Using art and IKEA finds, a well-kept Victorian villa is turned into a family haven

Shanti Crawford of Indigo & Ochre Design transformed a 2,600-square-foot, four-bedroom penthouse in Brooklyn from a "modern white box" into a vibrant, functional family home. The clients, a family with three daughters and a dog, sought to add warmth, color, character, and personality to the new build, which initially felt cold and barren. Crawford's approach emphasizes socially responsible and sustainable design, reflected in her use of colorful, thoughtfully collected, and layered decor. The primary goal was to create distinct and intimate areas within the open-plan layout, allowing each family member to engage in various activities simultaneously, such as working, studying, socializing, dining, and playing music. This was achieved through strategic furniture arrangements, custom built-ins, and the transformative power of color. AThe design process began with the clients' desire for a fresh start, especially as their children were growing older. Crawford provided guidance from the pre-closure phase, focusing on integrating character into the developer's clean, modern aesthetic. Key to her design was the incorporation of beloved pre-existing items, including a massive patchwork kilim from Morocco and a rustic sideboard. She aimed to ensure these pieces felt intentionally integrated and harmonized with the new, streamlined elements of the apartment. Crawford used color as a declarative element to define spaces. For example, the entryway was painted in a pale pink hue, Benjamin Moore Wheatberry, which subtly appears in other areas of the home, creating a cohesive visual flow. The entry also features practical storage solutions like hooks, baskets, and cubbies from Room & Board to accommodate the active family's needs. Texture was added through a ceramic disc wall hanging and a woven Tuareg mat. In the living room, the vibrant patchwork Moroccan kilim served as the primary inspiration for the color palette, influencing the selection of seating, artwork, and accessories. Crawford also introduced a gentle antique Oushak rug to complement the kilim without competing with its intricate patterns. The dining room features the clients' cherished kilim, anchored by a sleek Artisan Latus table and Gubi Beetle chairs, with brass legs that echo other metallic accents in the adjacent sitting area. This intentional mix of rustic and modern elements ensures balance and visual interest. The family room, referred to as a 'snug,' was designed to be a cozy, intimate space. It was painted in a warm, deep gray, including the ceilings, to embrace the lack of natural light. Deep jewel tones and lush textures, such as velvet upholstery, were incorporated, along with a vintage Heriz carpet to add personality. Custom walnut shelving units were built to span an entire wall, providing depth and delineation, and housing a Samsung TV and Noguchi Akari floor lamp. The master bedroom was conceived as a serene retreat, adhering to principles of "soothing neutral colors, simple and clean lines, texture over pattern." The primary colors are neutral, with subtle pops of deep color from peacock sconces and a luminous mouth-blown carafe and glass. The bed frame is custom, and the bedding and throw are from Wolves Within. The study, designed for multiple functions including a home office, occasional guest bedroom, and storage, features a custom-designed built-in bookshelf that frames a Kalon Studios daybed. A vintage Paul McCobb desk and a vintage Swedish Kilim rug complete the space, demonstrating how distinct areas were created while maintaining an open flow within the larger apartment. The collaboration with landscape designer Laura Harmon of LFH Studio for plants further enhanced the natural integration of the design. #InteriorDesign #ApartmentDecor #FamilyHome #ColorPalette #CustomBuiltIns #StrategicFurniture #BrooklynDesign #VintageDecor #SustainableDesign

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Interior designer Evans Geisler and her architect husband undertook a significant renovation of their two-story Williamsburg row house, transforming it from a dual-unit bachelor pad into a single-family home tailored for a family with three young sons. The couple purchased the house in 2014 from Geisler’s brother, who had acquired it in 2007. The initial state of the house was characterized by two separate units: one on the ground floor occupied by Geisler's brother's college roommate, and the second floor where her brother resided. The primary goal of the renovation was to consolidate these into a cohesive single-family residence, while also incorporating a small pied-à-terre apartment at the back of the second floor. Geisler described the house's original aesthetic as typical of two young men living in Williamsburg, lacking architectural personality and requiring a comprehensive update. The row houses in Williamsburg are often narrow and basic, prompting Geisler's initial improvement to be the removal of the entryway hallway, which she believed contributed to a sense of confinement. On the main floor, the design strategy focused on creating an open-plan layout by removing as many interior walls as possible, integrating the kitchen and living room into a single fluid space. A key element of this transformation was the restoration of the original staircase, which, along with a newly installed built-in bookcase, became prominent focal points upon entering the home. The original staircase, deemed the only element possessing inherent character, underwent extensive restoration. Layers of paint were meticulously stripped from the newel post, missing balusters were replaced, and the treads and handrail were stained dark, contrasting with white-painted balusters. In the kitchen, the design incorporated Caesarstone countertops and Ikea cabinets, complemented by open shelving. Geisler highlighted her preference for open shelving in the kitchen, noting that maintaining a coordinated look with white, off-white, and wood elements facilitated a clean and harmonious aesthetic. The renovation also extended to the rear of the first floor, where the bathroom was enlarged. A playroom was created in this area, featuring a Murphy bed for accommodating guests and a built-in desk designed for homework, catering to the needs of a growing family. Upstairs, new walls were constructed to define two bedrooms and to functionally separate the aforementioned rear apartment from the main living quarters of the house. Geisler's overarching design philosophy for the home was to create a casual and highly kid-friendly environment, given that she had a toddler and was pregnant during the renovation. This involved avoiding overly fussy or expensive elements and implementing organizational systems to mitigate clutter and manage the daily demands of family life. All three sons share a single bedroom, which is equipped with a crib and custom bunk beds. Geisler acknowledged that some might find this arrangement unconventional but noted its general effectiveness, particularly in fostering interaction among the boys. The interior walls throughout the house were uniformly painted in Benjamin Moore's Chalk White, and the floors were stained to the darkest possible shade. Geisler emphasized the importance of a cohesive design throughout the entire house, asserting that a consistent aesthetic facilitates a smooth transition between rooms and contributes to a unified overall impression. #WilliamsburgRenovation #InteriorDesign #KidFriendlyHome #OpenPlanLiving #StaircaseRestoration #KitchenDesign #CustomBunkBeds #FamilyHome #BrooklynDesign

Architect and designer Kartik Desai, along with his husband Zane Philstrom, transformed an abandoned mobile home property in Southold, North Fork of Long Island, New York, into a modern, cost-effective family residence with breathtaking views of the Long Island Sound. The couple purchased the dilapidated property in 2012, initially using it as a campsite while they designed their dream home, emphasizing the stunning natural surroundings as the primary inspiration. The design philosophy centered on maximizing the Long Island Sound view, ensuring every room and the swimming pool faced the water. To achieve this vision while adhering to budget constraints, Desai implemented several clever cost-cutting solutions. For instance, in the living room, instead of an expensive custom sectional, they opted for an affordable IKEA sectional and customized it with removable, washable linen covers from Bemz, providing both a polished look and practical maintenance for a beach house environment. The living room also features a massive 12-foot hearth fireplace that doubles as a bench, and a clever panel concealing the television. The dining room, kitchen, and living area were designed as a cohesive communal space. A continuous bank of sliding doors along the ground floor was a key design element to connect indoor and outdoor spaces. To avoid the high cost of a custom 50-foot sliding door system, they utilized four standard-width bay units. These were then integrated seamlessly with natural oak finishes, extending to cabinetry and using cabinet face material to fill the gaps, making it appear as a single, custom system. Desai highlights this as an example of making standard-sized elements look bespoke. In the kitchen, budget-friendly material swaps were crucial. The original plan for concrete floors, countertops, and fireplace surround was deemed too expensive. Instead, large format tiles from Porcelanosa were used for the floor, and quartz for the countertops and fireplace surround. These alternatives provided a similar aesthetic to concrete but offered benefits such as durability, stain resistance, and low maintenance. The open kitchen design allows Philstrom, an avid cook, to engage with guests in the dining and living areas or by the pool. The bedrooms and bathrooms also maintain continuity with the home's overall aesthetic and practical design. Bedrooms offer serene views of the ocean, with furniture from brands like CB2, Blu Dot, Parachute, and IKEA. The bathroom similarly boasts sweeping views of the Long Island Sound, utilizing the same practical and durable materials as the main living areas, with fixtures from Kohler, mirrors from Rejuvenation, and tiles from Porcelanosa. This strategic approach to design and material selection enabled the couple to create a sophisticated, zen-like Hamptons home without exceeding their budget, transforming an uninhabitable structure into a modern sanctuary. #HomeDesign #CostSavingTips #HamptonsHome #ModernArchitecture #DIYDesign #InteriorDesign #BudgetDecor #OceanViewHome #SustainableLiving

This article details the restoration of a historic Victorian-era homestead located in the Western District of Victoria, a region known for its scenic views and dairy farms. The project, led by interior designer Adelaide Bragg, focused on seamlessly blending the original character of the home with modern functionality, ensuring it serves both as a working rural property and a family hub for generations to come. The design brief emphasized practicality, warmth, and a welcoming atmosphere, steering away from anything overly delicate, given that the property is a working farm and frequently hosts family and grandchildren. The homestead's interior now features a calming palette of creams and clay reds, complemented by natural textures. Key elements include sturdy oak floorboards, antique furniture, and a significant art collection from the client. A primary challenge during the renovation was the house's dated configuration, which was not suitable for a modern family, and the lack of sufficient natural light. The renovation addressed these issues by undertaking extensive structural changes. The original back of the house was transformed into a light-filled, spacious front entrance, adorned with botanical fern prints and wool baskets. A large kitchen and family room extension was added, complete with a fireplace and an Aga stove, alongside a generous verandah to facilitate outdoor dining. Designing for a rural home involved specific considerations to honor its historical integrity while making it adaptable for contemporary living. The renovations maintain high ceilings, large-scale rooms, and simple joinery, ensuring a sympathetic approach to the existing structure. The completed home is characterized by an effortless elegance and timelessness, with design elements chosen to enhance functionality and aesthetic appeal. The dining area, for instance, features a large table and 16 chairs, which serve as a room divider and add textural depth. Kravet fabric on the chairs, referencing horse saddle blankets, and large-scale rooster paintings introduce playful touches. Old olive baskets repurposed as kitchen pendants create a unique focal point, while Monoleath benchtops offer a practical yet concrete-like finish. Oak floorboards, sisal rugs, and cow skins contribute to layering and a casual, inviting ambiance. The homestead's design also integrates with its rural surroundings, offering magnificent views of rolling hills, red gum trees, and the Grampians. The selection of fittings and finishes was guided by the need to be sympathetic to the home's heritage. For example, Sandberg ‘Waldemar’ wallpaper from Ascraft in the powder room was chosen to reflect the oak trees in the garden, and a guest bedroom features a cane bench covered in Lisa Fine ‘Jaisalmer’ fabric from Ascraft. The owners expressed satisfaction with the outcome, confirming that the entire house is now utilized as intended, embodying a successful blend of old-world charm and modern family living. #HomesteadRestoration #InteriorDesign #RuralLiving #VictorianArchitecture #FamilyHome #AdelaideBragg #HomeRenovation #VictorianHomestead

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

This article details the transformation of a newly constructed Brooklyn townhouse into a warm, personalized, and comfortable family home with a mid-century modern aesthetic. The homeowners, who are lovers of the outdoors, sought to create an urban oasis that felt like an escape from the city, particularly benefiting from the property's quiet, tree-lined street and enclosed backyard. Interior designer Lucy Harris led the project, focusing on seamless transitions between indoor and outdoor spaces, incorporating super durable pieces suitable for a young child, and maintaining a light and bright color scheme. The entryway, designed to function as both an entrance and a mudroom, immediately sets an eclectic and welcoming tone with custom millwork for storage and a colorful tiled floor from Heath Ceramics, featuring bright blues and golds. Accessories such as a natural-feeling leather mail/key holder from Lostine and a simple half-moon mirror from Bower contribute to the unique character. In the kitchen, which was recently installed in the new-build, minor but impactful changes were made to integrate it into the home's overall aesthetic. Rattan counter stools from Stahl and Band introduced natural materials, while green pendants from In Common With tied in with the dining area's color scheme. The dining nook is highlighted as one of the most dramatic alterations, featuring custom banquette seating upholstered in a deep green wool boucle fabric from Tibor, complementing the leafy street view. A brass fixture from Apparatus adds texture, and a custom-sized solid wood table from Yucca Stuff, along with vintage-inspired Tre 3 chairs by Angelo Mangiarotti, complete the inviting space. The living room was conceived as a casual, peaceful, and fresh area, utilizing a serene palette with vibrant earthy accents. It showcases a colorful area rug by Christopher Farr, an original Bauhaus design, and a soft sofa from Poiat, contrasting with an organic-shaped coffee table in the style of Paul Frankl. An adjacent reading area in the living room features a leather Ojai chair from Lawson Fenning, reflecting the mid-century modern influence throughout the house. A Miniforms Soda glass side table adds material contrast, and custom millwork displays the homeowner’s vintage objects, infusing personality into the new construction. The connection between indoor and outdoor living is emphasized through large houseplants and green color palettes inside, and an inviting balcony dining space leading to a landscaped backyard, designed by Michael Cafiero. The outdoor area includes Fermob Luxembourg chairs and a customized Croft House dining table, suitable for the terrace. The family room introduces a different palette with deep blues and rich rusty oranges, creating an inviting atmosphere with mixed patterns. A custom rug collaboration between Lucy Harris and Carini, a wool and leather ottoman, and a comfortable Albarese sofa by DePadova define the space. A home gym adjacent to an outdoor terrace benefits from a leafy view. The primary bedroom combines pastel colors with vibrant accents for a serene yet interesting backdrop, featuring a walnut nightstand by Hedge House, a scalloped sconce by Nickey Kehoe, and a colorful quilt by Thompson Street Studio. Subtle patterned wallpaper by Rebecca Atwood and Caroline Z Hurley drapes add texture and quirkiness. For the nursery, a playful desert theme was chosen, reflecting the owners' love for hiking. Geometric patterns, a neutral cactus wallpaper, and terracotta accents, including a Kartell Componibili, create a vibrant yet sophisticated space. The guest bedroom on the fourth floor extends the natural beige, orange, and brown palette, with a second walnut nightstand from Hedge House and a rug from Nordic Knots, complemented by green and blue accents in the Room & Board bed and Rebecca Atwood drapery. This comprehensive redesign transforms the builder's spec townhouse into a soulful city oasis with distinctive character and style. #InteriorDesign #MidCenturyModern #BrooklynTownhouse #HomeRenovation #FamilyHome #OutdoorLiving #CustomDesign #ColorPalette #SustainableDesign

This article details the transformation of a Victorian villa in South London, a property that has been in the current owner's family for generations. The project, led by designer Scarlett Jones of Sims Hilditch, aimed to respect the home's history and family memories while updating it for a young, modern family. The design approach was deeply personal and aligned with Sims Hilditch's journey toward B Corp certification, emphasizing sustainability and longevity by reusing treasured antiques and investing in durable designs. The renovation began with the hallway, where bold wallpaper was replaced with soft white walls and woodwork in Oval Room Blue, a color that recurs throughout the house. New oak herringbone flooring was installed to add warmth and character, complemented by a vibrant stair runner. Significant layout changes were made to suit modern family life, notably opening up the kitchen and snug to create an informal dining area. The kitchen features Shaker-style cabinetry in warm gray with a rhubarb-pink island, which serves as a vibrant focal point. Existing joinery in the dining area was refreshed with dark teal paint, a new wallpapered back, and brass bamboo handles, paired with glossy red faux bamboo chairs and an oak bobbin table. The living room, spanning the depth of the house, was designed to celebrate exquisite de Gournay wallpaper. A contemporary checkered rug set the tone for a fresh scheme. Existing George Smith furniture was reupholstered in striped and checkered fabrics, and a bespoke L-shaped sofa with hidden toy storage was introduced to accommodate both daily family life and formal entertaining. Upstairs, the color palette shifts to gentler blues and buttery yellows in the principal bedroom. Fabrics are central to the design, including an oversized headboard in embroidered Colefax and Fowler linen and curtains with broad bands of cream and blue linen. The dressing area features fabric-paneled doors, adding visual interest to the cabinetry. The main bathroom is designed for indulgence, with a sunshine-yellow slipper bath, an elegant fluted vanity, a rug, and upholstered pieces that provide a comfortable, sitting-room feel. Beyond the main living spaces, personality continues to infuse the home. The cloakroom features Bengal tiger wallpaper, and the study, with its reworked original joinery, showcases a playful lion-print lining and a family antique desk. The children's rooms under the eaves incorporate fabric-covered shutters, providing both a practical blackout solution and a cheerful burst of color and pattern. Scarlett Jones emphasizes that the project's success lies in its layered design, ensuring that each room contributes to the family’s ongoing story, honoring the past while embracing the present. #LondonVilla #FamilyHome #HistoricRenovation #InteriorDesign #SimsHilditch #SustainableDesign #VictorianArchitecture #KitchenDesign #BedroomDesign

Carole and Don Watanabe have transformed an ordinary 1963 California ranch-style house in Sebastopol into a unique and vibrant living art piece called Chez La Vie. Carole, a multi-talented artist, and Don, an architect, collaborate to create a home that is an ongoing project of artistic expression and precision. The property encompasses multiple structures, including their main residence, an attached apartment for Don's father, an appealing guesthouse known as the Art Chapel, and various utilitarian sheds that are integrated into the artistic landscape. The main house immediately catches the eye with its vibrant ultramarine blue exterior, trimmed with deep turquoise and brick red. A wide berm in front of the property features Carole's "drive-by gallery," where steel frames crowned with corrugated aluminum roofs will display sheet metal paintings by local children, sold to support school art programs. The entrance to their home and Don Sr.'s apartment are adorned with enormous antique Indonesian facades made of intricately carved teak. Tall columns flanking the Watanabe entrance are covered in colorful spirals, created by Carole using abandoned mirrors and broken ceramics, giving them a jewel-box appearance. This use of found and repurposed materials is a hallmark of Carole's work, with a significant portion of the home's materials sourced from salvaged items, often acquired for minimal cost from places like a Santa Rosa Goodwill store. The backyard features a stream circulating water through the Paradiso Pond, which Carole considers her most significant work. The pond, a 4-foot-deep, rubber-lined creation, is landscaped with truckloads of rock and adorned with lilies and other water plants, evoking a Monet painting. On the western edge of the property, an outdoor fireplace, a table under a large tree, painted chairs, tiled tables, carved benches, tiny sculptures, clever mobiles, and painted fences contribute to the whimsical atmosphere. A curving dragon made of random ceramics weaves through the garden, intersected by brick pathways leading to a double-doored gateway to the neighbor's property. Inside, the whimsical aesthetic continues with furniture crafted from discarded wood and an assortment of found objects. Walls are accented with Carole's cursive writing and display her paintings, drawings, and sculptures. Recessed altars and mirrors decorated with colorful tiles are present throughout the interior. The flooring varies from room to room, incorporating area rugs and even a floor covered with squares of fabric and old photographs sealed with Varathane. The master bedroom features a custom-made headboard and Carole's handwriting on the walls, while her studio serves as her creative sanctuary. The Watanabes envision Chez La Vie as an "elder compound" where they can age gracefully amidst their beloved creations. They plan to host art openings in their spacious backyard, with a pizza oven available for guests. Banners of art, much of it created by children, will adorn patios and fences, transforming the home into an interactive gallery open to the public. #HomeTransformation #ArtisticHome #RanchHouseRenovation #SebastopolHomes #CreativeCouple #FoundObjectsArt #GardenDesign #SustainableDesign #SonomaHomes

Zen Architects, a Melbourne-based firm with 30 years of experience combining science and art in sustainably minded projects, undertook a comprehensive renovation of an early 1900s Victorian home in Brunswick. The property, untouched for five decades and slated for demolition due to asbestos, was purchased by clients who sought an architect willing to execute a challenging renovation emphasizing local materials, recycled timber, and space for an art studio. The clients desired a design that respected the original cottage's form and detailing, diverging from the prevalent trend of demolishing Victorians for new, often insensitive, developments in an area without historic controls. The project spanned nearly three years, including 18 months of design and documentation and 14 months of construction. The initial phase focused on preserving the original structure. This involved restoring the weatherboard exterior, original Baltic pine timber flooring, and Victorian details. The interior plaster was removed, walls were reinsulated, and windows reglazed. The eastern portion of the roofline was raised to accommodate higher ceilings. To maintain the property's heritage value, all new construction was set back behind the original chimney line. The design team reconfigured the front four rooms: two became bedrooms, one a bathroom, and the fourth a front living room featuring a wood-burning fireplace that utilized the existing chimney. From the light-filled foyer, residents can now access the kitchen, a double-height dining room, and a sunken conversation pit, all offering views of the garden. Throughout the renovation, Zen Architects prioritized local sourcing. Custom lighting was crafted from solid brass, and internal recycled timber details, such as shelving, were produced by local furniture makers. The bathrooms feature custom handmade tiles from a South Melbourne ceramicist, and all fixtures and fittings were also locally sourced. The kitchen incorporates a solid concrete island counter designed for passive heating and cooling; it warms naturally in the summer, and a concealed black heat panel beneath the slab absorbs and releases heat in the winter. An adjacent art studio benefits from ambient diffused south-facing light, providing an ideal space for various artistic pursuits. This project demonstrates a successful approach to sensitively transforming Victorian homes to meet contemporary living standards while adhering to principles of sustainability and local craftsmanship. #VictorianRenovation #SustainableDesign #ZenArchitects #MelbourneArchitecture #HistoricPreservation #RecycledMaterials #LocalCraftsmanship #HomeRetrofit #ArtStudio

This blog post details the renovation of a three-story Victorian home overlooking Long Island Sound in Larchmont, owned by the Pinchin family. The project, led by architect Robert Keller of Keller/Eaton and homeowner Gillian Pinchin, who also runs her interior design firm Wondernose, focused on transforming the traditional exterior with a funky, eclectic, and modern interior designed for contemporary family living. The primary objective was to modernize the home while maintaining its historical charm. The most substantial changes were implemented on the third floor. This area, which previously consisted of five small maids' rooms, was reconfigured to create a spacious master suite. This new suite now includes a master bedroom, a dedicated bathroom, a dressing room, separate his-and-hers offices, and a deck offering views of the water. The architect noted that the goal was to repurpose underutilized spaces into functional and aesthetically pleasing areas suitable for a modern lifestyle. A unique challenge was creating a sense of privacy for the parents within the master suite without isolating it from their three young children. The solution was a 2-inch-thick, 400-pound walnut door, crafted by Pinchin’s father, which slides on casters like a barn door. This door provides privacy when closed but allows the third floor to feel contiguous with the rest of the house when open. The second floor of the home features three bedrooms and a bathroom for the children, along with a guest room, an additional bathroom, and a laundry room. On the first floor, a modern island was incorporated into the traditional kitchen, blending new elements with existing aesthetics. Additionally, a formal living room was re-envisioned as a "grown-up room" by Pinchin, providing a tranquil space with two chaises for relaxation. The basement was also renovated to include a bedroom, a bathroom, a mudroom, and a gym, all designed with a clean, simple, and functional style. For the interior design, Pinchin adopted a "gallery approach," painting most walls white to allow select pieces of artwork or furniture to stand out. The most striking element in the house is a custom graffiti wall in the dining room. Pinchin commissioned an artist from San Francisco, who used traditional paint to create a "sloppy" graffiti look, even incorporating the children's initials into the design. This "crazy wall" creates a compelling contrast with the otherwise quiet room, furnished with midcentury pieces inherited from Pinchin's grandmother. The architect highlighted this surprising juxtaposition between the home's traditional exterior and its modern interior as a key success of the project. The article further elaborates on specific design choices in various rooms. In the master bedroom, artwork above the bed provides a splash of color against a neutral backdrop. Her office maintains an all-white theme with a zebra-skin chair and personal artwork. The kitchen features a modern island and a bubble chandelier alongside a reproduction of an old master's painting and green subway tiles. The "grown-up room" boasts a lenticular image of a ballerina above the mantel, offering a dynamic visual element, and combines high-end B&B Italia chaises with an Ikea shelving unit, showcasing a blend of high and low furnishings. The overall renovation successfully merges historical architecture with contemporary design and personal artistic expression. #VictorianHome #HomeRenovation #ModernInteriorDesign #ArchitecturalUpdate #MasterSuite #EclecticDecor #GraffitiArt #InteriorDesign #GillianPinchin #RobertKeller

Ella and David Moore purchased their Victorian home in Manchester in 2017. Although it featured a 1980s two-storey rear extension, the property was in need of modernization and personalization. The couple spent the first year developing plans for improvements, aiming to reconfigure the layout to better suit their lifestyle rather than simply adding more space. Key structural changes included removing walls to create a large open-plan kitchen by combining the original kitchen, dining room, and a small reception area. Additional modifications involved the integration of a downstairs toilet and hallway, a new porch, and a utility room. The front door was also relocated from the center to the side of the house, which required obtaining planning permission. While the back of the house was designed as a sociable, open-plan area connected to the garden, the living room at the front was intentionally kept as a cozier, separate space. Upstairs, one of the three existing bedrooms was reconfigured to create a dressing room and an office for David. Two en-suites were installed, and the main bathroom was relocated to optimize the guest bedroom layout. The renovation process began a year after they moved in, with Ella managing the project and designing the layout, while an architectural technician drafted plans for planning permission. The couple approached the renovation without rushing, paying meticulous attention to detail, which included selecting traditional-style radiators, brushed-metal light switches, and beehive door handles. Most of the work was completed by the end of 2019, with the main bathroom remaining as one of the few areas yet to be finished. Exterior enhancements included replacing the modern uPVC windows at the front with traditional-style sash windows and installing contemporary aluminum windows at the back. The garden was also a focus of Ella's design efforts. Her passion for garden design and sourcing houseplants led her to establish an indoor plant business, Ella’s Garden, during the lockdown, which quickly became successful. In 2022, she expanded her entrepreneurial ventures by co-founding a crafting workshop business with a friend. Ella’s decorating approach was guided by instinct, favoring warm tones and complementary shades. She frequently used pinks and oranges alongside dark greens and blues and opted for warm neutrals as a backdrop instead of stark whites. To ensure continuity throughout the ground floor, engineered wood parquet planks were laid, with rugs used to add color, texture, and define zones within the open-plan areas. Ella emphasizes the importance of definition in open-plan spaces and the need for tidiness. In the kitchen, she maintains a minimalist aesthetic on the countertops, displaying only frequently used items. However, she is an avid collector of vintage items and souvenirs from her travels, frequently rearranging her favorite pieces on open shelves to keep the displays fresh and personal. She values showcasing these treasures, believing it contributes to a home's warmth. The article also provides a brief tour of other areas of the house, including the hallway, spare bedroom, main en-suite, and landing. The hallway features glazed French doors to maximize brightness, complemented by bare brick walls, scaffolding shelves, and vintage furniture. The spare bedroom includes a bed reupholstered in a leather-effect fabric. The main en-suite is painted in Card Room Green from Farrow & Ball and is equipped with a basin and vanity unit from Drench, a House Doctor mirror, Nordlux pendant lights, a Rose & Grey wire shelving unit, and Tile Mountain floor tiles. The landing showcases a vibrant lime green chair against a deep teal wall, illustrating Ella’s continued use of bold color and personal touches throughout the home. #VictorianHome #HomeRenovation #BiophilicDesign #InteriorDesign #ColorPalette #VintageDecor #Houseplants #OpenPlanLiving #HomeMakeover

Morgania Moore and Brook Bannister, an artistic couple, along with their son Monroe, have transformed Moore's inherited 1970s cottage in the rural Alexander Valley of Healdsburg into a dynamic canvas of handcrafted design. Both Moore and Bannister share deep family ties to the region, with Moore having spent childhood weeks at her grandmother's home and Bannister growing up fishing and swimming in the nearby Russian River. They met in their twenties and are now raising their 11-year-old son in the same home, fostering a strong connection to both the land and their creative living space. The home and an adjacent studio reflect the family's shared passion for craft. Bannister, a winemaker, musician, and woodworker, has personally constructed much of the home's furniture, including tables, shelves, and kitchen cabinets. Moore, whose artistic endeavors span lighting, floral design, jewelry, and textiles, infuses the rooms with large-scale natural elements sourced from the Alexander Valley, such as twisted branches, seed pods, and tumbleweeds. Their son, Monroe, attending a nature school, contributes to the creative atmosphere through music with his father and managing a significant Lego collection. The family maintains a balance between individual creative pursuits and communal activities. During the day, they immerse themselves in their respective projects throughout the house, converging in the kitchen as evening approaches to converse, read, and prepare meals together. They embrace the challenges of the creative process, viewing it as a means to produce interesting and unique works. Both Moore and Bannister draw inspiration from natural forms, such as the curve of a bone, the colors of river stones, or the shape of recycled metal. Bannister translates these into furniture or music, while Moore creates oversized papier-mâché pendant lights, braids textiles into cushions, and fashions large-scale installations from reclaimed fireplace screens. The home is adorned with entire tree limbs arching over seating areas and various finds from Moore’s past work on film sets, creating a space rich with artistic imagination. The couple is committed to preserving the home's original humble and bohemian character, resisting suggestions from interior designers to modernize it. They value the existing stains and marks as a testament to the house's long history. The surrounding environment also provides endless materials and inspiration; winter rains reveal clay and pebbles that Moore collects for jewelry, and the changing seasons offer unique visual elements, such as the sculptural bare branches of oaks. A significant project for Bannister involved salvaging a large black walnut tree trunk from the Russian River after a winter storm. He spent years milling and curing the wood, which now forms the distinctive live-edge cabinet fronts in their kitchen. This endeavor highlights their patient, faith-driven approach to craft. Their commitment to sustainable and local craft is deeply personal, driven by a desire to conserve natural resources for future generations, including their son. Bannister expresses strong feelings against deforestation and prioritizes salvaged and reclaimed materials for his furniture, finding them more beautiful and ethically sound than commercially sourced wood. Monroe has also engaged in carving spoons from the same walnut wood. The couple frequently finds themselves drawn to similar natural materials, symbolizing their artistic convergence. Their home is seen as a constantly evolving canvas, adapting to their creative journey and reflecting their philosophy of living in harmony with nature and artistic expression. Bannister Wines, owned by Brook Bannister, also features a tasting room in Geyserville that doubles as an art gallery, showcasing various artists and further extending the family's artistic influence into the community. #HealdsburgHome #HandcraftedDesign #AlexanderValley #ArtisticFamily #SustainableLiving #SonomaCountyArtists #NaturalMaterials #InteriorDesign #CustomFurniture

This article details the transformation of a 19th-century Federal-style town house in New York’s West Village by SPAN Architecture, converting it from multi-family apartments into a single-family residence. The original structure, an 1820s building, presented challenges such as deep lots leading to dark interiors, insufficient natural light on lower floors, and low ceilings. Recognizing these limitations and the absence of significant period details for restoration, principals Peter Pelsinski and Karen Stonely opted for a comprehensive gut renovation. A key aspect of the renovation capitalized on the property’s 60-foot backyard, enabling the architects to extend the first two floors by 30 feet while preserving ample outdoor space. To enhance the connection to the garden, the rear facade was removed, a second-floor terrace was added, and full-height windows were installed facing north, integrating modern design elements while respecting the historic lines of the surrounding houses. Internally, the building lacked a cellar, prompting excavation to create one. The roof was also leveled, increasing interior height by nearly eight feet, which required careful restructuring of ceilings to align with the existing front facade windows. The result is a 5,800-square-foot, four-bedroom home spanning five levels, featuring ceilings over ten feet high on the parlor floor, yet maintaining an unaltered exterior appearance. The interior design consciously blends traditional and contemporary aesthetics. Given the project's spec nature, a neutral palette was chosen, featuring white oak floors that establish a fluid connection between spaces. Subtle historical references are incorporated through baseboards, trim, and crown moldings. The steel-and-oak staircase, while traditional in form, lacks nosing and respects the original footprint, complemented by skylights that draw natural light deep into the lower levels, giving the house an “extroverted character” as Pelsinski describes. The property was acquired by a young family who enlisted Moises Esquenazi of Waowig Studio for interior decoration, providing him considerable artistic freedom. Esquenazi focused on creating inviting spaces that would complement the family’s art collection. His design approach included bold choices, such as a fuchsia-colored den, intended as a lively focal point upon entry. This vibrant room sets a playful tone for the rest of the home, which integrates contemporary Latin American art with pieces by mid-century designers like Milo Baughman and Pierre Guariche. Esquenazi also designed custom furnishings, including a lacquered-goatskin dining table, drawing inspiration from the 1970s. Two years after the family moved in, SPAN Architecture was re-engaged to modernize the kitchen and expand the master bathroom into a spa-like retreat, concluding a decade-long project. The revitalized town house now offers a bright, open living environment, seamlessly integrated into its urban setting while providing ample personal space. #TownHouseRenovation #SPANArchitecture #WestVillage #HistoricHome #ModernInteriorDesign #ResidentialArchitecture #NaturalLight #InteriorRenovation #LuxuryHomes

The Wallis family, consisting of Jenna, an internationally acclaimed interior designer and owner of Jenna Wallis Interior Design, and her husband Ed, purchased a 1940s English cottage in the Hedgemoor neighborhood of Memphis with a vision to transform it into a serene and classic retreat for their family, including their two boys. Despite its charming exterior, the cottage required extensive renovation to accommodate a modern family while preserving its original character. After living in the house for about four years, the Wallises engaged Ryan Anderson of RKA Investments, a Memphis builder known for restoring older homes, and architect Charles Shipp to lead the renovation. Jenna's design philosophy centered on blending the old with the new, maintaining the home's classic charm while introducing contemporary elements. A significant challenge involved literally lifting the existing structure to create an open, airy space. The renovation team, including Ryan Anderson's business partner Chris Clark, worked collaboratively to achieve Jenna's vision, which included raising the living area's 9-foot ceilings to 11 feet to enhance natural light and spaciousness. Eight-foot windows were installed, flanking a custom fireplace, above which a vibrant painting by Atlanta artist Sally King Benedict became a focal point. Key areas of the home were meticulously redesigned. The kitchen was transformed with custom cabinetry extending to the ceiling for maximum storage, a beveled subway tile backsplash, and honed Carrara marble countertops. Jenna opted for unlacquered brass hardware, which develops a natural patina over time, to align with the home's original aesthetic. A breakfast nook, connecting the living area and kitchen, features sleek white walls, a streamlined banquette, and a rustic farmhouse table complemented by a brass globe chandelier. A framed 1966 Andy Warhol-designed Campbell's Soup dress, inherited from Ed's grandmother, adds a whimsical touch to this space. Throughout the living areas, white walls serve as a gallery for the Wallises' extensive art collection, which includes pieces by Memphis artist Megan Hurdle. In the parlor, a soft mint green ceiling, inspired by one of Hurdle's mixed-media works, adds a subtle color accent. Jenna's favorite space, her downstairs study, is distinguished by pale, high-gloss blue lacquered walls, a French pedestal desk, whimsical peacock figurines, and a modern brass starburst chandelier. Custom-built bookshelves by RKA Investments house the family's book collection, while art consultant Anna Wunderlich assisted in curating and displaying the family's diverse artwork, including a collection of oils and watercolors from Paris. The guest bedroom features a bold coral lattice wallpaper on an accent wall, framing an upholstered headboard, alongside French dressers and draperies made from Jim Thompson silk. The master bath was conceived as a spa-like retreat, with gray and white marble, built-in mirrors, millwork surrounding a white vanity, and elegant brass hardware. Antique light fixtures were incorporated to maintain the home's period charm. The renovation extended to the exterior, with Ryan Anderson and his team salvaging stone to create a cozy fireplace on a spacious, screened-in porch, which has become an ideal gathering spot for the Wallis family and friends. The project culminated in a home that perfectly blends classic charm with modern functionality, fulfilling Jenna's five-year vision. #HomeRenovation #InteriorDesign #HistoricPreservation #MemphisHomes #CottageRenovation #JennaWallisDesign #RKAInvestments #LuxuryInteriors #ArtCollection