The original 'Trading Spaces' designers, ranked

The often-overlooked restroom in a retail establishment, particularly in jewelry stores, plays a crucial role in creating a complete and cohesive design experience for both clients and employees. Interior designer Leslie McGwire emphasizes that a stylish and well-decorated bathroom can make a significant statement, countering the idea that these spaces should be out of sight and out of mind. Several jewelry stores have successfully integrated their overall design concept into their restrooms, demonstrating that attention to detail in these smaller spaces can elevate the customer experience. For instance, Tanmai in Irving, TX, owned by Sanjay and Sapna Singhania, extends its elegant store theme into the restroom with gold and bronze finishes, unique wallpaper, wall-sconce lighting, sleek fixtures, and patterned-tile flooring. This design draws inspiration from architecture and design seen in Las Vegas, ensuring a seamless aesthetic throughout the establishment. Wanna Buy a Watch in West Hollywood, CA, designed by interior designer June Robinson Scott, embraces its distinctive quirkiness in the restroom. With vibrant red walls, framed prints, and a crystal chandelier, the space achieves a romantic, vintage ambiance. Owner Ken Jacobs notes that the chandelier, initially intended for disposal, became the central inspiration for the boudoir-style bathroom. Northeastern Fine Jewelry in Albany, NY, underwent a $1.3 million renovation, meticulously planned by Michael Roman of C2 Design Group. The focus on experiential design led to a restroom described as the “Wynn Hotel in Albany.” The store’s Vice President, Gregg Kelly, developed the concept based on extensive research, ensuring that the upscale and timeless aesthetic, characterized by high-end finishes and cool lighting, extends into every detail of the restroom. At Fakier Jewelers in Houma, LA, the comfortable, residential feel of the main store is seamlessly carried into the restroom. This is achieved through windows adorned with plantation shutters and floor-to-ceiling draperies, sophisticated furniture-style fixtures, and inviting, plush seating. Owner Manon Fakier collaborated with French Mix by Jennifer Dicerbo Interiors to bring this cohesive vision to life. Other examples highlight various design elements. Clarkes Jewelers in Shreveport, LA, uses colorful walls and flattering lighting to enhance the restroom experience. Coughlin Jewelers in St. Clair, MI, incorporates patterned tiles, art on the walls, and even a live plant—a suggestion from interior designer Ruth Mellergaard to add oxygen and natural air freshening. The Jewelry Design Center in Spokane, WA, makes a bold statement with a distinctive sink, interesting textures, a decorative mirror, and dramatic wall-sconce lighting. John Atencio’s Boulder, CO, location showcases a sleek and seamless restroom design that perfectly complements the store’s modern aesthetic and the jewelry designer’s signature style. Kelley Jewelers in Weatherford, OK, designed by Leslie McGwire herself, features white brick walls, large-scaled side tiles, 1-inch by 4-inch glass tile stripes, gold bar lights and faucets, and a square sink with a high-end counter, all contributing to an extra design splash with highly patterned porcelain. Sather’s Leading Jewelers in Fort Collins, CO, creates an elegant atmosphere with a gold mirror, colorful artwork, and an interesting backsplash design, offering a unique family-friendly touch with two sinks. The Diamond Center in Janesville, WI, also designed by Leslie McGwire, maintains a contemporary feel with black, gray, and white tones. Large porcelain floor tiles extend up the walls, while a streamlined black granite counter, contemporary faucet, and brushed silver horizontal mirror complete the look. Metal strap artwork further reinforces the modern design. Williams Jewelers in Englewood, CO, provides a distinct experience with separate “His and Hers” bathrooms. The women’s restroom features white porcelain tiles embedded with 1-carat Swarovski diamond-shaped crystals, a flush-mounted crystal light fixture, and sconces, creating a sparkling “wow” effect. The men’s room, in contrast, offers a masculine design with porcelain wood floors extending halfway up the wall, a decorative tile border, and a highly textured large mirror coordinating with the room’s color palette. Finally, YLANG YLANG in St. Louis achieves understated elegance with a chandelier, gold fixtures, and modern flooring. These examples collectively illustrate that the restroom, far from being a purely functional space, can be an extension of a store's brand identity and a key component in enhancing the overall customer journey and aesthetic appeal. #jewelryStoreDesign #restroomDesign #interiorDesign #retailExperience #luxuryRetail #architecturalDetails #customerExperience #designInnovation

Brittny Button, an interior designer and real estate investor, discusses her journey in establishing her own business and her unique design philosophy. Her passion for building, architecture, and design naturally led her to open an interior design firm, where she focuses on transforming spaces. Additionally, she realized a long-held dream by opening Button Atelier, a shop within the Agoura Antique Mart. This venture allows her to showcase and sell her collection of vintage furniture, many of which have been revitalized with new upholstery, alongside a curated selection of decorative accessories. Button's distinctive design aesthetic is deeply rooted in Old World European Classicism, with a particular fondness for Spanish architecture and Art Deco-inspired furniture. Her past projects have garnered significant recognition, being featured in prominent publications such as Architectural Digest, Vogue Living, Homes & Gardens, and Living etc. This acclaim underscores her ability to create aesthetically pleasing and functional living environments. A notable challenge she identifies in her work is the difficulty of assembling a cohesive on-site team, including project managers, contractors, and subcontractors, who fully grasp and align with her design vision. She emphasizes the importance of shared understanding, even suggesting that it is better to disengage from a project if the team is not in sync, to ensure the integrity of the final outcome. Button Atelier is envisioned as an evolving 'workshop' or 'studio,' extending beyond a traditional interior design firm, with various exciting projects anticipated for completion later in the year. When asked about local recommendations, Button suggests visiting the Pacific Design Center in LA to explore new home furnishings. For family outings, she highlights the playground at Malibu Country Mart, often combined with lunch at one of the local restaurants. She also enjoys browsing CB2 Design Shop in Malibu for new arrivals. For unwinding with friends, Soho House and Nobu in the same vicinity are her preferred spots. She acknowledges the significant impact of recent fires on the Malibu area, expressing empathy for affected families and businesses, and offering her design services at free or reduced rates to support those who have suffered losses. Button attributes much of her success and development to the influence of her parents, who fostered her artistic eye from a young age through their shared passion for collecting antiques and architectural history, particularly Art Deco. Accompanying them to flea markets and estate sales instilled in her a joy for discovering and reimagining vintage pieces, a practice she has maintained throughout her life. She recalls acquiring a vintage chandelier and mirror for her bedroom in high school, marking the beginning of her fascination with reclaimed items. Her husband, Jenson Button, is credited as a constant source of support over the past decade, granting her full creative freedom in their home renovation projects and bolstering her confidence in her design capabilities. Her four-year-old daughter, Lenny, also expresses an interest in following in her mother's footsteps, aspiring to design houses. #InteriorDesign #RealEstateInvesting #Entrepreneurship #DesignAesthetics #VintageFurniture #ArchitecturalDesign #SmallBusiness #CreativeProcess

This blog post explores various strategies employed by kitchen and bath design firms to create inspiring showrooms that effectively showcase their talents and product offerings to clients. It features insights from several design firms across different locations, highlighting their unique approaches to showroom design and client engagement. Marvista Design + Build in Pittsburgh, PA, emphasizes a clean and uncluttered aesthetic in its 2,500-sq.-ft. showroom. Michael Jacobs, the president, designed the finish selection room to be tidy, with samples neatly stored away, preventing clients from feeling overwhelmed. A key feature is the tunable lighting system, designed by a Los Angeles-based expert, which allows designers to adjust the color temperature to match a client's home, thereby eliminating the need for clients to take samples home. The showroom also includes diverse kitchen and bath displays, like a white and gray kitchen for older homes and a 'Posh Prohibition' bar showcasing updated cabinetry for traditional settings. Functional elements such as motorized shelves and paneled appliances are incorporated to inspire clients. The bathroom display, inspired by Frank Lloyd Wright's Fallingwater, features a walnut vanity and unique tile work, serving as a luxurious public restroom. The Kitchen Bin in Winfield, NY, founded by Debbie U. Pugh, stands out with its unique location inside an old grain bin. This unconventional structure draws in curious visitors, offering a memorable experience. The 1,500-square-foot interior boasts 30-foot ceilings and a curved staircase leading to a loft with flooring and tile samples. Pugh's showroom maximizes product display by showcasing a full kitchen with multiple paint colors, stains, door styles, hardware options, and organizational accessories. An adjacent espresso bar adds to the inviting atmosphere. The presentation room features door samples from various manufacturers, including a local custom cabinet maker, and custom-designed hardware selection boards. Many displays are fully operational, creating a home-like environment where clients can relax by a fireplace, enjoy a cappuccino, and visualize their designs on a large-screen TV. The showroom is designed for potential future use as a guest space or vacation rental, highlighting its versatility. JM Kitchen & Bath Design, with a 45-year history in the Denver, CO area, opened two new showrooms in Arvada, CO, and Colorado Springs. The 3,500-sq.-ft. Arvada location, situated in a busy outdoor mall, was built from scratch, offering flexibility in designing consultation rooms and working spaces. Jason Price, CEO, noted that the full-sized, fully staged, and equipped displays, including five kitchens, allow visitors to visualize options in a realistic setting. Many displays feature working appliances, enabling the company to host events with chefs, demonstrating functionality in an intimate, no-pressure environment. The showroom presents a diversity of colors, styles, and budget options, from quarter-sawn walnut and metallic acrylic cabinets to natural rustic alder. The emphasis is on forward-thinking design, showcasing both current and future trends. Like Marvista, JM Kitchen & Bath avoids cluttered sample displays, encouraging clients to envision their ideal spaces. DesignCraft Kitchen & Bath expanded its presence with a new 1,900-sq.-ft. showroom in Brentwood, TN, complementing its Tampa, FL location. Tracy Urso, CFO and interior designer, identified a need for comprehensive remodeling services in the Nashville area, where many homes built 15-20 years ago are due for renovation. The Brentwood showroom features two kitchens with two-tone cabinets and quartz countertops. Urso particularly highlights the bath display, which incorporates a full slab of quartz for an accent shower wall and floating vanity countertop, enhanced by deep black and gold veins. Matte black fixtures and brass accents complement the design. The selection room provides a one-stop-shop experience with cabinetry, hardware, and tile samples, and a large-screen television for real-time design visualization. Urso's office also serves as a display for built-in cabinetry outside of kitchens and bathrooms. Jennifer Gilmer Kitchen & Bath opened a 750-sq.-ft. satellite showroom in Easton, MD, to address a local need for quality kitchen and bath design services, leveraging its established presence in Chevy Chase, MD, and Ashburn, VA. Jennifer Gilmer's personal relocation to Easton prompted the expansion. The compact space focuses on six kitchen displays, as Gilmer believes kitchen cabinets can also be considered for bathrooms. The showroom emphasizes unexpected and atypical design elements, such as a refrigerator, freezer drawers, and a coffee machine integrated into tall cabinetry, which are fully functional and used during events. Unique touches like authentic vintage lights, a reclaimed chestnut countertop, and solid wood live-edge shelves are incorporated to inspire clients and demonstrate the firm's ability to create custom, beautiful kitchens. #ShowroomDesign #KitchenDesign #BathDesign #InteriorDesign #HomeRenovation #ClientExperience #DesignTrends #BusinessStrategy #RetailSpaces

The article emphasizes the transformative power of design in real estate, asserting that innovative design can significantly impact business growth, create value, and help organizations achieve their strategic objectives. It highlights JLL's approach to design, focusing on creating human-centric experiences that are both functional and inspiring. This comprehensive design philosophy aims to meet diverse client needs, ranging from corporate workplaces to retail environments. JLL's design services are structured around three core principles: actionable insights, future-focused design, and comprehensive solutions. Actionable insights involve leveraging data-driven business intelligence to formulate a design strategy centered on the needs of people. This approach ensures that design decisions are informed by concrete data, leading to spaces that are not only aesthetically pleasing but also highly effective and aligned with organizational goals. By understanding user behavior and preferences, JLL aims to create environments that enhance productivity, well-being, and overall satisfaction. Future-focused design is another critical aspect, focusing on creating spaces that are adaptable and sustainable over time. This involves anticipating future trends and technological advancements, ensuring that the designed spaces can evolve and remain relevant in a rapidly changing world. The emphasis is on blending innovation with foresight, thereby creating enduring value for clients. This proactive approach helps clients avoid premature obsolescence and ensures their real estate assets continue to serve their needs effectively for years to come. Comprehensive solutions involve crafting tailored workplace and retail experiences through meticulous analysis of client needs. JLL's team designs environments that inspire users and drive business success at any scale, whether it's a new office layout, a retail store revamp, or a large-scale development project. The article showcases several client stories that exemplify JLL's design capabilities. For instance, JLL assisted Bob’s Discount Furniture in reimagining their in-store experience to facilitate nationwide expansion, demonstrating how design can directly support business growth and market reach. Similarly, ALDI's "Modern Market" project redefined the new-generation shopping experience by introducing innovative in-store journeys and facilitating widespread store rollouts, highlighting design's role in enhancing customer engagement and brand perception. Furthermore, the article points to JLL's own East Bay office as a testament to thoughtful design, integrating sustainability, functionality, and local community aesthetics. This internal project underscores JLL's commitment to practicing what it preaches, creating an office space that reflects contemporary design principles and supports employee well-being. Another client story details how AVI-SPL, a global collaboration technology provider, partnered with JLL to create a tech-driven office space aimed at boosting team collaboration, illustrating the integration of technology and design to foster a productive work environment. JLL also shares its outlook on top trends influencing the design of places and spaces for 2025 and beyond, indicating a forward-thinking approach to design that considers emerging societal and technological shifts. The article concludes by inviting potential clients to contact JLL's design experts, such as Stephen Jay, Global Design Advisory Retail and Branding Lead, to explore how their services can transform real estate challenges into strategic advantages, optimize portfolios, and enhance value and performance. #DesignSolutions #RealEstateDesign #WorkplaceStrategy #RetailExperience #FutureOfSpaces #ClientStories #ProjectManagement #SustainableDesign #Innovation

The eyewear brand KREWE transformed a former food storage warehouse in New Orleans' Lower Garden District into its new global headquarters. This project, spearheaded by KREWE's in-house designers and Olivia Erwin Interiors, aimed to create an adaptable, light-filled space centered around the sun, reflecting the brand's identity. The headquarters features an open floor plan that extends into a courtyard with a pool, serving as both a testing ground for new shade designs and a social club. The SUN_DAYS courtyard was designed in collaboration with hospitality group LeBlanc + Smith, intending to foster a community space for creative individuals in New Orleans. It offers amenities like a heated or chilled pool, wellness classes, and a sauna, and is utilized as a vital part of the company headquarters when not open to the public. The design emphasizes a minimalist aesthetic, built for function rather than preciousness, incorporating workstations from Poppin and Hem, alongside vintage finds. The kitchen areas feature concrete floors, marble counters, and Farrow & Ball's 'Breakfast Room Green' cabinets, with a nostalgic neon sign paying homage to a former Canal Street landmark. Beyond the headquarters, the article also explores KREWE's 1818 Magazine Street store and the gallery apartment above it, located in a historic early 1800s building. The store's interiors, a collaboration with Goodwood New Orleans and Nicole Cota, showcase a green terrazzo bar, custom-framed mirrors, and cypress cabinetry. The gallery apartment, designed by KREWE and Olivia Erwin Interiors, serves as a versatile space for hosting brand friends, dinner parties, or offsite retreats. This apartment signifies KREWE's evolution into a lifestyle brand, emphasizing physical spaces over an increasing number of products. Its entrance and stairway feature Farrow & Ball's 'Setting Plaster' and 'Cuban Heritage' tile, with a Signal Globe pendant from Workstead. The living room includes a vintage Milo Baughman sectional upholstered in pink, a custom coffee table, and a walnut dining table by Studioilse. The kitchen backsplash is pink marble, complemented by dark green fluted cabinets from Goodwood and a custom brass island. The apartment also features mid-century modern furniture, step-through windows leading to wraparound gallery balconies for natural light and indoor-outdoor flow, and outdoor furniture from HAY. A library features a custom sofa with paprika velvet cushions and automotive paint, with walls painted in Benjamin Moore's 'Dakota Shadow' and an Atollo Table Lamp. The bedroom includes a Nordic II Bed from Unison Home, an Ethnicraft 'Spindle' bedside table, a West Elm rug, and walls in Benjamin Moore's 'Winter Orchard'. The adjoining bath is painted in Farrow & Ball’s 'Green Smoke'. #WorkplaceDesign #OfficeInteriors #WarehouseConversion #NewOrleansDesign #EyewearBrand #CommercialArchitecture #InteriorDesign #LifestyleBrand #CommunitySpace

Daniel Lalonde, CEO of Design Holding, a prominent luxury multibrand group in the high-end interiors market, outlines his strategic vision for the company's future, focusing on making the experience of purchasing high-end interior products more accessible. Design Holding, established through Investindustrial's acquisitions of Flos (2014), B&B Italia (2015), and Louis Poulsen (2018), has expanded its portfolio to include nine brands, such as Maxalto, Azucena, Arclinea, Fendi Casa, Audo, and Lumens. This consolidation has positioned the group as a significant entity in design-led, luxury interior products, operating in over 130 countries with ten manufacturing facilities. Lalonde, who assumed the CEO role in late 2021, brings extensive experience from luxury multi-brand companies like LVMH, Louis Vuitton, Ralph Lauren, and SMCP. He acknowledges the transition from high fashion to interiors as a "leap of faith" but recognizes commonalities in heritage, craftsmanship, and the use of top designers. The company's brands collectively boast an extensive collection of works from celebrated designers, including modern classics by Achille and Pier Giacomo Castiglioni, Poul Henningsen, Arne Jacobsen, and contemporary pieces by Tobia Scarpa, Antonio Citterio, Philippe Starck, Naoto Fukasawa, Jasper Morrison, and Piero Lissoni, among others. The group also actively seeks emerging design talent. A key aspect of Lalonde's strategy involves shifting the sales model to be more consumer-centric. Historically, over half of Design Holding's business relied on wholesale channels. To address this, the company has opened a 25,000 sq ft retail center at 135 Madison Avenue in New York. Designed in part by Lissoni & Partners, this flagship store provides distinct spaces for each brand, offering a comprehensive multibrand experience. This move aims to engage architects and designers, who significantly influence furniture sales (up to 45% in the US), by providing an immersive environment for both professionals and consumers to make informed decisions. Technological advancements are also integral to the strategy, with new e-commerce platforms and a configurator app being developed for individual brands. However, Lalonde emphasizes the importance of physical interaction with products, which the Madison Avenue store facilitates. The company is also exploring other innovative showcases, such as the West Coast model home at the Mandarin Oriental Residences in Beverly Hills, which features B&B Italia products exclusively. Lalonde's role includes maintaining the distinct identity and character of each brand while fostering collaboration. He highlights the complimentary nature of the brands, noting, for example, the different design DNA between a B&B Italia sofa and a Maxalto sofa. Collaborative efforts among contract teams across brands are encouraged, especially for large projects. The group includes Italian brands (B&B Italia, Maxalto, Azucena, Flos, Arclinea, Fendi Casa), Danish brands (Louis Poulsen, Audo), and the San Francisco-based Lumens. Sustainability and ethical practices are central to Design Holding's environmental, social, and corporate governance (ESG) strategy. The company prioritizes product longevity, quality, ease of maintenance, and repairability. They also focus on sourcing sustainable and ethical supply chains, with benefits extending across all nine brands, such as sourcing wood from certified forests. The preservation of traditional manufacturing techniques and skills is also a priority, with investments in technical schools in Italy to ensure the continuity of craftspeople. The company is also targeting expansion into new markets, particularly Asia, where there is a large luxury market but a relatively nascent high-end design market. Plans are underway to open stores in China, as Design Holding aims to bring the enduring value of design to a global audience. #DesignHolding #LuxuryInteriors #FurnitureBrands #RetailStrategy #DanielLalonde #SustainableDesign #GlobalExpansion #DesignInnovation #Craftsmanship

The article highlights several kitchen and bath design showrooms that serve as sources of inspiration for designers and clients alike. These showrooms offer comprehensive displays, allowing visitors to experience diverse design elements, materials, and technologies in fully realized settings, rather than through small vignettes. Designers leverage these spaces to showcase their creative vision, distinct design styles, and the latest trends in the industry. Bluebell Fine Cabinetry & Design in Wayne, PA, exemplifies this approach with its 5,000-sq.-ft. showroom featuring four custom kitchens, a bar, and a beverage pantry. The showroom's philosophy is to provide full-size displays that immerse clients in purpose-driven spaces. The 'Gulfstream' kitchen display, for instance, incorporates eucalyptus veneer used in aircraft interiors and a 5’x15′ island with a cantilevered Peruvian walnut top, alongside a concealed door leading to another display. Another notable display, the 'Reeded' kitchen, showcases reeded rift white oak cabinetry and fluted glass details, reflecting current design trends. The showroom also includes a dark and moody beverage pantry with blue/gray painted cabinetry and bleached walnut millwork, alongside a design library with adjustable lighting to help clients visualize materials under various conditions. Bakes & Kropp Fine Cabinetry's new flagship showroom in New York City's A&D Building is another example. Bob Bakes, co-founder and head of design, emphasizes the unique challenge and thrill of designing showrooms, which require multiple distinct yet cohesive kitchen displays. The 2,000-sq.-ft. space features eight displays, including three kitchens, a wine room, a butler's pantry, and a dressing area. The showroom's entrance presents a 'soft modern' impact kitchen with a mix of white and steel blue/gray cabinetry and natural stone countertops. Subsequent displays showcase a more traditional style with hand-painted white and burled walnut cabinetry, and a transitional kitchen with Cinder-stained walnut and Harbor Gray-painted cabinetry, many with functional, 'live' appliances. The wine room is highlighted as a favorite, demonstrating the firm's broader capabilities beyond kitchens. Rocpal Kitchen & Bath Studio in Oshawa, ON, Canada, has expanded into a 12,000-sq.-ft. showroom, fulfilling owner Fernando Rocchetta's vision of a dynamic and interactive one-stop shop for home renovations. The showroom features five full kitchen displays, eight vanity displays, an ensuite, mudroom, laundry room, walk-in closet, wine room, and an outdoor kitchen. It also includes a lower level for retail products and provides on-site interior design expertise. Displays are meticulously designed for functionality and aesthetic appeal, often eliciting a 'wow' reaction from visitors. Live features such as a GE Monogram pizza oven, Sub-Zero refrigerator, Cove dishwasher, and Invisacook induction cooktop demonstrate appliances in action. The walk-in closet and ensuite display, with its calming colors and Salice accessories, is a particular highlight for the showroom manager. Haggard Home Cabinetry & Design in Johns Creek, GA, moved into a 5,400-sq.-ft. showroom, tripling its previous space. April Haggard, the owner, designed the showroom to reflect both kitchen/bath design and interior design services, a unique combination in her area. Kitchen displays line the perimeter, with furniture filling the middle, creating a cozy, home-like atmosphere. The showroom includes smaller vignettes for a laundry room, primary bathroom, and closet, and showcases cabinetry lines spanning various budget levels. Instead of displaying appliances, Haggard focuses on items she sells, such as tile, countertops, flooring, and cabinetry. The showroom also features two dedicated design centers for cabinetry and interior design, complete with islands, televisions for design projections, and extensive samples. A conference room incorporates a repurposed white kitchen display, showcasing a hint of whimsy with pink tiles and wallpaper. A.T.C. Design Center in Fremont, CA, expanded its showroom to 5,000 sq. ft., integrating a former warehouse space. The new layout includes six kitchens and three bathrooms, along with extensive material sample displays. A central, oversized workbench/multi-use island made from five different Neolith slabs serves as a focal point, demonstrating the firm's expertise with unique materials and hosting networking events and client meetings. One kitchen display effectively blends modern and traditional styles, showcasing glossy white slab cabinetry alongside green shaker-style cabinetry, anchored by a large centerpiece island with Raphael Stone quartz. The showroom also prominently displays porcelain, quartz, and tile samples in visually distinctive and easily accessible ways, helping clients visualize full slab applications. #ShowroomDesign #KitchenDesign #BathDesign #InteriorDesign #Cabinetry #DesignTrends #HomeRenovation #MaterialSelection #ClientExperience

This article highlights 25 influential power duos comprising high-end clientele and their style gurus who collaborate to curate spectacular interiors, ranging from private homes and palaces to public monuments and retail spaces. These partnerships are notable for their impact on the design world, setting high standards for aesthetics and functionality. The article details various collaborations, showcasing the diverse styles and approaches employed by these design teams. One prominent duo features hip-hop superstar Kanye West and Belgian designer Axel Vervoordt. Vervoordt, known for his tasteful minimalism and admiration for the Japanese aesthetic concept of wabi (exalting simplicity), was enlisted by West to perfect his Los Angeles crib's look. Vervoordt's client list also includes Bill Gates, Sting, and Calvin Klein, underscoring his reputation in high-end design. Actress Gwyneth Paltrow partnered with Robin Standefer and Stephen Alesch of Roman and Williams for the Goop Lab in Brentwood, her first permanent store. Roman and Williams, named for their grandfathers, also opened the Guild, a showroom and café in Soho, indicating their expanding influence in the design and lifestyle sectors. Fashion mogul Tom Ford and William Sofield, an inseparable pair for 25 years, have redefined luxury retail spaces. Their collaborations on stores in Madison Avenue and Rodeo Drive are renowned for their opulent design, challenging conventional retail aesthetics. Sarah Jessica Parker initially sought decorating tips from movie executive Eric Hughes in the '90s. His design career officially launched in 2002 after Parker commissioned him to design her Bridgehampton home. Hughes is currently working with architect Morris Adjmi to merge Parker's two West Village townhouses, demonstrating a long-standing and evolving client-designer relationship. The Beckhams, Victoria and David, chose antiques dealer Rose Uniacke to decorate their $44 million Holland Park palace in London. Uniacke is celebrated for her ability to modernize historical settings, creating a unique blend of classic and contemporary design. Lauren Santo Domingo, co-founder of Moda Operandi, continued a family tradition by enlisting French designer Francois Catroux to work on her 18th-century Paris apartment. Catroux has a history with the Santo Domingo family, having worked with them since the early '90s. LVMH CEO Bernard Arnault consistently collaborates with architect Peter Marino, who has designed numerous Louis Vuitton stores, including the flagship on Place Vendôme, showcasing Marino's significant role in shaping the luxury brand's physical presence. Actor Brad Pitt engaged starchitect David Adjaye for sustainable housing projects in New Orleans following Hurricane Katrina. Pitt's Make It Right Foundation, with Adjaye's involvement, constructed over 100 homes in the Lower 9th Ward, highlighting a commitment to socially conscious design. Adjaye later gained acclaim for his work on the National Museum of African American History and Culture. Raf Simons, during his tenure at Calvin Klein, relied on artist Sterling Ruby to infuse the brand's shows, headquarters, and flagship store with distinctive, vibrant energy. This partnership highlights the intersection of art and fashion in design. Collectors Edythe and Eli Broad have a long-standing relationship with Pritzker Prize winner Frank Gehry, commissioning him for their Brentwood manor and the Walt Disney Concert Hall in Los Angeles. Their collaborations underscore their patronage of groundbreaking architecture. French luxury boss Francois-Henry Pinault entrusted Parisian designer Pierre Yovanovitch with his personal office and the Hôtel de Clermont-Tonnerre, the headquarters of his Artémis conglomerate. Yovanovitch is known for incorporating vintage touches into contemporary settings. Former Vice President Joe Biden and his wife Jill selected Victoria Hagan, known as the “queen of restrained elegance,” to design their official private residence. Hagan's clean, timeless interiors aligned with the Bidens' aesthetic preferences. Designer Robert Couturier, celebrated for French-inspired exuberance, is collaborating with artist Jeff Koons to combine two Upper East Side townhouses. This partnership merges Couturier's classic style with Koons's grand artistic vision. John Pawson and Ian Schrager have a two-decade-long friendship and professional collaboration, extending from apartments at the Gramercy Park Hotel to Schrager's penthouse at 40 Bond, and now the West Hollywood Edition hotel. Their work emphasizes minimalist yet luxurious design. Tory Burch first met designer Daniel Romualdez in the late '90s and subsequently hired him for her apartment at the Pierre, followed by numerous homes and over 100 stores, including her Long Island location, showcasing a long and fruitful design partnership. Fashion designer Alexander Wang and Ryan Korban are close friends who collaborate on various projects, including Wang's flagship store and private residences, highlighting a youthful and contemporary approach to design. Ken Fulk, known for his flamboyant designs, is the trusted designer for Silicon Valley's elite, including Instagram's Kevin Systrom. Fulk designed Systrom's home and his wedding, demonstrating his versatility in creating bespoke experiences. Jamie Drake, known for his crisp and colorful rooms, has designed multiple properties for Michael Bloomberg, including his Upper East Side townhouse and his Georgian estate in Southampton, and also restored Gracie Mansion during Bloomberg's mayoral term. Michael Smith decorated the private residence of the Obamas in the White House, earning praise from former First Lady Michelle Obama for upholding the building's history. Smith also designed their 8,200-square-foot Kalorama home after their departure from office. The bond between decorator Stephen Shadley and Oscar winner Diane Keaton spans over 30 years and four homes. Keaton even documented their creation of her 8,000-square-foot Brentwood compound in her book, "The House that Pinterest Built," illustrating a deep, enduring creative partnership. #DesignDuos #InteriorDesign #LuxuryHomes #ArchitecturalPartnerships #CelebrityDesign #HomeDecor #HighEndClientele #ResidentialDesign #CommercialDesign

Edmonton's industrial design scene, characterized by affordable studios, hands-on training, and an entrepreneurial mindset, possesses the talent for a flourishing industry, yet questions remain about sufficient local demand. The University of Alberta's Industrial Design program plays a crucial role in this landscape, emphasizing both conceptual thinking and practical manufacturing skills. This unique approach equips graduates with the ability not only to envision innovative designs but also to understand the tangible processes of production, a competency increasingly rare in other programs that tend to prioritize theory over practical application. Prominent examples like Onetwosix Design, founded by U of A alumni Nick Kazakoff and Brendan Gallagher, illustrate the potential for success within this environment. Their journey began in a residential garage, driven by a shared passion for product design and prototyping. Their early successes, including the popular Selkirk table, led to the formal establishment of Onetwosix Design, which has since grown into a significant enterprise with a dedicated studio, manufacturing space, and 24 full-time employees. Their Loop Phone Booth, initially designed for a local client's open-concept office, has garnered international clients, including major corporations like Disney, Google, and Pokémon, demonstrating the global reach of Edmonton-born innovation. Edmonton's robust manufacturing culture further supports the design community. Designers such as Geof Lilge, founder of Pure Design, On Our Table, and Division Twelve; Jordan Tomnuk of Tomnuk Design; Zoë Mowat, known for her eponymous brand of furniture and home goods; the modern furniture company Izm; and the collective Loyal Loot, have all leveraged the city's resources and culture to achieve notable recognition. These designers often embrace a "shop-first" approach, prioritizing rapid prototyping over extended conceptualization to quickly bring products to market and adapt designs based on practical feedback. However, despite these successes, the design community in Edmonton faces ongoing challenges, primarily concerning the local market's size. While the city offers advantages like affordable industrial space—a significant contrast to more expensive hubs like Toronto or Vancouver—the demand for contemporary furniture locally remains relatively small. This forces many designers, including Lilge and Shane Pawluk of Izm, to target eastern Canadian and international markets, which, while successful, introduces logistical and financial complexities. Pawluk notes that while Albertans spend on outward-facing luxury goods, the market for high-end interior design remains limited, leading many successful Edmonton designers to find their primary customer base outside the province. This dynamic contributes to a boom-and-bust cycle within the local design scene, where promising new ventures may struggle to sustain themselves due to insufficient local demand. The lack of a consistently robust local market also impacts mentorship opportunities and knowledge sharing for emerging designers. Kalie Johnston, director of product design at Poppy Barley, highlights the absence of senior fashion designers in Edmonton from whom she can learn and be mentored, a consequence of talent often seeking opportunities in larger urban centers. However, there's a perceived shift underway. The rising cost of living in traditional design hubs like Toronto, Vancouver, and Montreal is making Edmonton's affordability increasingly attractive to design talent. This has led to an increase in job applications from outside the province, suggesting a potential for new growth and a more diverse talent pool. Organizations like MADE (Media Architecture Design Edmonton), founded by Shafraaz Kaba, have been instrumental in fostering a resilient design culture for over two decades. With Nick Kazakoff as chair, MADE continues to advocate for and elevate Edmonton's design conversation, aiming to build a sustainable, impactful, and identity-true design scene that positions Edmonton as a design-forward city. The enthusiasm of current U of A industrial design students, such as Hafsah Mohummed and Elisse Canaynay, for the program's practical focus and purposeful design principles, combined with a growing awareness of diversity and multicultural perspectives among students like Faith Adra, indicates a vibrant future for Edmonton's design landscape, provided the city can continue to attract and retain its talented designers. #IndustrialDesign #EdmontonDesign #ProductDesign #DesignCommunity #Manufacturing #Entrepreneurship #UrbanDevelopment #CreativeEconomy #FurnitureDesign

The Interior Design's re:Source event in Arizona, held from September 15-17 at the Ritz-Carlton, Dove Mountain, brought together nearly 80 innovative manufacturers and designers to foster lasting and impactful relationships within the design community. The event commenced with Erica Waayenberg, head of research and content development at ThinkLab, presenting crucial insights into the factors influencing client decision-making in design. Waayenberg highlighted that decisions surrounding the built environment are taking longer, attributing this trend to a shift in benchmarks and the involvement of stakeholders with often conflicting priorities. Her data-driven presentation illuminated common pain points in the design process, prompting an interactive discussion among attendees. Participants contributed various solutions, including the need for greater transparency in pricing data and strategies to streamline the overall decision-making process for clients. Throughout the re:Source event, designers and manufacturers engaged in numerous informative, brief meetings, facilitating the exchange of ideas and the discovery of novel products. These professional interactions were complemented by a variety of engaging recreational activities designed to enhance networking and well-being. Attendees participated in sessions such as desk yoga, mala bead-making, and an apothecary workshop, offering creative outlets and opportunities for informal connection. Evenings featured cocktails on the lawn, complete with a powerful telescope for a unique stargazing experience, further fostering a relaxed and convivial atmosphere for networking. This year's re:Source also marked the launch of Metropolis Connect by Metropolis, an initiative that expanded the event's reach by inviting architects and architectural product manufacturers into the mix. This addition created a more diverse and comprehensive platform for creative professionals. Metropolis Connect, which aims to forge meaningful connections between brands and leading architects, is scheduled to co-locate with re:Source again in Fall 2025. John Bergstrom, Director of Business Development for Accurate Lock & Hardware, lauded the quality of the architect attendees, noting their exceptional engagement and keen interest in learning about new products. This sentiment was echoed by many industry attendees who gathered for three days dedicated to strengthening professional ties and advancing their craft. The event successfully facilitated hundreds of meetings between designers and manufacturers, allowing for direct engagement and product exploration under the Arizona sun. The blend of structured professional meetings with mindful and social activities, such as the apothecary workshop and stargazing, created a holistic experience that promoted both business development and personal well-being. The involvement of Metropolis Connect further enriched the event, bringing a broader spectrum of design professionals together. The overall atmosphere was conducive to learning, collaboration, and relationship building, reinforcing the value of such gatherings for the architecture and design community. A significant aspect of the event was its commitment to sustainability, with Material Bank generously offsetting the carbon footprint. The success of the re:Source event was also made possible by the support of numerous partners, including Accurate Lock & Hardware, Andreu World, Arktura, B+N Industries, Chemetal, Craftmade, Davis Furniture, Expormim, FiberBuilt Umbrellas & Cushions, Four Hands, Fyrn, Garden on the Wall, Haworth, Infinity Drain, Kaswell Flooring Systems, Lutron, Mak Studio, Matter Surfaces, Mizetto, Moroso USA, MPS Acoustics, Nichiha Fiber Cement, Oyster Wellness, Parla Design, Perennials and Sutherland, Pure + FreeForm, Regupol, Rockfon, Sancal, Sloan Valve, Turf, Tuuci, Versteel, Williams-Sonoma, Inc. Business to Business, and Yellow Goat Design. These partnerships underscored the collaborative spirit of the event and its dedication to advancing the design industry. #DesignEvent #ClientRelationships #InteriorDesign #ArizonaReSource #DesignManufacturers #ArchitecturalProducts #Networking #IndustryCollaboration #DesignDecisions

The "Design Awards 2013: best of the rest" article highlights a curated selection of innovative and influential designs across various categories, reflecting the top trends and notable reissues of the year. The first trend identified is the "puzzle-like" design, characterized by random patterns, asymmetric forms, and modern marquetry. This approach updates traditional inlay and overlay techniques by integrating diverse materials such as stone, wood, leather, acrylic, and ceramic, resulting in freestyle, decorative geometry. Examples include Patricia Urquiola's 'Azulej' tiles for Mutina, which blend ancient majolica with digital-print glazing to create mixed aesthetic patterns; Massimo Morozzi's 'Bois de Rose' cabinet for Edra, featuring random rosewood veneers and piano pedal-operated doors; and Urquiola's 'Fishbone' coffee table for Moroso, utilizing Alycrite to mimic natural materials in a herringbone pattern with a glossy finish. Additionally, Form Us With Love's 'Slab' vases for Cosentino/Silestone demonstrate the versatility of quartz compound beyond conventional surfaces, forming heavyweight, puzzle-like arrangements. The article also features significant reissues that have made a comeback. These include Ferdinand Kramer's 1951 'Calvert' coffee table, now produced by E15 in oak, walnut veneer, or colored lacquer, originally designed for flat-pack export. Giò Ponti's tableware, based on his 1951 sketches and manufactured by Sambonet, includes asymmetric 'Conca' flatware and a unique two-bowl centerpiece. Arne Jacobsen's 1939 'Mayor' sofa, conceived for Søllerød City Hall, is reissued by &Tradition; with a solid oak frame and Kvadrat upholstery. Le Corbusier's 'Projecteur 365' light, initially designed in 1954 and inspired by industrial lamps, is now produced by Nemo Cassina in various models. Further categories include "Best Reinvention," recognizing Muriel Grateau's revitalized gallery in Paris, showcasing her color-drenched ceramics, glassware, linen, jewelry, and new silverware and watch ranges in a newly whitewashed space. "Best Use of Material" highlights Chanel Fine Jewellery's 'Clair-obscur' ring, which ingeniously combines diamonds with industrial titanium, inspired by Gabrielle Chanel's original design philosophy and the celestial discovery of titanium. The "Best Plant Shop" award goes to Qusamura in Hiroshima, founded by Kohei Oda, which specializes in pairing unusual cacti with distinctive pottery, treating these botanical forms as sculptures for the home. Minotti's 2012 furniture collection is lauded as the "Best Collection," epitomizing a blend of innovation and continuity with detailed craftsmanship, luxurious materials, and mid-century and Scandinavian influences, featuring pieces like the 'Evans' table and 'Brice' coffee table, and adaptations for compact living spaces. "Best Future Vision" recognizes Cartier's 'ID Two' concept watch, a non-commercial prototype with a transparent ceramic case and vacuum-sealed interior, signaling future technological and aesthetic advancements in watchmaking. The "Best Finishing Touch" category covers beauty essentials, including Comme des Garçons' 'Amazingreen' Eau de Parfum, Chantecaille's 'High Definition Perfecting Powder', Matylda Krzykowski's 'Borste & Horne' brushes, and Shu Uemura Art of Hair's 'Essence Absolue Nourishing Protective Oil'. Other notable mentions include the "Best Lab," the Faculty of Pharmaceutical Sciences at the University of British Columbia by Saucier + Perrotte Architects and Hughes Condon Marler Architects, praised for its tree-inspired design and engaging spaces. "Best Comfort Food" highlights Jacob's Pickles in New York for its Southern soul food and East Coast pickle culture, and Häagen-Dazs' 'Ice Moons' designed by Doshi Levien. "Best Cover-up" showcases innovative outerwear from Herno, Sealup, CP Company, and Hancock, emphasizing technical fabrics and sharp silhouettes. "Best Bottom Drawer" features Nosigner's 'Cartesia' chest of drawers for MSY, a corner-fitting piece with trapezoid drawers opening in two directions. "Best Loo" recognizes Roca's 'In-Tank Meridian' toilet with a hidden cistern and CEA's 'Hydroplate' water jet cleaner. "Best Fixer-Upper" celebrates Jaime Hayón's redesign of Le Sergent Recruteur restaurant in Paris. "Best Bag" is awarded to Piquadro's 'Coleos' backpack for its extensive compartmentalization and thoughtful features. "Best Winter Retreat" goes to The Alpina Gstaad in Switzerland, a luxury hotel blending reclaimed timber and natural materials, with a Six Senses Spa and Japanese restaurant Megu. "Best Building Sites" features OMA's Shenzhen Stock Exchange in China, a symbol of economic power with a floating podium, and Paulo Mendes da Rocha and Metro Arquitetos' Cais das Artes in Brazil, an arts complex elevated above a plaza. Finally, "Best Getaway" highlights Casa Till in Chile by WMR Arquitectos, a remote, Spartan, yet stylish retreat with breathtaking sea views, constructed with local materials and labor. The article also mentions Trevor Paglen's 'The Last Pictures' project as "Best Mission," sending etched photographs into space to document human history for extraterrestrial audiences, and Daikanyama T-Site in Tokyo by Klein Dytham and Kenya Hara as "Best Bookshop," a vast complex designed to appeal to a broad demographic with an extensive collection of books, music, and a unique lounge bar. #DesignAwards #InteriorDesign #ProductDesign #Architecture #LuxuryGoods #Fashion #Beauty #Travel #FoodAndDrink

The article discusses the evolution of furniture retail, highlighting the shift towards e-commerce and the increasing adoption of 3D design solutions. These solutions enable consumers to virtually design and configure living spaces, enhancing their purchasing journey and providing a more confident and assured experience. For brands and retailers, 3D space planning tools are instrumental in driving traffic to physical stores and boosting online sales. The core offering is an online 3D interior design platform that empowers users to create and decorate their desired interiors anytime and anywhere. The platform provides ultra-realistic images and 360° views, allowing users to visualize their designs before implementation. This technology is tailored for various industry sectors, including kitchen, bathroom, storage, furniture, and DIY companies, supporting their omnichannel and e-commerce strategies. It also aids in upskilling sales teams and enabling customers to design their homes independently. The article emphasizes that these solutions cater to companies of all sizes, from large international retailers and manufacturers to smaller independent businesses. HomeByMe, a multi-language and multi-currency platform, provides global support to its users. Several leading brands like BoConcept, Cabinets.com, Stressless, Sklum, Spoon and Room, Roche Bobois, Gautier, Castorama, Brico Depot, Leroy Merlin, Hygena, BUT, Conforama, WM88, Pino, and Discac are listed as trusting partners. Key features of the Online 3D Space Planning solutions include intuitive design and automated layout, which use intelligent planning algorithms to simplify space design for consumers. This early engagement and personalized experience build customer confidence and accelerate the purchase cycle. The embedded business rules within the omnichannel 3D planning solution ensure error-free designs and allow retailers to quickly train their sales professionals, thereby increasing conversion rates. Furthermore, the platform offers photo-realistic renderings with high-quality images and 360° views, creating memorable customer experiences that can lead to up to a 30% increase in online sales. A customer story featuring Gautier Home illustrates the practical application and benefits of the 3D Space Planning solution. Gautier utilized the solution to offer a personalized customer experience, integrating a 360-degree photorealistic 3D catalog of its products with an intuitive planning platform. This enabled store advisors to quickly create accurate home plans for customers and provide visually guided advice, showcasing how furniture would look in their homes. Mikael Bouchet, IT Project Manager at Gautier, attests to the solution's effectiveness in empowering store assistants and supporting customers throughout their interior design projects. The brand 3DVIA is highlighted as a cloud-based, omnichannel space planning solution aiming to reach a broad customer base. #Online3DSpacePlanning #FurnitureRetail #ECommerce #3DDesignSolutions #HomeInteriorDesign #OmnichannelStrategy #RetailInnovation #CustomerExperience #DassaultSystèmes

Universal Design Studio (UDS), an architectural practice founded in 2001 by Edward Barber and Jay Osgerby, is celebrating two decades of groundbreaking work. Documented in their new book, 'Inside Out' (Phaidon), the studio’s success is attributed to its collaborative spirit, involving over 240 individuals throughout its history. Unlike traditional design firms that emphasize a singular artistic vision, UDS operates as an “experimental playground” where multiple thinkers contribute to a diverse portfolio of projects. These projects span retail spaces for luxury brands like Stella McCartney and Mulberry, hospitality ventures such as the Ace Hotel in Shoreditch and a cocktail bar for Fortnum & Mason, exhibition designs for the V&A Museum and Frieze Art Fair, and workspaces for IMB and Jimmy Choo. Barber and Osgerby initially established UDS to differentiate their architectural and interiors work from their product and furniture design studio. They recognized that while a multidisciplinary approach was common in Italy, it was less understood in the UK. This led them to create a new division focused on architecture and interiors, with a strong emphasis on collaboration. The studio maintains an egalitarian approach, where no single author dictates a project's direction. Instead, teams work collectively, valuing diverse perspectives to break new ground and challenge conventional thinking in each sector. UDS is also known for its commitment to reusing and repurposing existing buildings, prioritizing how spaces are utilized and how they serve their communities over demolition and new construction. Despite being an architectural practice, Osgerby notes that they primarily focus on interior and adaptive reuse projects rather than constructing new buildings from the ground up. Jason Holley, director of UDS, explains that the studio's principle is to work 'from the inside out,' focusing on human experience and the specific context of a building. This ensures that every design solution is tailored to its site and users, rather than adhering to a signature stylistic approach. Key projects illustrate UDS's impact. The Stella McCartney stores in New York and London, completed in 2003, were early successes, demonstrating the seamless integration of bespoke product, industrial design, and interior architecture. The custom-made tile used in these stores exemplifies the studio's philosophy of bringing the detail of furniture design to architectural spaces. In 2012, the interactive Google Web Lab at the Science Museum showcased UDS's ability to blend physical and digital worlds, creating an engaging space for technological exploration and storytelling. The Ace Hotel in Shoreditch, completed in 2013, marked a pivotal moment for both the studio and the surrounding neighborhood. UDS, despite having no prior hotel experience, embraced the challenge and collaborated closely with the Ace team. This project, which blended hotel functionality with local culture and casual workspace, became a significant contributor to the area's identity. This success led to a long-term partnership with The Office Group, for whom UDS designed Tintagel House and other workspaces. Looking ahead, co-director Paul Gulati identifies future areas of focus, including improving experiences in healthcare for the aging community and revitalizing high streets, leveraging their expertise in creating community-focused spaces. Mobility and electric vehicles are also areas of interest. Holley emphasizes the studio's goal of creating spaces that people deserve, seeking clients and collaborators who share their passion for openness and innovation. Osgerby reflects on the studio's core aim as recreating a 'campus atmosphere,' reminiscent of his time at the Royal College of Art, where interdisciplinary collaboration fostered productive and exciting exchanges of ideas. #UniversalDesignStudio #ArchitecturePractice #InteriorDesign #CollaborativeDesign #SustainableDesign #EdwardBarber #JayOsgerby #HospitalityDesign #RetailDesign

This article highlights 15 emerging talents in product design who are making significant contributions to the industry. These designers and studios showcase innovation across various materials, techniques, and product categories, ranging from home furnishings to decorative objects. Lucie Roy, a member of the Kaléidosco collective in France, specializes in float-glass wall tiles. Her Blue Lands tiles manipulate translucency and opacity with aqueous hues, achieved through multiple enamels and three firing processes, and finished with subtle gold details. Bond Hardware, founded by Dana Hurwitz and Mariah Pershadsingh, originally known for jewelry made from scrap metal, has expanded its offerings to include home furniture. Ben Erickson's Erickson Aesthetics presents the "Halo Drippp," a product that integrates a rainbow spectrum into a fundamental form. Soft Geometry, led by Palaash Chaudhary and Utharaa Zacharias, focuses on shapes and references dessert in their new collection. Asa Pingree, drawing inspiration from his boat-building apprenticeship, explores fiberglass in his Brooklyn workshop, evident in his experimental stool designs. Jude Heslin Di Leo, inspired by feng shui principles, created "Amplifier," a 15-inch-high table crafted from pure quartz crystal, intended to enhance natural energy. Sasha Burchuk, founder of New Age Design Studio, reinterprets the ancient terrazzo technique for cement tiles and candleholders, utilizing ethically sourced precious and semiprecious stones in her "Gemstone Terrazzo" and "Ziv" lines. Marie Schumann, a Swiss designer, creates vibrant tapestries called "Softspace #5" and "Softspace #6." These textiles feature haptic fringing and draped threads, woven from materials like Lurex, Trevira CS, or cotton on an industrial jacquard loom and distributed through OKRO. Henri Judin’s "Liquorice" shelves, available vertically or horizontally, are crafted from black rods of bent and powder-coated steel by Lankapaja metalsmith, evoking the candy they are named after and sold through Young Finnish Design. Felicia Arvid, a former fashion designer, introduces "Addéra," a reconfigurable daybed. Its wool-covered cushions, armrests, backrests, and painted-birch tablet can be rearranged to slot into a tubular-steel base. Emiliana Gonzalez and Jessie Young, founders of Estudio Persona, launched "Flecha," an angled side table made of mahogany-veneered plywood, coinciding with the opening of their Los Angeles showroom. Virginia Valentini and Francesco Breganze of LatoxLato designed "Aracne," a coffee table with a 40-inch-diameter glass top supported by eight legs in light oak or dark walnut, noted for its innovative structure. Brecht Wright Gander of Birnam Wood Studio collaborated with jeweler Suna Bonometti on "Brutiful U&I," a cocktail table inspired by Carlo Scarpa’s Brion Cemetery, made from Valchromat wood-fiber visible through an acrylic top. Kyle Comeaux, founder of Komolab, offers "Walden," a dog bed featuring a walnut or white oak base topped with a removable wool-upholstered cushion and a waterproof liner. Finally, Daria Belyakova designed "Paspartu," an armchair described as an "inhabitable sculpture." It is made from chromed, molded fiberglass with wool upholstery and is supported by a nearly invisible glass stand, available through Palisander Gallery. These designers represent a diverse range of styles, materials, and functional applications within contemporary product design. #ProductDesign #RisingStars #InteriorDesign #FurnitureDesign #HomeDecor #TextileDesign #GlassArt #ContemporaryDesign

The article addresses a freelance project manager's dilemma regarding difficulty in securing clients despite two decades of experience in the property development sector, managing projects for in-house interior design studios. The project manager, who enjoys orchestrating teams for optimal collaboration and problem-solving while delivering designs, seeks advice on how to market services to interior design studios and high-net-worth clients. A common obstacle encountered is clients' belief that their interior designer or builder can manage projects, overlooking the added value of a dedicated project manager. Sean Low, a business coach for interior designers, suggests that ultraluxury project designers are already highly skilled in design, with less room for significant improvement in that area. However, he highlights that production management, encompassing construction and decor, is an evolving field, particularly with advancements in communication technologies like AI. Low distinguishes between delivering essential and unessential information, arguing that while clients only care about the timely arrival of a product, providing continuous, even 'unessential,' updates can build trust and professionalism. This approach allows designers to proactively address issues and maintain a perceived high level of care. Low advises the project manager to differentiate their services beyond merely performing better than other project managers. He proposes a shift in perspective: instead of simply managing, the project manager should aim to 'entertain' clients by creating unique deliverables that would be noticeably absent if not provided. This strategy positions the project manager not only as an invaluable resource but also as a potential revenue enhancer for design firms. An illustrative example is provided through one of Low's clients, a design firm owner who faced communication challenges with clients who only wanted to interact with her, causing delays. Low suggested a system where each employee created weekly five-minute video updates on their work. This initiative was well-received by employees and allowed the firm owner to review updates on her schedule. A junior designer's playful video update, adopting a Gordon Ramsay persona, was shared with a client who found it humorous and responded quickly. Another junior designer's creative video featuring an actor portraying 'The Dude' from *The Big Lebowski* for a bathroom project also elicited an overwhelmingly positive and swift client response. This innovative video communication strategy transformed the client's business. The firm now produces four to six client videos weekly, leading to faster client responses and a valuable library of project videos upon completion. Crucially, the firm owner is minimally involved, yet communication issues have been resolved, and production fees have tripled. The firm's profit margin on production has become comparable to its design profit margin, making it one of the most profitable in the industry. Low concludes by encouraging the freelance project manager to embrace obsession and redefine the game by creating unique value that makes clients feel more connected and understood, moving beyond traditional spreadsheet-centric project management. #BusinessAdvice #ProjectManagement #Freelancing #InteriorDesign #ClientCommunication #Innovation #DesignIndustry #BusinessStrategy