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This Apartment Brings Italian-Chic to the Middle of Manhattan
A-List designer David Netto embarked on a design project for a New York apartment, facing an initial challenge in defining a strong conceptual direction. The clients, who had combined two apartments in a 1929 Greenwich Village building, trusted Netto’s vision, allowing him to propose unconventional room-to-room connections for a more open, loft-like layout. The turning point arrived during a meeting when the client’s Italian name inspired Netto to create an "Italian New York apartment," not necessarily for the famous Agnelli family, but infused with their sophisticated spirit. The core concept involved radical combinations of old and new, emphasizing quality above all. This approach integrated traditional architecture with modern art, juxtaposing 18th-century antiques and silver with contemporary furniture. The client’s preference for a joyful color palette further guided the aesthetic.
The project involved carefully curated objects and their unexpected pairings. For instance, the gallery features Louis XV blue and white ormolu-mounted cachepots from Emilio Terry and a cabinet from Henri Samuel, alongside chairs by Carlo Scarpa. The living room showcases a Noa mosaic coffee table by Elisabeth Garouste complementing a George III armchair from Gerald Bland. The library is anchored by an iron and leather desk inspired by Jean Michel Frank, an antique Louis XVI Fauteuil de Bureau, custom rift oak paneling, an antique rug by Katie Leede, and a sectional sofa upholstered in cinnamon-hued Claremont linen velvet. Throughout the apartment, contemporary Bonacina pieces are prominent. The finishes contribute significantly to the apartment's unique character, such as faux Iznik tiles in the kitchen backsplash, inspired by museum patterns, and a zigzag brown and white Parish Hadley floor in the music room.
The dining room makes a bold statement with Zuber’s Combats des Grecs wallpaper, providing a vivid and sensual backdrop, subtly contrasted by contemporary rattan chairs by India Mahdavi. A more subtle Italian influence is observed in the higher mounting of door hardware, reminiscent of Venetian palazzos, an effect Netto previously witnessed in a theatrical New York apartment designed by Renzo Mongiardino. This detail aims to create a sensual rather than purely visual experience, encouraging an unfamiliar interaction with the space. The design process also involved defending choices, such as the use of architectural mirrors to enhance light and add glamour, which Netto argued would ultimately make walls “invisible.” The successful execution of the design is encapsulated as a recipe: a mix of art, boldness, and quality; a blend of 21st and 18th-century elements; a strong point of view; and, most importantly, a space meant for enjoyment and entertaining.
This design philosophy emphasizes that successful decorating engages multiple senses beyond sight, contributing to a truly immersive and personal living environment. The article highlights the importance of client trust and a clear design concept in transforming an ordinary space into an extraordinary one, reflecting a unique blend of cultures and eras through thoughtful curation and audacious choices.
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