Td-Atelier and Endo Shorijo Design transform interior of traditional machiya house in Kyoto

Tato Architects, led by founder Yo Shimada, undertook the renovation of an 87-square-metre traditional Japanese house in Hyogo Prefecture for a young couple. The original structure, a single-storey residence, featured a layout comprising six main rooms, a configuration deemed unsuitable for the clients' modern lifestyle. The renovation aimed to transform the segmented interior into a more open and adaptable living space. The core of the renovation involved completely stripping the interior to expose the existing wooden structural framework. Instead of re-establishing traditional partitions, Shimada introduced a novel approach using two curving lengths of plywood to define different functional zones. This design choice was influenced by an earlier experimental project by Tato Architects in 2013, which involved a public toilet building on Shodoshima Island where curved walls were used to divide space. While that project focused on a new build, Shimada believed the concept held greater potential when applied to the renovation of an older structure, allowing for a blend of historical context with modern spatial dynamics. The plywood screens were strategically placed within the house. One screen was installed along the north-eastern side, creating a private area that encloses a bedroom and an adjoining closet. The second screen was positioned towards the back of the house, wrapping around a bathroom and a guest bedroom. This curvilinear partitioning system allowed for a fluid transition between areas, contrasting with the rigid divisions of the original layout. The front portion of the building was specifically designed to be more open plan, maximizing natural light and offering direct access to a newly designed narrow garden. Budgetary constraints influenced the material selection for the curved walls. Initially, 20-millimetre-thick plywood was considered, but it proved to be too flimsy for the desired structural integrity and aesthetic. To overcome this, a solution was devised where a framework of steel rods was sandwiched between layers of plywood, providing the necessary stability while maintaining the curved form. This simple yet effective modification allowed the architects to achieve their design vision without exceeding the project's financial limits. The redesign also incorporated new flooring throughout the living areas, featuring a mortar floor with integrated underfloor heating for enhanced comfort. The bathroom was finished with polycarbonate plastic, offering a clean and modern aesthetic. A small loft space was added above the main bedroom, accessible via a ladder, providing additional utility. For the exterior of the house, a new cladding of charred cedar boards was chosen, contributing to a refreshed facade while respecting traditional Japanese architectural elements. #TatoArchitects #Hyogo #Japan #ResidentialArchitecture #HouseRenovation #JapaneseHouses #PlywoodInterior #CurvedWalls #ModernRenovation

Giselle Go and Philippe Terrien, co-founders of the Japanese clean beauty brand DamDam, embarked on a search for a tranquil weekend retreat near Tokyo. Their initial criteria included proximity to the city, high privacy, and a mountainside location. After a prolonged search, a friend, Naoko Kawamura, introduced them to a 75-year-old property overlooking the Pacific Ocean and Mount Fuji. The house, initially dilapidated, held historical significance as it was built by American postwar photojournalist Horace Bristol, known for his work on John Steinbeck’s 'Grapes of Wrath' and for magazines like 'Life,' 'Time,' and 'National Geographic' in the 1950s. Recognizing the challenges of renovating such an old property, especially one situated on protected heritage land, the couple enlisted the expertise of Motosuke Mandai of Mandai Architects. Their vision was to revive the house while preserving its past and integrating modern comforts. A significant part of the renovation involved working closely with the local temple that oversees the protected area to ensure all regulations were met. The couple meticulously retained original elements like wood beams, ceilings, and shoji screens. When original features such as the wood floors or the wood-burning stove could not be salvaged, they were replaced with identical materials to maintain the house's authentic character. The entrance to the home functions as both an entryway and a mudroom, where it is customary to remove shoes and don soft house slippers, a Japanese tradition. This space features a Hang-It-All coatrack by Eames for Herman Miller, a stool by Timber Crew, and a washi tray by Craig Ancelowitz, both for DamDam Atelier. Artwork includes a calligraphy on canvas by Mikiko Kayama and a wall sculpture by Yuichiro Kobayashi. The living room, a favorite indoor spot for the couple, boasts an Akari 21A pendant light by Isamu Noguchi, an Archimoon Soft table lamp by Philippe Starck for Flos, and Glo-ball table and floor lamps by Jasper Morrison for Flos. The sofa is an N701 modular model from Ethnicraft, complemented by an Airframe coffee table by David Chipperfield for Cassina. This room offers direct views of the sunset over the sea, with garden-facing windows framing the sofa, and features a wood-burning stove for winter warmth. The dining room serves as a dual-purpose workspace. Original shoji screens provide privacy from the north-side bamboo, while the room opens to sea views on the west. This area includes a Flowerpot Verner Panton 1968 pendant light from &Tradition, Series 7 dining chairs by Arne Jacobsen for Fritz Hansen, and an Airframe dining table by David Chipperfield for Cassina, which was restored with a new walnut-wood top by Timber Crew. Custom shelving by Douguya and an Akari 3x table lamp by Isamu Noguchi further personalize the space, along with washi artwork and a painting by Philippe’s son, James. The kitchen, a beloved space for Philippe, was enlarged by removing an old bathroom, placing it centrally within the home with garden access. To address the lack of natural light, Motosuke Mandai incorporated floor-to-ceiling windows into the traditional ranma (wall panels), creating the illusion of a floating roof and flooding the interiors with sunlight. An engawa, a traditional Japanese hallway, was transformed into a sunroom, enlarged and opened to a seaside deck for sunset aperitifs and gardening activities. This room is furnished with an Akari 1AG table lamp by Isamu Noguchi, an antique rattan table, a vintage lounge chair, and a Malawi chair from Couleur Locale. The decor reflects the multicultural backgrounds of Giselle, who is Filipino, and Philippe, who is French, blending midcentury-modern design, vintage finds, Japanese crafts, and textiles from their travels. The furniture, much of which was crafted by artisans known to them, imbues the home with a personal touch. The only fully enclosed room is the bedroom, which offers a private sanctuary feel, without glass windows on the ranma. The bed frame is by Timber Crew, and the table lamp is the Archimoon Soft by Philippe Starck for Flos. Wood stools designed by Timber Crew for DamDam Atelier complete the room. A large ofuro (bathtub) at the end of the bathroom provides a relaxing space. The interior design blends Japanese architectural elements like sugi-finish floors and preserved pinewood ceilings with a diverse collection of furnishings, embodying an old-world travel museum aesthetic that reflects the owners’ journeys and personal connections. #JapaneseHouse #ZenHideaway #HistoricRenovation #InteriorDesign #TokyoHome #ArchitecturalDesign #MidCenturyModern #MulticulturalDecor #DamDam

Kwang Wei Long and Yong Si Yun, a recently-married couple, transformed their 1,249 sq ft four-room HDB resale flat in Bishan into a Japanese-inspired sanctuary. While they had never vacationed in Japan together, their shared appreciation for Japanese culture and Si Yun's prior study of the language led them to infuse their home with elements reminiscent of the country. Their primary goal was to create a tranquil space for relaxation, drawing inspiration from the serene courtyards and gardens found in Japanese temples, and the way modern and historic elements are harmoniously blended in Japanese design. This vision was communicated to their interior design firm, Chalk Architects. The original flat presented several layout challenges, including an unusual balcony placement and an L-shaped living room, which felt dim due to a previous owner's addition of a bedroom. Despite this, the couple opted to preserve the apartment's original dusty-pink broken marble floor, finding its tones appealing. To enhance light and spaciousness, they removed the former study room wall, integrating it into a larger living room. A raised blond wood platform was installed near the entrance, accompanied by a built-in study desk facing the window. This area serves dual purposes: a dedicated workspace and a home yoga studio, complete with a wall-to-ceiling mirror. Further alterations included the removal of walls separating the dining room from the kitchen and the third bedroom, as well as the wall between the master bedroom and an adjoining bedroom. These structural changes were crucial for incorporating shoji screens, a traditional Japanese design element. The couple admired the aesthetic of these latticed wooden screen doors and their ability to flexibly open or segregate indoor spaces. Addressing concerns about Singapore's humid climate affecting traditional paper panels, the interior designer utilized glass-paneled lattice sliding doors for the dining, kitchen, and third bedroom areas. These doors allow light to permeate while maintaining distinct zones, and when fully opened, they create an expansive living and dining area. Similarly, the wooden sliding doors for the master bedroom and its adjoining bedroom, as well as the master bedroom's wardrobe doors, were designed to mimic shoji screens, using white wood instead of paper. These elements contribute to a quiet, meditative atmosphere, offering a versatile space that can also function as a work area, providing a visually appealing backdrop for virtual meetings. The designers ensured the shoji screen tracks were installed on the ceiling to prevent damage to the existing floor. The living room's accent wall also features a shoji-inspired panel design, complementing the natural light filtering through sheer curtains during the day and the inviting glow of cove lighting and pendant lamps after dark. The apartment's color scheme and furnishings reflect a minimalist Japandi aesthetic, blending Japanese and Scandinavian design principles. Blond wood, white tones, and pale grey soft furnishings create a calm environment, contrasted by the dusty-pink floor. Decorative items, such as a Japanese-inspired artwork sourced from Etsy and rustic earthenware, along with furniture like the L-shaped sofa, coffee table, and rug, were carefully chosen for their minimalist sensibilities and to fit the overall aesthetic. The couple prioritized hidden storage solutions, opting for a queen-sized platform bed, a flip-top desk, and an L-shaped sofa with integrated storage to maintain a clean and uncluttered look. For entertaining, the couple's large, rectangular kitchen island, fitted with castors, can be moved to extend the dining table, effectively doubling the seating capacity from five to ten. This flexible arrangement accommodates both small and large gatherings, fostering a communal atmosphere. Friends and family have positively received the home's clean, warm, and bright aesthetics, often remarking on the efficient storage solutions, which some visitors plan to incorporate into their own home designs. While the couple still anticipates a trip to Japan, their thoughtfully designed HDB flat provides a cherished space for living and working, bringing a slice of their favorite holiday destination into their daily lives. The project was part of CNA Lifestyle’s "Making Room" series, which highlights transformations of small homes. #JapaneseInteriorDesign #HDBRenovation #ShojiScreens #HomeTransformation #MinimalistDesign #JapandiAesthetic #SmallHomeSolutions #InteriorDesign #FlexibleLivingSpaces

The Fukuoka-based design firm Case-Real, led by Koichi Futatsumata, has successfully transformed a traditional Japanese storehouse, known as a 'kura,' into a contemporary and highly versatile multi-functional work-live space. This project was conceived to address the growing demand for spaces that seamlessly integrate professional and personal lives, particularly for creative individuals. The owners, a creative director in food design and a gallerist specializing in Japanese craft, required a space that could accommodate their diverse professional needs, from hosting art exhibitions to conducting tea ceremonies, while also serving as a comfortable living environment. The converted property is located in Gosho-Higashi, a tranquil area nestled between Kyoto Gyoen and the Kamo River. The design incorporates a white structure that houses the primary office area, complementing the traditional kura, which was repurposed as a gallery to display pottery and everyday tools. Futatsumata's vision was to create a harmonious environment where the clients' varied professions could coexist and even influence each other, a concept deeply rooted in the inherent adaptability of traditional Japanese residences. The aesthetic of the space is characterized by a refined color palette of plums, browns, and creams, establishing a warm and inviting atmosphere. A key functional element is the inclusion of movable screens, which allow for dynamic adjustments to room sizes, offering flexibility for different activities and gatherings. This design choice underscores the adaptability that was central to the project's brief. To achieve the unique blend of urban Japanese style and traditional Zen aesthetics, Case-Real collaborated with local artisans. For the tearoom, bespoke furniture was crafted by Koichi Touji and Yuji Yamamoto, resulting in a custom six-seater counter designed to fit the room's specific dimensions. Architectural lighting specialist Shoji Hiroyasu was engaged to implement tastefully concealed down-lighting, further enhancing the serene and sophisticated ambiance. Futatsumata highlights that the project's success in balancing multiple functions stems from embracing the inherent spatial continuity found in traditional Japanese architecture. This approach allowed for a design where each functional area within the house harmoniously coexists, providing the owners with an elegant, adaptable, and inspiring environment that supports both their professional endeavors and personal lives. #JapaneseArchitecture #LiveWorkSpace #StorehouseConversion #InteriorDesign #ModernWorkspace #KoichiFutatsumata #CaseReal #KyotoDesign #TraditionalMeetsContemporary

This blog post showcases an executive maisonette in Singapore that has undergone a remarkable transformation, adopting the aesthetics of an upper-class Japanese ryokan. The renovation, executed by Right Angle Studio, skillfully integrates Japanese minimalism and traditional design elements into an HDB flat, creating a sophisticated and tranquil living space. The design prioritizes the beauty of nature and simplicity, resulting in a timeless and elegant home. A key feature of this transformation is the extensive use of wood throughout the maisonette. Inspired by traditional Japanese architecture, the home incorporates numerous wood-clad surfaces, including ceilings and an oak-wood bar counter that also functions as an accent wall. Shoji screens are prominently featured on every window, enhancing the authentic Japanese ambiance and providing a sense of privacy and diffused light. These elements collectively contribute to a warm and natural interior. The staircase area is another focal point, showcasing innovative design. Large wooden feature steps extend beyond the traditional staircase, serving as a versatile seating platform or a decorative ledge for displaying artwork and other items. This thoughtful addition provides visual and textural depth to an otherwise conventional part of the house. Furthermore, an artificial skylight illuminates the stairwell, creating a bright and airy atmosphere. A unique built-in planter at the base of the staircase houses a Japanese maple tree, introducing a natural element indoors. The wood-clad balustrade on the staircase directs attention upwards, framing the wooden windows on the second floor and adding to the architectural interest. One of the most captivating aspects of the renovation is the mini zen garden balcony. Sliding full-length shoji screens separate the living area from this tranquil outdoor space. The balcony is meticulously designed with a mini shishi-odoshi, a traditional Japanese water fountain, a pebble feature, and an everfresh tree, all contributing to an authentic Japanese garden feel. The living area itself includes a faux fireplace, which further enhances the feeling of being in a serene, natural setting reminiscent of a Japanese retreat. The bedroom continues the Japanese theme with a modern interpretation. It features a platform tatami bed, creating a low-profile sleeping area characteristic of Japanese design. Slightly elevated side tables with integrated storage maintain the minimalist aesthetic while offering practical functionality. A half-wall curved wood feature in the bedroom adds a touch of architectural elegance, evoking the sophisticated atmosphere of a suite in a high-end Japanese hotel. Overall, the HDB maisonette successfully merges Japanese design principles with contemporary living, offering a refined and immersive experience that transports residents to a holiday-like setting in Japan. #HDBMaisonette #JapaneseInteriorDesign #RyokanAesthetic #ZenGarden #ShojiScreens #WoodCladInteriors #SingaporeHome #RightAngleStudio #HomeRenovation

This article details the complete renovation of a 1,600 sq ft, 2-storey, 3-bedroom HDB Executive Maisonette in Bishan, Singapore, designed by Sze Ming from Studio Kabi. The homeowners, a family of four with two Corgis, sought a larger living space closer to their parents and future schools for their children, leading them to this rare double-storey HDB flat. The renovation embraced a warm, minimalist, Japanese-esque aesthetic, influenced by architect Tadao Ando's principles of natural light, segmented spaces, and clean lines. The interior designer focused on functionality before aesthetics, reconfiguring the entire space by tearing down and reconstructing floors, walls, ceilings, and the staircase on both levels. The layout was meticulously planned to suit the family's needs, with all private areas (three bedrooms and a study) located on the second floor and common areas on the ground level. The design incorporates a neutral palette with natural materials like wood and stone, ensuring timelessness and avoiding transient trends. A standout feature is the custom-built pitched roof, reimagined from a flat ceiling, which creates a focal point and enhances the sense of height. The staircase was also redesigned with a curved structure and partitioning to introduce a softer touch amidst the home's angular elements, acting as a prominent feature upon entry. Originally, the homeowners considered placing the study downstairs, but Sze Ming strategically integrated it into the second floor by reconfiguring the master bedroom. The initial large master bedroom was split into two: a smaller master suite and a children's play area, which will eventually convert into a bedroom. The second floor also features a retro Smeg fridge, ensuring convenient access to cold beverages without needing to go downstairs. The master bedroom itself is kept simple, with a custom-built bed head, wall-mounted TV, and a built-in vanity dresser, with a sliding pocket door leading to an en suite bathroom that maintains the clean, minimalist aesthetic with neutral colors and stone materials, including a unique stone integrated sink. The ground floor's foyer entrance is defined by different tiling and birch wood slats from the ceiling, creating a distinct demarcation and offering privacy from the entrance. A suspended sit-down area and storage for shoes are integrated here. The living room was expanded by converting a balcony, now featuring built-in wooden seats for additional storage and a multifunctional space. An unusual hexagonal sofa and a sound system with four speakers complete the living area. The kitchen, initially not open-concept, was transformed into an open-plan space in the center of level 1, with pocket sliding doors to separate the wet and dry kitchen areas when needed. The dry kitchen includes a long island made from engineered stone and a built-in oven, with a sink in the middle. Adjacent to the kitchen, the dining room features Scandinavian-style furniture, pendant lamps from LikeLights, and an extra counter space with a coffee station and storage. An audio room, following the dining area, caters to the homeowner's passion for sound, doubling as a play area. The entire renovation process, including design and construction, took six months, resulting in a home that blends functionality with a tranquil Japanese minimalist design ethos. #HDBExecutiveMaisonette #HomeTour #Bishan #JapaneseMinimalism #InteriorDesign #RenovationProject #TwoStoreyHDB #StudioKabi #CustomHome

The "Sunroom House in Tsukaguchi" project by FujiwaraMuro Architects is situated in a tranquil residential area, replacing the client's original family home. The architectural design strategically divides the structure into two main volumes: an LDK (living, dining, and kitchen) area and separate private rooms. A key design element is the use of split-level floors within the main living space, which serves to enhance the perception of spaciousness. This vertical segmentation also fosters improved connectivity and communication among occupants across the dining room and kitchen areas, allowing for visual and auditory interaction across different levels. The residence was completed in 2024 and spans an area of 105 square meters. The project's photography was carried out by Katsuya. Taira (studioREM). FujiwaraMuro Architects acted as the lead architects for this residential undertaking in Japan, focusing on a house typology. The design emphasizes thoughtful spatial organization to maximize both functionality and aesthetic appeal within a relatively compact footprint. The split-level approach, common in modern Japanese residential architecture, is utilized here to create dynamic interior volumes and distinct zones while maintaining an open feel. The overall design philosophy appears to prioritize a sense of openness and inter-connectivity, which is crucial in urban residential settings where space is often limited. By integrating the LDK and private rooms into a cohesive yet differentiated layout, the architects aim to support contemporary family life, providing both communal gathering areas and quiet retreats. The project reflects a careful consideration of the site's context and the client's needs, resulting in a design that is both practical and visually engaging. The selection of materials and finishes, while not explicitly detailed in the provided text, would typically align with modern Japanese architectural trends, often incorporating natural elements, minimalist aesthetics, and efficient use of light. The term "Sunroom House" in the title suggests a focus on natural light and potentially a specific area designed to capture sunlight, contributing to the dwelling's ambiance and energy efficiency, though further details on this aspect are not available in the given text. #ResidentialArchitecture #JapaneseArchitecture #SplitLevelDesign #InteriorDesign #ModernHome #FujiwaraMuroArchitects #Tsukaguchi #ArchitecturalPhotography #SpaceOptimization

Kenzo Takada, a prominent fashion designer known for vibrant prints, bold colors, and unique silhouettes, profoundly influenced the fashion industry by integrating Japanese elements into Western aesthetics. His brand, Kenzo, which he founded and later sold to LVMH in 1993, became a global phenomenon. Following his departure from the active fashion scene, Takada redirected his creative talents towards home interior design, launching his furniture label K-3 less than a year before his passing in October 2020 due to Covid-19 complications. His K-3 collection continued his signature blend of Eastern and Western design principles, characterized by a rich use of color and prints. In stark contrast to the colorful exuberance of his fashion and furniture designs, Takada's personal residence in Paris, known as the Kenzo House, exhibits a serene and Zen-like aesthetic. This 13,778 square-foot home, located in an 18th-century residential building in the Bastille district, was initially built by Takada in 1993 and later redesigned by architect Kengo Kuma in 2018. The exterior of the four-story house features natural materials such as cedar shingles, teak, and clay, contributing to its tranquil and textured facade. A central feature of the home is an interior courtyard designed as a traditional Japanese garden. This garden includes a stone pond inhabited by nishiki carp and koi fish, surrounded by a variety of Japanese flora, including cherry and maple trees, bamboo, junipers, lichens, and mosses. Kuma's redesign ensured that each room of the house offered views of this natural sanctuary, creating a seamless connection between the indoor and outdoor spaces. The garden is further enhanced by carefully placed rocks and miniature waterfalls, replicating a classic Japanese landscape. Adjacent to the garden is a Japanese pavilion that houses a traditional tea ceremony room. This room is authentically appointed with tatami mats and shoji sliding doors, which can be opened to provide an unobstructed view of the koi pond. Inside the main house, the aesthetic continues with extensive use of wood. French oak louvres, beams, and floors maintain consistency with the original wooden finishes. An engawa, a traditional Japanese exterior corridor, featuring a wooden lattice, replaced an indoor lap pool, further emphasizing the home's Japanese design influences. The residence is comprehensively equipped with modern amenities and ample living spaces. It features four bedrooms, each with an en suite bathroom and a dedicated dressing room, ensuring privacy and comfort for residents and guests. Additional facilities include a music room, a study, a fitness room, and an elevator. The property also provides practical accommodations with three self-contained studio apartments for staff and two private parking spaces. This thoughtful integration of Japanese aesthetics with contemporary living defines Kenzo Takada's personal Parisian home as a unique and tranquil retreat. #InteriorDesign #HomeTour #FashionDesigner #JapaneseAesthetics #ParisHome #KengoKuma #ZenLiving #ArchitecturalDesign

The article presents the renovation of a 1970s wooden house located in Sumida City, Japan, undertaken by the architecture firm ROOVICE. Originally a dark and compact 65m² residence, the project focused on adaptive reuse with modest updates to align it with contemporary living standards. The revitalization effort is detailed through various aspects of its design and implementation. The project involved a comprehensive overhaul of the existing structure. The renovation aimed to maximize natural light and create more open, functional spaces. Key interventions included reconfiguring the interior layout, replacing outdated materials, and introducing modern amenities while preserving the house's inherent character. The design philosophy emphasized thoughtful, subtle changes rather than radical transformations, ensuring that the updated house retained a connection to its past while embracing modern needs. Material selection played a crucial role in the renovation. Wood, being the primary material of the original structure, was thoughtfully integrated into the new design. This likely involved restoring existing wooden elements, using new timber for structural enhancements or finishes, and ensuring a cohesive aesthetic that celebrated the material's warmth and texture. The choice of materials contributed to both the durability and the visual appeal of the renovated spaces. The layout modifications addressed the previous issues of darkness and compactness. Strategies to increase natural light might have included enlarging windows, creating new openings, or reorienting certain rooms. The aim was to foster a brighter and more spacious feel within the limited footprint of 65m². This spatial reconfiguration would have considered the daily activities of the occupants, designing areas that flowed seamlessly into one another and provided flexibility in use. ROOVICE, led by architect Sorai Takei, executed the project in 2023. The photographs by Akira Nakamura document the completed house, highlighting its transformed interior and exterior. The firm’s approach demonstrates a commitment to sustainable practices by revitalizing an existing building, thereby reducing the environmental impact associated with new construction. The project also serves as an example of how older residential properties in dense urban areas like Sumida can be successfully adapted for modern living. In terms of manufacturers, the project utilized products from Electrolux, Globo Daily, Miratap, and toolbox. These suppliers likely provided various fixtures, appliances, and construction components that integrated into the updated design. The mention of these manufacturers offers insight into the specific choices made for the interior fit-out and functional elements of the house. Overall, the renovation of the House in Sumida by ROOVICE showcases a mindful approach to adaptive reuse. It illustrates how a dated residential structure can be transformed into a functional and aesthetically pleasing modern home through strategic design decisions, careful material selection, and an understanding of contemporary lifestyle demands. The project contributes to the ongoing discourse on revitalizing existing urban housing stock. #ResidentialArchitecture #HouseRenovation #JapaneseArchitecture #AdaptiveReuse #WoodenHouse #InteriorDesign #SumidaCity #ROOVICE #ArchitecturalPhotography

This article details the renovation of a 1960s ranch house in Ojai, California, undertaken by artist and Kiniko owner Sarah Yates Mora and her husband, Lou. Their primary objective was to raise the ceiling height to create an open and airy main living space, drawing inspiration from minimalist Japanese design, with a focus on vertical-grain Douglas fir throughout the home. The renovation project began in the summer of 2018, following the 2017 Thomas Fire, which led to a delay as tradespeople were scarce due to the rebuilding efforts in the area. Mora utilized this six-month hiatus to proactively source all materials for the project, a strategy that ultimately saved them money by avoiding contractor markups. The renovation involved several strategic splurges and thoughtful savings. A significant initial challenge was the discovery of asbestos during demolition, incurring an unexpected cost of $14,000 for testing and professional removal. Custom cabinetry was another area of investment, particularly in the kitchen, which was designed to integrate seamlessly with the adjacent living room. Appliances like the fridge and freezer were concealed within wood cabinetry to maintain a minimalist aesthetic. The most substantial splurge involved achieving 12-foot ceilings and an open-concept layout. This required tearing down walls, installing new drywall, and hiring an engineer to design and implement a 28-foot-long beam, costing an additional $2,000 for the engineer's services on top of the $30,000 labor cost for structural changes. Conversely, significant savings were realized by choosing not to wrap the structural beam in Douglas fir, saving approximately $4,000. The exposed beam, complete with its original stamp, contributed to the desired aesthetic. Ambient lighting was a priority, with investments in lanterns by Barber Osgerby for the dining room and kitchen, and a genuine Akari design by Noguchi for the living room, chosen for their glowy light quality. The fireplace received a clean, minimal facelift by covering the original stone with stucco, a task for which a subcontractor was hired to ensure a professional finish. Further savings were achieved through minimalist window treatments; the house's secluded location allowed forgoing curtains or shades in the main room, enhancing the clean aesthetic and facilitating cross-breezes through sliders and a Dutch door. Crucially, the homeowners saved considerably by salvaging enormous sliding glass doors in the living room. Instead of replacing these nearly 5-foot-wide panels, which would have been prohibitively expensive, they paid around $1,000 to relocate them, optimizing their position in the room despite the risk of breakage. This decision not only preserved a unique architectural feature but also contributed to the overall budget management of the project, demonstrating a balanced approach to renovation expenses and design goals. #HomeRenovation #OpenConcept #OjaiRanchHouse #JapaneseDesignInfluence #BudgetLiving #CustomCabinetry #StructuralEngineering #ArchitecturalSalvage #InteriorDesign

The Xchange Apartment in Kyoto, designed by architecture studio TANK, reimagines traditional Japanese craft techniques to transform a previously "drab" flat into a guesthouse for artists. Principal Naritake Fukumoto drew inspiration from kintsugi, the Japanese art of repairing broken pottery with lacquer mixed with powdered gold, to create a unique flooring aesthetic. For the living room, Fukumoto intentionally selected a type of cement flooring prone to cracking. Once the cracks naturally formed, a gold-colored epoxy resin was used to fill these imperfections, mirroring the kintsugi philosophy of celebrating the beauty in imperfection rather than concealing it. This innovative application transforms what might typically be seen as a flaw into a deliberate and artistic design element. Beyond the living area, the bathroom and kitchen floors, which are slightly elevated, feature another adaptation of a traditional Japanese craft: lacquerware. Instead of directly applying lacquer, the architect used a layer of fiber-reinforced plastic netting covered with transparent resin. This method creates a translucent yet visually complex texture, revealing the underlying glass-fiber layers over the wooden base. This technique not only achieves a distinctive aesthetic but also provides material strength and waterproofing, essential for these utility areas. The choice of materials and methods in these spaces reflects a conscious effort to integrate local traditions into contemporary interior design. The apartment's overall decor maintains a minimalist approach, featuring white walls and simple furnishings. Exposed concrete beams, subtly marked with paint stains, contribute to the raw, artistic ambiance. Practical design elements are also incorporated, such as a pair of mirrored doors that can be opened to form a private dressing area. Glass doors lead to a narrow balcony, offering residents picturesque views of the nearby Kiyomizu Temple and the surrounding five mountains, connecting the interior space with Kyoto's natural and cultural landscape. The design aims to create an intuitive and creative atmosphere, encouraging residents to explore both the apartment's unique features and the city outside. TANK, a Tokyo-based studio established in 2010, is known for its inventive architectural projects that often play with conventional elements and perceptions of space. Previous works include an apartment where carpet sections double as flip-flops and a home featuring floorboards on the ceiling, demonstrating a consistent innovative and unconventional design philosophy. The Xchange Apartment continues this tradition by integrating traditional Japanese repair and craft techniques into its modern design, highlighting the potential for contemporary spaces to draw depth and character from historical methods. The photography for the project was provided by Kenta Hasegawa, effectively capturing the apartment's distinctive details and overall aesthetic. The project team included Naritake Fukumoto as the architect, with construction handled by LOÖWE and TANK, emphasizing a collaborative approach to realizing this distinctive residential space. #KyotoApartment #KintsugiInspired #JapaneseCraft #ResinFlooring #MinimalistInterior #FiberReinforcedPlastic #GuesthouseDesign #TANKArchitects #TraditionalModernBlend

Pritzker-winning architect Tadao Ando consistently pursues the integration of light into his designs, creating complex choreographies of illumination within his architectural spaces. His work frequently showcases sensitive transitions where natural light interacts with concrete surfaces, manifesting as striking shadow patterns or subtle water reflections. Ando's architectural style blends traditional Japanese aesthetics with modernist principles, contributing to a form of critical regionalism. This approach is evident in iconic structures such as the Church of the Light, Koshino House, and the Water Temple, where he adeptly merges regional identity with contemporary interpretations of space, material, and light. Ando's early travels, particularly his visit to Rome in 1965 and his experience of the Pantheon, significantly influenced his architectural philosophy. The dramatic, direct light entering through the Pantheon's oculus presented a stark contrast to the diffused light prevalent in traditional Japanese architecture, characterized by shoji screens and softened daylight from gardens and verandas. This encounter with the Pantheon's intense brightness and singular, central light source profoundly impacted Ando, leading him to explore more dramatic light interventions in his own projects. While direct replication of the Pantheon's geometry was not his aim, the concept of a powerful and singular light source became a recurring motif. This influence is clearly seen in the Church of the Light in Ibaraki, Osaka (1989), where cross-shaped slots on the back wall of the sanctuary create a strong interplay of light and shadow, an unusual feature for traditional Japanese religious architecture. Ando initially envisioned these openings without glass to further intensify the connection to the Pantheon's direct light, though practical considerations for climate dictated the inclusion of glass. The theme of a singular, impactful light source is also reinterpreted in the Hill of the Buddha at the Makomanai Takino Cemetery in Sapporo (2017). Here, a tunnel leads to a rotunda where an oculus frames the Buddha's head, creating an impressive halo and demonstrating Ando's mastery in composing varying brightness levels, spatial dynamics, and vistas, all enhanced by his signature cool, grey concrete. Ando's designs often feature elegant slits between walls and ceilings that create poetic rhythms of light throughout the day. These subtle openings, while primarily diffusing daylight, serve to break the monolithic concrete surfaces, separating vertical and horizontal planes, and enhancing spatial depth. The Koshino House in Ashiya (1984) exemplifies this effect, with sunlight casting diagonal shadow bands that graze the walls, intensifying the dramatic daylighting. Similarly, the Vitra Conference Pavilion uses straight and curved concrete walls to capture distinct shadows, making the passage of time tangible. In the Church on the Water, a cross positioned in the window visually connects the congregation with an external cross on the water. This cross's shadow moves across the floor, tracking the sun's path, a technique also employed in the 4x4 House in Kobe (2003). In his American projects, such as the House in Chicago, the Penthouse in Manhattan (1996), and the 152 Elizabeth apartment block in New York (2017), Ando's windows, influenced by Mies van der Rohe, feature glass membranes with thin vertical lines, producing parallel shadow lines on the floor. Reflecting pools are another significant design element for Ando, introducing dynamic animation to his buildings. Examples include the Komyoji Temple in Saijo (2000), the Modern Art Museum in Fort Worth (2002), and the Langen Foundation in Neuss, Germany (2004). These pools create the illusion that buildings float, particularly at night when interior lighting washes the concrete walls behind glass facades. During the day, they generate captivating water reflections on cantilevered roofs, such as those at the Modern Art Museum. The Water Temple on Awaji Island orchestrates a profound sensory experience, beginning with a void between concrete walls and an open sky, leading to a lotus pond where reflections shimmer. The journey descends into a realm of diffuse red light, achieved through vermilion wooden screens, symbolizing a transformative passage. This sequence culminates at the main altar, where light emanates from the front, guiding worshippers and signifying a spiritual awakening. This architectural journey, as described by Professor Henry Plummer, can be likened to a birth, a purifying passage through light, darkness, and vibrant color. #TadaoAndo #ArchitecturalLighting #ConcreteArchitecture #JapaneseArchitecture #Modernism #LightAndShadow #ReligiousArchitecture #MuseumDesign #KoshinoHouse

Marguerite Rodgers Interior Design undertook a comprehensive makeover of a 19th-century townhouse in Rittenhouse Square, transforming it into a space that harmoniously blends historical elements with modern and Japanese-inspired aesthetics. The clients, who had a strong appreciation for the Far East, sought a design that would reflect their experiences while respecting the building's historical context. The townhouse, despite its grand origins, had undergone numerous renovations over the years, leaving only the original staircase and a living room fireplace intact. The design team, led by Marco Angelucci, aimed to create a hybrid space that gradually transitions from traditional public areas to more overtly modern and Asian-influenced private spaces. The main floor showcases this gradual transition. The living room, located at the front of the house, retains the most traditional detail, complementing the existing fireplace with newly introduced classical architectural references. The furniture in this space, while modern, pays homage to traditional designs, such as the contemporary chairs inspired by wingback chairs. A postmodern chandelier with floral motifs provides an early indication of the modern sensibility that pervades the rest of the home. Moving through the main floor, the dining room acts as a stylistic bridge, incorporating Streamline Moderne influences while retaining traditional baseboards and ceiling trim. The kitchen, at the rear, embraces a fully modern aesthetic with contemporary furniture and a striking metal sculpture. However, even in this modern space, subtle nods to tradition are present in the coffered cabinetry, mullioned sliding doors, and sofa detailing. The Japanese influence becomes more prominent in the private areas of the house. The main-floor powder room features a hand-painted traditional Japanese landscape by local artist Chris Lynn, which can be removed and relocated if the clients move. The primary suite and other upstairs bathrooms also heavily feature a Japanese sensibility. Many second-floor rooms integrate elements of Moderne design with traditional accents, while the primary bedroom subtly hints at tradition, bringing modern and Asian themes to the forefront. Floating nightstands, integrated into recesses flanking the bed, exemplify this blend. The primary bathroom evokes a Zen-like atmosphere with Chinese red accents on the vanity and a wooden surround for the soaking tub. The basement media lounge is entirely modern, serving as the dedicated space for televisions, which the clients preferred not to have in other rooms. This space is designed for both conversation and media viewing, featuring a unique orange chair with a single arm and back, allowing for flexible seating arrangements. A clever design element in the basement is a large artwork that conceals an electrical panel and other mechanical controls. The basement was also excavated to achieve higher ceilings, further enhancing the modern feel. The project was a collaborative effort involving Peter Zimmerman Architects, lighting designer Filament 33, landscape designer Digs, and contractor Shay Construction, with Marguerite Rodgers Interior Design leading the coordination and execution to deliver a space that truly reflects the clients' personalities and vision. #InteriorDesign #RittenhouseSquare #TownhouseMakeover #JapaneseInspired #ModernAesthetic #HistoricalRenovation #MargueriteRodgers #PhiladelphiaHomes #LuxuryDesign

OEO Studio, based in Copenhagen, has completed a luxury apartment in Tokyo's Opus Arisugawa Terrace & Residence, collaborating with Japanese property developer ReBita. The project seamlessly integrates Scandinavian design principles with traditional Japanese aesthetics and materials, reflecting a cross-cultural design philosophy. The apartment showcases OEO Studio's expertise in creating spaces that are both clean and rich in local character. The interior design features a kitchen crafted in Denmark by Garde Hvalsøe, known for its handcrafted cabinetry, and furniture from prominent brands such as Gubi, Stellar Works, and Brdr Krüger in the living room. Art pieces by Finnish artist Jaakko Mattila and Danish photographer Søren Rønholt further enhance the Scandinavian influence. The apartment’s layout promotes a natural flow between designated areas, fostering a warm and inviting atmosphere. Textural elements are central to the design, with rammed earth walls in the entryway providing a connection to nature, and columns made from Japanese Ōya stone dividing the living and kitchen spaces. Entrance areas are distinguished by deep blue indigo tiles, while Finnish birch paper yarn rugs, featuring patterns inspired by traditional Japanese textiles, introduce tactile comfort. The flooring creates visual interest through a juxtaposition of stone in the living room and wood in adjacent areas. A notable design feature is a movable wall that allows for flexible privacy settings. The bedrooms explore contrasts, with one designed in a darker palette and another in a lighter one, furnished with pieces from Karakter, Brdr Krüger, Stellar Works, and Fritz Hansen. The en-suite bathrooms continue the material narrative with stonework and wooden cabinetry, highlighted by a hinoki wood bathtub. This project exemplifies OEO Studio's ability to blend diverse cultural influences into a cohesive and luxurious living environment. The studio drew upon its established design heritage, integrating it thoughtfully with Japanese traditions to create an apartment that respects both backgrounds while offering a contemporary, elegant aesthetic. The use of natural materials and a focus on craftsmanship underscore the design's commitment to quality and longevity. The combination of Danish and Japanese design elements creates a unique dialogue between minimalist principles and a profound appreciation for texture and natural forms, resulting in a residence that is both sophisticated and deeply rooted in its context. #OEOStudio #TokyoApartment #ScandinavianDesign #JapaneseHeritage #InteriorDesign #LuxuryLiving #CrossCulturalDesign #NaturalMaterials

This article highlights ten furniture and lighting designs from Japanese brands and designers, curated to coincide with Designart Tokyo, an annual design festival that showcases architecture, interiors, product design, and art across various locations in Tokyo. The selection features a range of products including outdoor lantern lamps, sculptural tables, and carved wooden chairs, all previously showcased on Dezeen Showroom. Among the featured designs is the Kawara Armchair by Ronan and Erwan Bouroullec for Koyori. This chair is characterized by its classic shape, designed for dining or meeting settings, and its representation of high-quality Japanese craftsmanship. The box-like structure of the chair is intended to provide comfort. Another notable piece is the Sculpture Casting Bronze table by Time & Style, which incorporates a metal casting technique traditionally used for Buddhist statues in Japan for its large, sculptural base. This base is paired with an elliptical oak tabletop available in two sizes. Eterble fabric tablecloths by Japanese tableware brand Eterble are also presented. These tablecloths are made from recycled fabric, sourced from discarded items from weddings, hotels, and function rooms, and are offered in a neutral color palette. Seiki Design Studio, led by Kyoto-based designer Seiki Ishii, introduces the Bell lamp, a mobile lamp crafted from recycled glass. Its bell-shaped lampshade and blue loop allow it to be hung on a wall or placed on a floor stand. The Sou sofa, designed by Teruhiro Yanagihara for Swedish manufacturer Offecct, combines a wooden base with various cushioned seat options. Its minimalist design draws inspiration from both Japanese and Scandinavian design traditions. The Spectrum Workstation Round ST160, a collaboration between German studio Geckeler Michels and Japanese furniture manufacturer Karimoku, is a table made from Japanese oak. It features a circular cable tunnel in its center to manage cables efficiently while maintaining an aesthetic appeal. Product designer Yoshiki Matsuyama's Cachalot lamp for Ambientec is a portable light with a shape inspired by a whale's body. It consists of an LED light unit within a sculptural acrylic case, mounted on a die-cast zinc base. The DC10 chair by Inoda + Sveje for Miyazaki Chair Factory showcases a frame made from a carved piece of wood, emphasizing the natural material's color and grain. Its construction blends traditional handcrafting with modern CNC technology. The TO side table, created by Japanese designer Naoto Fukasawa for Italian brand Plank, is a minimalist piece featuring a circular base and tabletop. Made from four-millimeter-thick steel, it comes in various powdered-coated finishes. Finally, the Sparkler Lanterns by Kensaku Oshiro for Poltrona Frau are outdoor lamps available in three sizes. Their perforated shells, made from woven polypropylene rope, create unique patterns of light and shadow. This collection underscores a blend of traditional craftsmanship and contemporary design across various home furnishing categories from Japan. #JapaneseDesign #FurnitureDesign #LightingDesign #DezeenShowroom #DesignartTokyo #ProductDesign #InteriorDesign #Craftsmanship #SustainableDesign