A Bright Color Palette Refreshes This 100-Year-Old New Jersey Colonial

This blog post explores the transformation of a historic colonial revival home dating back to 1895 in Newton Center, Massachusetts. The owners sought to update their property with a glamorous, sexy, and elegant aesthetic, while simultaneously restoring and enhancing its original architectural features. The project aimed to integrate sympathetic interior décor with a contemporary flair from the 2020s. Before addressing the design details, the primary challenge involved removing uncomplimentary architectural additions from the 1940s, 80s, and 90s, particularly a deteriorating 1980s kitchen. Designer Cecilia Casagrande was commissioned to address these challenges, focusing on enhancing the home's original architecture while adapting it for modern living. Her approach successfully blended original period details with quirky and glamorous contemporary touches. The kitchen redesign, for instance, drew inspiration from the client’s Turkish Iznik pottery collection and antique rugs, transforming a drab 1980s space into a bright, open area. The design incorporated a mix of midcentury, antique, and modern elements, evident in pairings like a midcentury side table with a modern bed frame, or a curved sofa with modern lamps. The breakfast nook features an antique pedestal table and vintage dining chairs, harmonizing with the updated kitchen. The cabinet colors, specifically Farrow & Ball’s Paean Black and Benjamin Moore’s Yorktowne Green, were inspired by the blue hues of the Turkish plate collection. The kitchen also boasts vintage rugs from Afghanistan, brass taps by Barber Wilson, and handmade tiles from Winchester Tile in England, along with green stone accents, contributing to a worldly and earthy feel. The living room, characterized by intricate wood detailing and an impressive bay window, features walls, trim, and ceiling painted in Farrow & Ball’s Hague Blue. This bold color choice maintains the modernity of the ornate trim while creating a cozy Victorian parlor ambiance. Natural walnut elements on doors and trim are highlighted with a clear poly finish. The room includes a midcentury vintage sofa upholstered in mohair blue velvet, complemented by a rounded Jonathan Adler Danner sofa and Kelly Wearstler lamps to create a “sexy vibe.” Midcentury furnishings, such as a reupholstered Thayer Coggin swivel chair and a new Thayer Coggin Roxy chair, along with a round midcentury pi-coffee table and Moroccan inlaid side tables, contribute to a global aesthetic through eclectic accessories sourced internationally. A vibrant artwork by Hunt Slonem in a gilt frame and a vintage carved sideboard add glamour to a corner of the living room. The dining room reflects the clients' vision with quirky contemporary elements like Cole & Son Leopard Walk wallpaper and a stag chandelier sourced from Germany. Iconic midcentury Saarinen chairs and a stunning Suzani tablecloth complete the eclectic and joyful space, which is described as Victorian modern. The upstairs landing serves as an inviting seating area, utilizing natural light from an original gothic-detailed 1895 window and featuring French-style armchairs and a chess set. The primary bedroom showcases pastel pinks, blending antique, vintage, and modern furnishings. Brass elements, such as Sarreid chests, an antique mirror, and an Alexa Hampton ceiling light, add character. Walls are painted in Farrow & Ball's Middleton Pink with trim in Dove Tail, while House of Hackney and Timorous Beasties pillows, a modern champagne velvet bed, and a faux sheepskin swivel chair balance the vintage pieces. The bathroom features a Penhaglion cast iron tub in unlacquered brass, a striking choice for the historic home, complemented by classic marble tiles, Timorous Beasties curtains, and brass accents, offering a modern twist on traditional design. The homeowners expressed satisfaction with the transformation, noting that each room was thoughtfully designed and inspired by their existing collections, making the renovation a collaborative effort from architectural restoration to fabric selection. The project successfully honored the home's original features while introducing contemporary humor and subtle updates. #HistoricHomeRenovation #ColonialRevival #InteriorDesign #BoldColorSchemes #VictorianModern #KitchenDesign #LivingRoomDecor #BedroomIdeas #BathroomDesign

Matthew Carter, a Lexington, Kentucky-based decorator, undertook his first project in Maine, transforming a quintessential Colonial Revival summer house for clients from Kentucky. The clients, who possessed traditional taste but also a high tolerance for color and pattern, desired to elevate the home's aesthetic beyond its original "simple and lovely" state, which characterized many coastal Maine cottages. These homes often exude an undecorated feel, a blend of Yankee ingenuity and Puritanical vestiges, emphasizing functionality over ornamentation. Carter's approach was to infuse the home with personality and vibrancy while respecting its heritage and location. He began in the entry hall, choosing a bold, all-over dark brown and ivory Miro wallpaper by Albert Hadley. This choice was not only striking but also meaningful, subtly acknowledging Sister Parish, co-founder of Parish Hadley and a long-time summer resident of Dark Harbor, a nearby locale. This bold decorative move set the tone for the rest of the house, demonstrating that daring design choices could be harmonious with the Maine setting. The decorator emphasized that each bold design decision was carefully considered and connected to the home's context, rather than being a generic design that could exist anywhere. The design elements paid homage to both Northeast Harbor, where the owner spent his youth, and Lexington, his current home. Carter's design philosophy aimed for a "studied looseness," arranging items in a way that felt natural and un-curated, akin to the historical decorative displays in New England sea captains' homes, which often featured an eclectic mix of global artifacts. This deliberate lack of rigid order allowed Carter to introduce strong design elements without them appearing overly deliberate or "try-hard." An example of this is the study, where emerald lacquered paneling and bookcases, combined with custom deep green on ivory wallpaper, could have been overpowering but instead offered depth and definition. Carter explained that this provided a necessary punch and dimension, allowing furniture and art to stand out against a rich, jewel-toned backdrop. A similar effect was achieved in the central living room, which was painted a deep chocolate brown. Carter noted that dark colors cause walls to recede, drawing attention to the exterior views and creating a cool, grounding atmosphere in the core of the house, contrasting with the lighter perimeter rooms. This technique, also employed in his own home's dark brown library, is a classic summer house strategy effective in various climates. Challenges arose, such as integrating a family heirloom—an antique pencil-post double bed—into a guest bedroom. To blend its "very Kentucky" aesthetic with the coastal summer house style, Carter draped the bed in fifty yards of ivory linen, transforming it into an airy, coastal-appropriate piece. This humorous and inventive solution highlighted the project's overarching theme: reinterpreting the classic summer house concept through playful and sophisticated design. The project, featured in Veranda magazine's July/August 2023 issue, showcased Matthew Carter's ability to blend traditional tastes with vibrant colors and graphic patterns, creating a distinctive and personal summer retreat. #ColonialRevival #MatthewCarter #MaineSummerHouse #InteriorDesign #EmeraldLacquer #GraphicPatterns #Wallpaper #CoastalDecor #TraditionalInteriors

This article details the transformation of a new-build property into a characterful family home with a country-style charm, achieved through careful planning and a keen eye for design. The owners, who acquired the house as a blank canvas due to its practical benefits and ideal location near family, the countryside, and transport links, embarked on a decade-long journey to personalize their space. They focused on injecting personality into the neutral scheme, ensuring the home reflected their tastes while accommodating their growing family, including a new daughter and two dogs. The kitchen-diner, though small, was designed for both functionality and intimacy, facilitating family interaction during meal preparation and hosting cozy dinner parties. The owners introduced red and green accents to add character and warmth to the otherwise neutral palette. The red provided richness, while the green offered a calming, natural balance. To delineate the dining area, they installed wall paneling and added open shelving made from repurposed scaffolding planks, which not only offered practical storage but also served as a canvas for decorative displays, allowing for personal touches and regular aesthetic updates. The original kitchen lacked personality, prompting a renovation that aimed to blend contemporary style with classic country charm without a complete overhaul. This involved incorporating zellige tiles, replacing standard door fronts with traditional Shaker kitchen cupboard doors, and swapping a stainless-steel sink for a ceramic one. To conceal non-integrated large appliances, green linen curtains were used, contributing to a softer, less cluttered look. The chosen paint for the doors was Farrow & Ball's School House White Estate Eggshell, complemented by angled spotlights in Antique Brass to enhance the desired aesthetic. In the living room, the goal was to create a cozy, multi-functional space, as it was the most frequented area. Wall paneling was introduced to add texture, depth, and a cozier feel to the plain walls. The room was further enriched with layers of natural materials, varied textures, and warm, earthy tones, transforming it into a comfortable and inviting environment. The primary seating in this room is an Otto medium RHF chaise sofa in Taupe Brushed linen Cotton. The bedroom showcases a bolder approach to color, utilizing Farrow & Ball’s Setting Plaster for walls and wardrobes to create a warm and cozy atmosphere. A luxurious dark green velvet headboard was incorporated to add richness and elegance, making the bed a focal point without significant expense. The unexpected pairing of pink and green hues was a deliberate choice to infuse fresh energy and dynamism into the narrow space, reflecting the owner's personal style and achieving a boutique hotel aesthetic for a calm retreat. Practical elements like sheer linen curtains were chosen for affordability, softness, and diffused natural light. The home office was designed as a calm and creative space, featuring a soft color palette and a blend of different wood tones and grains. This approach aimed to add warmth, texture, and a balanced, natural feel, ensuring a conducive environment for work. For the compact bathroom, instead of a costly renovation, simple updates were made, including a bespoke curtain, vintage-framed artwork, mirrors, and soft towels to introduce color and texture, making the space more engaging. Thoughtful styling is evident throughout the home, particularly with organized living room shelves that display books and objets d’art. Books are often arranged with their spines hidden to maintain an artful and consistent look. Built-in cabinetry, combining Ikea units and MDF, provides both lower storage for children's toys and open shelving for decorative items, adding character and functionality to the room. The daughter's bedroom was designed to be adaptable as she grows, maintaining a neutral scheme with pops of color and playful touches, while incorporating functional and charming storage solutions like peg rails for coats and bags, encouraging tidiness and accessibility for toy storage. Overall, the home demonstrates how a new-build can be transformed into a deeply personalized and character-filled space through deliberate design choices and the strategic use of color, texture, and materials. #NewBuildDesign #CountryStyleHome #InteriorDesign #HomeRenovation #KitchenDinerIdeas #LivingRoomDecor #BedroomDesign #HomeOffice #FamilyHome

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

This article highlights a unique interior design project by Clive Lonstein in Litchfield County, Connecticut, transforming a late 1800s Colonial Revival home with a distinctive turret. Lonstein, a designer who previously worked for William Sofield, opened his own studio in 2016. His clients requested bold color, comfort, and an interesting backdrop for their growing art collection, seeking a bespoke design tailored to their tastes. Instead of extensive structural renovations, Lonstein focused on a decorating approach, embracing the architectural personality of the house designed by Ehrick Rossiter, known for his whimsical country homes. Lonstein emphasized the importance of context in his projects, subtly infusing the unique characteristics of the location into the design. The project involved a vibrant use of color, beginning with a candy apple-red front door, an aubergine staircase, and a bubblegum pink kitchen. The sitting room features moss-hued paint, reflecting the clients' desire for the rich colors often seen in English country houses. The living and dining rooms, however, maintain a white base to allow a diverse collection of art and furniture to stand out. Lonstein skillfully integrated the clients' existing furniture, reupholstering pieces and adding new ones. For instance, the living room showcases paintings by Sophie Larrimore, Caitlin Keogh, and Mary Grigoriadis alongside a reupholstered 1950s sofa, chairs by Sergio Rodrigues, and a game table and chairs by George Nakashima. In the library, a vintage Viggo Boesen chair upholstered in sheepskin complements a sofa, with table lamps from Bitossi and a desk and chair by Mira Nakashima. Upstairs, the color scheme continues with a chartreuse bathroom and a collegiate blue bedroom, echoing the hue of an Yves Klein table downstairs. Lonstein’s favorite space, the round turret room, is bathed in a dusty pink that harmonizes with the original elaborate moldings and serves as a backdrop for a richly-hued photograph by Vik Muniz. A collaborative effort with the client’s art advisor, Bridget Murphy, ensured the seamless integration of the art collection into the design. In the dining room, another Vik Muniz photograph after Gustave Courbet enlivens the neutral space, which includes sheepskin-upholstered vintage Saarinen chairs, a Noguchi light, and a 1950s Martin Eisler caned credenza. Lonstein's approach, despite his personal aspiration to minimalism, is characterized by an appreciation for the idiosyncratic, demonstrating his talent for cohesively blending diverse elements and client preferences into a unified and vibrant interior. #CliveLonstein #InteriorDesign #ConnecticutHome #VictorianArchitecture #BoldColors #ArtIntegration #EclecticDecor #HomeRenovation #DecoratorProject

This article details the renovation of a Victorian Colonial home in Hastings-on-Hudson, purchased by Peter and Brittney Walgren, New York City transplants. The couple, with a young son, Teddy, sought to infuse new life into the older home, moving from their West Village apartment. Brittney, with a background in floral design, found her aesthetic aligned with Greenwich-based designer Becca Casey's vision. Casey's approach aimed to visually refresh the home with light walls, transitional furnishings, and a slightly West Coast aesthetic, emphasizing vibrancy. Her style, described as neo-traditional, blends classic silhouettes with modern and light elements, incorporating textural barn woods against stucco walls, ethnic textiles layered with neutral ones, and deliberately worn found pieces to soften the space. The color palette for the home primarily features off-white walls, sage and chartreuse greens, and matte black, contributing to an understated arrangement. A key aspect of the design process was preserving and working with the home's original features, such as intricate carpentry, wood moldings, inlay floors, and glass door hardware, which spoke to its Victorian heritage. Paint played a crucial role in initiating the design transformation. The house previously had heavy moldings and red and blue walls, requiring a significant overhaul before achieving the desired fresh and family-friendly environment. To create visual harmony across rooms, walls and moldings were painted in Simply White by Benjamin Moore, while the original wood moldings around door casings were retained as natural room dividers. Casey's objective was to open up the space, create a warm canvas, and then layer in a mix of pieces. Specific design interventions included the creation of a "boot room" from a previously voided area off the foyer. This space now features custom-designed built-ins, replacing church-like benches, to serve the needs of a growing family. The boot room is further enhanced with Granada tile flooring and millwork finished in Farrow & Ball’s Pigeon, complemented by brass fixtures. The living room fireplace was redone with a stucco façade and terra cotta tiles, and the room incorporates a variety of textiles like bouclé, ticking, and an antique Khotan rug. A Herman Miller Eames chair provides a reading nook. Adjacent to the living room, the library was painted with Farrow & Ball’s Railings and furnished with a chartreuse settee and mixed throw pillows. A built-in was added to house the couple’s antique record player and a collection of records, each a wedding gift. In the dining room, an oak table with mid-century style chairs serves as a focal point, capable of seating eight guests. The dining room fireplace received a textural paint treatment to give it an older, worn appearance, and an original Egyptian artwork gifted by Brittney’s mother is displayed above it. The overall ambiance of the home is natural, establishing a strong connection to the outdoors, inspired by the surrounding bucolic gardens and views of the Hudson River. Despite the natural theme, elements of glamour are integrated through the use of brass and richly finished metals, which add depth, antiquity, and prevent sterility in the newly finished spaces. The article concludes by listing the design team involved: Becca Casey of Becca Interiors as the designer, Stephen Madoka of Floe Painting for the fireplace, and Olvin Caballeros of Cabelleros Wood Flooring for the flooring. #VictorianColonialRevival #HomeRenovation #InteriorDesign #BeccaCasey #HastingsOnHudson #NaturalElements #GlamDecor #NeoTraditionalDesign #FamilyHome

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

This article details the transformation of an Art Deco apartment on Fifth Avenue, New York, by BUILTIN Studio for empty nesters, Linda and Ben McGrath. The apartment, which had not been renovated since its construction in 1948, presented a unique challenge and opportunity for the design team. Despite its functional layout and stunning Central Park views, the interiors required a complete overhaul to match the clients' desire for cosmopolitan living and flexible entertaining. Simon Babin, Studio Director at BUILTIN Studio, explains the design process, emphasizing the goal of creating a modern home with warmth and glamour. The redesign began by addressing the apartment's 'estate condition,' which meant outdated interiors. BUILTIN Studio, known for updating older apartments, focused on strategic changes to optimize space and views. A key aspect of the renovation was the reconfigured layout, designed to accommodate both large and intimate gatherings while highlighting the panoramic views of Central Park. The team aimed to infuse warmth into the interiors through a carefully curated color palette, inspired by vibrant stones and striking fabrics, all contributing to an overall Manhattan glamour. The main living room exemplifies this approach, featuring matte Venetian plaster walls that create a sense of lightness and warmth. The plaster, based on Benjamin Moore's 'Muslin' paint, was meticulously developed over several mockups to achieve a soft, tonal texture without appearing overly burnished. This choice significantly contributes to the room's inviting atmosphere, transitioning smoothly from daytime brightness to evening coziness. Continuity and connection between rooms were achieved through modern openings with bespoke trims that echo Art Deco's stepped lines and clean ornamentation. A clever use of textiles further enhances this connection, particularly between the primary bedroom and living room. Identical drapery carried throughout these spaces, combined with a subtle pocket door, creates an illusion of a larger, continuous space, especially when the park-facing windows appear unbroken with the door open. The fabric, Schumacher’s Deco Leaves, chosen in a neutral colorway, pays homage to the building’s Art Deco heritage and became a significant influence on the home's overall palette. The design process involved extensive collaboration with the clients, building selections around fabrics they found appealing. In the dining area, a space-saving yet sophisticated solution was devised: a built-in, gently curved banquette. This feature not only maximizes seating for at least six people but also creates a cozy, contained feeling. The banquette's upholstery, a Woodland Leopard Velvet textile by Schumacher in a golden colorway, became the inspiration for the room's warm and luminous palette. The renovation also introduced new portals, notably the connection between the galley kitchen and the dining area. This transition point was utilized for a dynamic color shift, moving from the dining area's honeyed glow to the kitchen's darker tones of green and yellow, effectively highlighting the architectural feature and encouraging social interaction around the peninsula. The bathrooms allowed for creative experimentation with stone, leading to the selection of richly veined materials with warm undertones. Two private bathrooms were designed for Ben and Linda, each with distinct material palettes and design elements catering to masculine and feminine preferences. Finally, the bedroom was designed as a calm retreat with clean lines and a contemporary palette, intentionally simpler than the owners' previous, more ornate space. This approach allowed their existing Biedermeier furniture to blend seamlessly, adding warmth without disrupting the serene aesthetic. Throughout the apartment, the overarching theme is a visual connection to the Manhattan cityscape, offering the empty nesters and their dog a fully updated and exciting new chapter of city life, where the twinkling city lights become an integral part of their home's charm. #ArtDeco #ManhattanApartment #InteriorDesign #BUILTINStudio #HomeRenovation #ColorPalette #EmptyNesters #LuxuryDesign #FifthAvenue

Designer Meg Braff, known for her traditional Southern roots and fearless use of color, undertook a three-year renovation of a 1960s-era ranch in Locust Valley, Long Island. The goal was to transform it into a spacious two-story family home that felt like it had been built in the early 1930s, blending centuries of antiques with modern design. Braff, in collaboration with architect Laura Casale, intentionally crafted a home where colors engage in a lively dialogue from room to room, creating a cohesive and congenial atmosphere. The renovation journey began after Braff and her husband, Doug, decided they needed more space for their four sons. While the existing home lacked curb appeal compared to others in the neighborhood, its generous lot with mature trees and proximity to a golf course for their squash-playing sons made it an attractive prospect. The transformation did not significantly alter the footprint, though 15 feet were added to the front. Every room, except the library, underwent a complete overhaul. Braff emphasized replicating the library's original window and French door scale throughout the first floor and incorporating antique mantels from auctions. Raised ceilings were also used to enhance the home's sense of grandeur and age. A key design element is Braff's thoughtful use of color. The library's original panels were painted a vibrant chartreuse, a hue that also appears in the chinoiserie-inspired dining room, where apple green silk drapes complement grass cloth walls. Braff balances patterned wallpapers, such as her own French Blue damask in the corridor, with soft solids in adjacent rooms to provide visual breaks. Two rooms were combined to form a large formal living room, featuring multiple seating areas. Here, Braff prominently displays a monumental Coromandel screen and two chinoiserie panels, which she acquired a decade earlier. These panels dictated the entire house's color palette, incorporating beautiful blues, corals, ivories, and greens, resulting in a rich yet airy feel. Braff often opts for Venetian plaster finishes over white walls to enhance natural light and allow gold details to shine, incorporating her favorite elements like porcelain, Asian influences, and French and English furniture. Beyond her sophisticated blend of antiques and bespoke details, the home also reflects the preferences of her sons, who contributed ideas for their bedroom colors. An upstairs family room serves as a media and video game hub, but the family often gathers around one of the home's four fireplaces during colder months. Braff notes that her sons, having grown up accompanying her to auctions and helping with design projects, appreciate the effort and artistry involved in creating a beautiful home, recognizing it as a core part of her identity. The article then details specific areas, including the Main Hall with its French armchairs and Louis XVI-style gilt mirror, the Media Room with its performance velvet sofa and rattan chandelier, and the Living Room showcasing a vintage sofa with Houlès fringe and a Karl Springer cocktail table. The Kitchen features Danby marble counters, a BlueStar range, Waterworks fixtures, and an aqua ceiling, while the Dining Room combines a Lulu DK table fabric with diverse antiques. The Breakfast Room delights with a Bernard Thorp botanical-print linen and trellis wallpaper, and the Butler's Pantry is adorned in a peacock blue. Finally, the Primary Bedroom boasts a Schumacher peacock wallcovering, creating a colorful canopy effect. #HomeDesign #InteriorDesign #MegBraff #LongIslandHome #ColorPalette #AntiqueDecor #RenovationProject #TraditionalSouthernRoots #Chinoiserie

This blog post explores the interior design transformation of a classic 1950s storybook ranch home located in a historic neighborhood on the shores of Lake St. Clair, Michigan. The home underwent a significant remodel and interior design update, moving away from its previous formal and traditional aesthetic. The homeowner, an art enthusiast, collaborated with interior designer Krista Nye Nicholas of Cloth & Kind to infuse the residence with color, style, and a soulful blend of modern and antique furnishings. The project focused purely on decorative updates, leveraging the beautiful bones of the house and its quality materials. The design process began with the foyer, where Krista's entryway concepts incorporated an existing antique console. She enhanced this space with a bespoke hand-painted lampshade by Ross Alexander Designs, original photography by Nancy Wolfe, and a Bram Mirror from vanCollier featuring a faux crocodile upholstered finish, creating an inviting and unpredictable first impression. The large combined living room and dining room serve as the heart of the home, designed to accommodate the owner's love for entertaining. The inspiration for the overall design stemmed from the owner's passion for travel and diverse art, spanning contemporary to traditional styles. The dining room reflects these influences, showcasing a readiness to embrace color. The client's enthusiasm for the creative vision allowed for a bold and personalized approach throughout the home. In the adjoining living room, the color narrative was established by a large original mixed media piece titled "The Trees of Secrets," sourced from Gregg Irby Gallery. Abstract sculptural forms placed in built-in niches added an unexpected artistic element to the traditional architecture. The living room features multiple seating areas, including a 1930s Czech Halabala lounge chair, a clean-lined Lawson Fenning daybed, and an antique Persian Bakshaish rug, which collectively create a transitional yet cohesive aesthetic. The kitchen, recently refurbished by previous owners, received characterful furnishings and displays to align with the new owner's taste. A striking oriental rug connects the kitchen to the home's eclectic, travel-inspired theme, while upholstered bar stools soften the graphic appearance of the kitchen island and black countertops. The family room offers additional inviting seating spaces with strong blue walls, complemented by a pair of rattan chairs reupholstered in Seema Krish's Chowpatty fabric. Muriel Brandolini Silk Matka fabric dresses the bay window, and a vintage Maharaja Kashmir Willow Tree hand-knotted oriental rug converses with contemporary Stahl + Band L Series nesting coffee tables, showcasing a thoughtful blend of old and new. The library embraces shades of green, with Sydney Harbour Paint Company’s Olive Grove on the walls and Bayleaf on the ceiling and trim, interacting with Rose Uniacke’s Textured Wool in Bayleaf on an occasional chair. An early-20th century Sarouk Farahan Persian rug introduces complementary tones of terracotta, gold, and indigo. A hand-sewn leather drum ceiling fixture from Lostine serves as a central art piece, contributing to the room's soothing effect. Two charming outdoor spaces, a screened front porch and a back patio, are utilized for entertaining during warmer months, facilitating an effortless flow between indoor and outdoor living. The powder room received a fuss-free facelift, incorporating elegant Kyoto floral print wallpaper from Studio Four NYC and a new wall light, while retaining existing good-condition fittings. Finally, the main bedroom adopts a calm and uplifting palette of blue and cream, offering a fresh and relaxing sanctuary. The entire project exemplifies a successful transformation of a traditional ranch home into a vibrant, art-filled, and personality-driven space through a thoughtful mix of color, art, and iconic furnishings. #InteriorDesign #HomeRenovation #MidCenturyModern #ColorfulInteriors #ArtisticHome #EclecticDecor #RanchHouse #MichiganHome #KristaNyeNicholas

Lindsay Marcus, an interior designer, recently completed a project in the Little Holmby Hills neighborhood of Los Angeles, transforming a 1940s Colonial Revival-style residence into a transitional family home. The client sought an elevated, refined, and chic living space that was also kid-friendly in certain areas, marking a stylistic departure from their previous neutral-toned mid-century modern home. Marcus’s design philosophy for this project centered on preserving the home’s original architectural features while integrating an eclectic, layered, and elevated aesthetic. The design approach emphasized allowing the traditional aspects of the architecture to guide the overall tone of the space. To achieve a layered and collected look, Marcus incorporated mid-century lighting and modern furniture silhouettes, aiming for a balance between old and new elements, as well as color and pattern. The project's success lies in its ability to blend contrasting styles and eras into a cohesive and timeless environment. The entryway exemplifies this design vision, with its elegant architecture, including a sweeping stone staircase and refined iron banister, serving as the foundational classic elements. The space is enriched with a thoughtful mix of eras through a clean-lined dresser, varied textures in vignettes, and a vintage rug, creating a welcoming and sophisticated atmosphere. For the powder room, Marcus and her team selected a rich, cool blue paint for the paneling and a dramatic mural from Gracie, transforming the small space into a jewel box. Vintage Italian Pietro Chiesa sconces and a floral ceiling flush mount from Urban Electric further enhance the room's romantic ambiance. In the living room, existing furniture, such as a royal blue Nickey Kehoe sofa and a Roche Bobois loveseat, were integrated into the new design. The Nickey Kehoe sofa inspired the room’s color palette, and the Roche Bobois loveseat was reupholstered in a striped fabric from Howe. An antique Art Deco coffee table and a French giltwood mirror from 1stDibs introduced Old Hollywood glamour and served as focal points. Italian Murano glass and brass sconces, a marble bar, and Pierre Jeanneret chairs re-covered in hair-on-hide added to the room’s luxurious feel. The walls were finished with Portola Paint’s Tikal limewash, and contemporary oil paintings by Gideon Rubin and Hannah Brown contributed to a modern sophistication. The dining room features a contrast of a rustic farmhouse table paired with original Finn Juhl chairs, reupholstered in light brown mohair, under a modern plaster chandelier, creating a harmonious blend of styles. The main bedroom maintained its existing white paneling, complemented by a neutral grasscloth wallpaper from Gregorious Pineo and a Rosa Bernal fabric for drapery, creating depth and texture without overwhelming the vintage Persian rug. Custom white oak nightstands with Rojo Alicante marble tops and Victoria Morris pottery lamps in an oxblood glaze added refined touches, while a shearling-covered womb chair provided a cozy reading nook. The children's areas were designed with distinct personalities. The playroom features bold olive green walls and wainscoting, with Farrow & Ball’s Barrow Blue paint on the paneling and ceiling, paired with a checkered wallpaper. Mustard Togo chairs provide comfortable and playful seating. The boy's room adopted a masculine palette of blues, white, and subtle greens, anchored by a Lawson Fenning bed upholstered in McLaurin and Piercy fabric. Side chairs and poufs from Sabin LA offered youthful yet sophisticated shapes, and a Zak + Fox stripe wallpaper added subtle color and texture. The second child’s room embraced a whimsical, nautical theme with a marine ceiling flush mount and Cole and Son’s Melville wallpaper, complemented by a leather sconce from Lostine and a floral bedcover from Nickey Kehoe. Marcus expressed particular satisfaction with the living room, primary bedroom, and powder room, highlighting the use of patterned drapery fabrics throughout the home as a favorite element that made each space feel special and cohesive. The designer emphasized that the client’s willingness to take risks contributed significantly to the successful and elevated outcome of the project. #HomeDesign #InteriorDesign #ColonialRevival #TransitionalStyle #LuxuryHomes #HomeMakeover #DecoratingIdeas #ColorAndPattern

Rachel Southern's 17th-century Cotswold cottage, initially a barn converted into a 'one up one down' dwelling and later a single home in the early 1900s, underwent a significant renovation in 2021. The property, acquired during the pandemic, serves as both a family retreat and a rental income generator. The renovation project prioritized the preservation of original features, such as beams and 300-year-old floorboards. Sourcing a five-meter original oak beam during lockdown proved challenging, with the eventual discovery at a reclamation yard in Gloucester through a video call. The excavation of two original stone spiral staircases, though historically fascinating, were ultimately deemed impractical for a family home and subsequently covered. Rachel collaborated with interior designer Laura Stephens of Laura Stephens Interiors, planning the entire interior design over a two-hour visit due to lockdown restrictions. The design brief focused on incorporating local colors and earthy tones, aiming for an authentic and simple feel while ensuring each room flowed cohesively. The objective was to create a cozy atmosphere consistent with the cottage’s historical roots, balancing the inherent darkness of the low-ceilinged, beamed architecture with vibrant modern elements to avoid a 'cave-like' impression. In the living room, a modern tone was established with a vivid green sofa, complementing the stone and wood beams. Striped and tartan textiles in bright hues were introduced to contrast with the warm golden tones of the existing features. For the kitchen, an extension of the original cottage, deep red units were chosen to inject color and character. The existing handmade solid wood cabinets were retained and repainted, and the walnut worktop was refinished. Tongue and groove paneling was installed, and everything above the cabinets was painted a warm cream to balance the rich red. Nostalgic elements like enamelware and a hanging rail, along with flagstone floors and scalloped pendant lights, enhanced the charm. The main bedroom features a contemporary aesthetic with a swathe of modern color, and the wallpaper extends onto the ceiling for a cohesive and enhanced decorative effect. Throughout the cottage, Rachel’s appreciation for botanicals is evident, from a pressed-flower gallery on the upper landing to Cathy Nordström wallpapers in a bathroom and a guest bedroom. The guest bedroom, with its yellow wallpaper, creates a golden glow when illuminated by the sun, with simple bedsteads and striped cushions preventing a chintzy appearance. Pops of maroon are used to counterbalance the yellow tones. The bathroom includes artisan-feel tiles in a deep rose pink, a color continued on the paneling to create an overall sense of richness. The exterior of the cottage, once a barn, showcases its Cotswold stone construction, contributing to its historic charm. The property, named Well Cottage, is available for rent through Sand and Stone Escapes. #CotswoldCottage #HistoricRenovation #InteriorDesign #ColorfulInteriors #TraditionalModernBlend #CottageDecor #ArchitecturalPreservation #HomeTour #LauraStephensInteriors

This article details the renovation and interior design of an 1800s New Orleans home located in the Audubon Park neighborhood, transformed by Atlanta-based interior designer Paige Goodloe. The project aimed to update a historic residence to suit the lifestyle of a modern family with three children, incorporating vibrant colors, diverse patterns, and practical solutions while preserving the home's original charm. The entry of the home establishes a sense of lightness, contrasting historic details with contemporary design elements. A fireplace in the foyer serves as a gathering spot, enhanced by seating featuring wooden chairs from the owner’s time in Malaysia and an antique entry table sourced from Atlanta. A modern light fixture complements an ornate ceiling medallion, and dark-toned Hunt Slonem art provides a striking counterpoint to the bright space. The kitchen design prioritized warmth and functionality for family gatherings, centered around a La Cornue range. It features a classic off-white palette, softened with custom Roman shades and pleated fabric shades on brass light fixtures. Brass accents are consistently used throughout the kitchen, from the custom hood to hardware. Appliances are discreetly hidden behind pocket doors in a pantry, maintaining a clean aesthetic. The kitchen island incorporates Hickory Chair counter stools covered in camel vinyl for durability, essential for a family with young children. Addressing the challenges of an older home, particularly narrow spaces, the powder room was completely redesigned. A custom marble sink from Waterworks was created to fit the restricted area, allowing sufficient clearance for the door. The space is further enhanced by Phillip Jeffries grasscloth wall covering and framed intaglios on marble paper from Tyler + Tate, which are also referenced in the room’s soap. An addition to the back of the house created a casual breakfast area, fulfilling the homeowner's desire for a banquette. A round table and antique-inspired chairs maximize this cozy nook. Color is introduced through a commissioned artwork by William McClure, unconventionally hung with a Collier Webb picture rail over a window, making it appear to float and drawing attention to the gardens outside. Adjacent to the breakfast room, a long hallway offers a quiet retreat. A significant addition is a blue lacquered bar, constructed in the former space of a back staircase. This custom bar features brilliant blue cabinetry that matches a de Gournay wallpaper adorned with pelicans, honoring the husband’s favorite NBA team. The wallpaper, which took six months to arrive and required specialized installation, informed the entire color scheme of the bar area. Another repurposed area is a large room that now functions as a combined laundry room and children’s homework hub. This multi-purpose space is divided into distinct zones, equipped with two washers, two dryers, and two desks. It serves as a central point for family activities, offering storage solutions for various household items. The room is decorated with a cheerful yellow floral Schumacher wallpaper, complemented by vibrant yellow paint on the trim and doors. In the Jack-and-Jill bathroom connecting the two older children’s rooms, custom cabinetry was installed to conceal pull-out hampers and provide ample storage, effectively managing clutter. The bathroom was fully renovated with Waterworks tile, featuring a soft green hue that harmonizes with both bedrooms. A vintage rug adds color and pattern to the floor. The daughter’s bedroom is designed with a distinctly feminine aesthetic, featuring Peter Fasano peachy-pink wallpaper, Visual Comfort & Co. bow sconces, and Chelsea Textiles gingham fabric on the window seat. Needlepoint pillows, handmade by the homeowner, add a personal touch. The older son’s bedroom is designed for longevity, with a neutral taupe Pierre Frey stripe wallpaper and streetcar art by a New Orleans artist, intended to age gracefully with him. Classic spindle beds and rattan side tables from 1stDibs, along with a rattan light fixture from Serena & Lily, contribute to a warm and timeless atmosphere. When the family expanded, the attic was converted into a nursery and playroom. The nursery space, designed to accommodate the attic’s angles, features green Schumacher ticking wallpaper on the walls, ceiling, and doors, with a Malta fabric on the window seat and ottoman, creating a light and fresh environment despite the challenges of older walls. The playroom is designed to be bright, cheerful, and durable, with performance or vinyl materials throughout. The color palette, derived from Brenda Bogart’s art, includes pink, blue, and mustard, unified by an Oushak rug. #NewOrleansHome #HistoricRenovation #InteriorDesign #PaigeGoodloeInteriors #FamilyHome #ColorfulDecor #PatternedWallpaper #CustomCabinetry #ModernLiving

Hotel Kinsley, a recent opening in Kingston, New York, offers a distinct take on the traditional upstate aesthetic, moving away from rustic cabin charm. Designed by Robert McKinley, the hotel is housed in an old bank building and draws inspiration from the Hudson River School art movement, incorporating a vibrant and eclectic color palette. This design approach aims to blur the lines between different eras, creating a unique and unexpected atmosphere. The hotel's restaurant utilizes blush paint and banana leaf plants to create an all-season feel, while the bar features oak paneling and indigo floral stools, providing a fresh interpretation of cottage vibes. McKinley intentionally avoided the typical 'cozy cabin' aesthetic, instead focusing on a lively and diverse design. Each guest room at Hotel Kinsley showcases a unique and surprising color scheme. For instance, one room combines baby blue and burgundy. It features a navy Moroccan silk rug and an army green linen quilt from Hawkins New York, grounding the softer elements like light blue walls. The headboard in this room is painted in Farrow & Ball’s Eating Room Red, and instead of conventional headboards, McKinley used painted and upholstered mid-century room dividers to add an element of unexpected design. Another room explores a marigold and ballet slipper palette. The woodwork is finished in an off-white hue with peachy undertones, complemented by a cobalt rug and a striking marigold headboard accented with a terracotta stripe. This combination creates an environment that is both calming and invigorating. The moss and indigo room represents a more traditional approach within the hotel's diverse offerings. Here, intricate millwork is painted in Farrow & Ball’s Card Room Green, and the headboard is upholstered in a midnight blue foliage print fabric from Dedar, a Milanese textile house. A dusty red Turkish rug is incorporated to further anchor the space, enhancing its stately character. Finally, a room featuring plum and fire-truck red tones stands out with its bold choices. The paneled hallways are painted in a rich boysenberry hue, and the floors are adorned with a checkered red-and-white carpet. This unconventional yet harmonious combination is further complemented by the warm woods of mid-century furniture, creating an inviting and distinctive ambiance. #HotelKinsley #RobertMcKinley #InteriorDesign #ColorPalettes #UpstateNewYork #DesignInspiration #VintageFinds #HudsonRiverSchool #BoutiqueHotel

This article details the transformation of a Colonial-style home in Wellesley, focusing on an interior design project led by designer Lindsey Crowley. The homeowner, who initially favored coastal blues, embraced an earth-toned palette of golds, browns, and olive greens, a departure from her previous aesthetic preferences. This shift underscores a strong client-designer trust, with the homeowner giving Crowley significant creative latitude to realize a sophisticated yet livable design. Crowley's design philosophy for the home, which belongs to a single mother with two teenage daughters, centers on a balance of femininity and strength. Her style is characterized by the juxtaposition of various elements: feminine versus masculine, hard versus soft, modern versus traditional, dramatic versus serene, and formal versus relaxed. This layered approach creates a dynamic tension that defines the interior spaces. The chosen color scheme, while rich, avoids being overtly colorful, instead emphasizing tonality and the interplay of patterns and textures. Upon entering, the home's foyer serves as a "palette cleanser" yet foreshadows the design elements to come. A black stair rail provides grounding, complemented by a vintage rug and a tailored windowpane plaid runner. A striking installation of handblown, mirrored glass droplets adds a dreamy, reflective quality. The dining room features a polished-brass concave mirror set against Colefax and Fowler's "Snow Tree" wallpaper, creating a captivating focal point for frequent dinner parties. Crowley notes that the bold, black floral wallpaper in this room epitomizes the homeowner's personality, blending feminine flowers with a strong backdrop. The sitting room, located opposite the dining room, displays a large abstract painting with a muted palette and messy markings above a sloped-back sofa with a tone-on-tone paisley stripe. A geometric sisal rug introduces linearity, contrasting with more romantic elements like a faded floral daybed. This deliberate mix prevents the room from becoming overly formal despite the presence of wall paneling and an antique chest. The family room mirrors this sensibility with another abstract painting over the fireplace, creating a visual connection with the sitting room. The open-concept space features warm, off-white walls that highlight patterns and materials. Seating includes an animal-print armchair with animal-shaped legs and a sectional with cement-tone ticking cushions and lichen velvet upholstery, edged with bohemian trim. The kitchen, though not understated, maintains a neutral and quiet aesthetic. Creamy cabinetry blends seamlessly with the walls, while rift-sawn white oak, burnished brass, and olive lampshades introduce texture and color. Crowley intentionally integrates motifs from the public areas into the private spaces to create a cohesive narrative throughout the home. For instance, the office features a pinstriped wallcovering and muddy-colored millwork, providing a stylish backdrop for video calls, alongside a tiger-print sofa for relaxation. In the primary bedroom, Schumacher's "Pyne Hollyhock" drapery with a black floral pattern echoes the dining room's design, framing a black bed with caned panels. This consistent use of recurring themes across different rooms ensures a well-designed home where elements can be interchanged without feeling out of place, contributing to a strong and unified narrative. #WellesleyColonial #InteriorDesign #EarthTones #LindseyCrowleyInteriors #HomeMakeover #SophisticatedDesign #Wellesley #HomeDecoration

This article details the transformation of a 120-year-old industrial loft in SoHo into a contemporary, "cloud-like" home for an art historian. The project was a collaboration between Ferguson & Shamamian Architects, represented by principal Andrew Oyen, and Bunny Williams Interior Design, with partner Elizabeth Lawrence. The 2,800-square-foot unit, previously a studio for architect and sculptor Maya Lin and a manufacturing facility before that, retained few original industrial features apart from two cast-iron columns. The design team focused on restoring the remaining historical elements and adapting the space to the client's modern lifestyle, which included both academic pursuits and frequent entertaining. The renovation involved a significant restoration effort. The original wood windows and floors were preserved, and layers of acoustic tile were removed from the ceiling beams and ducts to expose the industrial character. A 1970s door was replaced with a period-appropriate vintage metal door sourced from Demolition Depot in Harlem, which Oyen highlights as a key element of the space. All exposed features, including the restored elements, received a fresh coat of white paint to create a bright and airy atmosphere. The front entrance was strategically relocated to immediately showcase the dramatic cast-iron columns, a design choice that also allowed for the creation of a sunlit open kitchen at the front of the unit. The client, Emma Lasry, now a research analyst at an art advisory firm, desired a space that felt comfortable and "cloud-like," yet incorporated vibrant fabrics, patterns, and colors, avoiding an overly antique aesthetic. Both design firms were familiar with her preferences, having previously worked on her parents' larger homes. Lawrence, the interior designer, developed a palette featuring bright pinks and blues and designed a layout that included a large kitchen island and ample space for entertaining. The design successfully integrated traditional pieces with modern elements, reflecting the client's sophisticated taste. The living room, a massive open floor plan, was configured to serve as a comfortable entertaining area. Key design choices included a Serena & Lily swing, a sofa from Mitchell Gold + Bob Williams, and various pillows from John Robshaw and Lee Jofa. An Anthropologie coffee table, Bunny Williams Home lamp and side table, and a Studio Four NYC rug completed the space. A statue of Allen Iverson was intentionally included by the client as a unique, conversation-starting element. The kitchen features custom cabinets painted in Collingwood by Benjamin Moore, distinguishing it from the white-walled apartment. It is equipped with Wesley Hall stools in Fabricut fabric, Hudson Valley Lighting pendants, and appliances from Viking and Sub-Zero. The powder room was designed for a "wow" effect, incorporating a vibrant Paper Mills wallcovering, a lotus-inspired pendant from Shades of Light, and fixtures from Circa Lighting and Waterworks. The bedroom incorporates hints of black to modernize the Tulu Textiles fabric on a Wesley Hall chair, alongside a Niermann Weeks bed, an Eloquence bench, and lighting from Horchow and Circa Lighting, with walls painted in Benjamin Moore's Dreamy Cloud. The project demonstrates the ability of the design firms to adapt their expertise, typically associated with more opulent projects, to create a uniquely vibrant and personalized urban loft. The result is an apartment that feels unexpected given its historical context, effectively blending industrial heritage with modern comfort and a playful aesthetic. #SoHoLoft #LoftRenovation #IndustrialInteriorDesign #ElizabethLawrence #AndrewOyen #BunnyWilliamsInteriorDesign #FergusonShamamianArchitects #NewYorkCityHome #EclecticInterior