clad in oak panels, folly by rever & drage extends angular cantilever form over norwegian hill

This article features the "Folly in Solliveien," a unique backyard addition located in Asker, Norway, designed by Rever & Drage architects. The structure is situated in an elongated garden, adjacent to a large, old oak tree, and acts as a transitional space between the everyday residential area and a tranquil pastoral end of the property. The Folly's design transcends conventional garden structures, presenting a boat-like outline formed by a log facade that encloses two distinct structures. The main volume of the Folly houses functional spaces, including a dining room, an adjoining kitchen, and a bathroom. The bathroom is notably equipped with a sauna, a bathtub, and an outdoor shower, enhancing its practical utility and luxurious amenities. This primary structure contributes significantly to the Folly's functionality, offering comprehensive facilities for relaxation and entertainment within the garden setting. Opposite the main volume is a smaller, leaning structure, described as evoking the charm of a treehouse or a secret hideaway. This structure features a small lounge with a glass roof, designed to allow occupants to gaze up at the sprawling branches of the ancient oak tree. The glass roof panels provide ample daylight and views, while a wooden hatch ensures ventilation and serves as an emergency exit, emphasizing both comfort and safety in this secluded space. The architectural design of the Folly is characterized by a striking contrast between materials and aesthetics. From the eastern approach, the structure presents an elegant silhouette, achieved through slim, smooth oak panels that are juxtaposed against stout, rough logs used in its construction. This combination marries contemporary design with traditional log construction, offering a sophisticated and visually appealing facade. The volumes are strategically designed to converge on a central gate while also stretching away from it, effectively framing the impressive oak tree that dominates the landscape. From the pastoral western perspective, the building transforms into a warm, embracing form, creating a sunny nook ideal for leisurely afternoons. This configuration offers a moment of respite and tranquility before individuals transition back into their daily routines. The Folly at Solliveien represents a harmonious blend of decorative artistry and practical functionality, providing a serene and multi-functional retreat within a residential garden. #ArchitecturalDesign #BackyardAddition #NorwegianArchitecture #ReverAndDrage #GardenStructure #ModernDesign #OutdoorLiving #ResidentialArchitecture #UniqueStructures

The project involved the renovation of a 1960s home and the addition of a compact, single-story extension in British Columbia, Canada. The property, situated at the end of a suburban street, is characterized by rocky outcrops, mature fir and oak trees, and expansive 180-degree views of an inlet. The clients' vision for a new residence on this sensitive, waterfront site led to a solution focused on minimal ecological impact by retaining and renovating the existing structure, alongside the new addition. Strict waterfront setback regulations played a pivotal role in shaping the design of the addition, which accommodates the primary bedroom and en suite. These regulations necessitated an irregularly shaped building envelope. The design of the new volume features a minimal footprint, carefully touching the terrain with recessed concrete foundation walls to prevent extensive excavation in the marine-protected area. The structure itself is designed to appear as though it is hovering, with its roof dramatically soaring 13 feet above a cantilevered screen wall that extends to a sharp point. Access to the home is orchestrated by a colonnade-lined staircase that directs visitors to the front door. The addition is clad in light-stained cedar, creating a visual contrast with the original house's shed-roof forms and dark finishes, which are intended to echo the granite shoreline. In terms of landscaping, patios and pathways are seamlessly integrated with the site's native vegetation and natural topography. The design incorporates expansive windows, some with concealed frames to blur the distinction between interior and exterior spaces, and others strategically placed to frame specific vistas. These windows are instrumental in capturing the changing light and ocean reflections, thereby animating the interior spaces throughout the day. The project was completed by Splyce Design, with Mdrn Built as the builder, Aspect Engineers handling structural engineering, and Andrew van Egmond responsible for landscape design. Ema Peter provided the photography for the project. #HomeRenovation #CantileveredExtension #WaterfrontProperty #SplyceDesign #BritishColumbiaArchitecture #MidcenturyModern #SustainableDesign #ArchitecturalInnovation

The I/O Cabin, a holiday home designed by local studio Erling Berg, is situated on Norway's southern coast in Risør, offering ocean views. This wooden structure, clad in locally sourced spruce, is elevated from the ground by wooden pillars, adapting to the sloped terrain of the site. The design features three distinct volumes, interconnected by a wooden deck, forming a central atrium. This configuration aims to create dynamic "inside-outside" spaces, catering to Norway's rapidly changing climate, which often transitions between sunny and rainy periods within a single day. The studio's objective was to ensure easy access between indoor and outdoor areas, fostering seamless circular and visual connections. The site, characterized by its solid rock formation, provides extensive views towards the southwest coast, including the Skagerrak strait and Denmark. The cabin's volumes are supported by a wooden deck, which is raised above the ground by cross-laminated timber beams. These beams also extend to support the home's cantilevered roof, strategically shaped and placed to offer sun shading while allowing ample light into the central atrium and providing protection from rain. Erling Berg's architectural vision draws inspiration from both the horizontal lines of mid-century Californian architecture and traditional Norwegian building methods. Erling Berg, having spent significant time in California, emphasizes the fusion of functional aspects found in mid-century Californian homes with the practicalities of Norwegian vernacular architecture and its conventional construction techniques. The concept of the deck and roof framework, connected by vertical pillars extending to the untouched ground, was inspired by the larger steel frames prevalent in mid-century homes in the Los Angeles hills. Upon entering the I/O Cabin, the transitional indoor-outdoor atrium leads into the main living space, four bedrooms, and a shower area, all arranged in a U-shape around this central hub. Inside, the walls are finished with white-painted horizontal wood siding, while the ceilings and floors feature white oiled spruce timber. This material palette creates a warm yet bright aesthetic, characteristic of traditional Norwegian coastal cabins. The choice of materials is rooted in local, genuine resources and a color scheme commonly found in Norwegian summer houses from the 1950s and 60s. This functional palette combines the warmth of wood textures with white painted panels, contributing to an interior that feels cool, yet inviting and luminous. A prominent design element within the living room is a V-shaped timber column, which allows for a corner glass window. This feature maximizes views of the natural surroundings, further enhancing the cabin's "inside-outside" quality. Erling Berg, the founder of the Norwegian studio, previously worked with Mork-Ulnes Architects on projects such as a concrete guesthouse in California's wine country. Other notable architectural projects in Norway include Snøhetta's mass-timber home perched on a hillside in Kongsberg and Feste Landscape/Architecture's series of wooden cabins for hikers in the Agder region mountains. The photography for the I/O Cabin was carried out by Carlos Rollán. #HolidayHome #WoodenArchitecture #SpruceWood #NorwegianDesign #CoastalLiving #InsideOutsideLiving #CrossLaminatedTimber #MidCenturyModernInfluence #ErlingBerg

This article highlights an atrium cabin designed by architect Erling Berg, situated on an untouched, sloped terrain along the southern coast of Norway. The cabin offers views of the ocean, with Denmark visible in the distance. Spanning 1,200 square feet, the structure is elevated on pillars, allowing it to float above the natural landscape of solid rock and local vegetation. The design comprises three distinct volumes interconnected by a wooden deck, which also floats above the sloped ground. This configuration creates an 'inside/outside' effect, maximizing the use of outdoor spaces for its function as a summer retreat. The cabin's design incorporates a shared, cantilevered roof that serves multiple purposes: it blocks direct sunlight, permits natural light to enter, and provides shelter for the shared outdoor areas from rain. The exterior is clad in locally sourced spruce siding, treated with an organic wood protection and gray pigments, which gives it a naturally weathered appearance from the outset. Inside, the walls feature white horizontal wood siding, complemented by a warmer-toned floor and ceiling made of white-oiled spruce, a color scheme that reflects traditional Norwegian coastal cabins. The structural system of the cabin is notable for its wooden pillars, which lift the building off the ground. These pillars are integrated with cross-laminated timber beams in the deck. This beam structure extends upwards to the roof, mirroring the structural beams in the deck. This design choice draws inspiration from mid-century steel-structured homes found in California, where the architect received his education. A V-shaped wood column supports the weight of the cantilevered roof. A large glass corner in the main living space further enhances the connection with the surrounding natural environment, reinforcing the indoor-outdoor living experience characteristic of the elevated cabin. #NorwegianArchitecture #CabinDesign #CoastalLiving #IndoorOutdoorLiving #SustainableMaterials #ModernCabin #ArchitecturalInnovation #SummerHouse

This article outlines the extensive range of timber products offered by Wickes, catering to various home renovation and garden landscaping projects. It emphasizes Wickes' reputation for supplying high-quality timber, including softwood, sawn kiln-dried, sawn treated, and studwork timber, all designed to provide flexibility and strength for a lasting finish, whether used indoors or outdoors. The article categorizes the timber products into several key areas, making it easier for customers to find specific materials for their needs. The range includes various timber supplies such as wall panels, all-purpose timber, trade timber, and planed square edge (PSE) timber, which are essential for structural and finishing work. Mouldings are also highlighted, offering decorative options for interior spaces. For outdoor projects, the article features garden and outdoor fencing, garden and railway sleepers, and timber decking boards, providing materials for constructing fences, raised beds, and outdoor living areas. Additionally, specialized timber products like wooden floorboards, skirting boards, shiplap cladding, timber scaffold boards, and timber roof battens are available for specific construction and renovation tasks. Cladding options are detailed, including exterior timber cladding and interior timber wall cladding, catering to both external weather protection and internal aesthetic enhancements. The article also covers various timber-related accessories and fixings, such as window sills and boards, staircase parts, joist and truss hangers, brackets and straps, and different types of timber fixings like multipurpose screws, exterior timber screws, and joinery nails. These supplementary products ensure that customers have all the necessary components for secure and effective timber installations. The goal is to assist customers in selecting the appropriate timber and associated materials for building furniture, erecting sheds, or undertaking comprehensive home renovations, ensuring their visions are brought to life with durable and high-quality supplies. #TimberSupplies #BuildingMaterials #HomeRenovation #GardenLandscaping #Woodworking #DIYProjects #ConstructionTimber

ALPI, a company renowned for its decorative wood veneers, partnered with the Swedish design duo Front to introduce two innovative designs: Drapery Wood and Grid Wood. These creations, part of ALPI's Designer Collections, represent a contemporary interpretation of traditional inlay techniques and wood veneers, updating a centuries-old craft with modern aesthetics. The collaboration focuses on pushing the boundaries of wood surfacing, offering new possibilities for interior applications and architectural elements. Drapery Wood is a distinctive two-tone veneer characterized by alternating strips of squares that are subtly offset. This careful arrangement creates an optical illusion of flowing, wave-like motion, reminiscent of draped fabric. The design introduces a dynamic and soft visual texture to wood, diverging from typical flat wood surfaces. The interplay of light and shadow on the slightly raised and recessed sections of the veneer enhances this effect, providing depth and visual interest to any surface it adorns. This veneer is suitable for applications where a sense of movement and textile-like softness is desired, offering a sophisticated alternative to conventional wood finishes. Grid Wood draws its inspiration from traditional reticular structures, evoking the imagery of a gridded roof on a pergola. This design incorporates four different types of wood, each chosen for its unique color and grain, to create a complex inlay pattern. The combination of these varied wood elements results in a striking three-dimensional illusion, adding significant depth and intricate detail to the surface. The meticulous arrangement of the different wood types creates a perception of architectural framework and volumetric forms, transforming a flat panel into a visually rich and textured composition. Grid Wood offers a strong architectural statement, ideal for spaces that aim to integrate structural aesthetics with natural materials. Both Drapery Wood and Grid Wood demonstrate a fusion of innovative design and expert craftsmanship, expanding the creative potential of wood veneers. Front's designs for ALPI emphasize visual texture, optical illusions, and the inherent beauty of wood, while also leveraging modern manufacturing techniques to achieve these intricate patterns. These veneers are not merely surface coverings but design statements that can define the character of an interior space. The partnership highlights ALPI's commitment to collaborating with leading designers to develop cutting-edge products that maintain a connection to the rich history of woodworking. Federico Cedrone provided the photographic documentation for these designs, capturing the intricate details and visual impact of the new veneers. #WoodVeneer #GeometricDesign #InteriorDesign #FrontDesign #ALPI #ModernCraftsmanship #HomeFurnishings #TexturalSurfaces

The 'Nord House,' designed by Apollo Architects, draws inspiration from Alvar Aalto's idyllic designs and Northern European churches, as requested by the client. Situated on a flag-shaped property in Japan, the house features a focus on timber to create a warm and intimate atmosphere. The site's constraints, including surrounding properties and strict regulated setbacks from three directions, dictated the asymmetric form of the roof. This architectural solution, while born out of necessity, has become a defining characteristic of the home. A key design element is the exposed timber rafters constructed in pairs using SPF lumber. These rafters visually emphasize the sharp angle of the sloped ceiling, lending a bold and engaging aesthetic to the interiors. The design cleverly integrates natural light into the living spaces. A narrow skylight, positioned to maximize illumination, allows soft light to diffuse through the rafters, providing a steady and gentle stream of natural illumination to the living and dining areas during the day. The layout of the house places the private living areas on the first floor, ensuring privacy and a sense of retreat for the occupants. Above these, an expansive loft space is designed without traditional walls, instead utilizing a thin handrail to delineate its boundaries. This open-concept approach for the loft creates a feeling of weightlessness and spaciousness, contributing to the overall contemporary and airy ambiance of the home. The design prioritizes an unobstructed flow and visual continuity within this upper level. At night, the house transforms through a carefully considered lighting scheme. Cove lights are strategically installed between the timber rafters, generating a distinct atmosphere. This artificial lighting accentuates the dramatic expression of the asymmetric ceiling and the timber elements, offering a contrasting and equally captivating visual experience compared to the daytime natural light. The lighting design ensures the home remains aesthetically pleasing and functional regardless of the time of day. The Nord House is designed to accommodate the client's family, including two daughters. This family-oriented approach likely influenced the thoughtful arrangement of spaces and the emphasis on creating both shared, open areas and more private retreats. The combination of architectural ingenuity in handling site constraints, the strategic use of timber, and integrated lighting solutions culminates in a home that is both aesthetically striking and highly functional, providing a unique living environment shaped by its context and the client's inspirations. #ApolloArchitects #NordHouse #JapaneseArchitecture #TimberDesign #AsymmetricRoof #NaturalLighting #LoftSpace #ArchitecturalDesign #ResidentialArchitecture

Scandinavian design, known for its minimalist, functional, and democratic aesthetic, has been a significant force in furniture and interiors for decades, primarily dominated by Danish, Finnish, and Swedish designers. However, Norwegian design has historically been overlooked, despite Norway having a population size comparable to Finland and Denmark. This article delves into the reasons behind Norway's understated presence in the Scandi design landscape and highlights its unique evolution. Norway's lower profile in design can be attributed to several factors. The destruction of its furniture factories during World War Two led to the rise of a cottage industry, with farmers in rural western Norway producing simple, functional furniture. Following the war, a new generation of design graduates, trained by influential architect Arne Korsmo, began creating stylish pieces for these workshops. Korsmo, along with his wife Grete Prytz Kittelsen, was instrumental in connecting Norwegian designers with international modernist pioneers like Frank Lloyd-Wright and Charles and Ray Eames, elevating their skills to match those of their Scandinavian neighbors. Despite this promising start and international recognition, the discovery of oil in the 1960s redirected national focus and investment away from the design industry. Skilled workers left, and the country began importing furniture, leading to a significant loss of domestic production. Unlike its neighbors, who actively supported and promoted their designers abroad, Norway's government shifted its attention to its burgeoning oil industry. This lack of state support, combined with a national temperament that Morten Hippe of Eikund describes as shy and disinclined to self-promotion, meant that Norwegian mid-century designs largely fell out of production and public memory. While other Scandinavian countries continually reissued iconic pieces like Finn Juhl's Model 45 Easy Chair or Arne Jacobsen's Egg Chair, Norway's design heritage remained largely dormant. This led to a situation where, even among contemporary designers, Norwegian names from that era are not widely recognized, with Hans Brattrud being one of the few exceptions. However, this historical lack of a dominant design legacy has paradoxically become an advantage for the current generation of Norwegian designers. Unlike their Danish counterparts, who often feel burdened by a strong historic design legacy, Norwegian creatives have a freer rein to innovate and explore new ideas without the pressure of competing with or being overshadowed by past icons. Hallgeir Homstvedt notes a blossoming design scene in Norway over the last decade, characterized by a certain quirkiness and playfulness. Elizabeth Hurlen, export manager of LK Hjelle, highlights the "warm playfulness" in products by designers like Norway Says. The contemporary Norwegian design scene also demonstrates a ruggedness and experimental approach to materials, evident in shows like Norwegian Presence. Designers such as Ali Gallefoss, Vilde Hagelund, and Nils Stensrud are utilizing raw materials like stone off-cuts and scrap aluminum, embracing an aesthetic that Benedicte Sunde describes as a reaction against glamour. This results in a "raw aesthetic" that challenges conventional notions of beauty, presenting a new-wave, avant-garde perspective. Despite this creative flourishing, Norway still has fewer homegrown, world-recognized brands compared to its neighbors. Consequently, many talented Norwegian designers, including Lars Tornøe and Andreas Engesvik, often work for international brands. In an effort to reclaim and celebrate their heritage, Norwegian brands like Fjordfiesta, Eikund, and Hjelle are now actively reissuing mid-century designs. This two-pronged approach, combining the revival of classics with the fostering of new talent, is seen as a way for Norway to assert its rightful place within the broader Scandinavian design tradition. The country is moving towards a balanced future where its unique design voice, characterized by creativity, playfulness, and a connection to its material roots, can thrive alongside a renewed appreciation for its historical contributions. #NorwegianDesign #ScandinavianDesign #FurnitureDesign #InteriorDesign #MidCenturyModern #DesignHistory #ContemporaryDesign #NordicStyle #DesignInnovation

The Dwell House, a one-bedroom backyard house designed by Norm Architects in collaboration with Abodu, exemplifies Scandinavian simplicity through its focus on natural materials and light-filled spaces. Spanning 540 square feet, the design aims for warmth and tactility, making it versatile as a guesthouse, pool house, office, or gym. The lead architect, Sofie Thorning of Norm Architects, explains that the design process involved balancing broad appeal with a unique aesthetic, without a specific client. The team focused on elements that generally foster a sense of well-being, utilizing a simple and timeless design language to evoke comfort. A key feature of the Dwell House is its exterior cladding, which utilizes Real Cedar siding. This material is available in a natural or black finish and was chosen for its quality, durability, and high design appeal. The cedar seamlessly integrates with other premium materials, such as the building’s standing-seam aluminum roof and engineered oak floors. William Hanley, Dwell’s editor-in-chief, emphasized the deliberate choice of Real Cedar due to its authenticity as a wood cladding, its support from a consortium of mills, and its natural weathering properties. Furthermore, the wood is sourced from sustainably managed forests, contributing to a reduced environmental footprint for the home. Cedar’s inherent resilience makes it resistant to rot, decay, weather, and insects, ensuring a low-maintenance exterior. The material’s natural properties also mean it is free of pitch or resin, allowing for easy customization with stains, oils, and finishes. This flexibility in color and appearance was a significant factor in selecting Western Red Cedar, particularly for an Accessory Dwelling Unit (ADU) designed to complement various architectural styles of main homes. Hanley highlighted that the design objective was to create a structure that looks equally appropriate behind a Mission Revival or a contemporary house, while still maintaining its distinct character through details like the varying widths of the cedar cladding. The Dwell House’s exterior design elements, including the vertical cedar slats, contribute to a sophisticated facade. These slats are complemented by outdoor sconces from Brendan Ravenhill, which provide adjustable and dimmable light. The interplay of natural warmth, grain, and variability of the cedar creates a dynamic appearance, particularly when illuminated by sunlight. The thoughtful material palette, which includes the aluminum roof and window exteriors alongside the wood cladding, ensures a cohesive and visually harmonious design. The result is a backyard home that blends functionality with a refined, tactile aesthetic, designed to enhance well-being and seamlessly integrate into diverse residential settings. #DwellHouse #ScandinavianDesign #RealCedar #ADUDesign #NaturalMaterials #SustainableDesign #NormArchitects #ExteriorCladding #HomeDesign #ArchitecturalDetails

For decades, architects and government officials have recognized the importance of energy-efficient buildings, especially since the 1970s energy crisis. Buildings, including their construction, materials, and associated infrastructure, contribute up to 40 percent of global carbon emissions, making energy efficiency a critical concern. This understanding is foundational in North American architecture schools and has been emphasized by European institutions for even longer. The "Passive House Design" approach, pioneered by German architects, considers a building's entire interconnected system, focusing on its integration with the site, climate, and social support. This philosophy extends beyond residential structures to all building types. A more recent evolution, the "Net Zero Design" approach, also led by German designers, takes this further by requiring buildings to be highly efficient, use minimal energy, and replace all the energy they consume, potentially even contributing excess energy back to the local power grid. Europe, with its advanced energy design and construction history, has developed numerous innovative building cladding systems that contribute to energy efficiency. These systems often incorporate specialty fabrics in intelligent ways, such as vertical shade systems, retractable awnings, and entire building wraps. Industry experts, including Steve Fredrickson from Serge Ferrari North America, note that Europe is significantly ahead of North America in this area due to a lack of air conditioning standardization in European homes and retail, creating a greater need for heat barrier solutions. Additionally, European building codes are more adaptable to new energy-reducing products and developments. In contrast, existing North American building codes and the time required for their amendment make widespread adoption of fabric shade systems more challenging. Architect Samuel Armijos observes that while European markets showcase many examples of vertical fabric systems, such projects are scarce in the U.S. This lack of visible examples hinders broader acceptance and design incorporation. Architect Nicholas Goldsmith, however, notes a growing recognition among North American designers that exterior shading, particularly in specific regional climates, offers advantages over other cladding systems, such as being lightweight, efficient, and cost-effective. Mike Squizzato of Stobag North America Corp. highlights that Europeans prioritize shade for cooling due to higher electricity costs, whereas North Americans typically rely on air conditioning. He believes that as electricity costs rise and climate concerns grow, North American markets will rapidly adopt shading solutions, with awnings and vertical shading providing natural air-conditioned environments and potentially saving over 50 percent on electricity bills. Paul Snustead, director of facades at Structurflex, acknowledges Europe's lead but points to Structurflex's efforts to advance fabric facade architecture in the U.S. Tensile facades, also known as textile, fabric, or flexible facades, offer an innovative, long-lasting, and cost-effective alternative to traditional metal mesh screens, often costing about 50 percent less. These systems act as a 'second skin' for buildings, providing screening and shading, which can contribute to reduced energy consumption and LEED certification. Despite the clear benefits, the adoption of fabric-based shading systems in North America faces challenges. Traditional cladding materials remain strong competitors. Armijos notes a decline in leads for shade jobs, with parking garages being the primary market, but even there, fabric competes with pre-fabricated concrete and metal mesh systems. He suggests a major global event might be needed to spur a push toward textile facades. Andrew Trowbridge of Ronstan International observes a shift away from stainless steel cables in fabric structures towards greening systems and perforated aluminum panels for shade and facade coverage. Conversely, Fredrickson sees growth in both static and retractable vertical shading options across North America. Snustead describes an exponential expansion in the fabric facade architecture market, particularly for tensile fabric meshes, membranes, and foils, initially driven by parking garage screening requirements. Structurflex has seen an 800 percent increase in facade projects annually, with fabric facades becoming a significant part of their operations. Squizzato predicts that as temperatures rise, North Americans will increasingly seek cost-effective cooling solutions beyond air conditioning, leading to buildings with more colorful awnings and widespread vertical shading, eventually mirroring European practices within 15 years. For companies looking to enter or expand in this market, experts emphasize the need for knowledge, education, and accessibility of information. The ideal company size varies by region and market, but success hinges on having the right products and expertise. Fredrickson warns against using cheap, unproven products, which can harm the market's reputation. Snustead highlights the versatility of tensile facades, which can span large distances with less structural support and use materials that are often 100% recyclable with long lifespans. Squizzato points out that many existing businesses, from awning companies to landscape architects, can leverage sun shade protection to expand their services, provided they have appropriate insurance, training, and competent staff. The overall outlook for vertical fabric shading remains positive, with continued growth anticipated, especially as architects and contractors become more familiar with the medium's innovation and economic advantages. #BuildingFacades #VerticalShading #EnergyEfficiency #FabricArchitecture #SustainableDesign #ArchitecturalTextiles #NetZeroDesign #ClimateControl #ConstructionInnovation

The London design gallery Béton Brut is currently showcasing the 'Low Collection,' a series of sculptural, curved furniture pieces crafted from solid oak, conceived by Benni Allan, founder of EBBA Architects. This collection, comprising a low seat, a high seat, a two-person bench, and a low table, is on display at the gallery from May 25 to July 8. Allan's design philosophy for the Low Collection is rooted in exploring diverse global sitting practices, drawing inspiration from his personal experiences in China and Spain, and his travels in Japan. The collection aims to challenge conventional notions of seating by offering objects that encourage various modes of interaction, rather than dictating a singular use. Each piece is designed to prompt users to engage with them in a specific way, moving beyond the traditional functions of a chair or table. Crafted from high-quality, kiln-dried oak, the furniture pieces undergo a meticulous production process involving a specialist CNC machine to achieve precise geometric forms. The designs uniquely blend specific curvatures with rigid horizontal or vertical lines. A notable aesthetic feature is the distinct grid pattern created by the end grain of the wood where cross-cuts have been made, highlighting the material's natural beauty. Allan emphasized the transformative quality of the oak, noting how the material's appearance significantly alters based on its geometry. Despite their solid construction, the geometric precision imbues the pieces with a sense of softness and refinement. This approach aligns with Allan's reputation as a rising figure in architecture, known for his innovative use of materials and resourcefulness, as demonstrated in earlier EBBA projects like the Construction Skills School and an apartment refurbishment in Bow. The Low Collection was initially a personal endeavor for Allan, with no immediate plans for exhibition. However, Sophie Pearce, the founder of Béton Brut, recognized the unique appeal and potential of these designs. Béton Brut, typically focused on vintage pieces from the early to mid-20th century, made an exception for Allan's work, a testament to its perceived quality and distinctiveness. Pearce lauded the collection, drawing parallels to iconic works such as Axel Einar Hjorth’s Utö stool from 1932 and Lina Bo Bardi’s side chair for the SESC Pompéia from 1980, underscoring the contemporary relevance and timeless quality of Allan's oak furniture. #BenniAllan #LowCollection #BétonBrut #OakFurniture #SculpturalDesign #FurnitureDesign #ContemporaryDesign #EBBAArchitects #DesignExhibition

The Ranch Mine, a US architectural studio based in Phoenix, has completed a holiday home called Noir Peaks in Flagstaff, northern Arizona. The house is characterized by its black, gabled forms that appear to 'burst vertically from the ground,' reflecting the surrounding volcanic landscape. The location of the property on a grassy, high-altitude plateau in Flagstaff, an area known for its mountains, aspen stands, pine forests, and a vast volcanic field, heavily influenced the design and materiality of the vacation home. The last volcanic eruption in this region occurred approximately 1,000 years ago, leaving a distinctive geological footprint. The Noir Peaks house is built on a two-acre (0.8-hectare) site and consists of a cluster of gabled forms perched on a two-foot-high concrete base. The architectural concept specifically aimed to mimic the volcanic mountains that dot the plateau, with three prominent gabled structures rising vertically. The exterior of the home features fibre-cement, board-and-batten siding, which is painted to match the dark lava rocks prevalent on the site. The spacing of the battens is intentionally varied to evoke the organic and scattered arrangement of nearby aspen trees, contributing to a seamless integration with the natural environment. The design team emphasized the economic construction of the house, stating their goal was to utilize a simple, cost-effective material that could withstand the harsh environmental conditions while achieving an elevated aesthetic through a unique batten pattern. Spanning 2,405 square feet (223 square meters), the interior layout of Noir Peaks is meticulously planned to optimize views of the majestic San Francisco Peaks. The house encompasses multiple communal spaces, a primary suite, three additional bedrooms, a mudroom, a laundry room, and a generously sized garage. The interior design adopts a neutral colour palette complemented by earthy materials such as wood and stone, fostering a warm and inviting atmosphere. For instance, tongue-and-groove hemlock clads the ceilings in the great room and the primary bedroom, adding textural richness and natural beauty. Fireplaces throughout the home are faced with Texas Crème limestone, further enhancing the natural and refined aesthetic. The overall interior ambiance is designed to be cozy and restful, drawing inspiration from the Danish concept of 'hygge.' This philosophy emphasizes creating a comforting and convivial environment that promotes well-being and contentment. In line with this, the designers aimed for the home to serve as a refuge where occupants can recover, rest, reflect, and re-energize in preparation for future adventures. To enhance comfort during the colder months, radiant heated concrete floors are installed throughout the house, providing a consistently warm and pleasant daily sensation. The Ranch Mine has a history of developing projects in Arizona, including a minimalist house in Paradise Valley and a series of townhomes in Phoenix featuring brick, stucco, and weathering steel facades. #VolcanicTerrain #GabledForms #HolidayHome #ArizonaArchitecture #TheRanchMine #SustainableDesign #HyggeInterior #EarthyMaterials #ModernArchitecture

The holiday season, often associated with elaborate decorations and frantic preparations, can be approached with a simpler, more meaningful perspective, according to Portland interior designer Nicole Wear. Co-owner of Friday and Company, a real estate, design, and home staging firm, Wear advocates for a "Scandinavian Zen" aesthetic that prioritizes natural elements, comfort, and family-centered spaces. This approach aims to create festive environments without excessive fuss, allowing for the creation of tender memories and heartfelt cheer with minimal stress. Wear emphasizes focusing holiday decorations on the rooms where families spend the most time during winter, such as the living room, dining area, and kitchen. Her year-round design philosophy, characterized by texture-rich, family-friendly, and inviting spaces with a light, bright feel, extends seamlessly into the holidays. This includes elements like washable white walls and cozy upholstered furniture. She and her business partner, Calle Holmgren, have applied this philosophy to hundreds of home redesigns, stressing the importance of honoring a home's heritage while incorporating modern conveniences and smart floor plans for long-term livability. Wear suggests a litmus test for design choices: considering if they would have been relevant 50 years ago and if they will remain so 50 years into the future. An example of this timeless design is Wear and Holmgren's 1927 English Tudor Revival cottage in Southeast Portland's Eastmoreland neighborhood. The living room, with its large picture window and high ceiling, features built-in bookshelves and a comfortable window seat with storage, designed to be a central relaxation spot for the family. Wear also highlights practical tips for home improvements, such as creative, budget-friendly decor ideas, illustrated by her use of gold markers on wallpaper. The family's experience during the pandemic, spending more time at home, further reinforced the importance of their dining room as a versatile space for eating, working, and relaxation, often adorned with fresh floral arrangements for the holidays. To ensure a stress-free holiday season, Wear advises minimizing clutter and tchotchkes, especially in smaller homes, to maintain a "lived-in space that feels fun, cheery and tidy." This approach encourages slowing down, enjoying a crackling fireplace, and listening to Christmas music. She offers five specific tips for easy holiday decorating: First, an abundance of garland is central to her holiday decor. She suggests using fresh evergreen boughs, such as western red cedar, Douglas fir, and noble fir, to drape around window frames, French doors, mantels, and bookshelves, transforming spaces with their natural beauty. Second, embracing the seasonal darkness with the soft illumination of candles is key. Wear prefers simple, individual candlestick holders arranged in small clusters on windowsills, tables, and other safe surfaces. She also incorporates an Advent candelabra to mark the Sundays leading up to Christmas, favoring carved wooden candlestick holders of varying heights and wood tones. Third, while bookshelves are essential year-round, for the holidays, Wear selectively adds colorful, holiday-themed objects like mini Christmas trees and nutcrackers, ensuring they complement rather than overwhelm the existing decor. Fourth, the fireplace, a focal point in many homes, is decorated with children's stockings, fresh garland, and wood candlesticks on the mantel, enhancing its warmth and festive appeal. In her own home, the fireplace was restored to its original look with a traditional plaster surround and ceramic tile handmade in Portland. Finally, a fresh Christmas tree serves as the centerpiece of the living room. Complementing this, various Christmas tree-shaped objects in different shades and textures are displayed on shelves and tables, alongside white, candlelit ceramic houses and handmade Swedish Tomte elves with pointy red hats, completing the Scandinavian Zen holiday aesthetic. #holidayDecor #scandinavianDesign #homeDecor #interiorDesign #holidayTips #naturalElements #timelessDesign #familyHome #portlandDesign

Mjölk architekti has completed its revitalized Cottage Pod Bukovou, beginning with a derelict cabin located within the mountainous Czech forests. The design features a tiny dwelling alongside a sauna, both of which are finished with blackened vertical wood panels. This exterior treatment extends upwards to encompass the A-frame roof, creating the appearance of a single, unified volume. The architectural team aimed to cultivate a warm and intimate atmosphere, particularly given the challenging conditions of the site. They specifically referenced the winter wind that sweeps over Buková Mountain, traveling from the North Sea across German plains and intensifying in the rocky hills above Hejnice, eventually reaching the other side of the mountains to herald the coming winter. The design team at Mjölk architekti sought to create a contemporary yet cozy environment for Cottage Pod Bukovou. They embraced the often-dreary weather conditions of the region, suggesting that such gloom can, in fact, enhance the dwelling's appeal. The interior layout was reconfigured for maximum efficiency and simplicity. The original cabin's living space has been preserved, while the sleeping arrangements have been modified. The house now includes two distinct bedrooms. One is a larger bedroom, accessed via a hidden staircase concealed within a closet. The second, slightly smaller bedroom, is reached by a ladder extending from the kitchen area. An innovative feature called the 'sleeping window' is situated opposite the fireplace; this deep inset provides a comfortable sleeping area for unexpected guests. The project, named 'Buková Mountain,' was completed in 2020 and is located in Jiřetín pod Bukovou, Czech Republic. The photography for the project was provided by Boysplaynice. This architectural endeavor demonstrates a thoughtful approach to rehabilitating existing structures, integrating them seamlessly with their natural surroundings while enhancing their functionality and aesthetic appeal. The choice of blackened timber not only provides a distinctive visual identity but also likely offers durability and blends with the rugged landscape. The emphasis on maximizing interior efficiency within a compact space reflects contemporary trends in cabin and small home design, while the specific mention of the 'sleeping window' highlights a creative solution for accommodating additional occupants. #MjolkArchitekti #CottagePodBukovou #CzechArchitecture #BlackenedTimber #AFrameRoof #CabinDesign #ResidentialArchitecture #SustainableDesign #InteriorRedesign

Danish design brand Herman Cph has unveiled its inaugural product collection, featuring a series of side tables and a dining table, alongside a range of fabric products. Founded by designers Jonas Herman Pedersen and Helle Herman Mortensen, the brand emphasizes simplicity, honesty, and quality in its designs, maintaining complete control from conception to production. This approach reflects a belief that people connect best with products stemming from good and honest intentions, and that quality materials develop character and beauty over time. The centerpiece of the collection is the Frisbee table series. The side tables, available in three different heights, are characterized by their round oak surfaces, which can be oiled or black stained, and slender, powder-coated steel legs. The design of the legs is specifically conceived to maximize under-table space. These side tables are designed for consumer convenience, arriving flat-packed and requiring only a single screw for assembly, which joins the metal legs together. Complementing the side tables is a dining table from the same Frisbee collection, which comfortably seats three to six people. This larger table also features steel legs, but with a square section, incorporating wooden feet that slot into their ends, showcasing a consistent design language across the table range. Beyond tables, Herman Cph's debut also includes a selection of fabric products. This range features limited-edition cushions and bedspreads, crafted from recycled wool fabrics, highlighting the brand's commitment to material quality and potentially sustainability. Additionally, a wall-mounted storage pocket with leather detailing is part of the initial offering, demonstrating the brand's exploration of various home furnishings. The design process for these pieces takes place at Pedersen and Mortensen's studio in Fredriksberg, Denmark. For manufacturing, Herman Cph collaborates with local Danish companies, ensuring that the production aligns with their standards and supports local craftsmanship. This integrated approach, from design to local manufacturing, underscores the brand's dedication to its founding principles of creating high-quality, thoughtfully designed furniture and home accessories. #DanishDesign #FurnitureDesign #OakTables #SteelLegs #HermanCph #FlatPackFurniture #HomeDecor #SustainableMaterials #ProductLaunch

The article showcases a unique ski cabin in Horní Malá Úpa, Czech Republic, designed by ADR architects. The project, titled "Bucina Cottage," is a functional, compact building intended for a ski resort manager. The cabin spans 1,744 square feet and features an asymmetrical cross-shaped layout, with two equally sized masses. Each arm of the cross serves a distinct function and offers specific views, such as the dining area providing a vista topped by the silhouette of Sněžka. A central feature of the cabin is a spiral staircase that creatively wraps around a chimney, effectively doubling as a woodburning stove. This innovative design integrates heating and circulation into a single, space-saving element, enhancing the cabin's functionality and aesthetic appeal. The staircase also incorporates a comfortable sitting area by the fireplace, creating a cozy focal point within the living space. The building is constructed as a lightweight single-story wooden structure with a residential attic, supported by a concrete foundation slab. This foundation is designed to float above the terrain in warmer months and align with the snow cover during winter. The exterior facade is made of unplanned spruce boards, coated with red paint, a traditional characteristic of mountain buildings in the region. Inside, wood is extensively used, featuring exposed structural elements, wooden flooring, and custom-made furniture crafted from solid spruce. This consistent use of wood contributes to a warm, rustic, and cohesive interior aesthetic that harmonizes with the cabin's natural surroundings. The design emphasizes both practicality and a strong connection to the local architectural heritage and environment. The project exemplifies a thoughtful approach to design in a challenging alpine setting, blending traditional materials with modern functionality and unique architectural solutions. The architects at ADR fulfilled the client's request for a compact yet functional space, optimizing every corner for utility and comfort. The cabin's design effectively balances the need for robust construction suitable for a snowy environment with an inviting and efficient interior layout. The combination of the spiral staircase and woodburning stove represents a clever integration of form and function, addressing both heating and vertical circulation in an aesthetically pleasing manner. The choice of materials and the red facade further anchor the cabin within its historical and geographical context, making it a distinctive example of modern alpine architecture. #SkiCabin #SpiralStaircase #WoodburningStove #CzechRepublic #ADRArchitects #MountainArchitecture #WoodConstruction #InnovativeDesign #CompactLiving