluttering and adopting a minimalist approach removes potential obstacles like loose rugs or bulky furniture. An open layout design with widened doorways facilitates mobility, especially for users of wheelchairs or walkers. Sufficient turning space, particularly in kitchens and bathrooms, is necessary, with a recommended 36 inches between furniture and counters. Prioritizing clear pathways not only enhances accessibility but also fosters independence and safety. Improved lighting is essential for functionality and safety. All areas should be well-lit to aid navigation and reduce fall risks. Brighter or task lighting is beneficial in high-traffic areas. Combining natural and artificial light ensures even illumination. Using LED bulbs with a daylight coloring improves visibility and color perception. Light-colored walls, especially white, reflect light, increasing natural illumination. Adjustable brightness and color temperature accommodate sensory sensitivities. Motion-sensor lights or touch-activated lamps are useful for those with limited mobility, and lighting timers can automate illumination based on routines or external light levels. Finally, investing in non-slip flooring materials like textured tiles or low-pile carpets is crucial for creating a safer environment, providing better traction and stability, especially for individuals with mobility challenges or balance issues. Externally, accessible parking, ramps at entrances, and well-lit pathways also contribute to overall home accessibility. #HomeAccessibility #UniversalDesign #SmartHomeTechnology #AccessibleInteriors #MobilityAids #AgingInPlace #InclusiveDesign #HomeModification #SafeLiving

Archeda, a family-owned business established in 1996 in Porcia, Friuli Venezia Giulia, specializes in creating bathroom furniture, accessories, and complements. The company's core philosophy revolves around culture and sharing, viewing them as essential tools to inspire and appreciate beauty. Archeda focuses on designing bathroom systems that are adaptable and multifunctional, transforming bathrooms into personalized spaces for self-care and well-being. Each collection is a blend of research and innovation, aiming to anticipate current and future design trends and lifestyle shifts. Founders Maurizio Poletto and Piergiorgio Verardo initiated the company with the vision of infusing beauty and innovation into bathroom design through a diverse range of furnishing solutions. The company’s expertise is rooted in a rich tradition of craftsmanship combined with a passion for design, embodying the resilience and foresight typical of "made in Italy" enterprises. The second generation, led by Alberto Poletto, Maurizio's son, has joined the business, bringing a clear and determined vision for future growth. Alberto Poletto's aspiration is to contribute to the family business by developing design furniture, and he aims to implement digitization processes for faster and more innovative services. He also plans to expand into new foreign markets to promote Archeda's core values globally. The manufacturing facility in Porcia spans 4,000 square meters, where a significant portion of the workforce has been dedicated to the company for two decades. These skilled professionals are responsible for processing raw materials, assembling, and crafting high-quality, durable design pieces. Archeda enhances its customer-centric approach by offering a digital configurator, which allows clients to design their bathrooms virtually. The company is deeply committed to sustainability, integrating eco-friendly materials such as wood and glass into its products and adopting environmentally conscious production methods. Longevity of products is a key priority, further supporting their sustainable practices. To minimize its environmental impact, Archeda powers its operations using photovoltaic panels installed on the company's rooftops. The brand's products are distributed throughout Italy via specialized thermo-hydro-sanitary and furniture shops. On the international front, Europe, particularly France, is a significant market accessed through traditional distribution channels. In the United States, Archeda strategically targets the Boutique Contract sector, collaborating with architects and design professionals in major cities like Miami, New York, and Chicago. This approach highlights their blend of traditional craftsmanship with modern business strategies and environmental responsibility.

Arjealy Wisseh, a 2021 Interior Design alumna from Rochester Institute of Technology (RIT) and founder of Maiyn Design, has gained international recognition through her work being published on Moro, a global platform dedicated to interior design inspiration, professionals, and products. The featured project showcases a co-working office design and her contributions to a six-story space. This comprehensive project, developed in collaboration with peers Emma Canny and Raquel Rojas, exemplifies a successful fusion of traditional and modern interior design elements, catering to both commercial and residential applications. The article highlights several key aspects of the featured design, illustrating how Wisseh and her team balanced different aesthetic principles. The co-working office space emphasizes functionality and collaboration while incorporating modern design trends. Elements such as an open, inviting layout with abundant natural light, ample seating, and integrated greenery contribute to a vibrant and productive environment. This design approach reflects contemporary workplace needs, prioritizing comfort and aesthetic appeal to enhance employee well-being and productivity. The inclusion of various seating options and green elements suggests a focus on creating flexible and biophilic spaces, which are increasingly important in modern office design. Further illustrations within the article provide a detailed look at the residential components of the project. A kitchen rendering reveals an open-concept design that seamlessly integrates with living areas, promoting a sense of spaciousness and connectivity. This open-plan layout is a hallmark of modern residential design, fostering interaction and accessibility. The kitchen's aesthetic likely combines sleek, contemporary finishes with traditional materials or subtle classic details, achieving the project's overarching theme of blending styles. The use of neutral color palettes, clean lines, and integrated appliances further enhances the modern appeal, while specific design choices could introduce traditional warmth or texture. The bathroom design, depicted in a rendering, features a black, white, and gray color scheme, equipped with a shower and a dual sink. This monochromatic palette is characteristic of modern design, offering a sophisticated and timeless look. The inclusion of a dual sink enhances functionality, especially in shared living spaces, while the overall minimalist approach to fixtures and finishes maintains a contemporary feel. The design likely incorporates high-quality materials and efficient layouts, balancing luxury with practicality. The article also showcases various other functional areas, including open workspaces with desks and seating, demonstrating a thoughtful approach to space planning and utility. Tall bookshelves in an open workspace suggest an emphasis on both storage and visual interest, contributing to the professional yet inviting atmosphere. A lounge area featuring a wall-installed electric fireplace further illustrates the blend of styles, combining modern comfort with a traditional element that provides warmth and ambiance. This detail highlights the team's ability to create cozy and inviting zones within larger commercial or residential settings, adding a touch of domesticity to a professional environment or enhancing relaxation in a home setting. Finally, a large, open room with a long conference table and chairs is presented, indicating the project's capacity to accommodate formal meeting spaces. This area maintains the overall aesthetic coherence, featuring a design that is both professional and visually appealing. The choice of furniture and room arrangement likely reflects a balance between modern ergonomics and a classic sense of formality, ensuring that the space is suitable for various professional functions. Overall, the project by Arjealy Wisseh and her team demonstrates a sophisticated understanding of how to merge traditional and modern design philosophies to create versatile and aesthetically pleasing environments for diverse uses. #InteriorDesign #ModernDesign #TraditionalDesign #CoWorkingSpace #ResidentialDesign #CommercialDesign #RITAlumni #MaiynDesign #MoroPlatform

This article highlights 15 emerging talents in product design who are making significant contributions to the industry. These designers and studios showcase innovation across various materials, techniques, and product categories, ranging from home furnishings to decorative objects. Lucie Roy, a member of the Kaléidosco collective in France, specializes in float-glass wall tiles. Her Blue Lands tiles manipulate translucency and opacity with aqueous hues, achieved through multiple enamels and three firing processes, and finished with subtle gold details. Bond Hardware, founded by Dana Hurwitz and Mariah Pershadsingh, originally known for jewelry made from scrap metal, has expanded its offerings to include home furniture. Ben Erickson's Erickson Aesthetics presents the "Halo Drippp," a product that integrates a rainbow spectrum into a fundamental form. Soft Geometry, led by Palaash Chaudhary and Utharaa Zacharias, focuses on shapes and references dessert in their new collection. Asa Pingree, drawing inspiration from his boat-building apprenticeship, explores fiberglass in his Brooklyn workshop, evident in his experimental stool designs. Jude Heslin Di Leo, inspired by feng shui principles, created "Amplifier," a 15-inch-high table crafted from pure quartz crystal, intended to enhance natural energy. Sasha Burchuk, founder of New Age Design Studio, reinterprets the ancient terrazzo technique for cement tiles and candleholders, utilizing ethically sourced precious and semiprecious stones in her "Gemstone Terrazzo" and "Ziv" lines. Marie Schumann, a Swiss designer, creates vibrant tapestries called "Softspace #5" and "Softspace #6." These textiles feature haptic fringing and draped threads, woven from materials like Lurex, Trevira CS, or cotton on an industrial jacquard loom and distributed through OKRO. Henri Judin’s "Liquorice" shelves, available vertically or horizontally, are crafted from black rods of bent and powder-coated steel by Lankapaja metalsmith, evoking the candy they are named after and sold through Young Finnish Design. Felicia Arvid, a former fashion designer, introduces "Addéra," a reconfigurable daybed. Its wool-covered cushions, armrests, backrests, and painted-birch tablet can be rearranged to slot into a tubular-steel base. Emiliana Gonzalez and Jessie Young, founders of Estudio Persona, launched "Flecha," an angled side table made of mahogany-veneered plywood, coinciding with the opening of their Los Angeles showroom. Virginia Valentini and Francesco Breganze of LatoxLato designed "Aracne," a coffee table with a 40-inch-diameter glass top supported by eight legs in light oak or dark walnut, noted for its innovative structure. Brecht Wright Gander of Birnam Wood Studio collaborated with jeweler Suna Bonometti on "Brutiful U&I," a cocktail table inspired by Carlo Scarpa’s Brion Cemetery, made from Valchromat wood-fiber visible through an acrylic top. Kyle Comeaux, founder of Komolab, offers "Walden," a dog bed featuring a walnut or white oak base topped with a removable wool-upholstered cushion and a waterproof liner. Finally, Daria Belyakova designed "Paspartu," an armchair described as an "inhabitable sculpture." It is made from chromed, molded fiberglass with wool upholstery and is supported by a nearly invisible glass stand, available through Palisander Gallery. These designers represent a diverse range of styles, materials, and functional applications within contemporary product design. #ProductDesign #RisingStars #InteriorDesign #FurnitureDesign #HomeDecor #TextileDesign #GlassArt #ContemporaryDesign

This case study details the design and construction of the Fotsch Residence in Wisconsin, a new-build home that integrates seamlessly with its natural, wooded landscape. The homeowners, Tom and Dea Fotsch, selected a site characterized by significant elevation changes and an L-shaped buildable area, presenting a unique challenge for the architectural design. They enlisted Will & Fotsch Architects Inc., co-owned by their son Andy Fotsch, to bring their vision to life. The design process began with the strategic placement of the front door, identified for its optimal view across a wetland. This became the central axis, forming an angled hinge that connects the master bedroom wing to the rest of the house. The exterior of the home features stone masonry that extends to the outdoor paths and landscaping, creating a cohesive aesthetic. Stone quoining was also applied to key architectural elements, including the east vestibule arch and all windows, enhancing the sense of historical foundation despite being a new construction. Kolbe Windows & Doors' Ultra Series products were extensively used throughout the residence, featuring an aluminum exterior with a Night Sky mica finish and wood interiors. A significant design focus was the strategic placement and sizing of windows to maximize views of the surrounding forest and lakeshore. The home incorporates a variety of window types, some of which are exceptionally large fixed radius units, pushing the boundaries of custom window manufacturing. Notable window and door features include sliding patio doors with radius transoms, intricately designed with delicate divided lites. A custom diamond shape fills the center of the transom windows, with vertical mullions precisely aligned to the doors below. This diamond motif is echoed in other parts of the house, such as the lower-level powder room, which boasts a unique window design with leaded glazing, custom bronze glass, round patina zinc caming, and European-styled hinges. Dea's study is adorned with a wall of half-circle windows, complemented by awnings beneath them. Custom-designed performance divided lite bars ensure perfect alignment between the fixed radius windows and the operable units below. Andy Fotsch emphasized that every room was designed to offer views in at least two, and often three, directions, ensuring a constant connection to the panoramic natural surroundings. Achieving visual continuity was paramount, with window pane sizes driving overall window dimensions and divided lite mullion widths. A 2:3 proportion was consistently applied to create three base pane sizes, from which all window configurations were derived. This geometric approach allowed for variations in window assemblies, using combinations of two, three, or four units to maintain visual harmony across each room and elevation. Challenges arose, such as with a side-turned diamond window in Tom's study, where precise mullion alignment with the transom above required careful consideration due to the wider frames of the sliding doors below. The design balances strong horizontal and vertical alignments with angles and curves, notably utilizing a 60-degree angle for many elements, which Andy Fotsch describes as more subtle and less harsh than 45 or 90-degree angles. Circular windows are strategically placed beneath roof peaks, and an eyebrow arch roofline follows the curve of upper-level radius windows. Radius segment picture windows are featured in various locations, including the west elevation's two bedrooms, Tom's study, the vestibule, and the east elevation's upper landing. The project utilized a diverse range of Kolbe products, including dozens of casement, awning, direct set, and folding windows, alongside sliding and swinging door systems. In total, Limitless Builders Inc. installed approximately 60 windows in both rectangular and radius shapes, and seven door systems configured in two-, three-, and four-panel arrangements, all contributing to the home's distinctive style and integration with its environment. #FotschResidence #HomeDesign #ArchitecturalDesign #KolbeWindowsAndDoors #CustomWindows #WisconsinArchitecture #ResidentialDesign #WindowAndDoorInstallation #NatureInspiredDesign