As Ocean Waste Piles Up, Coldharbour Tiles Propose a Backsplash

Dwell and Concrete Collaborative have launched a new multipurpose line of handcrafted tiles, the Strands Collection, drawing inspiration from California surf culture and shared design ideals. The partnership brings together two women-founded companies, leveraging Concrete Collaborative's extensive knowledge in concrete and Dwell's design focus. These tiles, designed by architect Chris Deam, are characterized by bold midcentury colors and are created using an encaustic process, where pigmented clay is inlaid into each concrete tile rather than glazed on top. This traditional method ensures a durable finish suitable for various applications, including bathroom floors, kitchen backsplashes, and courtyards. The collaboration builds on Concrete Collaborative's existing Strands Collection and reflects their strategy of partnering with the architecture and design community to foster innovative designs. Kate Balsis, a founding partner at Concrete Collaborative, highlighted the synergy between the two companies and the shared goal of inspiring customers. The manufacturing process involves creating tiles in small batches, where the color is an integral part of the form, fused under high pressure from a cement mixture pressed into metal molds. This results in a product specifically engineered for use in wet areas and high-traffic spaces, possessing an organic, handmade feel while offering a long-wearing, commercial-grade finish. The concrete solution features a high-density, low-porosity formula for sophistication and durability, suitable for both indoor and outdoor use. Architect Chris Deam, husband of Dwell founder Lara Deam, conceived the tile designs. His inspiration stemmed from a long-standing fascination with pattern-making, particularly the repeating designs of William Morris, and his recent immersion in surfboard design during the COVID-19 lockdown. Deam, an avid surfer, translated various surfboard tail shapes into tile designs after studying how different boards affect the experience of riding a wave. He emphasizes that his approach to tile design considers not only visual presentation but also how the geometry of repeating structures relates to the surrounding architecture. The collection features five distinct styles, which can be purchased individually or as a mixed box for diverse combinations. These styles include the Squash, Swallow, Pin, Wave, and Stringer designs. The Squash, Swallow, and Pin designs offer numerous possibilities for mixing and matching, available in five standard colors: ochre, navy, olive, taupe, and a cool blue. The Wave tile boasts clean lines and a distinctive pinstripe detail, providing additional options for graphic wall or floor installations. The Stringer tile, a hexagonal form with subtle tick marks, reinforces geometric aesthetics. Deam intends for these tiles to be smart, fresh, functional, and versatile, serving as a starting point for individuals to express their own design vision, aligning with Dwell's foundational principles. The Concrete Collaborative website provides further information and sample ordering for the Dwell collection. #TileDesign #ConcreteCollaborative #DwellCollaboration #SurfCultureInspired #EncausticTiles #InteriorDesign #ArchitecturalTiles #HomeDecor #ModernTiles

Particular Tile, a Montrose-based company, is transforming excess clay sediment from the Paonia Reservoir in western Colorado into hand-cut ceramic tiles. This innovative approach addresses two environmental problems: the shrinking capacity of the reservoir due to sediment accumulation and methane emissions from nearby abandoned coal mines. Christopher Caskey, a scientist and founder of Delta Brick & Climate Company (which includes Particular Tile), developed this sustainable business model. The Paonia Reservoir, constructed in 1962, has lost over a quarter of its storage capacity, impacting crucial water supplies for local agriculture. Simultaneously, abandoned coal mines in the vicinity release methane, a potent greenhouse gas. Caskey's vision was to utilize the high-quality clay sediment from the reservoir to create a product, while eventually powering the tile production with captured methane from the mines. This dual solution aims to mitigate environmental damage and create a valuable resource. The tiles, marketed under the brand Particular Tile, are characterized by a rich terra-cotta base color, derived from the natural iron content of the clay. They are offered at a price point starting from $30 per square foot and come in a variety of shapes and over 50 glaze hues, with customization options available. These tiles are designed for applications such as showers, backsplashes, and floors, providing a high-end aesthetic. The appeal of these products is enhanced by their positive environmental impact, as their production contributes to the ecological restoration of the region, even if on a smaller scale compared to the overall environmental challenges. Caskey acknowledges that while the company's efforts are not a complete solution to the climate crisis, they represent a step towards more sustainable practices and a shift in how communities interact with industrial sites after their primary purpose has ended. The manufacturing process of Particular Tile involves several distinct stages. The first step, "Remove," entails extracting the sediment from mud flats exposed during the annual draining of the reservoir, which is then transported to the factory. Following this, in the "Mix & Prep" stage, water and grog (a type of coarse sand) are added to the sediment and processed using specialized machinery. This enhances the material's texture and durability. The "Cut and Dry" phase involves hand-punching shapes into the clay, akin to using cookie cutters, followed by hand-trimming and a drying period of at least a week to prevent cracking or warping. Next, the tiles undergo a "Bisque Fire & Glaze" process, where they are fired in kilns at nearly 2,000 degrees Fahrenheit to fuse the clay particles into water-resistant ceramic, after which a glaze is applied. The final stage, "Glaze Fire," involves a second kiln heating, which melts the glaze into a colored glass layer on the tile's surface. Particular Tile products are available through Decorative Materials showrooms and direct orders via their website. #SustainableManufacturing #CeramicTile #ReservoirSediment #MethaneCapture #EnvironmentalInnovation #HomeDesign #ColoradoBusiness #EcoFriendlyProducts

Klay Tiles and Facades offers long-format brick slips, an engineered masonry product designed as a lightweight and cost-effective facade solution for architectural projects. These brick slips are sourced from a German manufacturer with over 130 years of experience in producing high-quality masonry products. The manufacturing process ensures durability and longevity, reducing the need for frequent repairs or replacements over time. Unlike traditional brick faces, which are cut from full bricks and result in waste, Klay’s brick slips are extruded to precise thicknesses ranging from 10 to 14 mm. This extrusion method minimizes material waste, making the product a more sustainable option. The controlled thickness also contributes to the lightweight nature of the slips, making them suitable for buildings with load-bearing structures that might not accommodate the weight of full bricks, such as steel stud frames or precast concrete panels. The Klay Prachtstein series is available in six different colors, providing architects and designers with a range of aesthetic choices to suit various project requirements. One of these colors, Ivory Mist, has been notably featured in a recently completed project on the Sunshine Coast called The Cove, demonstrating the product's application in contemporary architecture. For installation, Klay brick slips can be applied using several fixing systems, including adhesive, rail, or inlay methods. These diverse options allow for flexibility in construction, enabling builders and designers to choose the most appropriate system based on the specific design and structural demands of their projects. The adaptability of these fixing systems ensures that the brick slips can be integrated into a wide array of building types and styles. Klay Tiles and Facades provides detailed product information, including specifications and application guidelines, through its website. Inquiries can be made via email or phone for product details and supply. The company also collaborates with ArchitectureAu Products to inform architects and designers about their offerings through editorial-style formats, facilitating access to product information for industry professionals. This ensures that the product is easily discoverable for those in the architecture and design sectors looking for innovative facade solutions. #KlayTiles #BrickSlips #FacadeSolutions #ArchitecturalProducts #BuildingMaterials #SustainableConstruction #ExteriorDesign #PrachtsteinSeries

Sand, despite its common association with beaches and playgrounds, is a critical resource for modern technology. It is indispensable for manufacturing silicon microchips, fiberoptic cables, insulation, and solar cells, and forms the primary ingredient for glass used in consumer electronics such as refrigerators, microwaves, and computers. Despite the extensive efforts involved in extracting, transporting, refining, and processing sand into complex electronic components, there is a significant lack of effective recycling initiatives for these components once electronic goods reach the end of their lifecycle, often leading to them being discarded in landfills. While glass possesses excellent properties for recycling, current EU directives concerning the efficient processing of glass from electronic waste (E-waste) are notably absent. Addressing this critical environmental and resource management issue, the Norwegian architectural design firm Snøhetta has partnered with Brussels-based Studio Plastique to develop a research project titled ‘Common Sands – Forite.’ This collaborative endeavor aims to explore the feasibility of recycling and repurposing glass components found in electronic waste. Building upon existing research conducted by Studio Plastique, ‘Common Sands – Forite’ has evolved into a joint research initiative with Snøhetta, focusing on investigating potential applications for recycled E-waste glass. Through a series of extensive trials, prototype developments, and material variations, the project team successfully established a standardized process for recycling E-waste glass components. Concurrently, they developed an application that not only integrates but also highlights the variable material qualities inherent in this recycled glass: the creation of glass tiles. The project further benefited from the involvement of Fornace Brioni, an Italian ceramic tile manufacturer. Fornace Brioni contributed its considerable experience, industrial expertise, production capabilities, and potential for large-scale implementation to the initiative. The collaboration resulted in the creation of glass tiles in two distinct sizes, available in both opaque and transparent finishes. Each tile exhibits a unique pattern and aesthetic, collectively showcasing a profound and intricate terrazzo-like material quality. These characteristics render the tiles suitable for a diverse range of architectural uses, including surface coverings and semi-transparent partition elements. ‘Common Sands – Forite’ strategically leverages the unique compositional, chromatic, and structural properties of the waste material to produce a series of innovative architectural glass tiles. The project initially concentrates on waste glass sourced from ovens and microwaves as a starting point, primarily to demonstrate the aesthetic depth, functional versatility, and overarching potential of the recycled material. However, the scope of this project is not confined solely to this specific material stream, indicating broader possibilities for E-waste glass recycling in the future. This initiative represents a significant step towards developing sustainable solutions for electronic waste, transforming discarded materials into valuable architectural components, and establishing a circular economy within the construction and design industries. #SustainableDesign #EwasteRecycling #GlassTiles #ArchitecturalMaterials #CircularEconomy #MaterialInnovation #Snøhetta #StudioPlastique #FornaceBrioni

Ege Carpets, a Danish company, has introduced "Transition," a new flooring collection that addresses the environmental issue of ocean waste, specifically abandoned fishing nets. Fishing nets constitute a significant portion—approximately one-tenth—of marine debris, prompting Ege Carpets to develop a sustainable solution. The "Transition" collection utilizes Econyl yarn, a material derived from these discarded fishing nets, to form its loop pile carpets. The design of the "Transition" collection, a winner in the Modular Carpet category, was conceived by Manganèse Éditions, the product arm of Saguez & Partners. The collection draws inspiration from the natural process of iterative renewal, evoking imagery reminiscent of forest floors. This inspiration is manifested in the diverse patterns and textures of the carpets, which include: "Seed," characterized by a dotted appearance; "Leaf," featuring multiple tonal variations; "Fibre," displaying a mottled effect; and "Mix," which incorporates an ombré fade where two or more colors blend seamlessly. Beyond the innovative use of recycled fishing nets for the yarn, the "Transition" collection also incorporates sustainable practices in its backing. Instead of traditional rubber, the felt backing of these carpets is made from recycled plastic bottles, further reducing the environmental footprint of the product. The collection is available in a variety of earthy color palettes, designed not only for aesthetic appeal but also for functional purposes. These diverse color options allow for subtle delineation of spaces within an interior environment. This feature is particularly useful for defining different zones in open-plan areas or for guiding movement through a space, effectively serving as a wayfinding tool. By combining sustainable materials with thoughtful design and practical application, the "Transition" collection by Ege Carpets offers an environmentally conscious and aesthetically pleasing flooring solution. #EgeCarpets #SustainableDesign #FlooringCollection #EconylYarn #OceanWaste #RecycledMaterials #InteriorDesign #GreenProducts #CarpetDesign

Matter at Hand, a material research studio co-founded by Assemble's Lewis Jones, has developed a novel clay-based construction technique called Poured Earth. This method aims to simplify and increase the accessibility of building with earthen materials, drawing inspiration from concrete casting. Traditional earthen construction methods, such as rammed earth and cob, are highly sustainable but often demand significant labor. Poured Earth seeks to address this by leveraging a process similar to concrete casting, enabling scalability and the reuse of existing equipment. The development of Poured Earth was part of Matter at Hand's residency in the Art in Manufacturing programme at the National Festival of Making. Jones highlights the utility of flowable, castable solid materials, as demonstrated by concrete, while acknowledging concrete's substantial carbon footprint. Poured Earth offers a practical alternative, allowing for similar ease of use with earthen materials, thereby promoting a more sustainable approach to construction. The method also introduces new design possibilities and surface finishes not typically associated with earth construction. Poured Earth samples are created by combining clay with varying amounts of sand, aggregate, and natural fibers. Crucially, these mixtures do not require binders like cement or gypsum, making them easily reformable or returnable to the earth at the end of their lifecycle. The process involves mixing these materials in a cement mixer, pouring them into formwork, and then vibrating the mixture to eliminate trapped air before demolding. Matter at Hand collaborated with ceramic manufacturer Darwen Terracotta, integrating slip-casting techniques used for architectural ceramics into the Poured Earth development. A key innovation distinguishing Poured Earth from other earthen construction methods is the incorporation of deflocculants, chemical agents commonly used in ceramic slip-casting. Deflocculants such as sodium silicate, soda ash, or bark tannins enhance the flowability of the clay mix without requiring additional water. This results in a denser material with minimal shrinkage, unlike traditional methods where adding more water to achieve fluidity can reduce strength and increase drying time. Jones notes that while deflocculants are foundational to ceramic slip casting, their application in earth construction is a relatively new and promising area. Poured Earth samples were showcased at the National Festival of Making in Blackburn Cathedral. The exhibition featured structural Poured Earth walls made from clay, crushed ceramics, and recycled construction aggregates, designed for both in-situ construction and precast panels. Also presented was a lightweight insulative panel, framed in timber, composed of clay, wood chip, hemp shiv, and foamed recycled glass. Prototypes of hollow clay cast blocks filled with loose, natural insulation were also displayed. A composite wall, drawing from the CobBauge system, demonstrated a dual-layer structure with an internal load-bearing layer and an insulative layer. Matter at Hand intends to scale the Poured Earth prototype into a full-scale building, aiming to demonstrate its viability as a mainstream, contemporary building method. Jones emphasizes the need to re-establish unfired clays as mainstream construction materials in the face of the climate emergency, advocating for both design innovation and practical advancements to facilitate their broader adoption. #PouredEarth #SustainableConstruction #EarthenMaterials #MaterialInnovation #ClayConstruction #ConcreteAlternative #Deflocculants #GreenBuilding #ConstructionTechnology

Martha Magane, a retired librarian from Eastham Public Library, has embarked on a new creative career crafting unique chenille rugs from fabric remnants. Her journey into rug making began after her retirement in 2011, sparked by a sewing book and a rekindled childhood interest in sewing and dissecting mechanical objects. As a child, Magane repaired her grandmother’s 1930s-era sewing machine, a hands-on experience that fostered her fascination with construction and a desire to create her own garments. The specific technique that captured Magane's attention involves layering stacks of fabric, stitching them together with diagonal channels, and then cutting these channels open to reveal the inner layers. This process creates a textured, plush surface akin to chenille. Initially, Magane sought denim remnants for this technique, but when she couldn't find them at the Truro Swap Shack, she adapted by using heavy upholstery fabric samples. These samples offered a wider array of colors, enhancing the aesthetic diversity of her rugs. After sewing and cutting the layered fabrics, Magane meticulously brushes the cut edges by hand to fray and soften the material, forming the chenille texture. The resulting fuzzy, colorful panels are then backed with denim and assembled into approximately three-by-five-foot rugs. A critical step in her process involves washing and scrubbing the completed rugs to further loosen the fibers and remove lint, followed by trimming the surface to achieve an even pile. Each rug, branded as Slash Products, is inherently one-of-a-kind due to the use of salvaged and donated materials. Magane's initial foray into selling her creations at craft fairs revealed her preference for the creative process over sales. Consequently, her rugs are now retailed at Repurfect in Provincetown and Adorn in East Orleans. Over more than a decade, her designs have evolved from simple pieced squares to more complex patterns featuring wider, longer strips and Klimt-esque motifs. She draws inspiration from nature, observing how colors and shapes naturally interact in the environment, and incorporates these observations into her designs, often utilizing blues with bright contrasting accents. Her material sourcing primarily involves thrift shops, where she discovers thick fabrics like winter scarves and woven blankets, which are ideal for achieving the desired chenille effect. Often, a single piece of found fabric dictates the entire design of a rug. Recently, Magane has also begun integrating yarn to introduce varied textures. The demanding nature of her craft has led to the wear and tear of two sewing machines; her current toolkit includes a heavy-duty serger, electric scissors, and a robust “walking foot” machine designed to handle thick fabric stacks and heavier threads. This work, requiring solitude and patience, aligns well with Magane’s personality, allowing her to engage in another creative pursuit: memorizing songs for her performances with the Outer Cape Chorale. #MarthaMagane #RecycledRugs #TextileArt #Craftsmanship #ChenilleTechnique #SustainableDesign #HomeDecor #HandmadeRugs

Microcement, a composite coating made from a blend of cement, water-based resins, and mineral pigments, is emerging as a practical and versatile material in home renovation. Originating from Europe, particularly popular in Greece and Spain, microcement has recently gained traction in the U.S. in the last five years. Unlike traditional concrete, microcement is significantly lighter, with each layer being approximately three-sixteenths of an inch thick, allowing it to be applied over various substrates like plywood. Its non-porous nature distinguishes it from plaster, making it resistant to staining, an advantage for surfaces like kitchen countertops and walls. Applications for microcement are extensive, ranging from floors, baseboards, fireplaces, and kitchen surfaces to built-in furniture and shower walls. Its waterproof quality, when sealed, makes it an ideal choice for bathrooms, where it can provide a rustic aesthetic, reminiscent of Mediterranean designs, without the need for grout. The material's ability to be customized in color further enhances its appeal, allowing for personalized design expressions. Suppliers like Topciment from Spain and Promix in New Jersey offer various types of microcement, catering to different functional and decorative needs, including options robust enough for swimming pool floors. While microcement offers numerous benefits, its application is a meticulous process that typically requires professional expertise. Each layer demands 24 hours to cure and dry before the subsequent one can be applied, and skilled trowel work is essential for a smooth finish. This complexity suggests that DIY application may not be suitable for most homeowners. For instances where microcement is integrated with custom elements, such as cabinet doors, it is layered directly onto existing frames, with cabinet fronts then made to fit the created niches. Despite its resilience, microcement, like any surface material, can show minor wear, such as nicks and stains, in high-traffic areas over time. However, its overall durability and hygienic properties—due to the absence of grout lines—are significant advantages. Homeowners who have used microcement report that it maintains a warmer feel than polished concrete or lime plaster, contributing to an inviting and spa-like atmosphere. The material's practicality, aesthetic versatility, and low maintenance requirements position it as a noteworthy option for modern home renovations, offering a blend of durability and sophisticated design. #Microcement #HomeRenovation #InteriorDesign #BuildingMaterials #KitchenDesign #BathroomDesign #MaterialInnovation #DesignTrends #HomeImprovement

This blog post from Wickes showcases their extensive range of tiles designed to help homeowners transform their living spaces. It emphasizes the variety of designs, materials, and applications available, catering to diverse aesthetic preferences and functional requirements. The article highlights that tiles can be used to reflect a unique personality and style, suggesting their versatility beyond traditional kitchen and bathroom settings to include hallways, conservatories, and even bedrooms. The content is structured to guide customers through different tile categories and provide helpful advice. It begins by encouraging users to explore various tile options, from intricately patterned floor tiles to sleek, modern designs, all aligned with current trends. The post categorizes tiles by their intended use, such as Bathroom Tiles, Kitchen Tiles, Floor Tiles, Wall Tiles, Outdoor Tiles & Paving, and Wet Room Tiles, making it easier for customers to navigate and find what they need for specific projects. Additionally, it features specialized collections like Boutique Tiles and Mosaic Tiles for those seeking unique or decorative options. Beyond just showcasing products, the article provides practical guidance through a dedicated "Tiling Ideas & Advice" section. This includes a step-by-step guide on "How to tile a bathroom wall," aiming to demystify the tiling process and empower DIY enthusiasts to achieve a professional finish. Another advice piece, "Tiling ideas & advice," offers inspiration for using tiles in various rooms and highlights the aesthetic benefits of incorporating them into home makeovers. The inclusion of a "tile buying guide" further assists customers in making informed decisions by considering factors such as application, desired aesthetic, budget, and maintenance requirements. The blog post addresses frequently asked questions regarding tile installation and selection. It specifically tackles whether it's possible to drill into tiles, providing detailed instructions on the necessary tools and precautions, such as using diamond-tipped drill bits and masking tape to prevent cracking. It also clarifies the different types of tiles available, including ceramic, porcelain, and glass, and explains their respective benefits and suitable applications. For instance, it mentions porcelain and ceramic tiles for durability, contrasting polished variations (beautiful shine, less slip-resistant) with matt tiles (more slip-resistant), and distinguishing between rectified tiles (straight edges for clean lines) and pressed tiles (natural look). Finally, the article lists various tile-related accessories and services offered by Wickes, such as Tile Adhesives, Tile Grout, Tile Tools & Accessories, and Underfloor Heating. It also promotes the availability of Tile Samples, allowing customers to test options before committing to a purchase. The overall aim is to position Wickes as a comprehensive resource for tiling needs, combining product offerings with practical advice and support. #Tiles #HomeImprovement #InteriorDesign #BathroomTiles #KitchenTiles #FloorTiles #WallTiles #TilingAdvice #DIYHome

Dutch designer Inge Sluijs has developed a novel method to transform landfill waste into a durable, rock-like material she calls 'plasma rock,' offering a potential solution to waste management and a source of sustainable materials. The process involves subjecting waste to extreme temperatures using plasma, which is ionized gas capable of generating intense heat. Waste collected from landfills, particularly coastal ones, is first heated in a gasifier to 800 degrees Celsius, converting it into gas. This gas is then superheated to 1,500 degrees Celsius and blasted with plasma, reaching temperatures exceeding 5,500 degrees Celsius—hotter than the sun's corona. This intense heat breaks down the gasified waste into its atomic elements. The end product of this gasification process is a slag that, upon cooling, solidifies into a vitrified, rock-like material with sharp edges. The chemical composition of plasma rock varies depending on the type of waste processed, but it predominantly consists of silica, lime, and alumina, along with traces of titanium, magnesium, sodium oxide, iron oxide, phosphate, and potassium. Crucially, tests confirm that the process consistently yields syngas (a potential fuel), reusable heat, and the plasma rock, irrespective of the initial waste material, whether it be food scraps, plastic, or even baby diapers. Approximately 100 kg of landfill waste can be converted into 20 kg of plasma rock. Sluijs emphasizes that despite originating from toxic landfill waste, the resulting plasma rock is virtually un-bleachable, meaning any hazardous materials present are rendered inert and will not leach out. This quality makes the material mechanically strong, very dense, and environmentally stable. To showcase the versatility and practicality of this innovative material, Sluijs and her collaborators have created various functional and decorative items. For example, waste from the East Tilbury landfill in Essex, England, has been transformed into 'Tilbury Tiles,' which are sold as souvenirs. Furthermore, Sluijs has crafted glass vases adorned with plasma rock specks, illustrating how discarded landfill materials can be repurposed into aesthetic pieces for home decoration, thereby giving waste a 'second life' and contributing to a more circular economy. #PlasmaRock #SustainableMaterials #WasteManagement #EcoDesign #CircularEconomy #LandfillWaste #EnvironmentalInnovation #MaterialScience

The online tile retailer clé has unveiled its new Artist Cement Collection, a series of handmade encaustic cement tiles. This collection is a collaborative effort, featuring designs from eleven artist studios spanning Europe, South America, and the United States. The curated group of artists, architects, designers, and sculptors includes ALT for Living, Boris Aldridge, Coletivo Muda, Deborah Osburn, Erica Tanov, Gachot Studios, John Whitmarsh, Michelle Weinberg, Ruan Hoffmann, Sarah & Ruby, and Smink Things. The Artist Cement Collection showcases a diverse range of aesthetic styles, moving from bold, graphic geometric patterns to motifs inspired by nature, and even incorporating typography. Each tile is available in 8-inch by 8-inch square and hexagonal formats, offering flexibility in design application. A key feature of these tiles is their pre-polished and pre-sealed finish, which enhances their durability and versatility. This treatment makes them suitable for a wide array of applications, both indoors and outdoors, and for installation on either walls or floors, expanding their potential use in various architectural and interior design projects. Among the featured designs, Coletivo Muda contributes the 'Lagoa' tile, which appears multiple times in the illustrations, highlighting its distinct appeal. Michelle Weinberg's contributions include 'Pattern 1' and 'Pattern 2,' demonstrating a varied artistic approach. Smink Things presents several designs that bear its studio name, indicating a unique and recognizable style. Ruan Hoffmann offers a selection of patterns, including 'Amsterdam Express,' 'Arrow Dynamic,' and 'Bio Circuit,' each bringing a different visual narrative to the collection. Deborah Osburn's 'Manuscript Letters' introduces a textual element, adding another dimension to the tile offerings. Boris Aldridge provides 'Pattern 4' and 'Pattern 5,' showcasing his design philosophy. Gachot Studios also features 'Pattern 4,' suggesting a potentially different interpretation or variation from Aldridge's similarly named pattern. Erica Tanov presents 'Baccio' and 'Jacobson,' contributing unique artistic expressions. Finally, Sarah and Ruby's 'Pattern 5' completes the selection of artists and their designs, ensuring a rich and diverse collection for consumers and designers. The collection emphasizes both artistic expression and practical application. The use of cement as a medium for these artistic designs provides a tactile and durable surface, while the handcrafted nature of the tiles ensures uniqueness in each piece. The curated selection of artists from various global locations brings a wide spectrum of cultural and artistic influences to the collection, allowing for a broad appeal across different design preferences and styles. The collection aims to provide distinctive and high-quality options for residential and commercial spaces, allowing for personalization and artistic flair in surface design. #CementTiles #ArtistDesigned #EncausticTiles #HomeDecor #InteriorDesign #TileCollection #ArchitecturalSurfaces #HandmadeTiles #GlobalArtists

Armourcoat, a surfacing brand, has introduced Clime, a new line of textured, biodegradable wall plaster surfaces. This innovative product combines the natural aesthetic of clay with enhanced durability, positioning itself as a sustainable and ecological alternative to traditional paints and other wall coverings. Clime has been recognized for its sustainable design, earning a shortlisting in the sustainable design building product category at this year's Dezeen Awards. The development of Clime addresses a common challenge with conventional clay plasters: their inherent fragility and susceptibility to water damage. While clay plasters are lauded for their sustainability, their limited durability has historically restricted their application, particularly in high-traffic or moisture-prone areas. To overcome this, Armourcoat thoughtfully formulated Clime by integrating hydraulic lime with unfired clay and limestone. This addition significantly boosts the material's resilience, making it suitable for both busy domestic and commercial interiors without compromising its natural appeal. Armourcoat emphasized that Clime's formulation is a deliberate effort to minimize environmental impact. The material is biodegradable, recyclable, and entirely free of cement and VOCs (Volatile Organic Compounds). Its eco-friendly composition has earned it Eurofins Indoor Air Comfort (IAC) Gold status, a certification that highlights products with low emissions and minimal impact on indoor air quality. The brand conducted extensive research and evaluation, confirming that while pure clay plasters possess wonderful qualities, their extreme fragility and rapid softening when exposed to water necessitate a more robust solution for widespread application. By creating a natural binder with roughly equal proportions of clay and hydraulic lime, Armourcoat believes it has achieved an optimal balance, providing a product that is both naturally sustainable and durable enough for long-lasting use as a wall finish. Clime is available in two distinct finishes to cater to diverse aesthetic preferences. Clime Honed offers a subtly textured surface, providing a refined and understated look. In contrast, Clime Course features a rougher, more dramatic texture, achieved by incorporating recycled crushed marble into the mixture. The product is manufactured by blending natural materials into a powder form at Armourcoat's UK factory. This powder is then mixed with water on-site to create the plaster, ensuring ease of application. Beyond its visual appeal and durability, Clime is designed to contribute to healthier indoor environments. The plaster boasts a natural breathable finish, which is crucial for maintaining optimal air quality. It is engineered to absorb toxins from the air, regulate internal humidity levels, and resist the growth of mould and mildew. This makes Clime a beneficial choice for individuals concerned about indoor air pollutants and respiratory health. The range is offered in 15 natural hues, providing a palette inspired by earthy tones, and can be customized with various textured finishes, including banding, layering, and pearlescent washes, allowing for personalized interior design solutions. Armourcoat stated that Clime plasters not only create healthy interiors but also celebrate traditional decorative skills, bringing the beauty of natural pigments and textures indoors. #SustainableDesign #WallCoverings #InteriorDesign #EcologicalMaterials #ClayPlaster #DurableFinishes #GreenBuilding #IndoorAirQuality #TexturedSurfaces

French studio Niveau Zéro Atelier has developed the 'Soft Soil' daybed, which utilizes waste clay from Parisian construction sites as its primary upholstery material. Unveiled at the Collectible design fair in Brussels, this innovative chaise lounge challenges traditional upholstery methods by employing wet, vacuum-sealed clay, allowing the piece to conform to the user's body. The project was commissioned by Relay Design Projects, a London-based design platform known for fostering experimentation with new materials and processes. The clay used for the daybed is sourced from excavation waste in the Parisian suburbs. Its natural grayish-green hue, attributed to its mineral-rich composition, is preserved in the final product. To make the clay suitable for upholstery, it undergoes a labor-intensive refining process. This involves repeatedly mixing the clay with water, filtering it to remove impurities, and allowing the water to separate before being poured off. These steps are repeated until the clay achieves the desired purity and consistency, making it suitable for piping into clear plastic envelopes that form the daybed's padding. Once the refined clay is encapsulated in plastic, a vacuum-sealing technique is applied to remove all air. This crucial step ensures that the clay remains wet and malleable, allowing it to adapt to the occupant's shape. The daybed's design features four separate valves with bright red lids, which secure the plastic envelopes to the reclinable backrest. The base of the daybed is constructed from recycled stainless steel, offering a stark, industrial contrast to the organic clay. Traditional Chesterfield-style button details are incorporated into the front of the clay-filled upholstery, further bridging the gap between conventional and experimental design. This project builds upon Niveau Zéro Atelier's prior work with reclaimed clay, exemplified by their 'MEGA' project. In 'MEGA,' the studio established on-site ceramic production facilities at Parisian construction sites, creating smaller pillows and seat cushions using similar encapsulation techniques. They also produced a range of terracotta-hued vases by firing the clay, demonstrating a comprehensive approach to the material's lifecycle, from its wet, malleable form to its hardened ceramic state. Relay Design Projects' commission for the Soft Soil daybed aimed to expand Niveau Zéro Atelier's clay encapsulation technique to a larger scale. The platform's mission is to support designers in exploring innovative concepts beyond their usual scope, providing resources like funding and industry connections. The Soft Soil daybed is currently on exhibition at Collectible 2024 in Brussels, alongside other projects from Relay Design Projects' cohort, including works by EBBA Architects and Haha Studio. The Collectible fair, now in its seventh year, has also announced its expansion to New York City in September, indicating a growing interest in experimental and collectible design. #NiveauZeroAtelier #SoftSoilDaybed #CollectibleDesignFair #ClayUpholstery #SustainableDesign #RecycledMaterials #ExperimentalFurniture #RelayDesignProjects #IndustrialDesign

Atlas Concorde introduces the Boost Mineral surface and wall tile collection, designed to create a seamless connection between indoor and outdoor environments. This innovative collection draws inspiration from the natural sedimentary stone found in the Ardennes plateau, located between France and Belgium. By replicating the aesthetic qualities of this stone, Boost Mineral aims to bring a sense of natural ambience, sophisticated color, and distinctive style to various interior and exterior spaces. The Italian brand, Atlas Concorde, is recognized for its continuous innovation, distinctive Italian style, and global market presence in the contemporary porcelain floor and ceramic wall tile sector. The Boost Mineral collection exemplifies their commitment to promoting wellness through design. It is crafted to offer a sensory experience, making it suitable for both sheltered and exposed areas, thereby facilitating a harmonious transition between indoor and outdoor living spaces. This approach ensures continuity and uniformity in design across different areas of a property. Key to the Boost Mineral collection's appeal is its meticulously reproduced texture, which faithfully mimics the original stone. The application of a bush-hammering technique enhances the authenticity of the material, revealing three-dimensional details that imbue the tiles with personality and depth. The collection features a palette of five distinct gray tones, allowing for versatile design applications. These tones are specifically chosen to complement the broader Boost World project, an overarching tile group from Atlas Concorde that enables creative mixing and matching of styles and shades to achieve diverse design outcomes. The collection offers a comprehensive range of formats to accommodate various indoor and outdoor project requirements. These include tiles in 60 and 75 mm modules, alongside an extensive selection of outdoor-specific formats. A notable addition to the range is the large-scale slabs, measuring 120x278 cm. These slabs provide a new stone effect, creating monolithic, jointless spaces that enhance the aesthetic continuity of large surfaces. Furthermore, Boost Mineral is available in the Atlas Plan slab format, making it suitable for kitchen countertops and other furnishings. The collection also extends to Atlas Concorde Habitat washbasins, which are designed to appear as if carved from a single block of stone, emphasizing a natural and minimalist aesthetic. Overall, the Boost Mineral collection from Atlas Concorde offers a sophisticated and versatile solution for designers and homeowners seeking to integrate natural aesthetics into their living spaces. Its inspiration from sedimentary stone, coupled with advanced manufacturing techniques and a wide array of formats and applications, allows for the creation of cohesive and visually appealing environments that blur the lines between indoor and outdoor living, enhancing both functionality and sensory appeal. #TileDesign #SedimentaryStone #IndoorOutdoorLiving #CeramicTiles #PorcelainTiles #HomeDesign #SurfaceDesign #ArchitecturalMaterials #AtlasConcorde

Electronic waste, or e-waste, significantly contributes to the global trash problem, with gadgets and devices frequently ending up in landfills at the end of their lifecycle. Joe Doucet, a designer known for his minimalist and thought-provoking aesthetic, has addressed this challenge by creating a piece of furniture that highlights the potential for repurposing discarded materials into functional and aesthetically pleasing objects. Doucet's OLO Table is a prime example of sustainable design, crafted from electronic waste such as old refrigerators, keyboards, and computer mice, which are given a new purpose. The core material used in the OLO Table is Polygood Oyster, manufactured by The Good Plastic Company. This material is made from polystyrene meticulously extracted from various electronic waste sources. Once collected, the polystyrene undergoes a thermoforming process, utilizing heat and pressure to mold it into the desired shapes, specifically for the table's base. The distinctive characteristic of Polygood Oyster is its inherent beauty derived from the recycling process; it retains colorful flecks and fragments from its original electronic components. These visual elements are not considered imperfections but rather serve as a historical narrative, with each table subtly telling the story of its previous life. This unique visual aspect adds considerable depth and character to the OLO Table, making it a compelling conversation piece. The table's design further reinforces its sustainability message through its fluid geometry, featuring a seamless and monolithic top that transitions into semi-circular legs. This continuous form visually embodies the closed-loop design philosophy advocated by both Joe Doucet and The Good Plastic Company. This approach emphasizes the cyclical nature of materials, where discarded resources are reintegrated into a closed system, thereby minimizing waste and maximizing material value. More than just an attractive furniture item, the OLO Table conveys a significant message about circularity and the inherent value found in waste. By utilizing discarded electronics, Doucet directly confronts the escalating issue of e-waste, transforming what is typically considered refuse into a desirable and practical object. This innovative method challenges conventional perceptions of waste and underscores the considerable potential for creative upcycling within the design industry. Although the OLO Table is a unique, one-off creation with no current plans for mass production, it stands as a powerful statement on sustainable practices. #Ewaste #SustainableDesign #ClosedLoopDesign #FurnitureDesign #RecycledMaterials #PolygoodOyster #JoeDoucet #ProductDesign #CircularEconomy

Rammed earth, an ancient building technique, is gaining renewed attention for its potential in sustainable urban architecture. This method involves compacting a mix of clay, sand, and silt into robust walls, offering natural insulation, soundproofing, and durability. Historically used for simple structures across various cultures, modern advancements have allowed rammed earth to be integrated into beautiful and sustainable buildings in regions like Australia, Germany, Switzerland, and the Southwestern U.S. The core principle of rammed earth construction is akin to masonry. Builders collect local soil, often from the construction site itself, and use wooden forms to create layered walls. Each layer of soil is compacted, resulting in a distinct, multi-hued appearance. While the process is labor-intensive, proponents highlight the unique aesthetic and tactile experience of these structures. Bly Windstorm of Earth Dwell emphasizes the profound connection people feel within a rammed earth building, describing it as a feeling that transcends typical construction materials. Despite its benefits, which also include low carbon impact and excellent thermal mass, rammed earth has typically been confined to suburban areas, university campuses, or as accent features in larger buildings within modern cities. A significant challenge in dense urban environments is the considerable thickness of rammed earth walls, which can be 18 inches or even up to four feet wide. This dimension can lead to a loss of valuable interior square footage, making it a less appealing option for architects concerned with maximizing space in urban settings. Joshua Aidlin, an architect who has worked with rammed earth, notes that these walls inherently possess a 'nuance to the reality of imperfection,' which may require occupants to appreciate this natural aesthetic. However, he also sees it as a valuable opportunity to connect urban dwellers with the natural environment, offering a tangible expression of the land within often paved-over cityscapes. In recent years, designers have increasingly incorporated rammed earth as feature walls, leveraging its unique texture and practical properties, such as its ability to absorb and release heat when positioned strategically, for example, between a building and a greenhouse. However, the logistical challenges and specialized labor required for traditional rammed earth construction continue to hinder its widespread adoption in urban centers. David Easton, founder of Rammed Earth Works, describes the mobilization of equipment like dump trucks and wall forms in a bustling city as a 'nightmare.' To overcome this, Easton has been developing an innovative solution: a rammed earth block, dubbed the Watershed Block. This block is composed of quartz, recycled concrete, and locally sourced earth, designed to be used in a manner similar to conventional concrete blocks. This innovation could transform rammed earth into a more versatile and accessible material for urban construction. If successful, the Watershed Block could significantly impact the environmental footprint of rapidly expanding cities, particularly in regions like China, where cement consumption is exceedingly high. By substituting concrete with these low-impact rammed earth blocks, cities could drastically reduce their embodied carbon emissions. This development has the potential to unlock rammed earth's full potential as a local, sustainable building material in urban settings, making its ancient technique relevant and transformative for modern architecture. #RammedEarth #SustainableArchitecture #UrbanDesign #EcoFriendlyBuilding #GreenConstruction #BuildingMaterials #ArchitecturalInnovation #LowCarbonImpact #ResilientCities

This comprehensive guide explores the range of plasterboard products available for both internal and external home renovation projects, emphasizing their versatility and ease of use in achieving a smooth finish for walls and ceilings. The selection includes various types such as wallboard, baseboard, insulated plasterboard, aqua panels, fibre cement boards, fire panels, sound panels, and tile backer boards, catering to diverse construction needs. The products are offered in a wide array of thicknesses, ranging from 6mm to 27mm, to suit different application requirements, and are supplied by reputable brands like Knauf, Nomoreply, Smig, STS, and Wickes. Key material options feature gypsum plasterboard for standard applications, fibre cement and cement board for enhanced durability and moisture resistance, and XPS/Cement and thermal laminate for improved insulation properties. Plasterboard products are available with different edge details, including plain square edge, square, tapered, and tongue & groove, offering flexibility for various installation methods and aesthetic preferences. Standard widths include 600mm, 800mm, 900mm, and 1200mm, while lengths vary from 25mm for screws to 2400mm for full-sized boards, ensuring suitability for projects of all scales. The color palette for these products extends beyond functional whites and greys to include black, blue, dark grey, green, and pink, providing options for specialized applications or decorative purposes. In addition to the plasterboards themselves, the article highlights essential accessories such as plasterboard screws, jointing compounds, and adhesives. These accessories are crucial for ensuring the stability, longevity, and professional finish of any plasterboard installation. Special attention is given to the features of insulated plasterboard, which significantly improves temperature retention within a space, contributing to energy efficiency in residential and commercial buildings. The discussion also covers specialized products like fire panels for enhanced safety, moisture panels for areas exposed to humidity, and sound panels for acoustic control. For more specialized applications, tile backer boards are presented as ideal for wet areas like bathrooms, while construction boards are highlighted for their multi-purpose use as render carriers and fire-resistant solutions. The importance of appropriate tools and adhesives for successful plasterboard installation is stressed, guiding users towards achieving a stable and aesthetically pleasing result. The article also touches on the financial aspects, providing a general price range for different products, making it easier for customers to plan their budgets. This resource aims to equip individuals with the knowledge to select the most appropriate plasterboard and related products for their renovation projects, ensuring both structural integrity and a refined finish. #Plasterboard #HomeRenovation #BuildingMaterials #WallFinishes #InteriorDesign #Insulation #DrywallInstallation #HomeImprovement #Construction