tom dixon carpet series for ege reflects london's industrial landscapes

Tom Dixon is set to unveil a new textile collection, named Super Texture, at the Maison&Objet; furniture fair. This collection is an exploration of various textile techniques, including weaving, knitting, knotting, and digital printing, applied across a range of cushions and throws. The Super Texture collection introduces three new product families and includes updates to two of Dixon's existing lines. Among the new offerings are the Abstract cushions, which are thick, woolly cushions distinguished by bold blocks of saturated color. These cushions are crafted by artisans in Varanasi, Northern India, utilizing a hand-tufting technique traditionally employed for rug making, resulting in durable, shaggy textures. Dixon drew inspiration from urban perspective sketches and 1970s "hippy" wall hangings for these deep-pile cushions. Another new addition for 2018 is the Paint cushions, which feature painterly prints of abstracted urban landscapes. These landscapes were created by British artist Josephine Ortega, commissioned by Dixon to produce a series of architectural watercolors based on British urban scenes. The designs are rendered onto a textured canvas made from off-white linen blended with lightweight viscose, with pink and indigo pigments digitally printed onto the fabric. The Paint cushions are then sewn, stuffed, and finished in Britain. The third new family in the collection is Geo, comprising cushions and throws that showcase geology-inspired illustrations. These patterns, reminiscent of rock formations and layered sediment, are embroidered in black thread onto white cushions and a double-sided throw. In addition to these new product families, the Super Texture collection brings updates to the existing Soft and Boucle ranges. The Soft cushions and pouches are now available in new Wine and Khaki colorways. The Boucle cushions and throws are updated with Khaki and Electric Blue options, with the studio noting the electric blue's intensity and the military-inspired khaki's versatility as both a neutral and a highlight. The manufacturing processes for these textiles highlight traditional craftsmanship and global sourcing. The Boucle cushions are hand-spun using hand-woven yarn in the mountainous region of Rajasthan, India, with wool sourced from New Zealand. The Soft cushions and pouches are crafted from Dutch woven fabric, utilizing South-African Angora goat hair. This collection, debuting at Maison&Objet;, is part of a broader launch of new designs at the fair. Other notable introductions include spherical glass pendant lamps by Sebastian Herkner for German brand Pulpo and a martial arts-inspired table and chair set by AC/AL Studio for Petite Friture. The Super Texture collection reinforces Tom Dixon's commitment to exploring diverse materials and manufacturing techniques to create distinctive homeware items. #TomDixon #TextileDesign #MaisonObjet #Cushions #Throws #HomewareDesign #IndianCraftsmanship #BritishDesign #ProductLaunch

British designer Tom Dixon has launched a new tile collection for Italian brand Bisazza, named Cementiles. The collection features graphic and trompe-l'oeil patterns that draw inspiration from various architectural features found in London, such as bricks and pebble-dash walls. This collaboration marks the first time Bisazza has worked with Dixon's London studio, which also recently completed the nautical-themed renovation of the London Mondrian hotel. Dixon's design approach for the Cementiles collection was rooted in the colours and textures prevalent throughout London's urban landscape. He translated these elements into simplified graphic patterns, which are then applied to the surfaces of cement tiles. Dixon stated that London, his hometown, provided all the necessary inspiration for this new line of surfaces. He emphasized that the fundamental building blocks and textures of this ancient city are deeply ingrained in his design philosophy. He further elaborated that elements like red clay bricks, cracked pavements, and pebble-dash walls—which he describes as hallmarks of a perpetually evolving capital—have been reimagined in a pop-art graphic style. This artistic interpretation was also tailored to meet the inherent simplicity required by the century-old tile manufacturing process. The collection comprises a total of 12 distinct patterns, each offered in a limited selection of colour options. The square tiles are uniformly sized at 20 by 20 centimetres, while the hexagonal designs measure 20 by 23 centimetres. Specific patterns within the collection include 'Broke,' which mimics the appearance of cracked paving slabs, and 'Void' and 'Wall,' both of which evoke traditional brickwork. Other patterns like 'Skew,' 'Flip,' and 'Block' feature designs that visually represent three-dimensional building blocks. Additionally, a series of two-toned linear patterns within the collection draws inspiration from vents, ducts, and pipes, while the 'Grit' design is reminiscent of pebble-dash walls and similar aggregate surfaces. In recent times, Dixon's studio has expanded its scope of work to include a greater number of accessories projects, in addition to its established reputation for furniture and lighting design. Notable recent launches include a reflective copper coffee set, a range of home items featuring glass barware and scent diffusers, and a collection of copper stationery and containers. The Cementiles collection by Tom Dixon was specifically developed to commemorate the tenth anniversary of Bisazza's London showroom and will be part of the firm's 2016 portfolio. This portfolio also features a mosaic collection by Studio Job, known for its patterns depicting bones and animal skeletons. #TomDixon #Bisazza #TileCollection #Cementiles #LondonArchitecture #HomewareDesign #BritishDesign #InteriorDesign #ArchitecturalInspiration

The Elvetham, a luxury hotel situated in Hampshire, UK, boasts a rich history spanning centuries, with its origins tracing back to the 11th century. The estate has been a silent witness to significant historical events, including Eadric the Wild’s defiance against William the Conqueror and King Henry VIII’s romantic involvement with Jane Seymour. The hotel’s extensive grounds, ancient oak trees, and parklands collectively narrate the historical tapestry of England. While the medieval structure has undergone transformations over time, its inherent heritage is meticulously preserved within the hotel's stunning interiors, which harmoniously blend modern luxury with a profound respect for its past. Comprising 43 guestrooms in the main house and an additional 48 rooms in the adjacent court building, totaling 91 rooms, The Elvetham successfully integrates the allure of its historic setting with contemporary design elements and hospitality standards. The recent renovation of The Elvetham was spearheaded by Sindri Matharu, Design Director at Jastar Capital, following the acquisition of the property by her family. Recognizing the need to align the interior aesthetics with the grandeur of the exterior, Matharu initiated a comprehensive update. She noted the inherent challenges in balancing historical elements with modern requirements in such properties, observing that the existing rooms, characterized by high ceilings and wood details, lacked warmth. The integration of carpets was deemed essential to introduce this warmth, though the discovery of original tiling beneath old carpets in public areas led to a strategic shift towards utilizing runners and rugs to accentuate these rediscovered features. For the 2,000 square meters of carpet commissioned from Ege Carpets, Matharu drew inspiration directly from The Elvetham's historical architecture. She specifically used the octagonal ceilings as a foundational motif for the custom Colortec carpet designs. The color palette for these carpets was carefully matched to the original tiling unearthed during the renovation, ensuring a cohesive and historically sensitive integration. In prominent areas such as the Top Hall and Bar, Matharu referenced the textile designs of William Morris, whose artistic contributions are considered fundamental to early British design. In the guest bedrooms, a subtle herringbone pattern from Ege Carpets’ Graphic collection was selected. This choice was intended to evoke the classic aesthetic of an English gentleman’s residence, while simultaneously complementing the intricate designs of the headboards. Matharu commended the collaborative process with Ege Carpets, highlighting their understanding, patience, and flexibility in accommodating changes to the initial specifications. Guests have expressed particular appreciation for the ground floor runners and rugs, which effectively showcase the original tiles that were uncovered. Matharu herself considers the rug in the Top Hall to be her favorite design element, as it imparts a sense of opulence and enhances the ceiling details and surrounding tiling. Reflecting on the design philosophy, Matharu underscored the importance of respecting the building’s historical context. She emphasized that while design is inherently subjective, the primary objective should be to complement the past rather than detract from it. Ege Carpets, a specialist in high-quality textile flooring for luxury hotels globally, offers Graphic and Colortec collections that merge sophisticated aesthetics with comfort, creating spaces of timeless elegance. The Colortec collection provides extensive design flexibility, allowing hotels to embed their brand identity and unique elements into custom carpet designs. The use of pre-dyed yarn in their products ensures precise color matching and seamless integration of multiple shades, offering creative freedom without compromise. Ege Carpets also prioritizes sustainability, with both Graphic and Colortec carpets holding Cradle to Cradle and Indoor Air Comfort Gold certifications. Their commitment to waste reduction and cost efficiency is evident in their ability to tailor carpets to specific room sizes, thereby minimizing waste, reducing installation time, and lowering overall costs. The company's pre-cut service further simplifies installation and site handling. With options for textile or felt backings, Ege Carpets provides comfort, superior acoustics, and optimal support for luxury hotel interiors. The availability of realistic carpet samples and large-scale paper prints assists hoteliers in visualizing the final outcome and assessing material quality prior to installation. #HotelDesign #EgeCarpets #TheElvetham #HeritageDesign #InteriorRenovation #CustomCarpets #LuxuryHospitality #SindriMatharu #HistoricProperties

The Duxton Hotel, a five-star establishment in Perth’s CBD, recently underwent a major interior refresh, aiming to integrate luxury with a strong sense of local identity through its floorcoverings. The project was spearheaded by interior designer Andrea Webster, whose vision was to imbue the hotel's interiors with elements reflecting Western Australia's natural landscape. Webster emphasized the importance of incorporating design elements that capture the natural wonders of Perth's land and sea. To achieve this, GH Commercial collaborated closely with the design team, utilizing their Fast Track® customisation platform to create bespoke carpets. This platform allowed for the development of unique designs drawn from the Elements of Nature and Oceanic Woven Collections. The design team was able to precisely adjust pattern scale, color, and texture to complement each specific area within the hotel. For instance, the Club Lounge features the Gum Blossom design, a botanical pattern selected for its organic motifs and strong visual connection to Western Australia’s natural environment. This design introduces a soft, flowing contrast to the traditional timber paneling, creating a harmonious balance between classic architectural features and contemporary expression. The Oceanic Woven Collection was chosen for the Club Rooms, reflecting the essence of Oceania and drawing inspiration from the natural forms and tonal beauty of the Coral and Tasman Seas. The Elements of Nature Collection, inspired by the organic textures and tones of the Australian landscape, was specified for the Corridors, Presidential Suite, Ballroom, and Lower Ground Function Areas. This strategic selection established a cohesive visual identity throughout the hotel, deeply rooted in its geographical context. These premium woven carpets, designed locally and made from an 80% wool/20% synthetic fiber blend, provide a dense, tactile pile that offers both luxurious softness and long-lasting resilience. In the hotel’s standard guest rooms, Hotham – 765 Omeo, crafted from 100% wool, was selected for its rich texture, warmth, and timeless appeal. Hotham offers natural thermal and acoustic insulation, providing a soft, breathable, and sustainable flooring option. Its neutral tone serves as a calm foundation for the room’s interior styling, contributing understated elegance without overwhelming the space. Beyond aesthetics, performance and comfort were critical considerations for the high-traffic hospitality environment. The Oceanic Woven Collection's wool-rich blend ensures excellent resilience and wear resistance, while also enhancing acoustic performance and underfoot comfort. Similarly, Hotham’s pure wool composition in the guest rooms provides inherent fire resistance, durability, and softness, aligning with the requirements for a refined, five-star guest experience. Andrea Webster highlighted that the quality of the feel underfoot was as important as the visual appeal in the specification process for this hotel. The combination of these materials successfully brought depth, warmth, and durability to the hotel’s interiors, transforming each room into a sensory and site-responsive experience. GH Commercial emphasizes its commitment to providing bespoke carpet solutions that meet design visions without compromise, combining local artistry with 160 years of manufacturing expertise. As part of Mohawk Industries, the company leverages a global network for innovation, design, and supply to ensure appropriate flooring solutions. The project details include the Duxton Hotel in Perth, with Realeyes Design as the interior designer, Swan Valley Carpets as the flooring contractor, and products from GH Commercial’s Fast Track® Custom Woven Carpet (Elements of Nature and Oceanic Collections) and Hotham Wool Broadloom Carpet. #HotelDesign #InteriorRefresh #CustomCarpets #LuxuryFlooring #WoolCarpet #SustainableDesign #HospitalityDesign #LocalContext #PerthArchitecture

The blog post presents a curated guide to London's most inspiring design shopping destinations, emphasizing the experiential nature of browsing through the city's varied streets and shops. It details a suggested itinerary for a full day of design-focused exploration, starting with a morning routine. The morning begins in Fitzrovia with coffee at Kaffeine, followed by a visit to Pentreath & Hall, known for its marbled lampshades and ceramic candlesticks. The itinerary then moves south towards Covent Garden, recommending a stop at Choosing Keeping for Italian notebooks and Japanese pens, and a second coffee break at Monmouth Coffee for a croissant. These early stops focus on unique decorative items and stationery, setting a tone for discovery. Midday shifts to the east, recommending a visit to Clerkenwell and Holborn to explore Present & Correct for stationery. Further east in Shoreditch, the guide highlights Labour and Wait, a store recognized for enamelware and striped dishcloths, with a suggestion to explore its vintage-inspired perfumes and bath accessories. Lunch is recommended at the Old Spitalfields Market, keeping it simple to allow for a more indulgent afternoon of shopping. The afternoon segment suggests a leisurely visit to Petersham Nurseries in Richmond or Covent Garden, depending on one's energy, for garden accoutrements and a glass of rosé. This is followed by a visit to 8 Holland Street, which offers a gallery-meets-home shopping experience, and Collins & Green Art for antique and vintage artworks, available by appointment. Nearby, Penny Morrison and Guy Goodfellow are recommended for their textiles, antiques, and home decor, underscoring their importance in a design shopping tour. The evening portion of the guide leads to Straw London for playful pieces made from natural materials, including baskets and ceramic serving items. The day concludes with a retreat to The Mandrake Hotel, described as a bohemian anchor with a dream-like design, lush fabrics, and surreal art, creating an opulent yet intimate atmosphere. The suggestion is to order a dirty martini in its courtyard garden. The article concludes by emphasizing that London's design shopping is not just about purchases but about the experience of discovery through its streets, coffee stops, and unexpected treasures, suggesting that true engagement with the city involves bringing home unique, hand-carried items as mementos. #LondonDesign #ShoppingGuide #InteriorDesign #HomeDecor #Antiques #Textiles #Stationery #BoutiqueHotels #Travel

This article explores the transformation of a 300-year-old London building, which has served various purposes from the Blewcoat School in the 1700s to an information center and a bridal boutique, into the first brick-and-mortar outpost for design firm Studio Ashby. The new space functions as both a Sister showroom and an office. Founder and creative director Sophie Ashby faced significant challenges due to the building's Grade I historical status, which imposed strict regulations on even minor alterations, such as hanging artwork or touching up paint, requiring lengthy approval processes. Despite the hurdles and a two-year-long negotiation period with preservation councils, Sophie Ashby was determined to realize her vision for a vibrant Studio Ashby hub, complete with community events and a comprehensive fabric swatch library. She describes the design process as a "surface intervention" due to the inability to modify the building's original framework. The decision to invest in a physical gathering space during a pandemic was driven by Ashby's belief in the immersive experience of a well-designed store, aiming to replicate that captivating atmosphere for her team and clients. The design approach treated the workspace as a client project, intending for it to be a physical representation of Studio Ashby's design philosophy. The main floor is organized into areas resembling a home's parlor, living room, and dining area, with four existing columns naturally defining these zones. A round table serves as a breakfast nook for client consultations, while a deep sofa and leather armchair create a welcoming space for weekly happy hours. Privacy in the open layout is achieved through strategically placed shelves filled with shoppable ceramics, sectioning off a quieter meeting area featuring a travertine desk and armchairs upholstered in pale green toile. Sophie Ashby meticulously selected furniture and fabrics to complement the building's original, unchangeable fixtures, such as the grayscale marble vanity in the bathroom. The primary workspace for the team is located upstairs, chosen for its abundant natural light, which even lower ceilings cannot diminish. Leopard-print chairs are incorporated to add a bold design element. The sample library is distributed between mood boards upstairs and extensive open shelving in the basement, both brimming with design inspiration. Ashby's design philosophy emphasizes eclecticism for timelessness. This is evident in the juxtaposition of diverse elements, such as a recycled plastic side table placed beside a mustard yellow velvet sofa, and an antique burl-wood chest paired with a modern ceramic lamp. Art installations were carefully executed using picture wires to avoid construction delays. Ashby notes that the building's historical white-box nature enhances whatever is placed within it, allowing each design element to stand out. #InteriorDesign #OfficeDesign #StudioAshby #LondonArchitecture #HistoricBuilding #DesignPhilosophy #WorkplaceDesign #EclecticStyle #RenovationChallenges

The renowned interior designer Kit Kemp MBE has collaborated with Wilton Carpets to launch a new collection of woven, wool-rich carpets designed for hospitality, travel, and home environments. Kit Kemp, known for her unique approach to interior design and her role as Design Director of Firmdale Hotels PLC, brings her celebrated aesthetic, which has earned multiple prestigious awards including ‘Condé Nast Best Hotel in the World for Design’, to this partnership. Wilton Carpets, with nearly 400 years of weaving heritage, designs and manufactures its carpets in Britain, blending traditional craftsmanship with advanced robotic machinery. The collaboration successfully translates Kemp’s creative vision into a tangible collection. Wilton Carpets' highly experienced design team, led by Damien Roscoe, Head of Creative, worked closely with Kemp to realize her ideas, pushing the boundaries of carpet craft. Kemp highlights that modern manufacturing technology, combined with Wilton Carpets' design expertise, has enabled the creation of subtle effects and color gradations that mimic the finish of hand-blocked fabrics, imbuing the carpets with a contemporary and joyful feel. The made-to-order collection features nine distinctive and versatile designs, drawing inspiration from folklore, architecture, and botanical motifs. These designs are adaptable for both traditional and modern interiors. The carpets are manufactured using traditional Axminster or Wilton weaves, and some incorporate the added texture of a Brussels weave, ensuring superior design and quality. Made from a British wool-rich blend, the carpets offer durability and wear resistance, available as wall-to-wall installations or bespoke area rugs tailored for project demands. Key designs within the collection include 'Batik,' which references hand-blocked fabrics and is available in striking red and blue colorways. 'Detail' presents a strong architectural look in six colorways, including red on blue and yellow on black. 'By Way' features a classic herringbone pattern with bright color combinations, offered in four high-contrast options. 'Domino' is inspired by traditional Turkish carpets, showcasing a large diamond repeat in four colorways, such as dynamic shades of blue and terracotta. 'Flower and Berry' is a versatile botanical pattern suitable for various settings, available in five colorways including red on off-white and off-white on pea green. Further designs include 'Leaf Cut,' a nature-inspired pattern depicting falling leaves, available in blue with orange leaves and red with green. 'Open Plan' offers a large, tribal-influenced repeat suitable for grand spaces, in four color combinations, mostly with an off-white base. 'Tweed Fleck' is a modern classic tweed design with vibrant flecks, available in seven high-impact colorways like red, teal, and blue. Lastly, 'Squiggle' is a simple yet impactful linear geometric design, available in inverse colors and five other off-white combinations, ideal for tailoring halls and stairways. This collection exemplifies Kit Kemp’s signature richness of pattern and understanding of color, making craft-inspired carpets accessible for a wide audience. #KitKemp #WiltonCarpets #CarpetCollection #InteriorDesign #HospitalityDesign #HomeDecor #BritishManufacturing #TextileDesign #WoolCarpets

The article discusses Tyler Mitchell's exhibition, 'Portrait of the Modern Dandy,' at Gagosian Burlington Arcade in London. This collection of photographs was initially created as a visual essay for the Met's spring 2025 Costume Institute exhibition, 'Superfine: Tailoring Black Style,' curated by Monica L. Miller. Mitchell's decision to display these works in Burlington Arcade is intentional, given the area's historical connection to sartorial culture, being close to Savile Row and Jermyn Street, and once housing Britain's first department store. He highlights that figures like Olaudah Equiano and Julius Soubise utilized style in these very streets centuries ago as a means of self-expression and challenging social hierarchies. The exhibition is significant as it deliberately reinserts contemporary images of Black Dandy presence into a historical lineage that largely began in England. Mitchell's series invites a re-evaluation of dandy aesthetics and their contexts, building upon recent explorations of menswear and Black style in London, such as Ekow Eshun’s ‘Made You Look: Dandyism and Black Masculinity’ and the V&A’s ‘Fashioning Masculinities: The Art of Menswear’. Mitchell, who understood dandyism and the Black Dandy archetype before this project, views it as a clever subversion of traditional male dress conventions. His upbringing in Atlanta led him to seek alternative expressions of male identity intertwined with his Blackness. Mitchell is known for his world-building and scenes of Black utopia, where leisure is portrayed as a tender pursuit, as evidenced in his monograph 'Wish This Was Real.' Fashion serves as a crucial storytelling tool in his work. He has collaborated with notable designers like Jonathan Anderson and Grace Wales Bonner and made history as the first Black photographer to shoot a _Vogue_ cover (Beyoncé) in the magazine's 126-year history at just 23 years old. For Mitchell, the Black Dandy symbolizes a realm of possibilities, offering a perspective on reimagining masculinity. The Gagosian show features protagonists dressed in various suit styles and accessories, some wearing garments from the Met exhibition, while others are self-styled or don pieces from their personal wardrobes. Noteworthy images include '_The Dinner Party_,' depicting nine individuals in sharp black suits, top hats, and bow ties around a table, and '_Harlem Stoop_,' showcasing eight people in front of a Brownstone, referencing the Harlem Renaissance. Mitchell reflects on the project's origins, stating that Monica Miller gave him considerable creative freedom, aiming to blend historical references with a modern sensibility while envisioning the future. His research for the project involved immersing himself in Miller’s writings and revisiting other influential works like Isaac Julien’s _Looking for Langston_. He recalls a significant moment discovering an early portrait of Colman Domingo in Shantrelle P Lewis’s _Dandy Lion: The Black Dandy and Street Style_, which underscored how dandyism can be evoked through diverse means, primarily through attitude and wit. Mitchell perceives his work as fragments of a larger narrative, embracing beauty while accepting that not every image needs to be a standalone masterpiece, emphasizing fluidity. In creating 'Portrait of the Modern Dandy,' he consciously engaged in a dialogue with photographic predecessors such as James Van Der Zee, Carl Van Vechten, Seydou Keïta, and Malick Sidibé, and acknowledges contemporary influences like Yinka Shonibare, Isaac Julien, Grace Wales Bonner, and Rotimi Fani-Kayode in London. #TylerMitchell #PhotographyExhibition #BlackDandy #GagosianLondon #FashionHistory #Masculinity #ArtAndCulture #LondonArtScene

British designer Tom Dixon has introduced a new coffee collection called "Brew," featuring a series of copper-covered products designed for brewing and serving coffee. The collection aims to celebrate the ritual of coffee making, from preparation to serving, emphasizing the coming together of heat, steam, water, and coffee grounds as a ceremonial performance. The Brew range encompasses a comprehensive set of items essential for the entire coffee experience. This includes a tin specifically designed for storing coffee beans or grounds, a precisely sized scoop for measuring, a traditional cafetiere for immersion brewing, and a stovetop espresso maker for a stronger brew. Complementing these are a milk pan for warming and frothing milk, elegant espresso cups, a biscuit tin to accompany the coffee, and a circular serving tray that neatly accommodates all the items. Crafted from stainless steel, the products in the Brew collection achieve their distinctive high-gloss, reflective appearance through the application of a thin copper film. This technique provides an even and brilliant copper finish across the exterior surfaces, distinguishing it from Dixon's earlier brass tea set. The choice of materials and finishing contributes to a sophisticated aesthetic that elevates the everyday coffee ritual. The design philosophy behind Brew centers on acknowledging coffee making as an art form and coffee drinking as an elevated occasion deserving of time and reverence. Each component of the set is meticulously designed not only for its functional purpose but also to contribute to the overall aesthetic and tactile experience. The thoughtful design extends to practicality, with features such as the stackable espresso cups, which allow for efficient storage on the circular serving tray. Tom Dixon, a prominent figure in British design, has frequently incorporated copper into his previous projects, spanning from stationery and home accessories to hotel lobby interiors. His consistent use of the material highlights its versatility and visual appeal. This new coffee set further reinforces his signature style, combining contemporary design with traditional craftsmanship and a focus on luxurious materials. The Brew collection reflects Dixon's ongoing commitment to creating functional yet aesthetically compelling objects that enhance daily life. #TomDixon #CoffeeSet #HomewareDesign #CopperProducts #BritishDesign #ProductDesign #CoffeeRitual #Kitchenware #HomeAccessories

Tarkett, a prominent global provider of recyclable flooring solutions, has officially opened its new UK and Ireland showroom, Tarkett Atelier, situated in the vibrant creative district of Clerkenwell, London. This innovative space, located at 47-53 St John Street, was designed in collaboration with Stockholm-based Note Design Studio and contractor Area Square, opening its doors on July 6th. The showroom aims to offer architects, designers, and end-users a comprehensive experience, showcasing the latest sustainable and design-led interior finishes and demonstrating how various materials can be creatively re-envisioned. The design ethos of Tarkett Atelier draws inspiration from Britain's industrial city heritage, adopting a 'soft industrial' aesthetic. A core principle of the design is sustainability and adaptability, evident in every curated aspect of the interior. The entire space utilizes materials from circular collections and is composed of 100% recyclable components. The showroom redefines the conventional showroom experience by seamlessly integrating technology with digital features, including interactive displays and virtual reality elements. This approach allows for a deeper engagement with the products and design possibilities. A distinctive feature of the showroom's interior is the thoughtful selection of contrasting materials and textures by Note Design Studio. These materials were chosen for their tactile qualities, durability, and striking industrial aesthetics. The design team employed an unconventional approach to traditional materials, particularly hard and soft flooring. These materials are imaginatively transformed into various functional elements, such as linoleum counter bases, work surfaces, vinyl tabletops, structural pillar cladding, and even lighting fixtures, highlighting their versatility beyond typical applications. The showroom prominently features several of Tarkett's key collections, including Desso Fields, Retrace, Linowall, iQ Granit, Natural, and Parade Excellent. A dedicated gallery area serves as a platform to exhibit Tarkett's flagship products and materials, providing visitors with an understanding of each product's benefits within a well-structured and purposefully designed environment that extends beyond simple samples. Furthermore, the space is designed to host bespoke art installations crafted from Tarkett flooring, showcasing artistic applications of their products. An open product lab is integral to the Atelier, fostering co-creation and experimentation. This lab enables visitors to develop their project ideas by selecting from Tarkett's extensive range of carefully curated materials and products. The multi-functional nature of Tarkett Atelier is further enhanced by incorporating areas for various activities, including socializing, hosting events, dedicated meeting rooms, quiet phone booths, and collaborative workspaces. The showroom provides a dynamic and inspiring environment that facilitates creativity, collaboration, and a deeper appreciation for sustainable and innovative interior design solutions. #TarkettAtelier #NoteDesignStudio #FlooringDesign #SustainableInteriors #ShowroomDesign #LondonArchitecture #MaterialInnovation #RecyclableMaterials #InteriorDesign

The article details the design of Black Kite's new London office by the architecture studio Bureau de Change. Black Kite, an independent visual effects and design studio located in East London, commissioned Bureau de Change founders Katerina Dionysopoulou and Billy Mavropoulos to create an uplifting workspace. The design concept centers on the use of colour and shape, specifically a series of intersecting and carved-out cylindrical volumes. These cylindrical forms are not merely decorative but serve a functional purpose in enhancing workspace utility. They are strategically integrated to create varying degrees of privacy within the office layout. This includes generating quiet reading nooks, open gathering spaces, individual desk booths, and discreetly positioned meeting areas. The architects aimed to balance modern design elements with the site's historical context. Bureau de Change's design respectfully incorporates the industrial heritage of the East End location. The abstract round shapes within the floorplan are reminiscent of traditional iron kilns, referencing the area's past. This historical nod is further reinforced by the retention of an existing grid system of slim, internal exposed concrete columns and a restrained material palette. The deliberate juxtaposition of contemporary furniture with the rough, industrial atmosphere creates an environment that is both pared-down and warm. Katerina Dionysopoulou explained that the scheme extracts and interpolates volumes and motifs from traditional Victorian foundries and kilns to create a gradient of spaces, ranging from introverted to extroverted. This design language ensures seamless integration throughout the office. The studio also addressed Black Kite's specific operational needs, particularly for production and visual effects suites that require isolation from external light and sound. The building's tall ceilings and generous proportions accommodate these enclosed sections effectively. The tactile qualities and finishes of the materials were also a critical aspect of the design. Billy Mavropoulos noted that each cylindrical volume is clad in painted routed timber surfaces, a detail inspired by the vertical seams found on traditional iron kilns. The carved-out sections within these cylinders are finished with a rough clay plaster. This choice of material creates a deliberate contrast, setting the sharp articulation of the cylinders against warm, cave-like textures, thereby enriching the spatial experience through a journey of materials, textures, and colours. #OfficeArchitecture #LondonDesign #BureauDeChange #InteriorDesign #WorkspaceDesign #ColourfulOffice #ArchitecturalInnovation #AdaptiveReuse

This article highlights an East London apartment, located within Martha's Buildings off Old Street, which has undergone a rehabilitation by architect Julie Richards. The two-bedroom property, currently listed for £1.25m with The Modern House, was featured on Channel 4's 'Britain's Best Home' due to its sophisticated design that optimizes light, height, and views of a leafy courtyard. The apartment is characterized by an industrial aesthetic softened with calm and elegant touches. A key design element is the integration of recessed lighting in the ceiling, walls, and epoxy resin floors, which not only enhances the overall illumination but also creates clear sightlines throughout the space. The kitchen embodies an industrial style, featuring stainless steel and glass finishes. It includes uplighting along the rear wall and custom-built lighting within a glass island. A notable appliance is the original Renzo Piano Smeg hob and matching extractor. Adjacent to the kitchen, an office nook is discreetly integrated into the layout. The living area is distinguished by a sunken lounge, accessible via a concrete staircase. This space is furnished with built-in modular units and features timber floors, adding warmth and texture. A wall of sliding glass doors provides direct access to an interior balcony, blurring the lines between indoor and outdoor living. At the rear of the apartment are two en-suite bedrooms, each equipped with built-in storage. A modular doorway system offers flexibility in arranging the bedroom layouts. The main en-suite bathroom is particularly luxurious, featuring a shower, a large freestanding bath, and sanitary ware by Starck 1. The apartment's location is ideal for urban professionals, offering a highly walkable neighborhood. The area provides easy access to markets, diverse restaurants, shops, theatres, and live music venues. Furthermore, a Tube station is conveniently located steps away, ensuring excellent connectivity to the wider London area, including the Thames. #EastLondonProperty #IndustrialDesign #ApartmentLiving #JulieRichardsArchitecture #ArtDeco #ModernHouse #LondonRealEstate

British design brand Tom Dixon and Austrian manufacturer Prolicht have unveiled their new 'Code' collection of LED track lights at the Virtual Design Festival (VDF). This collaboration introduces a unique approach to lighting design by celebrating, rather than concealing, the electronic circuits and components that are typically hidden within conventional track lighting systems. The 'Code' collection features bare LEDs mounted on printed circuit boards (PCBs), allowing for various configurations to create visually striking and graphic lighting sculptures. The genesis of this partnership began with a shared vision between Tom Dixon and Prolicht's founder, Walter Norz, to innovate within the track lighting sector. Their discussions, which started in Innsbruck, focused on developing a minimal track system that would strip away unnecessary embellishments and highlight the intrinsic beauty of the light engine itself. Tom Dixon expressed his curiosity regarding the prevalent industry practice of concealing these intricate and ubiquitous circuit boards, questioning how to showcase their simple yet complex aesthetics. The 'Code' collection offers designers and architects a versatile kit of parts, enabling infinite possibilities for creating customized lighting solutions. The LED light sources are available in three distinct shapes: Dot, Dash, and Grid. These can be combined to form various light structures, including blocks, spheres, strips, or columns of light. This modularity allows for a high degree of creative freedom in tailoring lighting arrangements to specific spaces and design intentions. The collaboration between Tom Dixon and Prolicht was characterized by a mutual reliance on each other's strengths. Prolicht contributed its extensive expertise in light engineering, while Tom Dixon provided the overarching design vision. This synergistic approach resulted in a collection that is both technically sophisticated and aesthetically decorative. Walter Norz, CEO of Prolicht, highlighted the swift and effective connection with Tom Dixon and his team, emphasizing that 'Code' exemplifies their collaborative spirit, producing something that neither party could have achieved independently. The collection is a testament to the successful merger of diverse backgrounds and complementary skills, culminating in a product that redefines the aesthetics of functional lighting. #TomDixon #Prolicht #CodeLighting #LEDTrackLights #LightingDesign #VirtualDesignFestival #ProductLaunch #HomeDecoration #CircuitBoardAesthetics

Tom Dixon, a renowned British designer, has once again re-engineered his modern rendition of the classic Wingback chair. A decade after its initial debut at Shoreditch House in London's East End, where its elongated, curvaceous form upholstered in velvet mohair garnered significant attention, Dixon has revisited the design. The original Wingback maintained the essence of its 17th-century structure while introducing a contemporary sculptural edge, a characteristic that resonated strongly within the design community. Dixon's philosophy emphasizes continuous improvement, stating that no design is ever truly finished and can always be refined, akin to the iterative development seen in the automotive industry. This perspective led to the creation of an upgraded model that features substantial advancements. The latest iteration of the Wingback chair marks a significant departure from its predecessor by completely eliminating wood from its frame. Instead, the new design incorporates molded foam, which facilitates the creation of softer and more intricate curves. This material innovation allows for greater flexibility in shaping the chair, enhancing both its aesthetic appeal and ergonomic properties. The modern refinements extend to the chair's legs, which are now available in a diverse range of contemporary finishes. These options include sleek copper, sophisticated brass, and a refined black, offering versatility to complement various interior design schemes. One notable addition to the collection is the micro Wingback, a smaller-scale version of the original design. This introduction expands the accessibility and application of the Wingback concept, allowing it to fit into more compact spaces or serve as an accent piece. Dixon's approach to design often draws inspiration from historical precedents, believing that tradition and history are rich sources of best practices and solutions to design challenges. This sentiment is evident in his continuous refinement of the Wingback, an iconic piece that blends historical reverence with modern innovation. The evolution of the Wingback chair showcases Dixon's commitment to pushing design boundaries while honoring classic forms. The integration of advanced materials and manufacturing techniques allows for a more refined and adaptable product. The availability of various upholstery options, as demonstrated by models covered in materials such as shaggy fur, further highlights the versatility and potential for personalization within the Wingback collection. This second reimagining of the Wingback chair reinforces Dixon's reputation for innovative design that thoughtfully considers both heritage and contemporary sensibilities. #TomDixon #WingbackChair #FurnitureDesign #InteriorDesign #ModernClassics #ChairDesign #DesignInnovation #HomeDecor #BritishDesign

The London-based design studio Industrial Facility, led by designers Sam Hecht and Kim Colin, has developed the w162 Dalston lamp for Swedish brand Wästberg. This new lighting product draws inspiration from the characteristic shapes of industrial lights commonly found in warehouses and workshops across the United Kingdom's capital and other global cities. The design aims to transcend a mere reproduction of these industrial forms by integrating advanced LED technology and offering a high degree of customisation, making it suitable for modern residential and office environments. The w162 Dalston lamp features an LED module constructed from anodised die-cast aluminium, which serves a dual purpose: providing the light source and acting as an efficient heat-sink to dissipate warmth generated during operation. A notable aspect of its design is the separation of the shade and the bulb mount into two distinct components. This modular approach facilitates easy maintenance and replacement of the pendant when necessary. The lamp is offered with glass and metal shades available in three different sizes, and an extensive palette of over 1,000 colour combinations, allowing for unprecedented customisation. Industrial Facility describes it as their most customisable lamp to date, a reflection of their focus on allowing interior designers to specify a range of lamps that, despite visual variations, share identical light sources, lumens, and colour temperatures. The studio's primary objective was not simply to replicate the aesthetic of industrial lighting but to reinterpret its function with contemporary technological advancements. This approach acknowledges a growing trend where functional or industrial items are increasingly incorporated into domestic or office settings. The name 'Dalston' itself is a direct nod to an area in east London known for its numerous warehouses that have undergone conversion into residential properties due to gentrification, symbolising the fusion of industrial heritage with modern living. Beyond its practical illumination, Industrial Facility emphasised the lamp's role as an aesthetic element even when inactive. They posited that a lamp should contribute to the overall interior design without overpowering it. This philosophy underscores a design approach that balances utility with visual harmony. Industrial Facility's collaboration with Wästberg on the w162 Dalston lamp is part of an ongoing partnership. Previous projects between the two entities include the design of lamps equipped with USB outlets for charging electronic devices. Wästberg has also engaged with other prominent designers, such as French designer Inga Sempé, who contributed a collection of clip lamps and a translucent table lamp, both unveiled at various Stockholm design events. These diverse lighting products, including the w162 Dalston, are showcased in a joint showroom opened by Wästberg and furniture brand Massproductions during Stockholm Design Week, highlighting a collective commitment to innovative and versatile lighting solutions for a broad range of interior applications. #IndustrialFacility #Wastberg #DalstonLamp #LEDLighting #IndustrialDesign #ProductDesign #StockholmDesignWeek #CustomisableLighting