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4 Things We Learned From Restoring Our Historic ’70s Home on Fire Island
This article details the experiences and insights of Hara and James Perkins as they undertook the restoration of their 1970s Horace Gifford-designed home on Fire Island. The couple, with James being a sculpture artist and Hara a commercial real-estate law firm partner, embarked on a mission to revive the architectural integrity of their summer residence. The restoration involved meticulous work, including poring over decades-old blueprints, physically removing built-in structures, and addressing complex original wiring systems. James, a self-proclaimed 'Porsche guy,' likens the house to a classic car, emphasizing its inherent quality and the need for careful maintenance rather than complete overhaul, stating, "It’s this solid thing that was beautifully done the first time. You just need to change the oil and get some new tires." The article serves as a guide for other novice home restorers, offering key pieces of advice gleaned from their year-long project.
The first piece of advice shared by the Perkins is the importance of prioritizing and setting a budget, not just financially, but also mentally and emotionally. They stress that in the current climate of working from home and homeschooling, it is crucial to manage expectations and understand that not every issue can or needs to be fixed immediately. The process should align with the family's overall well-being, acknowledging that there will always be ongoing tasks in home maintenance and improvement.
Secondly, the couple suggests making at least one space in the home uniquely your own. For them, this meant painting James’s art studio white, a departure from the rest of the home's aesthetic. This choice was driven by the practical need to better perceive the colors in his artwork, but it also created an intentional, energizing space that stands out. This act demonstrates that while respecting a home's original design, personal touches are essential for making it truly yours.
The third learning emphasizes that it is acceptable, and often necessary, to modernize certain aspects of a historic home. The Perkins advocate for valuing the original features but also encourage owners to question whether these features still serve their contemporary needs. They suggest trusting one's own judgment rather than viewing the home as a rigid 'time capsule.' The core idea is that the home should feel right on multiple levels for its current occupants, allowing for thoughtful updates that enhance functionality and comfort without disrespecting its heritage.
Finally, the article highlights the significance of involving children in the restoration process. The Perkins’ son, Judd, actively participated by sweeping, painting, and sanding, and contributing his observations. This inclusion is presented as a way to instill in children an appreciation for design, the effort involved in creating a special living space, and the value of enjoying one's surroundings. This family-centered approach underscores the idea that a home restoration is not just a structural project but also a shared family experience.
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