The Complicated Path From Decking to Dirt

This article details the latest progress in a brownstone renovation project, focusing on two significant developments: the refinishing of the original stairs and the completion of the new deck's surface. The renovation team has successfully removed old carpet, linoleum, and glue from the stairs, revealing the original wooden steps underneath. While the stairs, over 130 years old, show signs of wear such as holes, scars, gouges, and a characteristic squeak, the team plans to strip, sand, and refinish them, embracing these imperfections as part of the home's character. This process is a significant step towards restoring the interior of the brownstone, following previous work on the banister and newel post. Simultaneously, the new deck has reached a critical stage, with the steel structure and footings now complete. The deck surface and stairs have been installed, allowing the team to walk on it for the first time. The final steps for the deck include installing railings and some finishing touches. A unique aspect of the deck's construction is the decision to use a poured concrete surface rather than adding tiles, primarily to manage the renovation budget. Tiling would have increased costs, so the concrete was poured to the top layer. The plan is to paint this concrete surface with a specialized paint to achieve a clean and smooth finish. These advancements, though seemingly minor individually, collectively represent major progress in the overall renovation. The article highlights the practical decisions made during the renovation process, such as budget considerations influencing material choices for the deck. The team expresses satisfaction with these developments, indicating that the project is moving closer to completion. The narrative is part of a series documenting the renovation journey of a brownstone in Bed Stuy, offering insights into the challenges and triumphs of restoring an older home. The project underscores the balance between preserving historical elements, like the original stairs, and implementing modern additions, such as the new deck. The approach to the stairs acknowledges their age and history, choosing restoration over complete replacement, which aligns with the character of a brownstone. For the deck, the innovative use of a concrete surface instead of traditional tiling demonstrates a pragmatic and cost-effective solution without compromising functionality. The ongoing nature of the renovation suggests continued updates on further progress and the eventual completion of the project. #BrownstoneRenovation #HomeImprovement #StairRestoration #DeckConstruction #BedStuy #DIYRenovation #HistoricHomes #BudgetFriendly

Rammed earth construction, an ancient technique originating independently in China and the Iberian Peninsula several thousand years ago, is gaining recognition for its numerous green building benefits. This method, utilized in structures like the Hakka Tulou in China and the Alhambra Palace in Spain, offers low embodied energy, recyclability, high thermal mass, low energy loads, and non-toxicity. Terrell Wong, principal of Stone’s Throw Design Inc. in Ontario, Canada, advocates for rammed earth, highlighting its durability and longevity, asserting that a rammed earth house can last 500 years or more without needing paint. Rammed earth walls are constructed in approximately 11.5 ft. panels with flexible joints. The material mix typically includes 20% to 30% clay, sand, and 5% to 10% cement for added strength, with silicate-based waterproofing sometimes incorporated for cold, wet climates. The process involves layering a foot of material into formwork, which is then compressed to 6 inches using a pneumatic tamper. The forms, usually made from Marine-grade plywood and 2x12 walers, are about 20 inches wide and 4 feet tall. For multi-panel walls, a recess on the first panel locks with the second. Conduits for plumbing and electrical wiring are integrated during construction, requiring precise planning as changes are impossible once the wall is set. Walls typically dry within 24 hours and possess a load-bearing capacity comparable to concrete. Despite its ancient origins and proven effectiveness, rammed earth construction remains a niche method in North America. Terrell Wong designs three to four rammed earth houses annually, noting only a handful of builders in Ontario specialize in this technique. Sylvia Cook of Aerecura Rammed Earth Builders emphasizes that the method's thermal mass benefits apply universally, delaying heat gain in hot climates and shifting heat loss in cold climates to periods when solar gain can compensate, thus maintaining consistent indoor temperatures. The limited adoption is primarily attributed to a lack of public and professional knowledge about the system’s versatility across different climates. The distinctive earthy-toned striations characteristic of rammed earth walls are achieved by adding pigment to the cement mix. The ramming process pushes the colors to the formwork edges, creating a natural gradation. Exaggerating the undulations in the formwork can enhance these visual effects. While modern rammed earth construction has advanced, North America lacks specific building codes for it, unlike Australia and New Zealand where codes are formalized, and research even suggests superior seismic resistance compared to brick or block walls. In Canada, builders obtain approval by demonstrating that rammed earth meets existing code requirements, similar to concrete. In colder regions like Ontario, fiberglass rebar is used for structural stability, and recycled polyiso insulation is often integrated into the walls to minimize thermal bridging. The cost of rammed earth projects is influenced by design complexity, with curved or angled walls being more expensive due to the labor-intensive nature of the method. However, by simplifying design and formwork, Terrell Wong successfully applied the technique to an affordable housing project meeting Passive House standards. Many rammed earth homes are hybrids, incorporating elements like stick- or timber-frame walls for interior partitions or upper floors, sometimes combined with straw-bale construction or CLT-panel roofs. The featured single-family home, situated in a rural Ontario subdivision, exemplifies the integration of rammed earth with Passive House strategies. The design maximizes thermal mass, harvests southern light, and utilizes cross breezes to enhance passive ventilation, eliminating the need for mechanical cooling. The home's heating demand is approximately 20 kWh/m2 annually. The exterior walls consist of 530 tons of thermal mass, comprising two 6-inch rammed earth wythes around 6 inches of insulation. The construction’s embodied energy is exceptionally low, as 90% of the unprocessed material was sourced from a nearby gravel pit, and salvaged wood from a local roundhouse was repurposed for the main stair. #RammedEarthConstruction #SustainableBuilding #GreenBuilding #ThermalMass #PassiveHouse #BuildingMaterials #EcoFriendlyHomes #ArchitecturalDesign #CanadianArchitecture

The current trends in flooring emphasize bold choices in patterning, materials, textures, and colors, moving away from neutral palettes. Designers and homeowners are increasingly opting for statement flooring in their projects, embracing an 'haute bohemian' style. This style incorporates colors and patterns reminiscent of Moroccan fabrics, featuring earthy and regal tones like maroons and deep sea greens in carpets and rugs. While metallics, millennial pink, and mustard tones from 2017 are less prevalent, a warmer terracotta has emerged, and chrome is a popular choice. Geometric patterns, especially in large formats such as hexagonal mosaic tiles, are favored for hard floors. In timber flooring, traditional herringbone and chevron patterns are making a resurgence, alongside band-sawn timber for a textured appearance and bleached wood. Reclaimed timber boards, with visible paint tinges or markings from their previous uses, align with the bohemian aesthetic. Companies like Forté flooring and Southern Demolition in New Zealand offer recycled timber boards, and wood planks are now extending to walls and ceilings to maintain a cohesive rustic interior. For those preferring a more subtle look, sisal rugs and carpets offer a softer palette that complements timber furnishings. Artisan's new range of handcrafted rugs by Tammy Kanat, made from Tibetan highland wool, nettle, and silk in subtle colors, exemplifies this trend. Natural fibers, including bamboo silk, are also gaining popularity as a sustainable and cost-effective alternative to true silk. While bold patterns are an option, a lush, mid-tone charcoal carpet provides a versatile and safer choice that pairs well with on-trend fabrics or neutral interiors. Alternatives to traditional timber flooring, such as luxury vinyl floors, are also widely available. These options can be customized with various patterns and tones, mimicking stone or wood, as seen in the Moduleo Moods range. These timber alternatives are highly convincing and come in diverse tones, grains, and finishes. Designers are noting a demand for larger-format tiles and boards to achieve a modern aesthetic. Maria Chen of Athfield Architects particularly recommends large-format cork tiles from Wicanders, praising their marbled texture, warmth, and durability. She emphasizes the importance of investing in durable flooring, even if it means a higher initial cost, to avoid frequent replacement and maintenance. Chen also advises integrating flooring choices with the overall design scheme, including paint colors, kitchen finishes, and even the exterior of the house. Chris Tate of Chris Tate Architecture echoes this sentiment, highlighting the need for consistency and complementarity between flooring and the broader aesthetic of a project. Tate favors concrete flooring, especially with a burnt power floating finish, which creates an organic, mottled appearance. He stresses the importance of proper sealing to prevent staining and recommends heating concrete floors to enhance comfort. Tiled flooring offers a wide array of patterns, configurations, and materials. Ceramic tiles, available in glazed or unglazed finishes, provide options for low-maintenance, stain-resistant surfaces or those that develop a unique patina over time. Gallery 4, for instance, offers highly durable and recyclable handmade encaustic cement tiles. Cork flooring is experiencing a revival due to its comfort, acoustic and thermal properties, and its status as a sustainable and renewable resource. It is naturally hygienic, resistant to mould and water, easy to clean, and available in various forms and colors, with companies like Portugal Cork offering extensive customization. Concrete flooring is valued for its thermal mass properties, which help regulate indoor temperatures, and its durability. Modern concrete finishes allow for unique surfaces through the incorporation of colors, textures, cuts, and sealants. Stone flooring, including limestone, travertine, granite, slate, and marble, provides a seamless transition between indoor and outdoor spaces and offers a primal connection to natural materials. It is important to research the specific properties of each stone to ensure its suitability for a given application. Man-made versions of stone are also available as a more affordable alternative. Linoleum and rubber flooring, traditionally made from natural materials like solidified linseed oil and latex, are recognized for their durability and flexibility. Modern options include vibrant designs, such as Sabo Project's rainbow-striped rubber floor and Forbo's Marmoleum range, which features herringbone woodgrain and tartan patterns made from 97% natural materials. Carpets and rugs are increasingly appreciated for their insulation properties, softness, sound absorption, and safety benefits. Wool carpets, for example, can reduce static electricity. Timber flooring, a classic building material, is now available in an extensive range of options, including bamboo, new and reclaimed timbers, engineered flooring, and laminated flooring. Parquet flooring has seen a comeback, with engineered kitset forms making it more cost-effective and easier to install. Engineered flooring offers greater stability than natural timber, while laminate flooring provides superior wear resistance. Finally, luxury vinyl flooring is a growing trend, offering distinctive colors, patterns, and realistic printed surface treatments that mimic timber, concrete, and stone. Being 100% plastic, it is hard-wearing, moisture-resistant, quiet underfoot, and budget-friendly, making it suitable for various spaces, including wet areas. Designers like Jean Nouvel have created textured vinyl flooring that mimics hand-woven effects, engaging with the light in a space. #FlooringTrends #InteriorDesign #HomeDecor #SustainableMaterials #ArchitecturalFlooring #TiledFlooring #CorkFlooring #ConcreteFlooring #TimberFlooring #VinylFlooring

New Zealand currently lacks standardized regulations for below-ground waterproofing in residential dwellings, which is not considered a restricted building activity. This absence of standards means there's no benchmark for installation, and individuals can undertake the work without specific licenses or knowledge. This situation is particularly concerning given below-ground waterproofing's critical role in preventing moisture ingress, yet it remains the only aspect of moisture resistance without associated standards. Prior to 2011, Clause E2 (External Moisture) of the Building Code included Section 12.0 Basements, which outlined requirements for damp-proof membranes in basement retaining walls. However, the updated E2/AS1 acceptable solution, reviewed and updated in 2011, removed this section. Consequently, there have been no acceptable solutions for residential below-ground waterproofing since then. Industry experts, such as Peter Withell, SIKA area manager for Australia and New Zealand, highlight that this gap forces designers to rely on product suppliers for information and allows unqualified individuals to perform critical waterproofing work. Once backfilled, incorrectly installed waterproofing is extremely difficult and costly to rectify. Further complicating matters, NZS 4229, while containing some information on water and vapour-proofing of masonry walls, is not comprehensive. Mike Edwards, SIKA business manager of building systems, points out that while it mandates sub-soil drains and damp-proof membranes, it refers to membranes primarily used under floors rather than on walls, and its details are insufficient to ensure durable solutions. Another acceptable solution, E2/AS3, introduced in August 2011 for concrete and masonry buildings, refers to CCANZ CP 01:2011, which explicitly states it does not cover below-ground waterproofing, directing readers back to the insufficient NZS 4229. In mid-2012, the Ministry of Business, Innovation and Employment (MBIE) initiated policy consultations regarding below-ground waterproofing, exploring the development of new licenses. "Tanking/basement waterproofing" was identified as a priority area that should be classified as Restricted Building Work (RBW) but currently isn't due to the lack of a specific license. While MBIE and the Building Practitioners Board have discussed this, they aim to avoid a proliferation of narrow specialist licenses. Discussions have focused on whether a site license for RBW could encompass tanking, thus eliminating the need for a separate specialized license. The board plans to consult the sector in early 2014 regarding the role of site licenses within the RBW regime, making additional specific licenses unlikely until this review is complete. John Simmons, managing director of Nuralite Waterproofing Systems and a member of the Waterproofing Membrane Association of New Zealand (WMANZ), expresses disappointment over the lack of standards, emphasizing its critical role. WMANZ is, however, in the early stages of developing a code of practice for below-ground waterproofing in both residential and commercial applications, involving manufacturers and suppliers. Simmons notes an increasing demand for robust and quality below-ground waterproofing systems from architects. Various systems exist, including liquid applications, bentonite clay systems, and bitumen sheet membranes. Nuralite uses a 'positive waterproofing system' with torch-on bitumen membranes (Nuraply 3PT), which provides immediate watertightness. Sika also advocates for below-ground waterproofing to be a restricted building activity, highlighting the difficulty of fixing basement leaks compared to roof leaks. They only provide a guarantee for their flexible paint-on bitumen membrane, Sika Blackseal Elastic, if applied by a Licensed Building Practitioner who has completed their online training and test, ensuring a certain level of knowledge and skill, despite the product being available for general purchase. #BelowGroundWaterproofing #BuildingCode #NewZealand #ConstructionStandards #MoistureResistance #BuildingRegulations #LicensedBuildingPractitioner #WaterproofingMembranes #ResidentialConstruction

The COVID-19 pandemic significantly altered how individuals perceive and utilize their homes, leading to a re-evaluation of outdoor living spaces like decks. Historically, decks have been viewed as simple extensions for outdoor socialization, often characterized by basic construction and materials. However, prolonged periods spent at home have highlighted the potential for decks to function as versatile 'rooms' of the house, requiring a more deliberate and integrated design approach. The evolution in perception stems from the realization that homes are used in multiple ways beyond just nighttime respite or weekend gatherings. This shift necessitates a departure from the traditional, often aesthetically and functionally limited, deck designs. While decks offer advantages such as being less expensive and quicker to build than interior finished spaces, and providing expanded livable areas in fair weather, poorly designed decks can detract from a home's aesthetic and value. The use of standard pressure-treated lumber, while affordable, can lead to issues like cracking, splintering, and warping, diminishing both comfort and safety. Conversely, premium materials like teak, ipe, or ironwood offer superior beauty and stability but come at a higher cost. Designing a deck that responds to these new functional demands involves several key considerations. Firstly, the visual experience from the deck is crucial. If the view is desirable, cable or glass railings can maintain an unobstructed vista, and orienting stairs to descend in front of the view removes visual barriers entirely. For less appealing views or a need for privacy, solid walls or strategic plantings can provide enclosure. Secondly, the sun's path and its impact on the deck's usability throughout the day and year are important. Southern exposures, while pleasant in winter, can lead to overheating in summer, necessitating thoughtful consideration of overhangs. East and west orientations offer pleasant mornings or sunsets, but also periods of dimness. Northern exposures, while shady, can promote mold growth. Thirdly, the visual integration of the deck with the home's interior matters. To avoid the disappointment of viewing an unusable deck during inclement weather, designs should aim to orient the deck's floor area away from primary interior views or lower the deck level to mitigate its visual presence. Steps, rather than just functional transitions, can be designed to open up space visually, especially when oriented in front of doors and windows, and a landing with steps to a lower-level deck can enhance the view from inside. Lower-set decks also integrate better with the surrounding landscape, providing a more natural transition to the yard. Fourthly, material choices for surfaces that will be touched or walked upon are significant. Upgrading from pressure-treated wood to denser woods, composites, or plastics for decking can provide a smoother, more comfortable experience, especially for bare feet. Handrails and wall tops, where tactile interaction is frequent, may also warrant the investment in softer, more refined materials to elevate the overall sensory experience. Lastly, the intended activities on the deck dictate its layout and features. Considerations include the size and placement of dining tables, the location of cooking areas like kitchens or barbecues, and provisions for working, such as shade, power outlets, and lighting. Integrating electricity for nighttime lighting, fans, or heaters extends the deck's usability. Fire features, such as UL-listed fire pits, or masonry terraces for traditional fires, can enhance the outdoor living experience, though safety considerations are paramount, especially with wooden decks. The increasing popularity of outdoor cooking suggests that robust outdoor kitchen setups should also influence deck design. Ultimately, the pandemic has underscored the value of decks as integral spaces that connect residents with the outdoors. Thoughtful design, considering these possibilities, can transform decks from mere appendages into purposeful and visually rewarding extensions of the home, preventing future regrets and accommodating the evolving ways in which homes are lived in and enjoyed. #DeckDesign #HomeImprovement #OutdoorLiving #ArchitecturalDesign #MaterialSelection #SunExposure #OutdoorKitchens #PostPandemicLiving #HomeIntegration

Emily Packer, a British/American videographer, identified a critical issue in global plastic recycling, noting that only about 9% of plastics are actually recycled in America, and observed significant waste accumulation in Kigali, Rwanda. This motivated her to shift from environmental storytelling to creating a tangible local impact. Partnering with Jake Calhoun, she co-founded Coldharbour Tiles, an initiative that transforms Rwanda's plastic waste into durable, stylish home decor materials. The project's core involves melting down high-density polyethylene (HDPE) plastics, primarily from bottle caps, to create decorative tiles. Approximately 50 bottle caps are required for each tile, demonstrating the significant volume of plastic that can be diverted from landfills and waterways through this process. Coldharbour Tiles are designed for various home applications, including backsplashes, and the team provides guidance and design ideas to customers through a free tile information brochure. Packer's journey began after an internship with the United Nations Environmental Program, which highlighted the environmental consequences of inadequate waste management systems in developing countries. She recognized the pervasive nature of single-use plastics and the illusion of waste being simply 'thrown away,' realizing it often ends up in oceans, landfills, or other countries. Moving to Rwanda, she initially attempted to reduce plastic waste through a café that used biodegradable containers and bamboo straws, but soon recognized the unavoidable reliance on plastic in daily life, prompting her to seek a more impactful solution with long-term utility. To establish Coldharbour Tiles, Packer collaborated with Jake Calhoun, who brought experience from a social enterprise and an online food delivery company. They partnered with Kigali's IPRC engineering school, which provided a warehouse facility and technical support from professors and students. Initially, Packer personally collected HDPE plastic from waste management sites, demonstrating the project's grassroots origins. Through extensive experimentation with color, temperature, cooking times, and mold designs, they refined their tile production process despite limited engineering experience and funding. The team encountered challenges, particularly in scaling production. Their current facility, while effective for initial development, lacks the capacity for large-scale orders. The Kickstarter campaign aims to raise funds for essential equipment like a plastic-waste washing machine and commercial shredder, which would significantly boost production capabilities. The long-term vision for Coldharbour Tiles includes becoming a leader in the eco-tile industry, processing thousands of tons of plastic waste annually, and establishing manufacturing sites in Asia, Europe, the U.S., and Africa to address plastic waste globally and connect with diverse consumer markets. This expansion would also address the logistical challenges of operating in Rwanda, where access to advanced manufacturing technology is limited, necessitating creative, hands-on solutions for processes like mold design and fabrication. #SustainableDesign #RecycledMaterials #HomeDecor #PlasticWaste #Rwanda #SocialEnterprise #Crowdfunding #EcoTiles #WasteManagement

The book "Silt Sand Slurry: Dredging, Sediment, and the Worlds We Are Making" by Rob Holmes, Brett Milligan, and Gena Wirth explores the multifaceted role of sediment in shaping landscapes and economies. It delves into the processes of dredging and the management of sediment, highlighting a central contradiction: the presence of excessive sediment in some areas, like maritime shipping channels, and a deficit in others, such as coastal marshes and wetlands. This imbalance is attributed to human interventions like levees and dams, which disrupt natural sediment flow, impacting both global trade and ecologically vital habitats. The book emphasizes that the handling of sediment is not merely a technical issue but is deeply influenced by a complex interplay of values, policies, political regimes, and ideological stances towards the landscape. The book is a compilation of essays and interviews, featuring contributions from environmental advocates, government officials, and U.S. Army Corps engineers. It is an extension of the Dredge Research Collaborative and DredgeFest initiatives, which aim to bring dredge and sediment management to the forefront of infrastructural discussions. The authors, academics, and a practicing landscape architect, present sediment as a crucial indicator of the Anthropocene, arguing that human activities have made people “preeminent geologic agents.” They illustrate how the world functions on mud, noting that 300 million cubic yards of sediment are dredged annually in the United States alone, a volume comparable to excavating a new Panama Canal each year. This massive geoengineering effort is driven by the demands of landowners, who seek to protect their investments, and maritime shippers, who require clear shipping channels. A key concept introduced is the “sedimentshed,” which redefines waterfront ecologies around sediment as the primary active element, with rivers serving as conduits. The authors propose that sediment holds the key to addressing climate change, advocating for a “choreography” of dredge use—a relational, collective, iterative, and dynamic approach. This perspective acknowledges the constant change in littoral environments due to tides, sea-level rise, and natural or intentional alterations to sandbars and sludge. The book prompts reflection on whether the global economy can accommodate such unpredictability and iteration given the ongoing demands for resource extraction and global logistics. The concluding chapters offer a vision for enlightened sediment ecologies, exemplified by a plan for Northern California’s Alameda Creek. This plan, developed with the landscape architecture firm SCAPE, utilizes dredge to rehabilitate a channelized creek that has suffered from sediment starvation. The project, while resembling a typical landscape architecture design with naturalistic plantings and topography, stands out for its emphasis on dynamic ecological processes and continuous monitoring and maintenance. It aims to create landscapes that adapt to changing ecologies, supporting diverse life forms and human interaction, moving beyond static solutions. The book positions landscape architects as crucial public-sector environmental infrastructuralists, capable of building ecosystems from the ground up by managing this complex material. It critiques the current economy's impact on life on Earth, suggesting that a technocratic and exclusive world, serving corporate interests, must become more accountable to humanity and all living things. The United States’ significant role in global sediment displacement is highlighted, with policy recommendations such as revising the U.S. Army Corps of Engineers' obligation to dispose of dredged sediment cheaply, instead promoting beneficial ecological uses like wetland restoration. The authors advocate for low-carbon processes that strategically deposit sediment to encourage natural erosion and deposition for ecological benefit. The book's prose occasionally uses academic jargon, but its core message is a call for disciplinary recognition of sediment's importance and public awareness of mud as a unifying force, essential for landscape design and a more sustainable future. #BookReview #SedimentManagement #Dredging #LandscapeArchitecture #EnvironmentalDesign #EcologicalRestoration #ClimateChange #Geoengineering #WaterManagement

French studio Niveau Zéro Atelier has developed the 'Soft Soil' daybed, which utilizes waste clay from Parisian construction sites as its primary upholstery material. Unveiled at the Collectible design fair in Brussels, this innovative chaise lounge challenges traditional upholstery methods by employing wet, vacuum-sealed clay, allowing the piece to conform to the user's body. The project was commissioned by Relay Design Projects, a London-based design platform known for fostering experimentation with new materials and processes. The clay used for the daybed is sourced from excavation waste in the Parisian suburbs. Its natural grayish-green hue, attributed to its mineral-rich composition, is preserved in the final product. To make the clay suitable for upholstery, it undergoes a labor-intensive refining process. This involves repeatedly mixing the clay with water, filtering it to remove impurities, and allowing the water to separate before being poured off. These steps are repeated until the clay achieves the desired purity and consistency, making it suitable for piping into clear plastic envelopes that form the daybed's padding. Once the refined clay is encapsulated in plastic, a vacuum-sealing technique is applied to remove all air. This crucial step ensures that the clay remains wet and malleable, allowing it to adapt to the occupant's shape. The daybed's design features four separate valves with bright red lids, which secure the plastic envelopes to the reclinable backrest. The base of the daybed is constructed from recycled stainless steel, offering a stark, industrial contrast to the organic clay. Traditional Chesterfield-style button details are incorporated into the front of the clay-filled upholstery, further bridging the gap between conventional and experimental design. This project builds upon Niveau Zéro Atelier's prior work with reclaimed clay, exemplified by their 'MEGA' project. In 'MEGA,' the studio established on-site ceramic production facilities at Parisian construction sites, creating smaller pillows and seat cushions using similar encapsulation techniques. They also produced a range of terracotta-hued vases by firing the clay, demonstrating a comprehensive approach to the material's lifecycle, from its wet, malleable form to its hardened ceramic state. Relay Design Projects' commission for the Soft Soil daybed aimed to expand Niveau Zéro Atelier's clay encapsulation technique to a larger scale. The platform's mission is to support designers in exploring innovative concepts beyond their usual scope, providing resources like funding and industry connections. The Soft Soil daybed is currently on exhibition at Collectible 2024 in Brussels, alongside other projects from Relay Design Projects' cohort, including works by EBBA Architects and Haha Studio. The Collectible fair, now in its seventh year, has also announced its expansion to New York City in September, indicating a growing interest in experimental and collectible design. #NiveauZeroAtelier #SoftSoilDaybed #CollectibleDesignFair #ClayUpholstery #SustainableDesign #RecycledMaterials #ExperimentalFurniture #RelayDesignProjects #IndustrialDesign

Martha Magane, a retired librarian from Eastham Public Library, has embarked on a new creative career crafting unique chenille rugs from fabric remnants. Her journey into rug making began after her retirement in 2011, sparked by a sewing book and a rekindled childhood interest in sewing and dissecting mechanical objects. As a child, Magane repaired her grandmother’s 1930s-era sewing machine, a hands-on experience that fostered her fascination with construction and a desire to create her own garments. The specific technique that captured Magane's attention involves layering stacks of fabric, stitching them together with diagonal channels, and then cutting these channels open to reveal the inner layers. This process creates a textured, plush surface akin to chenille. Initially, Magane sought denim remnants for this technique, but when she couldn't find them at the Truro Swap Shack, she adapted by using heavy upholstery fabric samples. These samples offered a wider array of colors, enhancing the aesthetic diversity of her rugs. After sewing and cutting the layered fabrics, Magane meticulously brushes the cut edges by hand to fray and soften the material, forming the chenille texture. The resulting fuzzy, colorful panels are then backed with denim and assembled into approximately three-by-five-foot rugs. A critical step in her process involves washing and scrubbing the completed rugs to further loosen the fibers and remove lint, followed by trimming the surface to achieve an even pile. Each rug, branded as Slash Products, is inherently one-of-a-kind due to the use of salvaged and donated materials. Magane's initial foray into selling her creations at craft fairs revealed her preference for the creative process over sales. Consequently, her rugs are now retailed at Repurfect in Provincetown and Adorn in East Orleans. Over more than a decade, her designs have evolved from simple pieced squares to more complex patterns featuring wider, longer strips and Klimt-esque motifs. She draws inspiration from nature, observing how colors and shapes naturally interact in the environment, and incorporates these observations into her designs, often utilizing blues with bright contrasting accents. Her material sourcing primarily involves thrift shops, where she discovers thick fabrics like winter scarves and woven blankets, which are ideal for achieving the desired chenille effect. Often, a single piece of found fabric dictates the entire design of a rug. Recently, Magane has also begun integrating yarn to introduce varied textures. The demanding nature of her craft has led to the wear and tear of two sewing machines; her current toolkit includes a heavy-duty serger, electric scissors, and a robust “walking foot” machine designed to handle thick fabric stacks and heavier threads. This work, requiring solitude and patience, aligns well with Magane’s personality, allowing her to engage in another creative pursuit: memorizing songs for her performances with the Outer Cape Chorale. #MarthaMagane #RecycledRugs #TextileArt #Craftsmanship #ChenilleTechnique #SustainableDesign #HomeDecor #HandmadeRugs

The Tierramor retreat in Nosara, Costa Rica, commissioned Bali-based architectural firm Ibuku to design a new wellness space called the Maloca Dome. Ibuku, known for its sustainable bamboo structures, was founded in 2010 by Elora Hardy. The firm has completed various projects globally, including homes, hotels, schools, and event spaces. The Maloca Dome project aims to create a multi-functional space for yoga, meditation, and ceremonial gatherings, harmonizing with its 800-acre reforested mountain setting. The design prioritizes sustainability, utilizing bamboo as the primary structural component and emphasizing low-impact construction techniques to minimize environmental disturbance. Architect Lucas Schlüter describes the Maloca Dome as an organic extension of the landscape, positioned on a hilltop to blend seamlessly with its surroundings and frame the natural beauty of the area. The interior features an open, adaptable floorplan that can accommodate various group sizes and activities, from intimate gatherings to large ecstatic dance sessions. Strategic placement of openings and architectural elements enhances views, connecting occupants with the exterior environment. The design process began with an analysis of the site's views, vegetation, airflow, and light, integrating these natural aspects with Costa Rica’s building traditions. Ibuku drew inspiration from the vernacular architecture of Costa Rica, particularly the pre-Columbian 'cosmic house,' a cone-shaped building that held religious significance for the region's early inhabitants. This traditional form was reinterpreted for the 21st century to create the Maloca Dome. The design principle of "designing for nature with nature" guided material selection and building shape. Bamboo poles, for instance, necessitated long, steeply pitched overhangs to protect them from direct sunlight and rain, allowing for the integration of natural roofing materials. One of the main challenges for the project was adapting Ibuku's Indonesian bamboo construction expertise to Costa Rica's high wind speeds. In collaboration with engineers at Atelier One, a cross-braced structural system was developed using leaning columns that expand and contract, framing the circulation area while creating a strong and flexible space. The yoga floor was designed to be round and column-free, providing unobstructed views of the hillside. Another challenge involved bridging the skills gap between local Costa Rican carpenters and Ibuku’s established bamboo craftsmanship. This was addressed by simplifying designs and, where necessary, substituting certain structural elements with steel, such as the ring beams in the roof, when traditional bamboo techniques were not feasible. Local carpenters quickly adapted their woodworking skills to bamboo, demonstrating increasing confidence and curiosity. Different types of bamboo were utilized to support the structure and enhance the design concept. Local Guadua Angustifolia bamboo was used for the main structural supports due to its straight poles, which visually elevate the roof. Meandering steel rings were integrated to hold the rafters in place and highlight the cosmic house's concept of different universal levels. Black Gigantochloa Atroviolacea bamboo from Indonesia was used to direct attention upwards to a central copper tip, contrasting with the light blond bamboo ceiling. The building also incorporates the local red soil from Tierramor’s hills into the flooring and walls, fostering a sense of grounding and connection to the site. Natural stone boulders from the river on site were used as a moisture barrier between the foundation and bamboo poles, while local wood shingles were chosen for the roof to blend visually with nature and create a calm appearance. Bamboo was deemed ideal for the project due to its sustainability, structural strength, and lightweight nature, aligning with Tierramor’s vision for a sustainable, nature-connected community. The project underscored the importance of adaptability and translating design principles to new cultural contexts. #BambooArchitecture #SustainableDesign #WellnessSpace #CostaRica #Ibuku #NaturalMaterials #BiophilicDesign #TraditionalCraftsmanship

The design studio Big-Game, based in Lausanne, Switzerland, has received the Swiss Federal Design Award for their innovative shelving system named 'Floors.' This product represents a fresh approach to self-assembly furniture, distinguishing itself through a unique combination of materials and a simplified construction process. The system integrates machined aluminum profiles with a wooden framework, specifically ash, to create a durable yet aesthetically minimal shelving unit. The core concept behind Floors lies in its construction, where aluminum slats are precisely designed to slot into grooves within two ash wood frames. This method facilitates straightforward self-assembly, eliminating the need for complex tools or extensive instructions. The use of aluminum profiles is a deliberate choice, intended to serve a dual purpose: they function both as robust support structures and as the primary mechanism for the assembly itself. This integration contributes to the system's overall stability and ease of use. Big-Game's inspiration for Floors draws from common industrial and utilitarian shelving types, including cellar shelves and affordable options like IKEA's Gorm system. The objective was to refine and optimize these established concepts for domestic environments, focusing on simplification without compromising functionality. The resulting design aims for an archetypal shelf form, making it inherently intuitive for users to understand and assemble. Ash wood was selected for the uprights due to its inherent hardness and cost-effectiveness. These properties allow for a minimal cross-section, contributing to the system's light visual footprint while maintaining structural integrity. The design consciously moves away from traditional wooden planks for shelves, opting instead for the more modern and efficient aluminum profiles. Floors is conceived as a modular system, offering users the flexibility to create various progressive combinations to suit different spaces and storage needs. This modularity ensures adaptability, allowing the shelving unit to evolve with changing requirements. The design studio, Big-Game, was established in 2004 by Grégoire Jeanmonod (Swiss), Elric Petit (Belgian), and Augustin Scott de Martinville (French), and is currently headquartered in Lausanne, Switzerland. #Shelving #Aluminium #BigGame #Bookcases #FurnitureDesign #SelfAssemblyFurniture #SwissDesignAward #ModularSystem #HomeStorage

Molly Sedlacek, founder of ORCA, a landscape design and outdoor product studio, frequently transforms driveways into outdoor entertaining spaces for clients in Los Angeles. She notes that with land becoming increasingly valuable in urban areas, the traditional concept of driveways solely for car parking is evolving. Sedlacek specializes in permeable landscaping, which allows for proper water drainage beneath and around hardscaping materials. One such project involved converting a rarely used concrete driveway in Echo Park into an alfresco dining area, significantly increasing the usable space of an 822-square-foot bungalow, especially when combined with a garage conversion into a recording studio handled by Design Assembly. The process of transforming a concrete driveway begins with careful removal of the existing concrete, a task best left to experienced contractors due to the potential for damaging plumbing lines. ORCA recommends installing materials that facilitate drainage once the concrete is removed. For this project, a combination of bokara cobblestones and lodi pebbles was used. The bokara cobblestones are installed to withstand low vehicular ratings, offering the flexibility for future owners to revert the space to a typical driveway if desired, unlike pea gravel which can cause cars to sink. The lodi pebbles, larger than pea gravel, provide a more comfortable surface for walking barefoot and are a cost-effective alternative to pavers, which can be strategically incorporated in key areas. The design incorporated terracotta pavers, laid in a running bond pattern, to create a path that extends from the front entry to the back, culminating in an outdoor shower. These sunbaked Italian bricks also influenced the choice of terracotta plant pots, selected to complement the home's Spanish adobe-style architecture. A built-in dining bench was clad with the same pavers, doubling as a pathway to the backyard when its handwoven cushions are not in use. A planter box behind the bench provides privacy, filled with Acacia Iteaphylla (Willow Wattle) and Grevillea Moonlight for hedgelike coverage. Sculptural Kalanchoe was added to introduce structural interest, creating a billowy effect within the upright planter. ORCA's landscaping efforts extended beyond the client's property line to include the public strip closest to the street. This area, often neglected and prone to weeds, was revitalized with low- to no-water, Mediterranean-inspired plants such as Guara and Salvias. This public landscaping not only enhances the neighborhood's aesthetics but also creates an optical illusion, making the house appear to sit further back from the sidewalk, thereby adding depth and enhancing its curb appeal. #DrivewayTransformation #OutdoorDining #PermeableLandscaping #LandscapeDesign #HomeRenovation #CurbAppeal #UrbanGardening #TerracottaDesign #SustainableDesign

The article highlights the Liquid Layers collection by Moooi Carpets, a range of floor coverings designed by Claire Vos, which draws inspiration from nature. This collection is presented as a response to the growing demand for biophilic design in interior spaces, particularly within the hospitality sector. The design philosophy behind Liquid Layers involves deconstructing natural shapes and colors, then morphing and liquefying them into new, fluid patterns for carpets. The Liquid Layers collection explores various natural elements, transforming them into unique carpet designs. For instance, some patterns are inspired by minerals like marlstone, while others take cues from organisms such as tulips or common objects like pebbles. This approach aims to bring the essence of the outdoors into indoor environments, creating a sense of connection with nature through abstract and fluid designs. Claire Vos developed a distinct design technique that allows for infinite possibilities in pattern creation, where layers of design unfold to reveal surprising visual effects. The carpets in the Liquid Layers collection are available in a variety of shapes, including "organic" and "round." The "organic" shapes, exemplified by the Tulip and Agate designs, are described as unexpected, round, and overlapping, offering a departure from traditional carpet forms. These unconventional shapes are intended to add a dynamic and artistic element to spaces. In contrast, the Marl and Pebble designs are offered in traditional "round" shapes, which are presented as a way to introduce softness and character into angular or minimalist interiors. The choice of shapes and patterns allows designers to tailor the aesthetic to specific room configurations and design visions. The article positions Moooi Carpets as a recommended supplier within the hotel design industry, emphasizing their relevance in contributing to contemporary interior trends. The Liquid Layers collection is showcased as an example of innovative carpet design that aligns with modern preferences for natural aesthetics and fluid forms. The collection's ability to transform natural elements into sophisticated and adaptable carpet designs makes it suitable for various interior design applications, particularly where a harmonious blend of nature and contemporary aesthetics is desired. The focus on biophilic principles and artistic interpretation of natural forms distinguishes this collection in the market. #MoooiCarpets #LiquidLayers #ClaireVos #BiophilicDesign #HotelDesign #InteriorDesign #CarpetDesign #NaturalInspiration #FluidPatterns