In Seaford, Updating an Inherited Childhood Home

The Seattle Children’s Theatre (SCT) has initiated its 50th season following a substantial $4.7 million renovation of its Seattle Center facilities. This project focused on both aesthetic improvements and structural changes to enhance the overall theater-going experience for all patrons. The renovation was guided by the principle that access, inclusion, and a sense of belonging are crucial for visitors, aiming to remove all barriers to entry and participation in its programming. SCT's Deputy Managing Director, Cessalee Smith-Stovall, emphasized the importance of ensuring visitors feel included, allowing them to engage fully with performances and provide feedback. The renovation is part of SCT’s semicentennial season theme, “50 Years of Good Humans,” celebrating its history from its founding in 1975 by passionate volunteers and initial funding from the Woodland Park Children’s Zoo and the City of Seattle. Despite early challenges, including a period when city funding ceased in 1983, SCT evolved, under artistic director Linda Hartzell, into the second-largest professional children’s theater in the United States. It found a permanent home in the Charlotte Martin Theatre in 1993, later expanding with the Eve Alvord Theatre in 1995. Over five decades, SCT has produced nearly 300 plays and entertained more than four million children. The recent renovation, conceptualized during the COVID-19 pandemic, involved a meticulous reimagining of the space. Key improvements include new doors for the Eve Alvord Theatre, designed for better accessibility for those with mobility constraints and for easier movement of set pieces. Throughout the building, new custom-made carpet, featuring the topography of the Pacific Northwest with rivers (green), stars (yellow), and the theater’s signature hot pink, was installed. Artist Juliana Kang Robinson was commissioned to create a mural titled "HanSan River of Stars" at the entrance, depicting a mountain with aqua, teal, and pink edges, and stairs leading up to swirling golden stars, symbolizing dreams and imagination reaching for the sky. This theme is further reinforced by two new ceiling oculi depicting stars, placed outside both theaters. The most significant physical transformation occurred in the lobby, where five non-functional columns were removed to create a more open meeting space for gift shops, concessions, and children’s activities. The main staircase was also repositioned to improve flow and reduce congestion. A core aspect of the renovation was enhancing accessibility and inclusion. In the Charlotte Martin Theatre, the seating was reconfigured to include an accessibility row accommodating up to six wheelchairs and their companions. Handrails were installed along the aisles, and two new family restrooms and a wellness room for breastfeeding mothers and adult changing access were added on the second floor. Televisions were also installed in lobby areas, enabling parents to continue following performances if they need to step out with their children. The upcoming season at SCT features a diverse range of productions, including "Cat Kid Comic Club: The Musical," "Havana Hop," "SCT’s The Snow Queen," "Aesop’s Fantastic Family Fables," "The Hula Hoopin’ Queen," and "The Pa’akai We Bring." Additionally, SCT is offering its first digital production since 2022, “The Girl Who Swallowed a Cactus,” in partnership with the From-Home Fest, allowing patrons to watch live via Zoom. These programming choices, combined with the comprehensive renovations, aim to create a welcoming and imaginative environment for all young theatergoers and their families in Seattle. #SeattleChildrensTheatre #TheaterRenovation #AccessibilityImprovements #ChildrensProgramming #CulturalInstitution #SeattleArts #CommunityEngagement #InclusiveDesign #PerformingArts

In 2001, Marion and Jeffery Barker purchased a 1960s brick ranch home on 18 acres in Virginia's Northern Neck, overlooking Nomini Creek, a tributary of the Potomac. Despite the house being outdated and the timing of the purchase—just a week after 9/11—being uncertain, the couple was drawn to the property's prime waterfront location and its manageable two-hour drive from their Bethesda residence, making it ideal for weekend escapes. At the time, Marion owned the consulting firm Palladian Partners, and Jeffery was a scientist at the National Institutes of Health. They envisioned transforming the modest ranch into a modern dream home but knew it would require significant time and resources. After saving for 15 years, the Barkers initiated a gradual redesign in 2016, enlisting Jeffery’s daughter, Brooklyn architect Alexandra Barker, for the project. A key challenge was environmental regulations, which mandated that the new structure adhere to the existing foundation and original footprint due to its proximity to the water. Despite these constraints, the renovated home represents a dramatic transformation from its original, cramped layout. The new design emphasizes an open floor plan, extensive walls of windows, and expansive water views, creating a stark contrast to the previous structure. Alexandra Barker's design strategy focused on maximizing the property's natural surroundings. She incorporated oversized storefront glass instead of standard residential windows to offer uninterrupted vistas, a feature she considers the home's most special detail. The architect also prioritized the use of locally sourced materials where possible, including granite for the kitchen backsplash from Richmond, reclaimed-oak floors, and bluestone around the pool area. This approach not only supported local businesses but also integrated the home more deeply with its regional environment. The homeowners, Marion and Jeffery, were described by Alexandra as highly collaborative and flexible clients, contributing to a smooth design process. An added benefit for Alexandra was the prospect of personally enjoying the finished product with her family. The redesigned home includes three guest rooms, each with an en suite bathroom, providing comfortable accommodation for visiting family members, including Alexandra and her siblings. The primary suite, located on the second floor, is a highlight, featuring 365-degree views and access to a private roof deck. This rooftop space, initially intended for an office, was repurposed due to budget considerations and ultimately became one of the owners' favorite features. The renovation was completed in 2021, and the retired couple, Marion and Jeffery, expressed that the two-decade wait was worthwhile. They now share their property with local wildlife, including bald eagles, deer, ospreys, and otters. The constant natural beauty, particularly the sunrises and sunsets over Nomini Creek, provides immense satisfaction, with Jeffery reportedly having captured hundreds of photographs of these daily spectacles. The project successfully converted a dated ranch into a modern, waterfront marvel that harmonizes with its natural setting. #HomeRenovation #ModernDesign #WaterfrontProperty #ArchitecturalTransformation #VirginiaRealEstate #SustainableMaterials #BeforeAndAfter #FamilyProject #NorthernNeck

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

The Patricia Shoppe, a business inspired by its proprietor Erin Anchutz Bosman's great-grandmother, embarked on an extensive renovation project of the former Egg Harbor Town Hall. This historical building, originally constructed in the 1880s, served as a public meeting place and government building for over a century before being sold in 1990 and subsequently housing an antique shop. The renovation, completed in 2005, aimed to transform the structure into the new home for Patricia Shoppe, while simultaneously preserving its historical integrity. The original Patricia Shoppe, founded in Chicago in 1937 by Patricia McGrath Lind, was an exclusive women's boutique offering custom-designed clothing, hats, gloves, and jewelry. Erin, deeply inspired by her great-grandmother's elegance and entrepreneurial spirit, sought to continue this legacy with her own shop. The current Patricia Shoppe mirrors the original's focus on high-quality women's accessories and jewelry. The renovation of the Egg Harbor Town Hall presented significant challenges. Structural issues, such as a severely dry-rotted, hand-hewn central beam, necessitated its replacement. This required lifting the flooring, which ultimately led to the decision to replace the original pine floorboards due to their condition. During this process, workers discovered wood scraps with horseshoe imprints in the crawl space, suggesting that Belgian Draft horses were used to haul the massive beam into place during the building's initial construction. The usable portions of the original beam were repurposed for garden landscaping. New walls and plastering were also essential due to the building's long history of settling. Despite the need for modern upgrades, preserving the building's historical elements was a priority for Erin and her husband, Kevin. Salvaged pine floorboards were planed down and repurposed as window trim. The flagpole, though likely not original, stands as a testament to the building's past. The raised stage area was converted into office and storage space, with linoleum flooring designed to replicate the pattern once seen in the main hall. While the exterior and structural renovations focused on the building's history, the interior design aimed to evoke the 1930s era of the original Patricia Shoppe. This was achieved through details like a black and white checkered tile floor and replica fixtures in the bathroom. The main shop area features rustic cherry wood flooring, hand-oiled using a historically accurate technique. Silk paneling replaced the original bead board wainscoting, adding to the elegant atmosphere. Lighting fixtures were carefully chosen to reflect the style of the Chicago store, and antique display fixtures completed the sophisticated ambiance. The new Patricia Shoppe officially opened its doors in the spring of 2005. The property also includes a second historical structure, a former Egg Harbor Fire Department station, which Erin and Kevin aspire to renovate in the future. Their commitment to preserving local history and the success of the initial renovation have inspired them to continue these restoration efforts, further intertwining their family's legacy with the community's heritage. #PatriciaShoppe #EggHarbor #RenovationProject #HistoricPreservation #SmallBusiness #InteriorDesign #FamilyLegacy #ArchitecturalRestoration

Juliet and Jonathan, owners of a Federation home on Sydney's Lower North Shore, embarked on a significant renovation to accommodate their growing family of five. Initially, their single-storey, one-bathroom house was suitable for them and their first child, William. However, with the arrival of their second child, Patrick, and later Ellie, the need for more space and an additional bathroom became apparent. They considered various options, including reconfiguring the existing floorplan or selling the property, but ultimately decided to add a second storey, with Ellie's impending arrival serving as the primary catalyst for this decision. The couple enlisted Coco Tully, founder and creative director of Cote Interiors, to bring their renovation vision to life. Tully's warm demeanor and American-coastal aesthetic, characterized by a balanced use of color and clean yet inviting interiors, resonated with Juliet. The renovation project began in 2023, with architectural plans by Bennett Murada already in place. The builders had initiated the conversion of the ground-floor study into a staircase and commenced the construction of a first-level addition. This new level was designed to include a main bedroom suite with a balcony, a new study, a bathroom, and an additional bedroom, effectively doubling the functional space of the home. Juliet, having previous renovation experience with an Eastern Suburbs terrace, actively collaborated with Coco on various design elements. Their collaborative process involved refining lighting fixtures, joinery designs, material finishes, paint colors, and furniture selections. Coco Tully highlighted that while Juliet had a clear vision and refined taste, the busy parents required professional support to execute their dream. The design philosophy aimed to respect the home's original Federation character while incorporating a breezy, holiday-inspired atmosphere. This was achieved through elements such as handmade tiles, cane accents, and a cohesive blue, green, and white color palette. Attention to detail was paramount in the renovation. The couple opted for enduring finishes and fixtures, including natural stone, weathered brass, and classic wall lights, demonstrating a preference for quality over cost or speed. Specific examples include the addition of a bead to the kitchen joinery profile, the use of marble capping tiles and skirting in the bathroom, and the selection of Schumacher 'Scattered Stars' wallpaper and blush Roman sheers for Ellie's room, designed to adapt as she grows. Every design choice throughout the home was meticulously considered to achieve an elegant and refined aesthetic. Practicality was another key consideration for the family. Juliet and Jonathan requested arched French doors to create a distinct separation between the entertaining areas at the rear of the house and the rest of the home. The laundry room was designed for maximum efficiency, featuring two washing machines, custom joinery to conceal laundry baskets, and a dedicated laundry chute. In the dining and living areas, where the family spends most of their time, Coco expanded the joinery to provide ample storage and shelving, offering spaces to display family photos, books, and decorative objects. Concealed storage along the bottom of the living room joinery was also incorporated to neatly store toys and games, promoting a clutter-free environment. Coco Tully emphasized that a home should be functional, easy to maintain, and facilitate a harmonious flow, thereby freeing up time for more enjoyable family activities. The renovation, spanning 14 months, was described by Juliet as an enjoyable and seamless process, resulting in a home that perfectly suits their family's current needs and provides an ideal setting for entertaining, especially with the added outdoor pool area. #HomeRenovation #InteriorDesign #FederationHome #FamilyLiving #CoteInteriors #SydneyHomes #ArchitecturalRenovation #HomeDecor #StorageSolutions

Interior designer Evans Geisler and her architect husband undertook a significant renovation of their two-story Williamsburg row house, transforming it from a dual-unit bachelor pad into a single-family home tailored for a family with three young sons. The couple purchased the house in 2014 from Geisler’s brother, who had acquired it in 2007. The initial state of the house was characterized by two separate units: one on the ground floor occupied by Geisler's brother's college roommate, and the second floor where her brother resided. The primary goal of the renovation was to consolidate these into a cohesive single-family residence, while also incorporating a small pied-à-terre apartment at the back of the second floor. Geisler described the house's original aesthetic as typical of two young men living in Williamsburg, lacking architectural personality and requiring a comprehensive update. The row houses in Williamsburg are often narrow and basic, prompting Geisler's initial improvement to be the removal of the entryway hallway, which she believed contributed to a sense of confinement. On the main floor, the design strategy focused on creating an open-plan layout by removing as many interior walls as possible, integrating the kitchen and living room into a single fluid space. A key element of this transformation was the restoration of the original staircase, which, along with a newly installed built-in bookcase, became prominent focal points upon entering the home. The original staircase, deemed the only element possessing inherent character, underwent extensive restoration. Layers of paint were meticulously stripped from the newel post, missing balusters were replaced, and the treads and handrail were stained dark, contrasting with white-painted balusters. In the kitchen, the design incorporated Caesarstone countertops and Ikea cabinets, complemented by open shelving. Geisler highlighted her preference for open shelving in the kitchen, noting that maintaining a coordinated look with white, off-white, and wood elements facilitated a clean and harmonious aesthetic. The renovation also extended to the rear of the first floor, where the bathroom was enlarged. A playroom was created in this area, featuring a Murphy bed for accommodating guests and a built-in desk designed for homework, catering to the needs of a growing family. Upstairs, new walls were constructed to define two bedrooms and to functionally separate the aforementioned rear apartment from the main living quarters of the house. Geisler's overarching design philosophy for the home was to create a casual and highly kid-friendly environment, given that she had a toddler and was pregnant during the renovation. This involved avoiding overly fussy or expensive elements and implementing organizational systems to mitigate clutter and manage the daily demands of family life. All three sons share a single bedroom, which is equipped with a crib and custom bunk beds. Geisler acknowledged that some might find this arrangement unconventional but noted its general effectiveness, particularly in fostering interaction among the boys. The interior walls throughout the house were uniformly painted in Benjamin Moore's Chalk White, and the floors were stained to the darkest possible shade. Geisler emphasized the importance of a cohesive design throughout the entire house, asserting that a consistent aesthetic facilitates a smooth transition between rooms and contributes to a unified overall impression. #WilliamsburgRenovation #InteriorDesign #KidFriendlyHome #OpenPlanLiving #StaircaseRestoration #KitchenDesign #CustomBunkBeds #FamilyHome #BrooklynDesign

Emily and Jason Porche embarked on a significant home renovation project to transform a 1972 split-level ranch in Marietta into their envisioned 'forever home' with a modern farmhouse aesthetic. This extensive renovation, which began immediately after purchasing the property in 2017, involved adding an extra story, a garage, and opening up the interior spaces to create a more functional and cohesive living environment for their family of four. The architectural design for the project was handled by David Doran of Classical Concepts, while Jason's father, Clark Porche, owner of Monogram Homes, oversaw the construction. The family's objective was to create a comfortable space conducive to making lasting memories. The finished home spans 4,500 square feet, featuring five bedrooms and six bathrooms, blending the original split-level structure with contemporary farmhouse elements. Key renovations included constructing a new garage with a bedroom above it, connected to the main house by a breezeway with wooden swings, which quickly became a favorite spot. The Porches also covered a raised patio next to the pool, incorporating skylights to maximize natural light, making the outdoor space more enjoyable year-round. Inside, the main floor was reconfigured to create an open-concept layout, connecting the kitchen to the living areas and providing unobstructed views of the pool and the adjacent Indian Hills Country Club golf course. The kitchen, a central gathering point, features a 13-foot island, white cabinetry, stainless steel appliances from Frigidaire Gallery Pro, and VIGO faucets. Lighting fixtures, such as pendants from Shades of Light and a Pottery Barn chandelier in the dining room, were chosen to enhance the modern farmhouse style. Emily Porche, a marketing professional who also blogs about interior design on theporcheplace.com, played a significant role in the interior design, maintaining a neutral palette with shades of white and cream, accented by brown tones in elements like the mantel, exposed beams, and leather armchairs. The girls' rooms are designed with a soft glow from Crystorama wall sconces from Build.com, and their shared bathrooms feature vanities and floor tile from Lowe's, mirrors from HomeGoods, and a PBteen chandelier. Practical upgrades included an expanded laundry room with Samsung appliances, a copper sink from Sinkology, and a Pottery Barn drying rack. The master bedroom features a tufted bed from Ballard Designs and a rug from Pottery Barn, further emphasizing the modern farmhouse aesthetic. Additional family-friendly spaces include a basement sunroom, which was adjusted to accommodate a flat-screen television and furnished with items from Pottery Barn and Ballard Designs. Jason Porche also custom-built a kegerator for the basement bar. The renovation extended to a creative play area for their daughters, transforming a Costco playhouse into a 'Porche City Market.' Throughout the project, the Porches prioritized creating a home that not only reflected their style but also served as a backdrop for their family life. #HomeRenovation #FarmhouseStyle #SplitLevelTransformation #InteriorDesign #CobbCountyHomes #MariettaRealEstate #FamilyHome #ModernFarmhouse #ArchitecturalDesign

The article showcases Park House, a residential project by 31/44 Architects located in Lewisham, London. This bespoke family home was developed on a challenging, trapezoid-shaped brownfield site, which previously housed garages and backs onto the River Quaggy. The architects’ design approach was driven by the necessity to convert an underutilized urban space into a functional and aesthetically pleasing living environment, a common challenge in space-constrained London. The project highlights how architectural innovation can transform neglected plots into desirable residential properties. Park House features modern, rectilinear brick volumes that integrate seamlessly with the natural surroundings of a verdant woodland. A key design element is the incorporation of frameless Velfac windows, which contribute to the structure’s minimalist aesthetic and enhance natural light within the interiors. The architectural composition involves an elegant interplay of volumes and voids, strategically designed to maximize daylight penetration. The entrance lobby is a notable feature, presenting a dramatic double-height space that leads into various living areas. These spaces are finished with high-quality materials, specifically oiled oak timber and grey Mosa ceramic tiles, contributing to a refined yet homely atmosphere. The interior design of Park House employs a simple material and color palette, which helps create bright, contemporary, and inviting spaces. Large windows throughout the house establish strong visual connections to the outdoor greenery, allowing residents to enjoy views of the garden and the sky, while also creating dynamic shadow play inside. This emphasis on natural light and outdoor views underscores the architects' intention to blend the indoor living experience with the natural environment, despite the urban setting. Initially built as a speculative project for a private developer, Park House quickly attracted a young family. The family had a prior appreciation for 31/44 Architects' work, having visited one of their previous projects, No 49 Lewisham, during an Open House London event. This familiarity with the architects’ design philosophy and quality of work played a significant role in their decision to purchase Park House. The new owners, Pia and Jon Fairhurst, expressed their satisfaction with the home, describing it as a "hidden gem" and a "haven on the edge of the meadow," which offers the benefits of London living coupled with a sense of light and space. They particularly appreciated the meticulous consideration given to the layout, storage, and craftsmanship of every detail. The success of Park House demonstrates 31/44 Architects' capability to tackle complex urban sites and deliver high-quality, desirable residential solutions. The project exemplifies how thoughtful architectural design can revitalize overlooked urban plots, providing unique and appealing homes that meet the demands of modern family living while respecting and enhancing the local environment. It serves as an example of innovative urban residential development in London, addressing the need for bespoke homes in a dense urban landscape. #LondonArchitecture #ResidentialDesign #BrownfieldRedevelopment #3144Architects #FamilyHome #ModernArchitecture #UrbanPlanning #InteriorDesign #ArchitecturalInnovation

This article details the transformation of a dilapidated 100-year-old barn in the Hudson River Valley into a sophisticated guesthouse and entertaining space. The structure, which originally had soft walls, a partly rotted foundation, a mud floor, and a bat infestation, was deemed barely salvageable. However, the homeowner enlisted the expertise of Connecticut-based architecture and design firm Hendricks Churchill, led by wife and husband team Heide Hendricks and Rafe Churchill, known for their ability to blend historical preservation with modern elements. Rafe Churchill, the lead architectural designer, spearheaded a comprehensive overhaul. This involved stabilizing the foundation, stripping the barn down to its timber frame, and rebuilding it with modern amenities such as insulation, plaster walls, radiant floors, and new windows. Despite these extensive renovations, Churchill meticulously preserved the barn’s original charm, particularly its aged timber posts, beams, and weathered ceiling. To accommodate the new roof structure, a new one was built over the existing ceiling, a technique previously employed in their own 1871 home. Further enhancing its functionality, a full bathroom, kitchenette, and a basement level featuring a garage and sauna were added. Heide Hendricks, the lead interior designer, collaborated with the homeowner, who possessed a keen eye for furniture, art, and textiles. The design process began with a vintage dark brown leather Togo sectional, a piece the homeowner acquired even before the demolition phase, which established the retro-relaxed vibe of the double-height living area. The interior palette is characterized by earthy tones, including caramel browns, charcoal, and subtle pink accents, chosen to highlight the various tactile elements within the space. These elements range from reclaimed oak floors and plaster walls to wicker dining chairs and a Japanese boro textile. To achieve an aged patina effect, the plaster walls were tinted rather than left pure white, avoiding a stark appearance. The kitchenette cabinetry was painted in Farrow & Ball’s Dead Salmon, a muddy pink, introducing an unexpected touch of color to the dining area. The dining space is furnished with a vintage dining table and chairs, complemented by artwork, specifically a framed Calvin Klein scarf depicting Andy Warhol’s _Electric Chair_, positioned above the sink. A clear glass railing frames a raised bedroom loft, accessed by an oak zigzag staircase, which overlooks the living room. In the loft, a vintage table and stools create a secluded workspace, offering guests a private retreat. The designers deliberately adopted a minimalist approach, minimizing extraneous elements such as elaborate window treatments, built-ins, and excessive accessories. Motorized shades were installed in place of traditional drapery, a compact vertical bookcase replaced a conventional one, and rugs were used sparingly to emphasize the plain oak floors. This intentional restraint, as Hendricks notes, was key to the project’s success, ensuring the barn retained its essential character while gaining modern functionality and a chic aesthetic. #BarnRenovation #GuesthouseDesign #HistoricPreservation #InteriorDesign #ModernRustic #HendricksChurchill #HudsonRiverValley #SustainableRenovation #VintageDecor

This article details the restoration of a historic Victorian-era homestead located in the Western District of Victoria, a region known for its scenic views and dairy farms. The project, led by interior designer Adelaide Bragg, focused on seamlessly blending the original character of the home with modern functionality, ensuring it serves both as a working rural property and a family hub for generations to come. The design brief emphasized practicality, warmth, and a welcoming atmosphere, steering away from anything overly delicate, given that the property is a working farm and frequently hosts family and grandchildren. The homestead's interior now features a calming palette of creams and clay reds, complemented by natural textures. Key elements include sturdy oak floorboards, antique furniture, and a significant art collection from the client. A primary challenge during the renovation was the house's dated configuration, which was not suitable for a modern family, and the lack of sufficient natural light. The renovation addressed these issues by undertaking extensive structural changes. The original back of the house was transformed into a light-filled, spacious front entrance, adorned with botanical fern prints and wool baskets. A large kitchen and family room extension was added, complete with a fireplace and an Aga stove, alongside a generous verandah to facilitate outdoor dining. Designing for a rural home involved specific considerations to honor its historical integrity while making it adaptable for contemporary living. The renovations maintain high ceilings, large-scale rooms, and simple joinery, ensuring a sympathetic approach to the existing structure. The completed home is characterized by an effortless elegance and timelessness, with design elements chosen to enhance functionality and aesthetic appeal. The dining area, for instance, features a large table and 16 chairs, which serve as a room divider and add textural depth. Kravet fabric on the chairs, referencing horse saddle blankets, and large-scale rooster paintings introduce playful touches. Old olive baskets repurposed as kitchen pendants create a unique focal point, while Monoleath benchtops offer a practical yet concrete-like finish. Oak floorboards, sisal rugs, and cow skins contribute to layering and a casual, inviting ambiance. The homestead's design also integrates with its rural surroundings, offering magnificent views of rolling hills, red gum trees, and the Grampians. The selection of fittings and finishes was guided by the need to be sympathetic to the home's heritage. For example, Sandberg ‘Waldemar’ wallpaper from Ascraft in the powder room was chosen to reflect the oak trees in the garden, and a guest bedroom features a cane bench covered in Lisa Fine ‘Jaisalmer’ fabric from Ascraft. The owners expressed satisfaction with the outcome, confirming that the entire house is now utilized as intended, embodying a successful blend of old-world charm and modern family living. #HomesteadRestoration #InteriorDesign #RuralLiving #VictorianArchitecture #FamilyHome #AdelaideBragg #HomeRenovation #VictorianHomestead

This article details the thoughtful refurbishment of an early 'Old Hollywood' Spanish mission-style home in Sydney, drawing inspiration from iconic European and American establishments like Chateau Marmont and La Posta Vecchia. The homeowners, having purchased the property sight unseen during the 2021 Covid lockdown, entrusted Sydney-based interior designer Tamsin Johnson with its transformation. The residence, originally built in 1932 by architect F. Glynn Gilling, is one of Sydney’s inaugural Spanish mission-style houses and is situated on a lush, elevated street among similar properties. The owners were drawn to the house's inherent charm, its age, and distinctive features such as arches and multi-paned, wrought-iron windows, viewing it as a manageable renovation project. The renovation aimed to rejuvenate the home while remaining faithful to its architectural heritage, which had been obscured by previous, unsympathetic alterations. Tamsin Johnson’s approach was to infuse the space with a formal yet fresh aesthetic, aligning with the owners' desire for a home that evoked a 'European holiday' feel, characterized by a soft color palette, abundant natural light, and a timeless, classic design. A key initial step involved removing lowered bulkheads to reveal the original ceilings and cornices. New wrought iron-framed windows were installed to echo the original design, and a previously concealed arch in the bar area was reopened, improving the connection to the living space. The decorative rope motif found in the cornices was extended into the new joinery, and strategically placed studded mirrors were used to illuminate darker areas. Externally, landscape designer Paul Bangay was enlisted to reconfigure the courtyard, leveling it for enhanced usability and creating seamless access from the living room through arched doorways. Tamsin Johnson incorporated an outdoor fireplace into the courtyard, facilitating year-round entertaining and complementing the home’s 'cottage-y mood.' The interior designer consciously employed a liberal amount of white, a departure from her usual style, to expand the spaces and enhance light penetration without sacrificing sophistication. The all-white kitchen cabinetry, subtly enhanced by Elba marble accents, integrates fluidly with the adjacent living area, further enlivened by antique oil paintings and brass picture lights. The owners observed that the white palette effectively showcases their furnishings and accessories, making the home feel more spacious, cohesive, and brighter. Tamsin Johnson’s talent for integrating antiques into modern spaces is evident throughout, with pieces like an 18th-century Spanish oak table and 19th-century Italian hand-carved walnut chairs adding elegance to the dining room. Stainless-steel accents, such as a coffee table and a sculptural chair, introduce a contemporary edge, while vintage Murano vases brimming with foliage or roses inject vibrant touches. Noteworthy idiosyncratic details, including an involuto mirror, a bath-side stool with barley twist legs, and Plexiglas side tables in the bar, add character. For Tamsin, the Elba marble-trimmed arches, mirrored walls, and custom joinery are particularly satisfying elements, balancing lightness and substance. The home, despite its European influences, is considered uniquely Sydney, reflecting a harmonious blend of styles. Initially conceived for a couple, the renovation adapted to accommodate a new baby, transforming an upstairs office into a nursery, underscoring the home's adaptability and future-oriented design. #SpanishMissionStyle #OldHollywoodGlamour #HomeRenovation #InteriorDesign #SydneyArchitecture #TamsinJohnson #PaulBangay #AntiquesInDesign

Lexi Bohonnon purchased her grandmother's Observatory Park residence in 2018 with three primary objectives: to modernize the space to align with her contemporary lifestyle, to seamlessly integrate her diverse aesthetic preferences, and to honor her grandmother, Barbara Boucher, who had resided in the home for over three decades. Bohonnon aimed to transform the interior of the 2,000-square-foot ranch home while maintaining its unassuming exterior, preserving elements like the clapboard siding and shutters. Her design vision also drew inspiration from her grandmother's style. Following the finalization of the updated floor plan with assistance from Parkside Remodeling, Bohonnon enlisted Kim Blankenburg and Molly Bevan of Layers & Lines Home Design to articulate her multifaceted design concept. Having grown up in an 18th-century East Coast farmhouse, Bohonnon was attracted to a country aesthetic but sought to avoid a "kitschy farmhouse" appearance. This preference was combined with an upstate-New-York-lake-house sensibility, resulting in a style described by Bevan as akin to "Pendleton meets Ralph Lauren for a high-end camp lodge feel." The design incorporated coastal blue accents as a tribute to Boucher's Northeastern heritage and a warm-wood-and-iron scheme to reflect the Western environment, transforming the ranch into a personalized space that honored both Bohonnon's and her grandmother's influences. A significant part of the renovation focused on the kitchen, which was crucial for Bohonnon, an avid entertainer. The designers incorporated subtle yet impactful details to elevate the space. For example, the neutral backsplash, while appearing understated, featured nuanced color gradation and texture, making it special and unique despite its subway-tile style. The rustic-modern kitchen hardware further enhanced the space, offering an organic, handmade yet high-end feel. Other design elements directly referenced Bohonnon’s grandmother’s style, such as the kitchen stools and vintage-inspired area rugs, which were similar to those her grandmother owned. An original wood-burning fireplace in the kitchen had to be removed to accommodate the open-plan kitchen and a new, sleek island. To maintain a connection to the original design, Bohonnon ensured the updated floorplan included a new fireplace that mimicked the original's form but featured modern black herringbone tile instead of traditional brick. Upon completion, the renovation successfully blended new and old, creating a space that felt nostalgic to her grandmother while also clearly reflecting Bohonnon's contemporary taste. The grandmother expressed appreciation for the transformed space, recognizing it as her granddaughter's home while still feeling a connection to its past. #HomeRenovation #InteriorDesign #ObservatoryPark #ModernDesign #FamilyLegacy #KitchenRemodel #EastCoastFarmhouse #WesternInfluence #LayersAndLines

This article details the transformation of a 1925 Colonial home in Seattle's Montlake neighborhood, owned by Sally and Anders Zwartjes. The couple purchased the 3,000-square-foot house in 2016, drawn to its charm but recognizing the need for significant updates to accommodate a family of four, particularly the limited one and a half bathrooms and outdated features. Designer Casey Keasler of CASEWORK, a family friend, was enlisted to lead the extensive renovation. The project spanned a year and a half and involved both cosmetic changes, such as new flooring and fresh paint, and dramatic structural modifications. A 500-square-foot addition was integrated into the home, expanding its overall footprint. The primary goal was to modernize the living space for a contemporary family while respectfully preserving the colonial style and original architectural elements. Keasler emphasized the importance of functionality, collaborating with architect Paul Crowther to secure permits before focusing on the aesthetic details. A key aspect of the renovation involved altering the home's original layout to better suit the family's needs. This included the decision to convert one of the four original bedrooms into a full second bathroom, prioritizing utility over adherence to traditional room counts. This strategic choice highlights a flexible approach to renovation, where individual family requirements dictate design decisions rather than rigid conventions. The addition also included a larger kitchen, a significant item on Sally and Anders' wish list. This new kitchen features a classic white design, a breakfast nook, a pantry, and a mudroom, contributing to a brighter and more open feel throughout the home. The window-lined breakfast nook, in particular, was designed as a central gathering space for the family. Keasler aimed to balance the inherent seriousness and symmetry of colonial architecture with a more relaxed, Northwest aesthetic. This equilibrium was achieved through deliberate contrasts. Existing period details such as built-ins, cove ceilings, crown molding, and oak floors were maintained and refreshed. The millwork and built-ins, for example, replicated the intricate details of the original cabinetry, including the bead on the inside cabinet panels, ensuring consistency with the home's historical character. To introduce modern elements and create visual interest, Keasler incorporated contemporary furniture and light fixtures, often in mid-century, Scandinavian, or modern styles. Graphic-style rugs were also used to provide a modern accent against the traditional backdrop. The designer's tips for blending old and new include maintaining consistency with metal finishes, refreshing existing features like built-ins with new paint and hardware, and unifying the home's trim and molding with a consistent color and varying sheens to achieve a modern look. This project demonstrates that a careful integration of historical preservation and modern functionality can create a home that is both charming and highly livable. #ColonialHome #HomeRenovation #ModernFacelift #InteriorDesign #SeattleRealEstate #HistoricalPreservation #StructuralChanges #KitchenDesign #ContemporaryLiving

This article details the experiences and insights of Hara and James Perkins as they undertook the restoration of their 1970s Horace Gifford-designed home on Fire Island. The couple, with James being a sculpture artist and Hara a commercial real-estate law firm partner, embarked on a mission to revive the architectural integrity of their summer residence. The restoration involved meticulous work, including poring over decades-old blueprints, physically removing built-in structures, and addressing complex original wiring systems. James, a self-proclaimed 'Porsche guy,' likens the house to a classic car, emphasizing its inherent quality and the need for careful maintenance rather than complete overhaul, stating, "It’s this solid thing that was beautifully done the first time. You just need to change the oil and get some new tires." The article serves as a guide for other novice home restorers, offering key pieces of advice gleaned from their year-long project. The first piece of advice shared by the Perkins is the importance of prioritizing and setting a budget, not just financially, but also mentally and emotionally. They stress that in the current climate of working from home and homeschooling, it is crucial to manage expectations and understand that not every issue can or needs to be fixed immediately. The process should align with the family's overall well-being, acknowledging that there will always be ongoing tasks in home maintenance and improvement. Secondly, the couple suggests making at least one space in the home uniquely your own. For them, this meant painting James’s art studio white, a departure from the rest of the home's aesthetic. This choice was driven by the practical need to better perceive the colors in his artwork, but it also created an intentional, energizing space that stands out. This act demonstrates that while respecting a home's original design, personal touches are essential for making it truly yours. The third learning emphasizes that it is acceptable, and often necessary, to modernize certain aspects of a historic home. The Perkins advocate for valuing the original features but also encourage owners to question whether these features still serve their contemporary needs. They suggest trusting one's own judgment rather than viewing the home as a rigid 'time capsule.' The core idea is that the home should feel right on multiple levels for its current occupants, allowing for thoughtful updates that enhance functionality and comfort without disrespecting its heritage. Finally, the article highlights the significance of involving children in the restoration process. The Perkins’ son, Judd, actively participated by sweeping, painting, and sanding, and contributing his observations. This inclusion is presented as a way to instill in children an appreciation for design, the effort involved in creating a special living space, and the value of enjoying one's surroundings. This family-centered approach underscores the idea that a home restoration is not just a structural project but also a shared family experience. #HomeRestoration #HistoricHomes #FireIsland #RenovationAdvice #1970sArchitecture #FamilyInvolvement #Budgeting #Modernization

The Wallis family, consisting of Jenna, an internationally acclaimed interior designer and owner of Jenna Wallis Interior Design, and her husband Ed, purchased a 1940s English cottage in the Hedgemoor neighborhood of Memphis with a vision to transform it into a serene and classic retreat for their family, including their two boys. Despite its charming exterior, the cottage required extensive renovation to accommodate a modern family while preserving its original character. After living in the house for about four years, the Wallises engaged Ryan Anderson of RKA Investments, a Memphis builder known for restoring older homes, and architect Charles Shipp to lead the renovation. Jenna's design philosophy centered on blending the old with the new, maintaining the home's classic charm while introducing contemporary elements. A significant challenge involved literally lifting the existing structure to create an open, airy space. The renovation team, including Ryan Anderson's business partner Chris Clark, worked collaboratively to achieve Jenna's vision, which included raising the living area's 9-foot ceilings to 11 feet to enhance natural light and spaciousness. Eight-foot windows were installed, flanking a custom fireplace, above which a vibrant painting by Atlanta artist Sally King Benedict became a focal point. Key areas of the home were meticulously redesigned. The kitchen was transformed with custom cabinetry extending to the ceiling for maximum storage, a beveled subway tile backsplash, and honed Carrara marble countertops. Jenna opted for unlacquered brass hardware, which develops a natural patina over time, to align with the home's original aesthetic. A breakfast nook, connecting the living area and kitchen, features sleek white walls, a streamlined banquette, and a rustic farmhouse table complemented by a brass globe chandelier. A framed 1966 Andy Warhol-designed Campbell's Soup dress, inherited from Ed's grandmother, adds a whimsical touch to this space. Throughout the living areas, white walls serve as a gallery for the Wallises' extensive art collection, which includes pieces by Memphis artist Megan Hurdle. In the parlor, a soft mint green ceiling, inspired by one of Hurdle's mixed-media works, adds a subtle color accent. Jenna's favorite space, her downstairs study, is distinguished by pale, high-gloss blue lacquered walls, a French pedestal desk, whimsical peacock figurines, and a modern brass starburst chandelier. Custom-built bookshelves by RKA Investments house the family's book collection, while art consultant Anna Wunderlich assisted in curating and displaying the family's diverse artwork, including a collection of oils and watercolors from Paris. The guest bedroom features a bold coral lattice wallpaper on an accent wall, framing an upholstered headboard, alongside French dressers and draperies made from Jim Thompson silk. The master bath was conceived as a spa-like retreat, with gray and white marble, built-in mirrors, millwork surrounding a white vanity, and elegant brass hardware. Antique light fixtures were incorporated to maintain the home's period charm. The renovation extended to the exterior, with Ryan Anderson and his team salvaging stone to create a cozy fireplace on a spacious, screened-in porch, which has become an ideal gathering spot for the Wallis family and friends. The project culminated in a home that perfectly blends classic charm with modern functionality, fulfilling Jenna's five-year vision. #HomeRenovation #InteriorDesign #HistoricPreservation #MemphisHomes #CottageRenovation #JennaWallisDesign #RKAInvestments #LuxuryInteriors #ArtCollection

The article highlights the work of interior designer Whitney Durham, focusing on a significant renovation project in Milton, Georgia. The project involved transforming an outdated 1985 Cape Cod-style home into a functional and aesthetically pleasing residence for a family of six, including two dogs and four children. The homeowners, after two decades in Buckhead, chose a 5-acre property in North Valley, Milton, which offered ample space but required extensive interior modernization. The core challenge for Durham was to update the home's formal and somewhat antiquated aesthetic to better suit a contemporary family lifestyle, while also integrating a substantial collection of family heirlooms, antiques, rugs, and art pieces acquired from global travels. The renovation encompassed a 7,500-square-foot interior space, addressing various aspects from foundational elements to decorative details. Key structural modifications were implemented to achieve a more open and current floor plan. This included removing internal columns that previously separated the breakfast room and living room, thereby fostering a more fluid connection between these areas. Additionally, room casings in the kitchen were widened to enhance the sense of openness. The exterior of the house also received an update, with the paint color being lightened and shutters refreshed to complement the new interior style. Beyond structural changes, Durham focused on elevating the home's ambiance through lighting and decor. All lighting fixtures throughout the house were updated, with specific mention of Circa Lighting products used for keeping room ceiling fixtures, foyer lights, and library shelving. The design philosophy embraced by Durham emphasized a curated look, blending new and old elements, as well as high-end and more accessible pieces, to create a home that felt evolved over time rather than uniformly new. This approach was particularly effective given the family's existing collection of diverse items. The project details further illustrate the comprehensive nature of the renovation, listing various resources and suppliers involved. These included Circa Lighting for fixtures, Classic Home for furniture such as a sideboard cabinet and leather chairs, Elaine Burge for living room art, The Ellenburg Chair Company for sofas and club chairs, Made Goods for a living room side table, Myers Carpet for custom stair runners and carpets, and Schumacher for wallpapers and fabrics used in the dining room and powder bath. These selections underscore the quality and variety of materials and furnishings chosen to bring Durham's vision to fruition, transforming an older property into a thoughtfully designed and livable family home. #InteriorDesign #HomeRenovation #CapeCodStyle #FamilyHome #LuxuryInteriors #AtlantaDesign #EclecticDecor #HeirloomIntegration