Behind the Design of a Crime Writer's NYC Apartment, From the Swedish Nods to the Chic Sleeper Sofa

Casey Neistat, a YouTube vlogger known for his dynamic, fast-paced content, and Candice Pool, founder of the fine jewelry companies Billy! and Finn, have created an urban sanctuary in their high-rise Battery Park City apartment. Eschewing the typical chaotic loft living often associated with creative New Yorkers, the couple sought to establish a tranquil, homey environment that contrasts sharply with Neistat's bustling SoHo office. Their goal was to find a suburban-like peace within the city's confines, a desire that became increasingly important as they grew their family. Working with New York City-based designer Daun Curry, who had previously designed showrooms for Pool’s jewelry brands, Neistat and Pool transformed their three-bedroom, three-and-a-half-bath apartment into a serene retreat. The couple explicitly wanted to avoid a stark, impersonal 'white box' aesthetic, which Pool, a former West Village resident, found unappealing. Curry addressed this by introducing dynamic layers and a sense of history into the modern condo space. One notable design choice was the application of matte-black wainscoting and painting everything below the window sills in the same dark shade. This technique visually grounds the space, drawing attention to the apartment's expansive views of the Hudson River while creating an illusion of depth and lowering the perceived floor level. The interior design adopted a 'Bohemian Aristocrat' theme, characterized by a 'laid-back luxe' aesthetic. The living room, for instance, features a large, comfortable Belgian linen sofa from Restoration Hardware, adorned with embroidered textiles from ABC Carpet & Home and a faux-fur throw from Barneys New York. This blend of comfort and subtle luxury is complemented by a diverse art collection, including a leopard photo by Caroline Gibello—a nod to Pool's South African heritage—a custom painting by Shantell Martin incorporating their initials, and a pastoral painting discovered during a stay at the Ocean House Hotel in Rhode Island. A gold skateboard sculpture, a Father's Day gift from Pool to Neistat, serves as a unique personal touch. The apartment's layout, which Neistat and Pool describe as perfect, provides distinct areas within an open floor plan, offering both spaciousness and defined living zones. Practical amenities, such as on-site laundry, further contribute to the suburban feel desired by the couple as parents of a toddler with another child on the way. Clutter avoidance was a key principle in their design philosophy, with Pool emphasizing that expanding square footage does not equate to expanding hoarding habits. Built-ins in the bedroom and the removal of excessive cabinetry from previous owners underscore their commitment to a calm, neat living space. Ultimately, the apartment has achieved its purpose: providing a genuine sense of home and belonging in New York City, a sentiment Neistat describes as a profound shift from merely surviving to truly living in the city. #CelebrityHomes #ApartmentDesign #InteriorDesign #NewYorkCity #ZenLifestyle #HomeDecor #UrbanRefuge #DesignerCollaboration #BohemianAristocrat

Home Studios, a Brooklyn-based design firm, completed the renovation of a 2,000 square foot apartment in New York's NoHo neighborhood, situated in a building dating back to 1925. The apartment had not undergone significant renovations since the 1980s, prompting its owners, a couple with young children, to seek a modern overhaul. The clients were drawn to Home Studios' aesthetic after experiencing two of their restaurant designs, Elsa and Goat Town. This residential project marks only the second for the studio, yet founder Oliver Haslegrave approached it similarly to their hospitality projects, aiming for an updated and modern space that deviates from typical residential conformity. The design successfully marries contemporary and vintage influences, showcasing expressive and finely detailed elements. In the open-plan kitchen, bespoke ring-shaped pendant lamps, custom-made by Home Studios, are suspended above a walnut dining table. Nickel and brass spotlights, also crafted by the studio, illuminate the central breakfast island. The kitchen features blue-grey cabinetry, painted in Farrow & Ball's Pigeon hue, complemented by a custom extractor hood clad in gleaming copper. The use of copper extends to frame the apartment's rounded door frames, skirting boards, and the internal window of the guest bathroom. This bathroom window bows outwards, forming a curved wall, a design element that continues throughout the space. The guest bathroom incorporates a mosaic of tan-colored tiles that gracefully wind around the shower, bathtub, and an integrated seating nook equipped with a storage box for towels. Haslegrave explained that these curved features serve as a subtle homage to the shapely forms found in the works of Finnish architect Alvar Aalto. He cited Aalto's Screen 100 and the Maison Louis Carré as inspirations included in their initial project mood board, emphasizing the fluid motif and engaging playfulness characteristic of Aalto's designs, which Home Studios aims to integrate into their projects. The master bedroom features a bespoke walnut and travertine headboard created by Home Studios. Accentuating the room's design are a French floor lamp from the 1940s and a boucle-upholstered armchair by LA brand Atelier de Troupe. In the living room, a deliberate contrast is achieved by pairing antique Danish chairs with woven leather seats with a blocky side table designed by Sabine Marcelis, cast from candy-pink resin. An oak and brass shelving unit, custom-made by Home Studios, occupies a prominent wall in the living area. Haslegrave described the finished apartment as a near-ideal extension of the studio's processes and values, providing residents with a tailored and special living environment. Home Studios, founded by Haslegrave in 2009, is known for its diverse projects, including the eclectic Bibo Ergo Sum bar in West Hollywood, which drew inspiration from early 20th-century Viennese architecture, French film posters, and the 1967 film The Graduate. Photography for the 20 Bond apartment project was handled by Brian Ferry, with fabrication by Works Manufacturing, Shelton Studios, Zalla Studios, Anthony Hart, and Anders Rydstedt, and construction by Vertical Space. #HomeStudios #ApartmentInterior #NewYorkDesign #InteriorRenovation #CustomFurniture #VintageDecor #AlvarAaltoInfluence #CopperDetails #ResidentialDesign

Scandinavian design, traditionally associated with utility, affordability, and simplicity, is experiencing a significant resurgence in luxury residential real estate, particularly in New York City. This trend, moving beyond its mass-produced roots like Ikea, is being embraced by high-end condo projects and reinterpreted by prominent design firms. Key to this shift is the design's underlying philosophy of “modest luxury,” characterized by refined and subtle aesthetics, understated elegance, and warmth, as articulated by interior designer Neal Beckstedt. It prioritizes purity, simplicity, clean lines, and natural materials like wood, often coupled with neutral color palettes and fine craftsmanship. The core of Scandinavian design blends aesthetics with functionality. Interior designer Tali Roth notes that while the high-end market often favors opulence, Scandinavian design emphasizes simplicity, where the overall impact derives from the thoughtful assembly of individual components. This concept resonates with the Swedish principle of “lagom,” advocating for “not too much, not too little,” succeeding the Danish “hygge” trend. This balanced approach has positioned Scandinavian design at the forefront of contemporary high-end design. The historical origins of Scandinavian design trace back to the early 20th century, influenced by Germany's Bauhaus school. The Bauhaus principle of creating a “total work of art,” integrating all aspects of architecture and interior design holistically, was adopted and evolved in the Nordic countries. Finnish architect Alvar Aalto, for instance, exemplified this by designing everything from the building structure to minute details like lamps and glassware. This movement gained significant traction in the U.S. in the 1950s. While sharing some overlap with Mid-Century Modern and Minimalism, Scandinavian design distinguishes itself through specific characteristics. Unlike Mid-Century Modern, which often uses darker hues, Scandinavian design prioritizes lightness and brightness, reflecting the long Nordic winters, and employs a muted color palette. In contrast to Minimalism's use of industrial materials like stainless steel and chrome, and reliance on geometric forms, Scandinavian design favors organic materials, subdued colors, and softer aesthetics. Beckstedt summarizes it as “form and function with warmth.” Contemporary luxury developments in NYC are actively incorporating Scandinavian influences. For instance, 145 President in Carroll Gardens, Brooklyn, promotes itself with the tagline “Scandinavian inspired. Brooklyn based.” The development's exterior features handmade Danish brick, and its interiors emphasize natural light, warm wood floors, custom cabinetry, and a Scandinavian-influenced material and color palette. Similarly, 505 West 19th Street in West Chelsea, designed by Danish architect Thomas Juul-Hansen, showcases natural materials, craftsmanship, and sophisticated interiors to create calm, comfortable, and private living spaces. The design ethos of simplicity and functionality translates into a curated and edited selection process for interiors. Designers like Tali Roth advocate for carefully chosen items rather than an abundance of possessions. Vanessa Antonelli, specializing in nurseries, highlights the desire for clutter-free, bright spaces with natural elements among her clients, often achieved through strategic storage solutions that double as décor. Chris Taylor of Morris Adjmi Architects notes that their firm's principles—simplicity, functionality, clean lines, light, natural materials, and craftsmanship—naturally align with Scandinavian design, as seen in projects like 211 Schermerhorn. This project features bright interiors with pale woods, large format plank floors, and integrated, handcrafted-looking cabinetry, evoking a handcrafted, artisanal feel through custom-stained white oak floors with varying widths and knotting. To incorporate this style, designers recommend choosing modern furniture with clean lines in natural wood, mixing natural elements like florals and plants with hard metals, and incorporating woven textiles to add softness, ultimately creating spaces that are both functional and warm. #ScandinavianDesign #LuxuryRealEstate #NYCDesignTrends #InteriorDesign #ArchitecturalInfluence #ModestLuxury #NaturalMaterials #BrooklynRealEstate #WestChelsea #ThomasJuulHansen

Rodney Lawrence, an ELLE DECOR A-List designer, developed a model apartment in The Cortland, a new luxury development in West Chelsea, New York City. The building, designed by Robert A.M. Stern, features a historic feel with over a million hand-laid bricks, inspired by the iconic London Terrace. The interior architecture by Olson Kundig maintains a restrained aesthetic with rigorous lines and a limited palette, including an open-plan kitchen, living, and dining area, marble fireplaces, and high-end finishes like hand-brushed artisanal Italian metallic lacquer and Statuario Belgia marble. Lawrence aimed to infuse nature into this structured environment, departing from the base design while respecting its spirit. He researched Olson Kundig’s projects, noting their tendency to feature minimal structures set within natural landscapes. His goal was to bring this natural essence indoors, specifically for a hypothetical young family seeking cool yet approachable design. His design strategy for the 1,500-square-foot, two-bedroom, two-and-a-half-bath apartment focused on incorporating a multitude of colors and layered organic shapes. The combined living and dining area exemplifies this approach with curvaceous silhouettes. Key elements include a custom sofa in a velvety Élitis fabric, a Crate & Barrel three-legged cocktail table, and dining chairs from Burke Decor. A custom banquette elegantly snakes around the dining space, highlighting the multi-functional aspect of modern living, where the dining table can double as a workspace and a console as a desk or bar. To seamlessly connect the living and dining zones, Lawrence utilized subtle design cues. He selected a chain-link chandelier from Trueing Studio, strategically hanging its glass link chains so that each bulb illuminated a focal point in both areas. A custom ombré gradient wallpaper from Trove was commissioned, creating an illusion of distant water or fog. Lawrence explained that this was a deliberate choice to establish an internal horizon within the apartment, as the exterior view primarily consisted of other buildings. In the main bedroom, the horizon theme continues with a "floating" platform bed illuminated from behind its custom headboard. The wall behind the bed is upholstered in an azure satin fabric from Coraggio, a color echoed in the lacquered, built-in side tables. Curvaceous forms are also present in the channel-tufted banquette nestled into the bay window and in a pair of pendant lamps by Brooklyn artist Yuko Nishikawa. A charcoal drawing by the late Belgian-American artist Jan Yoors, a special print arranged through his estate, hangs above a textured credenza from Burke Decor. The children’s room is designed with a playful sea theme, featuring a fort-like bunk bed and a dedicated work area. The walls are covered in a wave-textured material and adorned with 3D-printed fish that create a sense of movement. Jellyfish paper lamps dangle from the ceiling, and plump poufs from RH provide a buoy-like effect. A rug by Trish Andersen Studio serves as an abstract coral reef. Lawrence acknowledged that the recent lockdown significantly influenced his design, shaping both space allocation and decor choices. The design emphasizes comfort and ample space for families, reflecting new priorities for homeowners. The model apartment's dreamy design can be replicated in other units with similar layouts within The Cortland. #luxuryRealEstate #interiorDesign #modelApartment #ombreDesign #rodneyLawrence #newYorkCity #designInspiration #architecturalDesign #homeDecor

Interior designer Charlie Ferrer's new Greenwich Village apartment in New York City is a testament to his evolving aesthetic, moving from a "spare masculine" midcentury modernism to a more eclectic, colorful, and "granny feminine vibe." Ferrer sought a pre-war building with a working fireplace in the West Village, a combination he found in a 1931 Bing & Bing condominium on Christopher Street, directly above the Stonewall Inn. This location, described as a "dynamic little intersection of energies," offered a livelier environment than his previous Chelsea residences. His stylistic shift mirrors a personal transformation, having grown up in Greenwich, Connecticut, with a "heteronormative white preppy" aesthetic. After moving to Los Angeles, coming out, and entering the furniture business, his design preferences naturally broadened. As a largely self-taught interior designer, Ferrer has expanded his studio to include luxury condominium model apartments and a vintage furniture collaboration with CB2. He notes that different projects and evolving interests taught him to integrate pattern and color into his designs. The apartment's inherent pre-war character, with its solid proportions and charming details like entry vestibule railings, facilitated this transition towards a layered and collected look. Ferrer, who also operates his own vintage design gallery, furnished the apartment by hand-picking pieces from his inventory. He describes his approach as "iterative or incremental, based on discoveries," rather than a pre-conceived "full vision." This method involved customizing chosen items to ensure they complemented each other. Examples of his unique customization include a sofa with added pleats, cast-bronze animal claw feet, and magenta piping. A swiveling "Elda" chair by Joe Colombo, selected for its "weirdness quotient," was reupholstered in a dark green alpaca-hair fabric. Striking molded acrylic dining chairs were given chartreuse-hued textile cushions to contrast with their rosy-amber bases, a design choice Ferrer playfully admits few clients would approve. These chairs pair with an antique wooden table featuring a figurative bronze sculpture by French artist César. In the bedroom, a 1930s archival print from French textile house Le Manach covers the bed, which Ferrer affectionately calls "grandma, but I think it’s super sexy." Above the bed hangs a collection of small crosses from a Parisian estate sale, recontextualized by Ferrer as an "aesthetic gesture" rather than a religious symbol. Unexpected details also appear in the kitchen, where the cabinet interiors are finished in Hermès-orange, contrasting with a wall lined in textured grasscloth. Ferrer justified the choice of absorbent grasscloth due to his minimal cooking habits. Ferrer continuously refines the apartment's details, even installing a new fireplace mantel just before the photo shoot. This collector's approach to interior design has created a personal sanctuary that balances the vibrant energy of the neighborhood with a distinctively curated aesthetic. The apartment serves as a compelling example of how personal narrative, playful experimentation, and a passion for vintage finds can converge to create a truly unique and evolving living space, demonstrating that personality and character can triumph over larger, more conventional layouts. #InteriorDesign #CharlieFerrer #NewYorkApartment #VintageFurniture #EclecticDecor #PreWarBuilding #DesignEvolution #CustomInteriors #GreenwichVillage

Designer Marshall Watson and his husband Paul Sparks reside in an exquisite Edwardian five apartment on Manhattan’s Upper West Side, which they have meticulously transformed into a haven of traditional elegance and sophistication. Having lived in the apartment since the 1990s, Watson, with his theater and film background, designed the space to be a sanctuary from the bustling energy of New York City. The apartment, situated in a 1912 building, initially appealed to Watson for its impressive ceiling height and abundant natural light, elements he considered irreplaceable. The recent renovation, only the second since they acquired the property, reflects Watson's thoughtful approach to design, blending historical influences with personal touches. To amplify the sense of spaciousness and light, Watson drew inspiration from Scandinavian design, incorporating a palette of cream and blue. This is complemented by wide-plank oak floors, graceful antiques, and strategically placed mirrors. Doorways were enlarged and aligned to enhance flow, while others were ebonized or cleverly concealed with paneling. A pair of elaborately carved 19th-century French doors, left unpainted, provide a rustic contrast at the bedroom entrance, and an open archway to the study allows light from three exposures to permeate the living area. The entry vestibule, lined with silk velvet, creates a jewel-box effect. The hall and kitchen doors are upholstered in leather with nailhead trim, and the kitchen door features a portal window salvaged from an old submarine. The kitchen ceiling is adorned with burnished-gold paper, harmonizing with the deep, glossy cabinetry. Watson notes that dark colors can paradoxically make a space feel larger, especially at night when shadows minimize boundaries, lending a glamorous ambiance. Lacquered ceilings in the living area further contribute to this illusion by reflecting light, making rooms appear double-height. The apartment showcases treasured items collected over time, including Gracie wallpaper from the 1980s, which now graces the study and complements a Regency desk. An enormous solid iron pediment, rescued from a demolished bank building, is artfully integrated above a built-in closet in the study, providing both aesthetic appeal and practical storage. Decades-old bath tiles, once stored, are now finally installed, illustrating Watson's patient and considered approach to his home. Furnishings acquired from auctions and sales, such as Billy Baldwin-designed étagères from Mario Buatta's estate, are interwoven with personal family heirlooms, including Watson’s mother’s bouillotte table, a grandfather’s violin, and a bronze clock from his great-great-grandfather. These elements imbue the space with a rich sense of history and personal connection, reflecting Watson’s belief in a home as a place of nurture and comfort. Each room exhibits unique design elements. The study, featuring the Gracie wallpaper, showcases floral motifs that echo the carvings of the Regency desk. The dining area highlights a beloved pedestal table, described by Watson as a testament to perfect proportions. The kitchen, designed as a butler’s pantry, incorporates modern mirrored finishes to brighten the dark cabinetry, while a late-19th-century lantern connects to William Morris wallpaper. The bedroom, adorned in shades of periwinkle blue, features a Suzanne Tucker print on the walls and curtains, alongside Persian temple doors that belonged to Watson’s mother. The bathroom subtly honors Watson’s grandfather with a violin silhouette repeated in the marble backsplash, demonstrating his continuous experimentation with design. These thoughtful details reflect a deeply personal and elegant approach to interior design. #InteriorDesign #NewYorkApartment #MarshallWatson #HomeDecor #LuxuryLiving #TraditionalElegance #GracieWallpaper #ScandinavianInfluence #ArchitecturalDetails

Soren Rose Studio undertook the redesign of a Tribeca loft, leveraging the space's inherent advantages: generous natural light from large industrial windows, double-height ceilings, and ample square footage. The studio's approach aimed to create a fresh, contemporary New York City style by contrasting old and new elements within the design. The interior is characterized by a predominantly monochromatic scheme, featuring white walls and light-colored wood flooring throughout, which enhances the open and airy ambiance of the home. This neutral base is strategically punctuated by boldly colored accent walls, modern furniture, and graphic artwork that introduce visual interest and break the monotony. The loft’s main living areas are bathed in refreshing daylight, thanks to the expansive industrial windows. The furniture selection represents a deliberate blend of high-end contemporary pieces and meticulously curated vintage items. This juxtaposition serves to mirror the inherent contrasts found within New York City itself, creating a dialogue between different eras and styles. The common areas are integrated into a single, long interior space, yet each zone is distinctly defined through variations in pattern, furniture arrangement, and color choices, ensuring functional separation without sacrificing the open-plan feel. In the dining area, shelving units are integrated along an interior wall, positioned beneath a strip of large windows. A cool, linear chandelier is suspended above a round marble table, adding a contemporary touch to the dining experience. The residence also extends its design philosophy to an outdoor area, which provides a relaxing escape. This exterior space is thoughtfully adorned with various leafy greens and furnished with the same modern-vintage pieces that populate the interior, ensuring thematic consistency throughout the property. Soren Rose Studio, known for its expertise in both interior design and furniture creation, showcases a coherent and engaging design aesthetic in this Tribeca loft, emphasizing a balance between historical context and contemporary living. #TribecaLoft #InteriorDesign #SorenRoseStudio #NewYorkCity #ModernVintage #LoftLiving #ContemporaryDesign #HomeDecor #UrbanLiving

This article explores a New York City apartment on the Upper East Side that masterfully blends traditional East Coast aesthetics with a laid-back California casual style. The homeowners, having recently moved from San Francisco, sought to infuse their new urban residence, a 1928 building overlooking Central Park, with a relaxed West Coast vibe while respecting its classic Manhattan character. The interior design team at Pembrooke & Ives, led by senior designer Diego Arias, successfully achieved this vision by combining quiet luxury with laid-back elegance. The design approach incorporates warm wood tones and a retro pulse, revitalizing the space. The entryway immediately sets a refined yet inviting tone with a custom terrazzo floor inspired by mid-century Italian design. In the living room, a sophisticated mix of traditional details and vintage pieces is evident. The color palette plays a crucial role, featuring bold jewel tones layered over a soft foundation of warm woods, ivory, and blush, creating an exciting yet warm and inviting atmosphere. Notable design elements include metal and glass partitions, soft-curve flush casings and trims throughout the apartment, and a raked travertine custom fireplace mantel in the living room. The family room is designed for versatility and coziness, featuring a custom glass and metal sliding door system that allows it to be either contained for private activities or opened to the adjacent living room for entertaining. Curtains can fully enclose the space for movie watching, and its blue color scheme contributes to a bold yet soothing environment. Andrew Sheinman, founder of Pembrooke & Ives, established the firm in 1987, known for its collaborative and responsive approach, creating comfortable spaces characterized by a refined use of materials, sophisticated color, strong forms, artisanal details, and collectible design, defining a 'new traditional' aesthetic. The eat-in kitchen adheres to the clients' desire for custom architectural details, partitions, arched openings, and high-end finishes, alongside an inviting, colorful, and warm environment with unique tile applications. Portuguese artisanal tiles back the open shelves, providing a bright contrast to the reeded oak cabinets. A breakfast nook, bathed in natural light from windows on three sides, features a dark wood table that elegantly contrasts with the fitted white oak cabinets. The kitchen’s design includes oak wood rift-cut veneer cabinetry, Bianco Dolomiti stone countertops, Heath tiles for the backsplash, and California Faucet fixtures, combining functionality with refined craftsmanship. A discreet home bar is integrated into a small arched alcove between the kitchen and passageway, featuring textured wall tiles, a striking marble sink and counter, and oxblood cabinets and trim. The guest bedroom adopts a more traditional East Coast aesthetic with silk chinoiserie wallpaper and an elegant upholstered bedhead, maintaining a palette of warm, natural shades conducive to relaxation. In contrast, the primary bedroom reflects West Coast influences, balancing softness and sophistication with custom millwork and lighting. Floor-to-ceiling windows were installed to maximize views of Central Park from the bed. The powder room, designed for entertaining, is a dramatic and elegant statement space, showcasing Patagonia stone and a bold wallpaper selection. #InteriorDesign #NewYorkApartment #CaliforniaCasual #UpperEastSide #PembrookeAndIves #LuxuryInteriors #EclecticStyle #HomeDecor #ArchitecturalDetails

This article features a New York City loft designed by Michael Ellison, taking inspiration from the aesthetic portrayed in the novel and film "American Psycho," albeit without the violent themes. The client, a businessman from Connecticut, commissioned Ellison to create a conversational and moody pied-à-terre in a former artist's building in Soho. The design significantly departs from a previous traditional Nantucket house Ellison designed for the same client, which featured fifty shades of white, cream, greige, and blue. This new project embraces a darker, more provocative atmosphere. Ellison's design strategy for the Soho loft involved emphasizing a dramatic and edgy ambiance. Upon entering, guests are greeted by a custom steel "fence" that subtly separates the entryway from the main living area, allowing for a gradual transition while still offering a view into the apartment. The living room is characterized by a textured black wall, which Ellison describes as an "abyss," complemented by oxblood wool curtains. The furniture selection includes a vintage De Sede Snake sofa, a distinctive swinging chaise suspended from the ceiling, and a gallery wall anchored by Vik Muniz's artwork "Amore and Psyche. In the dining area, a piece by Wayne Pate from Armature Projects is hung from chains, further contributing to the desired "dangerous" aesthetic. Ellison's primary goal was to ensure every element of the interior felt a little provocative and intriguing. Despite the dramatic aesthetic changes, the architectural modifications to the loft were kept minimal. Ellison focused on replacing the existing squeaky floors and upgrading the lighting with fixtures from Apparatus and Galerie Philia, along with a Noguchi paper globe. The kitchen received a modern update, featuring a waterfall island crafted from Arebescato Orobico marble. The cabinetry is painted in Benjamin Moore's Black Beauty, creating a sophisticated contrast. The designer, Michael Ellison, launched his firm three years prior to this project, having previously served as the design director at Workshop/APD. This project represents an adventurous new chapter for the client, offering a distinctive and bold living space in New York City. For Ellison, the loft demonstrates how even unconventional and darker inspirations can be transformed into a chic and compelling interior design. #NewYorkLoft #MichaelEllison #InteriorDesign #SoHo #AmericanPsychoInspired #DarkAesthetics #ModernDesign #LoftConversion

Steven Hammel, an artist and set designer who has resided in the Lower East Side for 22 years, has meticulously transformed his apartment into a nostalgic recreation of his Minnesota childhood home. His apartment, located in a high-rise built in the 1950s that offers expansive views of the East River, Manhattan, Brooklyn, and Williamsburg bridges, stands as a unique blend of urban living and rural Midwest aesthetics. Hammel’s design philosophy is rooted in a do-it-yourself approach, reflecting the community spirit of his upbringing on a cattle ranch 150 miles north of Minneapolis. The apartment, initially an all-white space, has evolved over the years through Hammel's creative interventions. The first project he undertook was painting a faux red-brick wall in the kitchen, setting the tone for the entire residence. His design choices incorporate painted timber-lined walls, faux patio trellises, brick, plaid patterns, and various trompe-l’oeil confections. Hammel describes the overall inspiration as a "midwestern ranchhouse family room in the basement," aiming to evoke a sense of comfort and familiarity. He explains the simplicity of creating faux wood finishes using an undercoat of golds or pinks with a top wash of brown in a strié fashion. The living room, which also serves as Hammel's studio, is adorned with "kitsch" ’70s wall decorations, including three-dimensional plastic art from companies like Burwood, Syroco, and Sexton, mostly sourced from eBay. He complements these with artworks he painted himself, all contributing to an Early American theme. The furniture in his living room includes pieces salvaged from his building's trash room, such as a fireplace. His work for nonprofit theater companies, like Wild Project, where he is exhibiting his paintings, influences his home decor, featuring themes such as parade floats, marching bands, fast-food architecture, and '70s cookware in distinctive harvest gold, avocado, red, and brown shades. The bedroom mirrors his childhood room with its comforting red, white, and blue palette. Here, he uses eBay-sourced curtains and a wall sticker for the headboard, demonstrating his affinity for three-dimensional decorative elements. The wall facing the bed is transportation-themed, featuring planes, boats, and cars, again utilizing three-dimensional art. His bookshelves are filled with a 40-year collection of history books known for their compelling graphics. The foyer, which once featured faux padded tufting in pink, now contributes to the apartment's unique character. A hallway leading to the bedroom is treated with faux wood, and '50s and '60s figures, reminiscent of Americana and Dennison cutouts, add to the nostalgic atmosphere. In the bathroom, wall decorations, a gift from a friend, are consistent with the plastic art found elsewhere in the apartment. The kitchen features life-size figure cutouts, which Hammel reproduced from a 1974 Milton Bradley teacher learning tool, "Diverse People in Your Community." These cutouts were specifically created for a play at Wild Project. The kitchen's concept, Hammel notes, is akin to the tin dollhouses of the 1950s, envisioned as a patio space, complete with a patio bar cart he received as a gift. The apartment's spectacular views of the river and bridges provide a striking contrast to the interior's cozy, Midwestern-inspired design, creating a truly personal and evocative living space. #HomeDecor #ApartmentDesign #MidwesternInfluence #StevenHammel #DIYDecor #FauxFinishes #VintageDecor #NYCInteriors

This article highlights the fashionable Soho loft of renowned jewelry designer, Aurora Lopez Mejia, which is currently on the market for $4.95 million. The property is described as an “oasis in Soho,” a fitting epithet for its unique and luxurious features. The loft boasts impressive 11-foot ceilings and custom wood beams, distinguishing it from conventional living spaces. It is configured as a one-bedroom, one-and-a-half bathroom residence, offering both comfort and style. A standout feature of the loft is its expansive open kitchen, designed to cater to modern living and entertaining. The integration of sliding glass doors provides a versatile solution for spatial organization, allowing the living room to be completely separated from the office or library area. This adaptability makes the loft suitable for a work/live arrangement, appealing to individuals who require a dedicated workspace within their home. The design elements emphasize both aesthetic appeal and practical functionality, creating a harmonious environment. Further enhancing the luxurious appeal of the loft is the en-suite master bedroom. This private sanctuary is outfitted with custom cabinetry and additional wooden beams, contributing to the overall sophisticated ambiance. The master bathroom is particularly noteworthy, featuring an expansive layout with a freestanding soaking tub and elegant Carrera marble finishes. These details underscore the high-end nature of the property and its meticulous design. Storage is another practical aspect addressed in the loft's design. The sunny residence offers ample closet space, with at least seven closets indicated on the floorplan. This generous provision ensures that residents have sufficient storage solutions, maintaining the uncluttered and spacious feel of the loft. The combination of elegant design, practical features, and a prime Soho location positions this loft as a desirable property for discerning buyers. #SohoLoft #LuxuryRealEstate #HomeDesign #NewYorkCity #InteriorDesign #WorkLiveSpace #AuroraLopezMejia #ManhattanApartment

Hines Collective undertook a significant renovation of a 2,000-square-foot, two-bedroom apartment located in César Pelli’s 52-story Museum Tower condo on West 53rd Street, New York. This apartment, developed in 1982 as part of the Museum of Modern Art complex redesign, had remained untouched since its original construction, necessitating extensive work beyond simple restoration. The clients, who were described as minimalists with a substantial collection of vintage and contemporary art and design, desired a space that blended 1960s mod inspiration with a gallery-meets-space-station aesthetic. To achieve this vision, the Hines Collective team initiated the project by stripping the apartment down to its studs and slabs, effectively starting from a blank canvas. This comprehensive gut renovation allowed for a complete reimagining of the living space. A key aspect of the redesign involved creative modifications to the floor plan to achieve a balance between form and function. The second bedroom was repurposed into an expansive walk-in closet and dressing area, providing ample storage. Additional closets were integrated along the hallway leading to the primary bedroom, all concealed behind hidden flush doors, maintaining the apartment's minimalist aesthetic. Throughout the apartment, Toka Builders installed a seamless, gloss white epoxy resin floor in a single pour, contributing to the desired sleek and modern look. The installation phase was executed with the precision of a gallery exhibition, emphasizing the display of the clients' art and design collection. In the living area, a custom sectional sofa, spanning approximately 28 winding feet, was designed to create diverse seating opportunities. This sectional not only facilitated conversation and intimacy but also framed views of Fifth Avenue and incorporated a home office space along its back. The office area was furnished with a Skeleton desk chair by De Sede and an AYALA desk lamp, alongside a curved desk and floating corner console. The kitchen, though primarily white with custom cabinetry and Miele white glass appliances, incorporated warming elements through Akdo tiles and a banquette upholstered in Dedar’s Flimflam fabric. The apartment’s design ensures that remarkable objects from the clients' collection are prominently displayed. For example, an untitled Jin Soo Kim sculpture oversees the dining area, which features chairs hand-carved from over 25 hardwoods, complementing Yard Sale Project’s wood Corsican chairs and vintage Eero Saarinen Tulip chairs, upholstered in Vernon Panton fabric by Maharam, surrounding a Mattia Bonetti Vortex table. The primary bedroom features a floating platform bed by Mondo Collection, with a vintage Eero Aarnio Ball chair opposite. The custom headboard is upholstered in Maharam fabric and includes a hidden light source, while a Martinelli Luce Cobra 629 table lamp on a custom night table provides additional illumination. The hallway entrance is delineated by a vintage Eero Saarinen Tulip stool with a white leather seat and a Dino chair by Daniel Arsham, with vintage Giotto Stoppino wall sconces. The walk-in closet is equipped with a custom vanity area, including Katie Stout’s “Bonnet Chair 1” and a table lamp by Carmen D’Apollonio. The primary bathroom boasts a custom vanity with a Nano White “Glassos” countertop, Kohler sinks, and Hansgrohe faucets. #ApartmentDesign #ResidentialDesign #HinesCollective #MidCenturyModern #ArtCollection #LuxuryInteriors #NewYorkApartment #MinimalistDesign #CustomFurniture

The Upper East Side of New York City, traditionally associated with a classic prewar lifestyle, is experiencing a resurgence of understated elegance, moving away from the super-tall tower trend. This shift is exemplified by 40 East End, a newly completed 20-story residential building located in Yorkville. Designed by ELLE DECOR Titan Deborah Berke Partners in collaboration with Gerner Kronick + Valcarcel Architects, the building aims to offer a luxurious yet grounded living experience. Architect Deborah Berke, a long-time resident of Yorkville, viewed 40 East End as a passion project. Her primary goal was to create a structure that felt deeply rooted in its urban context while simultaneously reinterpreting traditional architectural elements in a contemporary manner. This approach sought to achieve a timeless quality, ensuring the building harmonizes with its surroundings and endures aesthetically. Materiality played a crucial role in Berke's design philosophy for 40 East End. The facade features warmly colored charcoal and gray bricks, chosen for their richness and tactile quality, which contribute to the building's overall character. These external elements contrast with the internal common spaces, which incorporate more direct expressions of luxury. For instance, the grand parlor boasts a striking black and white marble chevron floor, a prominent crystal chandelier, and a bronze-clad iron staircase, all designed to add a significant touch of opulence. This commitment to diverse and high-quality materials extends to the 28 full-floor and half-floor units within the building. A notable example is the primary bathrooms, which are meticulously crafted using Arabescato Cervaiole marble and mirror-back Bendheim glass, reflecting a blend of sophistication and functionality. The design choices throughout the building underscore Berke's intention to create residences that cater to discerning individuals seeking a beautiful and luxurious long-term home, rather than properties primarily for investment. Berke emphasizes that 40 East End is not designed to be overtly showy. Instead, it embodies a philosophy of creating a comfortable and elegant environment where residents can establish their lives over many years. The project signifies a return to a more refined and enduring architectural style in New York City, focusing on livability, contextual integration, and sophisticated material palettes. #LuxuryRealEstate #NewYorkCity #ArchitecturalDesign #DeborahBerkePartners #UnderstatedElegance #Yorkville #ResidentialArchitecture #InteriorDesign #Materiality

A-List designer David Netto embarked on a design project for a New York apartment, facing an initial challenge in defining a strong conceptual direction. The clients, who had combined two apartments in a 1929 Greenwich Village building, trusted Netto’s vision, allowing him to propose unconventional room-to-room connections for a more open, loft-like layout. The turning point arrived during a meeting when the client’s Italian name inspired Netto to create an "Italian New York apartment," not necessarily for the famous Agnelli family, but infused with their sophisticated spirit. The core concept involved radical combinations of old and new, emphasizing quality above all. This approach integrated traditional architecture with modern art, juxtaposing 18th-century antiques and silver with contemporary furniture. The client’s preference for a joyful color palette further guided the aesthetic. The project involved carefully curated objects and their unexpected pairings. For instance, the gallery features Louis XV blue and white ormolu-mounted cachepots from Emilio Terry and a cabinet from Henri Samuel, alongside chairs by Carlo Scarpa. The living room showcases a Noa mosaic coffee table by Elisabeth Garouste complementing a George III armchair from Gerald Bland. The library is anchored by an iron and leather desk inspired by Jean Michel Frank, an antique Louis XVI Fauteuil de Bureau, custom rift oak paneling, an antique rug by Katie Leede, and a sectional sofa upholstered in cinnamon-hued Claremont linen velvet. Throughout the apartment, contemporary Bonacina pieces are prominent. The finishes contribute significantly to the apartment's unique character, such as faux Iznik tiles in the kitchen backsplash, inspired by museum patterns, and a zigzag brown and white Parish Hadley floor in the music room. The dining room makes a bold statement with Zuber’s Combats des Grecs wallpaper, providing a vivid and sensual backdrop, subtly contrasted by contemporary rattan chairs by India Mahdavi. A more subtle Italian influence is observed in the higher mounting of door hardware, reminiscent of Venetian palazzos, an effect Netto previously witnessed in a theatrical New York apartment designed by Renzo Mongiardino. This detail aims to create a sensual rather than purely visual experience, encouraging an unfamiliar interaction with the space. The design process also involved defending choices, such as the use of architectural mirrors to enhance light and add glamour, which Netto argued would ultimately make walls “invisible.” The successful execution of the design is encapsulated as a recipe: a mix of art, boldness, and quality; a blend of 21st and 18th-century elements; a strong point of view; and, most importantly, a space meant for enjoyment and entertaining. This design philosophy emphasizes that successful decorating engages multiple senses beyond sight, contributing to a truly immersive and personal living environment. The article highlights the importance of client trust and a clear design concept in transforming an ordinary space into an extraordinary one, reflecting a unique blend of cultures and eras through thoughtful curation and audacious choices. #ItalianChic #NewYorkApartment #DavidNetto #InteriorDesign #EclecticStyle #LuxuryInteriors #HomeDecor #DesignProcess #ArtAndAntiques

Adie Kaplan Mears and her husband, Brian Mears, sought to create a new home in New Orleans' Freret neighborhood that blended New Orleans architecture with modern Scandinavian design principles. Having outgrown their previous home on the same lot, the couple decided to demolish the existing structure, retaining only the garage, to build a new 3,000-square-foot residence. Adie, with a background in architecture, spearheaded the design process, collaborating with Adamick Architecture, led by Alexander “Alec” Adamick, to realize their vision. The design incorporated key Scandinavian elements such as abundant natural light, natural materials like wood, and a palette of soft, muted colors, aiming for a sleek yet comfortable living space. A primary goal was to integrate the new home seamlessly into the New Orleans aesthetic, despite its modern inclination. Adamick Architecture proposed a New Orleans townhouse style, incorporating features like a distinctive bump-out at the front for the office and stained wood-plank siding on the front porch and bump-out, which adds warmth and visual interest against the painted siding. The exterior design, credited to Alex Barthel and Judy La, ensured the overall concept aligned with Adie's vision. The ground floor of the new home includes a front porch, a powder room, a pantry, and an open-concept kitchen, living, and dining area, along with a covered rear porch. A custom contemporary stairway leads to the second floor, which houses a children’s play area, a home office, a bathroom, two children’s bedrooms, a walk-in laundry room, and the primary suite. Strategic placement of the play area and office at the front of the house ensures privacy for the bedrooms, which are located away from street view. Throughout the interior, Adie made all material selections, and Adamick Architecture assisted in realizing specific custom features, such as the unique staircase, a custom niche at the top of the hall, and the master bathroom design. The Mears prioritized natural light and tall ceilings, achieving 10-foot ceilings on both floors to create an airy and modern, yet inviting, atmosphere. The open floor plan facilitates family interaction, allowing parents to oversee children while cooking and enhancing entertainment opportunities. Notable interior features include an upstairs playroom with a vertical stained-wood screen overlooking the stairs and a window seat/storage bench. The front entry also features a built-in bench and stained wood screen. The master bath includes a walk-in shower and soaking tub combo, designed to feel like a single wet room with floor-to-ceiling tile. The kitchen cabinets feature a built-in bench for dining, reflecting the family's desire for an informal dining setup. Custom elements extend to the front steps, a back screened porch with matching stained wood, and a distinctive front window in the home office. Budget constraints presented a challenge, but Adie’s careful sourcing of materials, such as cost-effective flooring, allowed for the realization of a sophisticated contemporary design. The interior color scheme predominantly features neutral tones, with light taupe kitchen cabinets, engineered white oak floors, and white walls. Bathrooms provided an opportunity for bolder color choices, including sage green wall tiles in the master bath and mint green tiles with black accents in the children’s bathroom. Adie also incorporated Farrow & Ball's Mizzle for a modern wainscoting effect in Avi’s room and a sun mural in Ayla’s room, painted by a colleague. The new home provides ample space and diverse areas for both individual privacy and family gatherings, with future plans to add a pool and convert the shed into a modern pool house. #NewOrleansArchitecture #ScandinavianDesign #UptownHome #ModernHomeDesign #InteriorDesign #CustomHome #Architecture #HomeRenovation

Tatyana Miron Ahlers, a renowned interior designer and partner in the ELLE Decor A-List firm Pappas Miron, showcases her downtown New York City loft, which she has meticulously crafted to be a vibrant and functional space for her family of five. Her design philosophy, characterized by a fearless blend of modern and vintage elements, eschews conventional notions of provenance and preciousness, instead prioritizing personal connection and the life a room facilitates. This approach has been a hallmark of Ahlers's style since her early post-collegiate days in New York, where she effortlessly hosted gatherings, elevating simple get-togethers with crystal goblets and a sophisticated yet unpretentious ambiance. Ahlers's aesthetic was shaped by early exposure to designer showhouses and estate sales, alongside her best friend and now business partner, Zandra Pappas. Her distinctive style, marked by a penchant for 1970s fashion and a belief in enduring personal expression, translates into interiors that are both unique and inviting. Her design ethos is rooted in the juxtaposition of diverse elements, believing that if each item holds personal meaning, they inherently harmonize, creating a cohesive and personal narrative within a space. This willingness to take risks is evident in her choice to commission an outsider artist, Earl Swanigan, for a family portrait depicting them as cats, a piece that became a central and cherished focal point in her living room. Her talent for reimagining spaces proved invaluable when she and her lawyer husband initially rented a loft in an 1880s cast-iron building near City Hall. Despite initial impressions of primary-colored walls and Formica cabinetry, Ahlers recognized the potential in the soaring ceilings and expansive windows. After purchasing the loft from the owners, who decided not to return from Europe, their family grew, necessitating more space. Instead of moving, Ahlers ingeniously acquired the adjacent apartment, despite the challenge of 24-inch-thick brick walls separating the units. Her solution was to connect them via a hallway in the entry, dedicating one apartment to private family quarters and converting the kitchen of the second unit into a wet bar, creating an expansive area perfectly suited for entertaining. This innovative expansion reflects Ahlers's deep-seated belief that a home thrives when filled with people. Even amidst the limitations of the COVID-19 pandemic, her dedication to creating a celebratory atmosphere persists; she continues to set elaborate tables, adorn spaces with flowers, and transform takeout meals into festive family occasions. Her ability to visualize and transform spaces, overcoming structural limitations and conventional expectations, solidifies her reputation as a designer who champions bold choices and creates homes that are not just visually stunning but also deeply resonant with the lives lived within them. Her home stands as a testament to her philosophy: a dynamic, personal, and endlessly entertaining environment designed for maximum family enjoyment and social engagement. #NewYorkLoft #InteriorDesign #FamilyHome #EclecticDecor #VintageFurniture #TatyanaMironAhlers #PappasMiron #EntertainingSpace #DesignPhilosophy

This article provides a detailed tour of celebrity chef, event planner, and lifestyle expert Travis London's Brooklyn apartment, highlighting his unique approach to interior design and budget-friendly decorating. London describes his apartment as a "love letter to himself," reflecting his vibrant personality and diverse experiences living in Paris and Milan. Unlike his previous residences, which were distinctly French or modern, his New York apartment is a blend of cultures and styles, mirroring the city's diversity. Each room in his two-bedroom apartment by Level One Holdings is designed to represent a different aspect of his persona. The bedroom, for instance, draws inspiration from Los Angeles with masculine, clean lines and features a personal photo. The combined office/guest room is characterized by its bright, white, and simple aesthetic, which London states reflects his straightforward and meticulous work ethic. The living room, his favorite space, embraces a maximalist philosophy inspired by European design, where bold fabrics and prints are mixed to create a cohesive yet vibrant environment. London encourages mixing seemingly disparate elements, citing his living room's black and white wallpaper, blue and white patterned rug, pink chairs, and green sofa as an example of how contrasting elements can work together harmoniously. The apartment was brand new when London moved in, requiring minimal renovation beyond the introduction of color. He initiated the design process by acquiring a green velvet couch, which served as a foundational piece around which the rest of the apartment's decor was built. London is also adept at mixing and matching prints, offering advice on how to combine wallpaper patterns effectively—suggesting the pairing of a print with a pattern rather than two prints to avoid clashes. His bathroom features Beverly Hills Hotel-inspired wallpaper next to a hallway wallpaper with blue dots, demonstrating this principle. A significant aspect of London’s decorating philosophy revolves around achieving a stylish look on a budget. He emphasizes that many of his seemingly luxurious items are surprisingly affordable and practical. London advocates for online shopping for affordable decor, noting that many companies offer returns or setup services, mitigating the risk of online purchases. He suggests ordering fabric swatches beforehand to ensure satisfaction. His budget-friendly tips include opting for matte over glossy hardware, using decanters to elevate the appearance of beverages, and incorporating fresh flowers regularly. He frequently shops at online retailers such as CB2, Wayfair, Overstock, West Elm, and Spoonflower for custom fabrics and wallpaper. London also shares a crucial shopping secret: being wary of drop-shipped items, particularly from large companies that may significantly mark up prices. He advises searching for alternative retailers for non-exclusive, drop-shipped products to find better deals. Furthermore, he prioritizes practicality in his fabric choices, selecting versatile, easily washable materials to accommodate his two dogs. For example, his office's white couch is made of washable micro-suede, which he finds to be a lifesaver for easy cleaning. This pragmatic approach underscores his belief that decorating should be inclusive and adaptable to everyday life, allowing for beautiful, yet functional, spaces without the fear of damage being financially crippling. #CelebrityHome #ApartmentTour #InteriorDesign #BudgetDecorating #BoldDecor #MaximalistDesign #TravisLondon #HomeStyling #NewYorkApartment