A Grandmother’s House in Observatory Park Gets a Next-Gen Makeover

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

This article details the comprehensive renovation of a 190-year-old Federal-style townhouse in Tribeca, Manhattan, which was originally constructed in 1828. The house, initially a residence for a genteel family, transformed into a poultry and egg shop during the area's wholesale produce market era, and later, after the market relocated, was one of nine homes granted individual landmark status by the Landmark Preservation Commission in the 1960s to prevent demolition. A previous owner, an artist, lived in the house for nearly 40 years before it was purchased by a new pair of artists who embarked on a significant remodel. The challenge for the new owners and their team, architect Susan Yun of Yun Architecture and interior designer Penelope August, was that while the exterior remained largely unchanged and landmarked, the interior had lost all original features. Their approach was not to recreate historical accuracy or adopt a modern interpretation, but rather to create a layered, evolving aesthetic that combined vintage and modern elements, reflecting the passage of time. This involved incorporating salvaged materials, antique finds, and contemporary designs to achieve a unique, lived-in feel. The exterior restoration was meticulous, focusing on preserving the landmarked facade. Energy-efficient wooden windows were installed to match the original design, and a new porch with ironwork railings was crafted, inspired by neighboring buildings but meeting modern code requirements. Inside, the design team established a historic-appearing background with elements like plaster crown molding, wide-plank salvaged wood floors from Reclamation Lumber, and newly designed handrails and balusters with classic lines. The owners actively participated in the sourcing process, finding doorknobs and some light fixtures on eBay, and purchasing antique and vintage sinks, bathtubs from Big Reuse, wallpaper from Secondhand Rose, and doors from Demolition Depot. Modern interventions include sleek limestone fireplace mantels (reactivating all four wood-burning fireplaces), a spacious kitchen with colorful terrazzo countertops by Precast Terrazzo, and a Jean Prouvé-inspired built-in designed by August. A key architectural modification involved relocating the first-floor staircase from the back to the center of the house, which facilitated the creation of a generously sized kitchen with an outdoor connection. The kitchen features purple-gray Shaker-style cabinets with glass pulls, a vibrant mustard-yellow Lacanche range, and custom terrazzo countertops made with recycled glass chips. Lighting fixtures were a mix of eBay finds and custom pieces by Penelope August and Andrew Hughes. In contrast to the modern kitchen, a study was designed to evoke a more traditional ambiance, featuring antique wallpaper, a wood mantel recreated after an unfortunate theft, and modern art and furniture to avoid a museum-like feel. The powder room exemplifies the eclectic approach with electric blue hex tiles by Fireclay Tile, a vintage pedestal sink from Demolition Depot, and unique sconces repurposed from an optometrist's shop. A midcentury-inspired shelving unit designed by August, with cork shelves and orange cabinet fronts, displays the owners’ diverse collections. Working with vintage and salvaged materials required considerable patience and effort due to necessary repairs and size adjustments, but the result was a highly customized and authentic interior. The owners expressed a deep appreciation for the history of New York City and viewed their role as caretakers of this historic property, embracing the restrictions that came with renovating a landmarked building. #TribecaTownhouse #HistoricRenovation #EclecticDesign #LandmarkPreservation #InteriorDesign #SalvagedMaterials #VintageFinds #ModernInterventions #NewYorkCityHistory

Designer Rebecca Philipson undertook a significant remodel of a 1990s-built, 5,300-square-foot home in Aurora, Ohio, focusing on transforming the kitchen, great room, and lounge into more open and inviting spaces. The homeowners sought to infuse warmth and an open concept into their residence, a vision Philipson brought to life through a blend of traditional and rustic elements, with distinct French Country influences. Central to the design is the incorporation of Amish hand-hewn ceiling beams and elaborate stonework, which serve as prominent features, particularly in the lounge. This area, designed for relaxation and entertaining, includes a wet bar, a built-in refrigerator, and custom alder cabinetry. The adjacent sunroom houses a pool table, creating a seamless flow for social gatherings and post-dinner interactions. The overall layout was reimagined to foster a sense of togetherness, allowing family and guests to interact comfortably across the connected rooms. Philipson achieved this open concept by strategically removing the wall between the great room and kitchen, then linking the kitchen to the lounge. Archways were introduced to formalize these open transitions. The kitchen underwent the most substantial transformation. Previously walled off, it featured an angled peninsula, an irregularly shaped island, and low-hanging soffits. Philipson replaced these with faux beams to maintain the rustic aesthetic and installed a central island with seating for three. The homeowners' desire for warmth and intricate details was met through design elements such as decorative island legs. Attention to detail extends throughout the kitchen, with intricate touches found in the baseboards, legs, valances, and along the bottom of the island cabinetry. The refrigerator was artfully concealed with cabinet panels and mirrored glass, designed to resemble an armoire rather than an appliance, fulfilling the client's wish for cabinetry that emulated furniture. A built-in coffee maker contributed to a decluttered countertop space. The great room further showcases the sophisticated stonework, with cream-colored stone extending from floor to ceiling around the fireplace. This central feature is flanked by built-in cabinets that mirror the design of the kitchen's concealed refrigerator. Oversized iron hardware on the cabinetry adds a dramatic flair, complementing the multi-tiered iron chandelier, which serves as a focal point. Recessed lighting supplements the chandelier, with all lighting choices made to enhance the room's warm ambiance. The remodel successfully integrated rustic charm with French Country elegance, creating a cohesive and welcoming environment across the main living areas. #HomeRemodel #AuroraHome #FrenchCountryStyle #RusticDesign #KitchenRenovation #GreatRoomDesign #LoungeArea #InteriorDesign #OpenConcept

Lauren and Jason Muir embarked on a significant renovation of their 1900-built Parkside home after returning to Adelaide from London and Sydney. The couple purchased the property in its original condition in late 2020, with renovation plans beginning almost immediately. However, due to pandemic-related delays and council approvals, construction didn't commence until two years later. Lauren, a strategy executive at Westpac, expressed the importance of honoring the home's 1900 heritage while integrating a modern aesthetic, a design philosophy inspired by Victorian homes in London's southwest. A key design objective was to create a seamless transition between the original structure and the new extension. This was achieved by extending the original timber floors throughout the house and meticulously matching architectural details like architraves. The couple also focused on cohesive styling, using art to introduce color and enhance flow between the old and new sections of the home. The front of the house retained its original character, while the rear extension was designed to complement it with a contemporary feel. The renovation project involved collaboration with The Building Company and Mavtect Designs, successfully navigating council requirements that mandated the extension not be visible from the street. Specific features desired by the couple included a wine cellar, which Jason envisioned as a space where one could walk down and be enveloped by wine. Lauren's primary desire for the living space was an abundance of natural light. While the front of the house, with its older structure and tree coverage, remained darker, the extension was designed to maximize light, leading to the creation of a seven-meter raked ceiling and a large wall of glass. This architectural choice not only floods the living area with light but also provides a view of the century-old hedge in the backyard, which offers significant privacy and a natural green wall effect. Outdoor spaces were also a crucial component of the renovation. With the help of Husk Projects and Evoke Outdoors for landscaping, Lauren and Jason created dedicated outdoor entertaining areas and a sauna area. The sauna was specifically inspired by Sequoia Lodge, aiming to replicate its serene garden setting where one could relax after using the sauna, creating a retreat-like atmosphere. The Parkside home became a labor of love, offering a convenient urban lifestyle, with easy access to parklands and local amenities. Despite their affection for the renovated Parkside home, the Muir family is now moving to Stirling in pursuit of more space for their young children. Their new 1920s home also requires renovation, signaling Lauren's continued preference for restoring older properties over new builds. The sale of the Parkside property, located at 9 Douglas Street, is being managed by Georgie Todd and Alexandra Green of Harris Real Estate, marking the end of one project and the beginning of another for the family. #HeritageHome #ParksideRenovation #ModernExtension #ArchitecturalDesign #LuxuryLiving #HomeRenovation #AdelaideRealEstate #InteriorDesign #OutdoorLiving

This article details the comprehensive renovation of a century-old Sydney home, originally built in 1914, transforming it into a modern family residence. The property, located on a corner block near Centennial Park, underwent extensive refurbishment after being purchased in 2017 by a young professional couple. The house was in a state of disrepair, requiring new wiring, plumbing, a new kitchen, and repairs to a collapsing ceiling. The owners enlisted architect Carla Middleton to oversee the project, aiming to create a 'forever home' suitable for a growing family. Middleton describes the original house as dilapidated but an amazing blank canvas. The renovation strategy involved reducing the number of bedrooms from six to three, which would be housed in a newly constructed second storey. Conversely, the number of bathrooms was increased to four, plus a powder room, emphasizing quality over quantity in terms of sleeping quarters. On the ground level, the design focused on creating expansive living areas. The original front rooms were preserved and repurposed as family rooms, a study, and a sitting room. Great care was taken to restore original features such as skirtings, cornices, fireplaces, and stained-glass windows, maintaining the home's historic charm. A key design objective was to implement an open-plan living concept, moving away from the smaller, separated rooms of the previous home. The new extension at the rear features an 11x8-meter living space that seamlessly connects to a sun-drenched deck. Given the home's north-south orientation, a primary goal was to maximize natural light in this area. Carla Middleton achieved this through a striking void space that reaches 6.7 meters at its highest point and extensive glazing. This design ensures that the northern light floods the living/dining area and extends to the upstairs bedrooms overlooking the void. The exterior of the extension, clad in James Hardie Scyon cement-composite boards, contrasts with the original brick structure while subtly referencing its form through a new roofline composed of three gables. These gables correspond to the kitchen, dining, and living zones downstairs. The original hallway was also maintained as a central axis, creating a clear vista from the front door to the light-filled rear living space. For the interior design, Carla Middleton collaborated with the owners to establish a palette that blends her neutral, natural material preference with their crisp, contemporary style and appreciation for darker tones. This resulted in an interplay of black, white, and mid-grey hues, complemented by stone elements throughout the home. The kitchen, a focal point for entertaining, exemplifies this blend with black and white cabinetry by Holtz Joinery and Elba marble benchtops and splashback, featuring a substantial 4x1.3-meter island bench. The renovation was completed as the family grew, with the owners welcoming two children during the project, making the newly transformed space a comfortable and functional home. #HomeRenovation #HistoricHome #ModernExtension #SydneyArchitecture #OpenPlanLiving #NaturalLightDesign #InteriorDesign #FamilyHome #CarlaMiddletonArchitect #AustralianHomes

This blog post details the renovation of a three-story Victorian home overlooking Long Island Sound in Larchmont, owned by the Pinchin family. The project, led by architect Robert Keller of Keller/Eaton and homeowner Gillian Pinchin, who also runs her interior design firm Wondernose, focused on transforming the traditional exterior with a funky, eclectic, and modern interior designed for contemporary family living. The primary objective was to modernize the home while maintaining its historical charm. The most substantial changes were implemented on the third floor. This area, which previously consisted of five small maids' rooms, was reconfigured to create a spacious master suite. This new suite now includes a master bedroom, a dedicated bathroom, a dressing room, separate his-and-hers offices, and a deck offering views of the water. The architect noted that the goal was to repurpose underutilized spaces into functional and aesthetically pleasing areas suitable for a modern lifestyle. A unique challenge was creating a sense of privacy for the parents within the master suite without isolating it from their three young children. The solution was a 2-inch-thick, 400-pound walnut door, crafted by Pinchin’s father, which slides on casters like a barn door. This door provides privacy when closed but allows the third floor to feel contiguous with the rest of the house when open. The second floor of the home features three bedrooms and a bathroom for the children, along with a guest room, an additional bathroom, and a laundry room. On the first floor, a modern island was incorporated into the traditional kitchen, blending new elements with existing aesthetics. Additionally, a formal living room was re-envisioned as a "grown-up room" by Pinchin, providing a tranquil space with two chaises for relaxation. The basement was also renovated to include a bedroom, a bathroom, a mudroom, and a gym, all designed with a clean, simple, and functional style. For the interior design, Pinchin adopted a "gallery approach," painting most walls white to allow select pieces of artwork or furniture to stand out. The most striking element in the house is a custom graffiti wall in the dining room. Pinchin commissioned an artist from San Francisco, who used traditional paint to create a "sloppy" graffiti look, even incorporating the children's initials into the design. This "crazy wall" creates a compelling contrast with the otherwise quiet room, furnished with midcentury pieces inherited from Pinchin's grandmother. The architect highlighted this surprising juxtaposition between the home's traditional exterior and its modern interior as a key success of the project. The article further elaborates on specific design choices in various rooms. In the master bedroom, artwork above the bed provides a splash of color against a neutral backdrop. Her office maintains an all-white theme with a zebra-skin chair and personal artwork. The kitchen features a modern island and a bubble chandelier alongside a reproduction of an old master's painting and green subway tiles. The "grown-up room" boasts a lenticular image of a ballerina above the mantel, offering a dynamic visual element, and combines high-end B&B Italia chaises with an Ikea shelving unit, showcasing a blend of high and low furnishings. The overall renovation successfully merges historical architecture with contemporary design and personal artistic expression. #VictorianHome #HomeRenovation #ModernInteriorDesign #ArchitecturalUpdate #MasterSuite #EclecticDecor #GraffitiArt #InteriorDesign #GillianPinchin #RobertKeller

In 2001, Marion and Jeffery Barker purchased a 1960s brick ranch home on 18 acres in Virginia's Northern Neck, overlooking Nomini Creek, a tributary of the Potomac. Despite the house being outdated and the timing of the purchase—just a week after 9/11—being uncertain, the couple was drawn to the property's prime waterfront location and its manageable two-hour drive from their Bethesda residence, making it ideal for weekend escapes. At the time, Marion owned the consulting firm Palladian Partners, and Jeffery was a scientist at the National Institutes of Health. They envisioned transforming the modest ranch into a modern dream home but knew it would require significant time and resources. After saving for 15 years, the Barkers initiated a gradual redesign in 2016, enlisting Jeffery’s daughter, Brooklyn architect Alexandra Barker, for the project. A key challenge was environmental regulations, which mandated that the new structure adhere to the existing foundation and original footprint due to its proximity to the water. Despite these constraints, the renovated home represents a dramatic transformation from its original, cramped layout. The new design emphasizes an open floor plan, extensive walls of windows, and expansive water views, creating a stark contrast to the previous structure. Alexandra Barker's design strategy focused on maximizing the property's natural surroundings. She incorporated oversized storefront glass instead of standard residential windows to offer uninterrupted vistas, a feature she considers the home's most special detail. The architect also prioritized the use of locally sourced materials where possible, including granite for the kitchen backsplash from Richmond, reclaimed-oak floors, and bluestone around the pool area. This approach not only supported local businesses but also integrated the home more deeply with its regional environment. The homeowners, Marion and Jeffery, were described by Alexandra as highly collaborative and flexible clients, contributing to a smooth design process. An added benefit for Alexandra was the prospect of personally enjoying the finished product with her family. The redesigned home includes three guest rooms, each with an en suite bathroom, providing comfortable accommodation for visiting family members, including Alexandra and her siblings. The primary suite, located on the second floor, is a highlight, featuring 365-degree views and access to a private roof deck. This rooftop space, initially intended for an office, was repurposed due to budget considerations and ultimately became one of the owners' favorite features. The renovation was completed in 2021, and the retired couple, Marion and Jeffery, expressed that the two-decade wait was worthwhile. They now share their property with local wildlife, including bald eagles, deer, ospreys, and otters. The constant natural beauty, particularly the sunrises and sunsets over Nomini Creek, provides immense satisfaction, with Jeffery reportedly having captured hundreds of photographs of these daily spectacles. The project successfully converted a dated ranch into a modern, waterfront marvel that harmonizes with its natural setting. #HomeRenovation #ModernDesign #WaterfrontProperty #ArchitecturalTransformation #VirginiaRealEstate #SustainableMaterials #BeforeAndAfter #FamilyProject #NorthernNeck

This article details the renovation of a 19th-century Newton home, transforming it into a luxurious yet family-friendly space for a family of six. The homeowners, moving from a condo, were drawn to the original charm of the 1848 abode, including its authentic millwork, curved staircase, and glass-etched double front doors. Their vision was to infuse the historic property with a fresh, modern energy while preserving its inherent character. Interior designer Cara Fineman spearheaded the "glow up" primarily focusing on the first floor. This involved minor modifications to improve livability in the kitchen, pantry, and three bathrooms. Key updates included new countertops, tile backsplashes, brass hardware, and modern fixtures. Notably, the existing custom Kochman Reidt + Haigh kitchen cabinetry was in excellent condition, necessitating only a fresh coat of wispy white paint. The adjacent pantry and wet bar received a more dramatic makeover with bold new color schemes on existing cabinets, complemented by Aux Abris grasscloth and Ferrick Mason wallcoverings, along with linen window treatments, enhancing both functionality and aesthetic appeal. Fineman's design strategy for the study, family, and living rooms centered on integrating soft furnishings crafted from family-friendly textiles and contemporary lighting. In the family room, a spacious and plush sectional, ottoman, and lounge chairs were installed to create a comfortable gathering space. The living room now features a sleek game table made of lacquered swirl resin, designed to encourage board games and social activities. A significant design element across the communal spaces was the strategic incorporation of color and pattern, particularly through wallpaper, fulfilling the clients' desire for a vibrant and dynamic interior. The home boasts a sophisticated yet serene atmosphere, achieved through a diverse material palette including silk, grasscloth, antique brass, velvet, and rattan. A personalized sanctuary was created for the mother of the house in the first-floor study. This feminine space, designed for quiet reading, features an opal wall color, warm artwork, and bookshelves filled with books, accompanied by an overstuffed sofa for relaxation. Despite having four young children under the age of six, the first floor was intentionally designed to feel luxurious and mature without being overly precious or inaccessible to the kids. The design philosophy emphasized materials that were not easily damaged and the rehabilitation of existing elements rather than complete replacement, such as using natural fibers and updating existing cabinetry. This approach allowed for the preservation of the home's originality while adapting it to the contemporary needs of a young family. The playroom, adjacent to the boys' bedroom, features a lively Serengeti wallpaper, beanbags, storage baskets, and wall shelves, designed to be age-appropriate yet durable for a growing family. #HomeRenovation #InteriorDesign #NewtonHome #HistoricHome #FamilyLiving #ModernDesign #LuxuryInteriors #ResidentialDesign

Interior designer Evans Geisler and her architect husband undertook a significant renovation of their two-story Williamsburg row house, transforming it from a dual-unit bachelor pad into a single-family home tailored for a family with three young sons. The couple purchased the house in 2014 from Geisler’s brother, who had acquired it in 2007. The initial state of the house was characterized by two separate units: one on the ground floor occupied by Geisler's brother's college roommate, and the second floor where her brother resided. The primary goal of the renovation was to consolidate these into a cohesive single-family residence, while also incorporating a small pied-à-terre apartment at the back of the second floor. Geisler described the house's original aesthetic as typical of two young men living in Williamsburg, lacking architectural personality and requiring a comprehensive update. The row houses in Williamsburg are often narrow and basic, prompting Geisler's initial improvement to be the removal of the entryway hallway, which she believed contributed to a sense of confinement. On the main floor, the design strategy focused on creating an open-plan layout by removing as many interior walls as possible, integrating the kitchen and living room into a single fluid space. A key element of this transformation was the restoration of the original staircase, which, along with a newly installed built-in bookcase, became prominent focal points upon entering the home. The original staircase, deemed the only element possessing inherent character, underwent extensive restoration. Layers of paint were meticulously stripped from the newel post, missing balusters were replaced, and the treads and handrail were stained dark, contrasting with white-painted balusters. In the kitchen, the design incorporated Caesarstone countertops and Ikea cabinets, complemented by open shelving. Geisler highlighted her preference for open shelving in the kitchen, noting that maintaining a coordinated look with white, off-white, and wood elements facilitated a clean and harmonious aesthetic. The renovation also extended to the rear of the first floor, where the bathroom was enlarged. A playroom was created in this area, featuring a Murphy bed for accommodating guests and a built-in desk designed for homework, catering to the needs of a growing family. Upstairs, new walls were constructed to define two bedrooms and to functionally separate the aforementioned rear apartment from the main living quarters of the house. Geisler's overarching design philosophy for the home was to create a casual and highly kid-friendly environment, given that she had a toddler and was pregnant during the renovation. This involved avoiding overly fussy or expensive elements and implementing organizational systems to mitigate clutter and manage the daily demands of family life. All three sons share a single bedroom, which is equipped with a crib and custom bunk beds. Geisler acknowledged that some might find this arrangement unconventional but noted its general effectiveness, particularly in fostering interaction among the boys. The interior walls throughout the house were uniformly painted in Benjamin Moore's Chalk White, and the floors were stained to the darkest possible shade. Geisler emphasized the importance of a cohesive design throughout the entire house, asserting that a consistent aesthetic facilitates a smooth transition between rooms and contributes to a unified overall impression. #WilliamsburgRenovation #InteriorDesign #KidFriendlyHome #OpenPlanLiving #StaircaseRestoration #KitchenDesign #CustomBunkBeds #FamilyHome #BrooklynDesign

This article details the transformation of a 1925 Colonial home in Seattle's Montlake neighborhood, owned by Sally and Anders Zwartjes. The couple purchased the 3,000-square-foot house in 2016, drawn to its charm but recognizing the need for significant updates to accommodate a family of four, particularly the limited one and a half bathrooms and outdated features. Designer Casey Keasler of CASEWORK, a family friend, was enlisted to lead the extensive renovation. The project spanned a year and a half and involved both cosmetic changes, such as new flooring and fresh paint, and dramatic structural modifications. A 500-square-foot addition was integrated into the home, expanding its overall footprint. The primary goal was to modernize the living space for a contemporary family while respectfully preserving the colonial style and original architectural elements. Keasler emphasized the importance of functionality, collaborating with architect Paul Crowther to secure permits before focusing on the aesthetic details. A key aspect of the renovation involved altering the home's original layout to better suit the family's needs. This included the decision to convert one of the four original bedrooms into a full second bathroom, prioritizing utility over adherence to traditional room counts. This strategic choice highlights a flexible approach to renovation, where individual family requirements dictate design decisions rather than rigid conventions. The addition also included a larger kitchen, a significant item on Sally and Anders' wish list. This new kitchen features a classic white design, a breakfast nook, a pantry, and a mudroom, contributing to a brighter and more open feel throughout the home. The window-lined breakfast nook, in particular, was designed as a central gathering space for the family. Keasler aimed to balance the inherent seriousness and symmetry of colonial architecture with a more relaxed, Northwest aesthetic. This equilibrium was achieved through deliberate contrasts. Existing period details such as built-ins, cove ceilings, crown molding, and oak floors were maintained and refreshed. The millwork and built-ins, for example, replicated the intricate details of the original cabinetry, including the bead on the inside cabinet panels, ensuring consistency with the home's historical character. To introduce modern elements and create visual interest, Keasler incorporated contemporary furniture and light fixtures, often in mid-century, Scandinavian, or modern styles. Graphic-style rugs were also used to provide a modern accent against the traditional backdrop. The designer's tips for blending old and new include maintaining consistency with metal finishes, refreshing existing features like built-ins with new paint and hardware, and unifying the home's trim and molding with a consistent color and varying sheens to achieve a modern look. This project demonstrates that a careful integration of historical preservation and modern functionality can create a home that is both charming and highly livable. #ColonialHome #HomeRenovation #ModernFacelift #InteriorDesign #SeattleRealEstate #HistoricalPreservation #StructuralChanges #KitchenDesign #ContemporaryLiving

This article details the transformation of a 19th-century Federal-style town house in New York’s West Village by SPAN Architecture, converting it from multi-family apartments into a single-family residence. The original structure, an 1820s building, presented challenges such as deep lots leading to dark interiors, insufficient natural light on lower floors, and low ceilings. Recognizing these limitations and the absence of significant period details for restoration, principals Peter Pelsinski and Karen Stonely opted for a comprehensive gut renovation. A key aspect of the renovation capitalized on the property’s 60-foot backyard, enabling the architects to extend the first two floors by 30 feet while preserving ample outdoor space. To enhance the connection to the garden, the rear facade was removed, a second-floor terrace was added, and full-height windows were installed facing north, integrating modern design elements while respecting the historic lines of the surrounding houses. Internally, the building lacked a cellar, prompting excavation to create one. The roof was also leveled, increasing interior height by nearly eight feet, which required careful restructuring of ceilings to align with the existing front facade windows. The result is a 5,800-square-foot, four-bedroom home spanning five levels, featuring ceilings over ten feet high on the parlor floor, yet maintaining an unaltered exterior appearance. The interior design consciously blends traditional and contemporary aesthetics. Given the project's spec nature, a neutral palette was chosen, featuring white oak floors that establish a fluid connection between spaces. Subtle historical references are incorporated through baseboards, trim, and crown moldings. The steel-and-oak staircase, while traditional in form, lacks nosing and respects the original footprint, complemented by skylights that draw natural light deep into the lower levels, giving the house an “extroverted character” as Pelsinski describes. The property was acquired by a young family who enlisted Moises Esquenazi of Waowig Studio for interior decoration, providing him considerable artistic freedom. Esquenazi focused on creating inviting spaces that would complement the family’s art collection. His design approach included bold choices, such as a fuchsia-colored den, intended as a lively focal point upon entry. This vibrant room sets a playful tone for the rest of the home, which integrates contemporary Latin American art with pieces by mid-century designers like Milo Baughman and Pierre Guariche. Esquenazi also designed custom furnishings, including a lacquered-goatskin dining table, drawing inspiration from the 1970s. Two years after the family moved in, SPAN Architecture was re-engaged to modernize the kitchen and expand the master bathroom into a spa-like retreat, concluding a decade-long project. The revitalized town house now offers a bright, open living environment, seamlessly integrated into its urban setting while providing ample personal space. #TownHouseRenovation #SPANArchitecture #WestVillage #HistoricHome #ModernInteriorDesign #ResidentialArchitecture #NaturalLight #InteriorRenovation #LuxuryHomes

This article details a personal account of a home renovation project, challenging the common perception that renovations are inherently stressful or nightmarish experiences. The author, Alice Stolz, National Managing Editor of Domain and a property expert, recounts her first renovation experience, emphasizing that despite a relatively tight budget and challenging circumstances, she found the process enjoyable and transformative. The initial objective for the renovation was to create a liveable and functional home within the established budget. The planning phase involved extensive discussion and iteration between the author and her husband, a process that, while initially frustrating, ultimately led to compromise and adherence to financial constraints. This period of intense planning and decision-making is presented as a crucial part of the overall positive experience, fostering personal growth and discipline. The renovation proceeded under difficult conditions, including lockdown restrictions and the inherent challenges of updating an old, compromised house. Despite these obstacles, the author expresses a deep appreciation for the demolition and construction phases, finding satisfaction in the physical transformation of the space and the strategic decisions involved in allocating resources—prioritizing essential elements like the kitchen benchtop and quality joinery, and economizing elsewhere. The project became a mental escape during a restrictive period, providing a sense of progress and purpose. A significant aspect of the positive experience was the collaboration with skilled professionals, including an incredible builder and interior design studio. The author highlights her admiration for their ability to envision and create spaces, likening them to magicians. The dedication and craftsmanship of individual tradespeople, such as meticulous tilers, patient painters, and precise joiners, are specifically praised, contributing to the overall satisfaction with the project. Ultimately, the renovation resulted in a home that, while not perfectly flawless with its existing structural quirks, is cherished for its character and history. The article concludes by advocating for embracing these imperfections, contrasting them with a prevalent desire for absolute perfection. The renovation transformed not just the physical space but also the author's perspective, fostering an appreciation for the journey and the unique qualities that make a house a home. #HomeRenovation #InteriorDesign #BudgetRenovation #PropertyDevelopment #HomeImprovement #PersonalExperience #BuildingProcess #DesignChallenges #SkilledTrades

Juliet and Jonathan, owners of a Federation home on Sydney's Lower North Shore, embarked on a significant renovation to accommodate their growing family of five. Initially, their single-storey, one-bathroom house was suitable for them and their first child, William. However, with the arrival of their second child, Patrick, and later Ellie, the need for more space and an additional bathroom became apparent. They considered various options, including reconfiguring the existing floorplan or selling the property, but ultimately decided to add a second storey, with Ellie's impending arrival serving as the primary catalyst for this decision. The couple enlisted Coco Tully, founder and creative director of Cote Interiors, to bring their renovation vision to life. Tully's warm demeanor and American-coastal aesthetic, characterized by a balanced use of color and clean yet inviting interiors, resonated with Juliet. The renovation project began in 2023, with architectural plans by Bennett Murada already in place. The builders had initiated the conversion of the ground-floor study into a staircase and commenced the construction of a first-level addition. This new level was designed to include a main bedroom suite with a balcony, a new study, a bathroom, and an additional bedroom, effectively doubling the functional space of the home. Juliet, having previous renovation experience with an Eastern Suburbs terrace, actively collaborated with Coco on various design elements. Their collaborative process involved refining lighting fixtures, joinery designs, material finishes, paint colors, and furniture selections. Coco Tully highlighted that while Juliet had a clear vision and refined taste, the busy parents required professional support to execute their dream. The design philosophy aimed to respect the home's original Federation character while incorporating a breezy, holiday-inspired atmosphere. This was achieved through elements such as handmade tiles, cane accents, and a cohesive blue, green, and white color palette. Attention to detail was paramount in the renovation. The couple opted for enduring finishes and fixtures, including natural stone, weathered brass, and classic wall lights, demonstrating a preference for quality over cost or speed. Specific examples include the addition of a bead to the kitchen joinery profile, the use of marble capping tiles and skirting in the bathroom, and the selection of Schumacher 'Scattered Stars' wallpaper and blush Roman sheers for Ellie's room, designed to adapt as she grows. Every design choice throughout the home was meticulously considered to achieve an elegant and refined aesthetic. Practicality was another key consideration for the family. Juliet and Jonathan requested arched French doors to create a distinct separation between the entertaining areas at the rear of the house and the rest of the home. The laundry room was designed for maximum efficiency, featuring two washing machines, custom joinery to conceal laundry baskets, and a dedicated laundry chute. In the dining and living areas, where the family spends most of their time, Coco expanded the joinery to provide ample storage and shelving, offering spaces to display family photos, books, and decorative objects. Concealed storage along the bottom of the living room joinery was also incorporated to neatly store toys and games, promoting a clutter-free environment. Coco Tully emphasized that a home should be functional, easy to maintain, and facilitate a harmonious flow, thereby freeing up time for more enjoyable family activities. The renovation, spanning 14 months, was described by Juliet as an enjoyable and seamless process, resulting in a home that perfectly suits their family's current needs and provides an ideal setting for entertaining, especially with the added outdoor pool area. #HomeRenovation #InteriorDesign #FederationHome #FamilyLiving #CoteInteriors #SydneyHomes #ArchitecturalRenovation #HomeDecor #StorageSolutions

In 1788, the Enlightenment society Felix Meritis, Latin for 'Happy Through Merit,' constructed its namesake clubhouse on an Amsterdam canal. The building, designed by Neoclassical architect Jacob Otten Husly, served as a hub for members to study various disciplines like music, natural sciences, drawing, commerce, and literature, embodying the rational principles of Enlightenment thought through its Corinthian-style facade and geometrically shaped rooms. A century later, after the society's dissolution, the building underwent several transformations, serving as a printing factory, the Dutch Communist party headquarters, and a 1960s cabaret, yet it remarkably maintained its architectural integrity despite wear and tear. In 2014, Amerborgh, an investment firm with a focus on the arts, acquired the landmarked Felix Meritis. The company aimed to repurpose it as a cultural center, leveraging its renovated spaces as event venues to support various programs. Tasked with revitalizing the 50,000-square-foot interior, i29, led by co-founder and partner Jeroen Dellensen, sought to bring the historic building 'into the now.' Their approach involved respecting the original architecture while infusing contemporary design elements to appeal to a younger demographic. This restoration project necessitated a careful balance between preserving historical aspects and introducing innovative designs. Working alongside MATH Architecten, which managed structural renovations, i29 co-founders Jeroen Dellensen and Jaspar Jansen focused on cultivating the individual character of each space. They found inspiration in the building's original use by the Felicians, who organized it by departments, allowing each room to retain its distinct function and story. The building's layout, divided by a five-story wooden staircase, comprises 11 staggered levels. A key requirement from the city was the meticulous restoration of two historically significant areas: the oval Concertzaal, renowned as one of Europe's premier small classical-music halls, and the Zuilenzaal, a colonnaded reception room. In the Concertzaal, where Beethoven's Ninth Symphony premiered in the Netherlands, a chromatic analysis revealed the original wall color between the pilasters was a brown-tinted beige, which was reinstated to restore the room's serene ambiance. To accommodate modern musical performances, i29 incorporated discreet, pivoting wall panels that optimize acoustics and conceal electronic equipment. MATH seamlessly integrated new mechanical systems within the existing structure, rendering them invisible in the auditorium. For the majestic Zuilenzaal, i29 opted for a more minimalist approach, stripping back boiserie and stabilizing cracked wood columns, leaving the room largely in its found state. This 'un-Photoshopped' authenticity required carefully dismantling and reassembling fragile woodwork to integrate modern ventilation and sound systems, making the Zuilenzaal a highly sought-after venue. i29 introduced significant visual diversity in the remaining rooms, utilizing color and texture as primary design tools. They incorporated crisply geometric, often mirrored, built-in cabinetry and furniture to create a striking contrast with the classical surroundings, thereby giving these spaces a unique identity and importance comparable to the historic rooms. The main entry is flanked by a reception area and Felix, a 100-seat restaurant. In the reception, custom tufted-shag wall coverings reproduce an 18th-century etching of a Felician meeting, offering a historical greeting to modern visitors. The restaurant's walls are adorned with woven textiles depicting Amsterdam's skies, immersing diners in a Dutch landscape. The Shaffyzaal, a domed, oval room above the Concertzaal, was once a physics lab and later a popular nightspot. Named after performer Ramses Shaffy, its acoustical perforated-steel panels feature an ombré effect, fading from deep to pale blue, evoking its psychedelic past. Jansen emphasizes that this contrast between contemporary and historical elements invigorates both. In the attic Koepelzaal, exposed timber roof beams lend a modern angularity. Dellensen highlights the firm's narrative approach, embedding stories within the design to add depth to the interiors. In the Teekenzaal, formerly the drawing studio, translucent fabric rectangles suspended from the ceiling diffuse light and symbolize the paper used by the Felicians, bringing the spirit of the Enlightenment to life. #InteriorDesign #ArchitecturalRenovation #HistoricalPreservation #AmsterdamLandmark #CulturalCenter #NeoclassicalArchitecture #i29Design #FelixMeritis #RestorationProject