With Happy Pinks, Greens, and Blues, a Designer Totally Transformed a Quirky Colonial Revival

This blog post explores the vibrant and cheerful redesign of Raeleen and Charlie Yoon's Larchmont home, a project undertaken by Kendra Amin-Dufton and Brad Dufton of Color Theory Boston. Having previously worked with the Yoons on their Boston residence, the designers were aware of the family's affection for color, drawing inspiration from their frequent travels to Costa Rica and a Mid-Century Modern aesthetic. The goal was to create a lively and welcoming home filled with personal touches. The kitchen, designed by Sarah Robertson of Studio Dearborn, was intended to be the heart of the home. Despite initial layout complexities due to large openings into the sitting room, creative solutions were employed for base cabinetry storage. Throughout the home, walls are kept muted to allow colorful furniture and textiles to stand out. The kitchen features a large island, a combination of blue and white cabinetry, and floating shelves, creating a crisp and clean ambiance. Quartz composite is used for the island counter, while marble is incorporated elsewhere, including the tulip table. Brass accents on pendant lighting add a touch of glamour. A notable feature is the 360-degree rotating wood-burning fireplace, which efficiently heats the space and contributes to a cozy atmosphere. The range hood was designed to be reflective, blending into the wall, and subway tile extends behind the single wall cabinet and around the banquette for cohesiveness. The dining room showcases Raeleen's collection of vintage pieces, displayed on glass shelves against lavender gray walls that highlight the colorful ceramics. An oval table facilitates movement, and brass details complement the wall color, while chair upholstery integrates the blue-and-white scheme from the kitchen. The teenage daughter Kendall's room reflects her love for books, blues, greens, and nature, featuring bird-themed wallpaper, coordinated linens, a rug, window treatments, and a desk chair. A nest-like hanging chair provides a private reading nook, emphasizing her personal sanctuary. The article also highlights five stylish ways to incorporate color into a home, as suggested by interior designer Kendra Amin-Dufton: using a bright pop of color on the front door, being bold with large furniture pieces in jewel tones, utilizing all-over color in smaller rooms like powder rooms, adding an unexpected pop of color on the ceiling, and employing variations of the same hue in diverse textiles. Further details of the home include a more formal, moodier living room with smoky-gray walls, brass accents, and a silk rug, alongside a biofuel floating fireplace. The son Brady's bedroom caters to his high energy and love for sports with a cork tile wall, basketball hoop, sound-dampening carpet tiles, a lofted bed with a desk, and a secret 'bat cave' for downtime. The powder room is designed to be bold and fun with black-marble vanity, while the basement features two zones: a kid's area and a 'man cave' with an 'architecturally incredible' wood pool table and a jazz bar aesthetic. A sitting and meditation room is designed with a colorful modular sofa, complemented by warm pink and lavender walls and an over-dyed vintage rug, aiming to create an enveloping sunset-like atmosphere. The family room serves as a central relaxation spot, introducing colors used throughout the home, with a colorful geometric rug, additional colored furniture, and black-painted ceiling beams acting as a unifying design element. A reading area at the back includes a gallery wall of the children's artwork, completing the family-centric space. #HomeRedesign #ColorTheory #InteriorDesign #LarchmontHome #MidCenturyModern #KitchenDesign #VibrantInteriors #FamilyHome #CustomDesign

The article details the renovation and interior design process of artist Dana Gibson's 1912 Colonial Revival home in Richmond, Virginia. Gibson, known for her vibrant home accessories and textiles, collaborated with interior designer Sara Hillery to transform the 118-year-old house into a colorful and character-filled space. The house, purchased by Gibson and her general contractor husband, required extensive structural renovations, including roof replacement, leak repairs, and chimney reconstruction, before the interior design phase could begin. Initially, the plan was to paint everything white and gradually redecorate, but Gibson enlisted Hillery's expertise after being impressed by her work at a local designer show house. Over six months, Gibson and Hillery worked closely, with Hillery guiding decisions from window treatments to floor finishes. Gibson highlights the value of hiring a professional designer, particularly in managing unexpected issues that arise during decorating. The foyer, featuring many of Gibson's antiques, was modernized with a glossy, Granny Smith-green Oomph console and a large, patinaed Venetian glass mirror sourced from England. Custom Fine Paints of Europe were used for the door. In the living room, a portrait by Gibson's great-grandfather, Charles Dana Gibson, inspired the bold fuchsia silk curtains. The room includes vintage sofas upholstered in Sunbrella velvet, pillows in Designer's Guild fabric, an antique chair with Dana Gibson fabric, and a ceiling painted in Benjamin Moore's Polar Sky. Deep-green piping accentuates the scalloped shape of the Lexington sofa, complemented by Dana Gibson pillows, wallpaper, and sconces. The dining room, after an initial attempt with moss-colored walls proved too dark, was painted a soft gray, with the coffered ceiling featuring a pale coral hue that matches the home's front door. The space is furnished with a John Richard Collection ceiling fixture, Dana Gibson buffet lamps, Barclay Butera for Lexington armchairs, Dana Gibson for Norwalk side chairs, and an Annie Selke rug. The kitchen showcases Peter Dunham's Fig Leaf fabric for window shades, blending Gibson's collection with designs she admires. It features RH wall shelves, a Dana Gibson lamp, and Morris Tile. The powder room utilizes Gibson's own Grackle wallpaper as a decorative element, paired with an antique mirror and Dana Gibson hand towels. The office features a blue-and-white Thibaut print wallpaper, a design choice that brought Gibson and Hillery together professionally. It is equipped with a Dana Gibson pendant and table lamp, a Ballard Designs desk, and a vintage chair upholstered in Dana Gibson fabric. The main bedroom's decor was initiated by an architectural fragment found by Gibson, which was re-imagined as a bed crown. Hillery designed the bed hangings using a combination of blue silk, bright pink spots (Little Ditty by Dana Gibson for Stroheim), and a small-scale apple-green print (Bellamy by Dana Gibson). The room also contains prints from Ornis Gallery, Designers Guild bedding, Le Chateau European Interiors nightstands, and Dana Gibson lamp and chair upholstery. The guest bath adheres to a black-and-white theme, inspired by the original tile, with black-and-white accessories, an antique portrait, Dana Gibson bath accessories, a One Kings Lane side table, John Robshaw towels, and a faux geranium. The sunroom retains its original tile floor and tinwork ceiling, serving as a versatile space for morning reading and evening drinks. It includes a Dana Gibson for Norwalk settee, a Selamat chair, Dana Gibson side table and pillows, and a Target stool. The article concludes by emphasizing the personal and collaborative nature of the design process, culminating in a home that truly reflects Gibson's artistic vision and personality. #InteriorDesign #HomeRenovation #SouthernStyle #ColorfulDecor #DanaGibson #SaraHillery #RichmondHome #ColonialRevival #HomeTour

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Interior designer Boo Randle undertook a comprehensive redesign of her 1906 Uptown New Orleans home, transforming a previously all-white interior into a vibrant, personalized space. Randle, who moved into the home in spring 2022, aimed to create a living expression of her personal style that was also family and animal-friendly, and conducive to entertaining. She approached the project with a structured methodology, similar to how she manages client projects, assembling a team of an architect, contractor, fabricators, installers, and artisans from the outset. The redesign began with conceptualization, moving through design, procurement, and installation. Randle envisioned a home that felt collected, layered, and timeless, incorporating a mix of antique, vintage, and modern pieces. Many items have a personal history, such as 1960s wingback chairs that have been reupholstered multiple times, a glass and iron table from her childhood home, and mid-century modern lamps acquired from a former employer. This approach ensures that the home tells a story and retains sentimental value, aligning with her philosophy of integrating clients' special pieces into their designs. A distinctive aspect of Randle's design is her color palette, which features a blend of greens, blues, and soft pinks. She strategically used darker, richer colors in the front rooms, transitioning to cream paint in areas with more natural light towards the back of the house. To maintain cohesion, the same green trim was used throughout the main level, and a consistent color palette was echoed in various combinations across rooms. Randle views the downstairs as a single, interconnected space, where each room flows into the next, and elements like rugs and trim complement each other seamlessly. Whimsical elements are also integrated to add a playful touch. For instance, the formal dining room features music-inspired wallpaper from MINDTHEGAP, reflecting Randle's love for music. Near the bar area, a southern tropical wallpaper adds another layer of print, complemented by bold-patterned vinyl floor covering from Spicher and Company, which Randle praises for its durability and aesthetic appeal in high-traffic areas. The renovation encountered structural challenges typical of historic homes, particularly in the kitchen. Instead of moving the range due to electrical issues, Randle opted for sleek European custom cabinetry to enhance aesthetics and storage. An island made of Infinity White Quartzite was added to the kitchen, creating more prep space and fostering an open, welcoming environment for entertaining, a crucial aspect given the kitchen's role as the central gathering spot for her family and guests. Upstairs, a significant design decision involved combining two bedrooms and two bathrooms into a quad design, achieved in collaboration with architect Kim Payne Allen of Studio BKA. This transformation was driven by the need for more functional space, including a large, multifunctional closet and a larger bathroom, sacrificing a fifth bedroom to accommodate these desires. Architectural obstacles, particularly concerning existing plumbing, led to creative solutions like a walk-through shower. The design prioritized natural light, especially in the primary bedroom and bathroom, where wood plantation shutters offer views of pecan trees and enhance the lustrous marble surfaces. Allen's design for the closet made the original fireplace a focal point, framing the display of Randle's shoes and bags, creating a stylish backdrop. The expanded space also includes an office nook, his and her closets, and a small exercise area. Randle's personal touches, such as French artwork, vintage dressers, plush rugs, and objet d’art, further personalize the bedrooms, which are kept light and bright to maximize natural light, with color accents in upholstery and accessories. The entire project reflects Randle's ethos of surrounding oneself with beloved items, resulting in a home that is authentically her, functional, and imbued with warmth. #HomeRedesign #HistoricHome #InteriorDesign #UptownNewOrleans #BooRandle #ArchitecturalRenovation #PersonalStyle #ColorPalette #WhimsicalElements

This article highlights the transformation of a 1940s Federal-style house in Nashville’s Belle Meade, which was updated by interior designer Yancey Shearouse of Yancey Seibert Shearouse Interiors. The design drew inspiration from the client Hailey Stone's fashion sensibilities, characterized by bold patterns, bright colors, and chic silhouettes, while also incorporating her husband Bryan's preference for classic, tailored styles. The challenge was to blend these differing aesthetics into a cohesive and personalized living space. The design strategy involved integrating a variety of wallcoverings, fabrics, and rugs featuring floral, geometric, and abstract motifs, with some playful elements like feathers and cowboy boots. These elements are executed in a vibrant color palette encompassing greens, blues, pinks, purples, reds, and oranges. The visual richness of these textiles is balanced by the home's foundational elements, such as hardwood floors, classic white trim, and stately millwork. Family heirlooms and antique-inspired furnishings further ground the design, creating a blend of contemporary and timeless styles. Art plays a significant role in the home's character, reflecting the couple's shared passion for collecting contemporary pieces. Shearouse ensured that the interior design provided an ideal backdrop for these cherished artworks, which are considered central to making the house feel like a home. The article then details specific rooms, showcasing how this design philosophy was applied throughout the 4,500-square-foot residence. In the living room, brilliant blue accents, including a velvet throw pillow, sculptural lamp base, and drapery trim, punctuate green expanses. A diamond-design rug in spicy pinks, oranges, and ambers introduces warmth, complementing Andy Warhol licensed prints. The kitchen features an all-white scheme with a riveted lap seam range hood as a focal point, softened by circular pendants and cane barrel-backed counter stools. Café curtains in the kitchen match the full-length drapes in the adjacent family room, ensuring design continuity. The dining room embraces fun with feathery wallcovering and sumptuous pink drapes, adding a celebratory and whimsical touch to the formal space. Louis Phillipe-style mirrors and Directoire-inspired commodes are updated with crisp white paint, gold leaf accents, and brass hardware. Vintage dining chairs from a Palm Beach estate sale are paired with Bryan’s grandmother’s antique dining table, with the original 1940s crystal chandelier maintained. The entryway introduces the home's color palette through a green and white Anna French wallcovering, a jewel-toned vintage runner, and an electric blue Schumacher ottoman. Federalist architectural details, like fanciful door transoms, were preserved, and art by Angela Chruschiaki Blehm is displayed alongside mixed media pieces. The family room presents a classic arrangement with a contemporary twist, featuring oversized lamps, an abstract painting by AK Hardeman, and a sleek waterfall-profile wood coffee table. High-voltage pinks and blues provide pops of color against a more muted palette. The primary bedroom utilizes ethereal blues for a quietly colorful atmosphere. A Modern History poster bed’s strong silhouette is softened by white linens, floral pillows, and a scallop-framed settee. A gilt-framed abstract by Alexis Walter and Visual Comfort lamps complement the bed’s delicate gold leaf details. Finally, the primary bathroom showcases pattern play with marble mosaic tile flooring and subway tile shower walls. Brass fixtures and vibrant art by Emyo bring warmth against the marble and blue Lee Jofa wallcovering. #InteriorDesign #HomeRenovation #NashvilleHome #FashionInspiredDecor #BoldColors #EclecticStyle #ArtCollection #YanceyShearouse

This blog post details a significant renovation of a 1970s South County residence, focusing on how lighting fixtures from Metro Lighting, in collaboration with KH Interiors, transformed the home. The project was led by interior designer Krista Howard of KH Interiors and Heidi Sanders of Metro Lighting, aiming to create a practical yet elevated space for a busy family of five. The renovation extended beyond a simple kitchen update, evolving into a two-story expansion that now includes a spacious cooking and dining area, along with a covered outdoor porch. Each design element was meticulously chosen to accommodate the family's active lifestyle, encompassing sports schedules, entertaining needs, and daily functionality. The team involved architect William Cover, Lurk’s Custom Cabinets, and photographer Anne Mathias, with Metro Lighting playing a crucial role in curating the home's lighting. In the reimagined kitchen, two large orb pendants are prominently featured above dual islands, one dedicated to storage and the other to function. These orbs are complemented by onyx stone cylinder fixtures that not only echo the kitchen's stone details but also cast a soft, sculptural glow. Above the breakfast table, a sleek gold fixture introduces a contrasting element, its simplicity providing a calm balance to the kitchen's more dynamic design features, creating a cohesive and visually appealing central gathering space. The lighting design extends thoughtfully into other areas of the home, transforming even transitional spaces. A hallway adjacent to the kitchen, referred to as the “kitchen hall,” connects bedrooms to public areas. Here, lighting is strategically used to gently illuminate stone accents, turning a functional corridor into a refined and welcoming passage. This attention to detail ensures that lighting serves both an aesthetic and practical purpose throughout the residence. The powder room and the adjacent lower-level pool changing area draw inspiration from the past, featuring brass vertical sconces reminiscent of 1940s design. These fixtures are paired with playful wallpaper to create an inviting retro-modern ambiance. The lighting in these areas is described as “quiet and classic,” designed to support the functionality of the space without becoming the dominant focal point, allowing other design elements to shine while providing adequate illumination. Beyond its aesthetic contributions, the home incorporates smart lighting and automated window treatments, enhancing both convenience and energy efficiency. These modern features allow the family to easily adjust their living environment, whether for hosting guests, relaxing in the evening, or quickly departing the house, all without compromising the home's timeless design integrity. Lurk’s Custom Cabinets further anchored the space with exceptional craftsmanship, coordinating finishes and cabinetry details with the overall lighting plan to ensure a harmonious visual flow between the kitchen and adjoining rooms. Ultimately, this South County residence represents more than just a renovation; it is a testament to thoughtful design, sustained collaboration, and the transformative power of architectural lighting. The project effectively elevates not only the home’s structure and aesthetics but also significantly enhances the family’s daily living experience. Through the combined expertise of Metro Lighting and KH Interiors, a once-dated kitchen has been revitalized into a radiant and central hub for connection and comfort within the home. #HomeRenovation #InteriorDesign #LightingDesign #KitchenRemodel #SmartHome #ArchitecturalLighting #KHInteriors #MetroLighting

Lindsay Marcus, an interior designer, recently completed a project in the Little Holmby Hills neighborhood of Los Angeles, transforming a 1940s Colonial Revival-style residence into a transitional family home. The client sought an elevated, refined, and chic living space that was also kid-friendly in certain areas, marking a stylistic departure from their previous neutral-toned mid-century modern home. Marcus’s design philosophy for this project centered on preserving the home’s original architectural features while integrating an eclectic, layered, and elevated aesthetic. The design approach emphasized allowing the traditional aspects of the architecture to guide the overall tone of the space. To achieve a layered and collected look, Marcus incorporated mid-century lighting and modern furniture silhouettes, aiming for a balance between old and new elements, as well as color and pattern. The project's success lies in its ability to blend contrasting styles and eras into a cohesive and timeless environment. The entryway exemplifies this design vision, with its elegant architecture, including a sweeping stone staircase and refined iron banister, serving as the foundational classic elements. The space is enriched with a thoughtful mix of eras through a clean-lined dresser, varied textures in vignettes, and a vintage rug, creating a welcoming and sophisticated atmosphere. For the powder room, Marcus and her team selected a rich, cool blue paint for the paneling and a dramatic mural from Gracie, transforming the small space into a jewel box. Vintage Italian Pietro Chiesa sconces and a floral ceiling flush mount from Urban Electric further enhance the room's romantic ambiance. In the living room, existing furniture, such as a royal blue Nickey Kehoe sofa and a Roche Bobois loveseat, were integrated into the new design. The Nickey Kehoe sofa inspired the room’s color palette, and the Roche Bobois loveseat was reupholstered in a striped fabric from Howe. An antique Art Deco coffee table and a French giltwood mirror from 1stDibs introduced Old Hollywood glamour and served as focal points. Italian Murano glass and brass sconces, a marble bar, and Pierre Jeanneret chairs re-covered in hair-on-hide added to the room’s luxurious feel. The walls were finished with Portola Paint’s Tikal limewash, and contemporary oil paintings by Gideon Rubin and Hannah Brown contributed to a modern sophistication. The dining room features a contrast of a rustic farmhouse table paired with original Finn Juhl chairs, reupholstered in light brown mohair, under a modern plaster chandelier, creating a harmonious blend of styles. The main bedroom maintained its existing white paneling, complemented by a neutral grasscloth wallpaper from Gregorious Pineo and a Rosa Bernal fabric for drapery, creating depth and texture without overwhelming the vintage Persian rug. Custom white oak nightstands with Rojo Alicante marble tops and Victoria Morris pottery lamps in an oxblood glaze added refined touches, while a shearling-covered womb chair provided a cozy reading nook. The children's areas were designed with distinct personalities. The playroom features bold olive green walls and wainscoting, with Farrow & Ball’s Barrow Blue paint on the paneling and ceiling, paired with a checkered wallpaper. Mustard Togo chairs provide comfortable and playful seating. The boy's room adopted a masculine palette of blues, white, and subtle greens, anchored by a Lawson Fenning bed upholstered in McLaurin and Piercy fabric. Side chairs and poufs from Sabin LA offered youthful yet sophisticated shapes, and a Zak + Fox stripe wallpaper added subtle color and texture. The second child’s room embraced a whimsical, nautical theme with a marine ceiling flush mount and Cole and Son’s Melville wallpaper, complemented by a leather sconce from Lostine and a floral bedcover from Nickey Kehoe. Marcus expressed particular satisfaction with the living room, primary bedroom, and powder room, highlighting the use of patterned drapery fabrics throughout the home as a favorite element that made each space feel special and cohesive. The designer emphasized that the client’s willingness to take risks contributed significantly to the successful and elevated outcome of the project. #HomeDesign #InteriorDesign #ColonialRevival #TransitionalStyle #LuxuryHomes #HomeMakeover #DecoratingIdeas #ColorAndPattern

This article details the renovation of a Victorian Colonial home in Hastings-on-Hudson, purchased by Peter and Brittney Walgren, New York City transplants. The couple, with a young son, Teddy, sought to infuse new life into the older home, moving from their West Village apartment. Brittney, with a background in floral design, found her aesthetic aligned with Greenwich-based designer Becca Casey's vision. Casey's approach aimed to visually refresh the home with light walls, transitional furnishings, and a slightly West Coast aesthetic, emphasizing vibrancy. Her style, described as neo-traditional, blends classic silhouettes with modern and light elements, incorporating textural barn woods against stucco walls, ethnic textiles layered with neutral ones, and deliberately worn found pieces to soften the space. The color palette for the home primarily features off-white walls, sage and chartreuse greens, and matte black, contributing to an understated arrangement. A key aspect of the design process was preserving and working with the home's original features, such as intricate carpentry, wood moldings, inlay floors, and glass door hardware, which spoke to its Victorian heritage. Paint played a crucial role in initiating the design transformation. The house previously had heavy moldings and red and blue walls, requiring a significant overhaul before achieving the desired fresh and family-friendly environment. To create visual harmony across rooms, walls and moldings were painted in Simply White by Benjamin Moore, while the original wood moldings around door casings were retained as natural room dividers. Casey's objective was to open up the space, create a warm canvas, and then layer in a mix of pieces. Specific design interventions included the creation of a "boot room" from a previously voided area off the foyer. This space now features custom-designed built-ins, replacing church-like benches, to serve the needs of a growing family. The boot room is further enhanced with Granada tile flooring and millwork finished in Farrow & Ball’s Pigeon, complemented by brass fixtures. The living room fireplace was redone with a stucco façade and terra cotta tiles, and the room incorporates a variety of textiles like bouclé, ticking, and an antique Khotan rug. A Herman Miller Eames chair provides a reading nook. Adjacent to the living room, the library was painted with Farrow & Ball’s Railings and furnished with a chartreuse settee and mixed throw pillows. A built-in was added to house the couple’s antique record player and a collection of records, each a wedding gift. In the dining room, an oak table with mid-century style chairs serves as a focal point, capable of seating eight guests. The dining room fireplace received a textural paint treatment to give it an older, worn appearance, and an original Egyptian artwork gifted by Brittney’s mother is displayed above it. The overall ambiance of the home is natural, establishing a strong connection to the outdoors, inspired by the surrounding bucolic gardens and views of the Hudson River. Despite the natural theme, elements of glamour are integrated through the use of brass and richly finished metals, which add depth, antiquity, and prevent sterility in the newly finished spaces. The article concludes by listing the design team involved: Becca Casey of Becca Interiors as the designer, Stephen Madoka of Floe Painting for the fireplace, and Olvin Caballeros of Cabelleros Wood Flooring for the flooring. #VictorianColonialRevival #HomeRenovation #InteriorDesign #BeccaCasey #HastingsOnHudson #NaturalElements #GlamDecor #NeoTraditionalDesign #FamilyHome

This blog post explores the transformation of a historic colonial revival home dating back to 1895 in Newton Center, Massachusetts. The owners sought to update their property with a glamorous, sexy, and elegant aesthetic, while simultaneously restoring and enhancing its original architectural features. The project aimed to integrate sympathetic interior décor with a contemporary flair from the 2020s. Before addressing the design details, the primary challenge involved removing uncomplimentary architectural additions from the 1940s, 80s, and 90s, particularly a deteriorating 1980s kitchen. Designer Cecilia Casagrande was commissioned to address these challenges, focusing on enhancing the home's original architecture while adapting it for modern living. Her approach successfully blended original period details with quirky and glamorous contemporary touches. The kitchen redesign, for instance, drew inspiration from the client’s Turkish Iznik pottery collection and antique rugs, transforming a drab 1980s space into a bright, open area. The design incorporated a mix of midcentury, antique, and modern elements, evident in pairings like a midcentury side table with a modern bed frame, or a curved sofa with modern lamps. The breakfast nook features an antique pedestal table and vintage dining chairs, harmonizing with the updated kitchen. The cabinet colors, specifically Farrow & Ball’s Paean Black and Benjamin Moore’s Yorktowne Green, were inspired by the blue hues of the Turkish plate collection. The kitchen also boasts vintage rugs from Afghanistan, brass taps by Barber Wilson, and handmade tiles from Winchester Tile in England, along with green stone accents, contributing to a worldly and earthy feel. The living room, characterized by intricate wood detailing and an impressive bay window, features walls, trim, and ceiling painted in Farrow & Ball’s Hague Blue. This bold color choice maintains the modernity of the ornate trim while creating a cozy Victorian parlor ambiance. Natural walnut elements on doors and trim are highlighted with a clear poly finish. The room includes a midcentury vintage sofa upholstered in mohair blue velvet, complemented by a rounded Jonathan Adler Danner sofa and Kelly Wearstler lamps to create a “sexy vibe.” Midcentury furnishings, such as a reupholstered Thayer Coggin swivel chair and a new Thayer Coggin Roxy chair, along with a round midcentury pi-coffee table and Moroccan inlaid side tables, contribute to a global aesthetic through eclectic accessories sourced internationally. A vibrant artwork by Hunt Slonem in a gilt frame and a vintage carved sideboard add glamour to a corner of the living room. The dining room reflects the clients' vision with quirky contemporary elements like Cole & Son Leopard Walk wallpaper and a stag chandelier sourced from Germany. Iconic midcentury Saarinen chairs and a stunning Suzani tablecloth complete the eclectic and joyful space, which is described as Victorian modern. The upstairs landing serves as an inviting seating area, utilizing natural light from an original gothic-detailed 1895 window and featuring French-style armchairs and a chess set. The primary bedroom showcases pastel pinks, blending antique, vintage, and modern furnishings. Brass elements, such as Sarreid chests, an antique mirror, and an Alexa Hampton ceiling light, add character. Walls are painted in Farrow & Ball's Middleton Pink with trim in Dove Tail, while House of Hackney and Timorous Beasties pillows, a modern champagne velvet bed, and a faux sheepskin swivel chair balance the vintage pieces. The bathroom features a Penhaglion cast iron tub in unlacquered brass, a striking choice for the historic home, complemented by classic marble tiles, Timorous Beasties curtains, and brass accents, offering a modern twist on traditional design. The homeowners expressed satisfaction with the transformation, noting that each room was thoughtfully designed and inspired by their existing collections, making the renovation a collaborative effort from architectural restoration to fabric selection. The project successfully honored the home's original features while introducing contemporary humor and subtle updates. #HistoricHomeRenovation #ColonialRevival #InteriorDesign #BoldColorSchemes #VictorianModern #KitchenDesign #LivingRoomDecor #BedroomIdeas #BathroomDesign

Designer Rebecca Philipson undertook a significant remodel of a 1990s-built, 5,300-square-foot home in Aurora, Ohio, focusing on transforming the kitchen, great room, and lounge into more open and inviting spaces. The homeowners sought to infuse warmth and an open concept into their residence, a vision Philipson brought to life through a blend of traditional and rustic elements, with distinct French Country influences. Central to the design is the incorporation of Amish hand-hewn ceiling beams and elaborate stonework, which serve as prominent features, particularly in the lounge. This area, designed for relaxation and entertaining, includes a wet bar, a built-in refrigerator, and custom alder cabinetry. The adjacent sunroom houses a pool table, creating a seamless flow for social gatherings and post-dinner interactions. The overall layout was reimagined to foster a sense of togetherness, allowing family and guests to interact comfortably across the connected rooms. Philipson achieved this open concept by strategically removing the wall between the great room and kitchen, then linking the kitchen to the lounge. Archways were introduced to formalize these open transitions. The kitchen underwent the most substantial transformation. Previously walled off, it featured an angled peninsula, an irregularly shaped island, and low-hanging soffits. Philipson replaced these with faux beams to maintain the rustic aesthetic and installed a central island with seating for three. The homeowners' desire for warmth and intricate details was met through design elements such as decorative island legs. Attention to detail extends throughout the kitchen, with intricate touches found in the baseboards, legs, valances, and along the bottom of the island cabinetry. The refrigerator was artfully concealed with cabinet panels and mirrored glass, designed to resemble an armoire rather than an appliance, fulfilling the client's wish for cabinetry that emulated furniture. A built-in coffee maker contributed to a decluttered countertop space. The great room further showcases the sophisticated stonework, with cream-colored stone extending from floor to ceiling around the fireplace. This central feature is flanked by built-in cabinets that mirror the design of the kitchen's concealed refrigerator. Oversized iron hardware on the cabinetry adds a dramatic flair, complementing the multi-tiered iron chandelier, which serves as a focal point. Recessed lighting supplements the chandelier, with all lighting choices made to enhance the room's warm ambiance. The remodel successfully integrated rustic charm with French Country elegance, creating a cohesive and welcoming environment across the main living areas. #HomeRemodel #AuroraHome #FrenchCountryStyle #RusticDesign #KitchenRenovation #GreatRoomDesign #LoungeArea #InteriorDesign #OpenConcept

Shanti Crawford of Indigo & Ochre Design transformed a 2,600-square-foot, four-bedroom penthouse in Brooklyn from a "modern white box" into a vibrant, functional family home. The clients, a family with three daughters and a dog, sought to add warmth, color, character, and personality to the new build, which initially felt cold and barren. Crawford's approach emphasizes socially responsible and sustainable design, reflected in her use of colorful, thoughtfully collected, and layered decor. The primary goal was to create distinct and intimate areas within the open-plan layout, allowing each family member to engage in various activities simultaneously, such as working, studying, socializing, dining, and playing music. This was achieved through strategic furniture arrangements, custom built-ins, and the transformative power of color. AThe design process began with the clients' desire for a fresh start, especially as their children were growing older. Crawford provided guidance from the pre-closure phase, focusing on integrating character into the developer's clean, modern aesthetic. Key to her design was the incorporation of beloved pre-existing items, including a massive patchwork kilim from Morocco and a rustic sideboard. She aimed to ensure these pieces felt intentionally integrated and harmonized with the new, streamlined elements of the apartment. Crawford used color as a declarative element to define spaces. For example, the entryway was painted in a pale pink hue, Benjamin Moore Wheatberry, which subtly appears in other areas of the home, creating a cohesive visual flow. The entry also features practical storage solutions like hooks, baskets, and cubbies from Room & Board to accommodate the active family's needs. Texture was added through a ceramic disc wall hanging and a woven Tuareg mat. In the living room, the vibrant patchwork Moroccan kilim served as the primary inspiration for the color palette, influencing the selection of seating, artwork, and accessories. Crawford also introduced a gentle antique Oushak rug to complement the kilim without competing with its intricate patterns. The dining room features the clients' cherished kilim, anchored by a sleek Artisan Latus table and Gubi Beetle chairs, with brass legs that echo other metallic accents in the adjacent sitting area. This intentional mix of rustic and modern elements ensures balance and visual interest. The family room, referred to as a 'snug,' was designed to be a cozy, intimate space. It was painted in a warm, deep gray, including the ceilings, to embrace the lack of natural light. Deep jewel tones and lush textures, such as velvet upholstery, were incorporated, along with a vintage Heriz carpet to add personality. Custom walnut shelving units were built to span an entire wall, providing depth and delineation, and housing a Samsung TV and Noguchi Akari floor lamp. The master bedroom was conceived as a serene retreat, adhering to principles of "soothing neutral colors, simple and clean lines, texture over pattern." The primary colors are neutral, with subtle pops of deep color from peacock sconces and a luminous mouth-blown carafe and glass. The bed frame is custom, and the bedding and throw are from Wolves Within. The study, designed for multiple functions including a home office, occasional guest bedroom, and storage, features a custom-designed built-in bookshelf that frames a Kalon Studios daybed. A vintage Paul McCobb desk and a vintage Swedish Kilim rug complete the space, demonstrating how distinct areas were created while maintaining an open flow within the larger apartment. The collaboration with landscape designer Laura Harmon of LFH Studio for plants further enhanced the natural integration of the design. #InteriorDesign #ApartmentDecor #FamilyHome #ColorPalette #CustomBuiltIns #StrategicFurniture #BrooklynDesign #VintageDecor #SustainableDesign

Rye-based designer Emily Meszkat undertook the renovation of a three-story “upside down” vacation home in Weekapaug, Rhode Island, for former Westchester clients. The project aimed to create a luxurious yet family- and pet-friendly escape for a family of four, their dog, and extended visitors. The design emphasized a healthy use of color and pattern, incorporating whimsical touches while ensuring durable materials suitable for heavy traffic and a coastal environment. The homeowners, a sailing family, desired an infusion of coastal vibes without resorting to a simplistic blue and white palette. Meszkat collaborated with architect Kenneth Wieber and contractor Field + Co. to bring the vision to life. The home's 'upside down' layout positions the main living areas on the upper floors to maximize water views, which necessitated robust design choices for high-traffic zones like the stairs. Meszkat selected an indoor/outdoor runner for the staircase to withstand sand and salty shoes. Nautical elements were subtly integrated throughout, such as ship-like circular windows, shiplap, and glass tiles resembling mermaid scales. Traditional elements were given a coastal twist, including ginger jars with rattan details and rattan-wrapped brass lights. In the entryway, ginger jars with a coastal rattan twist provide a traditional aesthetic, while a durable indoor/outdoor runner was chosen for the heavily used stairs. The living room features a shiplap and marble fireplace that combines a carefree beach house feel with luxury. A pure wool rug with a nautical stripe and Pottery Barn sofas in a traditional style contribute to the inviting atmosphere. A wicker table painted in Sherwin Williams Salty Dog blue adds a pop of color. The powder room, located off the main living room, introduces a feminine touch with a pink Thibaut wallpaper that subtly incorporates blue patterns, a Kohler seashell-like sink, and a scalloped Oomph mirror. The kitchen features a custom white hood with wood accents, brass details, and Serena & Lily rattan barstools. A glass backsplash provides sparkle, and the space is painted in Benjamin Moore Simply White for a warm, crisp, and airy feel. A custom dining table by Dunes and Duchess is illuminated by a Capiz shell light. For the dry bar, Meszkat utilized Casablanca Tile with sea colors and a brass inlay, contrasting with hydrangea blue cabinets painted in Benjamin Moore’s Santorini, and elevated with glass hardware. The first-floor living space, designed for heavy in-and-out traffic from the beach and backyard parties, includes a fully equipped kitchenette with custom cabinetry by Primrose Woodworks and Lunada Bay tiles. Indoor/outdoor rugs and slipcovered sofas ensure easy maintenance. The first-floor guest bathroom incorporates blue-and-white-striped penny tiles from Casablanca Tiles, Phillip Jeffries vinyl wallpaper with a surfer vibe, brass fixtures, and a custom vanity by Primrose Woodworks. The primary bedroom, situated on the third floor for optimal views, features a custom reading nook with a green printed Thibaut fabric and Phillip Jeffries grasscloth in a hydrangea blue hue. Made Good indoor/outdoor side tables offer versatile seating. The primary bathroom maintains a serene, spa-like atmosphere with white and gray tile, porcelain resembling Calacatta marble, all-brass fixtures, and nautical lighting by Visual Comfort. The overall design successfully balances luxury, functionality, and a cohesive coastal aesthetic while introducing unexpected pops of color and pattern. #VacationHome #RhodeIslandDesign #InteriorDesign #CoastalDecor #HomeRenovation #EmilyMeszkatInteriors #LuxuryLiving #FamilyFriendlyDesign #Weekapaug

This blog post showcases the transformation of a 1915 Colonial Revival home in New Jersey, where designer Michael Maher skillfully blended historical charm with modern vibrancy. Following a significant addition that nearly doubled its original footprint, Maher implemented a gutsy color palette, wallpapered ceilings, and graphic painted floors to create a seamless and refreshed interior. The entrance features a visually engaging geometric pattern on the painted floor, complemented by a banquette in a Kravet stripe and 1940s French sconces, with walls painted in Farrow & Ball’s Parma Gray. The spacious foyer, connected to the dining room, serves as a functional and welcoming area. It includes an extra table for large gatherings, a banquette, and a wing chair, with an English round table from Balsamo and an armchair in a Colefax and Fowler print. The lighting is enhanced by a Charles Edwards pendant. The kitchen adopts a layered neutral scheme, with walls in Benjamin Moore’s Jute and cabinetry and trim in Farrow & Ball’s Hardwick White. It is equipped with a custom Waterworks sink and Vermont Danby marble countertops. Hickory Chair stools, upholstered in Larsen leather, and a Visual Comfort chandelier, matching one in the adjacent breakfast room, complete the look. Ann Sacks floor tiles add a refined touch. In the breakfast room, a 19th-century English pine mantel from Chesney’s anchors the space, while vintage Swedish chairs are painted in Farrow & Ball’s Hague Blue, contrasting with walls in Old White. Kilim rugs from Double Knot add warmth and texture. A highlight is the butler’s pantry, designed with a focus on color, pattern, and intricate details. It boasts glossy cabinetry and millwork in Farrow & Ball’s Hague Blue, Pomegranate wallpaper by Galbraith & Paul, and a mahogany countertop with brass banding and a copper sink, featuring a Perrin & Rowe faucet. The study, known as the Dukes Room, incorporates a Thibaut wallpapered ceiling and walls in Farrow & Ball’s Lichen, with a vintage Italian sofa covered in Lee Jofa fabric. The windows are left bare to emphasize the original architecture, and the room is furnished with a Visual Comfort pendant and Stark carpet. An antique secretary cabinet in the study showcases a collection of British commemorative cups. The dining room, located in the new wing, incorporates elaborate dentil moldings to harmonize with the home’s original architectural style. It is designed for comfortable entertaining with good lighting, comfortable chairs, and a five-foot-wide table. A personalized touch is added by a mural painted by Marylyn Modny, depicting the clients’ daughter within a historic New York Harbor scene, created in grisaille and including subtle details like the family’s children and dog. The living room is striking with its custom canary-yellow lacquered walls by Stephen and Lisa Longworth, creating a warm ambiance and complementing a palette of blue, coral, and ocher, especially luminous at night. Furnishings include an Ebanista sofa with Lee Jofa fabric pillows and curtains, and a Plexi-Craft cocktail table. The master bedroom is designed as a serene retreat overlooking the woods. Walls are wrapped in a mushroom silk from Phillip Jeffries, and the bed is adorned with a large-scale ikat in purple and pale blue from Carleton V, complementing a custom headboard. Curtains in Pierre Frey linen, a Vaughan sconce, and a Christopher Spitzmiller lamp enhance the luxurious and tranquil atmosphere. #NewJerseyColonial #HomeRenovation #InteriorDesign #ColorPalette #MichaelMaher #HistoricHome #WallpaperedCeilings #GraphicFloors #CustomInteriors

This article highlights the transformation of a modest Victorian terrace house in Bath, conceptualized and executed by interior designer Sean Symington. Initially a dilapidated student accommodation, the property has been reimagined into a vibrant, colorful home that challenges conventional design norms. Symington's design philosophy centers on integrating unexpected elements, such as combining country-style items with contemporary lines, as exemplified by a scalloped banquette and tulip table in his kitchen diner. The house's exterior, made of light Bath stone, provides a stark contrast to its kaleidoscopic interior. Upon first viewing, the house presented numerous challenges, including a cramped layout with a bed in almost every room and a 1970s lean-to extension. Symington, however, recognized its potential. He opted to maintain the sitting room as a distinct formal living space, reflecting his preference for separate entertaining areas. The renovation involved significant structural reconfigurations. The ground floor bathroom was converted into a cloakroom and utility area, while an upstairs bedroom was partitioned to create a new bathroom, optimizing space without compromising functionality. The outdated lean-to was replaced with an airy, glass-roofed extension that required digging down to achieve suitable ceiling height. Furthermore, a loft conversion was undertaken to add a bright new bedroom with ample built-in storage on the top floor. Maximizing space was a crucial aspect of the design. For instance, in the main bedroom, the chimney breast was widened to accommodate a king-size bed, allowing for a full wall of wardrobes and ensuring the headboard faces the entrance, a design choice favored by Symington. The kitchen-dining-living area serves as the home's central hub, featuring a Bath stone fire surround that frames the range. Despite space constraints, Symington incorporated extensive storage, including a large kitchen island equipped with a dishwasher and sink. Alcove units flanking the range conceal a microwave and coffee station, with their interiors painted a deep red to provide an unexpected burst of color when opened. Color and pattern are fundamental to Symington's design aesthetic, with a deliberate flow of pinks, blues, and greens throughout the house. The sitting room embraces eclectic maximalism, blending modern interpretations of stately home style with bold blue walls, pastel pink accents, and playful prints, all harmonized by a traditional portrait. The extension continues this theme, featuring a striking checkerboard floor and a palette of pinks and blues. Dining and sitting areas, rich in pattern, are balanced by warm white walls. A notable feature in this area is a fish-themed artwork that cleverly disguises a television. Symington's meticulous curation and adept blending of colors and patterns extend to even the smallest spaces, such as the cloakroom, where a Pierre Frey fabric motif is used as a statement wallpaper, tying the overall design together. The article concludes with an interview with Sean Symington, where he discusses his biggest indulgence (window treatments and upholstery), his greatest success (transforming the dark and cold kitchen into an open area), his design hero (Miles Redd), and his belief that home should evoke feelings of safety, warmth, comfort, and happiness. He also shares his passion for antique shopping, particularly at Lorfords and Brownrigg in Tetbury. #VictorianHouse #InteriorDesign #HomeRenovation #ColorSchemes #PatternMixing #MaximalistDecor #SpaceOptimization #KitchenDesign #HomeTours

Ella and David Moore purchased their Victorian home in Manchester in 2017. Although it featured a 1980s two-storey rear extension, the property was in need of modernization and personalization. The couple spent the first year developing plans for improvements, aiming to reconfigure the layout to better suit their lifestyle rather than simply adding more space. Key structural changes included removing walls to create a large open-plan kitchen by combining the original kitchen, dining room, and a small reception area. Additional modifications involved the integration of a downstairs toilet and hallway, a new porch, and a utility room. The front door was also relocated from the center to the side of the house, which required obtaining planning permission. While the back of the house was designed as a sociable, open-plan area connected to the garden, the living room at the front was intentionally kept as a cozier, separate space. Upstairs, one of the three existing bedrooms was reconfigured to create a dressing room and an office for David. Two en-suites were installed, and the main bathroom was relocated to optimize the guest bedroom layout. The renovation process began a year after they moved in, with Ella managing the project and designing the layout, while an architectural technician drafted plans for planning permission. The couple approached the renovation without rushing, paying meticulous attention to detail, which included selecting traditional-style radiators, brushed-metal light switches, and beehive door handles. Most of the work was completed by the end of 2019, with the main bathroom remaining as one of the few areas yet to be finished. Exterior enhancements included replacing the modern uPVC windows at the front with traditional-style sash windows and installing contemporary aluminum windows at the back. The garden was also a focus of Ella's design efforts. Her passion for garden design and sourcing houseplants led her to establish an indoor plant business, Ella’s Garden, during the lockdown, which quickly became successful. In 2022, she expanded her entrepreneurial ventures by co-founding a crafting workshop business with a friend. Ella’s decorating approach was guided by instinct, favoring warm tones and complementary shades. She frequently used pinks and oranges alongside dark greens and blues and opted for warm neutrals as a backdrop instead of stark whites. To ensure continuity throughout the ground floor, engineered wood parquet planks were laid, with rugs used to add color, texture, and define zones within the open-plan areas. Ella emphasizes the importance of definition in open-plan spaces and the need for tidiness. In the kitchen, she maintains a minimalist aesthetic on the countertops, displaying only frequently used items. However, she is an avid collector of vintage items and souvenirs from her travels, frequently rearranging her favorite pieces on open shelves to keep the displays fresh and personal. She values showcasing these treasures, believing it contributes to a home's warmth. The article also provides a brief tour of other areas of the house, including the hallway, spare bedroom, main en-suite, and landing. The hallway features glazed French doors to maximize brightness, complemented by bare brick walls, scaffolding shelves, and vintage furniture. The spare bedroom includes a bed reupholstered in a leather-effect fabric. The main en-suite is painted in Card Room Green from Farrow & Ball and is equipped with a basin and vanity unit from Drench, a House Doctor mirror, Nordlux pendant lights, a Rose & Grey wire shelving unit, and Tile Mountain floor tiles. The landing showcases a vibrant lime green chair against a deep teal wall, illustrating Ella’s continued use of bold color and personal touches throughout the home. #VictorianHome #HomeRenovation #BiophilicDesign #InteriorDesign #ColorPalette #VintageDecor #Houseplants #OpenPlanLiving #HomeMakeover