Home Sweet Home for Life

The Wallis family, consisting of Jenna, an internationally acclaimed interior designer and owner of Jenna Wallis Interior Design, and her husband Ed, purchased a 1940s English cottage in the Hedgemoor neighborhood of Memphis with a vision to transform it into a serene and classic retreat for their family, including their two boys. Despite its charming exterior, the cottage required extensive renovation to accommodate a modern family while preserving its original character. After living in the house for about four years, the Wallises engaged Ryan Anderson of RKA Investments, a Memphis builder known for restoring older homes, and architect Charles Shipp to lead the renovation. Jenna's design philosophy centered on blending the old with the new, maintaining the home's classic charm while introducing contemporary elements. A significant challenge involved literally lifting the existing structure to create an open, airy space. The renovation team, including Ryan Anderson's business partner Chris Clark, worked collaboratively to achieve Jenna's vision, which included raising the living area's 9-foot ceilings to 11 feet to enhance natural light and spaciousness. Eight-foot windows were installed, flanking a custom fireplace, above which a vibrant painting by Atlanta artist Sally King Benedict became a focal point. Key areas of the home were meticulously redesigned. The kitchen was transformed with custom cabinetry extending to the ceiling for maximum storage, a beveled subway tile backsplash, and honed Carrara marble countertops. Jenna opted for unlacquered brass hardware, which develops a natural patina over time, to align with the home's original aesthetic. A breakfast nook, connecting the living area and kitchen, features sleek white walls, a streamlined banquette, and a rustic farmhouse table complemented by a brass globe chandelier. A framed 1966 Andy Warhol-designed Campbell's Soup dress, inherited from Ed's grandmother, adds a whimsical touch to this space. Throughout the living areas, white walls serve as a gallery for the Wallises' extensive art collection, which includes pieces by Memphis artist Megan Hurdle. In the parlor, a soft mint green ceiling, inspired by one of Hurdle's mixed-media works, adds a subtle color accent. Jenna's favorite space, her downstairs study, is distinguished by pale, high-gloss blue lacquered walls, a French pedestal desk, whimsical peacock figurines, and a modern brass starburst chandelier. Custom-built bookshelves by RKA Investments house the family's book collection, while art consultant Anna Wunderlich assisted in curating and displaying the family's diverse artwork, including a collection of oils and watercolors from Paris. The guest bedroom features a bold coral lattice wallpaper on an accent wall, framing an upholstered headboard, alongside French dressers and draperies made from Jim Thompson silk. The master bath was conceived as a spa-like retreat, with gray and white marble, built-in mirrors, millwork surrounding a white vanity, and elegant brass hardware. Antique light fixtures were incorporated to maintain the home's period charm. The renovation extended to the exterior, with Ryan Anderson and his team salvaging stone to create a cozy fireplace on a spacious, screened-in porch, which has become an ideal gathering spot for the Wallis family and friends. The project culminated in a home that perfectly blends classic charm with modern functionality, fulfilling Jenna's five-year vision. #HomeRenovation #InteriorDesign #HistoricPreservation #MemphisHomes #CottageRenovation #JennaWallisDesign #RKAInvestments #LuxuryInteriors #ArtCollection

The article details House Beautiful's seventh annual Whole Home project, which took place in the Blue Ridge Mountains of North Carolina, specifically an area between Asheville and Hendersonville. The location was chosen for its culinary scene, high brewery-per-capita ratio, proximity to the Biltmore Estate, vibrant art scene, and scenic views, as well as a local bakery famous for salty chocolate chip cookies. The 4,000-square-foot mountain contemporary home was built in partnership with Sean Sullivan of Living Stone Design + Build, named 2023 National Custom Home Builder of the Year, and Laura Sullivan of ID.ology Interiors & Design, along with 11 other design teams. The initial goal of the project was to celebrate vacation home living and promote downtime. However, the project took an unexpected turn on the final day of the team's visit when Hurricane Helene struck western North Carolina. The storm caused significant devastation to the region, including the River Arts District and Biltmore Village, resulting in power outages, loss of communication, and displacement. Although the House Beautiful team was safe, the widespread destruction prompted a shift in the project's mission. The focus moved from design inspiration to supporting the community's rebuilding efforts, highlighting the resilience of the local tradespeople and designers who continued their work despite personal losses. The article emphasizes the collaborative spirit of the project, acknowledging the extensive contributions of Sean and Laura Sullivan, Sarah Caldwell, Jill Jones, Chris Culler, Matthew Jones, Will Hewitt, and a person referred to as “Blackstone,” all of whom played crucial roles in the home's construction and design. Their dedication was particularly notable as many were directly impacted by the hurricane. The home itself is described as energy-efficient, located in the conservation-minded community of Sprout in Hendersonville. It features heating and cooling systems by Trane and window treatments by Hunter Douglas, which contribute to its energy efficiency. The exterior paint colors, Pantalon and Off-Black, are from Farrow & Ball. The article also lists various brand partners, including Architectural Grille, Fabricut, Feeney Railings, Fibreworks, Lee Industries, Minted, Monogram, Harlequin, Serena & Lily, Spoonflower, The Container Store, Visual Comfort & Co., and Wayfair Professional. House Beautiful also partnered with Wellness Within Your Walls, an organization dedicated to educating and guiding on reducing toxins in living environments, reflecting a commitment to meaningful and healthy design. The article concludes by encouraging readers to visit the region when it is ready, not only for its natural beauty and culinary delights but also to support its recovery. The full story of the home will be featured in the November/December 2024 issue of House Beautiful, which is scheduled to be released on November 26. #InteriorDesign #HomeTours #NorthCarolina #HurricaneHelene #SustainableDesign #HomeDecor #DesignPartnerships #CommunitySupport

Cottage-style homes, a trend that gained significant traction in 2020, continue to be a prominent interior design aesthetic, largely driven by a renewed emphasis on comfort, the popularity of antiquing, and cultural influences. This style embodies a cozy, comfortable, and homesteading aesthetic, characterized by rustic furnishings, antique wooden furniture, and abundant patterned wallpaper, often featuring a vibrant mix of colors. While frequently compared to farmhouse design, cottagecore distinguishes itself with roots in the European countryside rather than shabby-chic Americana. The most successful cottage-style interiors harmoniously blend modern design elements with vintage finds, creating a timeless appeal that avoids appearing anachronistic. Whether residing in a genuine countryside cottage or a modern urban dwelling, numerous strategies exist for incorporating cottage-style elements. The article outlines 20 design ideas to infuse a cozy country aesthetic into any home. One effective approach is decorating with antiques, as exemplified by designer Caitlin Wilson's use of antique dinnerware in lieu of traditional artwork. Enhancing the exterior with trellising not only adds warmth but also provides structural support for climbing vines, seamlessly integrating the home with its natural surroundings. Creating quaint symmetry in rooms, such as a children's bedroom with matching elements and rich, muted hues, adds visual interest. Embracing rural surroundings by incorporating elements that reflect the area's history, like an antique farmhouse sink in a mudroom, further personalizes the cottage aesthetic. Maximizing outdoor spaces for relaxation, especially in smaller cottages, extends living areas. Colored cabinetry, particularly in rich yet muted tones like pink with contrasting interiors, along with vintage-inspired wallpaper, is a hallmark of cottagecore kitchens. Introducing natural textures such as rattan and cane brings the outdoors in, balancing cooler paint tones and wallpapers. Utilizing wood paneling can lend a cozy, rustic feel to modern builds, especially when combined with neutral paint colors and natural wood finishes. Hanging accessories, particularly those with a wildflower-inspired palette, allows for displaying cherished trinkets without clutter. Preserving original fixtures, such as stained glass windows, imbues a home with unique character and warmth. Mixing various patterns within a single color palette, playing with upholstery textures like linen, velvet, and embroidery, and incorporating dramatic natural elements like branches instead of traditional houseplants, all contribute to a layered and inviting design. Accentuating small spaces by embracing their intimacy rather than trying to enlarge them, as seen with red-painted ceilings and coastal wallpaper in a powder room, adds charm. Texturing drywall with plaster or limewash creates additional character and coziness. Displaying every knickknack on surfaces like vintage coat racks encourages a collected, yet uncluttered, appearance. Opting for low-silhouette furniture can create an illusion of larger spaces and higher ceilings, especially when paired with light-colored walls. Finally, planting trailing ivy on the exterior adds instant character, making even new homes appear established, and showcasing antique pieces in unexpected areas, like kitchen corners, seamlessly integrates them into modern functionality. #CottageStyle #HomeDesign #InteriorDecor #Antiques #RusticCharm #Cottagecore #VintageDecor #PatternMixing #NaturalElements

This article highlights the creation of a 7,812-square-foot dream home on Maxwell Bay of Lake Minnetonka in Orono, Minnesota. The homeowners, having previously resided in several lakefront properties, sought a contemporary design that harmonized with rustic materials, reflecting the natural surroundings. Architect Peter Eskuche of Eskuche Associates was commissioned for the design, with construction handled by Stonewood, LLC. The resulting aesthetic is termed 'mountain-modern,' characterized by clean lines, a low-pitch roof, and the incorporation of reclaimed barn-wood siding, cor-ten steel, and other dark metal accents. The entrance of the home features a grand 10-foot-tall door, opening into interior spaces that blend metal, glass, and wood, further enhanced by reclaimed timbers and stone. A notable architectural element is a stone-clad wall that bisects the house, creating steel-framed openings from the foyer to the main living areas. Within the gathering room, a steel and glass wine cellar serves both a functional and artistic purpose. A steel staircase with substantial wood treads connects the three levels of the residence, complemented by a glass and steel elevator for accessibility. Interior designer Annie Graunke of Studio M focused on incorporating beautiful woods with distinct grains to introduce warmth into the expansive, open-plan home. The design maintains straight lines while integrating plush textures and materials, creating subtle parallels between the furniture and the architectural elements. The kitchen, which flows into the dining and gathering spaces, boasts custom brown-stained, vertical grain, clear oak cabinets and marble countertops, including a waterfall edge on the island. Sliding glass doors in the kitchen lead to a versatile porch equipped with a wood-burning fireplace, infrared ceiling heaters, an outdoor kitchen with a grill, and automated screens and vinyl shades, facilitating year-round outdoor living. Upstairs, the home accommodates private bedrooms and bathrooms for the daughters. The master suite features a fireplace and a glass door that opens onto a deck with an outdoor gas fireplace. The master bathroom is appointed with stone vanities and a glass shower. The lower level includes a fitness room, a bathroom with a sauna, a guest suite, and a linear fireplace with a blackened steel surround and a floor-to-ceiling Cambria wall. A multi-panel glass Marvin door provides access to the pool deck, which offers views of the lake. Sven Gustafson, president and CEO of Stonewood, LLC, noted that the home embodies the couple's long-held dreams and travel-inspired ideas, meticulously integrated into a residence tailored to their lifestyle and aesthetic preferences. This property was also featured on Midwest Home's 2018 Luxury Home Tour, with sponsors including Andersen Windows & Doors and Phantom Screens. #LakesideHome #LuxuryHomeTour #MountainModernDesign #StonewoodLLC #EskucheDesign #LakeMinnetonka #ContemporaryArchitecture #RusticMaterials #OronoRealEstate

The article showcases a transitional-style condominium in One St. Petersburg, owned by Michael Mastry, founder and principal designer of Haven Design Center. This luxury condo, located in St. Pete’s downtown waterfront district, offers a retreat for Mastry, providing an extensive view of the urban waterfront, including the pier, yacht basin, and an adjacent airport. The design approach for this space blends contemporary and traditional elements, creating a comfortable and inviting atmosphere with a coastal essence. Mastry’s design incorporates clean, modern lines that highlight his collection of exotic art, custom-made furniture, and architectural features finished with organic materials. The living room is distinguished by a wall of stacked chisel marble, which, when illuminated, adds texture and light to the area. The neutral color scheme and subtle accents in this space direct attention to the large patio doors and the panoramic downtown view. Art is a central component of the home’s decor, with Mastry emphasizing that his choices are based on the emotional impact and the enhancement a piece brings to a room, viewing art as an element that introduces culture and “spice” into the living environment. One notable art piece is a commissioned work titled “The Party Within,” created by an unnamed Texan artist whose works are not publicly sold, which is displayed above the dining table. This area is also illuminated by a limited-production Article Chandelier by Thomas O’Brien. The den, which functions as Mastry’s workspace, features a hand-painted design on its walls. This design, characterized by a careful sweeping motion, imparts a whimsical and dynamic feel, while trees within the design are custom-made locally to fit the specific dimensions of the room. A full bathroom is discreetly integrated into the den through a hidden door. Both bedrooms in the condominium feature expansive floor-to-ceiling windows that provide spectacular views. The master bedroom is designed with simplicity and serenity in mind, incorporating a natural linen wall covering and custom lighting fixtures. The balcony adjacent to the master bedroom is equipped with real teak wood flooring intertwined with turf grass, creating a suitable surface for Mastry’s evening yoga practice. In the guest bedroom, the wall covering is crafted from authentic, stained wood veneer, whose graining is highlighted by the light, creating a visually striking effect.

This Nashville home, initially a speculative build by Build Nashville, transformed into a personalized "Zen Abode" for co-owner Jamie Duncan, drawing inspiration from her experiences in Costa Rica. During the frame stage, Duncan decided to purchase the house, collaborating with interior designer Elena DeSoto while adding her own custom touches. The design prioritizes a blend of modernity and softness, achieved through the careful selection of textures, greenery, and art. Duncan's personal customizations primarily focused on the backyard, where she integrated a sunken fire pit, an outdoor shower, mondo grass, and a cabana. Inside, she introduced beams in the living room and basket lights in both the dining room and stairwell. The overarching inspiration for these elements, and indeed much of the home's aesthetic, stemmed from her profound appreciation for Costa Rica, particularly a luxury resort experience. She sought to replicate the finishes and textures observed there, incorporating details like polycarbonate panels with bamboo reeds in the cabana's skylights and the outdoor shower's design, echoing the resort's architectural features. The home's design philosophy emphasizes a minimal color scheme, which is then enriched by diverse textures to create a welcoming and serene atmosphere. Duncan views texture as a key element, allowing for a modern house to feel soft and organic rather than harsh or cold. This is evident in the juxtaposition of materials such as concrete for showers and floors with solid wood beams in the living room, showcasing a thoughtful layering of different elements. Beyond its architectural and textural considerations, the residence functions as a personal art gallery. Duncan highlights the 27-foot wall in the dining room, specifically designed to showcase a custom piece by local Nashville artist Cory Basil. She maintains a commitment to featuring art exclusively from local Nashville artists or those with whom she has a personal connection, or pieces acquired during her travels. This curated collection further enhances the home's unique character and personal significance. Ultimately, the home serves as Build Nashville's model house, demonstrating to potential clients the possibilities for creating their ideal living spaces. It exemplifies how thoughtful design, personal inspiration, and a focus on texture and natural elements can converge to produce a breathtaking and inviting environment that feels both contemporary and deeply personal. #homeDesign #interiorDesign #nashvilleHomes #costaRicanInfluence #zenLiving #modernSoftness #architecturalDesign #localArt #textureInDesign

High Point University's Housing and Residence Life department provides a diverse array of living options for its students, aiming to foster a comprehensive developmental experience. The university offers accommodations ranging from apartment-style single rooms to shared double occupancy facilities, catering to both first-year students and upperclassmen. This residential approach is designed to cultivate a strong sense of self among students, integrating their academic pursuits with their residential community life. The department emphasizes that campus living is integral to the overall student experience, going beyond just providing a place to stay. The residential offerings are categorized by student type, including specific halls for first-year students, upperclassmen, and graduate students. First-year students have options such as Belk Hall, Blessing, Finch Hall, McEwen, Millis Hall, North Hall, Panther Commons, RG Wanek Center & University Center II, Wesley Hall, Wilson, and Yadkin Hall. The process for first-year students involves making an enrollment deposit, followed by completing a housing application through the university's housing portal. For upperclassmen, the choices expand to include Aldridge Village 1 & 2, Caffey Hall, Centennial Square 1 & 2, Greek Village, McCain Place Townhomes, North College Court, North College Terrace, North College Townhomes, Point Place, University Landing Tiny Homes, University Owned Houses, University Village, and York Hall. The procedure for upperclassmen is similar, requiring a housing deposit and accessing the housing portal. Graduate students are offered University Owned Houses and University Village, also following the housing deposit and portal access steps. Several resources are made available to students to facilitate their housing selection process. These include detailed guides for first-year, returning undergraduate, and graduate student housing selection, as well as a housing fair resource. Additional information covers housing tier specifics, location and layout details for various residences, and policies regarding emotional support animals. The university also provides comprehensive residential resources and support services, along with information on housing deposits and accommodations for students with specific needs. The university highlights its commitment to an inspiring environment and caring people, aiming to provide an extraordinary educational experience. Students who have lived in High Point University's residence halls often share positive testimonials. For example, residents appreciate the privacy of their own rooms while still having common areas for socialization. Many find the halls conducive to academic success, offering quiet spaces for study without needing to leave the building. The central location of some halls on campus is also a significant advantage, providing easy access to classes and other university facilities. The community aspect is frequently praised, with students forming strong bonds and experiencing a sense of family within their residential complexes. The honors floor, in particular, is noted for fostering a supportive academic environment and strong educational bonds among residents. High Point University has also received recognition for its student housing and campus aesthetics, being named among the nation's best for student housing and recreation, and having its residence halls and campus acknowledged by affordable schools. #HighPointUniversity #StudentHousing #ResidenceLife #CampusLiving #StudentExperience #DormitoryOptions #UniversityHousing #ResidentialCommunity #CollegeLife

The article focuses on the work of Singaporean architect Edmund Ng, particularly his modernist approach to design and a recent project in the Sunset Way neighborhood. Ng views architecture as an art form that transforms client needs into artistic expressions, aiming to improve wellness through environmental design. His style is characterized by modernism, respect for material purity, and tropical adaptation, often utilizing off-form concrete and natural light to suit the local climate. Ng's clientele often return to him for subsequent projects, including their children, highlighting a strong client relationship and trust in his design philosophy. The article details a specific project: a new home for a retired couple on a 6,900-square-foot plot in Sunset Way, adjacent to the Ki Residences condominium. This location holds significant sentimental value for the couple, who previously resided in the now-redeveloped Brookvale Park within the same neighborhood. Ng’s design responded to the land's topography, which slopes towards the back, leading him to create a three-storey residence with a basement and swimming pool at the rear. From the street, the house maintains an unassuming facade of off-form concrete and black walls, but transforms upon entry. Upon entering, the house, named "The Green Sanctuary," reveals its porous design through full-height windows that frame views of lush greenery. Despite the unconventional placement of the living room and pool at the back, facing the condominium, mature and newly planted trees along the perimeter ensure privacy. The design prioritizes connecting residents with nature, offering vantage points for vegetation from various areas, including the dining room on the first floor and the master bedroom on the second. The master bathroom is uniquely cantilevered directly above the pool, enhancing the connection to the outdoor elements. The attic level provides panoramic views of the surrounding area, including trees, landed homes, and distant buildings. Ng incorporated tree patterns into specially commissioned metal screens on the second floor, shielding the guest bedroom while creating a visual effect of a forest silhouette when illuminated at night. This attention to detail reflects the architect's commitment to integrating natural elements and artistic expression into the home's fabric. The residence was specifically designed to accommodate the couple's extensive collections of art and classic cars, accumulated over three decades. Ng recognized these collections as integral to the couple's life journey and memories, shaping the home to serve as a personal art museum. The interior features simple materials and a black-and-white palette, allowing the diverse art pieces, ranging from sculptures by Daisy Boman and Li Chen to paintings by Lee Jung Woong, to become focal points. The husband's collection of car memorabilia and seven classic cars is housed in a dedicated double-volume den. The home is also designed for future adaptability, with an open-layout attic that can be converted into an apartment. This attic includes wall panels that slide to reveal a large mirror for the wife’s dancing, and opens to a terrace and a “secret garden in the sky.” Ng emphasizes that architecture should be soulful and responsive to client needs, asserting that a home is more than just a shelter but a reflection of the occupants’ lives and aspirations. He credits his wife for enabling his creative freedom, allowing him to "dream" in his architectural pursuits. #ArchitecturalDesign #ModernistArchitecture #ResidentialDesign #LuxuryHomes #ArtCollection #ClassicCars #SingaporeRealEstate #SustainableDesign

The article explores the concepts of "green" and "sustainable" homes, clarifying that these terms are interchangeable and refer to construction practices that minimize environmental damage. Architect Virge Temme explains that green architecture integrates design, materials, and systems to create homes that are environmentally responsible. While the initial cost of building a green home may be 2 to 5 percent higher, with an additional $3,000 for certification, owners can expect to save 10 to 30 percent in operating costs over the 30-year lifespan of the home, particularly with rising energy prices. The article highlights the personal experience of Guy Fortin and Judy Samida, who are building one of the first Leadership in Energy and Environmental Design (LEED) certified homes in the nation near Sturgeon Bay, and the first in Wisconsin. Their approach is based on two core principles of green construction: building only what is needed and maximizing insulation. Firm environmentalists, Guy and Judy were also drawn to the idea of self-sufficiency and reducing reliance on external systems. Their home is significantly smaller than initially planned, achieving a 39 percent reduction in size and a nearly 1,400 square-foot smaller construction footprint, thereby preserving more trees. This reduction was achieved by designing multi-functional spaces, a process that required flexibility and open-mindedness. The Fortin and Samida home incorporates nearly all-natural, recyclable materials. Wood is sourced locally through sustainable forestry practices. The concrete foundation slabs serve as the finished floors, integrating in-floor solar hydronic radiant heat and finished with natural waxes and stains. A masonry wood stove provides supplementary heating. The metal roof, made from 80 percent recycled material, is recyclable and functions as a rainwater collection system for non-potable use. The home also features low-flow fixtures, energy-efficient appliances, and solar photovoltaic panels for power. Construction practices include strict recycling, no dumpsters on site, and minimal tree removal, limited to the area necessary for solar panel efficiency. The cleared area will host a septic field and vegetable gardens, watered by the rainwater collection system. The article acknowledges that achieving a fully "perfect" sustainable home is challenging, emphasizing the importance of informed decision-making in all aspects of consumption, from product packaging to necessity. For existing homeowners, the advice is to avoid discarding functional items merely to replace them with green alternatives, as part of sustainability involves reducing landfill waste. Practical steps for existing homes include checking and upgrading furnace and hot water heater efficiency, installing timers on water heaters, and improving attic insulation with materials like icynene. The article also suggests exploring rebates for solar water panel installation, switching to compact fluorescent lightbulbs, opting for carpets made with recycled materials, using low VOC paints, and purchasing energy-efficient appliances. The use of sustainably processed local materials is also encouraged to reduce transportation fuel and support local economies. Finally, the article introduces the LEED for Homes Program, established by the U.S. Green Building Council, which rates homes based on environmental standards for materials, construction, energy systems, and waste management. It also cautions against "greenwashing" and advises homeowners to educate themselves on green building practices and certifications from reputable sources like the Natural Choice Directory, the Whole Building Design Guide, and the Midwest Renewable Energy Association. The article concludes by highlighting the environmental impact of increasing home sizes in the U.S. over the past 50 years, noting that larger homes consume more resources and generate more waste, contributing significantly to greenhouse gas emissions. #SustainableHomes #GreenBuilding #LEEDCertification #EnvironmentalDesign #EcoFriendlyLiving #EnergyEfficiency #RenewableEnergy #ResourceConservation

This article details the design and features of Garden House, a new residential property in Sydney's affluent eastern suburbs, designed by Pearse Architects. The house addresses the challenges of a constrained site, which is overlooked by several large, adjoining properties due to the area's subdivision history. Unlike many Sydney homes that extend outwards, Garden House is designed to turn inwards, creating a self-contained and self-sufficient private domain. The core design principle involves wrapping the main living areas on the ground floor and four bedrooms upstairs around a central, lush green courtyard. This strategy ensures privacy from neighbors while integrating nature into almost every room. The central courtyard is a pivotal element, characterized by subtropical plants, palms, and reed structures adorned with bromeliads. A two-story screen of angled vertical timber beams at one end of the courtyard further enhances privacy while still allowing distant harbor views from within the house. The courtyard is not merely an outdoor space but an integral part of the building, influencing circulation, drawing visitors' attention, and providing natural light, air, and a sense of calm throughout the home. One of the owners describes the garden as the "core of the house," particularly when lit at night, comparing it to a "jewel box." Designed for a family with teenage children, the house incorporates three distinct living areas. A formal living room at the front features sliding glazed doors that open to both the courtyard and the front garden, transforming it into a pavilion-like space. On the opposite side of the courtyard, an open-plan casual living and dining area adjoins the kitchen, with glazed doors leading to the rear garden. A third living area, located upstairs between two children's bedrooms, can be converted into a media room with heavy drapes. The central courtyard facilitates visual connections between these living spaces and other rooms, with views filtered by the surrounding garden. The new house replaces a single-story 1930s bungalow and exhibits a continuous interplay between transparency and solidity. The north-east facing front elevation combines face brick and glazed elements. Inside, sandstone blade walls, constructed from the original bungalow's footings, serve as a historical reference. The interiors feature honed bluestone floors and exposed concrete ceilings. A lightweight, stepped timber walkway with a double-height window connects the more robust front and rear sections of the house. Upstairs, the main bedroom and a fourth bedroom access louvre-edged verandahs overlooking the street and offering distant water views, while the two rear bedrooms benefit from sun and sea breezes through high-level louvred windows. The architects prioritized access to morning sun and good ventilation in their design. Green is a prominent color throughout the house, chosen to symbolically extend the garden's presence indoors. This is evident in the rich green glass tiles in the main bedroom's ensuite, pale olive green kitchen cabinetry, lime green in the entry hallway, and a vibrant green pivoting front door. A unique feature in the courtyard is a delicate chain suspended from an eave, designed to capture rainwater and splinter it into droplets that dance onto river stones below, adding an auditory and visual element to the natural integration. The article concludes by listing various products and materials used, along with project details, team members, and consultants involved in the Garden House project. The project was completed in 2013 after eight months of design and documentation and fourteen months of construction, demonstrating a thoughtful approach to residential architecture on a challenging site. #ResidentialArchitecture #CourtyardHouse #SydneyHomes #PearseArchitects #PrivacyDesign #GardenIntegration #SustainableDesign #ModernLiving #InteriorDesign

This article explores the concept of 'iconic' homes and interiors, drawing insights from Dominic Bradbury's book 'The Iconic Interior' and the Vitra Design Museum's exhibition 'Home Stories: 100 Years, 20 Visionary Interiors.' The discussion begins by questioning the definition of 'iconic' in design, noting that true iconic status is often achieved organically over time, influencing design beyond a project's initial ambition. The book and exhibition collectively span 20th and 21st-century domestic interiors, featuring approximately 600 images of remarkable houses. The article highlights various notable designers and architectural styles. It introduces Brazilian architect Lina Bo Bardi's 1951 Casa de Vidro and Danish architect Finn Juhl's 1941 interior, both celebrated for their modern aesthetics. A significant aspect explored is the historical gender bias in design, where interior decoration was often relegated to women as an amateur pursuit, contrasting with architecture as a male-dominated profession. Figures like US interior designer Elsie de Wolfe, known for her uncluttered style, and British cousins Rhoda and Agnes Garrett, recognized for their elegant and utilitarian interiors, are presented as examples of influential women in the field. Beyond individual homes, the article examines the impact of social and technological changes on interior design. It discusses the 'New Frankfurt' social housing project from 1926, which addressed housing shortages through efficient design principles. Austrian architect Margarete Schütte-Lihotsky's contribution of the prototype for a built-in kitchen, based on Taylorist principles for labor efficiency, is particularly emphasized. This innovative design led to the installation of around 10,000 'Frankfurt kitchens' in working-class apartments. In parallel to functional and affordable designs, the article also delves into flamboyant and fantastical interiors. Cecil Beaton's Georgian manor house, Ashcombe, and Tony Duquette's Dawnridge in Los Angeles are cited as examples of highly individualistic spaces that blurred the lines between living areas and theatrical sets. The discussion extends to the rebellious spirit of the 1960s, exemplified by Andy Warhol's Silver Factory, a pioneer of loft-living that profoundly influenced industrial aesthetics. French architect Claude Parent's 'anti-rationalist' apartment, with its eccentric sloping floors challenging traditional Modernist cube-like interiors, is also featured. The role of publicity in achieving iconic status is noted, with examples such as Lina Bo Bardi's Casa de Vidro, Cecil Beaton's Ashcombe, and Alison and Peter Smithson's House of the Future benefiting from media exposure. The article also touches upon homes designed by high-profile architects for themselves or adventurous clients, and those inhabited by artists who treated their spaces as canvases for creative expression, such as the Bloomsbury Group's Charleston farmhouse. Early examples like Henry van de Velde's Art Nouveau Villa Esche and Adolf Loos's Modernist Steiner House illustrate interiors that were radically unorthodox and ahead of their time, challenging conventional ornamentation. The evolution of Modernism into a softer, more organic approach in the 1930s is represented by Berthold Lubetkin’s penthouse and Russell Wright's proto-eco house, Dragon Rock, which harmonized with its natural surroundings. The article concludes by discussing the emergence of Postmodernism in the 1960s and 1970s, spearheaded by architects Roberto Venturi and Denise Scott Brown, who questioned Modernist principles and embraced historicism and ornamentation. Their Venturi House exemplifies an eclectic, kitsch, and ironic interior that combined diverse artistic elements, contrasting with earlier minimalist trends. The ultimate impact of books like 'The Iconic Interior' in conferring and solidifying the iconic status of these homes is acknowledged, highlighting how even private spaces can attain mythical recognition through documentation and imagery. #InteriorDesign #Architecture #IconicHomes #Modernism #Postmodernism #DesignHistory #SocialHousing #ArtNouveau #GenderInDesign

This article features a luxurious family home in Mountain Brook, Alabama, designed by Atlanta-based interior designer Susan Ferrier, in collaboration with residential architect Bobby McAlpine. The design approach is characterized by a blend of robust architectural elements with soft, feminine, and glamorous interior touches, creating a "sensual" atmosphere. The house, built in 2011 for a young family, takes inspiration from 1920s English-style houses prevalent in the area. The exterior features an H-shape plan with handmade leaded windows offering continuous views from the front door to the back gardens. Inside, tactile finishes such as wire-brushed oak floors are prominent. The living area is a striking 25-foot-square, double-height space designed to be both grand and inviting. Ferrier's design philosophy emphasizes creating atmospheric, soft, and sensual spaces, rather than merely visually appealing ones. This is exemplified by her use of a white goatskin rug on concrete tile flooring in the entry, chosen for its unexpected practicality and decadent feel. An eccentric hooded chair upholstered in lustrous blue silk velvet serves as a unique focal point in this area. Ferrier is known for her mastery of scale, favoring large, impactful pieces over smaller, more numerous ones. In the dining area, she incorporated an enormous, graphic iron chandelier, which initially seemed oversized but ultimately harmonized with the architecture. The dining space also includes a Louis XV settee and a Charles Pollock table, with chairs upholstered in Cortina Leathers cowhide. The breakfast room combines rustic and sophisticated elements with gleaming wood furniture, oak beams, and carefully selected pieces like a table from New Classics Creations and armchairs in Cowtan & Tout linen. The master bedroom showcases some of Ferrier's boldest design choices, using delicate colors with a grand scale. The bed is draped on three sides with extensive creamy velvet curtains, ensuring total darkness for the homeowners, despite numerous windows. A dark espresso-brown headboard and a long silk taffeta pillow in a unique gray-blue-green color provide striking contrasts. The master bedroom is further enhanced by lustrous fabrics, including a sofa in Classic Cloth velvet and velvet drapes and ottoman from Gretchen Bellinger. The room includes a side table by Erika Brunson and a bedside table by Rose Tarlow Melrose House, with a vintage bench featuring a Classic Cloth fabric cushion. A shimmering pinstripe velvet sofa at the foot of the bed, adorned with metallic Indian embroidery, adds a touch of sparkle, complemented by a silvery faux-bois table with crystal orbs. Architect Bobby McAlpine notes Ferrier's ability to inject glamour and femininity into even the most masculine architectural structures, lifting the design beyond conventional boundaries. The property's outdoor spaces are adorned with boxwoods and magnolias, reinforcing the English cottage aesthetic. #HomeDesign #InteriorDecor #LuxuryHomes #AlabamaArchitecture #FeminineDesign #EclecticStyle #BobbyMcAlpine #SusanFerrier

This article showcases a curated selection of homes featured in a regional tour of homes, spanning from Pawleys Island, South Carolina, to Ocean Isle Beach, North Carolina. Each home highlights distinct design philosophies, personal touches, and the collaboration between homeowners and design professionals to create unique living spaces. The tour emphasizes how these residences reflect the owners' personalities, travel experiences, and specific functional needs, while also showcasing contemporary design trends and regional architectural styles. The first featured home belongs to Steve and Lisa Campbell in The Dunes Club, a Mediterranean-style residence inspired by their travels to Italy, particularly Tuscany. The Campbells' design choices prioritize warm, welcoming colors for walls and ceilings. Each bedroom in their home is themed around specific Italian travel memories, such as the Positano Room, which features art, furniture, and colors reminiscent of the region. The couple also incorporated vibrant and colorful artwork, requiring ample wall space and built-in cubbies for displaying glass collections from their global travels. An open floor plan in the main living area, kitchen, and outdoor pool/deck is a key feature, designed for entertaining. Next, Ricky and Malia Segal's custom-built Pawleys Island home, a collaboration with Susan White at Classic Homes, presents a classic French Acadian-inspired ivory exterior that contrasts with bold interior colors and statement wallpapers. Malia Segal describes her style as transitional, blending contemporary art with traditional furniture elements and distinctive wall coverings. The home features a high vaulted ceiling in the great room with thick architectural beams and a gourmet kitchen with light gray, baby blue, and brass accents. A deep teal dining room with a butler's pantry is also highlighted. The design prioritizes open spaces for entertaining, accommodating family gatherings, and providing a large backyard for their dogs. Sam and Lisa Kinon's new-build home in Myrtle Beach, designed by Jill Heaton of Jill Heaton Interiors, adopts a blue-and-white chinoiserie palette, creating an elegant yet comfortable atmosphere. The home is described as light, airy, and uplifting. Heaton guided the Kinons through selections including furnishings, accessories, architectural plans, room layouts, window placements, paint colors, wallpaper, lighting, and cabinet hardware. The aesthetic incorporates subdued blues in upholstery, window treatments, floral wallpaper, throw pillows, and rugs, with seamless transitions between indoor and outdoor spaces, including a pool and jacuzzi. Billy and Elly Brundage's "forever home" in Ocean Ridge Plantation, Ocean Isle Beach, North Carolina, is characterized as light, open, airy, and coastal. Elly's vision for her home, realized with the design team of Geralyn Li Vecchi Marshburn and Catherine “Kitty” Bliss, aimed for a welcoming, spa-like beach atmosphere. The living space features blues, creams, and coastal grays, complemented by a beach glass wall shade. The kitchen, central to Elly's daily cooking and entertaining, is open to seating areas. The home was showcased in the 2024 Brunswick County Parade of Homes. Phil and Elaine Saccente's Mediterranean-style home in the Members Club section of Grande Dunes, Myrtle Beach, built by Nations Homes, features a modern and relaxed interior. Walls are painted in shades of gray, and the grand living room has a coffered ceiling in white and slate. The kitchen includes a sleek waterfall island, a metal range hood, and charcoal tile. The primary bath is notable for its gold-plated soaking tub, modern gold finishes, and ethereal lighting. The outdoor area, with a pool and patio, serves as a retreat for entertaining and relaxation. Joe and Kelly Victoria's custom modern farmhouse in Myrtle Beach, developed in partnership with Heritage Construction, balances traditional farmhouse aesthetics with contemporary elements. Kelly desired natural, light, and welcoming colors with pops of accent colors, and incorporated crown molding. The four-bedroom home on three acres was designed for their family of six, featuring both gold and black finishes and a large custom pantry with plywood shelving, butcher block countertops, a prep sink, and printed tile. Finally, Mary Beth and Emory Thompson's extensively remodeled oceanfront home on North Ocean Boulevard, Myrtle Beach, originally purchased by Emory's parents in 1999, underwent a significant transformation. Working with Debi Pinelli and Coastal Luxe, a bedroom was converted into a dining room, and a sauna/jacuzzi area became a 1,000-square-foot kitchen and pantry. The indoor pool area and a two-story deck addition with a spiral staircase are highlights. The remodel aimed to modernize the 1940s-era home while honoring its history and Emory's parents. The article also briefly mentions Andrew Entwistle's three-story oceanfront home, "Surfside Beach Wander," in Surfside Beach, North Carolina. This custom-designed home features eight bedrooms, eight bathrooms, six workstations, a private heated pool, hot tub, and elevator. Its design includes coffered ceilings, shiplap and slat wood accent walls, marble accents, and high-end finishes, offering panoramic ocean views and private balconies for most bedrooms. #HomeDesign #InteriorDesign #ArchitecturalStyles #CoastalLiving #LuxuryHomes #CustomBuilds #HomeTour #MyrtleBeach #PawleysIsland

This article details the creation of a unique resort-style home in Bali for Alexander Jovanovic, designed by the A2Kreasitama (A2K) team. The project addressed the challenge of an irregularly shaped plot of land, which ultimately inspired the central octagonal foyer, serving as a functional meeting point and a symbolic compass for the house. The design aimed to merge the characteristics of a resort villa, emphasizing natural airflow, with the functionality of a traditional home where spaces could be fully enclosed. To achieve this dual functionality, the A2K team incorporated aluminum glass doors that can be fully opened to allow natural ventilation while also being tightly sealed to prevent insect intrusion. Strategic placement and height of the house were crucial in maximizing natural airflow, effectively eliminating the need for air conditioning. The home's location in Dreamland – Pecatu, Bali, allowed for the integration of Balinese contemporary design elements, starting with intricate wooden carvings at the main entrance. The octagonal foyer, inspired by Taoist cosmology, was intended to bring balance and stability to the irregular landform. The interior of the foyer features white granite tile floors, a sleek console table with a painting, and a contemporary chandelier above a central round table. From the foyer, access is provided to two bedrooms through oversized solid wood doors, and a glass door opens to the swimming pool. The guest bedroom is situated to the left, adjacent to a staircase leading to the upper floors, while the master bedroom on the right offers direct access to a green-stone swimming pool and a private wooden parquet patio. The master suite includes a walk-in closet connecting to a Balinese semi-outdoor bathroom, which features a freestanding bathtub, a solid wall finish, and a stonescape garden, enhancing the private resort-like ambiance. An outdoor whirlpool is located between the master bedroom and the main pool. The guest bedroom also has an open terrace for entertaining or enjoying sunsets, and its bathroom is equipped with a glass wall shower and a small garden leading to the swimming pool. All bedrooms are finished with wooden parquet floors and adorned with solid wood and natural stone accents. An eye-catching contemporary staircase, constructed from steel and solid wood with frameless glass railings, leads to the upper levels. A high synthetic rattan ceiling above the staircase not only serves as an aesthetic feature but also demonstrates a clever use of local materials. The living and dining areas are uniquely positioned on the upper floor to offer magnificent views during daily activities, cultivating a recreational, resort, and tropical atmosphere. The living room, encased by transparent glass doors and solid wood columns, is a focal point of the house. It includes a solid wood dining table with an integrated teppanyaki-style stove for entertaining. Above the dining room, an attic serves as a relaxing space and provides access to a rooftop with panoramic views of Jimbaran Bay and the airport runway, ideal for social gatherings. The lower ground level accommodates a service area, laundry room, and a spacious garage with a carport that can function as a versatile multi-purpose space. Given the owner's background in the hospitality business, the A2K team meticulously designed the home to offer luxurious comfort and a distinct resort feel. The public and private areas are clearly delineated, and the designer used scale effectively to maximize space and apply hospitality industry standards to a private residence. For example, the octagonal foyer's atrium was designed to be larger than typical for a home of its size. The innovative design on the 505 sqm plot successfully integrated various functions to cater to the owner's lifestyle, resulting in a truly unique resort-style home. #ArchitectureInterior #ResortStyleHome #BaliDesign #A2Kreasitama #SustainableDesign #BalineseContemporary #LuxuryLiving #ArchitecturalInnovation

In 2014, a house in the Meadow Lea neighborhood briefly served as a fraternity house set for the movie *Pitch Perfect 2*. Despite its temporary transformation into a chaotic film set, complete with beer pong tables and greasy pizza boxes, Whitney and Matt LaNasa saw beyond the props and recognized the potential for their future family home. The couple had already agreed to purchase the property, drawn to the Meadow Lea neighborhood's history and beautiful landscapes, particularly the house's large 1 1/4-acre lot shaded by oak and cypress trees, and its view of a rolling meadow and lake. Whitney, who specializes in restoring historic buildings, was keen on preserving the architecture of the well-built older home. Matt, having experience in home restoration and construction from assisting his parents and serving in the Marine Corps, was confident in his ability to oversee the renovation. After the film crew departed and the house officially became theirs, the LaNasas enlisted Matt's sister, architect Georgia LaNasa, and interior designer Anne McCanless, to re-envision the interior spaces. The renovation involved stripping the house down to its studs and opening up the galley kitchen by removing walls, creating an open-concept space that flows into the dining room and offers views of the backyard and lake. A new iron railing from DiStefano Designs & Fabrication now subtly divides the kitchen from the dining area. The renovation, which included installing new electrical, plumbing, and HVAC systems, was completed in six months under Matt's diligent oversight. The revamped home successfully blends its midcentury origins with a more timeless and functional aesthetic suitable for a family with two young children. It features two distinct living spaces, allowing both children and parents to have their own areas while remaining connected. McCanless selected contemporary-lined seating, upholstered in spill-proof Sunbrella fabrics, making the furniture durable and child- and pet-friendly, ideal for a home designed for entertaining. Further functional improvements included relocating the upstairs laundry room to create a master closet, and establishing a new downstairs laundry area combined with a mudroom featuring cubbies for the children. The LaNasas envision a second phase of renovation in the future, which will include adding a new master suite. The experience has inspired Matt to continue restoring homes in the Southdowns area during his off-hours, driven by his passion for construction and remodeling. The family expresses deep affection for their Meadow Lea neighborhood, appreciating its country-like atmosphere, abundant wildlife, and the sense of community that values its historical setting. Various design elements and materials were sourced locally. The dining room, once a film set, now features a whitewashed table, silver-leafed geometric dining chairs from Texture, and a hydrangea-filled vessel from Red Onion. Other details came from McMillin Interiors and Dixon Smith Interiors. The kitchen boasts Carrara marble countertops and a beveled subway-tile backsplash, with dirty-top floors installed by Blaine Thibodeaux from Higgins company. The upper-level living area includes a Sunbrella-upholstered Thayer Coggin sofa, small tables, and a rug from Dixon Smith Interiors, alongside an antique breakfront cabinet. The lower-level living room is decorated with soft blue hues and contrasting colors, featuring Lee Industries club chairs, a gold-accented marble coffee table, and floor lamps from Dixon Smith Interiors, with throw pillows from Texture. Custom Paul Yanko multimedia artworks from Ann Connelly Fine Art adorn the walls. The master bedroom, designed as a serene retreat, includes a mirror-framed tufted bed with Ann Gish bedding from Texture and Tritter Feefer nightstands with lamps from Texture. The master bath, too, was updated with elegant touches like Carrara marble floors, a freestanding oval tub, and a Billie S. Bourgeois painting from Ann Connelly Fine Art. The existing pool underwent minor rehabbing by Lucas Firmin Pools, and landscape architect Cynthia Cash redesigned the front yard with Japanese yew and dwarf camellias to complement the existing live oak trees. #HomeRenovation #MidcenturyModern #FamilyHome #InteriorDesign #ArchitecturalPreservation #MeadowLea #BatonRougeHomes #OpenConceptLiving

The article delves into the domestic life of Kelvin and Liz Fletcher, stars of "Fletchers’ Family Farm," who reside in the Peak District with their four children: Marnie, Milo, and two-year-old twins Mateusz and Maximus. The interview offers a glimpse into their daily routines, home preferences, and even their pet peeves, providing insights into how they manage their busy lives as parents, farmers, and actors. Upon entering their home, Kelvin consistently takes off his shoes and hangs jackets, though he notes the difficulty in reaching hangers due to the previous inhabitants' height. Liz, on the other hand, often finds herself navigating a trail of mess created by their children. The kitchen emerges as Liz's 'happy place,' whether it's a quiet sanctuary for a cup of tea or a bustling hub of family activity. Kelvin reveals a practical addiction to storage solutions, frequently purchasing giant plastic boxes to maintain organization. Liz’s homeware addictions include candles and vases, in addition to a collection of breadboards. A lighthearted conflict arises from Kelvin’s habit of placing plates on top of the dishwasher rather than inside it, a habit Liz wishes he would break. When it comes to homeware shopping, Kelvin favors Arighi Bianchi, a fifth-generation family furniture business known for high-end items, and John Lewis, appreciating its British and classic appeal. Liz recalls her pregnant days when she frequented Housing Units, a department store, primarily for their ham sandwiches but often ending up with home purchases. As hosts, Kelvin ensures guests never pay for takeaway, while Liz finds Sunday roasts the easiest meal to prepare, much to the surprise of their visitors who are often served it exclusively. Despite their demanding schedules, which encompass four full-time jobs, moments of stillness are rare. Kelvin fondly remembers sitting on their decking area by an open fire with Liz, enjoying a glass of wine or hot chocolate after the children were asleep, a simple pleasure now less frequent. The Fletchers also share quick preferences on various home topics: shoes are always off indoors; meals are eaten at the table; lighting is preferred moody over bright. Liz opts for quick showers, while Kelvin enjoys long ones. Liz leans towards neutral and earthy color palettes, embracing "creative chaos," whereas Kelvin admits to being a "neat freak." When the children are in bed, Liz’s ultimate preference is peace and quiet. Season two of "Fletchers Family Farm" is scheduled for late 2024 on ITV and ITVBe. The Fletchers maintain an active presence on Instagram, and Kelvin supports the "Mind Your Head" campaign, which aims to raise awareness about mental health challenges faced by British farmers. #CelebrityHome #FamilyLife #HomeDecor #HomeOrganization #FarmLife #Interview #InteriorDesign #DomesticHabits