Designed for Community: An Interior Designer Leans into the Power of ‘We’

Dana Esser, an interior designer and creative, discusses her business, Dana Michele Design, and its profound impact on the daily lives of occupants in the spaces she designs. Esser highlights the significance of her work in creating therapeutic environments, such as offices for therapists and psychiatrists. These projects involved extensive research into layout, audio and visual privacy, color, texture, and furniture selections to ensure patients feel welcome, calm, comfortable, and safe. The insights gained from designing these therapeutic spaces are now applied to all her projects, ensuring they enhance the well-being of occupants and meet functional needs. Dana Michele Design distinguishes itself through an unwavering commitment to clients, with Esser acting as a 'client advocate.' With eight years of corporate interior design experience, she is now directly involved in every project, ensuring personalized attention and expertise for each client. The design process at Dana Michele Design integrates spatial intelligence with creative intuition, focusing on solving complex puzzles and understanding human needs to create spaces that resonate deeply. This process begins with in-depth client engagement to understand their aspirations and challenges, leading to designs that are not only aesthetically pleasing but also supportive of their present and future needs. Esser emphasizes the importance of professional integrity and personal well-being, stating a rule to only accept projects where her team is respected and valued, especially as a female entrepreneur in a male-dominated industry. Looking ahead, Esser plans to launch a non-profit arm of Dana Michele Design. This initiative will focus on community engagement by partnering with organizations that provide housing and support to vulnerable communities, aiming to create nurturing environments that empower individuals to thrive. The success of Dana Michele Design is attributed to human connection and the transformative power of thoughtful design, driven by a commitment to clients and the wider community. Outside of her professional life, Esser shares recommendations for enjoying Los Angeles with a visiting friend. Her ideal week would include coffee from Primo on Montana Street, brunch at Courtyard Kitchen in Santa Monica, leisurely strolls along the boardwalk, and beach volleyball. Nature excursions would involve hiking the Los Leones trail in Pacific Palisades for panoramic ocean views. Cultural experiences would include visiting the Broad or Hammer museum exhibits. Evenings would feature live entertainment at venues like the Hollywood Bowl or Aviator Nation’s Dreamland in Malibu, or attending a comedy show. Dining options range from Fia in Santa Monica to Osteria Mozza, followed by a night out in West Hollywood or Hollywood. Esser acknowledges several individuals who have significantly influenced her journey. She credits her family for providing essential physical and financial security and unwavering love. Her high school art teacher is recognized for channeling her creativity and introducing her to interior design at 16, a pivotal moment in discovering her passion. Lastly, she highlights the continuous inspiration, encouragement, and love from her closest friends, whom she considers her chosen family, calling them her backbone and biggest cheerleaders, especially when she experiences imposter syndrome. #InteriorDesign #CreativeEntrepreneur #TherapeuticSpaces #ClientAdvocacy #CommunityImpact #FemaleEntrepreneur #NonProfitInitiative #LosAngelesLifestyle #PersonalDevelopment

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles

This article features an interview with Grania Murray, an interior designer with over 25 years of experience, originally from Ireland and now based in Los Angeles. Murray emphasizes that clarity is the most crucial factor behind her success. She specializes in guiding clients through complex design decisions with a sense of calm and clear direction, helping them navigate the often overwhelming process of building or renovating spaces. Her professional approach focuses on simplifying complicated choices, allowing clients to move forward with confidence in their projects. Murray's dedication to providing clarity in design became deeply personal after the devastating LA wildfires, which led to her daughter and daughter-in-law losing their home. Witnessing their struggle with loss, bureaucratic hurdles, and a multitude of decisions highlighted the critical need for guidance during such challenging times. This experience inspired her to create "The Design Align," a service that offers high-level, strategic support to clients before they commit to potentially costly decisions. This initiative focuses on helping clients understand the broader picture and establish a clear foundation for their projects, demonstrating her commitment to making design accessible and less daunting. While she continues to run a full-service interior design studio, The Design Align represents a significant and proud expansion of her work, driven by a desire to share her extensive knowledge and experience. Murray credits Jane McDonnell, Co-Founder and Publisher of The Gloss Magazine and Co-Founder of DESIGN WEEK DUBLIN, for playing a pivotal role in her career. McDonnell saw Murray's home design in Ireland, suggested she pursue interior design professionally, and subsequently featured her work in an article. This feature led to Murray acquiring her first clients, effectively launching her career in the field. Murray reflects on her childhood passion for rearranging furniture, highlighting an innate inclination towards understanding how spaces feel. She views design as a means of making sense of the world, emphasizing the blend of form and function to create spaces that evoke a sense of "home at last." Her design philosophy involves mixing old and new elements, incorporating art, vintage finds, handmade pieces, and clients' existing treasures to achieve unique and personal interiors. What truly distinguishes Murray's work is not just the aesthetic but the comprehensive client experience she provides. Her approach is described as strategic, empathetic, and deeply attuned to fostering comfort and stability within a space. She prioritizes listening to her clients and making choices that align with her values, particularly concerning sustainability. She acknowledges facing challenges like dry spells, unsuccessful detours, and the difficulties of relocating to Los Angeles and starting over. However, her resilience and quiet determination have been constant driving forces. Murray advises that one does not need all the answers but rather needs to focus on what matters most and act accordingly. She believes that great design stems from clarity—understanding a space's purpose, aligning it with practical considerations like budget, timing, and emotional connection, and allowing beauty to emerge naturally. She also shares a favorite quote by Paulo Coelho: "When you want something, all the Universe conspires in helping you achieve it," reflecting her belief in universal support for one's aspirations. Murray concludes the interview by sharing recommendations for visitors to Los Angeles, drawing from her diverse experiences living across the city. Her suggestions include day trips to Lake Arrowhead for its lake and brewery, and Santa Ynez for wine tasting, with Buttonwood being a favorite spot. She also recommends scenic drives along the Pacific Coast Highway to experience classic LA coastal vibes. For morning or afternoon activities, she suggests visiting The Huntington Gardens and The Norton Simon Gallery in Pasadena, and taking a clay class at Green & Bisque in Pasadena. For dining, she highlights Star Leaf (Asian Fusion) and Redbird (Downtown LA), and mentions Los Felix as an all-time favorite. For drinks, The Pasadena Hotel is recommended, and for entertainment, she enthusiastically suggests Blah Blah Karaoke and any show at The Pantages. #InteriorDesign #GraniaMurray #DesignPhilosophy #ClientClarity #TheDesignAlign #CareerJourney #LosAngelesDesigner #Resilience

Design processes for community-based projects have historically been one-dimensional, often perceived as tick-box exercises that fail to genuinely incorporate community voices and insights throughout a project's lifecycle. An effective design process, conversely, should be layered, sustained, and multifaceted, with continuous involvement from the individuals who will ultimately inhabit the spaces. This circular approach necessitates ongoing iterations to gather feedback on the design's evolution and the development of relationships with the community. An exemplary model of this approach is the Yuwaya Ngarra-li (meaning "vision") partnership, a long-term collaboration between the Dharriwaa Elders Group (DEG) and UNSW. This partnership aims to enhance the wellbeing, built environments, physical surroundings, and life pathways of the Aboriginal community in Walgett, a remote town in north-west New South Wales. Key long-term objectives include strengthening Aboriginal community control and capabilities, reducing youth contact with the justice system, improving food and water security, fostering care for Country, and enhancing the quantity and quality of housing. The partnership advocates for moving beyond mere co-design towards a truly community-led methodology, rooted in protocols established by the DEG. This community-led approach centers the agency of the people with whom Yuwaya Ngarra-li collaborates, prioritizing community impact and benefit, and empowering residents with decision-making authority over their future homes and spaces. The NSW government's Social Impact Assessment Guideline outlines eight categories of social value: way of life, community, accessibility, culture, health and well-being, surroundings, livelihoods, and decision-making systems. While this framework provides a foundational understanding, embedding design processes that yield tangible change requires a deeper comprehension of social impact from the community's perspective, as these categories hold distinct meanings across different communities, cultures, and individuals. The Yuwaya Ngarra-li partnership focuses on prioritizing community needs, identifying areas for social impact, and meticulously measuring outcomes. Through its work, five crucial elements have been identified that can assist architects in developing design processes centered on social impact. First, community leadership is paramount. Designers must listen intently to community needs and respond directly, rather than approaching projects with preconceived notions. The DEG initiates projects by identifying community priorities or problems they wish to address, and they also define the desired outcomes and metrics for success from a community viewpoint. Second, developing partnerships based on trust is essential. The partnership emphasizes "moving at the speed of trust," fostering genuine, equitable, and reciprocal relationships. This allows the DEG to provide candid feedback, ensuring that proposed work is relevant and effective for their community. The DEG, being on the frontline, possesses intimate knowledge of their community's needs and operates with trust and respect, qualities that design processes should emulate to avoid unintentional harm. Third, a holistic approach is critical. Community leadership necessitates working, designing, thinking, and acting in relational ways. To achieve social impact, architecture must serve as a catalyst for improving community members' lives. Understanding broader community priorities through community-controlled organizations enables better integration of these priorities into design outcomes, creating ripple effects over time. Recognizing the circular nature of community engagement is vital; community members need to see that their input is valued and utilized, fostering a shared language and previously unimagined design possibilities. Fourth, making meaningful design decisions involves actively listening to community requirements, implementing them, and then returning to the community for reflection and further direction. This continuous feedback loop ensures that community needs are heard, implemented, and communicated transparently. Finally, working reciprocally means embedding clear communication protocols, ensuring community sign-off on all project communications, and demonstrating direct impact and value in presentations and publications. Reciprocity can also manifest through the delivery of tangible community assets, such as accessible community spaces or homes, and through capacity-building initiatives that strengthen skills, resilience, and knowledge within the community, empowering them to advocate for their needs and recognize the agency of their voices. Good processes inherently require time, which ideally should be factored into project timelines, but even without extended schedules, opportunities exist at the outset to collaboratively define working methods that maximize positive community impact. #CommunityLedDesign #SocialImpact #IndigenousCommunities #Architecture #CommunityEngagement #TrustBuilding #HolisticDesign #ReciprocalRelationships #Walgett

Empathy-driven design in architecture is a critical approach that shapes both the physical environment and social dynamics, focusing on fostering social equity. This method emphasizes understanding the lived experiences, struggles, and aspirations of individuals, particularly those in marginalized communities. The goal is to create spaces that promote dignity, accessibility, and social equity beyond mere aesthetics and functionality. By prioritizing empathy, architects can design environments that uplift communities, address disparities, and drive positive societal change through human-centered design. Central to empathy-driven design is a collaborative approach where architects engage directly with future inhabitants. This ensures that design solutions genuinely reflect the diverse needs and aspirations of the community, moving away from top-down processes toward a participatory model that empowers residents. This collaboration recognizes community vulnerabilities while instrumentalizing and empowering their competencies within the architects' framework, fostering ownership and identity, and deepening the connection between individuals and their environment. Empathy serves as a catalyst for social change in architecture by challenging designers to consider the broader impact of their work on social equity, thereby creating more inclusive and adaptable spaces. Whether dealing with affordable housing, public infrastructure, or community gathering areas, empathy-driven design elevates architecture's role in promoting social justice. By integrating empathy, architects can create equitable and caring environments that serve the common good, acting as active listeners and co-designers who immerse themselves in the community's context to reflect its values, needs, and identity. Several projects exemplify this approach. The Butaro District Hospital in Rwanda, designed by MASS Design Group, demonstrates how a hospital can meet healthcare needs while reflecting community dignity. The design incorporated natural ventilation, local volcanic rock, and views of the landscape, all contributing to a healing environment. Community members were involved in construction, ensuring local economic benefits and investing 85% of building costs into the local economy. Maggie's Centres, designed by various architects like Frank Gehry and Foster + Partners, provide supportive environments for cancer patients and their families. These centers feature natural light, gardens, and non-institutional interiors, emphasizing inclusivity and accessibility for all, regardless of physical ability, economic status, or cultural background. This approach contributes to healing and human dignity, showcasing the power of empathetic design in healthcare. In addressing the housing crisis, the Quinta Monroy Housing project in Chile by ELEMENTAL, led by Alejandro Aravena, offers "half-houses" that residents can complete as their financial situations improve. This adaptable design, based on extensive community consultations, allows families to personalize their homes, promoting ownership and social equity. Similarly, the Empower Shack project in Khayelitsha, South Africa, by Urban Think Tank, reimagines housing for informal settlements through participatory design. Residents are involved in the design and construction of affordable, expandable housing, giving them control over their living conditions and fostering social cohesion and economic opportunities. Despite the numerous benefits, empathy-driven design faces challenges, including balancing empathetic goals with practical constraints like budget, time, and regulations. Projects for underprivileged communities often have tight budgets, making extensive collaboration difficult. Overcoming deeply entrenched societal inequalities, such as poverty or discriminatory policies, is another hurdle, as architecture alone cannot resolve systemic issues. Cultural and contextual sensitivity is also crucial, requiring architects to avoid imposing their values and to adapt designs based on feedback from diverse populations. Despite these challenges, empathy-driven design represents a transformative shift in architecture, prioritizing collaboration and responsiveness to create more sustainable, equitable, and dignified communities. #EmpathyDrivenDesign #SocialEquity #InclusiveArchitecture #CommunityEngagement #HumanCenteredDesign #AffordableHousing #HealthcareArchitecture #ParticipatoryDesign #SustainableDesign

Elleci, a company founded in 1992 and still led by the Traversa family, recently introduced its latest creations: a multifunctional kitchen workstation and an advanced laundry solution. These innovations aim to redefine the functionality and aesthetics of everyday living spaces through cutting-edge materials, ergonomic precision, and a sustainable vision. The company, which began as an Italian idea, has grown into a global design powerhouse, known for its patented materials such as Granitek, Keratek, and Duratek, its eco-friendly practices, and continuous innovation. One of Elleci's flagship products is Mixology, a dual-purpose workstation designed for contemporary lifestyles that blur the lines between home and hospitality, personal and professional life. As the centerpiece of the new Élite Kitchen line, Mixology reimagines the concept of domestic conviviality and functional design. Created with shared living trends like co-living and co-housing in mind, it transcends the traditional sink by offering a multi-layered hub for creativity. The workstation features dual basins with a low divider, a triple-tiered workspace, and integrated modular accessories, allowing two people to use it simultaneously. This design caters to both home chefs and amateur mixologists, fostering collaborative use. Mixology has received significant recognition, including the prestigious Red Dot Design Award 2025 and iF Design Award 2025. It is crafted from Keratek, a patented nano-tech composite, known for its high resistance, velvety matte finishes, and diverse color palettes. This material contributes to a sensorially rich and performance-driven surface. To further enhance the user experience, Elleci offers custom accessory kits, including "Chef" and "Barman" versions, which come with cutting boards, colanders, and Pod sets for organized storage. These accessories transform Mixology into a versatile tool for daily routines and celebratory occasions. In addition to the kitchen workstation, Elleci has reimagined the laundry area with its Laundry concept, aiming to elevate a often-overlooked space within the home. This concept focuses on combining beauty and efficiency, turning mundane chores into more graceful rituals. The Laundry basin, made from Duratek, features an extra-large design and a multi-position laundry board that can function as a washboard, a countertop, or be stored vertically. Its design incorporates ergonomic elements such as a semi-recessed installation, a Ghost Drain System, and a Linear Overflow. Duratek, Elleci’s latest material innovation, provides powdery matte textures, ultra-smooth surfaces, and exceptional resilience against chemicals, heat, and impacts. The material's sustainable production processes and extended lifecycle align with responsible design principles. The Laundry basin is available in four color options—white, grey, black, and sage—and is paired with a light wood laundry board, creating natural contrasts and a sense of serenity. Both Mixology and the Laundry concept exemplify Elleci’s human-centric approach to design, prioritizing durability, usability, and elegance in every product. Elleci's approach emphasizes that design extends beyond mere objects, influencing how individuals interact with and experience their living environments. #kitchenDesign #laundryDesign #homeInnovation #multifunctionalDesign #sustainableMaterials #ergonomicDesign #smartHome #interiorDesign

i29, an Amsterdam-based design office, focuses on interior and architecture projects, aiming to create spaces with strong, clear identities. Founded by Jaspar Jansen and Jeroen Dellensen, i29 works with a dedicated team of interior designers and architects on a diverse range of international projects. Their portfolio includes award-winning residential, hospitality, office, retail, and exhibition designs, with notable clients such as Booking.com, Bijenkorf Amsterdam, Amerborgh, Samsonite Europe, FRAME Magazine, and the National Ceramics Museum. The firm believes that the environment significantly influences human interaction, socialization, and daily life. Their approach involves distilling each assignment to its essence, striving to produce work that contributes to a better future. They see opportunities in both the renovation of monumental heritage, by integrating historical qualities into contemporary design, and in new construction, by focusing on future-proof solutions. This dual perspective informs their objective to create understandable, comfortable, and functional buildings that enrich daily life. i29 maintains a consistent interior design style by prioritizing clear communication with clients. They emphasize careful listening to initial requests and ideas to gather comprehensive information, which often leads to innovative and unexpected solutions. The firm asserts that every project requires unique solutions, rejecting standardized approaches in favor of personalized and specific designs. They aim to deliver progressive work characterized by its simplicity, creating clear, effective, and surprising physical experiences in an increasingly digital world. The diversity of their portfolio enables them to think creatively and inclusively for various clients and users. While their solutions are not standard, their working methods are standardized to ensure quality, efficiency, and creativity. The studio emphasizes continuous adaptation and close collaboration with clients and partners. Regarding influences, i29 acknowledges many admirable designers but strives to remain authentic to their own vision, avoiding excessive imitation. They are inspired by their everyday environment, including nature, literature, exhibitions, and films, drawing from the rich cultural resources of Amsterdam. Social media serves as a practical tool for marketing and sharing their projects, offering insights into their design philosophy, building processes, and inspirational concepts, while they consciously avoid being overly influenced by online trends. On sustainable design, i29 adopts a pragmatic approach, encouraging clients to opt for sustainable solutions whenever possible. Their goal is to maximize the impact of sustainable design, motivating broader adoption of eco-friendly materials, energy systems, and new developments for a better future. They have developed a system to categorize products and materials, raising client awareness about the sustainability, durability, and cost implications of their choices. This focus on awareness is a powerful driver for promoting sustainable design. i29 expresses aspirations to expand into architectural practice, combining their existing interior design expertise with a broader architectural vision to create places with strong identities. They anticipate upcoming large-scale projects, including hotels, spas, and sustainable homes, indicating their readiness for new challenges and collaborations with international partners. #InteriorDesign #ArchitectureProjects #AwardWinningDesigns #SustainableDesign #ClientCollaboration #DesignProcess #FutureProofDesign #DutchDesign

The interior design industry is undergoing a transformation towards more sustainable practices, a shift characterized by gradual, rather than immediate, adoption. A crucial aspect of this transition involves effective communication about sustainability with key collaborators such as contractors and architects. This article gathers insights from three experienced interior designers, Deana Duffek of Pure Design House, Primo Orpilla of Studio O+A, and Megan Thompson of Spark Interiors and GreenList, who have successfully integrated sustainable approaches into their work, to provide strategies for engaging design-build teams on this topic. One fundamental strategy is to initiate discussions about sustainability goals early in the project lifecycle. Studio O+A, for instance, makes these conversations a priority from the outset. Megan Thompson takes this a step further by assessing a prospective collaborator's receptiveness to sustainability even before formalizing a partnership. If a positive response is observed, she elaborates on her sustainable work methods. Conversely, a negative reaction might lead her to seek other partners. If working with a client who does not prioritize eco-conscious design, Thompson still opts for her preferred climate-conscious brands, albeit with less vocal promotion. When joining a project later, Thompson prompts the build team to consider whether the client values sustainability, using this as an opening to introduce eco-friendly design concepts and vendors. Identifying and cultivating relationships with like-minded professionals is another key approach. Primo Orpilla seeks contractors and consultants with a proven track record in climate-conscious projects, noting that this might be easier in certain regions like the Bay Area. Thompson continuously seeks out new builders to establish partnerships with those who share her sustainable vision. However, educating existing, trusted collaborators is also viable. Deana Duffek, when transitioning her firm to focus on healthy materials, found success in educating her established network of contractors. She emphasizes reassuring them that sustainable practices do not negatively impact their bottom line and offers assistance with sourcing. This approach often reveals that most builders are willing to adopt healthier construction methods for their clients, especially if these methods can be integrated efficiently. Practical strategies for implementing sustainability include rethinking demolition practices. Thompson advocates for hiring deconstruction specialists who meticulously dismantle building components for reuse, recycling, or donation, thereby minimizing landfill waste. She creates separate drawing sets for deconstruction contractors and general contractors to facilitate this process. Furthermore, robust construction documents are essential, acting as legal instruments to ensure that specified sustainable materials are used. Thompson also views sourcing as a collaborative team effort, engaging architects in finding resources for sustainable materials and offering to manage procurement herself, which also presents an opportunity to specify more sustainable options and generate additional revenue. Overcoming potential resistance and sharing successes are vital. Designers, particularly those new to the field, may encounter pushback from builders. Duffek advises designers to assert their design vision and rationale, suggesting that persistent resistance from a builder may indicate an unsuitable partnership. Finally, communicating sustainable values extends beyond direct project collaborations. Orpilla's team utilizes social media, websites, and publications like their 'Eco Playbook' to engage the broader design community. This widespread dissemination of sustainable practices helps raise awareness among contractors and builders, highlighting the growing opportunities within this sector of the industry. The article is authored by Laura Fenton, a writer specializing in the intersection of home design and sustainability, and draws upon her extensive experience in the field. #Sustainability #InteriorDesign #EcoConsciousDesign #ContractorCommunication #ArchitectCollaboration #HealthyMaterials #GreenBuilding #Deconstruction

Meredith Stern, an interior designer and home stylist, defines her legacy through the relationships she cultivates with clients and the personal, transformative spaces she designs for them. Her design philosophy extends beyond aesthetics, focusing on understanding each client's lifestyle, preferences, and aspirations to create spaces that are not only visually appealing but also uniquely tailored to their individual needs. Stern limits the number of large-scale projects she undertakes to ensure each receives her full attention and commitment. Her undergraduate background in psychology significantly influences her design approach, enabling her to create homes that positively impact her clients' mood, productivity, and overall well-being. She emphasizes that the functionality and appearance of a home profoundly affect happiness and quality of life, aiming for her projects to leave a lasting impression of joy, comfort, and inspiration. Meredith Stern Interiors is characterized by its meticulous approach to client understanding, eschewing 'cookie-cutter' designs for personalized spaces that enhance daily life. Stern's psychological background provides a unique insight into how environments shape emotions and well-being, which she integrates into every project. She takes pride in the trust clients place in her to actualize their visions, finding immense reward in transforming homes and the lives within them. The human connections forged during projects are as meaningful to her as the design itself. Starting her own business, Meredith Stern Interiors, was a significant life transition initiated during the COVID-19 pandemic after renovating her own home in Florida. This experience rekindled her passion for design, though the entrepreneurial journey presented challenges such as client acquisition, balancing creativity with business operations, and establishing her brand in a competitive industry. Perseverance, hard work, and the support of her husband, family, and the design community were crucial to her success. She learned the importance of patience, resilience, and maintaining her vision, along with prioritizing quality over quantity by selectively choosing projects to ensure dedicated attention to each client. Stern articulates that Meredith Stern Interiors is more than just about creating beautiful spaces; it is about designing homes that genuinely reflect their inhabitants. Her overarching goal is to craft spaces that are aesthetically pleasing, highly functional, and transformative, ultimately bringing joy, comfort, and daily inspiration to her clients. She views design as a service that profoundly impacts lives by shaping the environments people inhabit. The interview also delves into a personal anecdote, outlining a hypothetical week-long itinerary for a best friend visiting Florida, filled with activities centered around thrifting, vintage hunting, and design inspiration. This includes visits to World Thrift in Lake Worth Beach, various thrift stores in Delray Beach, followed by dinner at The Grove. The itinerary extends to Miami to explore vintage and antique shops on Biscayne Boulevard, particularly mentioning Avra Art, Robert Massello, Cur8ed Studio, Iconic Design Gallery, CastellArts, and Michel Contessa. Meals at Mandolin in the Design District are suggested, alongside exploration of Wynwood's street art and the Design District's architecture. A visit to the Morikami Museum and Japanese Gardens in Boca Raton is also included, highlighting its serene beauty and intentional design. Stern attributes much of her success and confidence to her husband, who has been her biggest supporter and cheerleader since the inception of Meredith Stern Interiors, providing unwavering belief and encouragement throughout the challenges and triumphs of entrepreneurship. #InteriorDesign #HomeStyling #MeredithStern #ClientRelationships #PsychologyInDesign #Entrepreneurship #FloridaDesign #PersonalizedSpaces

Melinda Cardenas, an interior designer and creative thinker, discusses her career path and inspirations. She explains her decision to pursue a creative field, attributing it to a natural inclination towards design, organization, and creativity from a young age. As she matured, she focused on developing these innate skills into a professional career. Her research into interior design and architecture led her to fully commit to the field, despite recognizing its inherent challenges. Cardenas emphasizes that the profession allows her to utilize her core strengths in design, organization, and creativity, and she continuously seeks opportunities for growth to enhance her capabilities as a designer and creative asset within the industry. Cardenas describes her journey in interior design as both challenging and rewarding. She recalls long nights during college studio sessions and highlights the satisfaction derived from client reviews and project completions. She expresses gratitude for working in a field she enjoys, which also allows her to positively impact spaces and the individuals who inhabit them. Key to her professional development has been a commitment to continuous learning and maintaining confidence in her design decisions. She also values surrounding herself with more experienced and knowledgeable individuals, which has been instrumental in navigating problems and developing effective solutions. Cardenas advocates for consistently asking questions, regardless of how trivial they may seem, and lives by the motto, “Life begins at the edge of your comfort zone.” This philosophy encourages her to push boundaries, embrace new experiences, and engage in uncomfortable situations as a means of personal and professional growth. When asked about local attractions in Los Angeles, Cardenas highlights the city's diverse offerings, from natural beauty to vibrant nightlife. She suggests a day trip up the coast to Malibu, starting with breakfast burritos at Lily’s Cafe and coffee at Le Cafe de la Plage. Relaxation at Lechuza Beach would follow, enjoying the ocean scenery. For evening entertainment, she recommends dinner at Grandmaster Recorders, possibly followed by a show at the Pantages Theater. Another favored activity is attending outdoor concerts and movies at the Hollywood Bowl, appreciating the combination of good food, music, and the picturesque Los Angeles backdrop. Cardenas takes the opportunity to acknowledge Sarah Barnard, an interior designer who served as an early mentor. Barnard provided guidance on professional conduct, impactful contributions to the design community, and helped Cardenas refine her design influences during her formative years. This mentorship proved crucial in shaping Cardenas's understanding and approach to the design profession. #InteriorDesign #CreativeThinking #CareerPath #ProfessionalGrowth #LosAngeles #Mentorship #DesignCommunity #WorkLife

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

The article outlines ten essential traits that contribute to a successful career in interior design, emphasizing that it takes more than just good taste or an innate flair for aesthetics. According to Neal Beckstedt, founder of Neal Beckstedt Studio, successful designers often possess a blend of seemingly opposing characteristics, such as being creative yet practical, free-thinking yet organized, and a good listener yet opinionated. One crucial trait is an appreciation for everyday beauty. Cheryl Luckett, founder of Dwell by Cheryl, highlights that recognizing potential in every space and noticing small details can elevate a room from good to truly special. This deep sense of beauty guides designers in creating functional, inspiring, and joyful spaces. Natural curiosity is another key characteristic. Linda Hayslett of LH.Designs notes that successful designers are often inquisitive about their surroundings, possessing a heightened awareness of how spaces feel and function, and noticing details others might overlook. Developing a discerning eye is also vital. Michelle Gage of Michelle Gage Interiors advises actively seeking opportunities that expand one's visual experience, such as visiting museums, home shops, and traveling, rather than solely relying on social media for inspiration. A defined sense of personal style provides clarity and confidence, enabling designers to create cohesive spaces that clients can trust. However, this style should not be rigid, allowing flexibility to blend expertise with client needs. Strong gut instinct is another trait mentioned, with Amy Studebaker of Amy Studebaker Design explaining that trusting one's intuition in decisions like fabric selection, client interaction, and team building often leads to the right direction. Problem-solving skills and adaptability are critical, as no design project is entirely smooth. Hayslett points out that skilled designers embrace obstacles as creative challenges. Sarah Lederman of Sarah Lederman Interiors adds that a client-centric approach requires openness and willingness to try different methods to achieve diverse client outcomes. A love of learning ensures designers stay current and informed. Lederman shares her continuous effort to educate herself about vintage items, antiques, and new showrooms. Empathy is highlighted by Phil Norman of Norman Design Group as a trait that helps designers understand clients' unspoken needs, distinguishing good designers from others. Furthermore, understanding how elements come together is paramount. Luckett explains that it involves comprehending how colors, textures, and layouts create harmony and emotion, along with a strong grasp of scale, proportion, and flow. Taniya Nayak of Taniya Nayak Design emphasizes the ability to accurately judge scale and size visually. Finally, the ability to communicate a vision is essential. Designers must be able to visualize a room's potential and effectively convey that vision to clients. Sarah Fleischer of SRF Interiors states that confidence in communicating one's design sense and opinions is crucial for project success. Cheri Etchelecu Martin of Cheri Etchelecu Interior Design underscores that strong communication skills are necessary to sometimes push clients beyond their comfort zones and ensure project success. Attention to detail, including small elements like screw finishes or light bulb placement, is also a common trait among skilled designers, often associated with Type A personalities who value precision and control. #InteriorDesign #DesignSkills #CreativeProfessions #HomeDecor #ProblemSolving #ClientRelations #AestheticAppreciation #LifelongLearning #AttentionToDetail

Universal Design Studio (UDS), an architectural practice founded in 2001 by Edward Barber and Jay Osgerby, is celebrating two decades of groundbreaking work. Documented in their new book, 'Inside Out' (Phaidon), the studio’s success is attributed to its collaborative spirit, involving over 240 individuals throughout its history. Unlike traditional design firms that emphasize a singular artistic vision, UDS operates as an “experimental playground” where multiple thinkers contribute to a diverse portfolio of projects. These projects span retail spaces for luxury brands like Stella McCartney and Mulberry, hospitality ventures such as the Ace Hotel in Shoreditch and a cocktail bar for Fortnum & Mason, exhibition designs for the V&A Museum and Frieze Art Fair, and workspaces for IMB and Jimmy Choo. Barber and Osgerby initially established UDS to differentiate their architectural and interiors work from their product and furniture design studio. They recognized that while a multidisciplinary approach was common in Italy, it was less understood in the UK. This led them to create a new division focused on architecture and interiors, with a strong emphasis on collaboration. The studio maintains an egalitarian approach, where no single author dictates a project's direction. Instead, teams work collectively, valuing diverse perspectives to break new ground and challenge conventional thinking in each sector. UDS is also known for its commitment to reusing and repurposing existing buildings, prioritizing how spaces are utilized and how they serve their communities over demolition and new construction. Despite being an architectural practice, Osgerby notes that they primarily focus on interior and adaptive reuse projects rather than constructing new buildings from the ground up. Jason Holley, director of UDS, explains that the studio's principle is to work 'from the inside out,' focusing on human experience and the specific context of a building. This ensures that every design solution is tailored to its site and users, rather than adhering to a signature stylistic approach. Key projects illustrate UDS's impact. The Stella McCartney stores in New York and London, completed in 2003, were early successes, demonstrating the seamless integration of bespoke product, industrial design, and interior architecture. The custom-made tile used in these stores exemplifies the studio's philosophy of bringing the detail of furniture design to architectural spaces. In 2012, the interactive Google Web Lab at the Science Museum showcased UDS's ability to blend physical and digital worlds, creating an engaging space for technological exploration and storytelling. The Ace Hotel in Shoreditch, completed in 2013, marked a pivotal moment for both the studio and the surrounding neighborhood. UDS, despite having no prior hotel experience, embraced the challenge and collaborated closely with the Ace team. This project, which blended hotel functionality with local culture and casual workspace, became a significant contributor to the area's identity. This success led to a long-term partnership with The Office Group, for whom UDS designed Tintagel House and other workspaces. Looking ahead, co-director Paul Gulati identifies future areas of focus, including improving experiences in healthcare for the aging community and revitalizing high streets, leveraging their expertise in creating community-focused spaces. Mobility and electric vehicles are also areas of interest. Holley emphasizes the studio's goal of creating spaces that people deserve, seeking clients and collaborators who share their passion for openness and innovation. Osgerby reflects on the studio's core aim as recreating a 'campus atmosphere,' reminiscent of his time at the Royal College of Art, where interdisciplinary collaboration fostered productive and exciting exchanges of ideas. #UniversalDesignStudio #ArchitecturePractice #InteriorDesign #CollaborativeDesign #SustainableDesign #EdwardBarber #JayOsgerby #HospitalityDesign #RetailDesign

The article features an interview with Leo Cesareo, an interior designer, discussing his journey, artistic influences, and personal recommendations for exploring Los Angeles. Cesareo recounts his decision to start his own business after years of working for other designers. He describes a pivotal moment at his last firm, where a negative interaction with a junior designer led him to quit on the spot and establish Leo Cesareo Design seven years ago. This experience highlighted his desire to focus on design rather than office politics and bureaucracy. He notes that this decision was a positive one, as he has not encountered similar issues with his own clients. Cesareo attributes his artistic inclination to his family background. His grandfather was an illustrator and 'Ad Man' in Buenos Aires during the 1950s and 60s, creating hand-drawn advertisements for magazines like Time and Life. His father was an architect and contractor, and Cesareo credits learning to draw by observing his father's work at a drafting table. He humorously mentions learning three-point perspective by kindergarten, much to his elementary teacher's surprise. His artistic education continued at the Visual Arts program at LACHSA and then at RISD, where he studied Film and Art History. During his film studies, he developed an interest in set design, focusing on 'world-building' and the psychology behind characters and their environments, which ultimately led him to transition into interior design. At Leo Cesareo Design, his firm aims to create unique, tailor-made interiors for contemporary individuals and households, drawing on his visual arts background to influence spatial composition and light. When asked about local spots in Los Angeles, Cesareo, a native, emphasizes approaching the city through its individual neighborhoods due to its spread-out nature. He suggests that framing LA in this way makes visitors more open to experiencing different areas, even if it involves traffic. He highly recommends The Cara Hotel, praising its transformation from a 1950s motel into a chic, European-feeling establishment with elegant rooms and a stylish courtyard. Its central location is also a plus for accessing both the East and West Sides of the city. For shopping, he points to Departamento in Downtown LA, highlighting the area's growth into a vibrant, walkable neighborhood with interesting shops and cafes. His favorite Korean BBQ spot is Dan Sung Sa, valued for its unique interior design with cubby booths and graffitied walls, which contributes to its 'frenzied cool' atmosphere, making the long wait worthwhile. For an authentic LA experience, he recommends late-night taco trucks, particularly those on Sunset in Echo Park, and diners like Norms and the iconic Johnie’s Broiler (now a Bob’s Big Boy), noting the historical significance of Googie Architecture and fast food in LA's development. For nightlife, he suggests El Cid, Akbar, and underground or gay bars, describing a quintessential LA experience involving secret passwords and unexpected celebrity sightings in unusual locations. Cesareo concludes by giving credit to his alma maters, the LA County High School for the Arts (LACHSA) and the Rhode Island School of Design (RISD). He emphasizes that these institutions provided him with the foundational experiences, work ethic, and community that have supported him since he was 15 years old. The article also provides contact information for Leo Cesareo Design, including his website, Instagram, LinkedIn, and Facebook profiles. #InteriorDesign #Entrepreneurship #LosAngeles #ArtisticInfluence #CreativeJourney #BusinessStartUp #LocalCulture #DesignPhilosophy #RISDEducation

Alicia Hylton-Daniel is an interior designer and general contractor who has carved a unique path in a field where she often stands alone as a Black woman. Her journey began unexpectedly after a house fire in 2002 prompted her to reassess her career goals. She subsequently enrolled at Meredith College, graduating in 2008 with a degree in interior design. For the first decade of her career, Alicia focused on commercial interior design, gaining valuable experience that would later influence her distinct approach to residential projects. Her transition into general contracting was inspired by her husband, Roger. This step allowed her to manage her designs more comprehensively and to establish her worth within the industry. Shortly after becoming a licensed general contractor, she launched her own design/build company, Hylton Daniel Properties, also known as Hylton Daniel Design + Construction, which has now been in operation for over five years. Alicia's initial goal was to design and construct modern houses for sale, a pursuit that offered her significant creative freedom, free from client constraints. She named her first project 'Modernist 1,' anticipating a series of similar ventures. To date, she has designed and built six modern homes, which she considers her artistic expressions. While Hylton Daniel Properties accepts client work, it primarily focuses on mid to large-sized renovations and additions, with a preference for renovating older homes, particularly those from the Mid-Century Modern and 1970s architectural eras. Alicia intentionally avoids designing and building ground-up houses for clients due to the complexities of client input combined with subcontractor management, choosing to prioritize her creative autonomy. She distinguishes her work from typical 'flips,' which she views as quick and thoughtless, emphasizing a meticulous design and construction process. Her projects involve extensive site study to ensure optimal house placement, visual integration, and consideration of height and scale in spatial layout and exterior design. Her commercial design background also enables her to incorporate non-standard and experimental finishes into her residential projects, offering a unique edge. Hylton Daniel is a small team of five, including Alicia and Roger, handling a maximum of four client projects annually. This controlled workload ensures detailed design, quality construction, and exceptional project management. Alicia emphasizes that she charges for her time and talent, clarifying that her services do not align with the often-unrealistic expectations set by HGTV. She also requires homeowners to vacate the premises for extensive renovations, particularly those involving critical areas like kitchens and bathrooms, to maintain project efficiency and safety. Alicia takes pride in her problem-solving abilities through spatial layout, and her enjoyment of lighting and finishes. She dedicates herself to understanding clients' emotional and cultural backgrounds to achieve successful designs. Alicia recently shared a story of resilience, recounting an incident where she discovered she was being targeted by a neighbor during the construction of her 'Modernist 4' home. She publicly addressed the bigotry, refusing to be silenced or conform to societal expectations of 'professionalism' that she felt had historically disadvantaged Black women. Her outspoken stance garnered widespread support from both Black and white women, validating her decision to advocate for herself. She highlighted the importance of unlearning the societal lesson of 'not talking money,' particularly as a Black woman who, like many, has experienced underpayment. She now unapologetically discusses her rates, refusing to compromise her self-worth. In addition to her design and build work, Hylton Daniel has expanded into a short-stay portfolio, offering a renovated 1940s post-war house and two of her modern homes, 'Modernist 5' and 'Modernist 6,' for short-term rentals, allowing guests to experience her unique designs. #InteriorDesign #GeneralContractor #ModernArchitecture #DesignBuild #ResidentialRenovation #Entrepreneurship #BlackWomanInBusiness #SpatialLayout #Resilience

The article introduces Daphne Martino and Claudia Barroso, co-founders of M&B Design Studio, highlighting their journey into entrepreneurship as interior designers. Both women, having spent years assisting friends and family with design projects, decided to formalize their passion into a business once their children reached high school and college, providing them with the necessary time and space. Their motivation extends beyond personal ambition; they aim to set an example for their daughters, demonstrating that it is possible to pursue new career paths and achieve significant goals at any age. M&B Design Studio distinguishes itself through its commitment to honesty, transparency, and open communication with clients. This foundational trust is crucial for navigating design challenges and delivering spaces that are aesthetically pleasing and deeply meaningful to their clients. The founders emphasize that their path has involved considerable hard work and perseverance, acknowledging the inherent challenges and frustrations of the interior design industry. Despite these difficulties, they describe themselves as resilient, embracing both the positive and negative aspects of their work and striving to enjoy the process. Their families have been an integral part of their business, offering support with everything from physical help during installations to organizing project spreadsheets. This familial backing is presented as a key factor in their success. The studio prides itself on delivering thoughtful, timeless, and tailored designs that clients genuinely appreciate, reflecting their dedication to their craft. Beyond their professional lives, Daphne and Claudia share insights into their personal preferences and recommended activities in Miami. When friends visit, they curate an itinerary that blends outdoor exploration, culinary experiences, adventure, and relaxation. Their suggestions include a morning visit to Fairchild Tropical Botanic Garden, followed by refreshments from Wayside Market. Sundays feature a stop at the Pinecrest Farmers Market for local produce and artisanal goods. A quintessential beach day in South Beach, complete with lunch at Joe’s Stone Crab, is also on the agenda. For a change of scenery and a more relaxed atmosphere, a trip to Ocean Reef is recommended for boating, swimming, and golf. Their itinerary also highlights Miami’s vibrant art and design scene, with visits to Wynwood for its street murals and creative energy, and the Miami Design District for its architecture, high-end shops, and curated spaces. Relaxation and rejuvenation are factored in with a spa day at The Standard Spa or Tierra Santa at Faena. Dining experiences are diverse and include COTE Miami for a Korean steakhouse, Bouchon Bistro in Coral Gables for French cuisine, and Queen Miami Beach for a glamorous dinner and show. Iconic local spots like Ball and Chain, known for its live music and history, are also included to offer a taste of Miami’s cultural heartbeat. The week concludes with drinks at Bellini at Mr. C Coconut Grove, offering a sophisticated end to their Miami tour. In acknowledging those who have supported their journey, Daphne and Claudia express profound gratitude to their husbands and children. They credit their families with unwavering support, encouragement, and understanding, which have been constant sources of strength throughout the late nights, early mornings, and significant milestones of their entrepreneurial endeavor. Their families are seen not just as supporters but as an integral part of everything they do at M&B Design Studio. #InteriorDesign #Entrepreneurship #FemaleFounders #SmallBusiness #MiamiLifestyle #WorkLifeBalance #FamilySupport #DesignStudio