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This New York Apartment Is Swedish Blues Done Right
Designer Marshall Watson and his husband Paul Sparks reside in an exquisite Edwardian five apartment on Manhattan’s Upper West Side, which they have meticulously transformed into a haven of traditional elegance and sophistication. Having lived in the apartment since the 1990s, Watson, with his theater and film background, designed the space to be a sanctuary from the bustling energy of New York City. The apartment, situated in a 1912 building, initially appealed to Watson for its impressive ceiling height and abundant natural light, elements he considered irreplaceable. The recent renovation, only the second since they acquired the property, reflects Watson's thoughtful approach to design, blending historical influences with personal touches.
To amplify the sense of spaciousness and light, Watson drew inspiration from Scandinavian design, incorporating a palette of cream and blue. This is complemented by wide-plank oak floors, graceful antiques, and strategically placed mirrors. Doorways were enlarged and aligned to enhance flow, while others were ebonized or cleverly concealed with paneling. A pair of elaborately carved 19th-century French doors, left unpainted, provide a rustic contrast at the bedroom entrance, and an open archway to the study allows light from three exposures to permeate the living area.
The entry vestibule, lined with silk velvet, creates a jewel-box effect. The hall and kitchen doors are upholstered in leather with nailhead trim, and the kitchen door features a portal window salvaged from an old submarine. The kitchen ceiling is adorned with burnished-gold paper, harmonizing with the deep, glossy cabinetry. Watson notes that dark colors can paradoxically make a space feel larger, especially at night when shadows minimize boundaries, lending a glamorous ambiance. Lacquered ceilings in the living area further contribute to this illusion by reflecting light, making rooms appear double-height.
The apartment showcases treasured items collected over time, including Gracie wallpaper from the 1980s, which now graces the study and complements a Regency desk. An enormous solid iron pediment, rescued from a demolished bank building, is artfully integrated above a built-in closet in the study, providing both aesthetic appeal and practical storage. Decades-old bath tiles, once stored, are now finally installed, illustrating Watson's patient and considered approach to his home. Furnishings acquired from auctions and sales, such as Billy Baldwin-designed étagères from Mario Buatta's estate, are interwoven with personal family heirlooms, including Watson’s mother’s bouillotte table, a grandfather’s violin, and a bronze clock from his great-great-grandfather. These elements imbue the space with a rich sense of history and personal connection, reflecting Watson’s belief in a home as a place of nurture and comfort.
Each room exhibits unique design elements. The study, featuring the Gracie wallpaper, showcases floral motifs that echo the carvings of the Regency desk. The dining area highlights a beloved pedestal table, described by Watson as a testament to perfect proportions. The kitchen, designed as a butler’s pantry, incorporates modern mirrored finishes to brighten the dark cabinetry, while a late-19th-century lantern connects to William Morris wallpaper. The bedroom, adorned in shades of periwinkle blue, features a Suzanne Tucker print on the walls and curtains, alongside Persian temple doors that belonged to Watson’s mother. The bathroom subtly honors Watson’s grandfather with a violin silhouette repeated in the marble backsplash, demonstrating his continuous experimentation with design. These thoughtful details reflect a deeply personal and elegant approach to interior design.
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