Scandinavian design meets Japanese heritage in OEO Studio’s Tokyo apartment

The Kinuta Terrace, a 36-unit apartment complex built in the 1980s and located in a residential area of central Tokyo, has undergone a significant renovation. The developer enlisted the expertise of Tokyo-based Keiji Ashizawa Design and Copenhagen’s Norm Architects to transform two of the units into model apartments. The primary objective was to offer prospective residents design inspiration and styling concepts, with a strong emphasis on integrating nature and light into minimalist interiors. Inspired by the complex's integrated courtyard, which provides direct garden access—a valuable asset in a densely populated city like Tokyo—the renovation aimed to create an atmosphere as natural as possible within the apartments. The designers sought to bring the outdoors inside while simultaneously ensuring a sense of privacy. This was achieved through a strategic reconfiguration of the apartment layouts, resulting in larger, more open living areas that are flooded with natural light. The material palette chosen for the interiors is deliberately understated, featuring natural tones such as rustic concrete walls juxtaposed with light oak flooring, further enhancing the connection to nature. A significant aspect of the project involved the development of custom furnishings. Many pieces are crafted from light cypress, pale grays, and beige, aligning with the natural aesthetic. Frederik Werner, a designer and associate partner at Norm Architects, emphasized the importance of natural materials that age gracefully and tactile textures. He believes these elements are crucial for human well-being, contributing to the longevity of products and timeless aesthetics, and helping urban dwellers reconnect with nature. The collaboration extended to Karimoku, a prominent Japanese wooden furniture manufacturer, leading to the creation of the Kinuta Collection. This 12-piece bespoke furniture line is now part of a new brand called Karimoku Case Study. While currently available only at the AXIS Gallery in Japan, plans are in place for worldwide distribution. The collection includes a pale gray sofa with a cypress frame and a coffee table with a black-tinted glass top, and many designs draw inspiration from Japanese temples and gardens, incorporating thoughtful details. Examples from the collection include the Kinuta A-S01 sofa, a simple, multifunctional piece with an oak finish and Kvadrat fabrics, designed to invite light and air into double-height spaces. The Kinuta A-CT01 coffee table features a cypress wood frame and a thin pane of black-tinted glass, its height designed to match the sofa and even allow for use while sitting on the floor, referencing traditional Japanese short-legged dining tables. The Kinuta A-DT01 dining table reflects the 'crude beauty and roughness' of the original apartment interiors, with a structure designed to echo the apartments’ geometric layout and a balance of light and heavy elements, appearing delicate from some angles and robust where needed. Another piece, the Kinuta N–SS01 bookshelf, draws inspiration from umbrella and shoe racks found near the entrances of Japanese temples and shrines. Repetitive patterns are used throughout the design, with staircases, rails, and wall panels mimicking elements of the courtyard, an architectural approach echoed in the furniture. The designers paid careful attention to light, transparency, and shadows, both within the interiors and in the exterior design of the building. Werner highlights the mutual fascination and appreciation between Japanese and Scandinavian design traditions, particularly in their shared respect for natural materials and the creation of physical and mental sanctuaries. He concludes that these sanctuaries, composed of natural elements, peace, and calm, are increasingly vital in an era of large-scale urbanization, with Tokyo serving as a prime example. #TokyoApartments #MinimalistDesign #ScandinavianDesign #JapaneseDesign #NormArchitects #KeijiAshizawaDesign #KinutaCollection #NaturalMaterials #InteriorRenovation #UrbanLiving

The Fukuoka-based design firm Case-Real, led by Koichi Futatsumata, has successfully transformed a traditional Japanese storehouse, known as a 'kura,' into a contemporary and highly versatile multi-functional work-live space. This project was conceived to address the growing demand for spaces that seamlessly integrate professional and personal lives, particularly for creative individuals. The owners, a creative director in food design and a gallerist specializing in Japanese craft, required a space that could accommodate their diverse professional needs, from hosting art exhibitions to conducting tea ceremonies, while also serving as a comfortable living environment. The converted property is located in Gosho-Higashi, a tranquil area nestled between Kyoto Gyoen and the Kamo River. The design incorporates a white structure that houses the primary office area, complementing the traditional kura, which was repurposed as a gallery to display pottery and everyday tools. Futatsumata's vision was to create a harmonious environment where the clients' varied professions could coexist and even influence each other, a concept deeply rooted in the inherent adaptability of traditional Japanese residences. The aesthetic of the space is characterized by a refined color palette of plums, browns, and creams, establishing a warm and inviting atmosphere. A key functional element is the inclusion of movable screens, which allow for dynamic adjustments to room sizes, offering flexibility for different activities and gatherings. This design choice underscores the adaptability that was central to the project's brief. To achieve the unique blend of urban Japanese style and traditional Zen aesthetics, Case-Real collaborated with local artisans. For the tearoom, bespoke furniture was crafted by Koichi Touji and Yuji Yamamoto, resulting in a custom six-seater counter designed to fit the room's specific dimensions. Architectural lighting specialist Shoji Hiroyasu was engaged to implement tastefully concealed down-lighting, further enhancing the serene and sophisticated ambiance. Futatsumata highlights that the project's success in balancing multiple functions stems from embracing the inherent spatial continuity found in traditional Japanese architecture. This approach allowed for a design where each functional area within the house harmoniously coexists, providing the owners with an elegant, adaptable, and inspiring environment that supports both their professional endeavors and personal lives. #JapaneseArchitecture #LiveWorkSpace #StorehouseConversion #InteriorDesign #ModernWorkspace #KoichiFutatsumata #CaseReal #KyotoDesign #TraditionalMeetsContemporary

This article highlights ten furniture and lighting designs from Japanese brands and designers, curated to coincide with Designart Tokyo, an annual design festival that showcases architecture, interiors, product design, and art across various locations in Tokyo. The selection features a range of products including outdoor lantern lamps, sculptural tables, and carved wooden chairs, all previously showcased on Dezeen Showroom. Among the featured designs is the Kawara Armchair by Ronan and Erwan Bouroullec for Koyori. This chair is characterized by its classic shape, designed for dining or meeting settings, and its representation of high-quality Japanese craftsmanship. The box-like structure of the chair is intended to provide comfort. Another notable piece is the Sculpture Casting Bronze table by Time & Style, which incorporates a metal casting technique traditionally used for Buddhist statues in Japan for its large, sculptural base. This base is paired with an elliptical oak tabletop available in two sizes. Eterble fabric tablecloths by Japanese tableware brand Eterble are also presented. These tablecloths are made from recycled fabric, sourced from discarded items from weddings, hotels, and function rooms, and are offered in a neutral color palette. Seiki Design Studio, led by Kyoto-based designer Seiki Ishii, introduces the Bell lamp, a mobile lamp crafted from recycled glass. Its bell-shaped lampshade and blue loop allow it to be hung on a wall or placed on a floor stand. The Sou sofa, designed by Teruhiro Yanagihara for Swedish manufacturer Offecct, combines a wooden base with various cushioned seat options. Its minimalist design draws inspiration from both Japanese and Scandinavian design traditions. The Spectrum Workstation Round ST160, a collaboration between German studio Geckeler Michels and Japanese furniture manufacturer Karimoku, is a table made from Japanese oak. It features a circular cable tunnel in its center to manage cables efficiently while maintaining an aesthetic appeal. Product designer Yoshiki Matsuyama's Cachalot lamp for Ambientec is a portable light with a shape inspired by a whale's body. It consists of an LED light unit within a sculptural acrylic case, mounted on a die-cast zinc base. The DC10 chair by Inoda + Sveje for Miyazaki Chair Factory showcases a frame made from a carved piece of wood, emphasizing the natural material's color and grain. Its construction blends traditional handcrafting with modern CNC technology. The TO side table, created by Japanese designer Naoto Fukasawa for Italian brand Plank, is a minimalist piece featuring a circular base and tabletop. Made from four-millimeter-thick steel, it comes in various powdered-coated finishes. Finally, the Sparkler Lanterns by Kensaku Oshiro for Poltrona Frau are outdoor lamps available in three sizes. Their perforated shells, made from woven polypropylene rope, create unique patterns of light and shadow. This collection underscores a blend of traditional craftsmanship and contemporary design across various home furnishing categories from Japan. #JapaneseDesign #FurnitureDesign #LightingDesign #DezeenShowroom #DesignartTokyo #ProductDesign #InteriorDesign #Craftsmanship #SustainableDesign

This lookbook explores the rising popularity of "Japandi" design, a hybrid interior style that merges Japanese and Scandinavian aesthetics. The approach aims to create minimal yet warm and inviting spaces through a focus on craftsmanship, tactile materials, and pared-back styling. The article showcases seven distinct projects that exemplify this design philosophy, highlighting how different designers and architects have interpreted and implemented Japandi principles in various settings. One featured project is the Archipelago House in Sweden by Norm Architects, a pine-clad holiday home that seamlessly integrates Swedish and Japanese aesthetics. The double-height living room utilizes creamy white and pale grey hues alongside light wood furniture designed in collaboration with Karimoku Case Study. A bespoke cone-shaped lantern crafted from washi paper by Japan's Kojima Shouten serves as a central lighting element, underscoring the blend of traditional craftsmanship from both cultures. Another example is Ariake's "A Quiet Reflection" exhibition at Stockholm Design Week, which presented the Japanese furniture producer's wooden furniture within the dilapidated former Mexican embassy in Stockholm. The contrast between the clean lines of the furniture and the crumbling, stuccoed walls highlighted an appreciation for texture, color, and aged craftsmanship, effectively encapsulating the Japandi ethos. Pantechnicon, a London establishment by Farrells, also embodies the Japandi style by housing shops and restaurants focused on Japanese and Nordic cultures. The interiors feature a pared-down aesthetic with extensive wood detailing for warmth, complemented by lantern-like lights and green plants that soften the minimalist design. Magdalena Keck's design for an Upstate New York Home, belonging to a family with Japanese and American heritage, showcases a fusion of these backgrounds with Scandinavian elements. The open-plan living area incorporates Danish designer Finn Juhl's furniture, Japanese pottery, and woven mats from Tokyo, alongside mid-century design and American crafts to achieve a balanced, minimalist feel. The Izumi restaurant in Copenhagen, designed by Pan-Projects and Mok Architects, serves as a practical application of Japandi. It draws inspiration from traditional Japanese restaurant interiors with translucent screens reminiscent of shoji doors, while integrating Scandinavian design through curving oak panels around the open kitchen. The designers emphasize the historical cultural exchange between Japan and Nordic countries in the field of design. Claesson Koivisto Rune's K5 Tokyo Hotel, located in a converted bank building, offers a unique interpretation of Japandi with a warmer, more tactile approach. The Swedish studio utilized saturated hues and details like thin blue ombre curtains, inspired by Japanese indigo-dyeing, and sturdy wooden room dividers reflecting Scandinavian mid-century modern design. The hotel's interior design is conceptualized around the Japanese notion of "aimai," signifying ambiguity or unclearness. Finally, the Powerscroft Road townhouse in London, renovated by Daytrip, features loosely lime-washed walls and polished concrete floors to create a "calm and serene home." Scandinavian influences are evident in the warm wood details, such as a dark-wood chair in the dining room, while East Asian elements are introduced through elegant lighting fixtures, including a Japanese paper lamp from Isamu Noguchi's Akari range. This project demonstrates how Japandi can be applied to create a tranquil and refined urban dwelling. #JapandiInteriorDesign #JapaneseDesign #ScandinavianDesign #MinimalistInteriors #TactileMaterials #Craftsmanship #InteriorInspiration #HomeDecor #ModernLivingSpaces

This article explores nine diverse examples of Japandi interior design, a style that harmoniously merges Japanese and Scandinavian aesthetics. Japandi design is characterized by its contemporary yet minimalist nature, prioritizing quiet, understated elegance, coziness, and comfort, often incorporating elements of Hygge and Wabi-Sabi philosophy. The style frequently uses earthy palettes and natural materials to create serene and inspiring spaces. The first example is a duplex apartment in Singapore, named The Rasidence, where Studio Right Angle implemented a minimalist Japandi aesthetic. This design features sliding ash wood screens for subtle space division and an earthy palette of oak, stone, and neutral hues, fostering an airy and grounding presence that evokes serenity. Next, a former photography studio in San Francisco's Potero Hill neighborhood was transformed into a serene Japandi home by Brooke Aitken. The renovation preserved original clerestory windows and cinder-block walls while integrating natural light and covering walls in linen-like vinyl, with selective pops of red in furnishings, enhancing the home's coziness. An I.M. Pei-designed apartment in Manhattan's Kips Bay Towers underwent a Japandi-inspired revamp by Uli Wagner Design Lab. The firm introduced fluted ceiling panels and minimalist touches, alongside multiple aluminum windows, to open up the floorplan and maximize natural light, maintaining a grounded aesthetic within the Brutalist classic structure. In Dublin, Róisín Lafferty and Ambient Architecture combined two semi-detached houses into a single residence with a fashionable Japandi style. The design utilizes a neutral base palette, reflective surfaces, and glass walls to bring in natural light and views of the verdant backyard, creating an “oasis of calm” with subtle greens, blues, and taupes. Jan Žaloudek, an architect, designed his own serene 1,600-square-foot home in Kamenná Lhota, Czech Republic, embodying modern Japandi interior design. The home features circular and quatrefoil-shaped punctures in the masonry for ventilation and light, casting “lacelike shadows” on concrete floors. The decor reflects fine art interests, with carefully curated furniture and artwork giving spaces an ecclesiastical and gallery-like feel. OWIU revitalized a neglected 1955 home in Los Angeles, channeling their Japanese-inspired design ethos with a modern aesthetic. Floor-to-ceiling windows offer views of a substantial garden, and every surface is painted to reflect the landscape, from terra-cotta to beige, with Venetian plaster in the foyer bringing in the texture of surrounding mountains. In La Quinta, California, a 12,000-square-foot desert home, inspired by Japanese Zen gardens, was reimagined by Lucas interior design firm. This space integrates emerald green and navy blue tones with bronze accents and wooden elements, creating a Japandi style. Thoughtfully chosen furniture, lighting, tactile fabrics, and natural materials like stone and steel contribute to a cozy and visually rich atmosphere. A London apartment by Natural Asthetik achieved a serene Japandi environment using a restrained, soft, and natural color and material palette, incorporating wood, stone, and natural fibers. Organic shaped pieces and curves were used to maintain an energetic flow within the rooms, creating a peaceful refuge in the city. Finally, a 10,000-square-foot Vancouver Island home by Andrea Rodman Interiors blends Japanese and Scandinavian influences. Taking inspiration from Canadian countryside houses, the contemporary and minimalist design features a white palette accented by oak tones, natural stone, and rattan, making the interiors feel airy and connected to the coastal British Columbia environment, achieving a unique balance between the two design styles. #JapandiInteriorDesign #MinimalistDesign #ScandinavianAesthetics #JapaneseAesthetics #HomeDecor #InteriorDesignProjects #TranquilSpaces #NaturalMaterials #SustainableDesign

Kristina and her husband, Mark, acquired a 92-square-meter apartment in Brooklyn Heights, New York, within an Art Deco building designed by architect Emery Roth. This building, formerly the St. George Tower hotel, holds historical significance, having hosted movie sets and presidential guests, and once featured the largest indoor saltwater pool in the United States before its conversion to a co-op in the late 1970s. The couple, with their then-6-month-old daughter, purchased the apartment and lived in it for a year to understand its existing flaws and their desired improvements. During this initial period, they identified several issues: deteriorating parquet flooring, squeaky kitchen cabinets, a dishwasher that couldn't fully open due to a radiator obstruction, a doorless closet in their daughter’s room leading to items falling out, and bathrooms with original pastel pink tiles that were difficult to keep clean. These challenges prompted them to seek professional help to transform the space into a comfortable and functional home. They enlisted interior designer Claire Hung, founder of Claire Hung Design, whom they connected with through a neighborhood group focused on Brooklyn renovations. Hung’s background in Scandinavian design and Japanese influences resonated with the couple’s vision, leading to a synergistic partnership. Hung's renovation focused on maximizing the apartment's limited 92-square-meter space through integrated built-ins and a redesigned spatial layout. She addressed the visual impact of structural beams by incorporating them into the interior design, contributing to a lighter and more open atmosphere. The galley kitchen was opened up to the living area, expanding its footprint. This was achieved by elongating the countertop into an eat-in peninsula and connecting storage to the kitchen through seamless millwork, enhancing both functionality and aesthetics. Initially, the apartment, with its northern exposure, felt cold due to sterile white paint. Hung introduced warmth and sophistication by blending contemporary styles with a touch of modernism. The original floors were replaced with a honey/wheat-colored wood, while natural oak was used for doors and trim. Dark chocolate oak cabinetry was installed in the living space, complemented by Italian marble—Macchia Vecchia for the backsplash and Paonazzo for the countertop—adding a luxurious touch. The main suite also underwent significant changes. The closet was expanded, and the compact, Japanese-inspired primary bathroom was transformed with a slab of Breccia Romana for the floor and a continuous shelf extending from the shower to the vanity. For their daughter's room, Hung opted for vibrant, colorful linens that harmonized with the existing midcentury furniture, fulfilling the parents' desire for a cozy, sophisticated, and stylish environment suitable for a child to grow up in. The renovation successfully converted the relatively small apartment into a highly functional and aesthetically pleasing space, maximizing every square meter. #ApartmentRenovation #BrooklynDesign #SmallSpaceLiving #InteriorDesign #EarthyInteriors #ScandinavianInfluence #JapaneseDesign #ArtDecoBuilding #FunctionalDesign

HAMS and Studio undertook the renovation of an apartment situated in the suburbs of Tokyo, Japan, with the intention of transforming it into a flexible living environment tailored for a working couple. The project, titled 'One Nuance,' aimed to deviate from the apartment's original rigid grid plan by introducing subtle variations in spatial composition, color, and material finishes. This strategic approach sought to create an adaptable living space that could accommodate a diverse range of activities and lifestyles. The design process commenced by addressing the existing layout, which notably featured a corner-room configuration. The primary intervention involved the elimination of traditional corridors, a common feature in many apartments that can fragment spaces and limit natural light. In their place, smaller, more versatile rooms were arranged along the exterior walls. This reorientation served to maximize natural light penetration and foster a brighter, more open ambiance throughout the apartment, significantly enhancing the overall sense of spaciousness. A central element of the redesigned apartment is the living room, conceived as an open and fluid zone. This open-plan living area establishes direct connections with the surrounding smaller rooms, promoting an interactive and relaxed atmosphere. A distinctive feature of the renovation is the implementation of a 'double-opening' design. This innovative system comprises 'outer openings' that are strategically positioned to draw natural light deeper into the interior spaces. Complementing these, 'inner openings' are integrated into the internal partitions, serving to frame and visually connect various living activities happening within the apartment, thereby creating a continuous and expansive internal vista. The aesthetic and functional versatility of the apartment is further elaborated through the nuanced design of the internal facades. The appearance of these facades is intentionally varied, contingent upon the specific purpose of each adjoining smaller room and the type of partition employed. This thoughtful differentiation generates a series of unique 'viewports' throughout the home, adding visual interest and spatial depth. For instance, robust plastering was selected for the internal walls, providing a textured and durable surface. In contrast, glossy solid finishes were applied to the passages leading to the living room, contributing to a sense of fluidity and light reflection. The selection of materials and finishes, characterized by subtle textures and a cohesive color palette, was critical in establishing the apartment's dynamic and harmonious environment. The objective was to ensure that while individual spaces retained their distinct character, they collectively formed a unified and aesthetically pleasing whole. This attention to detail in material application and color scheme reinforces the project's 'One Nuance' concept, where slight variations contribute to a richer and more adaptable living experience for the inhabitants. The renovation successfully transforms a standard suburban apartment into a sophisticated and highly functional dwelling, ready to meet the evolving needs of its occupants. #ApartmentRenovation #TokyoArchitecture #FlexibleLiving #InteriorDesign #SpatialComposition #HAMSandStudio #ResidentialArchitecture #OpenPlanLiving

Architect Andrew Lister designed a distinctive home for actor Yuri Kinugawa and film producer Owen Hughes in the Auckland suburb of Waterview. The residence, characterized by its tall silhouette, narrow upper window, and a blank cedar-clad facade, adheres to the principles of the Direct Compass, a Japanese discipline akin to feng shui. The home's exterior, covered in cedar weatherboards, initially appears utilitarian, yet conceals a thoughtfully designed interior. The house's structure is composed of two primary boxes connected by a passageway and an adjoining bathroom. Despite its compact footprint, the design creates an illusion of greater spaciousness, as noted by Hughes. A prominent feature of the living room is a two-story bookcase spanning the entire northern wall, housing Hughes’ extensive book collection. This vertical storage solution ingeniously maximizes space, drawing the eye upwards and adding visual texture without encroaching on floor area. The central area of the home is laid out efficiently, with the kitchen to the left and the bedroom to the right. Above these spaces, two offices are stacked, accessible via a stairway at the rear of the room. The interior is enriched by family antiques and Japanese textiles, which introduce complementary textures, transforming the angular space into a welcoming environment. Following Direct Compass principles, the bedroom, considered vital for family relationships, overlooks a small zen garden on the south side of the house. This placement is believed to promote mental clarity due to cooler temperatures. A six-foot-long passageway clearly delineates the transition from the public kitchen and dining areas to the private bedroom. The traditional Japanese bathroom, situated off the central passageway, serves as a space for washing before bathing in a wood-lined onsen (tub). While the north side of the house offers views of an estuary, the street-facing facade maintains a minimalist, private appearance. In stark contrast, the west-facing side features a double-height glass wall that can be fully opened, merging the living space with a veranda. This outdoor area overlooks the garden, estuary, and harbor, providing a setting for observing sunsets and occasional dolphin sightings. The home's exterior features low-maintenance Canadian cedar cladding and aluminum joinery, designed to age gracefully and harmonize with the surrounding garden's sculptural desert plants. The durability of these materials is crucial, given the home's exposure to south-westerly winds laden with salt from the estuary, a condition the chosen plants tolerate well. #JapaneseDesign #BoxHome #TwoStoryBookcase #SmallSpaceLiving #DirectCompass #AucklandArchitecture #CedarCladding #ZenGarden #OpenPlanLiving

The Mori House, originally designed in 1963 by Saul Zaik, a prominent figure in Pacific Northwest architecture, has been revitalized by SHED Architecture & Design. Located in a forested area of Portland, Oregon, the redesign aims to blend mid-century modern aesthetics with Japanese-inspired minimalism to suit a young family's design preferences and functional needs. The property features a main house, a detached garage and studio, and a teahouse pavilion, all connected by elevated decks and surrounded by tall trees, fostering a strong connection to nature. SHED Architecture & Design's renovation honors Zaik's original vision, which emphasized clear geometries and natural materials. The primary goal of the remodel was to enhance the flow of light and space, blurring the lines between the indoor and outdoor environments. A significant alteration involved replacing the original spiral staircase and loft with an open, vaulted ceiling. This change reveals the nail-laminated wood roof structure and introduces a new central skylight, which bathes the living areas in natural light and accentuates the architectural rhythm of the home. The main floor is designed with an open-plan layout, where the living, dining, and kitchen areas seamlessly connect along the southern side. Expansive glazing offers unobstructed views of the surrounding forest. A strategically relocated fireplace in the living room provides a focal point and, on clear days, offers views extending to Mount Saint Helens. The kitchen is a testament to refined craftsmanship, featuring custom fir accents and horizontal windows that frame views of mature rhododendrons, integrating the natural landscape into the interior design. The primary suite, situated on the northern side of the house, is designed as a luxurious and tranquil retreat. It includes a walk-in closet and a bathroom equipped with a Japanese soaking tub, combining comfort with elegant simplicity. Fir slats above the entry doors to the suite softly diffuse light, maintaining a visual link to the central skylight. The lower level of the house has also been transformed into a versatile space, accommodating three flexible rooms that can function as bedrooms, offices, or fitness areas, alongside a shared bathroom and a dedicated wine cellar. A cozy lounge area on this level, with its floor-to-ceiling windows, reinforces the home's deep connection to its natural, wooded surroundings. #Architecture #HouseDesign #InteriorDesign #JapaneseAesthetics #JapaneseMinimalism #MidCenturyModern #PortlandArchitecture #ResidentialDesign #SHEDArchitectureAndDesign

Kwang Wei Long and Yong Si Yun, a recently-married couple, transformed their 1,249 sq ft four-room HDB resale flat in Bishan into a Japanese-inspired sanctuary. While they had never vacationed in Japan together, their shared appreciation for Japanese culture and Si Yun's prior study of the language led them to infuse their home with elements reminiscent of the country. Their primary goal was to create a tranquil space for relaxation, drawing inspiration from the serene courtyards and gardens found in Japanese temples, and the way modern and historic elements are harmoniously blended in Japanese design. This vision was communicated to their interior design firm, Chalk Architects. The original flat presented several layout challenges, including an unusual balcony placement and an L-shaped living room, which felt dim due to a previous owner's addition of a bedroom. Despite this, the couple opted to preserve the apartment's original dusty-pink broken marble floor, finding its tones appealing. To enhance light and spaciousness, they removed the former study room wall, integrating it into a larger living room. A raised blond wood platform was installed near the entrance, accompanied by a built-in study desk facing the window. This area serves dual purposes: a dedicated workspace and a home yoga studio, complete with a wall-to-ceiling mirror. Further alterations included the removal of walls separating the dining room from the kitchen and the third bedroom, as well as the wall between the master bedroom and an adjoining bedroom. These structural changes were crucial for incorporating shoji screens, a traditional Japanese design element. The couple admired the aesthetic of these latticed wooden screen doors and their ability to flexibly open or segregate indoor spaces. Addressing concerns about Singapore's humid climate affecting traditional paper panels, the interior designer utilized glass-paneled lattice sliding doors for the dining, kitchen, and third bedroom areas. These doors allow light to permeate while maintaining distinct zones, and when fully opened, they create an expansive living and dining area. Similarly, the wooden sliding doors for the master bedroom and its adjoining bedroom, as well as the master bedroom's wardrobe doors, were designed to mimic shoji screens, using white wood instead of paper. These elements contribute to a quiet, meditative atmosphere, offering a versatile space that can also function as a work area, providing a visually appealing backdrop for virtual meetings. The designers ensured the shoji screen tracks were installed on the ceiling to prevent damage to the existing floor. The living room's accent wall also features a shoji-inspired panel design, complementing the natural light filtering through sheer curtains during the day and the inviting glow of cove lighting and pendant lamps after dark. The apartment's color scheme and furnishings reflect a minimalist Japandi aesthetic, blending Japanese and Scandinavian design principles. Blond wood, white tones, and pale grey soft furnishings create a calm environment, contrasted by the dusty-pink floor. Decorative items, such as a Japanese-inspired artwork sourced from Etsy and rustic earthenware, along with furniture like the L-shaped sofa, coffee table, and rug, were carefully chosen for their minimalist sensibilities and to fit the overall aesthetic. The couple prioritized hidden storage solutions, opting for a queen-sized platform bed, a flip-top desk, and an L-shaped sofa with integrated storage to maintain a clean and uncluttered look. For entertaining, the couple's large, rectangular kitchen island, fitted with castors, can be moved to extend the dining table, effectively doubling the seating capacity from five to ten. This flexible arrangement accommodates both small and large gatherings, fostering a communal atmosphere. Friends and family have positively received the home's clean, warm, and bright aesthetics, often remarking on the efficient storage solutions, which some visitors plan to incorporate into their own home designs. While the couple still anticipates a trip to Japan, their thoughtfully designed HDB flat provides a cherished space for living and working, bringing a slice of their favorite holiday destination into their daily lives. The project was part of CNA Lifestyle’s "Making Room" series, which highlights transformations of small homes. #JapaneseInteriorDesign #HDBRenovation #ShojiScreens #HomeTransformation #MinimalistDesign #JapandiAesthetic #SmallHomeSolutions #InteriorDesign #FlexibleLivingSpaces

The L House, located in Culver City, Los Angeles, is a Japanese-inspired residence built by David and Mayuko Lai, who met in Tokyo. The couple sought to create a 'modern reinterpretation of Japanese elements' for their family of five, drawing inspiration from traditional Japanese architecture books. Despite having ample land, they opted for a smaller, efficiently designed home, emulating the space-saving ingenuity often found in Japanese houses. The residence is shaped like an 'L' and features an interior courtyard overlooking a lap pool. The street-facing facade incorporates unsealed larch wood, a common Japanese material that naturally patinas, serving as a privacy screen and sun protection for the second-floor windows. The design also includes small courtyard gardens, reminiscent of those in Kyoto, and a five-foot engawa deck that appears to float off the ground. A central concept in the home's design is the illusion of levitation, evident in both its exterior and the interior sawtooth metal staircase. Inside, the home maintains an open floor plan with neutral tones, simple furniture, and maple floors and cabinetry. A Japanese maple tree serves as a focal point, visible from most areas through floor-to-ceiling glass walls. A key design element is the strategic use of pocket doors, which can be left open to create an expansive, connected feel throughout the home, aligning with the family's desire for an open environment while still offering privacy when needed. This approach to doors is part of a broader philosophy of concealed design, where functionality is hidden for a seamless aesthetic. David Lai states that "the best design is somewhat hidden; it's something you experience." Technological integrations are discreetly incorporated, with solar panels hidden on the roof and office cables tucked away. The pool is internet-connected and app-controlled, and the bathrooms and kitchen feature sensors that activate tankless water heaters to warm recycled cold water upon entry. Storage solutions are similarly ingenious, with kitchen appliances like microwaves and rice cookers hidden behind sliding aluminum "garage" doors. A concealed hamper in the bathroom delivers laundry directly to the washing machine, and the garage features sliding doors that hide bikes and cleaning supplies. The bathroom design is distinctive, eschewing multiple showers for a central family bathroom inspired by Japanese bathhouses, complete with a separate wash area. The garage is also uniquely designed with double-sided doors, opening to both the street and the pool area. This feature, inspired by a commercial building David Lai observed in Japan, allows the garage to transform into a versatile pavilion for events. The Lais believe their home, with its adaptable Japanese-inspired design, will continue to evolve with their family's needs over time. The project was executed by Lee + Mundwiler Architects, and the article was supported by Genesis. #JapaneseInspiredDesign #ModernArchitecture #MinimalistHome #SmartHomeTechnology #SpaceEfficiency #CulverCityHomes #ArchitecturalInnovation #HiddenStorage #FlexibleLivingSpaces

Acne Studios, the Swedish fashion label, has opened a new flagship store in Tokyo's Aoyama district, a move that encapsulates the brand's playful yet minimalist aesthetic. The store, located on a prominent corner of Omotesando, an area known for its architectural significance, was designed by Acne Studios' founder and creative director, Jonny Johansson, in collaboration with Stockholm-based studio Halleroed. This new location replaces a previous store on a nearby backstreet and represents the culmination of Johansson's long-standing connection and inspiration drawn from Japan. The conceptual foundation for the store was inspired by the idea of a 'garage' – an open, technical space. Johansson envisioned an interior that maintained the skeleton of the original building, incorporating extensive use of glass to create a seamless flow between the inside and outside, allowing visitors to feel connected to Aoyama. This structural openness is complemented by a unique design element: softly-textured pink granite stone. This material is used to connect various spaces, extending across floors and walls, and forms two prominent, airy staircases with clean, minimalist lines and subtly indented handrails. The choice of pink for the granite was deliberate, aimed at avoiding a 'banal' or 'naïve' impression. According to Ruxandra Halleröd, co-founder of Halleroed, the team explored various textures and materials before settling on a granite that intensifies in pink hue when flamed. This approach was intended to create a mature and nuanced pink, moving beyond typical feminine connotations to become a 'pop color' that aligns with Acne Studios' slightly vague yet distinct brand identity. Contrasting the soft pink granite, the store integrates reflective metal accents, angled mirrors, and dynamic stainless steel clothing hangers that are sharply suspended from the ceiling. This blend of materials and forms adds to the store's contemporary and edgy atmosphere. Further enhancing the creative interior are bespoke elements from long-term Acne Studios collaborators. British designer Max Lamb contributed a series of pieces, including shiny soft leather seats that appear to merge with the walls, tufted carpets, and 'Blob' chairs made from hand-dyed yarns. Illumination is provided by dozens of custom strip-lighting fixtures, conceived by designer Benoit Lalloz, which are strategically placed across ceilings and integrated into metal displays. Surrealist mannequins by artist Daniel Silver introduce an additional layer of artistry. Ruxandra Halleröd emphasizes that the design thrives on contrasts, mirroring Tokyo's own blend of high-tech and historical elements. The stark, hard-material-clad building contrasts with the irregular, shiny furniture, creating unexpected visual and tactile experiences. Christian Halleröd, also a co-founder of Halleroed, highlights Japan as a significant source of inspiration, particularly for its commitment to quality and craftsmanship. The store's opening is also marked by a collaboration with artist Takuro Kuwata, who created a series of candy-bright ceramic vessels and reinvented the brand's 'Camero' bag and denim jeans with rainbow designs and trompe l'œil effects. This reflects Johansson's perspective that "fashion is supposed to be fun" and a desire for luxury to be inclusive rather than exclusive, a philosophy that deeply informs the new Tokyo flagship. #AcneStudios #Tokyo #FlagshipStore #FashionDesign #RetailArchitecture #InteriorDesign #JapaneseCraftsmanship #ContemporaryArt

Kenzo Takada, a prominent fashion designer known for vibrant prints, bold colors, and unique silhouettes, profoundly influenced the fashion industry by integrating Japanese elements into Western aesthetics. His brand, Kenzo, which he founded and later sold to LVMH in 1993, became a global phenomenon. Following his departure from the active fashion scene, Takada redirected his creative talents towards home interior design, launching his furniture label K-3 less than a year before his passing in October 2020 due to Covid-19 complications. His K-3 collection continued his signature blend of Eastern and Western design principles, characterized by a rich use of color and prints. In stark contrast to the colorful exuberance of his fashion and furniture designs, Takada's personal residence in Paris, known as the Kenzo House, exhibits a serene and Zen-like aesthetic. This 13,778 square-foot home, located in an 18th-century residential building in the Bastille district, was initially built by Takada in 1993 and later redesigned by architect Kengo Kuma in 2018. The exterior of the four-story house features natural materials such as cedar shingles, teak, and clay, contributing to its tranquil and textured facade. A central feature of the home is an interior courtyard designed as a traditional Japanese garden. This garden includes a stone pond inhabited by nishiki carp and koi fish, surrounded by a variety of Japanese flora, including cherry and maple trees, bamboo, junipers, lichens, and mosses. Kuma's redesign ensured that each room of the house offered views of this natural sanctuary, creating a seamless connection between the indoor and outdoor spaces. The garden is further enhanced by carefully placed rocks and miniature waterfalls, replicating a classic Japanese landscape. Adjacent to the garden is a Japanese pavilion that houses a traditional tea ceremony room. This room is authentically appointed with tatami mats and shoji sliding doors, which can be opened to provide an unobstructed view of the koi pond. Inside the main house, the aesthetic continues with extensive use of wood. French oak louvres, beams, and floors maintain consistency with the original wooden finishes. An engawa, a traditional Japanese exterior corridor, featuring a wooden lattice, replaced an indoor lap pool, further emphasizing the home's Japanese design influences. The residence is comprehensively equipped with modern amenities and ample living spaces. It features four bedrooms, each with an en suite bathroom and a dedicated dressing room, ensuring privacy and comfort for residents and guests. Additional facilities include a music room, a study, a fitness room, and an elevator. The property also provides practical accommodations with three self-contained studio apartments for staff and two private parking spaces. This thoughtful integration of Japanese aesthetics with contemporary living defines Kenzo Takada's personal Parisian home as a unique and tranquil retreat. #InteriorDesign #HomeTour #FashionDesigner #JapaneseAesthetics #ParisHome #KengoKuma #ZenLiving #ArchitecturalDesign

Kenji Ito, a Japanese designer with a master's degree from Pratt Institute, undertook a significant renovation of his 1,700-square-foot apartment in Gramercy, New York City. This apartment, located in an 1850 redbrick town house, was originally converted a decade before Ito and his wife, Patricia Chan, purchased it in 1991. The residence initially featured a wide double-height great room, two bedrooms, and two-and-a-half baths. The couple raised their two children in the apartment, deferring the major renovation until after Ito retired from Knoll, where he served for 26 years as director of interior design. Ito's design philosophy is deeply rooted in his upbringing in Kyoto, where he studied Zen temples and gardens. This background instilled in him a minimalist and pristine architectural approach, characterized by a keen eye for placement and detail. His extensive experience at Knoll, mastering showroom and trade show displays, further honed his skills in interior design. His renovated apartment serves as a showcase for his furniture collection, which includes both full-size pieces and scale miniatures. A notable feature is a small grouping near the living room mantelpiece, which Ito refers to as his "shrine." This display prominently features a toy Barcelona chair, signifying his admiration for Western design masterworks. The living room's seating arrangement is centered around Gianfranco Frattini's 1974 Kyoto coffee table, crafted from beech and ebony. A low postmodern mantelpiece was specifically designed to accentuate the sixteen-foot living room ceiling, adding an unexpected dramatic element. Another prized possession, a Wassily Chair by Marcel Breuer, holds a central position in the living space. An aircraft cable balustrade on the mezzanine edge ingeniously connects this upper level with the multipurpose living room below, fostering a sense of continuity and openness. A "shrine" dedicated to Ludwig Mies van der Rohe's Barcelona Chair, in miniature, is positioned above Robert Venturi’s colorful laminated plywood Chippendale chair, a design manufactured by Knoll. In the master bedroom, an unpainted brick chimney provides an architectural backdrop for a neatly upholstered headboard. An impressive framed abstract work on paper is hung above the convertible sofa bed, adding an artistic touch to the space. The small kitchen features painted upper cabinets that match the wall color, while a darker earth tone was chosen for the storage units beneath, creating a subtle contrast. Ito has also recently applied these design principles to a renovation project back in his hometown of Kyoto, working on his family's small vacation house there. #KenjiIto #NYCInteriorDesign #ApartmentRenovation #JapaneseDesignInfluence #MinimalistDesign #ModernFurnitureCollection #GramercyApartment #ArchitecturalPhilosophy

Td-Atelier and Endo Shorijo Design, two Japanese design studios, have recently completed the renovation of a 120-year-old machiya townhouse in Kyoto, named House in Marutamachi. The project focuses on integrating minimalist interiors while preserving the original architectural elements of the historic residence. Machiya houses, traditional wooden townhouses characteristic of Kyoto, are rapidly disappearing, with approximately 800 such structures being destroyed annually. The studios aimed to counter this trend by blending traditional architecture with modern design and functionality. The renovation spans two floors of the long and narrow house, nestled between two other residential properties. The design approach involved retaining the building's existing wooden columns and beams as foundational elements. To accommodate modern living spaces, white volumes were strategically introduced to house the kitchen and study. This method allowed for the creation of new rooms without compromising the integrity of the original structure by avoiding harsh structural alterations. The varying sizes of these white volumes were deliberately chosen to evoke the diverse skyline of a city, creating dynamic interplay between old and new. The spatial arrangement is characterized by gaps and omissions between the newly introduced volumes and the existing architectural components such as columns, beams, walls, and floors. This design choice fosters a sense of continuity throughout the space, allowing the historical and contemporary elements to coexist harmoniously. The material palette is intentionally minimal, featuring a combination of light and dark woods, alongside smooth concrete surfaces. This subdued selection enhances the serene and understated aesthetic of the interiors. A notable example of material reuse from the original house is seen in the traditional tea room, where salvaged materials contribute to its authentic character. On the second floor, a timber breakfast bar is illuminated by a thin, sculptural light fixture, providing a contemporary focal point. This area is complemented by subtle-coloured stools, further emphasizing the minimalist theme. The exterior of the house also received careful consideration, with the garden maintaining original architectural features. These include sandy-hued lanterns and a chōzubachi, a traditional stone water bowl historically used for ritual hand washing before a tea ceremony. These elements connect the renovated machiya to its historical and cultural context. House in Marutamachi was recognized for its design, being shortlisted for the house interior of the year at the 2022 Dezeen Awards. The project exemplifies a successful approach to renovating historical structures in a way that respects their heritage while adapting them for contemporary use, addressing the broader issue of preserving Kyoto's traditional townhouses. #KyotoRenovation #MachiyaHouses #MinimalistInteriorDesign #TraditionalJapaneseArchitecture #TdAtelier #EndoShorijoDesign #ResidentialRenovation #JapaneseDesign #ArchitecturalPreservation