SABO Project Gives Timeworn Paris Loft a New Lease on Life

OSSO Architecture undertook a significant renovation of an apartment situated in a former paper factory in Brooklyn, New York. The building, originally converted into artist studios in the 1980s, required extensive modernization to align with contemporary living standards. The Boerum Hill Loft project by OSSO Architecture aimed to transform the outdated space into an open and modern residence while preserving its inherent character through the integration of original architectural details. The renovation involved strategic modifications to the structural layout, notably the removal of a load-bearing brick wall. This alteration effectively doubled the living room space, creating a more expansive and adaptable central area within the loft. The design incorporates mid-century furnishings, contributing to a blend of historical context and modern aesthetic within this enlarged living space. The material palette selected for the renovation emphasizes natural tones and textures. This includes the use of natural oak, maple, American walnut, reclaimed brick, and blackened steel, all chosen to complement the industrial heritage of the building while introducing warmth and contemporary appeal. Vertical circulation within the loft is managed by two distinct staircases. An original spiral staircase provides access to the second floor, which houses the main bedroom, a bathroom, and an outdoor terrace. This original feature serves as a nod to the building's past, maintained and integrated into the new design. In addition to the main bedroom suite, a separate ladder-like staircase in the kitchen area leads to a loft bedroom, specifically designed to accommodate overnight guests. This maximizes the utility of the vertical space and offers a flexible sleeping arrangement. The overall design concept for the Boerum Hill Loft focuses on creating a harmonious balance between the building's industrial origins and the requirements of a modern residential dwelling. The careful selection of architectural finishes and the thoughtful layout demonstrate an approach that respects the history of the structure while injecting it with contemporary functionality and style. The project successfully re-imagines an industrial space into a comfortable and stylish home, highlighting the potential for adaptive reuse in urban environments. #BrooklynLoft #OSSOArchitecture #IndustrialConversion #ApartmentRenovation #BoerumHill #ModernDesign #InteriorArchitecture #AdaptiveReuse #ArchitecturalRenovation

In Barcelona, a meticulously renovated loft, formerly a 1961 factory, is on the market for €1.45 million. Located on Passatge de Còrsega, a quiet residential street close to Antoni Gaudí’s Sagrada Família, this 3,153-square-foot property offers a unique blend of industrial heritage and modern living. The conversion project, completed in two stages in 2018 and 2019 by architect Pedro Ayesta of Ayesta-Daban Arquitectura, sought to preserve the building’s original industrial character while integrating contemporary design elements. The loft features four bedrooms, with one currently serving as an office, and three full bathrooms. Its layout includes a spacious primary living area encompassing an open kitchen, two lounge spaces, and a designated area for a pool table. Natural light floods the main living space, largely due to a skylight integrated into the barrel-vaulted ceiling. Sustainable features are also incorporated, with photovoltaic solar panels installed on the rooftop to supply a portion of the building’s electricity. The original factory ceased operations in the early 2000s and remained vacant for over a decade before its current owners acquired it. They were captivated by the factory's expansive, naturally lit interiors and aimed to retain its industrial essence. The renovation emphasizes the factory’s existing materials, celebrating their imperfections. This approach is evident in the exposed brick walls, hardwood floors, industrial factory windows, steel ceiling beams and stairs, and barrel-vaulted concrete ceilings that are prominent throughout the home. Several original elements were retained and repurposed. An old water tank, for instance, was preserved and given a new navy-blue paint finish, transforming it into a sculptural piece in the main living area. Other preserved elements include an original steel stairway and tall wooden drawers. The two-car garage is connected to the main living space via reclaimed stained-glass sliding doors, and it also offers potential for an additional live/work studio. The principal bedroom is located in a penthouse-like area, featuring a wall of factory windows that overlook a large roof terrace. This terrace, with its glazed openings, allows natural light to penetrate the living area below. One of the bathrooms maintains its original floor-to-ceiling white tiles, further highlighting the blend of old and new. A glass-walled shower and bath have been integrated into a corner of the principal bedroom, adding a contemporary touch to the industrial backdrop. The bedrooms also showcase barrel-vaulted concrete ceilings interspersed with steel beams, maintaining consistency with the overall design. The property's listing with Barcelona & Costa Brava Sotheby’s International Realty highlights its inspiring loft-style design, parking, and terrace in the Sagrada Família area. #BarcelonaRealEstate #LoftConversion #IndustrialDesign #SagradaFamilia #ArchitecturalRenovation #SustainableLiving #ModernHome #FactoryToHome #HistoricPreservation

RAAD Studio recently undertook the redesign of a luxury apartment located at 240 Centre Street, a Beaux-Arts style former police headquarters in New York City. The building, over 100 years old, was converted into 55 luxury condominiums in the late 1980s. This particular apartment, now showcasing RAAD Studio's vision, features a blend of classic grandeur and modern design. The most striking element of the redesign is found in the master bedroom, which incorporates one of the building's signature domes into its ceiling. This arched, original wood ceiling creates an impressive and unique focal point, enhanced by nautical-style windows carved into the canopy. The design includes wedge-shaped skylights, open wooden shelving, and contemporary built-ins along the room's lower perimeter, all contributing to an expansive and visually captivating space. Beyond the master bedroom, the loft maintains a distinctly modern aesthetic while thoughtfully preserving historical details. Exposed brickwork throughout the apartment serves to bridge the gap between contemporary design elements and the building's enduring classic charm. This contrast is particularly evident in the open kitchen, which combines a stone counter, sleek metal stools, and stainless steel appliances. To prevent an overly austere appearance, the kitchen incorporates staggered pendant lighting, rustic brick, and a built-in bench, which collectively soften the industrial edges and introduce warmth into the area. The redesign by RAAD Studio exemplifies how historical architectural features can be integrated with modern sensibilities to create a sophisticated and inviting living space. The project highlights a successful balance between respecting the building's heritage and introducing contemporary functionality and style. The transformation of this loft underscores the potential for creating arresting and functional interiors within historically significant structures. #RAADStudio #LoftRedesign #CentreStreet #PoliceBuilding #LuxuryApartment #BeauxArtsArchitecture #WoodenDome #Nolita #InteriorDesign #HistoricConversion

The article details the collaborative effort between Brooklyn-based architecture firm Worrell Yeung and cooperative gallery and design studio Colony to renovate a 3,000-square-foot historic loft overlooking Union Square in New York City. The project aimed to transform the triangular-shaped space into a contemporary residence suitable for homeowners, including a concert violinist, and also function as a recital venue for entertaining guests. The loft, which occupies an entire floor, was revitalized by Worrell Yeung, focusing on its fundamental geometries and classic materials. Worrell Yeung initiated the renovation by exploring strategies that emphasized the loft's distinct characteristics and preserved original elements. A key aspect of the design involved creating unique volumes to define spaces within the open layout, such as a custom metal screen and bookcase near the front door and a circular bathroom. The renovation optimized the space to offer unobstructed views from the 14 northwest-facing windows, resulting in a light-filled open loft environment. The design team aimed to enhance the existing structure rather than completely redesigning it, focusing on subtle yet impactful changes. Following Worrell Yeung's architectural design, Colony, led by founder and creative director Jean Lin, took charge of elevating the interior through carefully selected textures, patterns, and colors. Lin emphasized creating an elegant home by layering textures, colors, and comfort, ensuring these elements complemented the loft's open nature while adding personalized touches. The collaboration aimed to bridge the gap between monumental architectural design and the intimate signatures of a home. The furnishing choices reflect both functionality and aesthetic appeal. The living area, designed to accommodate musical recitals, features substantial seating arrangements. These include a moss green Bristol Sofa by Poliform, a Gentry Sofa by Moroso, and a Seal Chair by Brdr Petersen, all strategically placed around a circular Lania Rug by Woven, near a Mason & Hamlin grand piano. These pieces were selected to provide comfort for guests and complement the expansive feel of the space. A multifunctional den was incorporated into the design, offering flexibility as a home office or a more private space. This den can be closed off using sliding metal and glass doors, which discreetly recede behind the entryway bookshelf when open. The den features a black desk paired with a Wishbone Chair by Carl Hansen, blending functionality with modern design. The private areas of the loft are accessed via a hallway, where a cylindrical powder room is a notable feature. The powder room's interior is adorned with sage Mutina Biscuit ceramic tiles and a single slab of forest green Cipollino Apuano on the floor, providing a striking visual and textural contrast. The main bedroom, situated at the narrow end of the triangular layout, is furnished with a green Dubois Bed by De La Espada, flanked by smoked glass Crux Pendant Lights by Allied Maker. Tonal Precipice – Alpamayo wallpaper by Flat Vernacular adds further texture to the walls, creating a serene and sophisticated atmosphere. The primary bathroom continues the theme of refined details, featuring a curved shower wall clad in white Mutina Biscuit ceramic tiles. The second bedroom, serving as both an office and a rehearsal space, includes a striped Arc Lounge Chair by Moving Mountains and Coven Wallpaper by Maison C, contributing to its dual-purpose functionality and artistic ambiance. This project marks the second collaboration between Worrell Yeung and Colony, highlighting their evolving design vernacular and their commitment to pushing the boundaries between architecture, interior design, and furniture, while prioritizing the client's needs and creating a truly bespoke home. #LoftTransformation #NewYorkCityLoft #WorrellYeung #ColonyDesign #InteriorDesign #HistoricRenovation #ContemporaryResidence #UnionSquare #ArchitecturalRenovation

A 4,000-square-foot loft in a converted late-19th century factory building in NoHo underwent a significant renovation, led by Manhattan-based Drew Lang of Lang Architecture. The homeowners, including an interior designer, sought to improve the developer's original floor plan by increasing natural light, creating more openness, and accommodating a growing family with four bedrooms and three-and-a-half new bathrooms. The primary challenge involved balancing shared open space with bedroom sizes, ultimately prioritizing the former, resulting in functional, nicely sized bedrooms rather than grand ones. The loft initially suffered from a lack of light despite its four exposures, due to a central wall and a kitchen tucked away in a far corner. Lang's gut renovation addressed this by removing the central wall and relocating the kitchen to the center of the apartment. This strategic move created a core area for bedrooms, baths, closets, and utility rooms, significantly opening up the living space. Massive custom steel and glass pocket doors, crafted by Jersey City-based Darren Vigilant, were installed to separate the kitchen from the main living area, allowing for flexibility between an open-plan feel and a distinct room. A key design element involved plastering smooth the existing scalloped vaults of the masonry ceiling, transforming them into a defining visual feature. The homeowners embraced the industrial aesthetic, opting to keep the exposed, red-painted sprinkler pipes as a design feature. The original strip maple flooring was salvaged, patched, and refinished to maintain continuity. Furnishings in the central living area include a Natuzzi sofa, Restoration Hardware coffee table, and a vintage Danish armchair, carefully selected to complement the space's industrial-chic ambiance. The kitchen features custom wood cabinets that were brush-painted on site. A cooktop is integrated into a center island topped with marble from Vermont Danby, complemented by stools sourced from Brooklyn Flea. A secondary dining area is created with a banquette upholstered in blue leather from Moore & Giles, paired with a simple wood table from Hem and a Kalmar hanging fixture. In the library/sitting area, a corner bookcase was custom-designed by Lang, and the space is furnished with a Restoration Hardware sofa, a Maxalto coffee table from B&B Italia, and antique market chairs. The building's original steel columns and beams, previously partially exposed, were stripped of paint and left with their natural finish, further enhancing the industrial character. The loft's entrance is marked by a deep cased opening in cerused white oak, revealing a blue glass sideboard from Team 7, purchased at Stillfried Wien, and a wax and textured plaster artwork by Atelier Premiere. The master bathroom is characterized by white-painted brick walls, a custom mosaic floor, and a soaking tub from Victoria & Albert. Throughout the renovation, blackened steel door surrounds and dark door hardware from P.E. Guerin were chosen to complement the loft’s structural cast iron elements and honor the building's historical context, demonstrating a thoughtful integration of modern design with the original industrial heritage. #NoHoLoft #LoftRenovation #LangArchitecture #InteriorDesign #IndustrialChic #OpenPlanLiving #ManhattanRealEstate #CustomDesign #HistoricalPreservation

New York City lofts have a rich history, transitioning from industrial warehouses and manufacturing centers of the late 19th and early 20th centuries into desirable residential spaces. These structures were characterized by high ceilings, exposed brick, and large windows, originally designed to maximize natural light for industrial purposes. By the mid-20th century, as industries relocated from Manhattan, artists and creatives began to repurpose these buildings into versatile living and working environments. Today, lofts represent a fusion of historical character and contemporary design, offering a flexible foundation for innovative renovations. One such renovation project was undertaken by BOND, a design studio led by Noam Dvir and Daniel Rauchwerger. Their task was to revitalize a 1,000-square-foot Tribeca Loft situated within a landmarked New York City building. The goal was to preserve the loft's industrial heritage while integrating a modern, bright aesthetic. This particular loft had remained largely unaltered since the 1980s, necessitating a comprehensive update to accommodate contemporary living standards. BOND's approach emphasized careful preservation and enhancement rather than stripping away the original charm. The renovation involved significant structural and systems upgrades, including replacing old wiring, removing dropped ceiling panels, and installing a central air conditioning system. These improvements were crucial for modern comfort without compromising the loft's inherent character. A key design element was the introduction of a glass partition between the bedroom and living area. This strategic addition allows natural light to permeate the entire space, creating an open and airy atmosphere while still providing a subtle division between functional zones. This technique is commonly employed in contemporary loft conversions to enhance the sense of spaciousness. Reflecting the communal aspect of New York City loft living, BOND centered the design around the kitchen. A prominent 15-foot-long island, featuring waterfall edges and a distinctive cut-in detail, serves both as a practical workspace and a central gathering point. The island is complemented by walnut 'Tractor' stools from BassamFellows, fostering social interaction and connecting to the loft's historical role as a hub for creativity and community. The design philosophy embraced the loft's ability to evolve while retaining its original character. BOND achieved a balance between minimalism and warmth through carefully selected design elements. The bathrooms incorporate subtle yet vibrant pops of color, providing a playful contrast to the overall neutral palette. Gold and brown tones were chosen to complement the natural light streaming through the west-facing windows in the main living area. Sculptural furniture pieces, such as a metal coffee table, elevate the aesthetic while maintaining a sense of flow within the space. The loft also functions as a showcase for the owners' art collection, which includes geometric works by Mika Tajima and whimsical pieces by John Armleder. This integration of art into daily life harks back to the legacy of early artist-occupied lofts in the city, which often served as both residences and creative studios. The renovation successfully transforms a historic space into a modern, functional, and aesthetically pleasing home, honoring its past while catering to contemporary needs. #NewYorkCityLoft #LoftRenovation #BONDDesign #TribecaLoft #HistoricPreservation #InteriorDesign #ModernLiving #ArchitecturalRenovation #HomeDecor

Pia Mendaro, a Spanish architect, undertook the transformation of a 100 sqm warehouse in Madrid into a flexible living and workspace for her artist friend, Clara Cebrian. Cebrian's request for a home that could adapt over time, similar to a 'Ron Weasley house,' guided Mendaro's approach. The design aimed to be minimal, allowing life to unfold within the space while incorporating specific existing elements, including a kitchen Cebrian had purchased and immovable downspouts. Mendaro emphasized understanding the space as a square, a fundamental concept informing the layout. The central element of Topo's Shed is a semi-hanging platform that serves as the artist's sleeping area. This innovative feature, developed in collaboration with architect Manuel Ocana, was conceived after considering various mobile and enclosed bed designs. The decision to elevate the sleeping space was driven by the desire to detach it from the ground. Thin steel rods and corrugated rounds secure this structure to the ceiling truss, creating an ethereal and spacious sleeping area. The platform is strategically positioned near the gabled roof's opening, allowing light to filter into the space and offering views of the warehouse's horizon. A movable ladder provides access to this elevated platform, which is designed to accommodate multiple people. Additionally, a flight of steps, doubling as seating, leads to a balcony that provides views of the surrounding neighborhood. The layout of the warehouse integrates a discreet bathroom, concealed behind a wall that also separates the kitchen and main living area from the storage facility. The kitchen floor is distinguished by wooden planks, contrasting with the larger cement flooring throughout the rest of the space, a practical choice to maintain cleanliness. The home's design incorporates a lounge area, a hammock suspended beneath the elevated bed, and a substantial open area designated as the artist's studio. The color palette primarily features greys and whites for walls, floors, and ceilings, which are accented by pastel and coral hues in the kitchen cabinetry, furniture, and artworks. Reflecting on the completed project, Mendaro noted one potential area for improvement: the lack of direct sunlight due to the north-facing windows. While this aspect is beneficial for avoiding harsh glare, she considered the future need for curtains to facilitate longer sleep, acknowledging the natural light conditions. The project, named Topo's Shed, was completed in 2020 and is located in Madrid, Spain. It spans a built area of 100 sqm, with Clara Cebrian as the promoter and Fast&Furious Office responsible for production. This design exemplifies an unconventional approach to residential and studio spaces, prioritizing flexibility, adaptability, and a distinctive elevated living experience within a repurposed industrial structure. #PiaMendaro #WarehouseConversion #MadridArchitecture #ElevatedLiving #ArtistStudio #FlexibleSpaces #ArchitecturalInnovation #AdaptiveReuse #InteriorDesign

Sigla Studio has completed the renovation of a 150-square-meter apartment in Barcelona's Eixample district, located within the 1904 residential building Casa Salvador Viladevall III. The project focused on preserving and restoring the apartment's original early 20th-century features while integrating contemporary elements for improved functionality and comfort. Unlike many other renovations in the building that disregarded historical characteristics, Sigla Studio meticulously rehabilitated existing details, aiming for a harmonious blend of old and new. Key original features preserved and restored include the vibrant mosaic floor tiles and decorative plaster mouldings on the ceilings. The mosaic floors, identified as creations by Teotim Fortuny—a prominent manufacturer of hydraulic mosaics in Catalonia known for intricate modernist and traditional Catalan designs—were carefully restored, with missing tiles painstakingly sourced to maintain their integrity. Solid wooden doors were also preserved, and original windows were updated with double-glazing to enhance energy efficiency without compromising their aesthetic or tactile qualities. Structurally, a significant intervention involved opening up the kitchen to the hallway and introducing an internal window between the kitchen and living room. These changes were implemented to improve natural light penetration and overall flow within the central areas of the apartment. The kitchen also received a vaulted ceiling and warm red Alicante marble floors, which create a striking contrast with the cool steel kitchen cabinets. In the living and dining areas, a large table designed by the studio, featuring a marine plywood structure and a Roman travertine marble top, serves as a focal point. A silver pendant lamp hangs above it, accentuating a ceiling rose, part of the decorative plaster mouldings. The bedrooms adopt a more subdued, natural color palette, balancing the vibrant restored floors with softer tones to ensure seamless integration of historical and modern elements. To accommodate the client's request for an additional bedroom, the main bedroom was divided into two using a custom-built dressing room. This adaptive design solution avoided alterations to the original mosaic floors or ceiling mouldings, respecting the apartment's historical layout while meeting contemporary needs. Bathrooms feature custom-made red marble sinks and detailing, designed to visually integrate with the rest of the apartment rather than being isolated spaces. When not in use, their open doors contribute to a greater sense of spaciousness and improved lighting. The project underscores a commitment to celebrating Barcelona's rich architectural heritage through thoughtful restoration and contemporary intervention. #BarcelonaApartment #SiglaStudio #ApartmentRenovation #HistoricPreservation #MosaicFloors #CatalanModernism #InteriorDesign #ArchitecturalRestoration #EixampleDistrict

This article highlights the significant contributions of Joseph Pell Lombardi, a Financial District resident and architect, to urban development through his pioneering work in converting commercial buildings into residential spaces. Lombardi's efforts are credited with initiating the loft movement in downtown New York, profoundly shaping the residential landscape of the city, particularly in areas like Tribeca and the Financial District. His most notable early achievement was the conversion of Liberty Tower at Liberty and Nassau streets into residential co-op apartments in 1978. This project, undertaken almost five decades ago, marked the first major residential conversion of an office building in the Financial District and was initially met with bafflement from the real estate industry. The article emphasizes that Lombardi's vision, though initially considered radical, has since become a widely accepted and imitated practice in urban planning and architecture. Kent Barwick, former chairman of the New York City Landmarks Preservation Commission, is quoted as stating that Lombardi's work was groundbreaking and changed how cities perceive the utility of old buildings. Lombardi's interest in preservation, which was initially unpopular among his architectural peers, is now considered a leading approach. The impact of Lombardi's work extends to numerous buildings across New York City. The article lists several of his preserved or converted projects in the neighborhood, including 161 Duane (Mohawk), 27 N. Moore (Ice House), 25 N. Moore (Atalanta), 14 Leonard (Juilliard), 79 Laight (Sugar Warehouse), 145 Hudson (Skylofts), 7 Hubert, the National City Bank Building on Canal and Broadway, and the Haughwout Building in Soho. His firm, Joseph Pell Lombardi & Associates, maintains offices on Broadway and Canal, and Lombardi himself continues to reside in an apartment in Liberty Tower. The article also touches upon the broader context of these conversions, particularly the economic climate of the 1970s. Comments from readers suggest that the fiscal crisis of 1975 likely led to a glut of vacant office spaces, creating an opportune environment for such adaptive reuse projects. Another comment elaborates on the historical trends leading to adaptive reuse, including the Great Depression, suburban flight, and urban renewal efforts that threatened historic buildings. This created a demand for new housing solutions in areas with declining commercial and industrial use. The opposition from city departments and the subsequent Loft Law of the 1980s are mentioned as crucial elements in legalizing and facilitating these conversions, addressing restrictive building codes and zoning resolutions. Ultimately, Lombardi's enduring legacy lies in his foresight and dedication to preserving architectural heritage while simultaneously innovating urban living. His work demonstrates that even modern office buildings, with appropriate modifications such as dropping shafts for courtyards and light, can be successfully repurposed for residential use. His pioneering efforts laid the groundwork for today's widespread practice of commercial-to-residential conversions and the establishment of preservation departments within architectural firms. #JosephPellLombardi #Architecture #LoftMovement #UrbanDevelopment #BuildingConversion #HistoricPreservation #FinancialDistrict #Tribeca #NewYorkCityRealEstate

Interior designer Robert Olson, alongside his partner Francisco Peruzzo, transformed a 120-year-old former grocery warehouse in Salt Lake City into a sophisticated Parisian-style loft. The apartment, originally divided into a two-bedroom unit, presented a significant challenge with its orange walls, rust-stained cement floors, and dark gray cabinets with tiger print granite. Despite its unappealing state, Peruzzo recognized the potential of the space, leading them to purchase it. Olson, a Francophile with over 30 years of experience living in New York, envisioned restoring the 875-square-foot unit to its original lofty grandeur. The renovation began with the removal of all interior walls to create a true loft feel. The original cement floors, which were extensively stained, were painted white to stay within budget, a decision that also enhanced the reflection of light throughout the space. This all-white aesthetic provides a neutral backdrop for Olson's extensive collection of traditional furnishings, which includes early 18th-century oil paintings, vintage gilded mirrors, and accurate reproductions of Louis XV chairs, collected from various locations including New York and Paris. The white walls prevent the traditional pieces from making the space feel dated, instead contributing to an almost glowing interior that shifts in ambiance with the changing natural light. Olson emphasizes that the furniture collection in the loft is an edited selection from a much larger previous home, comprising a mix of antique, reproduced, and flea market finds that are harmoniously integrated. The living area, for instance, features pieces alongside an abstract painting, a 40th birthday gift from a friend, which Olson finds perfectly complements the furniture. Etchings designed to appear antique through tea-stained paper are also displayed. A notable feature in the living area is a pair of solid wood columns, discovered during renovations after false walls were removed. These raw, neoclassical columns, originally from a local residence, were bought by Olson at a flea market and are cherished for their aged appearance. He values items that show signs of age and decay, believing they add character. The art collection further mixes centuries-old paintings and lithographs with contemporary posters. The building itself, constructed in 1901, served as a grocery warehouse for one of Utah's early settlers. Olson notes that the surrounding architecture in Salt Lake City evokes a sense of the West Village in New York. A recent trip to Paris significantly influenced the design, reinforcing Olson's long-standing affinity for French culture and lifestyle, particularly the appreciation for a slower pace of life, which he sought to integrate into his Salt Lake City home. The overall transformation showcases a blend of historical charm, personal collecting, and modern design principles, resulting in a unique and luminous living environment. #InteriorDesign #LoftConversion #WarehouseRenovation #ParisianStyle #HomeTour #RobertOlson #SaltLakeCity #AntiqueCollecting #AllWhiteDecor

Parisian architecture firm f+f architectes has completed the conversion of a former attic space in an Art Nouveau building in Strasbourg, France, into a contemporary and luminous two-storey, four-bedroom apartment. The renovation project involved the fourth and fifth floors of the building, which were previously used as maid rooms. The newly designed apartment spans 240 square meters, offering a modern living space within a historic context. The apartment's layout is split across two levels. The lower level is primarily dedicated to private spaces, featuring four bedrooms, two bathrooms, and a home office. Access to this level is through a double-height entrance hall, which is illuminated by a skylight, creating an immediate sense of openness and brightness upon entry. The upper level, in contrast, hosts the communal living areas, including an open-plan living room, a dining area, and a kitchen. This arrangement allows for a clear separation between private and public functions, catering to modern lifestyle needs. A key material choice in the renovation is black dyed MDF, which f+f architectes used extensively throughout the apartment. This material is integrated into various architectural elements, such as storage units and wall coverings, as well as custom-designed furniture, including the dining table. The selection of black dyed MDF is notable for its consistent color throughout its mass, which makes it less susceptible to visible chipping compared to stained or lacquered wood, ensuring durability and maintaining its aesthetic appeal. This material was also utilized for the stairs, creating a cohesive design language. To provide a visual contrast to the dark MDF, the stair banister is constructed from clear, laminated glass. This design choice contributes to the apartment's light and open feel, allowing natural light to penetrate through the structure while providing safety. The original pinewood flooring of the building was retained and updated. It was treated with lye, a substance that helps preserve the wood's natural light shade and prevents it from yellowing over time, ensuring the historical character of the flooring is maintained while integrating with the contemporary design elements. The structural elements of the attic, specifically the trusses, were left exposed, adding an industrial and raw aesthetic to the interior. Additionally, new metal I-beams were incorporated to open up the lower-floor plan and to support the terrace structure. Modifications were made to the roof's truss work to accommodate the new terrace and a new opening was created in the top floor for the stairs, demonstrating a careful balance between preserving existing structures and implementing necessary alterations for the new layout. The kitchen features a marble ceramic island, complementing the natural wood and black MDF, and is situated beneath the original beams. The bathrooms maintain the minimalist design with black MDF cupboards and marble wall and floor tiles, continuing the refined material palette. Two terraces, one of which is carved into the roof, are accessible from the upper floor and offer views of the surrounding park. The architects noted the asymmetrical pitch of the roof, which is steeper towards the street, likely to give the building a more imposing facade facing a large square. This project exemplifies how historic attic spaces can be transformed into functional, bright, and aesthetically cohesive modern apartments while respecting and highlighting the building's original features. #Lofts #Interiors #ResidentialArchitecture #Apartments #France #Strasbourg #AtticConversion

The article details a successful loft conversion project in a narrow Victorian two-bedroom property, which was undertaken to address the growing space needs of a family with two children and a requirement for a guest room. The homeowners engaged Rees Architects, led by Daniel Rees, to expand their living area. The primary challenge was the limited ceiling height of only two meters in the original loft space, which would have been further reduced by the structural framework of the planned dormer. To overcome this, the architects ingeniously lowered the ceilings on the two floors below, creating a balanced and proportionally aligned three-story home rather than a cramped loft. The loft conversion resulted in the addition of two extra bedrooms and a bathroom, significantly increasing the property's functionality. The main bedroom, now located in the loft, features integrated window seat ideas clad in plywood. These window seats offer comfortable seating and garden views, eliminating the need for additional furniture that would otherwise consume valuable floor space. The interior design of the main bedroom is characterized by a muted color palette, fostering a calming atmosphere. Daniel Rees explained that the beams in the master and spare rooms were left exposed but painted the same color as the walls to enhance the sense of space and depth. Built-in wardrobes under the eaves maximize storage, with hidden compartments behind clothes rails. Angled brass skirting creates an optical illusion of greater height, contributing to the crisp aesthetic, while carefully positioned glazing ensures ample natural light. Innovative design solutions were also applied to the hallway doors, which were configured to maximize floor space. When open, these bespoke doors allow access to the master bedroom and ensuite. When closed, they effectively incorporate a section of the hallway into the master bedroom, while providing privacy for the bathroom. Magnets embedded in the door leaves ensure they remain fully open at a 90-degree angle, maintaining a flush finish. A large rooflight with an integrated blackout blind illuminates this flexible hallway area. The walls in certain sections feature a rubber and cork material, which not only provides a contrasting texture against the black design elements but also offers acoustic insulation properties to absorb sound. The new bathroom in the loft showcases modern design with clean, uncluttered fixtures. Wall-hung sanitaryware contributes to a sense of spaciousness. The walls are covered in Marmoleum, a natural and CO2-neutral material that provides a durable, low-maintenance, and seamless finish, avoiding the breaks typically seen with wall tiles. The windows are strategically placed to create an elongated appearance, further enhancing the perception of space. A compact walk-in shower is included, without a glass enclosure, simplifying maintenance, and the floor is also finished with Marmoleum in a pattern reflecting the nearby cork and rubber walls. Matte black shower fittings complete the contemporary look. The guest bedroom is designed as a multifunctional space with movable furniture, allowing for adaptability. Olive green walls and dark floors provide an effective contrast, with the window framing garden views. Despite the deep hues, light-colored furnishings and a bright ceiling maintain an airy feel. Before the renovation, the property had a standard, cramped Victorian layout with only two bedrooms, which was insufficient for the family's needs. The loft conversion transformed this into a more spacious and balanced family home, demonstrating how upward expansion can be a highly effective solution for creating additional living areas. #LoftConversion #HomeRenovation #ArchitecturalDesign #SpaceMaximization #VictorianProperty #InteriorDesign #FamilyHome #BathroomDesign

The article details the transformation of a co-op lobby in the St. George Tower in Brooklyn Heights, a building with a rich history as part of the grand St. George Hotel. For decades after its conversion to co-ops in 1984, the lobby, which was originally the hotel's service entrance at 111 Hicks Street, remained uninspired, characterized by sponge-painted beige walls and a generally drab appearance. The renovation project, undertaken by Katz Architecture, aimed to revitalize this space, drawing inspiration from the building's original Art Deco heritage. Before the renovation, the lobby was divided into three distinct levels: an entrance area with a concierge desk, a lower service zone, and an upper mailroom and elevator bank accessible via stairs. The existing design was worn and poorly lit, featuring quarry tile flooring that contributed to its unappealing aesthetic. Katz Architecture envisioned a space that would evoke the opulence and playfulness of the hotel's original Egyptian Art Deco interiors, making it both dramatic and inviting. The renovation involved several key changes to achieve this vision. The design team selected 'shimmery' materials and dark wood finishes to introduce visual contrast and drama. A significant structural alteration included raising the ceiling, which enhanced the sense of spaciousness within the lobby. The concierge desk was also relocated to improve the flow and functionality of the room. The outdated quarry tile floor was replaced with elegant terrazzo, and an aluminum-leaf and black plaster wall was installed to cleverly conceal the ramp leading to the lower service area. David Katz, Principal of Katz Architecture, emphasized the incorporation of craftsmanship in the details, citing elements such as hand-applied aluminum leaf panels and custom-designed railings. The new concierge desk, crafted from dark wood and white marble, features a faceted wall behind it that hides the service area ramp. The geometric patterns in the light fixtures and metal railings were intentionally chosen to reflect an Art Deco aesthetic without appearing anachronistic or 'kitschy.' A subtle yet significant detail highlighted by Katz was the use of nickel silver in the reveals and corners of the fumed oak and black Venetian plaster panels, adding a touch of 1930s 'pizazz.' The entire renovation process spanned approximately nine months and incurred a cost of $1 million. The upper mailroom and elevator area were also updated, featuring a softer ambiance with a gray carpet and light curtains. Katz Architecture specializes in residential design and consulting, particularly assisting co-op and condo boards with renovation projects. The project successfully transformed a previously neglected and uninviting service entrance into a sophisticated and glamorous lobby that honors the building's historical grandeur. #BrooklynHeights #CoopLobbyRenovation #KatzArchitecture #ArtDecoDesign #StGeorgeTower #InteriorTransformation #LuxuryRenovation #HistoricBuilding #BrooklynRealEstate

Keren and Thomas Richter of White Arrow, a Brooklyn design studio, undertook a seven-year renovation of their 2,000-square-foot, two-bedroom, two-bath apartment located in a landmarked 1892 Williamsburg building. This building originally functioned as a business college before being converted into artist lofts. The renovation is characterized by custom millwork, arched windows, distinctive tiled bathrooms, and the integration of salvaged Victorian doors and hardware, resulting in a meticulously detailed home. Keren Richter emphasizes that the extended renovation period allowed for a more thoughtful design evolution, ensuring a higher degree of nuance and attention to detail that might have been overlooked in a quicker process. Keren acquired the co-op unit in 2010, initially performing a basic paint job and floor refinishing. The design vision shifted significantly after she met Thomas, who has a background in visual effects. Their shared experiences in Europe led to a design language that incorporated Mediterranean influences, such as Portuguese tile work, and a blend of various styles to create a more European aesthetic, moving away from Keren’s initial rustic concept. Architect Kevin Greenberg of Space Exploration collaborated on the project from its inception, playing a crucial role in establishing the floor plan and the placement of electrical and plumbing systems. Greenberg also contributed to the design of the kitchen cabinetry, which drew inspiration from 19th-century French bakery cabinets, and the master bath and dressing room. Keren engaged in extensive international online sourcing for materials, utilizing platforms like eBay’s U.K. and Italian sites, Craigslist, Chairish, Etsy, and Live Auctioneers. A key focus of her search was acquiring historically significant doors, prioritizing those with grand proportions and original etched glass to enhance light flow into interior spaces, as well as period-appropriate Victorian hinges and knobs. The apartment's cohesive aesthetic is maintained through a consistent color palette, featuring Farrow & Ball’s Wimborne White on walls in rooms with wood floors and Webet in areas with black painted floors. Tristan Warner Studios served as the general contractor for the renovation. A focal point near the apartment’s entrance is a magnificent arched doorway, which Keren acquired early in the project. This doorway, repurposed from its original location, now leads to what serves as their young daughter's bedroom. A mid-20th-century chandelier from eBay Italy illuminates the apartment’s original, largely preserved tin ceilings. The living room features modern furnishings with a 1970s influence, including a Tobia Scarpa leather sofa, an Yves Klein coffee table, a Josef Frank rug, and chrome table lamps. White Arrow designed the custom floating credenza, and a newly created arch above the windows echoes the building’s exterior architectural elements. The apartment also incorporates salvaged items such as a fireplace mantel and extensive moldings and trim that align with the building's late 19th-century character. The master bedroom is painted in Farrow & Ball’s Hague Blue and furnished with a Shaker-style four-poster bed. A custom dressing room/closet utilizes salvaged doors, with bespoke metalwork by Mitchell Dose, who also fabricated a metal and glass partition for the master bath’s wet room, which includes a shower and a footed tub from Build It Green. The master bath vanity and gilded mirror evoke an Art Deco style. In the dining room and kitchen, North American chestnut floors are laid in a herringbone pattern. White Arrow designed the dining table, paired with Børge Mogensen chairs and a Moroccan rug. Lighting includes a chandelier by Brendan Ravenhill and Gubi pendant lights. The Richters replaced an existing structural arch between the kitchen and dining areas with a flatter one featuring millwork detail. The custom kitchen cabinetry, inspired by antique French bakers’ cabinets, incorporates wavy mouth-blown restoration glass from Bendheim. Vintage faucets from eBay England and other vintage hardware complete the kitchen. The nursery, formerly a guest room, features wainscoting and metallic wallpaper from Calico Wallpaper. The second bathroom showcases a collection of ceramic Delft and Portuguese tiles sourced online, with faucets from the British company Barber Wilsons & Co. on an antique earthenware sink. Thomas Richter provided the photography for the article. #InteriorDesign #ArchitecturalSalvage #LoftConversion #WilliamsburgRealEstate #WhiteArrowDesign #HomeRenovation #VintageFurnishings #BrooklynInteriors #HistoricBuilding

New York City loft living has evolved significantly since its popularization in the 1980s, transitioning from a gritty, industrial aesthetic to a more comfortable, flexible, and streamlined design approach. Contemporary lofts prioritize warmth, smart space-saving features, and integrated industrial elements rather than highlighting them. This article showcases seven distinct loft renovations across New York City, each offering a unique perspective on modern loft design while often preserving the historical character of the buildings. The Williamsburg Loft, designed by architect Antonio Monserrat, is an 800-square-foot space in a former 20th-century bakery. Monserrat integrated his love for colorful and multifunctional design into the renovation, utilizing original exposed timber beams, 12-foot ceilings, and large windows as a backdrop for vibrant colors, small-scale studio prototypes, and contemporary furnishings. This approach resulted in an eye-catching design, blending creative inspiration with functionality through elements like an emerald-green entryway with a hot-pink ceiling and sunshine-yellow storage pieces. In West Chelsea, the Spears Building Loft by Ravi Raj and Evan Watts transformed a dated, 2,700-square-foot loft into a family-friendly home. The architects replaced cold concrete floors with bleached walnut and introduced a warmer, lighter palette to soften the heavy industrial elements. Custom built-ins were incorporated for a streamlined appearance, while historic features like exposed brick and oversized openings were preserved, maintaining the loft's original appeal. The Bed-Stuy Loft, renovated by New Affiliates, is a 1,000-square-foot space within a 1947 chocolate factory, completed on a budget of approximately $100 per square foot. The design emphasizes affordable materials and transformed a dark, cluttered area into a warm, light-filled home. The space efficiently accommodates two sleeping areas, a bathroom, a study, a new kitchen, and a living/dining area without sacrificing its open feel. Key to its success was exposing materials such as pine plywood for walls and cabinets, and integrating existing Art Moderne columns into the design. Workstead’s renovation of an 1,800-square-foot Tribeca loft in an 1864 factory building drew inspiration from the setting sun, creating a cozy atmosphere with a timber palette and custom woodwork. Awkward interior partitions were removed, and original fir joists were exposed to restore the loft’s open and airy character. Oversized windows, a light color palette, and a minimalist design maximize natural light penetration and offer views of the Hudson River. Rachel and Nick Cope, founders of Calico Wallpaper, demonstrated a personal, design-led approach to loft living in their Red Hook rental, an industrial 1860s warehouse. They used the space as a testing ground for their marbleized wallpaper business, installing custom pieces that reflected the loft’s surroundings, such as a silver-and-gold marbled mural complementing exposed structural beams and a color-gradient wallpaper inspired by the Red Hook sunset. OSSO Architecture renovated a Brooklyn loft in a former paper factory, which had remained untouched since the 1980s. The 1,400-square-foot, two-story apartment was reconfigured to create a large, open living space, with an office on the first floor and a loft guest bedroom above. The second floor features a primary bedroom and bath with access to a rooftop terrace. Level changes subtly define different areas on the open-plan first floor, furnished with the owner’s midcentury furniture and international artwork. Finally, the SoHo Loft, renovated by architect Andrew Berman and designed by Justin Charette, is a 2,800-square-foot, two-bedroom pied-à-terre. Charette furnished the interior with minimalist pieces and built-ins, complementing the landmark building’s industrial and historical features, including a pressed tin ceiling and exposed wood beams. The design maintains high ceilings and tall windows that illuminate the open-plan interior, while a streamlined aesthetic, a neutral palette of white oak, painted exposed brick walls, and sleek contemporary furnishings sourced locally contribute to its modern appeal. #NewYorkLofts #ModernDesign #IndustrialConversion #LoftRenovation #InteriorArchitecture #SpaceOptimization #HistoricPreservation #BrooklynDesign #TribecaLoft

Architect Jan Lefevere spearheaded the transformation of a 1962 dental practice in Kortrijk, Belgium, into a bright and welcoming family home. The building had been neglected and used for storage, and new adjacent structures had significantly reduced natural light. To counteract this, a detailed scale model incorporating the surrounding buildings was created to analyze light penetration. This analysis led to the strategic design of large circular openings to maximize natural light within the property. The most significant design intervention involved casting a large circular oculus into the concrete slab above the kitchen and living area. This bold move sacrificed the room directly above to create a spacious void, allowing light to flood deep into the home. This structural and aesthetic modification presented a considerable challenge, as the concrete slab is integral to the existing building's support system. During the renovation, valuable original features were carefully preserved and reintegrated. The existing staircase, lighting fixtures, and cabinet panels were salvaged during demolition and given new roles within the revamped space. The restoration of the stairwell revealed original in-situ cast concrete, which, though not initially intended for visibility, featured an appealing imprint of the wooden formwork. This aesthetic was then replicated in new concrete elements, creating a seamless blend between old and new. Further enhancing the building's historical integrity, Lumax glass blocks, designed by Le Corbusier and Charlotte Perriand, were uncovered and meticulously restored. The rear facade underwent a complete redesign, incorporating a newly inserted concrete slab with circular openings that lead to large sliding windows. This design choice blurs the lines between indoor and outdoor spaces, not only maximizing light but also establishing a direct connection to a newly designed city garden. The garden serves as a verdant urban retreat, and an innovative rainwater collection system funnels water through a steel pipe into a concrete tank, with a planted vine intended to eventually cover the entire rear facade. Color plays a pivotal role in the home's aesthetic, with a distinctive palette of blue and old rose hues used throughout. The blue, visible in the floors, curtains, and front facade windows, pays homage to the building's original facade. The old rose appears in the curtains, structural elements, and rear facade windows. The color selection for the plywood panels was inspired by the existing staircase, contributing to a cohesive and thoughtful design that honors the building's past while creating a contemporary family residence. #AdaptiveReuse #HistoricRenovation #ArchitecturalTransformation #NaturalLight #OculusDesign #BelgianArchitecture #MidCenturyModern #SustainableDesign