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This London maisonette has been revived with vibrant and energetic colour and pattern
The owner of a two-bedroom London maisonette, Gemma Edwards, who frequently travels for work with a government conservation agency, opted to hire interior designer Sean Symington to transform her home. Edwards sought a unique and non-standard interior, explaining her desire to avoid a “cookie-cutter” look and her focus on enjoyable aesthetic changes rather than extensive structural renovations. Symington, known for his adept use of color and pattern, was selected to invigorate the apartment.
The living room, despite its inherent character, was previously described as dull and lacked a central feature. Symington addressed this by introducing a fireplace surround and incorporating alcove shelving, which served both as a focal point and provided display and storage options. A marble mantelpiece, sourced from a reclamation yard, enhances the room's coziness, particularly when candles are lit, despite not being a functional fireplace. The room features watermelon velvet sofas from Sofa.com and an armchair upholstered in an animal spot velvet.
Edwards's existing Dashiki curtain fabric was adapted for the south-facing living room, with Sean lengthening them using an additional panel, offering a cost-effective alternative to purchasing new curtains. The room also benefits from a small balcony, providing a pleasant outdoor space for morning coffee and a developing potted garden, accommodating Edwards's busy schedule that limits traditional gardening.
In the kitchen and bathroom, the strategy focused on redecorating rather than replacing existing fixtures and appliances, which were of good quality, to avoid waste. Edwards prioritized investing in fabrics and furniture, elements she could potentially take with her if she were to move. The kitchen now boasts soft, earthy red walls contrasting with dark blue cupboards and a chequerboard floor. Radiators were painted to match the walls, a budget-friendly solution. A matching Roman blind and sink skirt introduce softness, and vintage dining chairs were reupholstered.
The narrow hallway was not overlooked in the decorative scheme. One wall features a gallery of framed prints, each without a backing to expose the wall behind. The radiator is cleverly concealed by a fabric skirt and a shelf, providing both style and utility. The main bedroom showcases a vibrant palette of emerald and mustard, combined with natural materials. A half-tester over the bed creates a bold statement, complemented by a classic William Morris print wallpaper. Table lamps from Pooky and smaller reading lights with scalloped seagrass shades adorn wicker-topped bedside tables. Fitted wardrobes, painted in Bancha by Farrow & Ball to match the woodwork, include both panelled doors and open shelves, aiding in creating a sense of spaciousness, with Ikea baskets used for storage.
The home office underwent a significant transformation from an unliked baby blue to a warmer Farrow & Ball India Yellow. This color provides a suitable backdrop for a painting and a kilim rug, a souvenir from Edwards's time working in Africa. An antique desk from Vinterior and practical shelves with decorative scalloped edging complete the space. Edwards expresses her satisfaction with the final result, highlighting how each room now possesses a distinct character and individual color scheme, attributing the elevated aesthetic to the paint colors and fabrics chosen with Symington's expertise.
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