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Step Inside a Spacious Salt Lake City Loft With a Centuries-Old Furniture Collection
Interior designer Robert Olson, alongside his partner Francisco Peruzzo, transformed a 120-year-old former grocery warehouse in Salt Lake City into a sophisticated Parisian-style loft. The apartment, originally divided into a two-bedroom unit, presented a significant challenge with its orange walls, rust-stained cement floors, and dark gray cabinets with tiger print granite. Despite its unappealing state, Peruzzo recognized the potential of the space, leading them to purchase it. Olson, a Francophile with over 30 years of experience living in New York, envisioned restoring the 875-square-foot unit to its original lofty grandeur.
The renovation began with the removal of all interior walls to create a true loft feel. The original cement floors, which were extensively stained, were painted white to stay within budget, a decision that also enhanced the reflection of light throughout the space. This all-white aesthetic provides a neutral backdrop for Olson's extensive collection of traditional furnishings, which includes early 18th-century oil paintings, vintage gilded mirrors, and accurate reproductions of Louis XV chairs, collected from various locations including New York and Paris. The white walls prevent the traditional pieces from making the space feel dated, instead contributing to an almost glowing interior that shifts in ambiance with the changing natural light.
Olson emphasizes that the furniture collection in the loft is an edited selection from a much larger previous home, comprising a mix of antique, reproduced, and flea market finds that are harmoniously integrated. The living area, for instance, features pieces alongside an abstract painting, a 40th birthday gift from a friend, which Olson finds perfectly complements the furniture. Etchings designed to appear antique through tea-stained paper are also displayed. A notable feature in the living area is a pair of solid wood columns, discovered during renovations after false walls were removed. These raw, neoclassical columns, originally from a local residence, were bought by Olson at a flea market and are cherished for their aged appearance. He values items that show signs of age and decay, believing they add character. The art collection further mixes centuries-old paintings and lithographs with contemporary posters.
The building itself, constructed in 1901, served as a grocery warehouse for one of Utah's early settlers. Olson notes that the surrounding architecture in Salt Lake City evokes a sense of the West Village in New York. A recent trip to Paris significantly influenced the design, reinforcing Olson's long-standing affinity for French culture and lifestyle, particularly the appreciation for a slower pace of life, which he sought to integrate into his Salt Lake City home. The overall transformation showcases a blend of historical charm, personal collecting, and modern design principles, resulting in a unique and luminous living environment.
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