Homestead in Victoria given family friendly restoration

This article features the renovated Victorian villa of interior stylist Bea Lambos, located in Melbourne’s south-eastern suburbs. Built around 1890, the four-bedroom house, complete with a pool, became home to Bea, her husband Peter, their children Grace (23) and Will (20), and their dog Freddie, in 2020. The villa was already in excellent condition when purchased, allowing Lambos to focus on softening its aesthetic through strategic design choices. She introduced wall colours, floor-to-ceiling sheer curtains, and a significant collection of art to imbue the home with a personal touch. A key element in the home’s transformation is a red sideboard in the hallway, custom-designed by Lambos with Nick from Float Joinery, featuring Porter’s paint colours and a Cadrys runner. The study stands out as a favourite room, serving as a versatile space for work-from-home activities and a quiet retreat. It includes two work zones and a window seat, which Lambos highlights as perfect for weekend siestas and frequently used by all family members, including Freddie. The window seat cushion, made by Harbro, is crafted from plaid with a strong UV rating to withstand direct sunlight. The study also accommodates a round desk from IKEA, adapted for Lambos’s use, alongside a painting titled 'Elvis in Drag' by Nick Osmond. Throughout the house, art plays a crucial role in defining the atmosphere. An artwork by Aubrey Tjangala is displayed alongside a mesh cupboard, which Lambos appreciates for offering glimpses of the treasures within. In the lounge, a print by artist Elsbeth Shaw complements a mix of old and new furnishings, including a glass coffee table from Curated Spaces and a rug from Loom. These selections reflect Lambos's skill in blending contemporary finds with the Victorian charm of the villa. Lambos shares insights into her design philosophy, advising others to observe their home’s inherent beauty over a season or two before making significant decorating decisions. This patient approach allows for a more considered and harmonious integration of additions and subtractions. Her future plans for the villa include potentially adding new paint colours to a ceiling or two, but she expresses contentment with the current state, describing it as having reached a “gorgeous, sweet spot.” The article also touches upon Lambos's local recommendations, including Riserva for Italian food, Millstone Patisserie for coffee, and In Good Company for home and decorating items, providing a glimpse into her lifestyle and local community. Her design approach exemplifies how thoughtful interior styling, combined with a curated selection of art and furnishings—even those from accessible retailers like IKEA—can transform a well-maintained property into a personalized family haven. #VictorianVilla #InteriorStyling #HomeRenovation #ArtIntegration #FamilyHome #BeaLambos #HomeDecor #IKEAFinds #MelbourneHomes

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

The "Gingerbread House" in Larchmont, a historic summer cottage built in 1872 near Manor Beach, underwent a comprehensive interior redesign to suit an active young family with three daughters. Designer Laurie Scovotti was tasked with lightening the home's interiors while preserving its unique character, which includes rich millwork and whimsical architectural details. The primary directive was to create a brighter, more youthful, and modern feel within the Victorian Gothic structure. Scovotti achieved this by juxtaposing the home's original architecture with relaxed, clean-lined furnishings and a vibrant palette of colors and patterns. Blue tones were established as a grounding hue, reflecting the family's passion for sailing and the home's coastal proximity, complemented by accents of pinks, greens, and floral motifs. The exterior also received a fresh update, with a classic white complemented by light blue trim, following a collaboration with color consultant Debra Kling. The large living room was cleverly divided into two distinct areas. One section was designed for intimate conversations around the fireplace, featuring deep-blue velvet chairs and an airier feel created by a lighter-colored stone mantel surround. The homeowners' existing art pieces, including watery prints and a colorful painting, were integrated into the decor. The other side of the living room, bathed in natural light from floor-to-ceiling windows, evokes a summery ambiance with light blues and pinks, anchored by a large blue coffee table and softened by subtly patterned drapes. Dark crown molding in several rooms was painted to reduce visual weight, though a prominent wood beam in the living room ceiling was retained. In the dining room, a dramatic "Inisfree" wallpaper by Carrier and Company for Lee Jofa served as the foundational design element. The low ceiling was visually elevated by painting it in Benjamin Moore Smoke, a shade also applied to the millwork around the mantel, which itself received a fresh coat of white paint. The space was kept calm and neutral with a wool-and-jute rug, a delicate glass chandelier, and refined dining chairs, with rounded doorways providing elegant transitions. The former passthrough area was transformed into a functional bar room, blending traditional elements, such as the homeowners' rug, with mid-century pieces like a rattan bar cabinet and leather chairs. The walls, painted in Benjamin Moore’s “Jamestown Blue,” contribute to a relaxed lounging atmosphere. The husband's office was designed to balance wood-paneled walls with a bright blue ceiling, and heavy curtains were replaced with unlined woven shades. A metal-and-glass desk adds a modern touch, and built-in shelves display personal items like sailing trophies and books. A hallway connecting bedrooms was updated into a vibrant lounge space, featuring durable vinyl grass cloth on the walls, a cleverly concealed electrical panel behind artwork, and an array of pillows in various prints and textures to add brightness and energy. Each of the daughters' rooms was personalized according to their preferred color themes, with Scovotti expanding on these palettes. For instance, the oldest daughter's room incorporated softened primary colors around a floral "Carly" wallpaper, providing a fun and adaptable space. Another girl's bedroom balanced dark window trim with modern furniture and bold patterns, utilizing blue-and-green fabrics and mint-green walls to create a peaceful yet youthful environment. The primary bedroom, a serene retreat for the couple, heavily features blues. The decor is light and bright, with dark blue accents on the bed frame and a Greek-key pattern on the drapes. A four-poster bed from Maiden Home is strategically placed to maximize the water view, and a comfortable armchair was reupholstered in a vintage Schumacher print. The wife's dressing room, located at the top of a spiral staircase, functions as an office with an impressive view. Drapes in a blue-and-white Schumacher fabric frame a circular window, and a burlwood desk lightens the room's darker wood elements. A nautical compass inlay on the floor adds a decorative touch. Scovotti also provides advice for incorporating color into a home, suggesting starting with impactful but not overwhelming additions like large artwork or upholstered chairs, rather than painting entire rooms, and encouraging individuals to trust their intuition regarding color choices. #HistoricHomeRenovation #InteriorDesign #FamilyFriendlyDesign #LarchmontHome #LaurieScovotti #ColorPalette #ModernVictorian #CoastalDecor #HomeRedecoration

In 2001, Marion and Jeffery Barker purchased a 1960s brick ranch home on 18 acres in Virginia's Northern Neck, overlooking Nomini Creek, a tributary of the Potomac. Despite the house being outdated and the timing of the purchase—just a week after 9/11—being uncertain, the couple was drawn to the property's prime waterfront location and its manageable two-hour drive from their Bethesda residence, making it ideal for weekend escapes. At the time, Marion owned the consulting firm Palladian Partners, and Jeffery was a scientist at the National Institutes of Health. They envisioned transforming the modest ranch into a modern dream home but knew it would require significant time and resources. After saving for 15 years, the Barkers initiated a gradual redesign in 2016, enlisting Jeffery’s daughter, Brooklyn architect Alexandra Barker, for the project. A key challenge was environmental regulations, which mandated that the new structure adhere to the existing foundation and original footprint due to its proximity to the water. Despite these constraints, the renovated home represents a dramatic transformation from its original, cramped layout. The new design emphasizes an open floor plan, extensive walls of windows, and expansive water views, creating a stark contrast to the previous structure. Alexandra Barker's design strategy focused on maximizing the property's natural surroundings. She incorporated oversized storefront glass instead of standard residential windows to offer uninterrupted vistas, a feature she considers the home's most special detail. The architect also prioritized the use of locally sourced materials where possible, including granite for the kitchen backsplash from Richmond, reclaimed-oak floors, and bluestone around the pool area. This approach not only supported local businesses but also integrated the home more deeply with its regional environment. The homeowners, Marion and Jeffery, were described by Alexandra as highly collaborative and flexible clients, contributing to a smooth design process. An added benefit for Alexandra was the prospect of personally enjoying the finished product with her family. The redesigned home includes three guest rooms, each with an en suite bathroom, providing comfortable accommodation for visiting family members, including Alexandra and her siblings. The primary suite, located on the second floor, is a highlight, featuring 365-degree views and access to a private roof deck. This rooftop space, initially intended for an office, was repurposed due to budget considerations and ultimately became one of the owners' favorite features. The renovation was completed in 2021, and the retired couple, Marion and Jeffery, expressed that the two-decade wait was worthwhile. They now share their property with local wildlife, including bald eagles, deer, ospreys, and otters. The constant natural beauty, particularly the sunrises and sunsets over Nomini Creek, provides immense satisfaction, with Jeffery reportedly having captured hundreds of photographs of these daily spectacles. The project successfully converted a dated ranch into a modern, waterfront marvel that harmonizes with its natural setting. #HomeRenovation #ModernDesign #WaterfrontProperty #ArchitecturalTransformation #VirginiaRealEstate #SustainableMaterials #BeforeAndAfter #FamilyProject #NorthernNeck

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Zen Architects, a Melbourne-based firm with 30 years of experience combining science and art in sustainably minded projects, undertook a comprehensive renovation of an early 1900s Victorian home in Brunswick. The property, untouched for five decades and slated for demolition due to asbestos, was purchased by clients who sought an architect willing to execute a challenging renovation emphasizing local materials, recycled timber, and space for an art studio. The clients desired a design that respected the original cottage's form and detailing, diverging from the prevalent trend of demolishing Victorians for new, often insensitive, developments in an area without historic controls. The project spanned nearly three years, including 18 months of design and documentation and 14 months of construction. The initial phase focused on preserving the original structure. This involved restoring the weatherboard exterior, original Baltic pine timber flooring, and Victorian details. The interior plaster was removed, walls were reinsulated, and windows reglazed. The eastern portion of the roofline was raised to accommodate higher ceilings. To maintain the property's heritage value, all new construction was set back behind the original chimney line. The design team reconfigured the front four rooms: two became bedrooms, one a bathroom, and the fourth a front living room featuring a wood-burning fireplace that utilized the existing chimney. From the light-filled foyer, residents can now access the kitchen, a double-height dining room, and a sunken conversation pit, all offering views of the garden. Throughout the renovation, Zen Architects prioritized local sourcing. Custom lighting was crafted from solid brass, and internal recycled timber details, such as shelving, were produced by local furniture makers. The bathrooms feature custom handmade tiles from a South Melbourne ceramicist, and all fixtures and fittings were also locally sourced. The kitchen incorporates a solid concrete island counter designed for passive heating and cooling; it warms naturally in the summer, and a concealed black heat panel beneath the slab absorbs and releases heat in the winter. An adjacent art studio benefits from ambient diffused south-facing light, providing an ideal space for various artistic pursuits. This project demonstrates a successful approach to sensitively transforming Victorian homes to meet contemporary living standards while adhering to principles of sustainability and local craftsmanship. #VictorianRenovation #SustainableDesign #ZenArchitects #MelbourneArchitecture #HistoricPreservation #RecycledMaterials #LocalCraftsmanship #HomeRetrofit #ArtStudio

The article showcases Park House, a residential project by 31/44 Architects located in Lewisham, London. This bespoke family home was developed on a challenging, trapezoid-shaped brownfield site, which previously housed garages and backs onto the River Quaggy. The architects’ design approach was driven by the necessity to convert an underutilized urban space into a functional and aesthetically pleasing living environment, a common challenge in space-constrained London. The project highlights how architectural innovation can transform neglected plots into desirable residential properties. Park House features modern, rectilinear brick volumes that integrate seamlessly with the natural surroundings of a verdant woodland. A key design element is the incorporation of frameless Velfac windows, which contribute to the structure’s minimalist aesthetic and enhance natural light within the interiors. The architectural composition involves an elegant interplay of volumes and voids, strategically designed to maximize daylight penetration. The entrance lobby is a notable feature, presenting a dramatic double-height space that leads into various living areas. These spaces are finished with high-quality materials, specifically oiled oak timber and grey Mosa ceramic tiles, contributing to a refined yet homely atmosphere. The interior design of Park House employs a simple material and color palette, which helps create bright, contemporary, and inviting spaces. Large windows throughout the house establish strong visual connections to the outdoor greenery, allowing residents to enjoy views of the garden and the sky, while also creating dynamic shadow play inside. This emphasis on natural light and outdoor views underscores the architects' intention to blend the indoor living experience with the natural environment, despite the urban setting. Initially built as a speculative project for a private developer, Park House quickly attracted a young family. The family had a prior appreciation for 31/44 Architects' work, having visited one of their previous projects, No 49 Lewisham, during an Open House London event. This familiarity with the architects’ design philosophy and quality of work played a significant role in their decision to purchase Park House. The new owners, Pia and Jon Fairhurst, expressed their satisfaction with the home, describing it as a "hidden gem" and a "haven on the edge of the meadow," which offers the benefits of London living coupled with a sense of light and space. They particularly appreciated the meticulous consideration given to the layout, storage, and craftsmanship of every detail. The success of Park House demonstrates 31/44 Architects' capability to tackle complex urban sites and deliver high-quality, desirable residential solutions. The project exemplifies how thoughtful architectural design can revitalize overlooked urban plots, providing unique and appealing homes that meet the demands of modern family living while respecting and enhancing the local environment. It serves as an example of innovative urban residential development in London, addressing the need for bespoke homes in a dense urban landscape. #LondonArchitecture #ResidentialDesign #BrownfieldRedevelopment #3144Architects #FamilyHome #ModernArchitecture #UrbanPlanning #InteriorDesign #ArchitecturalInnovation

This article details the comprehensive renovation of a nearly 200-year-old Federal-style farmhouse located in Sharon, Connecticut. The property, which had remained unsold for years due to its dilapidated condition, eventually found new owners who recognized its inherent potential. Architect Rafe Churchill was enlisted to undertake a historically sensitive renovation, prioritizing the preservation of the home's original architectural integrity. Initially, discussions included adding a significant extension, but this idea was ultimately abandoned in favor of maintaining the existing footprint. Approximately half of the structure required gutting, and Churchill’s approach focused on repairs using traditional materials whenever feasible. Key structural and exterior envelope improvements included a new roof, a partial chimney, reinforced floor joists, and repairs to the wood clapboard siding and many original windows. Windows beyond repair were replaced with new Marvin windows, all equipped with triple-track storm windows. The interior spaces were reconfigured and updated while honoring the home’s historical context. The dining room was transformed into a rich blue library, featuring new pocket doors designed to appear original and custom-milled molding that matches existing trim throughout the house. Original wood floors in the library, dining room, front hall, and some bedrooms were meticulously saved and refurbished. Interior designer Heide Hendricks contributed a vintage orange sofa and designed the steel-frame ottoman and drapery, adding modern touches. The dining room, formerly a parlor, now showcases a new soapstone fireplace surround and mantel designed by Churchill. A unique artistic element in this room is the custom wallpaper, created by the homeowner, an artist, from scans of the town’s handwritten 1820 U.S. Census, printed on heavy paper and adhered to the walls. The living room, bright and airy, incorporates the homeowners' midcentury modern furniture. New southern yellow pine floors in this area and the kitchen were stained dark to seamlessly blend with the older flooring. The original fireplace remains a focal point, adorned with antique candlesticks. The kitchen, located at the rear of the house, retained its original position but underwent a significant reconfiguration. A previously existing large pantry and staircase, which had isolated the kitchen, were removed to maximize space for cabinets and counters and improve flow to the living room. The kitchen’s notably low ceiling was also raised to create a more open atmosphere. Modern elements are thoughtfully integrated, such as an LED chandelier chosen for the kitchen table due to its contemporary aesthetic and transparency, allowing views to the outside. The dining table in the kitchen is a custom piece by furniture designer Seth Churchill, the architect’s brother. Upstairs, the original wood flooring continues in the hallway and bedrooms. All doors were refitted, and their hardware repaired, with some trim components added to match existing historical details. A guest bedroom, situated in the rear addition above the kitchen, features a lower ceiling compared to the main house. An original structural wood beam is visible, adding character. Furnishings in this room were repurposed from the homeowners’ previous residence, and Hendricks resized drapery panels. Wood planks from the guest bedroom were used to repair flooring in the master bedroom, leading to the new pine flooring in the guest room being painted, a choice the architect noted as desirable in older homes, especially on upper floors. #FarmhouseRenovation #HistoricHome #FederalStyle #ArchitecturalPreservation #InteriorDesign #ConnecticutHomes #HomeRestoration #RafeChurchill #HeideHendricks

The Wallis family, consisting of Jenna, an internationally acclaimed interior designer and owner of Jenna Wallis Interior Design, and her husband Ed, purchased a 1940s English cottage in the Hedgemoor neighborhood of Memphis with a vision to transform it into a serene and classic retreat for their family, including their two boys. Despite its charming exterior, the cottage required extensive renovation to accommodate a modern family while preserving its original character. After living in the house for about four years, the Wallises engaged Ryan Anderson of RKA Investments, a Memphis builder known for restoring older homes, and architect Charles Shipp to lead the renovation. Jenna's design philosophy centered on blending the old with the new, maintaining the home's classic charm while introducing contemporary elements. A significant challenge involved literally lifting the existing structure to create an open, airy space. The renovation team, including Ryan Anderson's business partner Chris Clark, worked collaboratively to achieve Jenna's vision, which included raising the living area's 9-foot ceilings to 11 feet to enhance natural light and spaciousness. Eight-foot windows were installed, flanking a custom fireplace, above which a vibrant painting by Atlanta artist Sally King Benedict became a focal point. Key areas of the home were meticulously redesigned. The kitchen was transformed with custom cabinetry extending to the ceiling for maximum storage, a beveled subway tile backsplash, and honed Carrara marble countertops. Jenna opted for unlacquered brass hardware, which develops a natural patina over time, to align with the home's original aesthetic. A breakfast nook, connecting the living area and kitchen, features sleek white walls, a streamlined banquette, and a rustic farmhouse table complemented by a brass globe chandelier. A framed 1966 Andy Warhol-designed Campbell's Soup dress, inherited from Ed's grandmother, adds a whimsical touch to this space. Throughout the living areas, white walls serve as a gallery for the Wallises' extensive art collection, which includes pieces by Memphis artist Megan Hurdle. In the parlor, a soft mint green ceiling, inspired by one of Hurdle's mixed-media works, adds a subtle color accent. Jenna's favorite space, her downstairs study, is distinguished by pale, high-gloss blue lacquered walls, a French pedestal desk, whimsical peacock figurines, and a modern brass starburst chandelier. Custom-built bookshelves by RKA Investments house the family's book collection, while art consultant Anna Wunderlich assisted in curating and displaying the family's diverse artwork, including a collection of oils and watercolors from Paris. The guest bedroom features a bold coral lattice wallpaper on an accent wall, framing an upholstered headboard, alongside French dressers and draperies made from Jim Thompson silk. The master bath was conceived as a spa-like retreat, with gray and white marble, built-in mirrors, millwork surrounding a white vanity, and elegant brass hardware. Antique light fixtures were incorporated to maintain the home's period charm. The renovation extended to the exterior, with Ryan Anderson and his team salvaging stone to create a cozy fireplace on a spacious, screened-in porch, which has become an ideal gathering spot for the Wallis family and friends. The project culminated in a home that perfectly blends classic charm with modern functionality, fulfilling Jenna's five-year vision. #HomeRenovation #InteriorDesign #HistoricPreservation #MemphisHomes #CottageRenovation #JennaWallisDesign #RKAInvestments #LuxuryInteriors #ArtCollection

A 1930s Marin County hunting lodge, originally a single room with a fireplace, underwent a comprehensive renovation to become a modern family home. The 4,000-square-foot property, which included a main house and a guest house above the garage, initially comprised six bedrooms and four bathrooms. The need for this extensive remodel arose when the current owners, a couple with four children, discovered a severe mold infestation throughout the property. This issue forced the family to vacate the premises, transforming what was intended to be a quick fix with interior designer Jolene Lindner of JL Interior Design into a much larger undertaking. The mold problem proved persistent, spreading despite remediation efforts, ultimately necessitating a complete overhaul. The project was further complicated by the need to excavate three feet beneath the house to install a crawl space that had not existed previously. For Jolene Lindner and her team, the primary objective was to restore the house while honoring its historical integrity and ensuring it met the contemporary needs of a growing family. Key renovation goals included creating separate home offices, providing diverse spaces for entertaining guests, and adding a powder room near the entry. The owners desired a home that felt "cozy, comforting, and charming," aiming for a lived-in aesthetic rather than a brand-new appearance. A significant design consideration was the original single room and fireplace, which held sentimental value for the clients. To create more distinct gathering areas and allow for privacy, a wall was re-established between the kitchen and living room, also providing additional kitchen space. The new living room was meticulously paneled with clear Western Red Cedar by Rick Rubattino's finish carpentry team, a detail the clients particularly appreciated. The living room's paneling was a product of thoughtful design, with a specific nook requiring a month of conceptualization. The much-desired powder room was ingeniously created from a former closet space near the entry, which in turn enabled one of the children's bedrooms to have an en-suite bathroom. The primary bathroom also received an update, reconfiguring the layout to accommodate two sinks and a private toilet area, a key request from the owners. Externally, the property was enhanced with a new wraparound deck and a rotunda at the corner of the house, designed to provide more usable outdoor space for entertaining. Beyond structural changes, aesthetic and functional details were integrated. Leaded glass, crafted by a specialist referred to as "Frank the Stain Glass Guy," was incorporated, notably in a bottle-bottom leaded glass pocket door for the laundry room. The clients also requested recessed lighting to brighten the interiors and opted for numerous pocket doors throughout the house, inspired by a family member's home, to offer both privacy and an open feel when desired. The completed renovation successfully transformed the historic hunting lodge into a bright, airy, and functional family home, retaining its original character, particularly the iconic fireplace in the living room, much to the satisfaction of the owners.

Ella and David Moore purchased their Victorian home in Manchester in 2017. Although it featured a 1980s two-storey rear extension, the property was in need of modernization and personalization. The couple spent the first year developing plans for improvements, aiming to reconfigure the layout to better suit their lifestyle rather than simply adding more space. Key structural changes included removing walls to create a large open-plan kitchen by combining the original kitchen, dining room, and a small reception area. Additional modifications involved the integration of a downstairs toilet and hallway, a new porch, and a utility room. The front door was also relocated from the center to the side of the house, which required obtaining planning permission. While the back of the house was designed as a sociable, open-plan area connected to the garden, the living room at the front was intentionally kept as a cozier, separate space. Upstairs, one of the three existing bedrooms was reconfigured to create a dressing room and an office for David. Two en-suites were installed, and the main bathroom was relocated to optimize the guest bedroom layout. The renovation process began a year after they moved in, with Ella managing the project and designing the layout, while an architectural technician drafted plans for planning permission. The couple approached the renovation without rushing, paying meticulous attention to detail, which included selecting traditional-style radiators, brushed-metal light switches, and beehive door handles. Most of the work was completed by the end of 2019, with the main bathroom remaining as one of the few areas yet to be finished. Exterior enhancements included replacing the modern uPVC windows at the front with traditional-style sash windows and installing contemporary aluminum windows at the back. The garden was also a focus of Ella's design efforts. Her passion for garden design and sourcing houseplants led her to establish an indoor plant business, Ella’s Garden, during the lockdown, which quickly became successful. In 2022, she expanded her entrepreneurial ventures by co-founding a crafting workshop business with a friend. Ella’s decorating approach was guided by instinct, favoring warm tones and complementary shades. She frequently used pinks and oranges alongside dark greens and blues and opted for warm neutrals as a backdrop instead of stark whites. To ensure continuity throughout the ground floor, engineered wood parquet planks were laid, with rugs used to add color, texture, and define zones within the open-plan areas. Ella emphasizes the importance of definition in open-plan spaces and the need for tidiness. In the kitchen, she maintains a minimalist aesthetic on the countertops, displaying only frequently used items. However, she is an avid collector of vintage items and souvenirs from her travels, frequently rearranging her favorite pieces on open shelves to keep the displays fresh and personal. She values showcasing these treasures, believing it contributes to a home's warmth. The article also provides a brief tour of other areas of the house, including the hallway, spare bedroom, main en-suite, and landing. The hallway features glazed French doors to maximize brightness, complemented by bare brick walls, scaffolding shelves, and vintage furniture. The spare bedroom includes a bed reupholstered in a leather-effect fabric. The main en-suite is painted in Card Room Green from Farrow & Ball and is equipped with a basin and vanity unit from Drench, a House Doctor mirror, Nordlux pendant lights, a Rose & Grey wire shelving unit, and Tile Mountain floor tiles. The landing showcases a vibrant lime green chair against a deep teal wall, illustrating Ella’s continued use of bold color and personal touches throughout the home. #VictorianHome #HomeRenovation #BiophilicDesign #InteriorDesign #ColorPalette #VintageDecor #Houseplants #OpenPlanLiving #HomeMakeover

This article details the transformation of a 19th-century Federal-style town house in New York’s West Village by SPAN Architecture, converting it from multi-family apartments into a single-family residence. The original structure, an 1820s building, presented challenges such as deep lots leading to dark interiors, insufficient natural light on lower floors, and low ceilings. Recognizing these limitations and the absence of significant period details for restoration, principals Peter Pelsinski and Karen Stonely opted for a comprehensive gut renovation. A key aspect of the renovation capitalized on the property’s 60-foot backyard, enabling the architects to extend the first two floors by 30 feet while preserving ample outdoor space. To enhance the connection to the garden, the rear facade was removed, a second-floor terrace was added, and full-height windows were installed facing north, integrating modern design elements while respecting the historic lines of the surrounding houses. Internally, the building lacked a cellar, prompting excavation to create one. The roof was also leveled, increasing interior height by nearly eight feet, which required careful restructuring of ceilings to align with the existing front facade windows. The result is a 5,800-square-foot, four-bedroom home spanning five levels, featuring ceilings over ten feet high on the parlor floor, yet maintaining an unaltered exterior appearance. The interior design consciously blends traditional and contemporary aesthetics. Given the project's spec nature, a neutral palette was chosen, featuring white oak floors that establish a fluid connection between spaces. Subtle historical references are incorporated through baseboards, trim, and crown moldings. The steel-and-oak staircase, while traditional in form, lacks nosing and respects the original footprint, complemented by skylights that draw natural light deep into the lower levels, giving the house an “extroverted character” as Pelsinski describes. The property was acquired by a young family who enlisted Moises Esquenazi of Waowig Studio for interior decoration, providing him considerable artistic freedom. Esquenazi focused on creating inviting spaces that would complement the family’s art collection. His design approach included bold choices, such as a fuchsia-colored den, intended as a lively focal point upon entry. This vibrant room sets a playful tone for the rest of the home, which integrates contemporary Latin American art with pieces by mid-century designers like Milo Baughman and Pierre Guariche. Esquenazi also designed custom furnishings, including a lacquered-goatskin dining table, drawing inspiration from the 1970s. Two years after the family moved in, SPAN Architecture was re-engaged to modernize the kitchen and expand the master bathroom into a spa-like retreat, concluding a decade-long project. The revitalized town house now offers a bright, open living environment, seamlessly integrated into its urban setting while providing ample personal space. #TownHouseRenovation #SPANArchitecture #WestVillage #HistoricHome #ModernInteriorDesign #ResidentialArchitecture #NaturalLight #InteriorRenovation #LuxuryHomes

This blog post details the renovation of a three-story Victorian home overlooking Long Island Sound in Larchmont, owned by the Pinchin family. The project, led by architect Robert Keller of Keller/Eaton and homeowner Gillian Pinchin, who also runs her interior design firm Wondernose, focused on transforming the traditional exterior with a funky, eclectic, and modern interior designed for contemporary family living. The primary objective was to modernize the home while maintaining its historical charm. The most substantial changes were implemented on the third floor. This area, which previously consisted of five small maids' rooms, was reconfigured to create a spacious master suite. This new suite now includes a master bedroom, a dedicated bathroom, a dressing room, separate his-and-hers offices, and a deck offering views of the water. The architect noted that the goal was to repurpose underutilized spaces into functional and aesthetically pleasing areas suitable for a modern lifestyle. A unique challenge was creating a sense of privacy for the parents within the master suite without isolating it from their three young children. The solution was a 2-inch-thick, 400-pound walnut door, crafted by Pinchin’s father, which slides on casters like a barn door. This door provides privacy when closed but allows the third floor to feel contiguous with the rest of the house when open. The second floor of the home features three bedrooms and a bathroom for the children, along with a guest room, an additional bathroom, and a laundry room. On the first floor, a modern island was incorporated into the traditional kitchen, blending new elements with existing aesthetics. Additionally, a formal living room was re-envisioned as a "grown-up room" by Pinchin, providing a tranquil space with two chaises for relaxation. The basement was also renovated to include a bedroom, a bathroom, a mudroom, and a gym, all designed with a clean, simple, and functional style. For the interior design, Pinchin adopted a "gallery approach," painting most walls white to allow select pieces of artwork or furniture to stand out. The most striking element in the house is a custom graffiti wall in the dining room. Pinchin commissioned an artist from San Francisco, who used traditional paint to create a "sloppy" graffiti look, even incorporating the children's initials into the design. This "crazy wall" creates a compelling contrast with the otherwise quiet room, furnished with midcentury pieces inherited from Pinchin's grandmother. The architect highlighted this surprising juxtaposition between the home's traditional exterior and its modern interior as a key success of the project. The article further elaborates on specific design choices in various rooms. In the master bedroom, artwork above the bed provides a splash of color against a neutral backdrop. Her office maintains an all-white theme with a zebra-skin chair and personal artwork. The kitchen features a modern island and a bubble chandelier alongside a reproduction of an old master's painting and green subway tiles. The "grown-up room" boasts a lenticular image of a ballerina above the mantel, offering a dynamic visual element, and combines high-end B&B Italia chaises with an Ikea shelving unit, showcasing a blend of high and low furnishings. The overall renovation successfully merges historical architecture with contemporary design and personal artistic expression. #VictorianHome #HomeRenovation #ModernInteriorDesign #ArchitecturalUpdate #MasterSuite #EclecticDecor #GraffitiArt #InteriorDesign #GillianPinchin #RobertKeller

Emily and Jason Porche embarked on a significant home renovation project to transform a 1972 split-level ranch in Marietta into their envisioned 'forever home' with a modern farmhouse aesthetic. This extensive renovation, which began immediately after purchasing the property in 2017, involved adding an extra story, a garage, and opening up the interior spaces to create a more functional and cohesive living environment for their family of four. The architectural design for the project was handled by David Doran of Classical Concepts, while Jason's father, Clark Porche, owner of Monogram Homes, oversaw the construction. The family's objective was to create a comfortable space conducive to making lasting memories. The finished home spans 4,500 square feet, featuring five bedrooms and six bathrooms, blending the original split-level structure with contemporary farmhouse elements. Key renovations included constructing a new garage with a bedroom above it, connected to the main house by a breezeway with wooden swings, which quickly became a favorite spot. The Porches also covered a raised patio next to the pool, incorporating skylights to maximize natural light, making the outdoor space more enjoyable year-round. Inside, the main floor was reconfigured to create an open-concept layout, connecting the kitchen to the living areas and providing unobstructed views of the pool and the adjacent Indian Hills Country Club golf course. The kitchen, a central gathering point, features a 13-foot island, white cabinetry, stainless steel appliances from Frigidaire Gallery Pro, and VIGO faucets. Lighting fixtures, such as pendants from Shades of Light and a Pottery Barn chandelier in the dining room, were chosen to enhance the modern farmhouse style. Emily Porche, a marketing professional who also blogs about interior design on theporcheplace.com, played a significant role in the interior design, maintaining a neutral palette with shades of white and cream, accented by brown tones in elements like the mantel, exposed beams, and leather armchairs. The girls' rooms are designed with a soft glow from Crystorama wall sconces from Build.com, and their shared bathrooms feature vanities and floor tile from Lowe's, mirrors from HomeGoods, and a PBteen chandelier. Practical upgrades included an expanded laundry room with Samsung appliances, a copper sink from Sinkology, and a Pottery Barn drying rack. The master bedroom features a tufted bed from Ballard Designs and a rug from Pottery Barn, further emphasizing the modern farmhouse aesthetic. Additional family-friendly spaces include a basement sunroom, which was adjusted to accommodate a flat-screen television and furnished with items from Pottery Barn and Ballard Designs. Jason Porche also custom-built a kegerator for the basement bar. The renovation extended to a creative play area for their daughters, transforming a Costco playhouse into a 'Porche City Market.' Throughout the project, the Porches prioritized creating a home that not only reflected their style but also served as a backdrop for their family life. #HomeRenovation #FarmhouseStyle #SplitLevelTransformation #InteriorDesign #CobbCountyHomes #MariettaRealEstate #FamilyHome #ModernFarmhouse #ArchitecturalDesign

This article celebrates the 125th anniversary of House Beautiful by revisiting a remarkable Palm Beach home, originally featured in 1989. The home, a former Shingle-style church built in 1895, belongs to decorator Mimi McMakin and her family. The piece includes a modern-day interview between McMakin and her daughter, designer Celerie Kemble, discussing the enduring charm and unique spirit of their residence. The interview highlights how the church-turned-home has fostered a timeless and free-spirited environment for generations, where memories blend seamlessly, and children are encouraged to express themselves without judgment. Kemble and McMakin emphasize the house's ability to inspire sentimentality and a sense of wonder in all who visit, often being referred to as "the most magical house in town" or "the Fairy-tale House." They share anecdotes, such as the resilience of the original Portuguese tiles on the pink porch, which have withstood 40 years of children's activities, and the house's collection of items, each with its own story, creating an atmosphere akin to a "giant picnic basket" rather than clutter. The article also provides an archival glimpse into the home as it appeared in 1989, featuring a reprint of the original story by Jane Margolies. Margolies' account details the church's history, from its early days when worshipers arrived by boat to its conversion into a residence by the Maddock family in 1940. Mimi McMakin, who initially found the church gloomy as a child, transformed it into a vibrant home after returning to Palm Beach in 1974. The original article describes how McMakin opened up the once-dark church to natural light, creating expansive living spaces despite architectural quirks like widely separated bedrooms and tiny closets. Her design philosophy, characterized by an "irreverence" for traditional furnishings, is showcased through examples like whitewashing antique chairs and incorporating whimsical elements such as painted hyacinths and morning glories on plywood shutters. The pink porch, a key feature, exemplifies her "lightened-up" English style, combining chintz, goose down, and cheerful floral patterns with cool green-and-white tiles and mirrored panels to reflect light, all contributing to a summery, comfortable, and inviting atmosphere unique to Palm Beach’s evolving interior design trends. The article underscores how McMakin’s approach redefined the concept of home, making a historical structure both personal and perpetually welcoming. #ChurchConversion #FamilyHome #PalmBeachDesign #InteriorDesign #HomeRenovation #ArchitecturalHeritage #HouseBeautifulArchive #CelerieKemble #MimiMcMakin