Animal Prints and 16th-Century Columns Are a Surprise Power Couple in This London Workspace

The blog post presents a curated guide to London's most inspiring design shopping destinations, emphasizing the experiential nature of browsing through the city's varied streets and shops. It details a suggested itinerary for a full day of design-focused exploration, starting with a morning routine. The morning begins in Fitzrovia with coffee at Kaffeine, followed by a visit to Pentreath & Hall, known for its marbled lampshades and ceramic candlesticks. The itinerary then moves south towards Covent Garden, recommending a stop at Choosing Keeping for Italian notebooks and Japanese pens, and a second coffee break at Monmouth Coffee for a croissant. These early stops focus on unique decorative items and stationery, setting a tone for discovery. Midday shifts to the east, recommending a visit to Clerkenwell and Holborn to explore Present & Correct for stationery. Further east in Shoreditch, the guide highlights Labour and Wait, a store recognized for enamelware and striped dishcloths, with a suggestion to explore its vintage-inspired perfumes and bath accessories. Lunch is recommended at the Old Spitalfields Market, keeping it simple to allow for a more indulgent afternoon of shopping. The afternoon segment suggests a leisurely visit to Petersham Nurseries in Richmond or Covent Garden, depending on one's energy, for garden accoutrements and a glass of rosé. This is followed by a visit to 8 Holland Street, which offers a gallery-meets-home shopping experience, and Collins & Green Art for antique and vintage artworks, available by appointment. Nearby, Penny Morrison and Guy Goodfellow are recommended for their textiles, antiques, and home decor, underscoring their importance in a design shopping tour. The evening portion of the guide leads to Straw London for playful pieces made from natural materials, including baskets and ceramic serving items. The day concludes with a retreat to The Mandrake Hotel, described as a bohemian anchor with a dream-like design, lush fabrics, and surreal art, creating an opulent yet intimate atmosphere. The suggestion is to order a dirty martini in its courtyard garden. The article concludes by emphasizing that London's design shopping is not just about purchases but about the experience of discovery through its streets, coffee stops, and unexpected treasures, suggesting that true engagement with the city involves bringing home unique, hand-carried items as mementos. #LondonDesign #ShoppingGuide #InteriorDesign #HomeDecor #Antiques #Textiles #Stationery #BoutiqueHotels #Travel

The article details the design of Black Kite's new London office by the architecture studio Bureau de Change. Black Kite, an independent visual effects and design studio located in East London, commissioned Bureau de Change founders Katerina Dionysopoulou and Billy Mavropoulos to create an uplifting workspace. The design concept centers on the use of colour and shape, specifically a series of intersecting and carved-out cylindrical volumes. These cylindrical forms are not merely decorative but serve a functional purpose in enhancing workspace utility. They are strategically integrated to create varying degrees of privacy within the office layout. This includes generating quiet reading nooks, open gathering spaces, individual desk booths, and discreetly positioned meeting areas. The architects aimed to balance modern design elements with the site's historical context. Bureau de Change's design respectfully incorporates the industrial heritage of the East End location. The abstract round shapes within the floorplan are reminiscent of traditional iron kilns, referencing the area's past. This historical nod is further reinforced by the retention of an existing grid system of slim, internal exposed concrete columns and a restrained material palette. The deliberate juxtaposition of contemporary furniture with the rough, industrial atmosphere creates an environment that is both pared-down and warm. Katerina Dionysopoulou explained that the scheme extracts and interpolates volumes and motifs from traditional Victorian foundries and kilns to create a gradient of spaces, ranging from introverted to extroverted. This design language ensures seamless integration throughout the office. The studio also addressed Black Kite's specific operational needs, particularly for production and visual effects suites that require isolation from external light and sound. The building's tall ceilings and generous proportions accommodate these enclosed sections effectively. The tactile qualities and finishes of the materials were also a critical aspect of the design. Billy Mavropoulos noted that each cylindrical volume is clad in painted routed timber surfaces, a detail inspired by the vertical seams found on traditional iron kilns. The carved-out sections within these cylinders are finished with a rough clay plaster. This choice of material creates a deliberate contrast, setting the sharp articulation of the cylinders against warm, cave-like textures, thereby enriching the spatial experience through a journey of materials, textures, and colours. #OfficeArchitecture #LondonDesign #BureauDeChange #InteriorDesign #WorkspaceDesign #ColourfulOffice #ArchitecturalInnovation #AdaptiveReuse

This article highlights the transformation of a Victorian terrace in south London, where designer Laura Stephens reconfigured its layout to inject light and modern living while preserving its historical character. The project addressed the common dilemma of modernizing classic townhouses by integrating contemporary elements without compromising original features like paneling, plasterwork, and traditional layouts. Instead of extensive structural changes, Stephens focused on a less interventionist approach, retaining the 19th-century architecture and skillfully adapting the floor plan to suit a modern family. Key changes included relocating the sitting room to the back, moving the kitchen to the middle, and positioning the dining room, which also functions as a small home office, at the front of the house. To enhance natural light, a glazed screen was installed between the hallway and dining room, creating an effect similar to an old-fashioned office partition, which significantly brightened the front of the home. The design incorporated fresh colors, and natural textures like jute and seagrass, along with subtle architectural details to create a living space that feels both contemporary and timeless. The kitchen features periwinkle blue cabinetry designed to complement the high ceilings, contrasted with 'utilitarian' white metro tiles and bronze hardware, which adds a touch of aged elegance. In the sitting room, a new fireplace was installed, and half-paneling was introduced to balance the striped wallpaper. The designer also focused on sustainability and cost-effectiveness by recovering existing furniture pieces such as sofas, armchairs, dining chairs, and an ottoman, demonstrating a commitment to preserving and repurposing items. The main bedroom underwent a significant transformation, with previously 'bleak' wardrobes being revitalized by glazed doors lined with gathered fabric. A gauzy pendant light was chosen for its sculptural quality, echoing the textured pink wallcovering that envelops the room. In the top-floor bathroom, an innovative solution was found when a shortage of mustard and white tiles led to the installation of a mirror panel. This not only extended the striped design but also visually expanded the cozy, eaves-tucked space. Laura Stephens also designed unique rugs in collaboration with Bombay Sprout, incorporating motifs based on antique passementerie and natural jute textures, reflecting the blend of past and present in the home's overall design. Laura Stephens shared her style inspiration, citing her satisfaction with the glazed wall, her preference for 'Spruce' by Paint & Paper Library as a go-to color, and drawing inspiration from interior design books, historical and contemporary, as well as her youngest daughter. She expressed admiration for architect Gil Schafer and the Chrysler Building in New York City. The project successfully created a bright, comfortable, and ageless living space that honors its Victorian roots while embracing modern functionality and aesthetics. #LondonTownhouse #VictorianRenovation #InteriorDesign #LauraStephens #HomeRedesign #ColorPalette #TextureMixing #NaturalLight #KitchenDesign #BedroomTransformation

Alma-nac, a London-based architecture firm, undertook the renovation of Basing Street Rooms, a four-storey Victorian end-terrace house, transforming it into a long-stay hotel comprising guest suites for a record label. The design drew inspiration from the history of the recording studio across the street, abstracting elements from four specific record labels: Island Records, Stiff Records, ZTT, and Sarm. Instead of creating a direct archive, the architects aimed to distill the identity of each label into an abstract visual language, reinterpreting it within the context of the building's history and the functional requirements of the apartments. This approach resulted in a series of unique spaces, each associated with a particular label, while maintaining a common design thread throughout the hotel. Each of the four apartments, situated on separate floors, features a distinct colour theme influenced by record sleeve designs from the nearby studio's archive. All apartments share a similar layout, incorporating a combined living room and kitchen, a spacious bedroom, and a compact bathroom. Extensive rebuilding was necessitated by damage sustained during the Second World War, including the installation of a central plywood staircase, assembled off-site, on the ground floor. The lower-ground floor apartment is adorned with a navy, pale blue, and orange theme. The apartment on the floor above showcases herringbone patterns in shades of yellow, orange, and red in the hallway, extending through the front door. The kitchen in this unit features white cabinetry with red accents, and the wooden cupboards in the bedroom have bright orange-painted interiors. The orange and red herringbone pattern from the floor continues up the wall, encompassing the window seat. A red painted staircase leads to the first floor, with white lettering on each riser gradually spelling out song lyrics from top to bottom. A lighting installation consisting of clear glass bulbs suspended on red electrical cords hangs above this staircase. The first-floor apartment is characterized by shades of pink and red, featuring a glossy black kitchen unit, a dark chandelier, and a pink neon lighting installation on the living room wall. The top floor is decorated with a vibrant palette of bright yellow, white, blue, green, and pink. This apartment includes a yellow kitchen unit in the living space and a yellow lightning bolt tiled into the bathroom's shower wall. Externally, the building's brick frontage is painted blue with a red door and coloured window frames. A large mural on the external side wall depicts various artists who have recorded at the adjacent studio. The project utilized engineered parquet flooring, stained and arranged in detailed plans to define key activity areas within each apartment. Identifiable symbols and words from the record labels were abstracted and integrated into the design; for instance, the Stiff 'S' was reinterpreted as a pixelated lightning bolt, and the multiple misspellings of 'zang tumb tumb' formed a scrabble-board-like tile pattern in a bathroom. Alma-nac collaborated closely with the client and artists, incorporating a mural on the building's side and artwork directly onto internal walls, further embedding the studio's spirit into the hotel. The project successfully combined the building's historical context with a vibrant, music-inspired aesthetic, creating a unique and functional living space for visiting musicians. #ApartmentRenovation #LondonInteriors #HerringbonePatterns #ColourfulDesign #VictorianArchitecture #MusicInspiredDesign #BoutiqueHotel #InteriorDesign #AlmaNac

The home of Jason and Jenny Rose MacLean in Camberwell, South London, is featured in an excerpt from Alexander Breeze's new book, 'The Life Eclectic.' This residence, designed in the 1970s by architect Martin Crowley, served as his personal dwelling and was constructed on the site of two former garages. The MacLeans were drawn to the house's unique character and its potential to echo the aesthetic of the Eames House in California, valuing a diverse and bold approach to interior design. Their home showcases a distinct eclectic style characterized by color-blocking, strong patterns, and a thoughtful integration of various furniture eras. Central to the MacLeans' design philosophy is the emphasis on effective storage solutions. Jason MacLean highlights the importance of concealed storage, asserting that the home maintains a consistently tidy appearance due to the ample drawers, cabinets, and original built-in overhead storage. This design choice allows for the orderly containment of everyday items, maintaining clean lines and a streamlined look while enabling the display of carefully curated objects. In their son Stanley’s room, for instance, dyed MDF wardrobes incorporate hidden storage, neon baskets for toys, and a niche for cherished playthings and natural mementos. The house's existing structure and materials played a significant role in dictating the couple's decor choices. The exposed structural supports with painted metal and the breeze-block walls, with their contrasting textures, provided a strong foundation for their sympathetic furnishing and decoration. The couple's collection of 1970s German modular storage in the office and living room, alongside pieces like Allan Gould’s string chair, seamlessly integrate with the space, set against vibrant backdrops. This organic evolution of their collection allowed the house to grow with their tastes and needs. Bold patterns are strategically used to draw attention and enhance the aesthetic. In the kitchen, a bright yellow space with concealed strip lighting, a pattern by Eley Kishimoto adorns the cupboards and wall, effectively distracting from the wall-mounted oven. This pattern is subtly echoed in punched metal grilles between the office and hallway, creating intriguing light effects. While the MacLeans appreciate a clean aesthetic, their home also embraces the gentle wear of lived-in spaces, seen in the soft distress of their leather sofa and the marks on the office desk, adding character and warmth. The MacLeans' display strategy involves color-blocking and grouping similar items for visual impact. A shelving system in the kitchen-living area primarily holds books but also features a collection of vintage toolboxes. Artwork, such as original test prints from Mac Fisheries supermarkets from the 1930s to 1970s, adds vibrant color and historical depth. The home also includes unique design elements like the pale blue en suite bathroom, which was a rushed project completed before their wedding, featuring swirling linear tiling inspired by German U-Bahn stations. This blend of intentional design and personal history reflects a dynamic and evolving living space, even as the MacLeans recently transitioned to a new, older property in rural Gloucestershire, hinting at a new design challenge while maintaining their core aesthetic principles. #EclecticDesign #ColorBlocking #HomeTours #InteriorDesign #LondonHome #StorageSolutions #MidCenturyModern #PatternPlay

The owner of a two-bedroom London maisonette, Gemma Edwards, who frequently travels for work with a government conservation agency, opted to hire interior designer Sean Symington to transform her home. Edwards sought a unique and non-standard interior, explaining her desire to avoid a “cookie-cutter” look and her focus on enjoyable aesthetic changes rather than extensive structural renovations. Symington, known for his adept use of color and pattern, was selected to invigorate the apartment. The living room, despite its inherent character, was previously described as dull and lacked a central feature. Symington addressed this by introducing a fireplace surround and incorporating alcove shelving, which served both as a focal point and provided display and storage options. A marble mantelpiece, sourced from a reclamation yard, enhances the room's coziness, particularly when candles are lit, despite not being a functional fireplace. The room features watermelon velvet sofas from Sofa.com and an armchair upholstered in an animal spot velvet. Edwards's existing Dashiki curtain fabric was adapted for the south-facing living room, with Sean lengthening them using an additional panel, offering a cost-effective alternative to purchasing new curtains. The room also benefits from a small balcony, providing a pleasant outdoor space for morning coffee and a developing potted garden, accommodating Edwards's busy schedule that limits traditional gardening. In the kitchen and bathroom, the strategy focused on redecorating rather than replacing existing fixtures and appliances, which were of good quality, to avoid waste. Edwards prioritized investing in fabrics and furniture, elements she could potentially take with her if she were to move. The kitchen now boasts soft, earthy red walls contrasting with dark blue cupboards and a chequerboard floor. Radiators were painted to match the walls, a budget-friendly solution. A matching Roman blind and sink skirt introduce softness, and vintage dining chairs were reupholstered. The narrow hallway was not overlooked in the decorative scheme. One wall features a gallery of framed prints, each without a backing to expose the wall behind. The radiator is cleverly concealed by a fabric skirt and a shelf, providing both style and utility. The main bedroom showcases a vibrant palette of emerald and mustard, combined with natural materials. A half-tester over the bed creates a bold statement, complemented by a classic William Morris print wallpaper. Table lamps from Pooky and smaller reading lights with scalloped seagrass shades adorn wicker-topped bedside tables. Fitted wardrobes, painted in Bancha by Farrow & Ball to match the woodwork, include both panelled doors and open shelves, aiding in creating a sense of spaciousness, with Ikea baskets used for storage. The home office underwent a significant transformation from an unliked baby blue to a warmer Farrow & Ball India Yellow. This color provides a suitable backdrop for a painting and a kilim rug, a souvenir from Edwards's time working in Africa. An antique desk from Vinterior and practical shelves with decorative scalloped edging complete the space. Edwards expresses her satisfaction with the final result, highlighting how each room now possesses a distinct character and individual color scheme, attributing the elevated aesthetic to the paint colors and fabrics chosen with Symington's expertise. #LondonMaisonette #InteriorDesign #ColorfulHome #PatternedDecor #BudgetDecorating #LivingRoomDesign #BedroomDesign #HomeOfficeIdeas #Renovation #SeanSymington

The new Gearbox studio in Montreal, Canada, designed by Patriarche, showcases an innovative approach to office design within challenging architectural parameters. The primary challenge was the building's distinctively long and rectangular floor plan. Patriarche, an agency that practices "augmented architecture" by integrating technical, sociological, and scientific knowledge into its design process, tackled this by employing high color contrasts across walls, ceilings, and furnishings. This strategy serves a dual purpose: it injects energy into the various spaces and aids in wayfinding throughout the office, making it easier for employees and visitors to navigate the expansive layout. The collaboration between Gearbox and Patriarche was a continuation of a successful previous project that had received an award from the Grand Prix du Design, ensuring a high standard of both functionality and aesthetic appeal for the new workplace. The office provides a diverse range of workspaces designed to support different modes of work, accommodating the varied needs of a video game development team. It includes 208 open-space workstations for collaborative or individual tasks, 11 enclosed offices for more private work, 12 dedicated meeting rooms for team discussions and presentations, and 11 lounge areas for relaxation and informal interactions. This variety offers team members the flexibility to choose an environment best suited to their current tasks, promoting productivity and comfort throughout the day. The intentional division of space through color blocking not only creates visually stimulating zones but also subtly guides occupants, ensuring that despite the large and linear floor plan, different functions are clearly delineated and accessible. Beyond functionality, the design draws inspiration from Montreal's Old Port neighborhood, known for its urban and industrial character. Patriarche integrated elements of street art and 90s pop culture into the office environment, moving away from conventional neutral office aesthetics. This creative direction is evident in unexpected details such as stools shaped like tree trunks, a transparent yellow curtain repurposed from a welding workshop, and colored glass doors. These unconventional design choices deliberately reject the notion that office spaces must be bland or understated to foster creativity. Instead, they aim to create an inspiring and dynamic atmosphere that reflects the vibrant and innovative nature of the video game industry, encouraging a more playful and imaginative work environment. The comprehensive design ensures that the Montreal studio is not just a place to work, but a stimulating hub that supports collaboration, focused effort, and creative thinking. #CommercialDesign #OfficeDesign #ColorBlocking #Patriarche #GearboxMontreal #InteriorDesign #WorkplaceInnovation #MontrealArchitecture

The article explores the design lessons learned from a visit to Paddington Bear's home, recreated by Airbnb to celebrate the upcoming film 'Paddington in Peru'. The Primrose Hill townhouse is characterized by its bold, maximalist, and personality-filled English country decor. The author, Sophie Edwards, highlights five key design takeaways from the space, which blend historical elements with cozy aesthetics. The first lesson emphasizes the importance of books as decor, showcasing how ceiling-high bookshelves can introduce color and a sense of hominess. The article notes the 'bookshelf wealth' trend and how antique books can add warmth to unexpected corners, drawing inspiration from Paddington's living room. The second lesson focuses on the abundant use of wallpaper, particularly a bright, patterned wallpaper in the Browns' bedroom. This design choice encourages the integration of various shapes, textures, and colors within a room, demonstrating that patterns should not be shied away from but rather embraced and complemented by small details, such as glossy shells in a fireplace. Third, the article advocates for the strategic use of gallery walls, especially in often-overlooked spaces like hallways and staircases. These eclectic arrangements, incorporating plates, frames, photographs, and paintings, serve as a collage of personal history and elevate the overall interior design. Fourth, the article discusses the concept of 'artful clutter' and its role in making a space feel lived-in and personalized. By displaying decorative objects, colorful textiles, and eye-catching garlands, as seen in Paddington's bedroom and the Browns' bathroom, rooms gain character and avoid a sterile appearance. This approach encourages a re-evaluation of clutter, viewing it as a means to create a soulful environment rather than visual overwhelm. Finally, the article highlights the significance of small details in interior design, using the blue and yellow kitchen as an example. While bright countertops and vertical storage are prominent, it is the red accents, such as retro Smeg appliances and Le Creuset pots, that inject unique personality into the space. The author recommends specific products, like the Smeg Retro Electric Kettle and a Le Creuset Dutch Oven, to achieve a similar aesthetic. Overall, the article suggests that incorporating these British design principles—such as embracing patterns, books, and intentional clutter—can help create a cozy and historical feel in any home. #BritishDesign #EnglishCountryDecor #PaddingtonBearHome #InteriorDesignLessons #WallpaperTrends #GalleryWalls #ArtfulClutter #HomeDecor #AirbnbDesign

The eyewear brand KREWE transformed a former food storage warehouse in New Orleans' Lower Garden District into its new global headquarters. This project, spearheaded by KREWE's in-house designers and Olivia Erwin Interiors, aimed to create an adaptable, light-filled space centered around the sun, reflecting the brand's identity. The headquarters features an open floor plan that extends into a courtyard with a pool, serving as both a testing ground for new shade designs and a social club. The SUN_DAYS courtyard was designed in collaboration with hospitality group LeBlanc + Smith, intending to foster a community space for creative individuals in New Orleans. It offers amenities like a heated or chilled pool, wellness classes, and a sauna, and is utilized as a vital part of the company headquarters when not open to the public. The design emphasizes a minimalist aesthetic, built for function rather than preciousness, incorporating workstations from Poppin and Hem, alongside vintage finds. The kitchen areas feature concrete floors, marble counters, and Farrow & Ball's 'Breakfast Room Green' cabinets, with a nostalgic neon sign paying homage to a former Canal Street landmark. Beyond the headquarters, the article also explores KREWE's 1818 Magazine Street store and the gallery apartment above it, located in a historic early 1800s building. The store's interiors, a collaboration with Goodwood New Orleans and Nicole Cota, showcase a green terrazzo bar, custom-framed mirrors, and cypress cabinetry. The gallery apartment, designed by KREWE and Olivia Erwin Interiors, serves as a versatile space for hosting brand friends, dinner parties, or offsite retreats. This apartment signifies KREWE's evolution into a lifestyle brand, emphasizing physical spaces over an increasing number of products. Its entrance and stairway feature Farrow & Ball's 'Setting Plaster' and 'Cuban Heritage' tile, with a Signal Globe pendant from Workstead. The living room includes a vintage Milo Baughman sectional upholstered in pink, a custom coffee table, and a walnut dining table by Studioilse. The kitchen backsplash is pink marble, complemented by dark green fluted cabinets from Goodwood and a custom brass island. The apartment also features mid-century modern furniture, step-through windows leading to wraparound gallery balconies for natural light and indoor-outdoor flow, and outdoor furniture from HAY. A library features a custom sofa with paprika velvet cushions and automotive paint, with walls painted in Benjamin Moore's 'Dakota Shadow' and an Atollo Table Lamp. The bedroom includes a Nordic II Bed from Unison Home, an Ethnicraft 'Spindle' bedside table, a West Elm rug, and walls in Benjamin Moore's 'Winter Orchard'. The adjoining bath is painted in Farrow & Ball’s 'Green Smoke'. #WorkplaceDesign #OfficeInteriors #WarehouseConversion #NewOrleansDesign #EyewearBrand #CommercialArchitecture #InteriorDesign #LifestyleBrand #CommunitySpace

The Coach House, a compact three-bedroom residence with an ash-lined guest annexe, has been completed by London-based Open Practice Architecture and interior design studio Kinder Design. Situated on a previously neglected infill site in East Dulwich, which once housed a Ministry of Transport (MOT) garage and its outbuildings, the project represents a growing trend of architectural firms venturing into property development. Open Practice Architecture and Kinder Design jointly acquired the site in 2017, acting as both developers and designers. The main house, organized around a central courtyard, was finished in 2022, followed by the adjacent annexe in 2023. Rupert Scott, director at Open Practice Architecture, highlighted that this approach allows architects to navigate challenging market conditions by directly engaging in development. Despite aiming for an "architecturally unique" outcome, the design intent was to create a structure that integrated subtly into its surroundings rather than drawing overt attention. The primary objective was to deliver a serene, well-lit, and functional family home that also met high standards of insulation and energy efficiency. The L-shaped layout of the Coach House mirrors the footprint of the original structures on the site. The ground floor accommodates the living, dining, and kitchen areas, which feature full-height sliding glass doors that open directly onto the central courtyard, fostering an indoor-outdoor connection. A white-steel staircase provides access to the first floor, where three bedrooms are situated. These bedrooms offer views of both the central courtyard and a strategically placed lightwell, designed to draw natural light into the deeper, naturally darker sections of the plot. Scott elaborated on the challenge of maximizing natural light, given the building's north-facing orientation. The inclusion of a "light pocket" at the rear was crucial in allowing two of the bedrooms to benefit from south-facing light, preventing all rooms from being clustered around the courtyard and ensuring a more equitable distribution of sunlight throughout the upper level. The material palette reflects a blend of historical context and modern functionality. Reclaimed London brick was chosen for the exterior, enabling the Coach House to harmoniously blend with the surrounding mews buildings and acknowledging the site's utilitarian past. The interiors are characterized by painted and plywood walls, complemented by a concrete floor with exposed aggregate, maintaining an industrial yet refined aesthetic. A large sliding wooden door, suspended from an exposed steel beam, marks the entrance, further referencing the site's previous function. The guest annexe presents a material contrast, featuring natural ash cladding on both its interior and exterior surfaces, including a hinged shutter on the first floor. This singular material application for the annexe, while simple, provides a deliberate visual counterbalance and acts as a distinct "bookend" to the main residence, according to Scott. This project contributes to a series of infill developments in London, such as a textured brick house by Platform 5 Architects and a cluster of homes with sawtooth roofs by Dallas Pierce Quintero, all of which creatively repurpose former industrial or neglected spaces. #CoachHouse #OpenPracticeArchitecture #KinderDesign #LondonArchitecture #EastDulwich #InfillDevelopment #ResidentialArchitecture #SustainableDesign #ReclaimedBrick #CourtyardDesign

The annual WOW!house at Design Centre, Chelsea Harbour, showcases 22 immersive spaces designed by a mix of established and emerging talents. This year's exhibition, on view from June 2 to July 3, offers a comprehensive look at current design trends, featuring contributions from designers like Alessandra Branca, Chad Dorsey, and Peter Mikic. The showhouse serves as a source of inspiration for both full-scale redesigns and minor refreshes, highlighting innovative approaches to spatial planning, color palettes, and luxurious yet livable layering. The following outlines key design ideas observed at the showhouse. The entrance hall, designed by Victoria Davar of Maison Artefact, creates a theatrical ambiance reminiscent of a country château. Davar raised the ceiling to five meters and installed a floating staircase, an antique stone floor, and traditional joinery. The space is adorned with an 18th-century Norwegian table and Pierre Forsell candleholders. A spiraling ‘Oak Leaf’ chandelier by Cox London serves as a dramatic focal point, emphasizing the impact of nature-inspired, large-scale pieces in an entryway. Chad Dorsey’s Fromental Drawing Room combines American and British Arts and Crafts influences. The room features a bespoke Strike fireplace, Alexander Lamont’s ‘Kita’ lamp, Kyle Bunting’s custom leather chequerboard rug, and Romo’s cinnamon chevron textiles. Fromental’s hand-painted ‘Kiku’ wallcovering extends across the walls, ceiling, and door casings, creating an immersive, atmospheric effect. Tommaso Franchi of Tomèf Design created a Venetian-inspired primary bedroom and sitting room, showcasing Italian craftsmanship. Franchi blended modern and historic elements using Fortuny textiles, Bonacina’s handwoven rattan, and Barovier&Toso;’s Murano glass. Draped fabric panels on the walls and upholstered doors add softness, warmth, and a cinematic quality to the space. Ben Pentreath Studio’s unfitted kitchen presents a Greco-Gothic fantasy with bold colors, eccentric details, and a focus on craft. Designed by Rupert Cunningham, Leo Kary, and Alice Montgomery, the kitchen features delicate wooden storage shelving from Lopen Joinery, allowing the architectural background and wall color to show through, blending practicality with poetic design. Alessandra Branca’s bedroom features a canopy bed wrapped in Casa Branca’s patterned linens, inspired by Mongiardino and David Hicks. The design combines classical references with sculptural pieces by Timothy Schreiber and Francis Sultana. ‘Paisley’ walls and striped drapery, alongside antiques from Rose Uniacke and Hawker Antiques, create a soft, luxurious, and hospitable environment. Alex Dauley’s media room, in collaboration with Nucleus, is a warm, cocoon-like space. Fully upholstered walls, ceilings, and a fitted custom rug in amber and walnut shades create an enveloping atmosphere. Hidden smart sound and lighting technology from Nucleus, along with handcrafted walnut and bronze shelving and sculptural lighting, add sophistication. The room also highlights pieces by Black artisans, including Darren Appiagyei’s raw wood vessels and Danielle McKinney’s giclée print. Emma Sims-Hilditch’s courtyard room, a boot room and dog snug, demonstrates that functional spaces can be stylish. It incorporates a marble sink for muddy vegetables and an elegant dog shower. Layered with antiques, bespoke craft, and hand-painted Delft tiles by Marlborough Tiles, this space highlights a modern trend of dedicating comfortable areas for pets. Daniel Slowik’s chartreuse morning room, designed with Treasure House Fair, emphasizes romantic restraint. The walls are covered in hand screen-printed cotton poplin with a trompe-l’œil pattern. Notably, large, ruffled frilled cushions made from Nuthall Temple fabrics add a witty and indulgent contrast to the room's unique antiques and art. Nicola Harding’s powder room, created with Drummonds, features a tented aubergine silk ceiling, transforming the small space into a magical retreat. Layers of patterned fabric, glossy tiles, and brass and mirrored finishes create a sensory experience. Harding’s bespoke rug-covered cabinetry and playful furnishings, combined with Drummonds’ elegant fittings, show how small spaces can achieve significant dramatic impact. Pirajean Lees’ circular sanctuary, wrapped in Dedar fabrics, is a sensory experience inspired by music, particularly jazz. Wool satin curtains, wild silk, and velvet mohair cover custom bookcases and a desk, with case designs referencing musical instrument trunks. A curving bespoke sofa, a custom Jennifer Manners rug, and a sculptural “Record” chair invite deep listening and pause. Peter Mikic’s dining room is a vibrant celebration of color, featuring Benjamin Moore’s ‘Broadway Lights’ yellow. The room includes an atomic chandelier, a bespoke dining table by Kaizen inlaid with semi-precious stones, and hand-painted trompe l’oeil panels. Billy Metcalfe’s abstract mural electrifies the back wall with sweeping strokes of green, blue, and red, creating a full-color feast. #DesignTrends #ShowhouseDesign #InteriorDecor #LuxuryInteriors #ColorPalettes #CustomFurnishings #ArchitecturalDetails #LondonDesign #HomeStyling

James Baker's curiosity was piqued by a boxy building near the Baton Rouge Country Club, hidden behind a tall, vine-covered barrier, recognizing its departure from the traditional south Louisiana architectural style. One Sunday, he discovered the secluded home was for sale and scheduled an open house. This timing was serendipitous, as he and his wife, Marsha, had been contemplating building a new home. Upon visiting, they were immediately captivated by the property's design, which featured massive windows looking out onto a lush private garden and a dramatically designed pool. Within days, they made an offer on the house. The home’s appealing features—streamlined structural details, an open floor plan, ample space for art, and a seamless connection between indoor and outdoor living—are characteristic of the tropical modern architectural movement prevalent in Miami. The house, built a dozen years prior, reflected the original owner’s preference for this South Florida aesthetic. Consistent with tropical modern design, tall and wide windows and doors throughout the home offer expansive views of the landscape and water features. Polished marble flooring extends from the interior to the exterior, creating a cohesive and luxurious feel. The overall ambiance is Zen-like, filled with natural light, and conducive to relaxed living, offering a warmer interpretation of typical modernism. Despite their previous homes being more traditional, the Bakers found the contemporary vibe of this house perfectly suited for their extensive and growing art collection, which primarily consists of bold and abstract pieces. The home's empty white walls provided ideal gallery spaces for displaying art acquired during their travels, as well as works by Louisiana artists sourced through Ann Connelly Fine Art in Baton Rouge and Soren Christensen Gallery in New Orleans. For the renovation, the Bakers enlisted Todd Normand of Bernhard Normand Construction. The project involved relocating a bar nook in the main open room to a separate living area, adding a fireplace and bookshelves to the opposite side of the room, and redesigning the master bathroom to include a sleek vanity alcove. Designers Helaine Moyse and Patrick Tandy, long-term collaborators with the Bakers, helped integrate the couple’s existing classic furniture with new contemporary pieces. This blend is exemplified in the dining area, where an 8x8-foot abstract painting by Meredith Pardue is framed by Venetian glass sconces and paired with a weathered antique Spanish dining table. Marsha noted that the mix of antique and modern elements, encouraged by the designers, prevented the space from feeling overly contemporary, maintaining a sense of warmth. The existing kitchen, featuring contemporary glass, metal, and exotic wood cabinet panels, initially challenged Marsha’s preference for all-white kitchens. However, replacing the dark granite backsplash with a multi-hued linear version brightened the space, and she eventually grew to appreciate its unique style, especially noting James's enjoyment of cooking there. Marsha, alongside friends Stacey Davis and Stacy Johnson, recently launched Envy, a decorating firm that began with holiday décor and expanded into full-service design. Through Envy, Marsha sourced window treatments and other furnishings for their new home, adding personal touches to the already impressive structure. The couple also took on most of the landscaping themselves, incorporating ferns, elephant ears, and other tropical-inspired plants around existing palm trees, with some natural materials from Red Onion and additional trees from Steve Rowley of Hydro-Scapes. They enjoy working in the flowerbeds and spending evenings on their marble-floored porch, which remains shaded and comfortable, watching the sunset with their three dogs. The once-mysterious home has become a cherished, comfortable space for the Bakers. #ModernArchitecture #TropicalModernStyle #HomeRenovation #InteriorDesign #ArtCollection #OpenFloorPlan #OutdoorLiving #LouisianaHomes #BatonRouge

Tarkett, a prominent global provider of recyclable flooring solutions, has officially opened its new UK and Ireland showroom, Tarkett Atelier, situated in the vibrant creative district of Clerkenwell, London. This innovative space, located at 47-53 St John Street, was designed in collaboration with Stockholm-based Note Design Studio and contractor Area Square, opening its doors on July 6th. The showroom aims to offer architects, designers, and end-users a comprehensive experience, showcasing the latest sustainable and design-led interior finishes and demonstrating how various materials can be creatively re-envisioned. The design ethos of Tarkett Atelier draws inspiration from Britain's industrial city heritage, adopting a 'soft industrial' aesthetic. A core principle of the design is sustainability and adaptability, evident in every curated aspect of the interior. The entire space utilizes materials from circular collections and is composed of 100% recyclable components. The showroom redefines the conventional showroom experience by seamlessly integrating technology with digital features, including interactive displays and virtual reality elements. This approach allows for a deeper engagement with the products and design possibilities. A distinctive feature of the showroom's interior is the thoughtful selection of contrasting materials and textures by Note Design Studio. These materials were chosen for their tactile qualities, durability, and striking industrial aesthetics. The design team employed an unconventional approach to traditional materials, particularly hard and soft flooring. These materials are imaginatively transformed into various functional elements, such as linoleum counter bases, work surfaces, vinyl tabletops, structural pillar cladding, and even lighting fixtures, highlighting their versatility beyond typical applications. The showroom prominently features several of Tarkett's key collections, including Desso Fields, Retrace, Linowall, iQ Granit, Natural, and Parade Excellent. A dedicated gallery area serves as a platform to exhibit Tarkett's flagship products and materials, providing visitors with an understanding of each product's benefits within a well-structured and purposefully designed environment that extends beyond simple samples. Furthermore, the space is designed to host bespoke art installations crafted from Tarkett flooring, showcasing artistic applications of their products. An open product lab is integral to the Atelier, fostering co-creation and experimentation. This lab enables visitors to develop their project ideas by selecting from Tarkett's extensive range of carefully curated materials and products. The multi-functional nature of Tarkett Atelier is further enhanced by incorporating areas for various activities, including socializing, hosting events, dedicated meeting rooms, quiet phone booths, and collaborative workspaces. The showroom provides a dynamic and inspiring environment that facilitates creativity, collaboration, and a deeper appreciation for sustainable and innovative interior design solutions. #TarkettAtelier #NoteDesignStudio #FlooringDesign #SustainableInteriors #ShowroomDesign #LondonArchitecture #MaterialInnovation #RecyclableMaterials #InteriorDesign

This article offers an exclusive look into the interior design of 'Meraki Beauty & Wellness,' a salon and spa located in Lahore, co-founded by sisters Saba and Fatima. The establishment is presented as a tranquil retreat, offering a complete beauty experience in a Zen-like environment, strategically located away from the bustling commercial areas of Gulberg and near the burgeoning DHA Phase 5. The salon's interior design is characterized by a harmonious blend of modern and industrial elements, creating a stylish yet comfortable space. The designers deliberately moved away from opulent decorations like typical chandeliers and vibrant colors, opting instead for a minimalist, contemporary aesthetic that promotes serenity and inner peace. This approach is evident in the choice of a muted color palette and natural materials, which define the three distinct zones of the salon. The entry from the staircase area is designed as a dark transition space, leading into a lighter, more open main reception and hair styling area. The second floor features grey-shaded sofa seats for manicure and pedicure sessions, alongside separate rooms for makeup and massage. Additionally, three nail art stations are decorated in shades of navy blue, benefiting from natural sunlight and outside views. Strategic lighting plays a crucial role in enhancing the ambiance and highlighting key interior design elements. The second floor, in particular, exudes a bright and cheerful atmosphere. The owners, Saba and Fatima, emphasize the importance of hygiene, client satisfaction, and continuous in-house training, with Saba having completed multiple training courses in skin and hair from Dubai and New York. The waiting area provides ample seating, and the overall artsy design, infused with contemporary touches, is given a warm character through bright pops of pink and purple against a backdrop of black and grey, breaking potential monotony. The interior is also designed to optimize space, incorporating areas for Pilates and yoga classes, along with a small health bar, creating a homely setting for clients. Functionality and ease of maintenance are also key considerations, as demonstrated by the use of leather upholstered furniture and wall panels that are easy to clean. The decor maintains a simple and functional appeal, reminiscent of a traditional living room, yet includes occasional glamorous accents. Wrought iron encased lights contribute to the sophisticated look without being ostentatious, and subtle gold strokes add an elegant touch. Laser-cut separators and the salon's logo in gold and black serve as central design features. The sisters, strong advocates of minimalism, frequently intend to refresh the salon's look to provide a novel experience for their clientele, ensuring every detail is meticulously managed to offer a high-quality, personalized service. The spa area further exemplifies thoughtful space planning with wooden flooring, racks, and display furniture, complemented by planters and cozy sofas that create a soothing ambiance, catering to the city's style-conscious clientele. #SalonInteriorDesign #SpaWellness #LahoreBeauty #MinimalistDecor #ModernIndustrial #ZenEnvironment #PersonalizedService #SpacePlanning #ClientExperience

British interior design continues to be a significant influence in the United States, known for its warm and welcoming aesthetic. London Design Week 2025 unveiled several key trends that are expected to gain popularity in the coming months, highlighting a shift towards more expressive and dynamic home interiors. These trends are supported by insights from professional designers participating in London's WOW!house Showhouse. One prominent trend is the embrace of asymmetry in interiors, moving away from perfectly coordinated spaces. Designers like Kelly Hoppen note a shift towards creative expression and unexpected design elements. Rupert Cunningham of Ben Pentreath Studio connects this trend to traditional English country houses, where rooms evolve organically through successive generations, adding layers without undermining the original spirit. This approach fosters a sense of history and individuality within a space. Super layered rooms are another key trend, with designers advocating for multiple layers to add depth and character. Ailsa Connery of 1508 London emphasizes that layering creates harmonious yet dynamic environments. Emma Sims-Hilditch points to the classic English country look as an ideal example, where a mix of patterns, colors, and furniture allows a home to evolve organically. Daniel Slowik reiterates this, describing it as an enjoyable, organic, and collaborative process. Lighting is also recognized as a crucial element in layered spaces, enhancing depth, highlighting forms, and creating subtle reflections, moving beyond its purely functional role. The use of vibrant colors is also a defining characteristic of British interior design, encouraging a departure from solely neutral palettes. Brigitta Freund of Spinocchia Freund stresses the role of color in shaping atmosphere, narrative, and emotion. This trend can be applied through various methods, such as painting ceilings in lively hues or using rich greens and navies for kitchen cabinets. Pattern, particularly wallpaper, is also making a comeback, with designers like Darren Price of Adam Architecture suggesting it's a reaction against overly minimalist, stripped-back aesthetics. Finally, leafy greens and botanicals continue to be a strong and enduring trend. Verdure-inspired prints, a staple of classic design, are here to stay, appearing on wall coverings and soft furnishings. Ailsa Connery highlights that leafy greens create peaceful retreats and foster a connection to nature. This trend can be incorporated through antique verdure tapestries, botanical-printed pillows, or by integrating live plants, even in small amounts. Alexander Hoyle, a plantsman and garden designer, underscores the universal appeal of plants in softening spaces and adding color and interest. #BritishDesign #InteriorTrends #Asymmetry #LayeredRooms #VibrantColors #BotanicalPrints #HomeDecor #LondonDesignWeek #DesignInspiration

The article highlights the recent collaboration between Mark & Graham, a personalized lifestyle brand, and Sanderson, a British design group, which introduces a new collection of gifts and decor featuring Sanderson's iconic floral prints. This partnership is particularly exciting for those looking to infuse their homes with vibrant colors and soft floral patterns, especially during the colder months. The collaboration draws upon Sanderson's rich heritage, a brand that was granted a Royal Warrant in 1924 for supplying fabrics and wallcoverings to the British royal family, signifying over a century of trusted elegance. Mark & Graham's in-house design team meticulously selected six signature floral prints from Sanderson's extensive archives, some dating back over a hundred years, such as the Rose & Peony print from 1914 and the recolored Hollyhocks print. These historic designs are now featured across a diverse range of products, including everything from practical items like beach totes and pet bowls to decorative pieces like ceramic tissue box covers, luxury chess sets, and elegant packing cubes. The collection incorporates various textures and patterns, including woven raffia, subtle stripes, blooming flowers, and distinct inky botanical motifs. The article showcases several key items from the collection that stand out for their design and functionality. Among the recommended pieces are a Sanderson Ceramic Ring Holder, a versatile 3-in-1 Chess, Checkers, and Dominoes Game Set, and a 5-Piece Packing Cube Set, all adorned with the unique floral patterns. Other notable items include the Sanderson Ceramic Frame, featuring a scalloped trim and patterned border, and the Sanderson Ceramic Vase, available in different sizes and patterns to suit various floral arrangements. Additionally, the collection offers a Sanderson Dresser Top Jewelry Box, a Sanderson Dual Travel Organizer to keep accessories neat on the go, a Sanderson Scalloped Ceramic Catchall for everyday essentials, a Sanderson Scalloped Raffia Box for stylish storage, and a Sanderson Ceramic Tissue Box, designed to elevate mundane household items. The collaboration provides an opportunity for individuals to incorporate a touch of 'grandmillennial flair' into their living spaces, blending classic elegance with modern functionality. These pieces are presented as ideal options for housewarming gifts or as personal additions to one's home decor, offering a blend of historical charm and contemporary appeal. The collection celebrates timeless floral designs, making them accessible for everyday use and home enhancement. #MarkAndGraham #Sanderson #FloralDecor #HomeAccessories #BritishDesign #RoyalWarrant #SpringDecor #GrandmillennialStyle #InteriorDesign