See How a Designer Took This Project From Abandoned Mobile Home to Modern Family Oasis

Architect Damon Hills and his partner John Boschen transformed a derelict 1920s California bungalow in Northcote, purchased in 2013, into a modern, light-filled residence they now call the Light Box Home. The original property, a deceased estate, was in an unlivable condition due to neglect and significant odor issues, featuring an asbestos-ridden lean-to and an outdoor toilet. Despite its state, Hills recognized the potential of the house, situated in the desirable Sumner Estate near Merri Creek, an area known for its California bungalows. He appreciated the utilitarian design of bungalows and sought to preserve the home's classic facade while undertaking a comprehensive renovation. The renovation began with exterior modifications, replacing the pressed-metal roof with a corrugated-iron one, which was consistent with the original architectural style. Although constrained by heritage overlay regulations that prevented the addition of bay windows to the facade, the front two rooms, which now serve as the main and guest bedrooms, were retained. A key focus of the redesign was to enhance natural light, as the original house was notably dark. Hills addressed this by incorporating new windows on the sides of the front bedrooms and installing skylights throughout many rooms to maximize light penetration. The rotting blackbutt flooring in the wide hallway was replaced with new blackbutt, and a new bathroom was added behind the guest bedroom. This bathroom features a marble vanity, a luxurious tub, smaller wall tiles, and a herringbone floor pattern, with an innovative wet room design that places the bath beyond the shower to optimize space. The asbestos lean-to was demolished, making way for a new section of the house that includes a third guest bedroom (or study) and a powder room. This new area functions as a transitional space leading to a thoroughly modern living extension at the rear. The design accounted for the property's slope, utilizing it to create a slightly elevated new living section. This elevation allowed for the inclusion of clerestory windows around the top of the kitchen and dining areas, effectively filtering more light into the main living space. The modern kitchen is equipped with Miele appliances, a butler’s pantry, a concealed fridge, three ovens (standard, steam, and microwave combi), and a warming drawer. A notable design element is the oversized island bench with a bespoke linear light fixture above it, which provides illumination and defines the space. The lounge area features a fireplace and a discreetly integrated television that blends into a black background when off. Glass doors open to a north-facing wooden deck, while floor-to-ceiling windows at the back maximize morning light from the easterly aspect. The architect strategically placed larger windows on the northerly and easterly sides for optimal light, with smaller windows on the south and west. The home is fitted with hydronic floor heating and a single split-system air conditioner, relying on excellent insulation for climate control. Hills emphasized the personal challenge of designing his own home compared to client projects, noting the intense scrutiny of every detail. He described the home as a luxurious and spacious sanctuary, a place he looks forward to returning to, even from travel. The postscript details Hills’ observations on visitors' comments, highlighting the unexpected sense of space and the barn doors in the powder room and laundry. His favorite spot is an Arana armchair by Jardan in the living room, facing the fireplace, from which he can view the entire space. His favorite item is "The Mythical Galloping Faun" painting by Jodie Zomer, noting its constant movement and new discoveries upon each viewing. The Arana armchair is also his most sentimental piece, having moved with them through four houses. He expressed a dream of living in a New York City brownstone and described his entertaining style as simple dinners with friends, often concluding with a lemon tart from Babka in Fitzroy. For Hills, home signifies a place of relaxation and unwinding, a special and luxurious space that brings comfort and joy. #HomeRenovation #CaliforniaBungalow #LightBoxHome #ModernArchitecture #InteriorDesign #NorthcoteRealEstate #DamonHills #SustainableDesign #LuxuryHome

Chris and Jenn Goode purchased their 1960s home in Alexandria's Villamay neighborhood primarily for its Potomac River views, despite its traditional style, dated finishes, limited lighting, and insufficient space for their three growing children, aged 9, 11, and 14. Their vision for the renovation was to transform the house into a spacious, rustic-chic sanctuary that offered enough individual space for every family member. Case Architects & Remodelers, led by director of project development April Case Underwood, was enlisted for the remodel. Underwood, having previously worked with the Goodes on their kitchen, understood their preference for a more transitional style. The original home was deemed outdated and lacked cohesion, especially for entertaining guests or accommodating three children preparing for school with only one shared bathroom. The renovation aimed to address these issues by expanding the living areas and updating the aesthetics to better suit the family's needs and style. A significant part of the renovation involved adding a two-story extension to the front of the house. This addition created a new primary bedroom suite for Chris and Jenn, which included dedicated his-and-her closets and a five-piece bathroom. The Goodes' daughter subsequently moved into the original primary suite. To accommodate their two sons, a one-story addition was built at the back of the home, featuring a new bedroom equipped with a Jack-and-Jill-style bathroom and walk-in closets. Additionally, a home gym with a rubberized floor was installed in the third garage bay at the base of the front addition. Indoor renovations were further complemented by the inclusion of a pocket office with a sliding glass door and a butler's pantry, which was outfitted with wall cabinets, open shelves, and wine fridges, enhancing both functionality and storage within the home. Although the kitchen's layout, counters, and backsplash from a previous renovation remained unchanged, the area received a refresh with new gold accents and a new faucet. A unique and personalized addition to the kitchen was a custom dog station for the family's goldendoodle, Dewey. This innovative feature, inspired by Jenn's mother, replaced a seldom-used cookbook bookcase. The dog station was designed for practicality and aesthetics, featuring a tiled area with built-in bowls, and a cabinet nearby for storing Dewey's food, treats, and medication. Its proximity to the kitchen sink allowed for the installation of a pot filler, simplifying the process of refilling water bowls. The exterior of the house underwent a dramatic transformation to align with the interior's rustic-chic design and the surrounding landscape. The original brick exterior was painted blue, and new shutters and wooden brackets were installed. Stone accents were added around the new garage bay to introduce texture. The renovation also incorporated a new front porch and a gable, contributing to a true Craftsman-style aesthetic. The Goodes praised the effective communication with Case Underwood, noting weekly meetings over several months that allowed for detailed planning and adjustments, ultimately bringing their vision to life. The cohesive design throughout the entire house made it feel like a brand-new home, satisfying the family's desire for a perfect, spacious living environment, and even attracting attention from passersby who stop to admire the renovation. #HomeRemodel #FairfaxCounty #CaseArchitectsRemodelers #RusticChic #HomeExpansion #InteriorDesign #ExteriorRenovation #FamilyHome

Jacque Hamilton acquired her dream home in WaterColor, Florida, nearly two decades after first discovering it. The property, located on Buttercup Street and designed by architect Jim Strickland of Historical Concepts, captivated Hamilton with its distinctive front porch, French doors, and floor-to-ceiling windows. After initially being unable to purchase it, she rented the home and later managed it as a rental through her business, Exclusive 30A. The house, having served as a rental for twenty years, required significant repairs and an update to reflect Hamilton's personal style and modern durability needs. Hamilton engaged Birmingham-based designer Heather Chadduck Hillegas for the renovation, a recommendation from the original architect. Hillegas undertook a comprehensive decorating project, focusing on revitalizing the interior without structural changes, thanks to Strickland's well-conceived floor plan. The renovation process, completed in just four months, was expedited by Hillegas's resourceful approach, which involved reupholstering existing furnishings, repurposing fixtures, incorporating antique pieces, and pre-stocking textiles to minimize delays. A key design element is the front porch, which Hillegas transformed into a cozy and private space using curtains and shutters in a classic blue-and-white color palette. Benjamin Moore's Narragansett Green (HC-157) was chosen for the shutters, and Perennials' Vintage Stripe fabric in Lagoon was used for the curtains, setting a consistent color scheme throughout the house. Inside, Hillegas employed creative solutions for window treatments, layering tent-flap curtains with a bold print (Katsugi in Blues by Schumacher) on the front and a stripe on the back over woven blinds from India, to achieve visual impact efficiently. The open-concept kitchen and living area, a potential design challenge, was effectively delineated by Jim Strickland's strategic placement of ceiling beams. Hillegas enhanced the kitchen's functionality and aesthetic by installing a counter-depth panel-ready refrigerator to blend with existing cabinetry, which was repainted in Sherwin-Williams' Natural Tan (SW 7567). The island received a vibrant touch with Sherwin-Williams' Labradorite (SW 7619). Personal touches included incorporating Hamilton's dining table and hutch. Throughout the home, found objects were displayed as art, such as a collage of antique hats above the bed in the master bedroom, creating a beachy, casual ambiance. The master bed was dressed with linens from Peacock Alley, a Pottery Barn quilt, and a vintage throw. Built-in bookcases were updated with grass cloth wallpaper from Crezana, and the walls and ceiling were painted in Sherwin-Williams' Alabaster (SW 7008). The primary bathroom saw its existing vanity, light fixtures, claw-foot tub, and wooden elements revitalized with fresh paint, while original pickled walls upstairs were preserved to maintain their vintage appeal. The stair landing was updated with a Roman shade in a Quadrille fabric, New Batik Cloud New Brown on Tint. In the bedrooms, Hillegas blended new and vintage elements. One guest bedroom features a brown-and-white color palette with Caribbean-inspired decor, including a sunburst mirror and natural woven table, reflecting the coastal surroundings. The bedspread was custom-made, and the headboard covered in Heather Chadduck Textiles' Little Bamboo in Chocolate. Another guest bedroom showcases a playful mix of blue patterns reminiscent of the ocean, with drapes in a Heather Chadduck Textiles fabric complementing the blue-and-white bedding. The design approach successfully transformed the property into a personalized and functional Florida getaway, combining timeless style with practical durability for family use. #HomeRenovation #InteriorDesign #FloridaHome #CoastalLiving #HomeDecor #DesignTransformation #WaterColor

Tom Dougherty, an oral and maxillofacial surgeon, undertook the renovation of a 1941 two-story brick house on seven acres in Centreville, aiming to transform it into a warm and welcoming country retreat. Initially considering demolishing the existing structure due to its dark, cramped interior and narrow passageways, Dougherty ultimately decided to renovate, recognizing the house's charming original features, such as a large raised-panel front door, Colonial-style divided light windows, and a Flemish bond brick facade. His primary motivation was to create a space that felt intimately connected to the land, rather than an imposing structure, and to provide ample room for his adult children to visit frequently. The renovation began with extensive demolition, removing internal walls to improve flow and constructing a two-story addition to accommodate guest bedrooms and additional storage. The kitchen was relocated to the eastern side of the house to maximize morning sunlight exposure and was designed to be open to a casual dining area and family room. This layout allows for a cozy ambiance, with the family room's fireplace visible from the kitchen. The kitchen features a large island with a six-burner range, white Shaker-style cabinets, and subway tile backsplash, reflecting a pared-back and laid-back aesthetic. Both the family room and study incorporate Rumford-style fireplaces, known for their efficiency in radiating heat into the room rather than losing it up the chimney, a design choice inspired by historical figures like Thomas Jefferson. Dougherty incorporated several innovative and practical solutions throughout the home. The laundry room boasts a deep soapstone sink with a false bottom, ideal for potting large plants. The new section of the house was designed with a chimney capable of accommodating back-to-back fireplaces, one for the family room and another for an adjacent outdoor patio, with gas lines pre-installed for future conversion. To ensure the addition seamlessly blended with the original structure, its exterior was meticulously constructed in the Flemish bond style, requiring skilled masonry. Dougherty emphasized the necessity of daily, hands-on involvement with contractors during such a comprehensive restoration project. Beyond aesthetics, the renovation addressed crucial infrastructure improvements. Asbestos was remediated, and all plumbing and electrical conduits were replaced. An environmentally friendly geothermal system was installed for efficient heating and cooling, offering cost savings and superior comfort. Space optimization included excavating the basement to create a home gym and converting a section of the second-floor master suite roofline into a deck with country views. The detached garage was designed with a second story, offering potential living space for his parents. Rustic accents, such as a repurposed vintage chest of drawers for a powder room vanity and a mirror framed with old copper gutter remnants, add character. A fieldstone ruin of an old barn was transformed into a garden. Throughout his renovation experience, Dougherty gained valuable insights. He noted that while limestone countertops are beautiful, they are high-maintenance, a lesson learned firsthand. Natural cherry floors, however, proved to be a successful choice due to their mellow, earthy color. The interior walls were painted in a sophisticated palette of natural, soothing colors. In the guest bathroom, a frameless glass half-door was chosen over traditional sliding tub enclosures to maintain an open feel and prevent gunk accumulation, an idea he adopted after seeing it in a New York hotel. These experiences underscore Dougherty's approach to finding inspiration and learning continuously from each project. #HomeRenovation #CountryRetreat #ArchitecturalDesign #SustainableLiving #InteriorDesign #CentrevilleHome #HistoricRenovation #GeothermalSystem #DIYHome

The article highlights how interior designer Penny Morrison transformed a dilapidated 18th-century country house in Wales into a vibrant and comfortable home. The house, built in 1790, is located near the English border and is characterized by its bucolic surroundings, including rolling lawns, a stream, a walled garden, and a forest. The Morrisons, Penny and her art dealer husband Guy, discovered the property 26 years prior during a weekend visit. Despite its unlivable condition, plagued by dry rot and requiring extensive renovations such as a new roof, windows, plumbing, and wiring, they were captivated by the house's historic charm and spectacular views. Morrison's design philosophy prioritizes comfort, evident in her desire for a home where one can relax. She emphasizes that a house's design influences how its inhabitants feel. Her South African upbringing, which fostered a love for open spaces and an indoor-outdoor lifestyle, influenced her vision for the Welsh home. She envisioned a dwelling where ground-floor rooms opened onto the garden, allowing for an entirely open feel in the summer, reminiscent of a Scottish lodge. Morrison’s journey into interior design was unconventional, lacking formal training. She began by working in property development and then decorating show apartments as a sideline. Her reputation as a decorator grew organically after she meticulously renovated her own home, leading others to seek her expertise. During the renovation of their Welsh home, the Morrisons maintained the essential structure of the house, aside from converting several bedrooms into new bathrooms and raising the central staircase ceiling by five feet. They admired the generously proportioned rooms and the expansive views. Morrison is a proponent of using large furniture pieces and grouping collections to amplify space and maintain visual focus without clutter. Her home showcases this approach, with a diverse array of artifacts and her husband’s art collection, many items sourced from country-house sales. As an avid collector of china, she gradually adorned the rooms and hallways with an eclectic mix. The central staircase walls are notably decorated with stuffed animals in glass boxes, and deer heads and antlers, some from hunts on their estate. The designer developed her own fabric and wallpaper line, which she incorporated into the home by reupholstering soft furnishings like armchairs, sofas, and large ottomans. The library is particularly illustrative of her textile passion, featuring contrasting patterns and vivid hues from her fabric and home accessories line, Irving and Morrison, co-founded with Carolina Irving two years prior. These fabrics, sourced from various international locations such as India, Morocco, and Turkey, are juxtaposed with equestrian paintings, leather-bound books, and a portrait of their son, Ted. Morrison avoids a "matchy look," advocating for a blend of items from different periods to create a lived-in, personalized aesthetic. Outdoor spaces also received significant attention. The Morrisons cultivated box balls and sculptural hedges to define the garden's form and redesigned the walled garden to create an outdoor living area for summer. They enjoy dining outside whenever possible, embracing the late-summer evenings. The transformation of the property reflects Morrison's distinctive style, characterized by offbeat colors, fanciful patterns, and a commitment to comfort and individuality in design. #InteriorDesign #HomeRenovation #WelshCountryHouse #PennyMorrison #TextileDesign #EclecticDecor #HistoricProperty #IndoorOutdoorLiving #FabricPatterns