FHAMS & kosaka transform old school in kyoto into spacious hotel with zen gardens

The Ace Hotel in Kyoto, Japan, set to open in spring, is drawing attention for its unique design and thoughtful amenities. This project is a collaboration between Ace Hotel's longtime partner Commune Design and local architect Kengo Kuma, known for his work on the 2020 Tokyo Olympic stadium. The hotel aims to blend traditional Japanese aesthetics with modern luxury, offering a fresh perspective on hotel room design. The guest rooms in the Ace Hotel Kyoto feature standard luxury elements such as minibars, lounges, and spacious vanities, but elevate them with distinct Japanese-inspired touches. These include tatami mattresses, Tivoli radios, and original artworks from local artists. A particular focus has been placed on optimizing storage solutions, ensuring both functionality and aesthetic appeal within the rooms. One of the standout design elements is the enhanced medicine cabinets in the bathrooms. Unlike typical apartment fixtures, these cabinets are crafted from tamo wood, a local wood similar to western American ash. They feature a sliding door at the bottom, which allows for discreet storage of everyday items while also providing an opportunity to display more visually appealing bottles or decorative elements. For rooms with double vanities, a column of integrated niches offers convenient storage for shared toiletries, addressing a common organizational challenge for couples. Another innovative feature is the multipurpose sofa bed, a simplified version inspired by traditional Japanese futon seating. This design addresses the common issue of cumbersome sofa beds in hotel rooms. The bolster cushion of this sofa doubles as a blanket, making it easy for guests to convert it for a quick nap or additional sleeping space without a complex unfolding process. This thoughtful detail emphasizes ease of use and comfort. Furthermore, the hotel reinterprets the room divider in its Historic guest rooms. Instead of conventional solid walls or partitions, perforated black shades are used. These shades can be rolled down to a desk partition, effectively dividing a large, open room into distinct, more private zones. This design choice offers flexibility in space usage and creates a sense of seclusion within the larger room, providing guests with a 'haven within a haven.' The overall design philosophy focuses on creating an experience that encourages guests to fully enjoy their hotel stay, making the room an integral part of their travel experience. #AceHotelKyoto #HotelDesign #JapaneseAesthetics #KengoKuma #CommuneDesign #LuxuryTravel #InteriorDesign #BathroomDesign #Kyoto

In Japan, where Zen principles rooted in ancient Shinto rituals and Buddhist meditations deeply influence daily life, interior design reflects these philosophies through an emphasis on balance, minimalism, and harmony. This approach often manifests in Japanese homes designed to evoke equanimity, calmness, and freedom from excess. The aesthetic is characterized by a timeless beauty, frequently incorporating a basic color palette of light and soft earth tones. Furniture typically features clean lines and sharp angles, often finished with unvarnished cedar wood. This article highlights seven modern Japanese hotels that embody these Zen-inspired design principles, offering travelers an opportunity to experience peace and serenity. The first featured hotel, Amanemu, is located in Iseshima's tranquil Ise-Shima National Park on Honshu Island. It provides suites and villas equipped with spacious outdoor decks and traditional onsen baths, aligning with the concept of integrating nature and relaxation. Next, Zaborin in Hokkaido is nestled within forests and meadows, close to premier ski slopes. Its 15 villas each boast indoor and outdoor traditional Japanese baths, fed by natural volcanic spring water, emphasizing a deep connection to the natural environment. The House of Finn Juhl, situated in the ski town of Hakuba in Nagano, presents a unique fusion of Danish and Japanese design sensibilities. This hotel is entirely furnished with pieces by Danish master Finn Juhl, demonstrating how distinct design traditions can converge harmoniously. Shimaya Stays in Kyoto offers a contemporary take on traditional Japanese living. Two historic townhouses, over a century old, have been meticulously restored and transformed into modern, clean-lined serviced apartments, preserving their heritage while providing modern comforts. Sotoyama Jujo, located in Minami-Uonuma, a mere two-hour train ride from Tokyo, is a countryside hotel that blends natural elements with sophisticated design. It features cypress and cedar wood floors, an outdoor bathtub, stunning mountain views, and furniture by renowned designers such as Arne Jacobsen, Hans Wegner, and Isamu Noguchi. Hoshinoya Tokyo, opened in 2016, offers a contemporary interpretation of traditional Japanese ryokans within a 17-floor structure. Its rooms and public areas are designed with tatami mats, creating an authentic Japanese ambiance. Finally, Hotel Kanra in Kyoto provides modern rooms inspired by "machiyas," which are traditional wooden townhouse homes characteristic of Kyoto. These rooms include tatami beds and aromatic cypress bathtubs, offering guests a sensory experience that reflects local traditions. Each of these hotels showcases how modern Japanese hospitality integrates Zen principles and traditional aesthetics to create environments of profound tranquility and beauty, inviting visitors to immerse themselves in a peaceful retreat. #JapaneseHotels #ZenDesign #MinimalistInteriors #JapaneseArchitecture #LuxuryTravel #OnsenBaths #RyokanExperience #KyotoHotels #HokkaidoHotels

The Fukuoka-based design firm Case-Real, led by Koichi Futatsumata, has successfully transformed a traditional Japanese storehouse, known as a 'kura,' into a contemporary and highly versatile multi-functional work-live space. This project was conceived to address the growing demand for spaces that seamlessly integrate professional and personal lives, particularly for creative individuals. The owners, a creative director in food design and a gallerist specializing in Japanese craft, required a space that could accommodate their diverse professional needs, from hosting art exhibitions to conducting tea ceremonies, while also serving as a comfortable living environment. The converted property is located in Gosho-Higashi, a tranquil area nestled between Kyoto Gyoen and the Kamo River. The design incorporates a white structure that houses the primary office area, complementing the traditional kura, which was repurposed as a gallery to display pottery and everyday tools. Futatsumata's vision was to create a harmonious environment where the clients' varied professions could coexist and even influence each other, a concept deeply rooted in the inherent adaptability of traditional Japanese residences. The aesthetic of the space is characterized by a refined color palette of plums, browns, and creams, establishing a warm and inviting atmosphere. A key functional element is the inclusion of movable screens, which allow for dynamic adjustments to room sizes, offering flexibility for different activities and gatherings. This design choice underscores the adaptability that was central to the project's brief. To achieve the unique blend of urban Japanese style and traditional Zen aesthetics, Case-Real collaborated with local artisans. For the tearoom, bespoke furniture was crafted by Koichi Touji and Yuji Yamamoto, resulting in a custom six-seater counter designed to fit the room's specific dimensions. Architectural lighting specialist Shoji Hiroyasu was engaged to implement tastefully concealed down-lighting, further enhancing the serene and sophisticated ambiance. Futatsumata highlights that the project's success in balancing multiple functions stems from embracing the inherent spatial continuity found in traditional Japanese architecture. This approach allowed for a design where each functional area within the house harmoniously coexists, providing the owners with an elegant, adaptable, and inspiring environment that supports both their professional endeavors and personal lives. #JapaneseArchitecture #LiveWorkSpace #StorehouseConversion #InteriorDesign #ModernWorkspace #KoichiFutatsumata #CaseReal #KyotoDesign #TraditionalMeetsContemporary

Kubo Tsushima Architects has designed two distinct hotel rooms within a boutique hotel in Kyoto, Japan, focusing on creating unique and memorable guest experiences through integrated design elements. The first room, Room 103, nicknamed 'Moon Phases,' addresses the challenge of a narrow window by featuring a circular light fixture carved into the wall. This fixture is designed to mimic the phases of the moon, transitioning from a full moon to a crescent as the room's lights are dimmed. This interactive lighting aims to connect guests with the natural rhythm of lunar cycles, drawing a parallel between the moon's influence on tides and its perceived impact on human emotions and the body, a concept highlighted by the architects given the body's high water content. The design of Room 103 further enhances a sense of seclusion and comfort by incorporating rounded junctions between the walls and ceiling, creating a soft, enveloping environment. The second room, Room 401, is themed 'Morning Dawn' and is situated on the fourth floor, offering expansive views of the city through a large window. For this space, the architects sought to evoke the serene atmosphere of an early morning dawn shrouded in mist. This is achieved through a deliberate use of color and form: a green carpet covers the floor, symbolizing a grassy plain, and extends upwards onto the walls with a gradient paint scheme that shifts from green to white. This artistic transition blurs the lines between floor and wall, immersing guests in the sensation of being surrounded by a field. The room's architecture emphasizes soft, continuous surfaces, with rounded walls concealing structural elements like columns and beams. Indirect lighting is strategically placed in a slit between the ceiling and walls, designed to replicate the gentle, sharp light of the rising sun. This combination of diffused lighting, gradient colors, and rounded forms creates a hazy, undefined space, offering a quiet and contemplative experience reminiscent of a deeply foggy, pure morning. Both rooms, totaling 51.81 sqm for Room 103 and 50.39 sqm for Room 401, were completed in December 2019 and showcase Kubo Tsushima Architects' innovative approach to interior design, using natural phenomena as inspiration to craft immersive and experiential hotel environments at The Screen Hotel in Kyoto. #HotelDesign #InteriorArchitecture #ExperientialDesign #LightingDesign #JapaneseArchitecture #KuboTsushimaArchitects #TheScreenHotel #Kyoto

Giselle Go and Philippe Terrien, co-founders of the Japanese clean beauty brand DamDam, embarked on a search for a tranquil weekend retreat near Tokyo. Their initial criteria included proximity to the city, high privacy, and a mountainside location. After a prolonged search, a friend, Naoko Kawamura, introduced them to a 75-year-old property overlooking the Pacific Ocean and Mount Fuji. The house, initially dilapidated, held historical significance as it was built by American postwar photojournalist Horace Bristol, known for his work on John Steinbeck’s 'Grapes of Wrath' and for magazines like 'Life,' 'Time,' and 'National Geographic' in the 1950s. Recognizing the challenges of renovating such an old property, especially one situated on protected heritage land, the couple enlisted the expertise of Motosuke Mandai of Mandai Architects. Their vision was to revive the house while preserving its past and integrating modern comforts. A significant part of the renovation involved working closely with the local temple that oversees the protected area to ensure all regulations were met. The couple meticulously retained original elements like wood beams, ceilings, and shoji screens. When original features such as the wood floors or the wood-burning stove could not be salvaged, they were replaced with identical materials to maintain the house's authentic character. The entrance to the home functions as both an entryway and a mudroom, where it is customary to remove shoes and don soft house slippers, a Japanese tradition. This space features a Hang-It-All coatrack by Eames for Herman Miller, a stool by Timber Crew, and a washi tray by Craig Ancelowitz, both for DamDam Atelier. Artwork includes a calligraphy on canvas by Mikiko Kayama and a wall sculpture by Yuichiro Kobayashi. The living room, a favorite indoor spot for the couple, boasts an Akari 21A pendant light by Isamu Noguchi, an Archimoon Soft table lamp by Philippe Starck for Flos, and Glo-ball table and floor lamps by Jasper Morrison for Flos. The sofa is an N701 modular model from Ethnicraft, complemented by an Airframe coffee table by David Chipperfield for Cassina. This room offers direct views of the sunset over the sea, with garden-facing windows framing the sofa, and features a wood-burning stove for winter warmth. The dining room serves as a dual-purpose workspace. Original shoji screens provide privacy from the north-side bamboo, while the room opens to sea views on the west. This area includes a Flowerpot Verner Panton 1968 pendant light from &Tradition, Series 7 dining chairs by Arne Jacobsen for Fritz Hansen, and an Airframe dining table by David Chipperfield for Cassina, which was restored with a new walnut-wood top by Timber Crew. Custom shelving by Douguya and an Akari 3x table lamp by Isamu Noguchi further personalize the space, along with washi artwork and a painting by Philippe’s son, James. The kitchen, a beloved space for Philippe, was enlarged by removing an old bathroom, placing it centrally within the home with garden access. To address the lack of natural light, Motosuke Mandai incorporated floor-to-ceiling windows into the traditional ranma (wall panels), creating the illusion of a floating roof and flooding the interiors with sunlight. An engawa, a traditional Japanese hallway, was transformed into a sunroom, enlarged and opened to a seaside deck for sunset aperitifs and gardening activities. This room is furnished with an Akari 1AG table lamp by Isamu Noguchi, an antique rattan table, a vintage lounge chair, and a Malawi chair from Couleur Locale. The decor reflects the multicultural backgrounds of Giselle, who is Filipino, and Philippe, who is French, blending midcentury-modern design, vintage finds, Japanese crafts, and textiles from their travels. The furniture, much of which was crafted by artisans known to them, imbues the home with a personal touch. The only fully enclosed room is the bedroom, which offers a private sanctuary feel, without glass windows on the ranma. The bed frame is by Timber Crew, and the table lamp is the Archimoon Soft by Philippe Starck for Flos. Wood stools designed by Timber Crew for DamDam Atelier complete the room. A large ofuro (bathtub) at the end of the bathroom provides a relaxing space. The interior design blends Japanese architectural elements like sugi-finish floors and preserved pinewood ceilings with a diverse collection of furnishings, embodying an old-world travel museum aesthetic that reflects the owners’ journeys and personal connections. #JapaneseHouse #ZenHideaway #HistoricRenovation #InteriorDesign #TokyoHome #ArchitecturalDesign #MidCenturyModern #MulticulturalDecor #DamDam

Ryo Kan MX, a boutique hotel in Mexico City, offers a tranquil escape designed to emulate traditional Japanese countryside inns, known as ryokans. Situated near one of Mexico City’s prominent avenues, this establishment distinguishes itself with its serene atmosphere and unique architectural and interior design. The hotel features an origami-inspired sculptural facade and houses only 10 rooms, each embodying a blend of Japanese aesthetics and Mexican craftsmanship. The design of Ryo Kan MX was spearheaded by architect Regina Galvanduque of GLVDK Studio, who oversaw not only the architectural framework but also the interior decor, art selection, branding, and even the tableware. The overarching design philosophy emphasizes the integration of Japanese hospitality principles with local Mexican materials and contemporary technology. Throughout the hotel, a commitment to locally sourced materials and textures is evident, coupled with styling that draws heavily from Japanese design traditions. Collaborations with local designers and artisans were crucial in developing and selecting furnishings that reflect this fusion. The hotel’s design is rich in sensory details, incorporating handmade crafts such as ceramics and textiles throughout the property. The light-filled welcome area provides an inviting space with an open library, comfortable seating, and a zen garden, establishing a calm ambiance upon arrival. This zen garden, located at the core of the ryokan, is specifically designed to create a dialogue between Eastern and Western influences, and traditional versus contemporary styles. Each of the ten guest rooms is named after a Japanese number and is conceived to mirror traditional ryokan spaces while incorporating modern automated conveniences. Features like automated lighting, controllable via the hotel’s in-house app, enhance guest comfort. Some of the more spacious tatami bedrooms offer views of the interior garden, a mini-bar, and an independent lounge area within their 225 square feet. The rooms are further customized with locally sourced materials like bejuco, a vine used in Mayan architecture, alongside terrazzo and oak, adding a distinct local flavor to the Japanese-inspired decor. Sliding modular doors, reminiscent of traditional Japanese shoji screens, are also a prominent feature. Ryo Kan MX aims to introduce the concept of 'mindful hospitality' to Mexico City, aligning with Japanese cultural values such as simplicity, reverence for nature, appreciation for local natural materials, and community. The hotel staff articulate that this approach combines these values with a meticulous service style, fostering a new perspective on responsible tourism through a blend of Japanese and Mexican cultures. The intention is to redefine the standards for small lodges within a large metropolitan area. A highlight of the hotel is its rooftop deck, which offers four private onsen baths providing panoramic city views, further enhancing the tranquil and luxurious experience. #JapaneseDesign #MexicanCraftsmanship #BoutiqueHotel #MindfulHospitality #ZenGarden #TatamiRooms #OnsenBaths #ArchitecturalDesign #InteriorDesign

This project details the construction of a compact office building situated within a residential area in Kitakyushu, Japan. The primary occupant is Ecoplan Corporation, a company specializing in wildlife and vegetation studies. The architectural design, a collaboration between Furumori Koichi architectural design studio and Daiju Kuwahara, was completed in 2024 and spans an area of 444 square meters. Kyoko Omori provided the photographic documentation for the project. The lead architectural team included Koichi Furumori, Kohei Hashisako, and Kenichi Anai, with Daiju Kuwahara also playing a key role. Structural engineering was handled by Kenichiro Takashima, while Tomohiro Urata was responsible for the landscape architecture. Azuma Kensetsu served as the general contractor for the construction. The project integrates into a residential neighborhood, emphasizing a design that harmonizes with its surroundings. The choice of Ecoplan Corporation as the tenant suggests a focus on environmental considerations, potentially influencing material selection and design elements. The building’s modest size indicates a tailored approach to meet the specific needs of the company, rather than a large-scale commercial development. The involvement of multiple specialists, including structural engineers and landscape architects, highlights a comprehensive design and construction process, ensuring both structural integrity and aesthetic integration with the site's natural elements. The architecture likely considers aspects such as natural light, ventilation, and material sustainability, given the tenant's focus on environmental research. Photographs by Kyoko Omori capture various aspects of the building, including interior spaces, exterior views, and possibly details of material use. The images, which include wood and glass elements, suggest a design that incorporates natural materials and maximizes transparency to foster a connection with the outdoors. The mention of beams in some image descriptions indicates structural expression within the interior, contributing to the overall aesthetic. Aerial views and cityscape images would provide context regarding the building's placement within Kitakyushu’s urban fabric and its relationship to the broader environment. Key design features potentially include a thoughtful integration of wood, which can offer warmth and a natural feel to the office environment. Glass components would allow for ample natural light, reducing reliance on artificial lighting and enhancing the working atmosphere. The phrase "Office in the Breeze" in the title hints at a design that facilitates natural airflow and promotes a comfortable indoor climate. This could involve strategically placed windows, balconies, or other architectural elements designed to harness prevailing winds. The building's category as "Commercial Architecture" within a residential context suggests a nuanced approach to zoning and community integration, possibly requiring sensitive design choices to blend functionality with neighborhood character. The collaboration between two design studios implies a rich exchange of ideas and expertise, likely leading to an innovative and well-considered architectural solution. The project serves as an example of contemporary commercial architecture in Japan, demonstrating how design can respond to both client needs and environmental considerations within a specific urban setting. The area of 444 square meters signifies a mid-sized project that allows for detailed attention to both functional layout and aesthetic quality, potentially incorporating flexible workspaces to support Ecoplan Corporation’s research activities. #CommercialArchitecture #JapaneseArchitecture #Kitakyushu #OfficeDesign #WoodArchitecture #GlassArchitecture #EnvironmentalDesign #KyokoOmori

Sunny Simmons and Caroline Smith, a husband and wife duo, transformed a former auto body shop in San Francisco into Onsen, a Japanese-inspired bathhouse and restaurant. This ambitious three-year project involved a complete revamp of the space, with the couple even residing in an Airstream inside the automotive building during the renovation period. Sunny, a craft builder, prioritized retaining the original character of the building while integrating modern amenities. He meticulously collected wood over time, which was then used throughout the building, contributing to its unique aesthetic and connection to the past. The aesthetic of Onsen is deeply influenced by Japanese bathhouse culture, yet it incorporates the couple's personal touch and a focus on community. Caroline curated the art that adorns the walls of the treatment rooms and the restaurant, adding a distinct artistic dimension to the space. The bathhouse section of Onsen features six treatment rooms and a communal bathing area. A notable highlight is the cold plunge shower installation, which draws inspiration from steampunk fiction, providing a distinctive and invigorating experience for patrons. Each treatment room within the bathhouse offers a unique environment. One room is a dry sauna constructed entirely from redwood, evoking the feel of a traditional sauna. Another room showcases striking black and white tiles, adding a graphic element to its design. The communal bathing room’s five-head cold shower plunge system exemplifies the blend of traditional inspiration with a unique, artistic interpretation. The walls are further decorated with a collection of bathhouse tickets from various locations around the world, adding to the authentic and global feel of the space. Beyond the bathhouse, Onsen features an intimate, chef-driven restaurant and tearoom at the front of the building. This culinary space offers fresh, seasonal cuisine and tea service, complementing the tranquil and rejuvenating experience of the bathhouse. The owners' commitment extends beyond commercial enterprise to community engagement. On Tuesdays, when the business is closed, Simmons and Smith plan to open their facility to the neighborhood, offering services to those who might not otherwise have access. This initiative reflects their dedication to giving back and fostering a sense of community. The entire transformation, from an industrial auto body shop to a serene Japanese-inspired haven, showcases a blend of historical preservation, modern design, and community spirit. #ZenBathhouse #JapaneseDesign #SanFrancisco #AdaptiveReuse #InteriorDesign #CommunitySpace #CraftBuilding #Wellness

The Waltz Partitions experience center in Hyderabad, designed by architect Nishita Kamdar, embodies the minimalist principles of Japanese Zen design. The 3,100-square-foot store, located on Banjara Hills road, is conceived as an urban oasis that offers a tranquil escape from its bustling surroundings. The design emphasizes simplicity, natural materials, and a deliberate absence of clutter, utilizing a palette of black and grey tones to evoke a sense of calm. The store functions as an experience center for various door and partition systems, including aluminum, glass, and concealed flushed doors with custom gold and silver mesh infills. Kamdar's design ensures a seamless flow throughout the space, enhancing the visitor's interaction with the products. Instead of a traditional display setup, the partitions are integrated into the architectural narrative, allowing visitors to experience their functionality and aesthetic qualities in an active, engaging manner. Kamdar highlights that the design transforms the "mundanity of the product" into a focal point, creating an intriguing play of revealing and hiding as customers navigate the store. The internal layout of the store is divided into five distinct yet interconnected zones: the Foyer, The Zen Gardens, The Meeting Room, The Living space, and the Display zones. The Foyer serves as a welcoming area, featuring large central stone sculptures, oversized rocks, and a custom-made, looming Thatch light. The Living Space provides a panoramic view of the entire setting, with clad walls contributing to the cohesive design. The Zen Garden zones are strategically enveloped by partitions, encouraging visitors to interact with and explore the products while fostering curiosity and conversation. Meeting Rooms are furnished with on-site-made marble-topped tables, and varied-shaped windows allow natural daylight to stream in, creating dynamic patterns of light and shadow. The Display zones are not isolated but rather overlap with other areas, creating a continuous visual experience. This integrated approach allows visitors to transition smoothly between spaces and encounter design details and materials organically, without a rigid sense of progression. The overall design aims to achieve harmony and fusion between the contemplative, restrained, and visually balanced qualities of Zen aesthetics and the functional, dynamic nature of doors and partition systems, resulting in a cohesive and immersive experience. #HyderabadStores #ZenDesign #MinimalistArchitecture #NishitaKamdar #ExperienceCenter #PartitionSystems #RetailDesign #InteriorArchitecture #NaturalMaterials

Aman Kyoto, the latest addition to the Aman group and the final project designed by the late Australian architect Kerry Hill, offers a unique luxury experience nestled within a 24,000 sqm forested estate in Kyoto. Unlike typical luxury resorts that aim to impress with opulent displays, Aman Kyoto emphasizes integration with its natural surroundings, making its architectural design almost invisible. Hill's deep appreciation for the garden, which he discovered 20 years prior and advocated for as the sole location for Aman Kyoto, guided this design philosophy. The resort's structures, including the restaurant, spa, and guest rooms, are uniformly clad in dark wood strips, enabling them to blend seamlessly with the dense foliage and shifting patterns of light and shadow. Upon entering the expansive rooms, which are approximately 60 sqm, guests find no overt decorative elements. Instead, floor-to-ceiling panels direct attention to the natural beauty outside, fostering a connection with the surrounding environment of cedar, cypress, camellia, and Japanese maple trees that change with the seasons. The understated approach extends to the amenities; while prices begin at around S$2,500 per night (excluding breakfast), the luxury is found in meticulously curated details such as marshmallow-soft chenille bathrobes by Ploh and Hinoki wood bathtubs that diffuse a calming fragrance when filled with warm water. This form of luxury is characterized by exclusivity and a deeply immersive cultural experience. The resort prides itself on bringing the essence of Kyoto to its guests, eliminating the need to venture outside. The spa features traditional onsen bathing facilities and treatments utilizing local ingredients like Kyoto green tea, tamba kuromame, local sake, and cold-pressed tsubaki oil. The signature 90-minute Aman Kyoto treatment begins with a hot spring soak, followed by a foot soak with ceremonial sake and 24k gold leaves, a sea-salt scrub blended with detoxifying matcha powder, and a breathing exercise with seasonal essential oils. A relaxing shiatsu massage concludes with freshly brewed green tea, selected by a local tea master, and Japanese-inspired sweets such as warabi mochi or fresh persimmon with vegan chocolate. The culinary experience at the Living Pavilion, led by executive chef Kentaro Torii, is a tribute to regional ingredients. Chef Torii, who meticulously sourced local produce for months, presents a wide repertoire that blends contemporary European degustation with Japanese nuances. Dishes might include jackfish carpaccio with mountain herbs, yuzu, and bottarga, or caramelised Ohmi wagyu from Shiga prefecture. The resort also offers rare heritage produce, such as hyotan pickles, intensely umami soy sauce from a local family brewer, and sansho berries harvested from the resort's own hills. Beyond the tangible, Aman Kyoto offers a profound sense of peace and a return to nature. Situated in a historic neighborhood known for its artistic community, the garden provides a Zen-like calm. Uneven stone paths invite barefoot exploration of the mossy grounds, and trails through the hills offer opportunities for quiet contemplation amidst birdsong and butterflies. The resort fosters a deep, restorative sleep, with guests falling asleep to forest views bathed in moonlight and the sounds of cicadas. In a world of increasing sensory overload, Aman Kyoto provides a sanctuary that offers what is truly needed: tranquility and an immersive connection to nature and culture, leaving guests thoroughly impressed by its subtle yet profound impact. #AmanKyoto #LuxuryResort #OnsenRyokan #KerryHillArchitects #JapaneseDesign #KyotoTravel #ZenExperience #UnderstatedLuxury #ArchitecturalIntegration

The former residence of the late Japanese fashion designer Kenzo Takada, known as The Kenzo House, is currently on the market through Christie's Real Estate. Located in the Bastille area of Paris, the four-story home was originally constructed by Takada in 1993 within the courtyard of an 18th-century Parisian building. Takada, who founded his eponymous label in Paris, sought to create a living space that harmoniously blended Eastern and Western design aesthetics, reflecting his own cultural background and artistic vision. The initial design of the house, which took seven years to complete, aimed to incorporate elements reminiscent of Japan, providing a tranquil contrast to the vibrant Parisian atmosphere that inspired his fashion work. The property underwent a significant redesign in 2018 by acclaimed Japanese architect Kengo Kuma. Kuma's architectural philosophy, focused on a “frame of nature,” guided the renovation, emphasizing the integration of natural materials and light to foster a deeper connection with the environment. Kuma's redesign utilized organic Japanese building materials such as ceramic, stone, bamboo, and various types of wood, aligning with his belief that these materials enhance the experience of nature within architectural spaces. He championed transparency as a characteristic of Japanese architecture, employing light and natural elements to achieve a distinctive form of visual and atmospheric clarity within the home. The Kenzo House features an expansive layout including four bedrooms, six bathrooms, a music room, a fitness room, a study, an elevator, and staff studio apartments. A central aspect of the property's appeal lies in its meticulously designed outdoor spaces. The garden includes a stone pond inhabited by nishiki carp, and extensive landscape gardens featuring cherry trees, maple trees, bamboos, moss, rocks, and waterfalls, all crafted to evoke the serene beauty of a traditional Japanese landscape. A key element of Kuma's redesign involved reorienting each bedroom to face the garden, visually and materially framing the house with nature. The property also boasts a Japanese pavilion with a traditional tea-ceremony room, complete with tatami mats and shoji sliding doors, opening directly onto the koi pond. Further incorporating Japanese design, a terrace with an outdoor lap swimming pool was converted into an engawa, a traditional Japanese exterior corridor made of wooden latticing, providing a covered outdoor dining and entertaining area with lush green foliage. An elegant stone bathtub offers panoramic views of the Parisian rooftops, contributing to the sense of luxury, peace, and pleasure envisioned in the home's design. #KenzoTakada #ParisRealEstate #JapaneseArchitecture #KengoKuma #LuxuryHomes #HomeDesign #EasternWesternFusion #ArchitecturalRenovation #GardenDesign

Td-Atelier and Endo Shorijo Design, two Japanese design studios, have recently completed the renovation of a 120-year-old machiya townhouse in Kyoto, named House in Marutamachi. The project focuses on integrating minimalist interiors while preserving the original architectural elements of the historic residence. Machiya houses, traditional wooden townhouses characteristic of Kyoto, are rapidly disappearing, with approximately 800 such structures being destroyed annually. The studios aimed to counter this trend by blending traditional architecture with modern design and functionality. The renovation spans two floors of the long and narrow house, nestled between two other residential properties. The design approach involved retaining the building's existing wooden columns and beams as foundational elements. To accommodate modern living spaces, white volumes were strategically introduced to house the kitchen and study. This method allowed for the creation of new rooms without compromising the integrity of the original structure by avoiding harsh structural alterations. The varying sizes of these white volumes were deliberately chosen to evoke the diverse skyline of a city, creating dynamic interplay between old and new. The spatial arrangement is characterized by gaps and omissions between the newly introduced volumes and the existing architectural components such as columns, beams, walls, and floors. This design choice fosters a sense of continuity throughout the space, allowing the historical and contemporary elements to coexist harmoniously. The material palette is intentionally minimal, featuring a combination of light and dark woods, alongside smooth concrete surfaces. This subdued selection enhances the serene and understated aesthetic of the interiors. A notable example of material reuse from the original house is seen in the traditional tea room, where salvaged materials contribute to its authentic character. On the second floor, a timber breakfast bar is illuminated by a thin, sculptural light fixture, providing a contemporary focal point. This area is complemented by subtle-coloured stools, further emphasizing the minimalist theme. The exterior of the house also received careful consideration, with the garden maintaining original architectural features. These include sandy-hued lanterns and a chōzubachi, a traditional stone water bowl historically used for ritual hand washing before a tea ceremony. These elements connect the renovated machiya to its historical and cultural context. House in Marutamachi was recognized for its design, being shortlisted for the house interior of the year at the 2022 Dezeen Awards. The project exemplifies a successful approach to renovating historical structures in a way that respects their heritage while adapting them for contemporary use, addressing the broader issue of preserving Kyoto's traditional townhouses. #KyotoRenovation #MachiyaHouses #MinimalistInteriorDesign #TraditionalJapaneseArchitecture #TdAtelier #EndoShorijoDesign #ResidentialRenovation #JapaneseDesign #ArchitecturalPreservation

Kenzo House, the former residence of renowned Japanese fashion designer Kenzo Takada, is a luxurious, Zen-inspired property nestled within an 18th-century apartment building in Paris’s 11th arrondissement. Originally built by Kenzo in 1993, the house underwent a significant redesign in 2018 by award-winning architect Kengo Kuma, known for his work on the National Stadium for the 2020 Tokyo Olympics and the V&A Dundee. This 13,778-square-foot, four-story residence, now offered through Christie’s International Real Estate, masterfully blends Eastern and Western influences, much like Takada's own designs. The current owners, a French businessman and his family, acquired the property in 2016 after spending 15 years in Asia, where they admired Kuma's work and his philosophy of connecting architecture with nature. They commissioned Kuma to renovate Kenzo House, maintaining fidelity to Kenzo's original vision of an authentic Japanese house and garden. Kuma, in collaboration with architect Loïk Corre, who worked on Kenzo’s initial plans, reconfigured the layout to enhance harmony and fluidity, integrating the house more closely with its natural surroundings. He achieved this by adding natural Japanese building materials like cedar shingles, teak, clay, ceramic, stone, and bamboo to the exterior, enriching its texture and warmth. Internally, partition walls were replaced with timber slats, and an indoor lap pool was transformed into an _engawa_, a traditional Japanese exterior corridor crafted from wooden latticing. Large interior windows, a floating staircase, and sliding doors were installed, and all bedrooms were oriented to face the courtyard garden, bringing nature into the interior spaces. Kuma's design philosophy, centered on transparency and a deeper connection to nature, is evident throughout the renovation. He emphasizes the use of light and natural materials to create a new kind of transparency, a characteristic of Japanese architecture. The interiors feature sleek and soothing aesthetics, with French oak louvres, beams, and floors complementing the original wood finishes. Key furniture pieces, including Hans Wegner ‘Wishbone’ chairs in the dining room and Walter Knoll pieces in the living room, were selected to maintain a calm atmosphere. The landscaped Japanese garden is a highlight of the property, perfected by Kuma. It features a stone-studded pond with nishiki carp, a traditional Japanese pavilion with a tea ceremony room, a waterfall, and several outdoor terraces. The careful selection of bamboo, junipers, lichens, mosses, and cherry trees evokes the tranquility of a Japanese landscape. The property now includes four bedrooms, six bathrooms, a Japanese suite opening onto the garden, two large reception rooms, two dining rooms, two kitchens, and three self-contained studio apartments for staff. Additional amenities encompass a music room, fitness room, wine cellar, lift, and private parking. Kenzo Takada himself remarked upon returning to his former home that it was “much more Japanese than before, and much more modern,” highlighting its evolution into a living work of art that inspires a Zen lifestyle. #LuxuryLiving #KenzoHouse #ParisRealEstate #JapaneseArchitecture #KengoKuma #InteriorDesign #ZenInspired #ChristiesRealEstate #ArchitecturalRenovation

The Xchange Apartment in Kyoto, designed by architecture studio TANK, reimagines traditional Japanese craft techniques to transform a previously "drab" flat into a guesthouse for artists. Principal Naritake Fukumoto drew inspiration from kintsugi, the Japanese art of repairing broken pottery with lacquer mixed with powdered gold, to create a unique flooring aesthetic. For the living room, Fukumoto intentionally selected a type of cement flooring prone to cracking. Once the cracks naturally formed, a gold-colored epoxy resin was used to fill these imperfections, mirroring the kintsugi philosophy of celebrating the beauty in imperfection rather than concealing it. This innovative application transforms what might typically be seen as a flaw into a deliberate and artistic design element. Beyond the living area, the bathroom and kitchen floors, which are slightly elevated, feature another adaptation of a traditional Japanese craft: lacquerware. Instead of directly applying lacquer, the architect used a layer of fiber-reinforced plastic netting covered with transparent resin. This method creates a translucent yet visually complex texture, revealing the underlying glass-fiber layers over the wooden base. This technique not only achieves a distinctive aesthetic but also provides material strength and waterproofing, essential for these utility areas. The choice of materials and methods in these spaces reflects a conscious effort to integrate local traditions into contemporary interior design. The apartment's overall decor maintains a minimalist approach, featuring white walls and simple furnishings. Exposed concrete beams, subtly marked with paint stains, contribute to the raw, artistic ambiance. Practical design elements are also incorporated, such as a pair of mirrored doors that can be opened to form a private dressing area. Glass doors lead to a narrow balcony, offering residents picturesque views of the nearby Kiyomizu Temple and the surrounding five mountains, connecting the interior space with Kyoto's natural and cultural landscape. The design aims to create an intuitive and creative atmosphere, encouraging residents to explore both the apartment's unique features and the city outside. TANK, a Tokyo-based studio established in 2010, is known for its inventive architectural projects that often play with conventional elements and perceptions of space. Previous works include an apartment where carpet sections double as flip-flops and a home featuring floorboards on the ceiling, demonstrating a consistent innovative and unconventional design philosophy. The Xchange Apartment continues this tradition by integrating traditional Japanese repair and craft techniques into its modern design, highlighting the potential for contemporary spaces to draw depth and character from historical methods. The photography for the project was provided by Kenta Hasegawa, effectively capturing the apartment's distinctive details and overall aesthetic. The project team included Naritake Fukumoto as the architect, with construction handled by LOÖWE and TANK, emphasizing a collaborative approach to realizing this distinctive residential space. #KyotoApartment #KintsugiInspired #JapaneseCraft #ResinFlooring #MinimalistInterior #FiberReinforcedPlastic #GuesthouseDesign #TANKArchitects #TraditionalModernBlend

This article details the renovation of a 40-year-old, three-story reinforced concrete house in a regional Japanese city, undertaken by YŪ Momoeda Architects. The original structure, built under outdated seismic codes, suffered from excessive size for a single-family household, numerous unused rooms, and poor natural lighting due to its proximity to an adjacent medical clinic. The renovation project focused on three main objectives to modernize the dwelling and improve its living conditions: enhancing natural light, upgrading thermal insulation, and optimizing the spatial layout by consolidating essential living areas. To address the issue of insufficient natural light, the architects introduced vertical voids and skylights. These architectural interventions were designed to channel natural light deep into the building, particularly illuminating the ground floor, which previously experienced significant dimness. This strategic alteration aimed to create a brighter and more inviting interior environment, a critical improvement for the inhabitants' well-being and daily life. The integration of skylights also contributed to a more dynamic interplay of light and shadow within the living spaces throughout the day. Thermal performance was another key area of improvement. The original house had poor insulation, leading to high thermal loads and inefficient energy consumption. The renovation focused on upgrading the building envelope with modern insulation materials and techniques. This measure was intended to significantly reduce heat loss during colder months and heat gain during warmer periods, thereby improving the overall energy efficiency of the house and ensuring a more comfortable indoor climate year-round. Such enhancements align with contemporary standards for sustainable building practices. Furthermore, the functional layout of the house was reconfigured. The architects consolidated the essential living areas onto the first and second floors, effectively transforming the previously three-story residence into a more manageable and efficient two-story home. This reorganization addressed the issue of unused rooms and aimed to create a more cohesive and functional living space tailored to the needs of a single-family household. The third floor, though not explicitly detailed in its new function, was presumably integrated or repurposed to align with the new two-story configuration. The project was completed in 2025 and spans an area of 257 square meters. Key personnel involved included Yu Momoeda as the lead architect, Naoya Isemoto, Koki Okumura, and Yuma Kuroda for architectural design, Kosuke Araki for structural engineering, Miki Kihara and Abiru Mika from KOIZUMI LIGHTING TECHNOLOGY CORP. for lighting design, and YAMAKAWAGIKEN Co.,Ltd. for construction. Additional contributions were made by Studio Nora for environmental engineering and Makoto Sato for design refinement. The transformation highlights a thoughtful approach to adapting older structures to meet contemporary lifestyle demands and environmental considerations. #ArchitecturalRenovation #JapaneseArchitecture #ResidentialDesign #SustainableDesign #NaturalLighting #ThermalInsulation #SpatialReconfiguration #ModernLiving