Alma-nac renovates London apartments with colourful herringbone patterns

This article explores various residential projects that effectively incorporate vibrant colours into their architectural and interior designs, moving beyond subtle accents to create impactful and transformative spaces. It showcases how architects leverage colour to enhance functionality, express individuality, and redefine living environments. The featured projects demonstrate a range of approaches to colour integration, from bold exterior statements to carefully curated interior palettes, highlighting both new builds and renovations across different geographical locations. The Maryland House in East London, designed by Remi Connolly-Taylor, exemplifies a contemporary approach to colour blocking. This live/work space, built on a previously derelict lot, utilizes London stock brick for its exterior, echoing the local Victorian and post-war housing. Despite its compact 100 sq m footprint, the interior is a "jewel box" of efficiency and minimalist aesthetics, with colour strategically used to define spaces. Similarly, Studio Ben Allen’s House Recast, a winner of London's 'Don’t Move, Improve' competition, stands out for its playfully colourful architecture, pushing boundaries in domestic design. Office S&M;'s Mo-tel House in Islington transformed a Victorian townhouse's lower ground floor into a vibrant space through bold colours and shapes. Block-coloured surfaces and tinted mirrors create a dynamic interior that visually expands the space, featuring bespoke joinery like blue kitchen cabinets, a pink and dark blue dining bench, and a light green ceiling. Alexander Owen Architecture's project on Amott Road further illustrates this trend in London's home improvements, demonstrating how unexpected designs and a sense of lightness are being brought to everyday living spaces. Moving to bolder applications, Villa Nilon in Zurich, a 1923 villa, was revitalized by Swiss studio ILAI with yellow and pink hues in bathrooms and hallways, complemented by monochrome patterned tiles. A green joinery kitchen and original stained glass windows contribute to a playful character, with architects also opening up spaces for natural light and generosity. The Blue Building by LOT in Bushwick, Brooklyn, makes a striking statement with its entirely blue exterior, inspired by the studio's previous design work. Inside, translucent panels and walls in white, light pink, and green balance the exterior's boldness. Isla Architects' Lover's House in Mallorca features a warm terracotta-pink concrete exterior, reminiscent of Luis Barragán's work, which deeply connects the structure to its natural landscape while maintaining a graphic, contemporary feel. CAN Architects' Mountain View House in South London, home to practice founder Mat Barnes, showcases a radical makeover with bold colours, unusual details, and a staged mountain scenery roofline, drawing inspiration from diverse sources like Hi-Tech style and fashion shows. The Andi in Boston, reimagined by Patrick Planeta, uses bold coloured fabrics and saffron-coloured lighting to add character to a minimalist concrete apartment, with drapes creating intimate "pods" and curated artworks enhancing the space's concept. Project Hereward by Studio VA in London demonstrates how a compact renovation can achieve impactful design through the right blend of colour, sleek lines, and industrial materials, balancing old and new elements. In the realm of pastels, Dedraft's AR Residence in Walthamstow features an avocado green extension for an illustrator and librarian, with a matte green aluminium panelled addition housing interiors with muted tones and pops of brighter colours in specific areas. Jonathan Tuckey Design’s Upper Wimpole project in central London integrates refined, craft-rich joinery elements in varying colours to differentiate rooms while maintaining a coherent design. Lastly, Jerome Byron’s Monon Guesthouse in Los Angeles, a wooden structure nestled in a hillside garden, and Barlow & Barlow’s Albion Street project in London, blending Swedish and English heritage with a chic pastel palette, further highlight the diverse applications of colour in residential architecture. #ResidentialArchitecture #InteriorDesign #ColourfulHomes #HomeRenovation #ArchitecturalDesign #LondonArchitecture #ModernLiving #SpaceTransformation #PastelInteriors

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

The article details the seven-year-long decorating process of interior designer Emma Grant's London apartment in Primrose Hill. Grant, who transitioned from a fashion career to interior design, has used her home as a personal laboratory for her unique finds and design experiments. The apartment, a two-bedroom unit in an 1870s row house, features high ceilings and a front terrace overlooking Primrose Hill and the London Zoo, offering an unusual green view for London. The living space is south-facing, providing ample natural light throughout the day, which influenced the apartment's color scheme. Grant’s approach to decorating is unhurried, reflecting a passion for collecting unique pieces rather than adhering to trends. Her finds include a 19th-century wavy marble bistro table, bathroom shelves made from Verde marble fragments sourced from Tate Britain, an antique Suzani blanket that inspired her bedroom's color palette, and gold sconces acquired at auction. Before moving in, the apartment already boasted desirable features. Grant's initial renovations included restaining the oak floors and commissioning a custom ceiling rose to complement the existing vine cornicing in the dining room. A significant design choice was to abandon the previous owners' blue and turquoise walls in favor of a new color palette that transitions from light to dark, moving from the front of the apartment towards the back. The narrow hallway serves as a neutral bridge, painted in Edward Bulmer's Eau de Nile, a color made with natural, eco-friendly pigments. In the main bedroom at the rear, a pale blue, reminiscent of the former color scheme, is accented with pops of cherry red, creating a striking contrast. The kitchen, located at the front, was brightened by salvaging and refreshing the existing cabinets. Grant replaced bulky upper cabinets with reclaimed wood veneer shelving and reduced an imposing black backsplash to a thin border, opting to display her glassware and ceramics. The lower cupboards were painted in Farrow & Ball's School House White and fitted with vintage brass hardware. The flooring features wavy tiles, inspired by a trip to Sierra Leone, which is also referenced by raffia-skirted chairs in the living room that her fiancé brought back from Freetown. The living room, predominantly white, is layered with vintage mirrors, terracotta vases, and a ruby red velvet sofa, which was a secondhand Harrods purchase. The extra-deep sofa, too large for the staircase, required hoisting through the French doors. Grant also incorporates seashells collected from her travels, displayed on chair rails, adding a personal and whimsical touch. Recent projects include remodeling two bathrooms, one with a custom wavy marble sink and another with a $25 blue-bordered sink salvaged from another renovation, requiring the sacrifice of wardrobe space for an enlarged shower stall. Her latest addition is a 19th-century Shaker-style four-poster bed for the second bedroom, reflecting her ongoing joy in curating a unique and evolving home. #InteriorDesign #HomeDecor #LondonApartment #ColorPalette #VintageFinds #Renovation #UniquePieces #EclecticStyle #HomeTour

The owner of a two-bedroom London maisonette, Gemma Edwards, who frequently travels for work with a government conservation agency, opted to hire interior designer Sean Symington to transform her home. Edwards sought a unique and non-standard interior, explaining her desire to avoid a “cookie-cutter” look and her focus on enjoyable aesthetic changes rather than extensive structural renovations. Symington, known for his adept use of color and pattern, was selected to invigorate the apartment. The living room, despite its inherent character, was previously described as dull and lacked a central feature. Symington addressed this by introducing a fireplace surround and incorporating alcove shelving, which served both as a focal point and provided display and storage options. A marble mantelpiece, sourced from a reclamation yard, enhances the room's coziness, particularly when candles are lit, despite not being a functional fireplace. The room features watermelon velvet sofas from Sofa.com and an armchair upholstered in an animal spot velvet. Edwards's existing Dashiki curtain fabric was adapted for the south-facing living room, with Sean lengthening them using an additional panel, offering a cost-effective alternative to purchasing new curtains. The room also benefits from a small balcony, providing a pleasant outdoor space for morning coffee and a developing potted garden, accommodating Edwards's busy schedule that limits traditional gardening. In the kitchen and bathroom, the strategy focused on redecorating rather than replacing existing fixtures and appliances, which were of good quality, to avoid waste. Edwards prioritized investing in fabrics and furniture, elements she could potentially take with her if she were to move. The kitchen now boasts soft, earthy red walls contrasting with dark blue cupboards and a chequerboard floor. Radiators were painted to match the walls, a budget-friendly solution. A matching Roman blind and sink skirt introduce softness, and vintage dining chairs were reupholstered. The narrow hallway was not overlooked in the decorative scheme. One wall features a gallery of framed prints, each without a backing to expose the wall behind. The radiator is cleverly concealed by a fabric skirt and a shelf, providing both style and utility. The main bedroom showcases a vibrant palette of emerald and mustard, combined with natural materials. A half-tester over the bed creates a bold statement, complemented by a classic William Morris print wallpaper. Table lamps from Pooky and smaller reading lights with scalloped seagrass shades adorn wicker-topped bedside tables. Fitted wardrobes, painted in Bancha by Farrow & Ball to match the woodwork, include both panelled doors and open shelves, aiding in creating a sense of spaciousness, with Ikea baskets used for storage. The home office underwent a significant transformation from an unliked baby blue to a warmer Farrow & Ball India Yellow. This color provides a suitable backdrop for a painting and a kilim rug, a souvenir from Edwards's time working in Africa. An antique desk from Vinterior and practical shelves with decorative scalloped edging complete the space. Edwards expresses her satisfaction with the final result, highlighting how each room now possesses a distinct character and individual color scheme, attributing the elevated aesthetic to the paint colors and fabrics chosen with Symington's expertise. #LondonMaisonette #InteriorDesign #ColorfulHome #PatternedDecor #BudgetDecorating #LivingRoomDesign #BedroomDesign #HomeOfficeIdeas #Renovation #SeanSymington

Irene Gunter's inaugural large-scale project involved the interior architectural redesign of a family home in southwest London, a property that, despite its period-style facade, was only constructed in 2021. The design brief from the clients emphasized creating a home that was simultaneously family-friendly, comfortable, elegant, luxurious, fun, and informal. A key requirement was stylistic harmony throughout the residence, ensuring a cohesive flow between rooms while incorporating vibrancy and unexpected color in specific areas. The interior was intended to be uplifting and engaging, moving away from a bland, neutral aesthetic. Irene Gunter's approach centered on a carefully curated color palette predominantly featuring blues and greens, augmented by warmer tones. She stressed the importance of layering these colors to ensure they supported each other and maintained compatibility. Comfort was a paramount consideration, leading to meticulous selection and testing of furniture, such as dining chairs, to guarantee their suitability and durability. The designer collaborated with trusted craftsmen for custom pieces like sofas, relying on their proven track record. Among the standout spaces in the home is the formal sitting room, which features extensive paneling painted in a 'seductive light pink.' This choice was strategic, as the room is north-facing, and a simple white would have appeared flat. The pink hue was selected to imbue the space with warmth and comfort, creating an atmosphere that feels welcoming and elegant. The use of curved sofas and a rounded ottoman in this room not only enhances circulation but also addresses practical concerns related to young children, eliminating sharp corners. In contrast to the serene sitting room, the kitchen introduces a bold punch of navy blue, adding a dramatic element to the design. The high ceilings of the house were leveraged to create a sense of grandeur while simultaneously making the expansive space feel intimate and cozy. The design incorporated a blend of materials, including stone, tiles, and wood, to introduce texture and visual interest. A robust quartz was chosen for the work surfaces, complemented by a wood finish on the island and larder unit. Kit kat tiles on the splashback were used to introduce a Japanese aesthetic, further enriching the material palette. Olive green bar stools were strategically placed to connect the interior with the garden views, maintaining the theme of harmony. Pale wood was used to link the island and the larder unit, which was designed to resemble a free-standing piece. Reeded details on the larder unit and island echoed the pattern of the tiles, creating subtle connections throughout the space. The overall effect is a home that is inviting and warm, achieved through layered textures, playful colors, and a distinct personality, reflecting the designer's vibrant, colorful, and sophisticated style. #InteriorDesign #HouseDesign #LondonHome #NewBuild #ColorPalette #InteriorArchitecture #CustomFurniture #FamilyHome #ElegantInteriors

This article details the transformation of a 5,000-square-foot new-build house in southwest London, where interior designers James Arkoulis and Saskia Howard of Howark Design created a vibrant and family-friendly home. The homeowners, particularly their three children aged 7 to 11, drew inspiration from the whimsical interior of the kids' film Paddington Bear. This unconventional reference led to a design ethos focused on fun, color, and practicality for an active family life, moving away from the previous developer-grade finishes like glossy gray kitchen units and marble floors. The design process involved a deliberate shift towards a more colorful and energetic aesthetic. The designers had to navigate the homeowners' desire for brightness, sometimes even pushing for bolder hues than initially suggested. A key element was the extensive use of color, exemplified by the kitchen's bright yellow cabinets, painted with Farrow & Ball’s Babouche. This choice, while requiring convincing, ultimately achieved the desired warm and balanced effect. The kitchen, a large 30-foot space, was ingeniously divided into three distinct zones—an island, a dining setup, and a lounge area—using a bespoke glazed partition and strategic furniture placement, preventing it from feeling overly long and ensuring each section served a real purpose. Storage was a high priority and a significant investment. Bespoke solutions were implemented throughout the house, including a large media unit and library shelves in the basement playroom. This area, spanning the entire footprint beneath the kitchen, was designed with bold colors for the media unit to house board games and art supplies, while a ladder rail provided access to an expanding book collection. The designers also made clever cost-saving decisions, such as retaining the existing wardrobe boxes and updating them with new fronts to create a uniform, custom look. Artisan craftsmanship was incorporated, particularly in the principal en suite, where space was reallocated to expand the dressing room. This expansion included a unique upholstered niche for the children to relax in while their mother prepared. Hepzabeth from the Textile Wall Company created this cozy space, fully upholstered with batons for a soft and enveloping feel. Other impactful, albeit smaller, details included replacing harsh chrome hardware with antique brass in the bathrooms to align with the house’s classical proportions and swapping recessed lighting for softer wall sconces and flush mounts. Several design decisions, like the boldly colored stair runner spanning four levels, were considered risks at the time but ultimately contributed to the home's distinctive character. The project showcases how a creative and playful inspiration, combined with thoughtful design and material choices, can transform a standard new-build into a personalized, functional, and joyful living space tailored to a family's unique dynamics and aesthetic preferences. #HomeTour #LondonHome #InteriorDesign #ColorPalette #FamilyHome #KidsInspiredDesign #BespokeFurniture #KitchenDesign #PlayroomDesign #StorageSolutions #TextileWall #Renovation

The July London Victoria, an apartment-hotel located across from Victoria Station, offers a unique blend of residential comfort and hospitality services, catering to both short-term guests and long-stay digital nomads. Situated in a prime London location, this 114-key "urban retreat" integrates public-facing hospitality spaces, including The Idler restaurant and an associated deli, designed to provide a calming environment amidst the city's fast pace. These establishments offer urbanites an opportunity to relax and connect. The hotel's interior design, a collaboration between an in-house design team, the London and Los Angeles-based firm Fettle, and architects Studio Moren, skillfully combines comfort with adaptability. The design aesthetic pays homage to the Art Deco architecture prevalent in the area, incorporating sea foam greens, pale pinks, salmony oranges, and burgundy reds across various surfaces such as tiled walls, intricate crown detailing, and two-tone walls. The public spaces, like The Idler, feature plush banquette seating, a distinctive ceiling mural within bold molding, and herringbone-pattern parquet flooring accented with tile trim. White and black marble slabs top curved-edge counters, which are clad in tambour pattern wood slatting, adding to the sophisticated ambiance. Specific design elements like painted glass sphere pendants and select fabric upholstery contribute to the overall refined aesthetic. Accommodation options include guest rooms, suites, and two Family Apartments with interconnected rooms, alongside a co-working space, all equipped to support various aspects of guests' lives, from relaxation to remote work. The layouts are thoughtfully designed to facilitate these diverse needs. In the guest rooms, custom oak joinery provides integrated wardrobes, kitchenettes, and storage solutions. Bespoke brass pendants and discrete bedside lights with fluted shades further enhance the personalized and functional design. This thoughtful approach ensures that guests have all the necessary amenities for an extended stay, whether for business or leisure. Sustainability is a core value for The July brand, and this commitment is reflected in the material choices and furnishing strategies employed throughout the hotel. A notable aspect of the interior furnishing involves the careful sourcing and refurbishment of vintage pieces, aligning with contemporary trends in architecture and design that prioritize environmental consciousness and unique, characterful aesthetics. This approach not only supports sustainable practices but also imbues the hotel with a distinct personality that resonates with its historical context and the modern traveler's desire for authenticity. The July London Victoria differentiates itself within the hospitality sector by fostering a balance between private living and social engagement, a strategy it aims to replicate in its expanding portfolio across Europe. Andy Goodwin, co-founder and creative director of Fettle, emphasized that the design concept was developed to reflect The July’s brand values and its narrative, which is deeply rooted in the local area's history. He highlighted the multifunctional nature of the apartment-hotel rooms, which needed to accommodate relaxation, dining, and work within each apartment, complemented by dedicated meeting, flexible, and wellness areas. This holistic design ensures that the hotel serves as a comprehensive urban retreat, offering a seamless experience for its varied clientele while maintaining a strong connection to its London setting and a forward-thinking approach to hospitality. The hotel offers flexible accommodation options and shared facilities designed to create a vibrant community while still allowing for individual privacy. Its location near a major transportation hub makes it an ideal choice for a diverse range of travelers. Overall, The July London Victoria represents a contemporary solution for urban living, blending design, functionality, and sustainability to create a memorable stay experience. #apartmentHotel #LondonTravel #ArtDecoDesign #digitalNomad #sustainableDesign #interiorDesign #hospitality #urbanRetreat #fettleDesign

The article showcases the vibrant, color-drenched apartment of interior decorator Ally Doman, founder of New York-based Doman Decors, challenging the prevailing minimalist and neutral design trends. Doman, known for her playful and gorgeously designed spaces for clients, provides a tour of her three-bedroom railroad-style apartment, which she shares with her fiancé. They secured the apartment due to its generous square footage and favorable rent, recognizing its potential despite its initial outdated and damaged condition. The apartment required significant renovation, including addressing bare subfloors, cracked tiling, and old kitchen appliances. Doman emphasizes that renovating a rental is often challenging but, in this case, allowed them to transform the space into a personalized home. Despite the initial state, the apartment featured appealing architectural elements such as built-in cabinets and ornate millwork from the early 20th century. Doman successfully integrated a dressing room and a music studio alongside the standard living areas, giving each space a distinct personality. Doman describes her personal design style as bold, bright, colorful, and comfortable, with a blend of sophistication and playfulness. She frequently works with New York apartments, which often present challenges due to their boxy and limited square footage. To counteract these constraints, she favors mid-century shapes and incorporates curvy pieces like free-form tables and rounded decor, along with intricate patterns. Her design process is organic, prioritizing meaningful existing decor and new discoveries over rigid pre-planned color schemes. She allows cherished items and found pieces to guide the aesthetic direction, developing a color story based on these elements midway through the design process. Inspiration for Doman's work comes from various sources, including iconic Post-Impressionist artists like Matisse, whom she admires for his depiction of whimsical and colorful interiors. She also draws ideas from decor magazines such as 'Elle Decor' and 'Architectural Digest,' and follows the work of the Belgian interior design team JP Demeyer & Co for their bold pattern play and eclecticism. For Doman, room functionality is paramount, as she considers how clients will live in their space, whether they prefer lounging or frequently host events. She aims to create spaces that offer a comforting escape from the city's chaos, providing an element of surprise upon entry. Doman sources her apartment decor from a variety of places, including CB2 for sculptural and contemporary furniture, Article for larger pieces like her green sectional, and her true passion, vintage sourcing, both online through Instagram shops and in-person around Brooklyn. She has found unique items on eBay, such as her vintage coffee table, and a lotus lamp from an Instagram seller. Etsy is another go-to for one-of-a-kind finds, and she appreciates local New York-based designers like BEAM, Cold Picnic, and Coming Soon NY. For paints, she uses Farrow and Ball for her living room and dressing room, and Benjamin Moore for the bedroom and kitchen. The biggest design challenge in her railroad apartment is its long and narrow layout, which can be difficult to decorate. The absence of closets necessitated creative storage solutions, including armoires, trunks, and room dividers. The renovation process also faced timeline delays, with the couple living in one room for a month while the rest of the apartment was completed. Doman advises others in similar living situations to be bold in creating different moods for each room while ensuring a cohesive flow due to open layouts. She achieves this by subtly referencing color palettes from other rooms, such as incorporating black and white objects throughout the apartment to echo the kitchen's tile. Ultimately, home for Doman represents a comfortable sanctuary for self-expression and the realization of aesthetic fantasies without external deadlines. #InteriorDesign #ColorfulDecor #ApartmentLiving #RentalRenovation #HomeDecor #AllyDoman #NewYorkApartment #VintageSourcing #Maximalism

Joy Williams, an interior designer, recently undertook a hallway makeover for the Adler on the Park showhouse in Chicago, demonstrating that even small spaces can be transformed into engaging and vibrant areas. The original hallway was a mere pass-through with gray walls and light wood flooring, lacking character. Williams aimed to create a space that would encourage residents to pause and interact, rather than simply moving through. The Adler on the Park showhouse is housed within a landmark building, a set of four row homes constructed between 1915 and 1917, designed by David Adler and Henry Dangler. The building underwent a comprehensive renovation and partial restoration, allowing designers creative freedom while respecting its historical integrity. Williams embraced a global theme, intricately weaving together elements from West African and Asian design traditions. Her inspiration for the space was deeply personal, drawing from Chicago's diverse immigrant neighborhoods, the captivating cherry blossom season she experienced in Kyoto, Japan, and her appreciation for West African architectural design and structure. This diverse palette of influences culminated in a unique and inviting entrance hall. Williams' transformation of the hallway was extensive, moving beyond the existing flooring and a black unit door. She introduced bold color to the walls using bright pink and red paints from Sherwin-Williams, complemented by a pink patterned wallpaper by Thibaut. A focal point was established at the end of the hall, where she designed a white and gold credenza. This credenza, adorned with brass urns, palms, a statue, and custom art by a local artist, was inspired by her travels through Morocco. The renovated foyer now functions as an inspiring passage, guiding residents to their respective units. Its welcoming and homey ambiance is intended to enhance the residents' experience, encouraging them to linger and enjoy the entrance hall rather than treating it solely as a transitional space. Williams also shared insights into the project's challenges and budget allocation. She mentioned that varying ceiling heights necessitated a change in lighting fixtures, leading to the substitution of a chandelier with a wall sconce from Hubbardton Forge, a change that ultimately integrated seamlessly into the design. The majority of the budget was allocated to artwork and furniture, including the custom rift-sawn oak credenza painted in Benjamin Moore bright white and gold. Cost-saving measures included purchasing plants from Home Depot, which offered a good selection. Williams' favorite aspects of the completed space are the vibrant color combination and the original artwork. #InteriorDesign #HomeDecor #HallwayMakeover #GlobalDesign #WestAfricanDesign #AsianDesign #ColorPalette #Showhouse #ChicagoDesign

Architect James Davies, founder of Paper House Project, undertook an ambitious endeavor to convert a derelict former schoolhouse in Hackney, London, into his personal two-bedroom residence. This challenging project, completed by October 2022, transformed a dilapidated brick structure into a high-ceilinged, concrete-floored home, showcasing Davies' vision and determination. The site presented significant hurdles, including being landlocked, lacking existing utility services, and navigating complex access negotiations with surrounding freeholders and leaseholders. Davies described these issues as challenges rather than obstacles, requiring immense patience and unwavering confidence to resolve, including extending new electric and water connections via a 90-meter trench across third-party land. Davies' architectural approach focused on restoring the original brick envelope of the building while implementing a modern interior design. He collaborated with engineers to minimize visible structural elements, thereby maximizing the double-height spaces and enhancing the sense of openness. A key design feature is the incorporation of new gridded steel-frame windows and an inner courtyard, which together flood the interiors with natural light and create a unique sense of volume, uncommon in typical London homes. Davies noted that the abundant natural light, height, and volume significantly contribute to mood and well-being, emphasizing the peaceful and tranquil atmosphere of the internal courtyard, which helps to create a serene environment despite the property's proximity to busy Hackney high streets. The interior aesthetic draws inspiration from industrial and warehouse conversions, influenced by notable structures such as the Turbine Hall at Tate Modern, Liverpool's Albert Docks, and the warehouse living styles prevalent in New York City. Davies consciously selected a limited palette of materials, predominantly concrete and steel surfaces, to achieve a smooth, stylized industrial look throughout the home. This choice of materials, combined with elements like a black marble splash-back, oak veneer door fronts, and a spruce-paneled staircase, introduces contrasting materialities that add depth and character to the design. Practical solutions were devised to overcome site access limitations, such as fabricating large components off-site and ensuring they were light enough to be manually carried through the courtyard by two people. Steel A-frame trusses with cable rod connections were ingeniously embedded to support the new slate roof, demonstrating innovative structural solutions. The downstairs living spaces are subtly divided by the staircase, maintaining an open feel while delineating functional areas. Wooden interior panels are strategically used to soften the white walls, adding warmth to the industrial aesthetic. Davies encapsulated the essence of the house's ambiance with a single word: 'calm', reflecting the successful creation of a tranquil urban dwelling from a complex, derelict site. #Architecture #ResidentialDesign #LondonRealEstate #HackneyHome #ConversionProject #IndustrialAesthetic #PaperHouseProject #ArchitecturalRenovation

Porto-based architecture studio Fala Atelier undertook a significant renovation of a 60-square-metre apartment located in a historic tile-clad building in downtown Lisbon. The project, named Príncipe Real Apartment, was led by Fala Atelier co-founders Filipe Magalhães and Ana Luisa Soares. The primary objective of the renovation was to transform a cramped and spatially disorganised flat into a bright, open-plan living space. The initial state of the apartment was characterized by an erratic spatial system, with interior walls creating a tightly packed and inefficient layout. The architects decided to completely remove all existing interior walls, effectively gutting the apartment to establish a clean slate. Following this demolition, only two new partitions were introduced, allowing for a largely open-plan configuration that dramatically altered the flow and perception of space within the flat. A key design intervention involved the strategic relocation of living spaces. The architects moved the primary living and dining areas from the north side of the apartment to the south, thereby maximising access to natural light and offering enhanced views of the city from the small, enclosed balcony. This reorientation not only improved daylighting but also capitalized on the apartment's urban context. The redesigned layout incorporates mirrored and glass sliding doors, which play a crucial role in enhancing the sense of openness and light. These doors connect the central living and dining space to bedrooms and bathrooms positioned on either side. The reflective surfaces of the mirrored doors contribute to the illusion of a larger space and help distribute light throughout the interior. The balcony, featuring two glazed sides, was conceived as a direct extension of the living room, seamlessly integrating indoor and outdoor areas through two doorways and an adjoining white brick wall. Material choices further contribute to the apartment's aesthetic and functional improvements. The floor in the main living area is adorned with black and white patterned tiles, a design choice that subtly references the decorative facade of the building itself. Bright white paint was used extensively on both walls and ceilings throughout the apartment, creating a neutral and expansive backdrop. This 'clear canvas' approach allows for a curated selection of furniture pieces, which are treated as independent objects within the space, to stand out. Custom-designed furniture elements add character and functionality. A deep green sideboard, featuring a tessellating geometric print, is positioned in the living space, serving as a preparation area adjacent to the kitchen. In one of the bedrooms, a chest of pale-blue drawers with a diamond pattern cut into its surface provides both storage and a decorative accent. The apartment's previous layout included a windowless bedroom in the centre, which lacked views. This was rectified by re-situating both bedrooms side-by-side across the north facade, with the master bedroom gaining French doors that open onto a small balcony. The project effectively addressed the spatial deficiencies of the original flat, creating a modern, light-filled, and functionally superior living environment through thoughtful demolition, reorientation, and strategic material and furniture selections. #ApartmentRenovation #LisbonArchitecture #OpenPlanLiving #InteriorDesign #FalaAtelier #ResidentialArchitecture #SpaceRedesign #ModernInteriors

This article highlights the transformation of a 750-square-foot apartment in a 1910 prewar building on the Upper West Side of New York City, designed by Homepolish designer Marissa Bero. The project aimed to update a space previously occupied by a Broadway lighting designer for 50 years, which included a disco ball in the entry, dated track lighting, and wall-to-wall carpeting. Bero's design philosophy for this renovation was an "eclectic Hollywood Regency with luxe fabrics and finishes, a touch of chinoiserie, and just the right amount of kitsch," tailored to the new homeowners, Michael and Luca, and their contemporary aesthetic. The renovation began with addressing the pre-existing outdated elements, such as removing the disco ball and old lighting, and replacing the wall-to-wall carpeting. After creating a clean palette, which involved refinishing hardwood floors and installing new light fixtures, Bero introduced vibrant colors and patterns. The homeowners' passion for collecting unique vintage pieces significantly influenced the design, leading to an interior filled with retro art prints and colorful tchotchkes. Key design elements include a chinoiserie wallpaper accent wall and a deep plum-hued velvet sofa, blending old-school elegance with sleek mid-century lines and whimsical touches. Bero emphasizes her strategy of mixing styles and eras, noting that a cohesive look is achieved through a consistent color palette and by repeating design styles or motifs. For example, if an Art Deco furniture piece is introduced, another one from the same era is included in the room to create unity. She also points out that pieces from different eras can harmonize if they share similar lines, curves, or motifs. In the living room, to maintain an airy feel and capitalize on the natural light from large windows, Bero opted for simple white paint and sheer linen drapes. Color was strategically introduced through vibrant throw pillows and a bookcase adorned with colorful books and plants. The bedroom features a rich blue tone, balancing opulent and contemporary styles. Recognizing Luca's extensive wardrobe, Bero prioritized ample storage solutions while maintaining a cozy and romantic atmosphere. Bero encourages homeowners not to shy away from bold design choices, suggesting that initial intimidation can lead to the most rewarding outcomes. The article concludes by presenting this apartment as a prime example of successful style integration and personalized interior design, demonstrating how a blend of diverse elements can create a uniquely appealing and cohesive living space. #InteriorDesign #ApartmentRenovation #EclecticStyle #HollywoodRegency #NYCDesign #ColorPalette #KitschDecor #HomePolish

The article details the renovation of Unit 622, an apartment located within Montreal's historic Habitat 67 housing complex. Designed by the interior and industrial design firm Rainville Sangaré, the project transformed the space into a bright, open, and modern home. The renovation focused on simple lines, material integrity, and a minimalist aesthetic, drawing inspiration from the Brutalist architectural style of Habitat 67 itself. The original complex, conceived by Israeli-Canadian architect Moshe Safdie in the 1960s, aimed to provide affordable urban living through 158 stacked, prefabricated concrete units. Unit 622 features a unique T-shaped layout formed by two prefab blocks. A key aspect of the renovation involved preserving the concrete junction where these two volumes meet, leaving it exposed as an homage to the apartment's history, complete with original construction markings. The design choices were also influenced by Habitat 67's location on the Saint-Laurence River, particularly the challenging winter conditions. Rainville Sangaré opted for a minimal material and color palette, incorporating raw finishes like steel and concrete throughout the space to enhance the natural light and reflect the building's robust character. The living room features built-in shelves framing the window, and custom-made ventilation grids were installed, reflecting the owners' interest in local craft and design. A notable artistic element is a commissioned piece by local artist James Kennedy, mounted on a sliding door that conceals the television. The apartment is entirely outfitted with Sangaré’s UNITÉ lighting, a collection inspired by Habitat 67's rectangular prefab blocks. The kitchen, designed for efficiency, was crafted by local brand À Hauteur d’homme. The guest room is designed for versatility, featuring a hideaway bed that allows the space to function as an office, also lit by Sangaré’s UNITÉ lighting. The main bedroom is predominantly oak, with a custom-designed bed and nightstand, and also features lighting by Sangaré. Streamlined oak panels are used for the wardrobe. In contrast to the minimalist living areas, the bathrooms introduce color and intriguing finishes, including a dichroic glass shower divider that changes color under different lighting conditions. Concrete tiles in the bathrooms further reference the building's Brutalist origins. The renovation successfully marries contemporary design with the historical and architectural integrity of Habitat 67, creating a sophisticated and functional living space. #Habitat67 #MontrealRenovation #ModernApartment #BrutalistArchitecture #MinimalistDesign #InteriorDesign #PrefabHomes #RainvilleSangaré

This article highlights the transformation of a Victorian terrace in south London, where designer Laura Stephens reconfigured its layout to inject light and modern living while preserving its historical character. The project addressed the common dilemma of modernizing classic townhouses by integrating contemporary elements without compromising original features like paneling, plasterwork, and traditional layouts. Instead of extensive structural changes, Stephens focused on a less interventionist approach, retaining the 19th-century architecture and skillfully adapting the floor plan to suit a modern family. Key changes included relocating the sitting room to the back, moving the kitchen to the middle, and positioning the dining room, which also functions as a small home office, at the front of the house. To enhance natural light, a glazed screen was installed between the hallway and dining room, creating an effect similar to an old-fashioned office partition, which significantly brightened the front of the home. The design incorporated fresh colors, and natural textures like jute and seagrass, along with subtle architectural details to create a living space that feels both contemporary and timeless. The kitchen features periwinkle blue cabinetry designed to complement the high ceilings, contrasted with 'utilitarian' white metro tiles and bronze hardware, which adds a touch of aged elegance. In the sitting room, a new fireplace was installed, and half-paneling was introduced to balance the striped wallpaper. The designer also focused on sustainability and cost-effectiveness by recovering existing furniture pieces such as sofas, armchairs, dining chairs, and an ottoman, demonstrating a commitment to preserving and repurposing items. The main bedroom underwent a significant transformation, with previously 'bleak' wardrobes being revitalized by glazed doors lined with gathered fabric. A gauzy pendant light was chosen for its sculptural quality, echoing the textured pink wallcovering that envelops the room. In the top-floor bathroom, an innovative solution was found when a shortage of mustard and white tiles led to the installation of a mirror panel. This not only extended the striped design but also visually expanded the cozy, eaves-tucked space. Laura Stephens also designed unique rugs in collaboration with Bombay Sprout, incorporating motifs based on antique passementerie and natural jute textures, reflecting the blend of past and present in the home's overall design. Laura Stephens shared her style inspiration, citing her satisfaction with the glazed wall, her preference for 'Spruce' by Paint & Paper Library as a go-to color, and drawing inspiration from interior design books, historical and contemporary, as well as her youngest daughter. She expressed admiration for architect Gil Schafer and the Chrysler Building in New York City. The project successfully created a bright, comfortable, and ageless living space that honors its Victorian roots while embracing modern functionality and aesthetics. #LondonTownhouse #VictorianRenovation #InteriorDesign #LauraStephens #HomeRedesign #ColorPalette #TextureMixing #NaturalLight #KitchenDesign #BedroomTransformation

Albion Nord, a London-based residential interior design and project management studio, specializes in a blend of European classicism and British style. The studio, founded by Anthony Kooperman, Ben Johnson, Camilla Clarke, and Ottalie Stride, creates interiors that aim to be timeless, imbued with soul and character. Their design philosophy centers on responding to client desires, the surrounding environment, and the site's inherent features, with a strong emphasis on storytelling through carefully sourced antiques, furniture, art, and accessories. Camilla Clarke and Ottalie Stride personally travel across the UK and Europe to discover unique pieces that personalize each home. Albion Nord's design inspiration is rooted in creating depth and connection by reflecting the homeowner's narrative, the architecture, or the local area. This approach avoids a generic feel, ensuring each project possesses a distinct identity. Their preferred color palette includes earthy tones such as greens, dusky blues, ochres, chocolates, and creams, actively avoiding greys in favor of architectural creams or natural greens. Recently, they have incorporated yellows and pinks for their cheerful qualities. Pattern use is typically on a smaller scale, often featuring fabrics from designers like Tissus D’Helene, Zak & Fox, Soane, The Fabric Collective, and Blithfield. Antique fabrics are also frequently used for cushions or framed as artwork to add focal points. Three projects highlight Albion Nord’s design principles. The first, a Notting Hill Family Home, draws inspiration from its Georgian architectural setting in Holland Park. This extensive 11,000 sq ft property underwent significant refurbishment, including new upper and basement floors with a gym and a 15m pool. The interior design blends crafted, textured modernity in joinery and furnishings, such as a bespoke scallop headboard by David Seyfried and a Cox London Golden Oak Chandelier. The firm combines vintage and antique finds with oversized, comfortable bespoke sofas. Natural and soft materials like honed limestone, washed oak, wool, sisal, abaca rugs, and tadelakt walls were used. Lighting incorporates natural light from large windows, supplemented by pendants, lamps, and decorative fixtures for warmth. The color palette is light and fresh, featuring Paint & Paper Library’s Slate III and Farrow & Ball’s Hardwick White, providing a neutral backdrop for contemporary abstract art. The second project, Holland Park Apartments, emphasizes sustainability and individuality. Each apartment is designed with unique character, moving away from mass consumption by carefully selecting items and blending old with new. The team collaborates with independent craftsmen for bespoke pieces and sources antiques to create personal spaces. The layout maximizes views, with long, skylit corridors highlighted by statement artwork or sculptural tables leading to open-plan living areas. The color palette combines light, fresh tones with richer earthy greens, burnt oranges, and blues. A focus on textures and materiality ensures grounding, with timbers showcasing natural grains and marbles honed for softness. Finally, a Marylebone Terrace House, a Grade II-listed Georgian property overlooking Regent's Park, focuses on reinstating period features. The 12,000 sq ft space is subtly decorated with a mix of antique and mid-century furniture, contemporary art, and a light, fresh color palette. The design creates a timeless aesthetic, layering eclectic pieces and British art to highlight the property's architectural grandeur. The media room features Farrow & Ball’s Down Pipe, a dusty green-blue that changes with light, while Paint & Paper Library’s Slate III is used in the entrance hall to emphasize architectural details. The material selection prioritizes natural elements like oaks, linens, wools, silks, and sisals to add warmth, interest, and prevent the space from feeling static. #InteriorDesign #AlbionNord #ResidentialDesign #EuropeanClassicism #BritishStyle #AntiqueFurniture #ContemporaryArt #ColorPalette #SustainableDesign