Natural Elements and Glam Give New Life to a Victorian Colonial Revival

This article highlights a unique interior design project by Clive Lonstein in Litchfield County, Connecticut, transforming a late 1800s Colonial Revival home with a distinctive turret. Lonstein, a designer who previously worked for William Sofield, opened his own studio in 2016. His clients requested bold color, comfort, and an interesting backdrop for their growing art collection, seeking a bespoke design tailored to their tastes. Instead of extensive structural renovations, Lonstein focused on a decorating approach, embracing the architectural personality of the house designed by Ehrick Rossiter, known for his whimsical country homes. Lonstein emphasized the importance of context in his projects, subtly infusing the unique characteristics of the location into the design. The project involved a vibrant use of color, beginning with a candy apple-red front door, an aubergine staircase, and a bubblegum pink kitchen. The sitting room features moss-hued paint, reflecting the clients' desire for the rich colors often seen in English country houses. The living and dining rooms, however, maintain a white base to allow a diverse collection of art and furniture to stand out. Lonstein skillfully integrated the clients' existing furniture, reupholstering pieces and adding new ones. For instance, the living room showcases paintings by Sophie Larrimore, Caitlin Keogh, and Mary Grigoriadis alongside a reupholstered 1950s sofa, chairs by Sergio Rodrigues, and a game table and chairs by George Nakashima. In the library, a vintage Viggo Boesen chair upholstered in sheepskin complements a sofa, with table lamps from Bitossi and a desk and chair by Mira Nakashima. Upstairs, the color scheme continues with a chartreuse bathroom and a collegiate blue bedroom, echoing the hue of an Yves Klein table downstairs. Lonstein’s favorite space, the round turret room, is bathed in a dusty pink that harmonizes with the original elaborate moldings and serves as a backdrop for a richly-hued photograph by Vik Muniz. A collaborative effort with the client’s art advisor, Bridget Murphy, ensured the seamless integration of the art collection into the design. In the dining room, another Vik Muniz photograph after Gustave Courbet enlivens the neutral space, which includes sheepskin-upholstered vintage Saarinen chairs, a Noguchi light, and a 1950s Martin Eisler caned credenza. Lonstein's approach, despite his personal aspiration to minimalism, is characterized by an appreciation for the idiosyncratic, demonstrating his talent for cohesively blending diverse elements and client preferences into a unified and vibrant interior. #CliveLonstein #InteriorDesign #ConnecticutHome #VictorianArchitecture #BoldColors #ArtIntegration #EclecticDecor #HomeRenovation #DecoratorProject

Matthew Carter, a Lexington, Kentucky-based decorator, undertook his first project in Maine, transforming a quintessential Colonial Revival summer house for clients from Kentucky. The clients, who possessed traditional taste but also a high tolerance for color and pattern, desired to elevate the home's aesthetic beyond its original "simple and lovely" state, which characterized many coastal Maine cottages. These homes often exude an undecorated feel, a blend of Yankee ingenuity and Puritanical vestiges, emphasizing functionality over ornamentation. Carter's approach was to infuse the home with personality and vibrancy while respecting its heritage and location. He began in the entry hall, choosing a bold, all-over dark brown and ivory Miro wallpaper by Albert Hadley. This choice was not only striking but also meaningful, subtly acknowledging Sister Parish, co-founder of Parish Hadley and a long-time summer resident of Dark Harbor, a nearby locale. This bold decorative move set the tone for the rest of the house, demonstrating that daring design choices could be harmonious with the Maine setting. The decorator emphasized that each bold design decision was carefully considered and connected to the home's context, rather than being a generic design that could exist anywhere. The design elements paid homage to both Northeast Harbor, where the owner spent his youth, and Lexington, his current home. Carter's design philosophy aimed for a "studied looseness," arranging items in a way that felt natural and un-curated, akin to the historical decorative displays in New England sea captains' homes, which often featured an eclectic mix of global artifacts. This deliberate lack of rigid order allowed Carter to introduce strong design elements without them appearing overly deliberate or "try-hard." An example of this is the study, where emerald lacquered paneling and bookcases, combined with custom deep green on ivory wallpaper, could have been overpowering but instead offered depth and definition. Carter explained that this provided a necessary punch and dimension, allowing furniture and art to stand out against a rich, jewel-toned backdrop. A similar effect was achieved in the central living room, which was painted a deep chocolate brown. Carter noted that dark colors cause walls to recede, drawing attention to the exterior views and creating a cool, grounding atmosphere in the core of the house, contrasting with the lighter perimeter rooms. This technique, also employed in his own home's dark brown library, is a classic summer house strategy effective in various climates. Challenges arose, such as integrating a family heirloom—an antique pencil-post double bed—into a guest bedroom. To blend its "very Kentucky" aesthetic with the coastal summer house style, Carter draped the bed in fifty yards of ivory linen, transforming it into an airy, coastal-appropriate piece. This humorous and inventive solution highlighted the project's overarching theme: reinterpreting the classic summer house concept through playful and sophisticated design. The project, featured in Veranda magazine's July/August 2023 issue, showcased Matthew Carter's ability to blend traditional tastes with vibrant colors and graphic patterns, creating a distinctive and personal summer retreat. #ColonialRevival #MatthewCarter #MaineSummerHouse #InteriorDesign #EmeraldLacquer #GraphicPatterns #Wallpaper #CoastalDecor #TraditionalInteriors

The article details the challenges and solutions involved in revitalizing the facade of a colonial home in Far Hills, New Jersey. The homeowner, Brian Truss, faced significant issues with the original cedar siding, including rot, mold, and insect infiltration, necessitating a complete replacement. The primary concern was to restore the exterior without compromising the home's distinctive colonial character, which featured complex trim work and extensive molding profiles. Traditional wood siding presented a continuous cycle of maintenance, and the homeowner sought a durable, low-maintenance alternative. CREO Construction, led by sales and design specialist Joe Hydro and operations manager Mike Crowell, proposed using AZEK Exteriors' comprehensive PVC system. This system was chosen for its ability to replicate the numerous existing molding profiles, ensuring that the home's architectural integrity would be maintained. The team highlighted that the AZEK system was unique in its capability to match the 10 to 12 different types of molding present on the house, offering a complete solution from trim to siding to blocks. The installation process revealed several practical advantages of the AZEK material. Its lightweight nature facilitated easier handling and faster installation, significantly reducing labor time. The material's clip system further contributed to the efficiency of the process. A key innovation discussed is the AZEK Lap Siding's floating installation system, which allows for natural expansion and contraction. Unlike traditional products that are rigidly tied to studs, this floating mechanism accommodates material movement, particularly around openings, preventing common issues associated with exterior materials. Another significant improvement was the elimination of visible maintenance points. The AZEK system avoids the need for caulk around windows, doors, and trim, addressing a common complaint from homeowners about other renovation projects. The 16-foot panel lengths minimize visible seams, contributing to cleaner sight lines across the facade. Combined with hidden fasteners and rabbeted trims, the overall result is a remarkably seamless finish that surpasses traditional installations in aesthetic quality and longevity. From the homeowners' perspective, the primary benefit of the AZEK system is its longevity and low maintenance. Hydro emphasized that AZEK Lap Siding requires no painting and is designed to maintain its original appearance for decades, eliminating the cyclical maintenance associated with traditional cedar siding. The renovation successfully preserved the home’s original architectural proportions and details, but now with materials engineered for durability and minimal upkeep. The outcome is a home that looks virtually identical to its original charming state, but without the persistent degradation and maintenance demands of its former exterior. #ColonialHome #ExteriorRenovation #SidingReplacement #AZEKExteriors #PVCBuildingMaterials #HomeMaintenance #ArchitecturalPreservation #DurableMaterials #LowMaintenance

Ella and David Moore purchased their Victorian home in Manchester in 2017. Although it featured a 1980s two-storey rear extension, the property was in need of modernization and personalization. The couple spent the first year developing plans for improvements, aiming to reconfigure the layout to better suit their lifestyle rather than simply adding more space. Key structural changes included removing walls to create a large open-plan kitchen by combining the original kitchen, dining room, and a small reception area. Additional modifications involved the integration of a downstairs toilet and hallway, a new porch, and a utility room. The front door was also relocated from the center to the side of the house, which required obtaining planning permission. While the back of the house was designed as a sociable, open-plan area connected to the garden, the living room at the front was intentionally kept as a cozier, separate space. Upstairs, one of the three existing bedrooms was reconfigured to create a dressing room and an office for David. Two en-suites were installed, and the main bathroom was relocated to optimize the guest bedroom layout. The renovation process began a year after they moved in, with Ella managing the project and designing the layout, while an architectural technician drafted plans for planning permission. The couple approached the renovation without rushing, paying meticulous attention to detail, which included selecting traditional-style radiators, brushed-metal light switches, and beehive door handles. Most of the work was completed by the end of 2019, with the main bathroom remaining as one of the few areas yet to be finished. Exterior enhancements included replacing the modern uPVC windows at the front with traditional-style sash windows and installing contemporary aluminum windows at the back. The garden was also a focus of Ella's design efforts. Her passion for garden design and sourcing houseplants led her to establish an indoor plant business, Ella’s Garden, during the lockdown, which quickly became successful. In 2022, she expanded her entrepreneurial ventures by co-founding a crafting workshop business with a friend. Ella’s decorating approach was guided by instinct, favoring warm tones and complementary shades. She frequently used pinks and oranges alongside dark greens and blues and opted for warm neutrals as a backdrop instead of stark whites. To ensure continuity throughout the ground floor, engineered wood parquet planks were laid, with rugs used to add color, texture, and define zones within the open-plan areas. Ella emphasizes the importance of definition in open-plan spaces and the need for tidiness. In the kitchen, she maintains a minimalist aesthetic on the countertops, displaying only frequently used items. However, she is an avid collector of vintage items and souvenirs from her travels, frequently rearranging her favorite pieces on open shelves to keep the displays fresh and personal. She values showcasing these treasures, believing it contributes to a home's warmth. The article also provides a brief tour of other areas of the house, including the hallway, spare bedroom, main en-suite, and landing. The hallway features glazed French doors to maximize brightness, complemented by bare brick walls, scaffolding shelves, and vintage furniture. The spare bedroom includes a bed reupholstered in a leather-effect fabric. The main en-suite is painted in Card Room Green from Farrow & Ball and is equipped with a basin and vanity unit from Drench, a House Doctor mirror, Nordlux pendant lights, a Rose & Grey wire shelving unit, and Tile Mountain floor tiles. The landing showcases a vibrant lime green chair against a deep teal wall, illustrating Ella’s continued use of bold color and personal touches throughout the home. #VictorianHome #HomeRenovation #BiophilicDesign #InteriorDesign #ColorPalette #VintageDecor #Houseplants #OpenPlanLiving #HomeMakeover

This blog post showcases the transformation of a 1915 Colonial Revival home in New Jersey, where designer Michael Maher skillfully blended historical charm with modern vibrancy. Following a significant addition that nearly doubled its original footprint, Maher implemented a gutsy color palette, wallpapered ceilings, and graphic painted floors to create a seamless and refreshed interior. The entrance features a visually engaging geometric pattern on the painted floor, complemented by a banquette in a Kravet stripe and 1940s French sconces, with walls painted in Farrow & Ball’s Parma Gray. The spacious foyer, connected to the dining room, serves as a functional and welcoming area. It includes an extra table for large gatherings, a banquette, and a wing chair, with an English round table from Balsamo and an armchair in a Colefax and Fowler print. The lighting is enhanced by a Charles Edwards pendant. The kitchen adopts a layered neutral scheme, with walls in Benjamin Moore’s Jute and cabinetry and trim in Farrow & Ball’s Hardwick White. It is equipped with a custom Waterworks sink and Vermont Danby marble countertops. Hickory Chair stools, upholstered in Larsen leather, and a Visual Comfort chandelier, matching one in the adjacent breakfast room, complete the look. Ann Sacks floor tiles add a refined touch. In the breakfast room, a 19th-century English pine mantel from Chesney’s anchors the space, while vintage Swedish chairs are painted in Farrow & Ball’s Hague Blue, contrasting with walls in Old White. Kilim rugs from Double Knot add warmth and texture. A highlight is the butler’s pantry, designed with a focus on color, pattern, and intricate details. It boasts glossy cabinetry and millwork in Farrow & Ball’s Hague Blue, Pomegranate wallpaper by Galbraith & Paul, and a mahogany countertop with brass banding and a copper sink, featuring a Perrin & Rowe faucet. The study, known as the Dukes Room, incorporates a Thibaut wallpapered ceiling and walls in Farrow & Ball’s Lichen, with a vintage Italian sofa covered in Lee Jofa fabric. The windows are left bare to emphasize the original architecture, and the room is furnished with a Visual Comfort pendant and Stark carpet. An antique secretary cabinet in the study showcases a collection of British commemorative cups. The dining room, located in the new wing, incorporates elaborate dentil moldings to harmonize with the home’s original architectural style. It is designed for comfortable entertaining with good lighting, comfortable chairs, and a five-foot-wide table. A personalized touch is added by a mural painted by Marylyn Modny, depicting the clients’ daughter within a historic New York Harbor scene, created in grisaille and including subtle details like the family’s children and dog. The living room is striking with its custom canary-yellow lacquered walls by Stephen and Lisa Longworth, creating a warm ambiance and complementing a palette of blue, coral, and ocher, especially luminous at night. Furnishings include an Ebanista sofa with Lee Jofa fabric pillows and curtains, and a Plexi-Craft cocktail table. The master bedroom is designed as a serene retreat overlooking the woods. Walls are wrapped in a mushroom silk from Phillip Jeffries, and the bed is adorned with a large-scale ikat in purple and pale blue from Carleton V, complementing a custom headboard. Curtains in Pierre Frey linen, a Vaughan sconce, and a Christopher Spitzmiller lamp enhance the luxurious and tranquil atmosphere. #NewJerseyColonial #HomeRenovation #InteriorDesign #ColorPalette #MichaelMaher #HistoricHome #WallpaperedCeilings #GraphicFloors #CustomInteriors

Lindsay Marcus, an interior designer, recently completed a project in the Little Holmby Hills neighborhood of Los Angeles, transforming a 1940s Colonial Revival-style residence into a transitional family home. The client sought an elevated, refined, and chic living space that was also kid-friendly in certain areas, marking a stylistic departure from their previous neutral-toned mid-century modern home. Marcus’s design philosophy for this project centered on preserving the home’s original architectural features while integrating an eclectic, layered, and elevated aesthetic. The design approach emphasized allowing the traditional aspects of the architecture to guide the overall tone of the space. To achieve a layered and collected look, Marcus incorporated mid-century lighting and modern furniture silhouettes, aiming for a balance between old and new elements, as well as color and pattern. The project's success lies in its ability to blend contrasting styles and eras into a cohesive and timeless environment. The entryway exemplifies this design vision, with its elegant architecture, including a sweeping stone staircase and refined iron banister, serving as the foundational classic elements. The space is enriched with a thoughtful mix of eras through a clean-lined dresser, varied textures in vignettes, and a vintage rug, creating a welcoming and sophisticated atmosphere. For the powder room, Marcus and her team selected a rich, cool blue paint for the paneling and a dramatic mural from Gracie, transforming the small space into a jewel box. Vintage Italian Pietro Chiesa sconces and a floral ceiling flush mount from Urban Electric further enhance the room's romantic ambiance. In the living room, existing furniture, such as a royal blue Nickey Kehoe sofa and a Roche Bobois loveseat, were integrated into the new design. The Nickey Kehoe sofa inspired the room’s color palette, and the Roche Bobois loveseat was reupholstered in a striped fabric from Howe. An antique Art Deco coffee table and a French giltwood mirror from 1stDibs introduced Old Hollywood glamour and served as focal points. Italian Murano glass and brass sconces, a marble bar, and Pierre Jeanneret chairs re-covered in hair-on-hide added to the room’s luxurious feel. The walls were finished with Portola Paint’s Tikal limewash, and contemporary oil paintings by Gideon Rubin and Hannah Brown contributed to a modern sophistication. The dining room features a contrast of a rustic farmhouse table paired with original Finn Juhl chairs, reupholstered in light brown mohair, under a modern plaster chandelier, creating a harmonious blend of styles. The main bedroom maintained its existing white paneling, complemented by a neutral grasscloth wallpaper from Gregorious Pineo and a Rosa Bernal fabric for drapery, creating depth and texture without overwhelming the vintage Persian rug. Custom white oak nightstands with Rojo Alicante marble tops and Victoria Morris pottery lamps in an oxblood glaze added refined touches, while a shearling-covered womb chair provided a cozy reading nook. The children's areas were designed with distinct personalities. The playroom features bold olive green walls and wainscoting, with Farrow & Ball’s Barrow Blue paint on the paneling and ceiling, paired with a checkered wallpaper. Mustard Togo chairs provide comfortable and playful seating. The boy's room adopted a masculine palette of blues, white, and subtle greens, anchored by a Lawson Fenning bed upholstered in McLaurin and Piercy fabric. Side chairs and poufs from Sabin LA offered youthful yet sophisticated shapes, and a Zak + Fox stripe wallpaper added subtle color and texture. The second child’s room embraced a whimsical, nautical theme with a marine ceiling flush mount and Cole and Son’s Melville wallpaper, complemented by a leather sconce from Lostine and a floral bedcover from Nickey Kehoe. Marcus expressed particular satisfaction with the living room, primary bedroom, and powder room, highlighting the use of patterned drapery fabrics throughout the home as a favorite element that made each space feel special and cohesive. The designer emphasized that the client’s willingness to take risks contributed significantly to the successful and elevated outcome of the project. #HomeDesign #InteriorDesign #ColonialRevival #TransitionalStyle #LuxuryHomes #HomeMakeover #DecoratingIdeas #ColorAndPattern

The article explores the evolution of the Williamsburg brand, which has shifted from merely reproducing 18th-century colonial furniture and decor to creating contemporary pieces inspired by historical archives. Historically, residents of Colonial Williamsburg were influential in American high style, importing trends from prominent 18th-century London cabinetmakers. The restoration efforts initiated by Rev. Dr. W. A. R. Goodwin, John D. Rockefeller, and Abby Aldrich Rockefeller in the late 1920s solidified Williamsburg's reputation as a bastion of American traditional style and helped popularize Colonial Revival-style architecture. The initial Williamsburg brand collections launched in 1936 to meet consumer demand for colonial reproductions. Kiri Franco, Director of Brand and Licensing for Colonial Williamsburg Foundation, highlights the brand's adaptation to modern living, noting that contemporary interpretations often surprise people with their "trend meets tradition" aesthetic, especially in collaborations with licensees like Global Views, Robert Abbey, and Capel. Williamsburg Licensing’s associate director, Liza Gusler, and senior brand designer, Jillian Pyle, emphasize that new product introductions often derive from design elements discovered in the foundation's extensive archives, which house over 70,000 items. These archives provide inspiration for innovative products that bear little resemblance to the original items or traditional reproductions. An example is the Shoe Buckle Mirror from Global Views, inspired by an 18th-century shoe buckle. The process involves curators and designers exploring the archives to find graphics, shapes, or details that can be reinterpreted into new, contemporary designs. In a significant move, Williamsburg introduced its first Designer in Residence, Anthony Baratta, who reimagined the interior of the historic Palmer House (circa 1750) on Duke of Gloucester Street. Baratta, known for his eclectic, all-American, and maximalist style, was invited to furnish and decorate the 18th-century home with a fresh take on Americana. Due to the home's historic designation, structural changes were not permitted, so Baratta focused on paint and furnishings. He utilized a palette of historically accurate primary colors (vermilion, blue, yellow, and green) in various rooms and incorporated a mix of traditional Williamsburg reproduction furniture, contemporary Williamsburg products, and antiques from his personal collection. Baratta’s design approach involved blending different eras and styles. In the living room, he combined a Victorian balloon-back armchair, a Duncan Phyfe-style sofa, and a Chippendale-style wing chair. Accessories included neoclassical-style urns and traditional brass candlesticks. In the dining room, he paired Caskata’s Blue Marble dinnerware, inspired by antique hand-marbled endpapers from the archives, with Mottahedeh’s traditional Imperial Blue dinnerware. The master bedroom featured a brass bed once owned by Gore Vidal, Robert Abbey swing-arm reading lamps, and a metal sculpture from Global Views inspired by 18th-century clock hands. He also layered the walls with contemporary paintings, vintage prints, ship models, and dioramas from his collection alongside reproduction artwork. Baratta's residence at the Palmer House provided an immersive experience, allowing him to create a lived-in feel rather than a period-specific show house. Future plans include another Designer in Residence and new collaborations that extend beyond traditional home interior spaces, showcasing Williamsburg's continued evolution in home design. #HistoricPreservation #HomeDecor #InteriorDesign #HistoricHomes #Williamsburg #AnthonyBaratta #ColonialRevival #DesignEvolution #ProductInnovation

This blog post explores the transformation of a historic colonial revival home dating back to 1895 in Newton Center, Massachusetts. The owners sought to update their property with a glamorous, sexy, and elegant aesthetic, while simultaneously restoring and enhancing its original architectural features. The project aimed to integrate sympathetic interior décor with a contemporary flair from the 2020s. Before addressing the design details, the primary challenge involved removing uncomplimentary architectural additions from the 1940s, 80s, and 90s, particularly a deteriorating 1980s kitchen. Designer Cecilia Casagrande was commissioned to address these challenges, focusing on enhancing the home's original architecture while adapting it for modern living. Her approach successfully blended original period details with quirky and glamorous contemporary touches. The kitchen redesign, for instance, drew inspiration from the client’s Turkish Iznik pottery collection and antique rugs, transforming a drab 1980s space into a bright, open area. The design incorporated a mix of midcentury, antique, and modern elements, evident in pairings like a midcentury side table with a modern bed frame, or a curved sofa with modern lamps. The breakfast nook features an antique pedestal table and vintage dining chairs, harmonizing with the updated kitchen. The cabinet colors, specifically Farrow & Ball’s Paean Black and Benjamin Moore’s Yorktowne Green, were inspired by the blue hues of the Turkish plate collection. The kitchen also boasts vintage rugs from Afghanistan, brass taps by Barber Wilson, and handmade tiles from Winchester Tile in England, along with green stone accents, contributing to a worldly and earthy feel. The living room, characterized by intricate wood detailing and an impressive bay window, features walls, trim, and ceiling painted in Farrow & Ball’s Hague Blue. This bold color choice maintains the modernity of the ornate trim while creating a cozy Victorian parlor ambiance. Natural walnut elements on doors and trim are highlighted with a clear poly finish. The room includes a midcentury vintage sofa upholstered in mohair blue velvet, complemented by a rounded Jonathan Adler Danner sofa and Kelly Wearstler lamps to create a “sexy vibe.” Midcentury furnishings, such as a reupholstered Thayer Coggin swivel chair and a new Thayer Coggin Roxy chair, along with a round midcentury pi-coffee table and Moroccan inlaid side tables, contribute to a global aesthetic through eclectic accessories sourced internationally. A vibrant artwork by Hunt Slonem in a gilt frame and a vintage carved sideboard add glamour to a corner of the living room. The dining room reflects the clients' vision with quirky contemporary elements like Cole & Son Leopard Walk wallpaper and a stag chandelier sourced from Germany. Iconic midcentury Saarinen chairs and a stunning Suzani tablecloth complete the eclectic and joyful space, which is described as Victorian modern. The upstairs landing serves as an inviting seating area, utilizing natural light from an original gothic-detailed 1895 window and featuring French-style armchairs and a chess set. The primary bedroom showcases pastel pinks, blending antique, vintage, and modern furnishings. Brass elements, such as Sarreid chests, an antique mirror, and an Alexa Hampton ceiling light, add character. Walls are painted in Farrow & Ball's Middleton Pink with trim in Dove Tail, while House of Hackney and Timorous Beasties pillows, a modern champagne velvet bed, and a faux sheepskin swivel chair balance the vintage pieces. The bathroom features a Penhaglion cast iron tub in unlacquered brass, a striking choice for the historic home, complemented by classic marble tiles, Timorous Beasties curtains, and brass accents, offering a modern twist on traditional design. The homeowners expressed satisfaction with the transformation, noting that each room was thoughtfully designed and inspired by their existing collections, making the renovation a collaborative effort from architectural restoration to fabric selection. The project successfully honored the home's original features while introducing contemporary humor and subtle updates. #HistoricHomeRenovation #ColonialRevival #InteriorDesign #BoldColorSchemes #VictorianModern #KitchenDesign #LivingRoomDecor #BedroomIdeas #BathroomDesign

The Kaufman House, a historical landmark in Zelienople, Pennsylvania, originally built in 1902, has undergone a significant restoration after being severely damaged by a fire in 2011. This 121-year-old building, which served as a hotel, factory worker housing, and an iconic tavern, was a vital rest stop for travelers and a community focal point. After the fire, the building remained closed until 2020, facing potential demolition. However, the Zelienople Borough recognized its cultural and economic importance, purchasing it in 2017 with a state Redevelopment Assistance Capital Grant to ensure its preservation. The restoration project aimed to maintain the building's original aesthetic, particularly concerning its windows. James Druschel, former vice president of finance and CFO of Veka, played a crucial role by initiating the project and facilitating the donation of window profiles from Veka Inc. Wincore Windows contributed by charging only for labor, glass, and hardware. The choice was made to use residential windows, specifically the 7700 Series from Veka, to replicate the original single-hung, wood windows. These included double-hung, fixed, and awning glass windows, with picture windows on the street level and double-hung windows on the upper floors. The 7700 Series is an LC-rated product, deemed suitable for the project. Technical specifications include white interior and exterior frames and low-e argon insulated glass with a 0.29 U-value, totaling 51 double-hungs, 30 fixed, and 3 awning windows. Beyond windows, the restoration also involved reinforcing the Main Street-facing balcony on the second floor with beams and updating it with VEKAdeck in Signature Storm color and white Veka rails, with the contractor receiving a reduced price for these materials. The rehabilitation proved more extensive than initially anticipated, as structural deficiencies were progressively discovered. Many previous repairs had overlooked structural integrity, leading to a situation where 60 percent of the building's structural integrity was found to be compromised and required replacement. The interior was gutted, re-walled, rewired, and re-plumbed, essentially rebuilt to meet modern codes. In its reimagined state, the Kaufman House now serves multiple purposes. The ground floor has been re-established as a restaurant, coffee shop, and bar. The second floor features a banquet hall, retail and office spaces, and meeting rooms. The third floor accommodates the regional office of a marketing firm. The basement is designed to host entrepreneurs offering complementary products to the restaurant. To ensure compliance with local codes, an elevator and a new stairwell were installed. Looking ahead, the building is also slated to function as a boutique hotel and a training facility for the tourism, culinary arts, and hospitality industries, further cementing its role as a revitalized community asset. #HistoricPreservation #BuildingRestoration #ArchitecturalDesign #WindowRenovation #KaufmanHouse #CommunityRevitalization #VekaWindows #WincoreWindows #ZelienoplePennsylvania

Zen Architects, a Melbourne-based firm with 30 years of experience combining science and art in sustainably minded projects, undertook a comprehensive renovation of an early 1900s Victorian home in Brunswick. The property, untouched for five decades and slated for demolition due to asbestos, was purchased by clients who sought an architect willing to execute a challenging renovation emphasizing local materials, recycled timber, and space for an art studio. The clients desired a design that respected the original cottage's form and detailing, diverging from the prevalent trend of demolishing Victorians for new, often insensitive, developments in an area without historic controls. The project spanned nearly three years, including 18 months of design and documentation and 14 months of construction. The initial phase focused on preserving the original structure. This involved restoring the weatherboard exterior, original Baltic pine timber flooring, and Victorian details. The interior plaster was removed, walls were reinsulated, and windows reglazed. The eastern portion of the roofline was raised to accommodate higher ceilings. To maintain the property's heritage value, all new construction was set back behind the original chimney line. The design team reconfigured the front four rooms: two became bedrooms, one a bathroom, and the fourth a front living room featuring a wood-burning fireplace that utilized the existing chimney. From the light-filled foyer, residents can now access the kitchen, a double-height dining room, and a sunken conversation pit, all offering views of the garden. Throughout the renovation, Zen Architects prioritized local sourcing. Custom lighting was crafted from solid brass, and internal recycled timber details, such as shelving, were produced by local furniture makers. The bathrooms feature custom handmade tiles from a South Melbourne ceramicist, and all fixtures and fittings were also locally sourced. The kitchen incorporates a solid concrete island counter designed for passive heating and cooling; it warms naturally in the summer, and a concealed black heat panel beneath the slab absorbs and releases heat in the winter. An adjacent art studio benefits from ambient diffused south-facing light, providing an ideal space for various artistic pursuits. This project demonstrates a successful approach to sensitively transforming Victorian homes to meet contemporary living standards while adhering to principles of sustainability and local craftsmanship. #VictorianRenovation #SustainableDesign #ZenArchitects #MelbourneArchitecture #HistoricPreservation #RecycledMaterials #LocalCraftsmanship #HomeRetrofit #ArtStudio

Designer Celerie Kemble, alongside Kristen Blood, transformed a 4,500-square-foot Victorian home in Southampton, New York, originally built in the 1880s, to accommodate year-round living for a family with children and dogs. The clients, who initially envisioned a crisp white beach getaway, were guided towards a more seasonless design, prioritizing brightness, texture, and warmth while ensuring durability against the demands of beach house life. The design philosophy centered on layering textures and integrating a rich color palette derived from the family's art collection, featuring hues such as cobalt, beet, olive, turmeric, and coffee. In the entryway, a "cavernous" space was made cozier by wrapping the walls in cocoa-stained Madagascar grasscloth and painting the trim in Benjamin Moore Coffee Bean. This created a warm and inviting atmosphere suitable for both cold winter days and lazy summer afternoons. Furnishings in this area included an Arteriors bench upholstered in a vintage suzani textile and Lee Industries chairs with Pat McGann Gallery pillows, complemented by an M2C Studio ceiling light and an Arteriors floor lamp. The strategic use of materials aimed to establish a strong materiality throughout the house, incorporating elements like faux suede, tessellated shell, and Moroccan berbers to create tactile experiences. The living room, identified as the family's primary gathering spot, was designed for comfort and resilience. Upholstered furniture made with plush outdoor fabrics was selected to withstand the wear and tear from children and pets. Nickey Kehoe woven hassocks provided versatile seating or footrests. Design details included a 1stdibs ceiling light, Claremont curtain fabric, and Hollywood at Home ceramic lamps, all contributing to a relaxed yet stylish environment. To improve the flow and usability of the front parlor, which previously felt like a pass-through, the designers created a larger seating group. A puzzle table with chairs was placed by the window, and the bar cart was relocated to encourage guests to utilize the entire space. The continuous use of the same color palette and a consistent rug throughout both the living room and parlor created the illusion of one expansive area, enhancing the sense of unity and spaciousness. The primary suite was conceived as a refuge for the parents. The gentle undulations of catchweed wallpaper and soft colors fostered a breezy and calm atmosphere. Custom elements included a bed upholstered in Rose Tarlow fabric and bedding from Celerie Kemble for Chairish, with a custom hair-on-hide rug. Tailored pleat curtains made from gauzy sheer fabric accentuated the bay window, adding an elegant touch. An ottoman from Celerie Kemble for Taylor King and Kenian chairs upholstered in Rose Tarlow fabric furnished the lounge area within the suite, alongside original chandelier and table pieces. In the guest room, intricate paneling and chinoiserie wallpaper were employed to highlight the architectural angles and make the smaller space feel more expansive and inviting. Painting the trim and ceiling panels red and maintaining a simple color palette transformed the room into a "jewel box space" reminiscent of a luxurious hotel, according to Blood. Hudson Valley Lighting sconces, Kenian chest and mirror, a custom L&M Carpets rug, and Matouk bedding completed the decor, with personal touches like carafes and bedside books added by the homeowners. The guest bathroom underwent a gut renovation to achieve a more functional and modern layout while respecting the home's Victorian heritage. Finishes such as penny round floor tiles and suede crackle subway tiles were chosen to align with historic styles popular during the Victorian period. Visual Comfort sconces, Complete Tile, and a Dutton Brown towel rack were incorporated into the design, blending modern utility with period-appropriate aesthetics. The exterior of the 1880s Victorian, nestled within a hedge-lined yard in Southampton, New York, is adorned with hydrangea bushes, wisteria, and climbing roses, presenting a modern Victorian aesthetic that honors its past. #VictorianHome #InteriorDesign #TexturalDesign #ColorPalette #Southampton #CelerieKemble #HomeRenovation #EclecticStyle #YearRoundLiving

The Channel 4 drama series 'Indian Summers' captivates viewers not only with its engaging storyline of scandal and illicit affairs but also with its stunning colonial interiors. Set in the British Raj, the show’s aesthetic merges Downton Abbey elegance with exotic Indian styles. While the drama is ostensibly set in Simla, the former summer capital of British India, filming actually occurred on the island of Penang in Malaysia. The production team transformed two derelict buildings surrounded by Malaysian jungle into the show's primary locations, The Royal Simla Club and Ralph's home, Chotipool. This meticulous transformation aimed for historical accuracy in depicting interiors typical of British-colonized countries. Achieving this colonial-cool look in a contemporary home does not require extensive renovations. The first step involves establishing the right foundational elements by using light colors for walls, such as cream and white, to mimic the cooling effect desired in tropical climates. This is contrasted with dark wooden flooring or natural-fiber rugs made of materials like seagrass and jute. Furniture should lean towards dark wood pieces, like teak or mahogany, or lighter bamboo designs. Next, selecting appropriate seating is crucial. Rattan and cane chairs, often paired with darker furniture, were common, with upholstery typically in cream or white. Campaign furniture, designed for portability and easy storage, also played a significant role for ex-pats who frequently relocated. Items such as canvas desks, beige director's chairs, leather trunks, chests, and tables with crisscross legs are ideal for this aesthetic. To introduce color, one can choose between classic English chintz, which brought traditional British prints to the colonies, or vibrant tropical brights favored by local inhabitants. Window dressings are essential for both aesthetics and functionality. While the show's properties utilized curtains or shutters to manage sunlight and heat, shutters offer a more authentic 'hill-station' feel. If opting for curtains, lightweight, filmy fabrics are preferable to heavy ones, which would have been susceptible to mold in humid climates. Finally, integrating elements of an intrepid explorer's collection completes the look. This includes exotic pieces brought back from travels, such as animal-print frames, textiles, wooden carvings, and boxes. Old maps and antique or metal globes also serve as suitable additions, with a bar globe offering a luxurious touch for entertaining. A fine china tea set is also indispensable for recreating the traditional afternoon tea ritual of the era, reflecting the refined customs upheld by ex-pats. #ColonialDecor #IndianSummers #HomeDecor #InteriorDesign #TropicalInteriors #BritishRajStyle #PeriodDramaInspired

Rachel Southern's 17th-century Cotswold cottage, initially a barn converted into a 'one up one down' dwelling and later a single home in the early 1900s, underwent a significant renovation in 2021. The property, acquired during the pandemic, serves as both a family retreat and a rental income generator. The renovation project prioritized the preservation of original features, such as beams and 300-year-old floorboards. Sourcing a five-meter original oak beam during lockdown proved challenging, with the eventual discovery at a reclamation yard in Gloucester through a video call. The excavation of two original stone spiral staircases, though historically fascinating, were ultimately deemed impractical for a family home and subsequently covered. Rachel collaborated with interior designer Laura Stephens of Laura Stephens Interiors, planning the entire interior design over a two-hour visit due to lockdown restrictions. The design brief focused on incorporating local colors and earthy tones, aiming for an authentic and simple feel while ensuring each room flowed cohesively. The objective was to create a cozy atmosphere consistent with the cottage’s historical roots, balancing the inherent darkness of the low-ceilinged, beamed architecture with vibrant modern elements to avoid a 'cave-like' impression. In the living room, a modern tone was established with a vivid green sofa, complementing the stone and wood beams. Striped and tartan textiles in bright hues were introduced to contrast with the warm golden tones of the existing features. For the kitchen, an extension of the original cottage, deep red units were chosen to inject color and character. The existing handmade solid wood cabinets were retained and repainted, and the walnut worktop was refinished. Tongue and groove paneling was installed, and everything above the cabinets was painted a warm cream to balance the rich red. Nostalgic elements like enamelware and a hanging rail, along with flagstone floors and scalloped pendant lights, enhanced the charm. The main bedroom features a contemporary aesthetic with a swathe of modern color, and the wallpaper extends onto the ceiling for a cohesive and enhanced decorative effect. Throughout the cottage, Rachel’s appreciation for botanicals is evident, from a pressed-flower gallery on the upper landing to Cathy Nordström wallpapers in a bathroom and a guest bedroom. The guest bedroom, with its yellow wallpaper, creates a golden glow when illuminated by the sun, with simple bedsteads and striped cushions preventing a chintzy appearance. Pops of maroon are used to counterbalance the yellow tones. The bathroom includes artisan-feel tiles in a deep rose pink, a color continued on the paneling to create an overall sense of richness. The exterior of the cottage, once a barn, showcases its Cotswold stone construction, contributing to its historic charm. The property, named Well Cottage, is available for rent through Sand and Stone Escapes. #CotswoldCottage #HistoricRenovation #InteriorDesign #ColorfulInteriors #TraditionalModernBlend #CottageDecor #ArchitecturalPreservation #HomeTour #LauraStephensInteriors

This article showcases a new build with a chic farmhouse cottage feel, situated on a popular golf course. The home, part of Midwest Home's 2018 Luxury Home Tour, is located in Lake Elmo and was built by TJB Homes. It features a five-bedroom, five-bathroom, 4,700-square-foot design. The owner, Tom Budzynski, aimed to create unique areas within every space. The exterior of the home features a charming paver courtyard with a water feature, leading up to the front door. The design incorporates traditional cottage-inspired elements. Inside, an open-concept living area with large windows offers picturesque views of The Royal Club, an Arnold Palmer and Annika Sorenstam-designed championship golf course. The great room is defined by a stunning cathedral ceiling with white shiplap and dark wood beams. It includes a natural stone fireplace, built-in features, and oak flooring. The large windows in both the great room and the adjacent dining area emphasize the scenic outdoor views. A spacious deck off the main floor is designed for outdoor entertaining. Throughout the house, dark-stained wood and oak details are consistently used. The kitchen is anchored by a large white oak island with a light quartz countertop, complemented by a white oak range hood, granite countertops, and separate refrigerator and freezer units with a prep area in between. The master bedroom stands out with an eye-catching tiered ceiling featuring floating dark wood beams. A sliding barn door provides a farmhouse touch, leading to two separate large walk-in closets. These closets are located off the luxurious master bath, which is equipped with ceramic tiles, a soaking tub, and a rain shower. The lower level is designed for entertainment, featuring a striking glassed-in wine cellar adjacent to a wet bar. Across from the wet bar is a dining area that opens to a sizable outdoor patio. A bank of bar-inspired seating faces an inviting family room, which includes a stone fireplace and built-in cabinets. In addition to two extra bedrooms, the lower level also houses an exercise space, a billiards room, and a sauna. The overall aesthetic is described as upscale yet understated. #RusticCharm #LuxuryHomeTour #TJBHomess #FarmhouseStyle #GolfCourseLiving #InteriorDesign #HomeBuilding #ModernCottage #LakeElmo

Merrett Houmøller Architects and interior design studio All & Nxthing collaborated to renovate and extend a Victorian terraced house in London, drawing inspiration from traditional Moroccan riads and Mediterranean architecture. The project aimed to create tall, light-filled spaces with a strong connection between the interior and exterior, while incorporating a rich palette of natural, earth-based materials. The clients, who have traveled extensively in Morocco and the Mediterranean, sought to infuse their London home with elements reminiscent of these regions. The existing Victorian proportions of the house were largely preserved, but a significant double-height extension was added to the rear. This extension houses a kitchen and dining area, distinguished by an angular ceiling and a skylight that bathes the space in natural light. A key design feature, inspired by the internal courtyards found in riads, is the first-floor staircase landing that overlooks the dining space, fostering a sense of openness and connection within the home. The material selection plays a crucial role in establishing the desired aesthetic and tactile experience. A continuous brick-paved floor extends from the original house into the new extension and further into the garden, which features a small pool and a concrete terrace. This deliberate material continuity blurs the boundaries between the indoor and outdoor environments, encouraging a seamless flow and providing varied textures underfoot. The angled walls and ceiling of the dining area are finished with clay plaster, contributing to a soft, natural ambiance. The main kitchen counter is set against exposed brickwork, serving as a visual reminder of the building's original structure and adding another layer of texture. The staircase was updated with oak cladding and a steel balustrade, blending modern elements with the rustic theme. Steve Nash, creative director of All & Nxthing, highlighted the influence of Mediterranean precedents on the interior materiality. He noted the use of natural, earth-based materials such as handmade brick for the floor, clay-plaster for the walls, band-sawn timber for joinery, and patinated copper. These choices contribute to a cohesive and authentic feel, reflecting the clients' inspirations. Beyond the extension, the front of the house accommodates a formal living room and a lounge area, complete with a fireplace and a dedicated space for home working. These areas feature more minimal finishes, but subtle angled elements subtly echo the geometry of the new extension, maintaining a consistent design language throughout the home. Nash explained that the interior designs aimed to mirror the boldness of the architecture, incorporating subtle angles in details like kitchen handles and living room alcove cabinetry to match the walls' angles. The first floor contains the main bedroom and a spacious bathroom, while an attic extension above provides an ensuite guest bedroom and an additional study space. Merrett Houmøller Architects, founded in 2014 by Peter Merrett and Robert Houmøller, and All & Nxthing, established in 2015 by Steve Nash, completed this project. The renovation exemplifies a thoughtful integration of cultural influences and modern design, resulting in a home that is both functional and aesthetically rich. #LondonExtension #MoroccanInfluence #VictorianRenovation #InteriorDesign #ArchitecturalRenovation #NaturalMaterials #ClayPlaster #Brickwork #ModernArchitecture #ResidentialDesign