House in Sumida / ROOVICE

Yumenomori House, completed in 2025, represents YODEZEEN’s first project in Japan, located in Sapporo, Hokkaido. This 500 sqm single-family home was designed by Artem Zverev and Artur Sharf, with project management handled by Anna Tarabanova and Olga Kravchenko. The architectural vision for Yumenomori, meaning “Forest of Dreams,” harmoniously blends traditional Japanese aesthetics with contemporary European design principles. Situated in a seismically active region, the residence integrates adaptive engineering techniques to ensure structural resilience while maintaining a profound connection to its natural surroundings. The exterior of Yumenomori House features vertical wooden slats, expansive terraces, and meticulously curated garden elements, drawing inspiration from classical Japanese landscaping. These design choices aim to create a visual and experiential continuum between the built environment and the lush natural landscape of Hokkaido. A significant focal point of the design is a polished forest rock, strategically placed within a symbolic garden. This rock is made visible through large glass walls, serving as both a spiritual anchor and a prominent visual element that connects the interior with the external environment. Inside, the home embraces a minimalist design ethos. The material palette primarily consists of travertine, stone, and wood, which together establish a serene and cohesive atmosphere. To introduce a dynamic contrast and infuse energy into the space, a striking red stone has been incorporated through custom-designed furnishings. The interiors are further enhanced by high-end European elements, including Poliform kitchen designs, Henge lighting fixtures, and B&B Italia furniture. Italian wood finishes were carefully selected and hand-applied, contributing to the overall warmth and balance of the aesthetic. Beyond its architectural and interior design, Yumenomori House features a curated art collection by Andrii Voznicki and Naraz Bilyk. These artistic additions contribute to the personal character of the home, reflecting a collaborative vision shared with the client. The residence is conceived as a timeless sanctuary, where architecture, nature, and cultural influences converge to create a distinctive living experience. The project details indicate that Yodezeen was the architect, and Dariusz Sosinka was responsible for the photography, capturing the essence of this unique Hokkaido property. #YumenomoriHouse #SapporoArchitecture #HokkaidoDesign #JapaneseArchitecture #ContemporaryHome #Yodezeen #ResidentialDesign #SeismicEngineering

ROOVICE has completed the Shirokanedai House project, a renovation of a 50-year-old wooden residence in Tokyo's Minato ward, Japan. The primary objective of this project was to upgrade the 1970s two-story house for enhanced earthquake resistance, establishing safety as the fundamental principle guiding all subsequent aesthetic and functional improvements. The renovation successfully integrates traditional Japanese architectural elements with contemporary design principles, aiming to improve the property's overall functionality, safety, and visual appeal for continued rental use. The decision to renovate rather than demolish was driven by the prohibitive costs associated with demolition in Japan and the property's sound structural condition. The ground floor underwent a significant transformation to create a more open and inviting living space. This involved the removal of existing dividing walls and ceiling boards, effectively merging the former kitchen with two tatami rooms into a single, expansive area. The previously dim, grayish walls were repainted in a crisp white, and new windows were installed to maximize natural light penetration, contributing to a brighter atmosphere. The traditional tatami floors were replaced with hemlock wood flooring, and the kotatsu stove pit was covered. The kitchen and corridor areas were updated with durable clinker tiles, and a custom-made kitchen counter was installed, adding a contemporary touch. A distinctive triangle-shaped built-in cupboard in the corridor wall was visually accentuated by a diagonal wall connecting it to the kitchen wall. A new glass door, designed to complement the cupboard's style, was also added, enhancing both functionality and aesthetic coherence. Further enhancements on the ground floor included the bathroom, which was reconfigured to accommodate a washing machine. The front room's flooring was updated with practical PVC sheeting. A new bathtub and white wall tiles were installed, while traditional Tamaishi tiles, reminiscent of the Shōwa era, were selected for the bathroom and toilet floors. The wooden steps connecting the living room to the garden were replaced with stone steps, fostering a more robust connection between the interior and exterior spaces. Upstairs, the renovation maintained a respectful link to the home’s traditional roots while introducing modern updates. The kitchenette in the corridor was removed, and the wall in this area was tiled with the same clinker tiles used on the ground floor, ensuring design consistency. New tatami mats were laid in the tatami rooms, and the shoji doors were refurbished, preserving their traditional character. The outer corridor’s flooring and windows were updated to align with the ground floor's design. All walls throughout the upper level were painted white, contributing to a cohesive and bright ambiance. In the third room on the second floor, old wood boards were replaced with new lauan wood ones, and a beige carpet was laid, offering a soft contrast to the wooden elements. The balcony received waterproofing treatments, and its fencing was repainted black, concluding the comprehensive refresh of the home's exterior. #ROOVICE #HouseRenovation #EarthquakeResistance #JapaneseArchitecture #TokyoRenovation #ShirokanedaiHouse #TraditionalModernDesign #InteriorDesign #ArchitecturalUpdate

Parentheses House, designed by SAI Architectural Design Office, is located in Fukui, Japan, an area characterized by its open rural landscape and proximity to the Kuzuryu River embankment. This 172 square meter house was completed in 2019, with photographs by Norihito Yamauchi. The project addresses the challenge of designing in a tranquil, sparsely populated area that is anticipated to see future residential development, given Fukui City's active promotion of residential land. The architectural strategy involved creating a design that interacts meaningfully with its surroundings while acknowledging future uncertainties. The core concept revolves around two stable U-shaped walls, which form the structural backbone and define the interior spaces. This configuration allows the roof to be suspended, creating a sheltered and cohesive internal environment. The design intends to establish a unique dialogue between the house and its expansive natural setting, particularly in anticipation of increased urbanization. The construction involved several notable manufacturers and specialists. JUNG, Vectorworks, Abvent, Catalano, Dulux, and Schindler were among the companies contributing to the project. Satoshi Saito served as the lead architect, while ARCREA Corporation provided engineering expertise. Ippei Yasue was responsible for the structural design. The building primarily utilizes wood as a key material, contributing to its aesthetic and functional qualities. The interior features elements such as shelving, large windows, and exposed beams, indicating a design focus on natural light, functional storage, and structural expression. The exterior showcases concrete facades, offering a robust and modern appearance that contrasts with the natural landscape. The use of concrete and other durable materials reflects a pragmatic approach to construction, ensuring longevity and resilience in the local climate. Parentheses House is categorized under residential architecture, specifically focusing on houses and house interiors. It exemplifies a contemporary Japanese residential design that balances functionality, aesthetic appeal, and a thoughtful response to its environment. The project is an example of modern living in a rural-urban transitional zone, highlighting how architectural design can anticipate and adapt to evolving landscapes while retaining a distinctive identity. #ResidentialArchitecture #Houses #HouseInteriors #Fukui #Japan #SAIArchitecturalDesignOffice #NorihitoYamauchi #ConcreteFacade #WoodConstruction

The Patio House, designed by Solum Studio, is a residential project located in Sicily, Italy, specifically in the province of Syracuse. The house is positioned on a narrow strip of land that extends towards the sea, concluding on a cliff, and is designed to fully occupy the buildable area of the plot. Its architectural concept focuses on creating an introverted oasis that strategically opens up to embrace the seascape through its living areas. The design of the Patio House is characterized by its longitudinal development, running from the access road towards the sea. This layout allows for a sequential experience, starting from an enclosed, private arrival point and gradually transitioning to expansive views of the sea. The introverted nature of the initial spaces provides a sense of seclusion and privacy, which then gives way to an open and airy living area that acts as a direct interface with the natural coastal environment. Key architectural elements and materials used in the project include concrete, which contributes to the structural integrity and aesthetic of the building. The choice of materials and the overall design aim to create a harmonious balance between robust construction and a connection to the surrounding landscape. The project's emphasis on a patio or courtyard structure suggests an interior-focused design that likely incorporates natural light and ventilation, enhancing the living experience while maintaining privacy from external views, except for the deliberate openings towards the sea. The project was completed in 2025 and covers an area of 400 square meters. The architectural team involved Mattia Agates, Lorenzo Campagna, Filippo Gismondi, and Alessandro Loda from Solum Studio, with Gian Mario Vecchiato as a collaborator. Nicolò Panzeri is credited for the photography, capturing the essence of the house and its relationship with the Sicilian landscape. Manufacturers such as Carl Hansen, Fornace Sant'Anselmo, Ideal Work, Sicilianagessi, and dnd contributed to various aspects of the house, indicating a selection of quality materials and furnishings. This residential architecture project is categorized under houses and highlights contemporary design principles tailored to its unique coastal site. The strategic placement and orientation of the house demonstrate an understanding of both environmental factors and the desire to create a private yet visually connected living space. The use of a patio and the intentional opening towards the sea suggest a thoughtful approach to balancing indoor and outdoor living, privacy, and engagement with the natural surroundings. #ResidentialArchitecture #Houses #Avola #Italy #SolumStudio #Concrete #CoastalDesign #PatioHouse

The 'Hidden House' in Kozhikode, designed by AslamSham Architects, presents a unique architectural narrative that conceals its true scale. Despite its name, the house is designed to stand out, captivating passers-by with its distinctive form, as desired by the clients—a 30-something entrepreneur couple. The dwelling, a three-level structure, creates the optical illusion of being a smaller, two-storey home when viewed from the street. The design process was shaped significantly by the site's challenging topography, which started three meters below the road level and continued to slope downwards. This contour influenced the building's distinctive form. The facade features two inclined, turfed expanses of varying heights, separated by an interstitial space defined by massive granite walls that enhance the sense of scale and mark the main entrance. Two concrete cuboids, abstracting a patio and a formal living room, emerge from the sloping green landscape. This interplay of solid stone against vibrant greenery and rooted walls versus buoyant cuboids creates an intriguing and atypical elevation. A subtle traditional nuance is introduced through the incorporation of old Mangalore tiles in one section, contrasting the modern composition of straight forms and regimented lines, and demonstrating how vernacular elements can integrate with contemporary design. The interior layout is strategically zoned based on its proximity to the road. The public zone, offering views of the street, encompasses the front sit-out and formal living space. The semi-public section, considered the heart of the home, revolves around a skylighted koi pond and includes the family living area, dining room, and kitchen. This open-plan approach is maintained by using different flooring materials—black leather-finish granite for primary functions and leather-finish Kota stone for other areas—to delineate spaces without resorting to walls. The private zone, located at the rear, houses the bedrooms, a home theatre, and a swimming pool, ensuring seclusion. To accommodate the clients' spatial requirements without extensive site alterations, the house is split into six to seven levels. The primary entry to the public zone involves only a few steps, while a secondary family entrance to the semi-public area is just one step down. From there, residents access the private zone, with bedrooms distributed across half-levels and the primary bedroom on the highest floor. Varying ceiling heights throughout the home contribute to a dynamic spatial experience, communicating different degrees of intimacy and scale. The material and color palette prioritize simplicity and sophistication. Whites, natural textures such as random rubble masonry, cement-finish plaster, wood, leather-finish granite and Kota stone, and deck wood are employed to give each space a distinct personality. The use of these materials helps to visually differentiate areas while maintaining an open feel. Green accents from plants are strategically placed to introduce warmth and coziness. The architects emphasized leveraging the inherent character of materials, with exterior rough textures transitioning to more polished finishes indoors. The project benefited from a strong collaboration between the architects and the accommodating clients, resulting in a cohesive and satisfying design. #KozhikodeHome #ArchitecturalDesign #ContouredSite #ModernArchitecture #VernacularElements #MaterialPalette #SpatialPlanning #CustomDesign #KeralaHomes

A townhome in Lewes has been transformed into a mindfulness retreat, drawing inspiration from Japanese architecture and aesthetics. The project, designed by Scott Edmonston, principal of Millville-based SEA Studio Architects, in collaboration with Camenisch Company Inc., sought to create a serene escape for a bachelor who desired a quiet space for writing, away from his primary residence in Manhattan, while also accommodating occasional family visits. The design implicitly embraces several Japanese principles, including *wabi-sabi*, which celebrates the beauty of transience and imperfection; *shibui*, emphasizing simplicity, subtlety, and economy of line; and *miyabi*, denoting refinement and polish. These concepts were expertly integrated by the project’s contractor, Milton’s Camenisch Company. The homeowner's desire for a mindful retreat, coupled with the structural limitations—an HOA mandate against external or window configuration changes—led to a design that maximized internal flexibility and aesthetic coherence. The two-story home, an award winner at the 2022 AIA Delaware, functions to promote mental clarity and a healthy lifestyle, encouraging occupants to slow down and immerse themselves in their surroundings. This is achieved through thoughtful architectural choices that foster a sense of calm and remove daily stressors. Key design elements include custom built-in furniture, such as a sofa in the living room and cabinetry in the kitchen and primary bedroom, fabricated by Alleghany Woodworks. The kitchen features vertical-grain white oak cabinetry with concealed hardware and Pental Quartz countertops and backsplash, designed to seamlessly integrate into the living space and even disappear when not in use. Throughout the home, the flooring is white oak with a custom finish. Light plays a pivotal role in the design, with natural illumination flooding the spaces. The existing clerestory windows are augmented by a system of Japanese *shoji* screens, built by Brian Holcombe Woodworker. These screens not only enhance the aesthetic but also provide flexibility in partitioning space, allowing small areas to feel larger and offering privacy when needed, particularly in the 130-square-foot “bunk room” which can adapt to host varying numbers of guests. The primary bathroom is a standout feature, designed as an open-style wet room with built-in seating, multiple shower fixtures, and a deep soaking tub from Signature Hardware. This space evokes the tranquility of Japanese *onsens*. The materials used, such as Riad Tile in Zellige natural white for walls and Tilebar’s Bronx Collection for flooring, contribute to the serene ambiance. The interior is further curated with select furniture and art, including a Japanese banner that translates to “clear skies for 1,000 miles,” symbolizing both the views of the nearby bay and the clarity of mind the home aims to inspire. #JapaneseDesign #TownhomeLiving #MindfulnessRetreat #CoastalHome #InteriorArchitecture #CustomBuiltIns #ShojiScreens #WabiSabi #Shibui

Seiichi Yamada and Associates have completed 'House in Nishichiyoda,' a private residence in Shizuoka City, Japan, featuring a distinctive operable silver facade. This innovative exterior design allows the home to transform its relationship with its surroundings. When fully closed, the reflective surface mirrors the environment, including passersby and the natural foliage, effectively blurring the house's physical presence. This creates a sense of integration and chameleon-like adaptability within the landscape. The facade's dynamic nature is further emphasized when individual walls open, creating dark apertures that allow sharp beams of light to penetrate the interior. This controlled influx of light creates a dramatic interplay of shadow and illumination, shaping the atmosphere within the house. When all walls are opened, the boundaries between the interior and exterior dissolve, creating a seamless connection and allowing abundant natural light to flood the living spaces. The architects describe this process as analogous to a monk's daily ritual of opening and closing fittings, suggesting that these small, deliberate actions contribute to a unique way of living within the home. This architectural approach aims to foster a mindful engagement with the building and its environment. The design philosophy behind 'House in Nishichiyoda' is rooted in a contemporary reinterpretation of traditional Japanese housing styles. Seiichi Yamada and Associates sought to evolve existing architectural traditions rather than simply replicate them, aiming to construct a Japanese house for the future without succumbing to nostalgia. The structural integrity of the building is achieved through a unique construction method involving cypress pillars. These pillars are erected on the outer periphery of a 3 x 6 angle at a 900 mm pitch and are interconnected to form a gable roof. Flat lattice beams, assembled at an 1,800 mm pitch, are then stacked, shifted by 900 mm to the left and right, to create a robust beam frame. This intricate system of interconnected pillars not only ensures the slenderness ratio is maintained but also incorporates a heat-insulating layer, contributing to the energy efficiency of the residence. The result is a frame that appears to float like a cloud within the building's interior, adding a sense of lightness and openness to the design. The three levels of the house are vertically connected by a wooden staircase, which acts as a central spine for circulation. A small light source positioned within the frame illuminates the ground floor, enhancing the sense of vertical connection and bringing natural light deeper into the home. The project's name, 'House in Nishichiyoda,' reflects its location in Shizuoka, Japan. The architects, Seiichi Yamada and Associates, have demonstrated a commitment to innovative design that respects cultural heritage while embracing modern architectural principles. The house is a testament to how an operable facade can redefine spatial relationships, control light, and integrate a dwelling with its natural and urban context, offering a new perspective on residential architecture in Japan. #OperableFacade #JapaneseArchitecture #WoodenHouse #SeiichiYamadaAndAssociates #ShizuokaJapan #ReflectiveExterior #NaturalLight #SustainableDesign #ResidentialArchitecture

The Mori House, originally a 1963 mid-century modern residence designed by Pacific Northwest architect Saul Zaik, underwent a significant remodel by SHED Architecture & Design for a young, minimalist family. Located in Portland, United States, the project covers an area of 3715 sq ft and is documented by photographers Rafael Soldi and SHED Architecture & Design. Key manufacturers involved in the renovation include Gaggenau, Louis Poulsen, Lutron, and many others, contributing to the refined interior and exterior. The project highlights a blend of preserving the original architectural spirit with contemporary minimalist design preferences. SHED Architecture & Design approached the renovation by focusing on natural light, functional spaces, and a clean aesthetic. The design emphasizes natural materials, particularly wood, which is extensively used throughout the house to create a warm and cohesive environment. The architects aimed to enhance the dwelling's connection to its surroundings while updating its functionalities to meet modern living standards. The living areas are characterized by exposed wooden beams and large windows, allowing ample natural light to penetrate the interiors and offering views of the outdoors. The kitchen and dining areas feature custom-built wooden cabinetry and countertops, complemented by high-end appliances from manufacturers like Gaggenau and Bosch. The design promotes an open-plan concept, fostering a seamless flow between different communal spaces. Bedrooms and bathrooms also maintain the minimalist aesthetic, utilizing wood and glass elements to create serene and functional private retreats. Lighting fixtures from Louis Poulsen and WAC Lighting are integrated to provide both ambient and task lighting, enhancing the architectural features and overall atmosphere. Outdoor spaces, including decks and balconies, are designed to extend the living area and provide opportunities for outdoor enjoyment. The use of wood on the exterior facade ensures a harmonious integration with the surrounding natural landscape. The renovation carefully balanced the preservation of Saul Zaik's original vision with the introduction of modern elements, reflecting the minimalist preferences of the new inhabitants. Structural engineering was provided by Grummel Engineering, and Purch and Holding served as the contractor for the project. The Mori House exemplifies how a mid-century modern home can be thoughtfully updated to suit contemporary lifestyles without sacrificing its historical character. The renovation prioritizes simplicity, functionality, and a strong connection to nature, achieved through a meticulous selection of materials and a coherent design language. The architectural approach underscores a commitment to creating timeless spaces that are both aesthetically pleasing and highly livable for its residents. #ResidentialArchitecture #HouseRenovation #MidCenturyModern #MinimalistDesign #WoodArchitecture #PortlandArchitecture #SHEDArchitectureAndDesign #SaulZaik #SustainableRenovation

UNA Barbara Valentim has completed the Japi House, a residential project situated at the foothills of Serra do Japi in the São Paulo countryside, Brazil. This residence reinterprets traditional construction techniques by utilizing rammed earth, a method that involves compacting soil into a wooden mold (taipal), which was introduced to Brazil during the colonial era. The design, spearheaded by Fernanda Barbara and Fabio Valentim, integrates rammed earth with exposed concrete and a rooftop garden, creating a structure that is both energy-efficient and deeply connected to its natural environment. The most prominent architectural feature of the Japi House is its curving rammed earth wall. This wall not only defines the structure but also follows the contours of the plot, providing privacy from the adjacent street and neighboring properties. The internal layout of the house is organized into two primary sections. A central entrance leads into expansive, open-plan living areas that seamlessly transition to a garden and a swimming pool located at the rear of the property. A distinctive tall vertical tower emerges from the main volume, housing essential services such as bathrooms, water tanks, and technical equipment. Bioclimatic design principles are integral to the Japi House's construction and functionality. An internal courtyard is strategically incorporated to optimize natural ventilation and maximize daylight penetration throughout the interior spaces. Furthermore, deep overhangs and generously proportioned covered outdoor areas are designed to shield the interiors from excessive solar heat, contributing to a more comfortable indoor climate. The rooftop of the house serves a dual purpose: it acts as an additional layer of insulation, enhancing the building's thermal performance, and provides a platform for the installation of solar panels, further boosting the home's energy efficiency. This combination of traditional materials, modern design, and sustainable strategies aims to create a harmonious and environmentally conscious living space. #JapiHouse #UNABarbaraValentim #RammedEarth #SãoPauloArchitecture #SustainableDesign #BioclimaticArchitecture #ResidentialArchitecture #BrazilianArchitecture #RooftopGarden

Giselle Go and Philippe Terrien, co-founders of the Japanese clean beauty brand DamDam, embarked on a search for a tranquil weekend retreat near Tokyo. Their initial criteria included proximity to the city, high privacy, and a mountainside location. After a prolonged search, a friend, Naoko Kawamura, introduced them to a 75-year-old property overlooking the Pacific Ocean and Mount Fuji. The house, initially dilapidated, held historical significance as it was built by American postwar photojournalist Horace Bristol, known for his work on John Steinbeck’s 'Grapes of Wrath' and for magazines like 'Life,' 'Time,' and 'National Geographic' in the 1950s. Recognizing the challenges of renovating such an old property, especially one situated on protected heritage land, the couple enlisted the expertise of Motosuke Mandai of Mandai Architects. Their vision was to revive the house while preserving its past and integrating modern comforts. A significant part of the renovation involved working closely with the local temple that oversees the protected area to ensure all regulations were met. The couple meticulously retained original elements like wood beams, ceilings, and shoji screens. When original features such as the wood floors or the wood-burning stove could not be salvaged, they were replaced with identical materials to maintain the house's authentic character. The entrance to the home functions as both an entryway and a mudroom, where it is customary to remove shoes and don soft house slippers, a Japanese tradition. This space features a Hang-It-All coatrack by Eames for Herman Miller, a stool by Timber Crew, and a washi tray by Craig Ancelowitz, both for DamDam Atelier. Artwork includes a calligraphy on canvas by Mikiko Kayama and a wall sculpture by Yuichiro Kobayashi. The living room, a favorite indoor spot for the couple, boasts an Akari 21A pendant light by Isamu Noguchi, an Archimoon Soft table lamp by Philippe Starck for Flos, and Glo-ball table and floor lamps by Jasper Morrison for Flos. The sofa is an N701 modular model from Ethnicraft, complemented by an Airframe coffee table by David Chipperfield for Cassina. This room offers direct views of the sunset over the sea, with garden-facing windows framing the sofa, and features a wood-burning stove for winter warmth. The dining room serves as a dual-purpose workspace. Original shoji screens provide privacy from the north-side bamboo, while the room opens to sea views on the west. This area includes a Flowerpot Verner Panton 1968 pendant light from &Tradition, Series 7 dining chairs by Arne Jacobsen for Fritz Hansen, and an Airframe dining table by David Chipperfield for Cassina, which was restored with a new walnut-wood top by Timber Crew. Custom shelving by Douguya and an Akari 3x table lamp by Isamu Noguchi further personalize the space, along with washi artwork and a painting by Philippe’s son, James. The kitchen, a beloved space for Philippe, was enlarged by removing an old bathroom, placing it centrally within the home with garden access. To address the lack of natural light, Motosuke Mandai incorporated floor-to-ceiling windows into the traditional ranma (wall panels), creating the illusion of a floating roof and flooding the interiors with sunlight. An engawa, a traditional Japanese hallway, was transformed into a sunroom, enlarged and opened to a seaside deck for sunset aperitifs and gardening activities. This room is furnished with an Akari 1AG table lamp by Isamu Noguchi, an antique rattan table, a vintage lounge chair, and a Malawi chair from Couleur Locale. The decor reflects the multicultural backgrounds of Giselle, who is Filipino, and Philippe, who is French, blending midcentury-modern design, vintage finds, Japanese crafts, and textiles from their travels. The furniture, much of which was crafted by artisans known to them, imbues the home with a personal touch. The only fully enclosed room is the bedroom, which offers a private sanctuary feel, without glass windows on the ranma. The bed frame is by Timber Crew, and the table lamp is the Archimoon Soft by Philippe Starck for Flos. Wood stools designed by Timber Crew for DamDam Atelier complete the room. A large ofuro (bathtub) at the end of the bathroom provides a relaxing space. The interior design blends Japanese architectural elements like sugi-finish floors and preserved pinewood ceilings with a diverse collection of furnishings, embodying an old-world travel museum aesthetic that reflects the owners’ journeys and personal connections. #JapaneseHouse #ZenHideaway #HistoricRenovation #InteriorDesign #TokyoHome #ArchitecturalDesign #MidCenturyModern #MulticulturalDecor #DamDam

Ryuji Yamashita Architects has designed a two-story residence in Hokkaido, Japan, for a family with four children, emphasizing connection and interaction among siblings while still providing individual private spaces. The design incorporates open floor layouts and timber accents, creating a warm and inviting atmosphere. A central playroom on the first floor serves as the primary meeting point, linking all four children's rooms. This common area is intentionally designed to foster a sense of togetherness, preventing the potential isolation that separate private rooms might otherwise create. To enhance the playful nature of the space, a 70 cm height difference exists between the bedrooms and the common playroom, necessitating steps at each entry point from the ground floor and from each child's room. The architect integrated thoughtful features to encourage ongoing interaction. A large window provides ample natural light to the playroom, and two types of openings further reinforce familial bonds. Glass tiles are strategically placed within the wooden flooring outside the private rooms, creating a visual connection between the two floors and allowing light to filter through. Additionally, each child's room features a small window positioned just above their desk. When these windows are open, the first floor transforms into a large, integrated study area, facilitating direct interaction and collaboration among the siblings. This innovative design offers a flexible environment that adapts to the children's needs for both privacy and shared experiences. The 'With four children' house, completed in October 2021, measures 69.56 sqm for the building area and 125.65 sqm for the total floor area. The project was constructed by Kobayashi Shoten Co., Ltd, with photography by Ikuya Sasaki. This architectural approach by Ryuji Yamashita aims to transcend the traditional binary of private versus large rooms or individual versus group settings. Instead, it seeks to establish a dynamic space where family members can connect through various senses of distance, offering a balance between personal retreat and collective engagement. The design prioritizes the development of strong sibling relationships through carefully considered architectural elements that promote both visual and interactive connectivity within the home. #RyujiYamashitaArchitects #JapaneseArchitecture #FamilyHomeDesign #SiblingBonds #PlayroomDesign #OpenConceptLiving #TimberAccents #Hokkaido #ResidentialArchitecture

Kichi Architectural Design has completed the House of Kubogaoka, a cube-shaped residence in Ibaraki Prefecture, Japan. The house features small square windows intermittently placed across its facades. The structure utilizes a timber framework, but its front and rear facades are finished with plaster, providing the appearance of solid concrete construction. In contrast to these two facades, the side walls of the house are painted white. According to the architects, the use of white on the side walls creates a clear visual distinction against the basic mortar color of the other exterior walls. The main entrance of the house is created by an apparent cut-away section at one corner of the cube. Upon entering, a corridor extends directly through the house to a terrace located at the rear. This corridor features a dark tiled floor, which the architects liken to the traditional earth floors found in older Japanese homes. This design element aims to evoke a sense of historical Japanese dwelling immediately upon entry, extending the concept of an 'earth-floored room' to the outdoor yard beyond. The interior of the house introduces varying floor levels and materials to define different spaces. The main living area of the first storey is raised by two steps from the entrance corridor. This change in elevation is accompanied by a transition in flooring material, moving from the dark tiles of the corridor to a wooden surface. Further into the house, this wooden surface then gives way to a grid of tatami mats, forming a traditional Japanese room. The architects state that this combination of tatami and tiles harmonizes Japanese and Western interior styles within the residence. The traditional Japanese room is designed with sliding partitions, allowing it to be separated from an adjacent long, narrow space. This adaptable space serves multiple functions as a combined living room, dining room, and kitchen. This layout facilitates an open-plan living environment while retaining the option for privacy or distinct area definitions through the use of traditional sliding screens. An outdoor dining area is integrated into a recess at the back of the house. This area is strategically aligned with a sheltered balcony on the upper floor, suggesting a vertical connection between the outdoor spaces. A staircase, constructed with wooden treads, provides access to the upper storey. The upper floor accommodates two bedrooms, which are situated along opposite walls, with a second tatami room positioned between them. Photography for the project was carried out by Ippei Shinzawa. Floor plans for both the ground and first floors, as well as a cross-section, are available to illustrate the layout and design. #ResidentialArchitecture #JapaneseHouses #KichiArchitecturalDesign #IbarakiPrefecture #CubeHouse #TatamiRooms #TimberConstruction #ArchitecturalDesign

Furuya Design has meticulously transformed an existing wooden bungalow on Amami Ōshima into a SANU Second Home, deeply integrating it with the island's subtropical environment. Situated in Tatsugo Town, near Amami Airport and overlooking Akaogi Bay, the project is part of SANU's membership-based vacation home network. The site is characterized by its tranquil inland sea, coral stone foundations, and resilient akagi trees, which have adapted to the strong ocean winds. The design philosophy behind this renovation focused on blurring the lines between the built structure and the surrounding natural landscape, emphasizing framing, texture, and creating an immersive atmosphere. The architects addressed the compact footprint of the original bungalow by introducing robust, expressive exterior walls, creating a double-skin facade. This innovative approach integrates existing elements like storm shutters and aluminum sashes while enhancing the home's performance and aesthetic appeal. The outer layer, clad in wood, is designed to mimic the textured, layered appearance of local fan palms, creating dynamic shadow play throughout the day. A crucial design intervention involved elevating a new attic-level viewpoint. This addition provides occupants with a unique vantage point to observe the coastline, framed by palm fronds, and to experience the sensory input of shifting leaves and distant surf, establishing a profound connection to the natural soundscape. Internally, Furuya Design implemented a significant vertical expansion by removing the original ceiling. This created a double-height atrium, linking the newly added attic viewpoint with the main living areas below. This central space functions as an indoor balcony, serving as a transition zone between the comfort of the interior and the expansive outdoors. The floor plan radiates from this atrium, incorporating distinct zones for living, dining, sleeping, and utility, ensuring a flexible layout suitable for both private contemplation and communal activities. The interior design prioritizes permeable boundaries, with carefully positioned openings that frame specific views of the landscape, drawing inspiration from the art of Isson Tanaka, known for his depictions of Amami's natural beauty. The renovation also paid close attention to Amami's unique botanical character, where tropical plants like hibiscus, plumeria, and bougainvillea flourish outdoors year-round, unlike their indoor cultivation in colder climates. Furuya Design collaborated with a local botanical garden to augment the site's existing vegetation, selecting species native to the island to enhance the ecological richness of the grounds. This botanical focus extended to a broader ecological consideration, particularly in light of the pest damage affecting sago palms, a symbolic species on Amami. The project became an opportunity to reflect on the role of architecture not only in preserving natural aesthetics but also in fostering a deeper engagement with and responsiveness to natural ecosystems facing environmental challenges. This partnership with SANU underscored a commitment to addressing the declining natural systems and promoting environmental awareness through architectural design and landscaping choices. #FuruyaDesign #SANUHome #AmamiOshima #JapaneseArchitecture #BungalowRenovation #NatureImmersedDesign #WoodArchitecture #SubtropicalEnvironment #ArchitecturalRenovation

The MIMA Light is a modular, prefabricated house concept that offers a quick and adaptable housing solution. Designed by MIMA architects, the units can be delivered, produced, and installed within 22 weeks from a personalized design. The fundamental design remains consistent, allowing for adaptation to diverse local conditions, including various foundation solutions such as concrete floor slabs, bearing plates, or specialized wooden underpinnings. The rapid construction process is attributed to its reliance on wooden prefabricated modules, which are transported to the building site and assembled efficiently. The aesthetic of the MIMA Light is influenced by various artists, resulting in a sculptural, cuboidal structure that appears to hover above the ground. This illusion is achieved through a mirrored plinth, which also adds a sophisticated touch. Clients can personalize the exterior with a choice of high-end metal coatings or simple color finishes. The house is constructed from individual modules, each up to 1.2 meters in length and with a fixed height and width of 3 meters. These modules can be combined to create structures ranging from 7 to 11 meters in total length, offering floor spaces between 21 and nearly 33 square meters. The modules are distinctly visible on the exterior, resembling chain links, and the house features a flat roof with interior drainage gutters, contributing to its pure geometric form. Inside, the design maintains a restrained aesthetic, with walls and floors made from multiplex plywood boards, providing a grounded and innovative feel. Large glazed panes on the end walls allow ample natural light, creating a friendly ambiance, and some side modules are also available with glass. For locations with extreme weather conditions, the glazing can be specified with increased thickness and enhanced UV protection. The design prioritizes energy efficiency, with solar panels providing electricity for the electric boiler, ensuring a sustainable hot water supply. The interior layout is flexible, centered around a compact kitchen and bathroom unit that can be positioned either centrally or at one end of the structure. This placement influences the configuration of the living and sleeping areas, maximizing utility within the small footprint. The MIMA Light concept introduces new possibilities in both the tourism sector and the holiday home market due to its affordability, with prices ranging from 20,000 to 40,000 euros, making it accessible to a broader range of buyers. #FlexibleLiving #PrefabricatedHomes #ModularArchitecture #SustainableDesign #SmallHomes #ArchitecturalDesign #HolidayHomes

Luxury fashion brands have increasingly ventured into the home furnishings sector, with Fendi Casa being a long-standing participant known for its distinctive and high-quality designs. The brand's seating collections, in particular, consistently showcase a blend of sophisticated aesthetics and practical functionality. Among their notable offerings, new sofas such as the Embrace series integrate premium finishes and luxurious upholstery, complete with reclining mechanisms, demonstrating Fendi Casa's commitment to both comfort and style. Fendi Casa's Fanny chair has also received a recent update, featuring a contrasting leather exterior, a hallmark of the brand's expertise in leather craftsmanship. The chair's design is further refined by subtle seaming, emphasizing its sartorial influence. Beyond its elegant appearance, the Fanny chair incorporates functional elements, such as a steel base that can be equipped with a swivel mechanism, promoting dynamic and engaging social interactions. This thoughtful addition ensures that the chair is not merely a static piece of furniture but a versatile component in a living space. The brand's collections continue to evolve, introducing new pieces that maintain their signature luxury while exploring diverse design directions. A recent example is the Pastille coffee table, created by French designer Thierry Lemarie. This design features a unique configuration of four petal-like pieces, which initially presented with brass sides and wood tops, with an alternative option for a glass surface. The Pastille coffee table represents a slightly more romantic aesthetic, yet it seamlessly integrates with Fendi Casa's existing range, showcasing the brand's ability to diversify its offerings while preserving its core identity of refined elegance and innovative design. This piece, like many others in their portfolio, reflects a meticulous attention to detail and a commitment to high-end materials, ensuring that each item contributes to an overall luxurious home environment. #FendiCasa #LuxuryFurniture #HomeDesign #InteriorDesign #DesignerFurniture #SeatingCollection #ItalianDesign #ThierryLemarie

The Rowan is the newest tiny house model introduced by the online marketplace, Tiny House Listings. This 34-foot-long (10-meter) tiny house distinguishes itself with a useful porch area and an expansive interior layout, uniquely arranged on a single floor. While its length is comparable to many North American tiny houses, its increased width of 10 feet (3 meters) — 1.5 feet wider than the standard 8.5 feet (2.6 meters) — contributes significantly to a more spacious and home-like feel inside. However, this extra width necessitates a permit for towing on public roads in the USA, making it less ideal for frequent relocation. The Rowan is constructed on a six-axle trailer, a notable feature that suggests a design choice to distribute weight effectively. The exterior is finished with engineered board and batten wood, complemented by a metal roof, ensuring durability and a contemporary aesthetic. The interior boasts drywall finishes, providing a clean and modern canvas for residents. Access to the home is through a 6-foot (1.8-meter) porch, which leads into the living room via double glass doors. The living area is well-lit with generous glazing and is designed to accommodate a sofa, a TV, and a cabinet, creating a comfortable space for relaxation. Adjacent to the living room is the kitchen, which is equipped with an induction stove and a sink. It offers ample cabinetry and designated space for additional appliances, catering to practical cooking needs. A breakfast bar with seating for two further enhances the kitchen's functionality, serving as a casual dining or workspace. Moving deeper into the tiny house, past the living and kitchen areas, is the bathroom. This facility includes a shower, a sink, a flushing toilet, and some storage, providing essential amenities within a compact footprint. One of the most significant design aspects of the Rowan is its single-floor layout, particularly evident in the bedroom. Unlike many tiny houses that feature loft bedrooms requiring occupants to crawl, the Rowan’s bedroom offers ample headroom, allowing residents to stand and move around comfortably. Located at the opposite end of the house from the entrance, the bedroom is designed to accommodate a queen-sized bed. It also includes a large built-in closet and washer/dryer hookups, maximizing convenience and storage within the limited space. The Rowan is currently available for purchase at US$92,000. This model aligns with Tiny House Listings' recent offerings, which include the larger duplex-style TinyPlex and the more budget-friendly Cortado, showcasing the marketplace's diverse range of tiny home solutions. The Rowan represents a practical yet comfortable option for individuals or couples seeking a tiny house experience with an emphasis on interior spaciousness and a semi-outdoor living component provided by its porch. #TinyHouses #TinyHouseDesign #SmallSpaceLiving #MobileHomes #AffordableHousing #CompactLiving #MinimalistLiving #OutdoorLiving #ArchitecturalInnovation

Sides Core, an Osaka-based studio led by Sohei Arao and Sumiko Arao, designed the House in Mikage for a family with a young child in Kobe, Japan. This project came 15 years after the architects had previously designed a beauty salon for the same clients. The core design philosophy for House in Mikage was to create a series of simple, flexible "containers" using quality materials that would adapt to the family's evolving needs over time. The architects emphasized that such simple containers are timeless, prevent boredom, and allow the inhabitants and their lives to shine. They view living spaces as essential containers that enhance family life and individual experiences. The timber-framed house is situated in Mikage, a residential area near Osaka Bay, just outside Kobe. The plot is uniquely positioned two meters above street level, a deliberate choice that not only provides a private parking space but also ensures privacy for the residents. This elevated position also offers clear views of a forested cliff to the south, integrating nature into the home's visual experience. From the exterior, the house presents itself as a clean, white cuboid structure. It features two prominent, wood-lined openings. One of these openings creates a sheltered balcony on the first floor, which connects to a shared circulation area, storage space, a double bedroom, a single bedroom, and a bathroom. On the ground floor, the second large opening partially shelters a spacious terrace. This terrace serves as an entry point to the open-plan living, kitchen, and dining area through full-height glazed panels. The architects highlighted the deliberate presence of nature within the house, with south-facing windows leading to these outdoor spaces. These deep, tunnel-like openings are strategically designed to obscure views of neighboring houses, providing a serene environment while effectively framing the natural scenery beyond. Exposed structural elements, such as timber beams and ceiling boards, are uniformly pitched throughout the interior. These elements, along with structural supports, showcase the natural character of the wood and serve to connect the interior and exterior spaces visually. Inside the house, the use of wood extends to the stair treads, flooring, and partitions on the upper level, as well as built-in shelving and storage solutions, reinforcing the natural aesthetic. Other interior surfaces are predominantly finished in white, including the slender bannister of the staircase, creating a bright and minimalist contrast with the timber. A compact storage area is discreetly integrated beside the main entrance, which is located on the side of the house. The architects intentionally minimized permanent fixtures in the space, inspired by the clients' previous home, which they found to be uncluttered and efficient. This approach allows for greater flexibility and personalization within the living areas. A notable custom-designed piece is a trestle table on the ground floor, which features interchangeable legs. This innovative design allows it to function as a traditional Japanese low table (chabudai), to be folded away for storage, or to be moved onto the outdoor terrace, reflecting the adaptable nature of the living space. Sides Core suggests that the owners will likely continue to modify their furniture to suit their evolving lifestyle. Founded in 2005, Sides Core is recognized for its minimalist salon interiors, including projects like a salon in Osaka that accommodates only one client at a time and another with mirrors suspended from the ceiling by cables. The architects observed that the salon they designed for the clients 15 years prior still maintained a modern aesthetic, indicating the owners' dedication to maintaining their spaces, a factor that influenced the design of their new residence. Photography of the House in Mikage was conducted by Takumi Ota. #HouseInMikage #SidesCore #KobeArchitecture #JapaneseResidential #WoodenArchitecture #MinimalistDesign #FlexibleLivingSpaces #TimberFrame #InteriorDesign

The article details the transformation of a floating house in Sausalito, California, by designer Colleen Dowd Saglimbeni for Donna and Eric Colson. Sausalito is known for its unique community of floating homes, established in the late 1800s and later becoming a cultural hub for figures like Timothy Leary and Maya Angelou. These homes, distinct from houseboats, are situated on immobile barges, offering a unique waterfront living experience. The specific floating home, built in 1983, was in a dilapidated state when the Colsons purchased it as a weekend retreat. Dowd Saglimbeni undertook an extensive eight-month renovation, addressing both the structural challenges and the unique environmental demands of a waterfront property. The designer had to contend with the destructive nature of saltwater, necessitating the use of outdoor fabrics, bulletproof siding, and an all-electric kitchen. A critical aspect of the renovation involved balancing the weight of new installations like cabinets and a range by adjusting cinder blocks beneath the barge. Beyond the practical considerations, the design prioritizes a serene atmosphere and a layout conducive to entertaining. The open floor plan and panoramic views of Richardson Bay are central to the home's appeal. The community's communal and lively spirit is reflected in the design, with features that encourage social gatherings, such as a rooftop deck for parties. The article highlights specific design choices in various rooms, including the living and dining areas, kitchen, dining nook, powder room, primary bedroom, guest bedroom, kid's room, and rooftop deck. In the front entrance, red-orange chairs from Galanter & Jones, complementing the Golden Gate Bridge, invite neighborly interaction, with siding by Vytec. The living and dining rooms feature seaworthy furniture, including a custom dining table, Palecek dining chairs, a Jøtul stove, custom Cypress Furniture swivel chairs, and Anthem coffee tables. The kitchen emphasizes maximizing bay views, incorporating McGuire stools, vintage tiki and Blenko Glass Co. glassware, a Caesarstone island, and Pratt + Larson tiles. For the dining nook, built-in storage was essential for entertaining, with All Natural Stone floors, a Beachwood Home stool, Anthem banquette pillows and cushions, and a family heirloom table. The powder room features a nautical-themed wallpaper from a 1927 C.F.A. Voysey watercolor print, a Pot-Pourri mirror, a Stone Forest sink with Palmer Industries legs, and a Toto toilet. The primary bedroom provides a tranquil sleeping space with Phillip Jeffries wallcovering, a Palecek bed, Urban Electric sconces, a Made Goods side table, and custom Kravet Roman shades. The guest bedroom offers a soothing seaside-inspired retreat with a Pottery Barn headboard, Palecek side table, Bright on Presidio pendant, custom Cowtan & Tout Roman shades, and Phillip Jeffries wallcovering. The rooftop deck, made with waterproof sophisticated teak parquet, is furnished with Palecek furniture in Perennials fabric and a custom Sue Fisher King table, creating an idyllic setting for alfresco evenings. The article emphasizes how the renovation embraces the historical charm and unique lifestyle of Sausalito's floating home community while addressing the challenges of waterfront construction. #FloatingHome #Sausalito #HouseTour #InteriorDesign #WaterfrontLiving #HomeRenovation #ColleenDowdSaglimbeni #DesignInspiration #CaliforniaHomes