Case study: Ege Carpets at The Elvetham – a harmony of heritage and design

The MATTER rug collection, a collaboration between Snøhetta and Ege Carpets, introduces a novel approach to textile design by embracing randomness and generative code to create dynamic patterns. Unlike mass-produced designs, these flat-woven carpets feature subtle, organic, and ever-shifting patterns that draw inspiration from the inherent randomness observed in nature. The collection highlights the synergistic relationship between digital innovation and tactile craftsmanship, opening up new possibilities for the textile industry. Each MATTER rug is initiated not by traditional sketching but by sophisticated generative algorithms developed by Snøhetta. These algorithms are designed to produce patterns that emulate the unpredictable yet harmonious complexity found in natural systems. Marius Myking, Director of Snøhetta Product Design, emphasizes that nature's beauty often stems from its apparent randomness, and the collaboration aimed to replicate this natural logic in the carpet designs. The intricate code dictates the placement and interaction of individual threads, resulting in unique and unrepeatable patterns across the collection. The visual effect of the MATTER rugs is characterized by subtle shifting lines that, when viewed from a distance, coalesce into vivid tonal washes of color. This interplay of micro-scale details contributing to macro-scale impact creates a sense of dynamism and vitality in the carpets. Francesca Giulia Poli, Snøhetta Product Designer and project lead, explains that the design process involved treating the carpet as a woven landscape, where each thread can be individually manipulated. This method allowed for an investigation into how minute design elements could influence the overall aesthetic and spatial perception, resulting in a surface that appears uniform yet constantly evolving as one moves through a space. While no two rugs in the MATTER collection are identical, they maintain a cohesive visual identity through two distinct color palettes, each comprising 18 core hues. One palette features muted tones like soft beiges and grays, offering a subdued elegance. The other palette is more saturated, incorporating bold blues and greens, providing a vibrant option. This dual-palette approach offers designers significant flexibility, allowing them to select rugs that complement various interior schemes and adapt to different lighting conditions and spatial requirements while ensuring a consistent design language throughout a project. Sustainability is a foundational principle of the MATTER collection, mirroring the natural systems that serve as its inspiration. The rugs are manufactured using recycled yarns, a commitment that actively reduces waste and promotes environmental responsibility. Ege Carpets' advanced weaving technology ensures that each rug is crafted with precision, contributing to its durability and longevity. This focus on sustainable practices demonstrates a dedication to producing not only aesthetically pleasing but also environmentally conscious products. The collection embodies the idea that beauty does not always require rigid calculation but can emerge gracefully through an embrace of spontaneity and chance, positioning randomness as a creative force rather than an absence of control. Overall, the MATTER rug collection represents a significant advancement in textile design, blending algorithmic generation with environmental stewardship. It offers a fresh perspective on how modern technology and ecological awareness can converge to produce innovative, visually rich, and sustainable interior design elements. The collaboration between Snøhetta and Ege Carpets underscores a forward-thinking approach that redefines the parameters of pattern design through an appreciation for natural unpredictability and meticulous craftsmanship. #Snøhetta #EgeCarpets #MATTERCollection #TextileDesign #GenerativeDesign #SustainableDesign #InteriorDesign #CarpetDesign #RandomnessInDesign

Ege Carpets, a Danish company, has introduced "Transition," a new flooring collection that addresses the environmental issue of ocean waste, specifically abandoned fishing nets. Fishing nets constitute a significant portion—approximately one-tenth—of marine debris, prompting Ege Carpets to develop a sustainable solution. The "Transition" collection utilizes Econyl yarn, a material derived from these discarded fishing nets, to form its loop pile carpets. The design of the "Transition" collection, a winner in the Modular Carpet category, was conceived by Manganèse Éditions, the product arm of Saguez & Partners. The collection draws inspiration from the natural process of iterative renewal, evoking imagery reminiscent of forest floors. This inspiration is manifested in the diverse patterns and textures of the carpets, which include: "Seed," characterized by a dotted appearance; "Leaf," featuring multiple tonal variations; "Fibre," displaying a mottled effect; and "Mix," which incorporates an ombré fade where two or more colors blend seamlessly. Beyond the innovative use of recycled fishing nets for the yarn, the "Transition" collection also incorporates sustainable practices in its backing. Instead of traditional rubber, the felt backing of these carpets is made from recycled plastic bottles, further reducing the environmental footprint of the product. The collection is available in a variety of earthy color palettes, designed not only for aesthetic appeal but also for functional purposes. These diverse color options allow for subtle delineation of spaces within an interior environment. This feature is particularly useful for defining different zones in open-plan areas or for guiding movement through a space, effectively serving as a wayfinding tool. By combining sustainable materials with thoughtful design and practical application, the "Transition" collection by Ege Carpets offers an environmentally conscious and aesthetically pleasing flooring solution. #EgeCarpets #SustainableDesign #FlooringCollection #EconylYarn #OceanWaste #RecycledMaterials #InteriorDesign #GreenProducts #CarpetDesign

The collaboration between Snøhetta and Ege Carpets introduces MATTER, a flatwoven carpet collection that merges digital and physical design, challenging traditional pattern-making through algorithmic randomness. The project draws inspiration from nature's inherent uniqueness, where patterns emerge organically without exact repetition, transforming perceived imperfections into a desirable characteristic. Each carpet in the MATTER collection is unique, created by an algorithm that prevents any two compositions from being identical, echoing the natural world where no two specimens are exactly alike. This approach positions the carpet as a dynamic, almost living element, moving away from conventional industrial production towards a more natural aesthetic. Francesca Giulia Poli, Product Designer and project lead at Snøhetta, describes MATTER as an exploration of scale, craftsmanship, and technology. The design process views the carpet not merely as a surface but as a 'woven landscape,' meticulously constructed from individually manipulated threads. The project investigated how micro-scale design decisions, from code to pixel to thread, can influence macro-scale spaces, resulting in a surface that appears uniform yet constantly shifts depending on the viewer's movement through the space. This innovative methodology allows for a continuously evolving aesthetic that resists serial repetition. MATTER is produced using Ege Carpets' advanced flatweave loom, ensuring both material quality and digital precision. The collection emphasizes sustainability through the use of selected recycled yarns, aligning with a circular design philosophy. The flatweave manufacturing technique also guarantees the product's durability, making it suitable for high-traffic environments while maintaining its aesthetic integrity over time. The material choices and manufacturing process reflect a commitment to environmental consciousness and product longevity. The collection is available in two distinct color palettes, each featuring 18 primary colors with either a muted (beige/grey) or a saturated (blue/green) undertone. This duality offers design flexibility, enabling the carpets to adapt to various spaces and contexts while maintaining a cohesive look within the collection. This thoughtful approach to color and undertone allows designers to achieve diverse atmospheric effects with a consistent product line. MATTER represents a significant advancement in design, redefining the concept of craft by integrating binary code, digital pixels, and physical threads into a new design methodology. This approach celebrates both precision and imperfection, weaving unpredictability, material honesty, and intentional design into a product that naturally resists obsolescence. The inherent uniqueness of each carpet ensures that it evolves over time and cannot be perfectly replicated, offering a fresh perspective on interior textiles. The successful development of MATTER highlights the importance of interdisciplinary collaboration. The fusion of Snøhetta's architectural expertise and Ege Carpets' specialized knowledge in textile manufacturing was crucial for realizing this innovation. Such cross-disciplinary partnerships are often catalysts for groundbreaking designs and disruptive ideas, pushing existing boundaries and challenging conventional systems within the industry. Tenna Knak, Director of Product and Marketing at Ege Carpets, notes that these collaborations inspire curiosity and ambition in new design development, leading to valuable knowledge and unique products like MATTER. The project demonstrates the potential when craft and technology converge, establishing a new design philosophy that embraces unpredictability as a source of beauty and innovation. #TextileDesign #AlgorithmicDesign #DigitalCraft #SustainableDesign #CarpetCollection #Snøhetta #EgeCarpets #InnovativeMaterials #CircularDesign

Emma Sims-Hilditch, a prominent figure in the interior design landscape, is celebrated for crafting serene yet practical interiors that exude an understated modern elegance. Her designs are equally suited for both rural and urban settings, reflecting a unique blend of sophistication and comfort. Her journey into interior design was unconventional, beginning with a career in film production in London, where she worked as a production assistant for Ridley Scott on films like 'Thelma and Louise' and 'Gladiator'. This experience proved invaluable, equipping her with essential skills in managing large-scale projects and budgets. Today, her design studio, comprising a team of 30 professionals, serves a diverse clientele, including British clients and international patrons seeking assistance with properties in the UK and abroad. Sims-Hilditch's design philosophy is deeply rooted in nature and the preservation of England's architectural heritage. Her signature aesthetic is characterized by calm color palettes, tactile textures, and a harmonious fusion of modern and classic elements, creating interiors that are both relaxing and highly functional for daily life. The Sims Hilditch studio, formally launched in 2009, evolved organically from Emma's initial foray into interior work. After leaving film production and relocating to Wiltshire, she renovated her own derelict, listed former school and established a professional curtain-making business. Her 'big break' came when she was commissioned to design the interior of a manor house, marking the true beginning of her acclaimed career. Emma's creative inclinations stem from a family history of artists and designers, including a great-grandfather who was a member of the Royal Academy of Arts and a mother who was a keen interior decorator. This early exposure to creativity, combined with her habit of redecorating her own room as a child, set her on a path towards design, despite initially pursuing a business studies degree. As her business expanded, she relocated her studio to a meticulously renovated 16th-century pub, The White Hart, on the Wiltshire/Gloucestershire border. This unique space, opened in 2014, not only accommodates her growing team of 30 but also provides an inspiring and comfortable environment for clients. A key aspect of Sims-Hilditch's work is her team's thoughtful and sensitive approach to renovating listed buildings. They take pride in preserving architectural heritage, integrating original features while reimagining layouts to suit modern living without compromising historical integrity. This commitment to heritage preservation is evident in projects like the renovation of a 500-year-old, nine-bedroom family home. Her designs prioritize longevity and quality over fleeting trends, ensuring that each scheme is client-focused and built to last. The studio also emphasizes the reuse and preservation of existing furniture, incorporating clients' pieces to add character and personality to each home, alongside curating items from local suppliers and antique dealers. The Sims Hilditch studio offers a comprehensive design service, encompassing furniture and furnishing specifications, a dedicated procurement team, and an in-house interior architectural service that covers spatial planning, kitchen and bathroom design, and bespoke joinery. Emma draws inspiration from museums, art galleries, and hotels, notably La Bastide de Marie Hotel in Provence, which influenced her own Wiltshire home. The English countryside also serves as a profound source of inspiration, with elements like color palettes reminiscent of rolling hills and timber floors inspired by woodlands often integrated into her designs. She advocates for exploring surroundings, whether in the countryside or urban centers like London, to spark creativity. Emma acknowledges the impact of technology on the design industry, embracing online platforms for outreach while emphasizing the importance of face-to-face meetings for personal connection. Her design icons include Axel Vervoordt, admired for his understated, natural, and elegant aesthetic. Currently, the studio is engaged in diverse projects, from new builds to extensive refurbishments, including a nine-bedroom family home in Northern England, a chalet in the Swiss Mountains, and various properties in London and the Cotswolds. Emma has also appointed Louise Wicksteed as Design Director, allowing her to focus on the creative direction of the business, while her family continues to demonstrate a strong creative lineage in fine art and film set decoration. #EmmaSimsHilditch #InteriorDesign #EnglishStyle #HistoricRenovation #DesignAesthetic #LuxuryHomes #ArchitecturalHeritage #TimelessDesign #WiltshireDesign

This article features an interview with Mary Graham and Nicole Salvesen, co-founders of the interior design firm Salvesen Graham, renowned for their classic-meets-contemporary aesthetic. The discussion centers around the launch of their debut book, ‘A New English Style: Timeless Interiors by Salvesen Graham,’ offering insights into their design philosophy, sources of inspiration, and fundamental style principles. The designers reflect on the book's creation process, noting that it prompted a deeper consideration of their client work, their evolution as a practice, and their aspirations for growth. They emphasize that English style is inherently dynamic, characterized by ongoing change and the layering of new elements onto existing structures. The process also allowed them to revisit earlier projects, confirming the enduring quality of their initial designs even after a decade. Addressing the balance between English style's rich legacy and contemporary relevance, Salvesen and Graham explain that they always begin by examining the building itself. This approach helps identify traditional elements to be preserved, restored, and celebrated, guiding the overall design direction. They stress that homes should be vibrant and lived-in, not static museums. To inject modernity, particularly in traditional settings, they prioritize personal belongings such as artwork, books, and object collections. They highlight the impact of combining a formal drawing room with a striking piece of contemporary art as a central feature. Regarding the influence of location and setting, the designers assert that the essence of English style is not geographically confined. It can be successfully applied globally, adapting its unique character to each new environment. They liken this adaptability to how each project differs based on individual client preferences. The core of their approach lies in the 'spirit of decorating,' which encompasses layering, incorporating antiques, and prioritizing comfort, rather than being dictated by a specific setting. Layering is a fundamental aspect of their style, and they advise confidence in its execution, suggesting that more layering often leads to better results. They advocate for a mix of patterns and plains, alongside a variety of textures, to achieve depth in a room. For instance, the light-absorbing quality of thick cotton velvet can effectively contrast with a light-reflecting chintz. They clarify that layering extends beyond fabrics to include all elements of a room: flooring, lighting, art, books, and the tones and finishes of paintwork. The aim is a considered, not necessarily fussy, aesthetic. The designers emphasize the critical role of antiques in grounding a room and imparting authenticity, advocating for pieces with clean lines and excellent proportions, whether a 1970s glass lamp or a Georgian center table paired with a modern pendant light. They advise a gradual approach to incorporating antiques, adding pieces over time until a personal balance is achieved. Their approach to color involves strategic splashes in unexpected places within traditional spaces, such as inside a larder cupboard or at the end of a corridor. They acknowledge a contemporary conservatism regarding color in homes, contrasting it with historical periods that embraced more vibrant palettes. Often, they derive color inspiration from a favorite patterned fabric, extracting various hues and applying them with differing intensities to establish a room's identity. The designers confess to occasionally bending conventional design rules in their own homes, particularly regarding pragmatic considerations like heating requirements, prioritizing aesthetics over strict guidelines. They also take a relaxed stance on rules concerning wall light height or furniture spacing, believing that comfort and intuition are paramount. Living with their own interiors has reinforced the importance of quality design and craftsmanship. They note that well-made, classic pieces provide a stable foundation around which styles can evolve, allowing accessories, artwork, and furniture coverings to change while the room's essential structure remains. This concept of 'getting the bones right' applies to architectural details, room layouts, and investment pieces. They draw a parallel to fashion, where a timeless core allows for subsequent embellishment. The concept of 'Future Heritage' means creating interiors that honor and draw inspiration from the past while integrating modern aesthetics, technologies, and lifestyles. Their designs aim to bridge historical elements with contemporary innovations, yielding interiors that are both timeless and forward-looking. Ultimately, they hope their book offers readers a versatile, approachable, and accessible guide, encouraging them to celebrate heritage without being constrained by tradition, and to confidently infuse their homes with personal expression. #InteriorDesign #SalvesenGraham #EnglishStyle #FutureHeritage #TimelessInteriors #DesignInspiration #HomeDecor #Layering #Antiques

Belgian flooring brand Modulyss has listed a selection of its carpet tile collections on Dezeen Showroom, highlighting the brand's commitment to design inspired by natural transitions and sustainability through recycled materials. These collections, suitable for various commercial interiors including education, workplace, and public spaces, offer both aesthetic appeal and environmental responsibility. Modulyss, a sub-brand of Belysse, was founded in 2010 and specializes in high-end carpet tiles for commercial use, distributing its products internationally. One featured collection is Artcore, designed by Joris Peutz in collaboration with Modulyss. Artcore draws inspiration from the subtle, gradual changes observed in natural landscapes—such as the transition from a forest to a field, or an urban area blending into the countryside. This collection comprises four distinct patterns: Core, Mezzo, Litho, and Etch. Each pattern is characterized by complex geometric designs that reflect different topographical elements. The Core pattern is particularly versatile as it incorporates elements of all four patterns, making it ideal for creating seamless transitions between other tile types within an installation. Artcore tiles are manufactured using 100 percent Econyl recycled yarn and are available in a range of natural, earthy shades, emphasizing both sustainability and a connection to nature. Another collection showcased is Millennium Nxtgen, which also prioritizes recycled materials. These carpet tiles are produced from regenerated nylon yarn, further underscoring Modulyss's eco-conscious manufacturing practices. The Millennium Nxtgen collection offers a broad palette of 36 colors, providing designers with extensive options for customization and creativity. Like all Modulyss products, these tiles are designed for durability and aesthetic integration in diverse commercial environments, maintaining their suitability for heavy-traffic areas and various interior design schemes. Completing the featured selections are the Heritage carpet tiles, a collaboration with Modulyss's product director, Ruben De Reu. This collection is deeply inspired by Flemish landscapes, translating specific regional characteristics into textile patterns. The patterns within the Heritage collection include Dune, which evokes coastal regions, and Meadow, reflecting rural areas. Additionally, Polder and Cobbles patterns draw inspiration from agricultural lands and traditional cobblestone streets, respectively. These tiles are available in a mix of both bold and subtle patterns, allowing for varied design expressions that can create distinct zones or harmonious flows within an interior space. The Heritage collection aims to bring the rich visual and textural qualities of the Flemish environment indoors, offering a unique blend of cultural heritage and modern design in flooring solutions. Dezeen Showroom serves as a platform for brands like Modulyss to present their new products and highlight their design philosophies to a global audience interested in architecture and design. The inclusion of Modulyss's various carpet tile collections on this platform underscores their innovative approach to flooring, combining environmental sustainability with sophisticated design inspired by natural and cultural landscapes. The brand's focus on recycled materials and diverse, nature-inspired patterns provides architects and interior designers with versatile and responsible options for commercial interiors. #Modulyss #CarpetTiles #FlooringDesign #SustainableMaterials #EconylRecycledYarn #CommercialInteriors #FlemishLandscapes #InteriorDesign #TextilePatterns

The Duxton Hotel, a five-star establishment in Perth’s CBD, recently underwent a major interior refresh, aiming to integrate luxury with a strong sense of local identity through its floorcoverings. The project was spearheaded by interior designer Andrea Webster, whose vision was to imbue the hotel's interiors with elements reflecting Western Australia's natural landscape. Webster emphasized the importance of incorporating design elements that capture the natural wonders of Perth's land and sea. To achieve this, GH Commercial collaborated closely with the design team, utilizing their Fast Track® customisation platform to create bespoke carpets. This platform allowed for the development of unique designs drawn from the Elements of Nature and Oceanic Woven Collections. The design team was able to precisely adjust pattern scale, color, and texture to complement each specific area within the hotel. For instance, the Club Lounge features the Gum Blossom design, a botanical pattern selected for its organic motifs and strong visual connection to Western Australia’s natural environment. This design introduces a soft, flowing contrast to the traditional timber paneling, creating a harmonious balance between classic architectural features and contemporary expression. The Oceanic Woven Collection was chosen for the Club Rooms, reflecting the essence of Oceania and drawing inspiration from the natural forms and tonal beauty of the Coral and Tasman Seas. The Elements of Nature Collection, inspired by the organic textures and tones of the Australian landscape, was specified for the Corridors, Presidential Suite, Ballroom, and Lower Ground Function Areas. This strategic selection established a cohesive visual identity throughout the hotel, deeply rooted in its geographical context. These premium woven carpets, designed locally and made from an 80% wool/20% synthetic fiber blend, provide a dense, tactile pile that offers both luxurious softness and long-lasting resilience. In the hotel’s standard guest rooms, Hotham – 765 Omeo, crafted from 100% wool, was selected for its rich texture, warmth, and timeless appeal. Hotham offers natural thermal and acoustic insulation, providing a soft, breathable, and sustainable flooring option. Its neutral tone serves as a calm foundation for the room’s interior styling, contributing understated elegance without overwhelming the space. Beyond aesthetics, performance and comfort were critical considerations for the high-traffic hospitality environment. The Oceanic Woven Collection's wool-rich blend ensures excellent resilience and wear resistance, while also enhancing acoustic performance and underfoot comfort. Similarly, Hotham’s pure wool composition in the guest rooms provides inherent fire resistance, durability, and softness, aligning with the requirements for a refined, five-star guest experience. Andrea Webster highlighted that the quality of the feel underfoot was as important as the visual appeal in the specification process for this hotel. The combination of these materials successfully brought depth, warmth, and durability to the hotel’s interiors, transforming each room into a sensory and site-responsive experience. GH Commercial emphasizes its commitment to providing bespoke carpet solutions that meet design visions without compromise, combining local artistry with 160 years of manufacturing expertise. As part of Mohawk Industries, the company leverages a global network for innovation, design, and supply to ensure appropriate flooring solutions. The project details include the Duxton Hotel in Perth, with Realeyes Design as the interior designer, Swan Valley Carpets as the flooring contractor, and products from GH Commercial’s Fast Track® Custom Woven Carpet (Elements of Nature and Oceanic Collections) and Hotham Wool Broadloom Carpet. #HotelDesign #InteriorRefresh #CustomCarpets #LuxuryFlooring #WoolCarpet #SustainableDesign #HospitalityDesign #LocalContext #PerthArchitecture

Ilse Crawford has launched a new collection of five rugs, named Grönska, for the Swedish textile company Kasthall. The collection, which debuted during Milan Design Week, draws inspiration from the natural landscape surrounding Kasthall's factory in Kinna, Sweden. Crawford, a London-based designer, aimed to incorporate more greenery into interior spaces through these designs. Each of the five rugs in the Grönska collection utilizes distinct weaving and tufting techniques, reflecting the changing seasons and diverse natural formations of the Swedish environment. Crawford emphasized that the collection's colors and textures are derived from typologies like meadows, glades, furrows, farmlands, and vegetable patches, translated into abstract and accessible designs for homes and public areas. She highlighted the positive impact of green hues on health and the perception of naturalness they bring to interiors. To capture the nuanced beauty of the natural world, Crawford intentionally avoided single block colors, instead experimenting with various combinations to achieve the depth and complexity observed across different landscapes and throughout the year. The collection includes Åker, a rug featuring horizontal block stripes with varying textures and tufts, such as cut and loop pile and bouclé pile, made from a blend of linen, wool, and mélange yarns. This design conceptualizes the textures and colors found in the farmlands surrounding the Kasthall factory. The Täppa rug, crafted from wool and linen, showcases a tufted, striped pattern. Its soft and tactile surface is achieved through a combination of cut and loop pile techniques, with natural linen incorporated to soften the color blocks. The Ång woven rug features thin lines of white-haired yarn and light green stripes, while Glänta presents a plain color interspersed with light flecks. Crawford explained that the Ång rug's depth and complexity result from over-dyeing natural mélange hair yarn, combined with chenille lines to create a thin flat weave, a novel category for Kasthall. The Fåra rug is characterized by irregular stitching that exposes a white wool base, utilizing a newly developed bouclé yarn made of pure wool for its distinctive irregular quality. With the exception of Åker, which will be produced in a limited edition of 50 rugs, all designs within the Grönska collection are set to become a permanent part of Kasthall's product range. The collection was exhibited at the Salone del Mobile furniture fair as part of Milan Design Week, alongside other notable installations and exhibitions. #IlseCrawford #Kasthall #RugDesign #MilanDesignWeek #TextileDesign #InteriorDesign #HomewareDesign #SwedishLandscape #NaturalMaterials

The Portals Collection, designed by New York-based Studio Bucky, is a furniture line that draws inspiration from Ireland's ancient megalithic tombs, specifically Irish portal tombs. These ancient structures, often consisting of large upright rocks supporting a capstone, fascinated studio founder Alexander Buckeridge during his upbringing in rural Ireland. He observed that these tombs served as more than just burial sites; they were places of ritual, storytelling, and connection for ancient communities. This deep historical and cultural context forms the foundational concept for the collection. The collection, set to debut at ICFF in New York, comprises five distinct pieces: a table, stools, chairs, and a mirror. All items are crafted from reclaimed maple wood, chosen for its sustainability and aesthetic versatility. A distinctive feature of the collection is the application of a blue stain, giving the wooden pieces an appearance reminiscent of large, ancient rock slabs. This choice of material and finish aims to bridge the gap between natural, raw forms and refined, functional design. The use of reclaimed wood also highlights the studio's commitment to sustainable practices, with any leftover materials being repurposed to minimize waste. Each piece in the Portals Collection is characterized by its irregular shapes, contrasting textures, and smooth surfaces. Buckeridge's design philosophy involved a juxtaposition of rough-hewn textures, which echo the rawness of ancient stone, with modern fabrication techniques to create functional sculptures. This approach ensures that while the furniture evokes a sense of ancient history, it remains practical and interactive for contemporary use. For instance, elements are intentionally stacked, offset, or slid to introduce a sense of movement and tension, adding dynamic qualities to the static forms. Subtle metal accents are integrated into some of the designs, such as the keyhole on the Portals Mirror. These metallic details are not merely decorative; they reinforce the overarching theme of passage and transition, transforming everyday objects into symbolic thresholds. According to Buckeridge, these elements invite users to connect with different spaces, memories, and interpretations, imbuing the furniture with a narrative depth beyond its utilitarian function. The entire collection was produced in New York City, maintaining a local and artisanal approach to manufacturing. Studio Bucky's Portals Collection distinguishes itself by blending historical inspiration with contemporary design and sustainable manufacturing. The furniture pieces are not just functional items but serve as sculptural elements that tell a story of ancient rituals and connections, reinterpreted through modern craftsmanship and material consciousness. The exhibition at ICFF will mark a significant milestone for the studio, presenting a unique fusion of cultural heritage, artistic vision, and environmental responsibility in furniture design. #FurnitureDesign #MegalithicTombs #IrishHeritage #ReclaimedWood #SustainableDesign #ICFF #StudioBucky #SculpturalFurniture #MapleWood #DesignExhibition

This article offers an exclusive tour of interior designer Gil Walsh's home on Bankers Way in Edgartown, Martha's Vineyard, showcasing her distinctive design aesthetic. Walsh, who has been in the interior design business for over 40 years, purchased the home two years prior to the article's publication. The original structure was built and designed by Patrick Ahearn Architects, with Walsh and her team subsequently adding custom touches that reflect her signature style, characterized by careful attention to detail, strategic pops of color, and a blend of antique and custom-made pieces. The tour begins with the 'party barn,' a detached building featuring a cupola and weathervane. This space, originally a concrete garage, was transformed into a spacious sitting room with hand-laid brick floors, pine and floor-to-ceiling beadboard paneling. It is adorned with repurposed antiques and vintage displays, demonstrating Walsh's ability to integrate diverse elements into a cohesive design. An upstairs office within the barn serves as a workspace for Walsh and her project manager, Julie Sierputoski, highlighting the detailed craftsmanship evident in elements like a perfectly sculpted handrail. Architectural details in this area were enhanced by Joseph W. Dick-Architecture Inc., with Timothy McHugh Builders and Arthur Sierputoski Contractors also contributing to the project. The outdoor area includes a pool, garden, and porch, framed by two trellises that create a 'secret garden' atmosphere. An elliptical window further enhances the architectural appeal. Inside the main house, the living spaces are a testament to Walsh's mastery of detail. The dining room features six upholstered chairs stenciled with a vine and leaf pattern, custom-cut antique pieces, an English setter weathervane by Travis Tuck, and Christopher Spitzmiller lamps in the living room. The design maintains a tactile symmetry, where individual elements, though varied, contribute to a harmonious whole. The kitchen is equipped with marble quartz countertops, built-in cabinetry, a six-burner Wolf range, and white beadboard paneling with crown molding. Sierputoski emphasizes the interplay of layers and colors throughout the home, designed to evoke a sense of happiness. The foyer showcases a willow table with seashell inlay from the south of France and a rug from Egypt, underscoring Walsh's global sourcing for unique pieces. The master suite, located on the first floor, is Walsh's favorite room. It features a light blue valance, a clean white comforter, and subtle pops of color from wall art and lampshades. Double doors provide access to the pool and porch. Walsh states that every room in her house is special, each possessing a unique architectural detail or a remarkable piece of furniture. The tour continues to the basement, which was transformed from a concrete space into a vibrant area with distinct rugs, an African tribal skirt, and antique sumo wrestler lamps. An ottoman covered with a red sari fabric demonstrates Walsh's creative use of materials to complement existing decor. Upstairs, another sitting room features upholstered furniture and intricate details, described as whimsical and elegant. The guest bedrooms each have a distinct theme: the 'queen room' with floral valances from a previous home, the 'blue twin room' with twin beds and a multicolored rug, and the 'needle point room' with pastel throw pillows and a Victorian writing desk. Walsh's approach to design often begins with a standout painting or carpet, or a compelling fabric, and she advises looking to nature for color inspiration. The article concludes by inviting readers to suggest other interesting Martha's Vineyard homes for future features in the 'Can we take a peek?' series. #GilWalshInteriors #EdgartownHome #InteriorDesign #MarthaSVineyard #HomeDecor #ArchitecturalDetails #CustomDesign #AntiqueFurniture #LuxuryHomes

This article showcases the remarkable transformation of a Grade A-listed Georgian terrace in Edinburgh New Town, which was previously used as offices, into a vibrant and elegant modern home. The extensive three-year renovation project involved significant structural changes, such as rebuilding walls, installing proper bathrooms, and a new kitchen, to revert the space to its original residential purpose while incorporating a contemporary layout. The property spans three stories, featuring a grand entrance hall, lobby, living room, master bedroom suite, and cloakroom on the ground floor. The first floor hosts a lounge, dining room, kitchen, utility room, and an additional cloakroom. The top floor is dedicated to three guest bedrooms, one with an en suite and walk-in wardrobe, and a shared bathroom. The design aesthetic is a carefully curated blend of antique and modern elements, giving the home a unique sense of personality. Furniture, lighting, and artworks were sourced globally, including pieces from Scotland, Tom Dixon, Matthew Hilton, Thailand, the Philippines, China, and classic mid-century designs. This eclectic mix contributes to an inviting and distinctive interior. The lounge, characterized by its soaring ceilings and vast windows, exemplifies this blend with modern Tom Dixon pieces, classic Seventies furniture, and Georgian antiques. The dining room leverages a large window to fill the space with light, allowing a statement wallpaper to enhance rather than overwhelm the room. The kitchen features bespoke units, including an impressive central island crafted by a local cabinet maker, topped with leather-finished marble. A unique splashback incorporates clever storage for cookery books and crockery. In other areas, bright yellow doors in the hallway create a striking contrast against the flagstone floor, while Moroccan encaustic tiles add personality to the family bathroom, complemented by bespoke hidden storage. The master bedroom is designed with a four-poster bed that draws the eye upward, emphasizing the high ceilings and preventing the space from dwarfing the furniture. The master en suite balances old and new with marble tiles, traditional detailing, and modern lighting and fixtures, creating a glamorous and harmonious atmosphere. The renovation of this Georgian home is a masterclass in blending historical architecture with modern living, creating a space that is both elegant and colorful while offering all the conveniences of contemporary design. #GeorgianArchitecture #EdinburghHomes #HistoricRenovation #InteriorDesign #EclecticStyle #ModernHome #LuxuryInteriors #DesignInspiration #HomeTransformation

The Newstalgia rug collection, a collaboration between Radici and designer Tekla Evelina Severin (Teklan), was unveiled at EquipHotel. This collection introduces significant innovations in carpet manufacturing, notably the Bloom Back surface and AlleRAD technology, which enable the carpets to be fully commercially recyclable at the end of their lifespan. This commitment to sustainability is central to the collection's philosophy, achieved through advanced yarn technology and backing materials. The Newstalgia collection draws inspiration from design aesthetics of the 1970s and 1980s, reinterpreting familiar shapes and offering a diverse range of colors for extensive customization. The collection features eight distinct prints: Monogram, Elliptic, Weave, Brick, Net, Snake, Folding, and Backgammon. Custom design options are also available, allowing for tailored interior schemes. The Monogram pattern incorporates a repeated block of twin graphic L’s, creating a linear element reminiscent of classic fashion house logos. Elliptic pays homage to the 1960s Op Art movement, utilizing bold shapes and tonal pairings to create visual illusions of depth and movement. Weave draws on traditional hand-weaving techniques, featuring intersecting color blocks that merge heritage with a modern, whimsical sensibility, often within a restrained color palette. Brick patterns are characterized by strong color contrasts, such as turquoise and burgundy or orange and midnight blue, forming interlocking motifs that suggest solidity and strength. Net employs optical effects to create a sense of depth through regular horizontal and vertical forms, promoting a feeling of calm. This pattern is offered in two color variants, blending peach, beige, green, and burgundy, or brown, light blue, beige, and black. Snake features bold, stylized bands of color that evoke the natural world, bringing vibrant hues into interior spaces. Folding, inspired by Escher's work, explores impossible shapes, providing a structured yet chaotic element. The final pattern, Backgammon, references the ancient game, combining rich mustard yellow and deep brown to blend a nostalgic 1970s feel with contemporary interpretations. Tekla Evelina Severin's design philosophy emphasizes the transformative power of color, stating that its perception is relative to its surroundings. Her diverse portfolio includes interior design, furniture, clothing, and set design, all unified by her expansive use of color. Radici, known for its sustainable rug manufacturing, further enhances the collection with AlleRAD technology, which reduces dust and allergens, setting a new standard for eco-friendly and health-conscious carpet products within the industry. #NewstalgiaCollection #Radici #TeklaEvelinaSeverin #CarpetDesign #SustainableDesign #RecyclableCarpets #InteriorDesign #GeometricPatterns #ColorTheory

The article highlights a Winnetka home designed by Emily Sturgess Design, which was recognized with a Design 9 Award for Best Traditional Residence. The clients, a growing family who had moved from Chicago to Winnetka, sought a home that would be both functional for young children and suitable for formal entertaining. Emily Sturgess was chosen for the project, and her design philosophy focused on creating a space that respected the home's classic architectural details while feeling fresh and approachable for modern living. Sturgess emphasized the importance of the spaces reflecting both the husband and wife's preferences and being comfortable for various occasions. The finished project is characterized by its layering of rich textiles, colors, and materials, which contribute to a sense of warmth and sophistication throughout the house. A key aspect of Sturgess's design is its inherent traditional style, yet nothing in the home is considered too delicate to be used and enjoyed. This approach ensured that the luxurious home remained livable and functional for a family with young children. Specific design elements are noted in various rooms. The living room, for example, features a mix of patterns, an antique Maison Jansen armchair upholstered in Bennison’s Wheat Flour fabric, a Highland House St. Pete cocktail table, and a custom sofa by BH Home. Above the sofa hangs artist Donald Sultan’s “Mimosa with Green.” In the primary bedroom, GP & J Baker’s Flora wallpaper in blue adds a distinctive touch, complemented by a Lexington Leanne chaise and an antique bureau from The Parson’s Nose, which collectively create a classic ambiance. The collaboration between the designer and the clients was marked by trust and a shared vision. Sturgess expressed pride in the outcome, particularly in how the home seamlessly blends its heritage with contemporary living. A significant testament to the client's satisfaction was Sturgess being invited back to design the nursery after the family welcomed their first child, which she considers the ultimate stamp of approval for a job well done. The article also provides "Design Details" of the project, including its type (single-family home), location (Winnetka, Ill.), and the interior design firm responsible (Emily Sturgess Design). It also lists various resources and vendors involved in the project, such as Azul Painting, Ashley & Sloane, BH Home, Inc., Century Furniture, Cowtan & Tout, Fuller Architectural Panels, Kravet, Mecox Gardens, The Parson’s Nose Antiques, Vaughan Designs, and Visual Comfort & Co., indicating the collaborative effort required to bring the design to fruition. The photography was done by Marta Xochilt Perez, and home styling by Kimberly Swedelius. #InteriorDesign #WinnetkaHome #TraditionalResidence #EmilySturgessDesign #LuxuryLiving #HomeDecor #DesignAwards #FamilyHome #TextileLayering

This article delves into the quintessential English country style, drawing on personal experience of growing up in the Cotswolds and insights from British interior designers. The author, having a deep connection to the Cotswolds' aesthetic, is now applying these principles to her own home and shares a comprehensive guide to achieving this characterful rural scheme. The core tenets of English country style revolve around embracing nature, utilizing high-quality natural materials, and respecting the architectural heritage of a property. Interior designer Lauren Gilberthorpe emphasizes the importance of natural materials like stone, wood, and woven textures, along with layering textiles such as wool, linen, and cotton to create warmth and comfort. Emma Sims Hilditch echoes this sentiment, advocating for color palettes inspired by the natural landscape, particularly various shades of green. A significant aspect of this design approach involves celebrating and restoring a home's existing characterful features. Exposed beams, original fireplaces, and flagstone flooring are not merely background elements but integral parts of the design. The author recounts her own experience of sanding back original wooden floors and applying untinted Osmo oil to highlight their natural beauty, demonstrating a commitment to preserving authenticity. Chloe Cutts from Sims Hilditch highlights the practice of identifying a focal point—be it an architectural element, a piece of art, or furniture—at the outset of a design project to maintain cohesion. The article further details specific strategies for integrating English country style. Choosing high-quality furnishings made from solid wood is presented as an investment that ensures functionality and timelessness. Bespoke joinery is recommended for making the most of unique spaces, and handcrafted pieces, like dining tables, are valued for their uniqueness. Lauren Gilberthorpe illustrates this with a project featuring a handcrafted oak dining table, contemporary wingback armchairs in linen, and bespoke shelving. Introducing vintage pieces is another hallmark of the relaxed country style. These items, with their aged marks and worn patinas, add a charm that modern pieces cannot replicate, especially in kitchens. Lisa Mehydene's kitchen, featuring timeless shaker cabinets blended with carefully selected vintage elements like a Belgian shop counter and a florists' table from a local farm shop, exemplifies this blend of old and new, creating a layered and cozy atmosphere. Softening spaces with an abundance of fabric is crucial for achieving a warm and welcoming ambiance. Linens with slubby textural weaves, gingham, checks, chintzy florals, and stripes are characteristic. Fabric designer Tori Murphy underscores the nostalgic and practical appeal of these materials. For window treatments, cottage pleats are suggested, and sink curtains are noted for their return as a charming way to conceal plumbing. Filling the home with pattern and personal treasures, rather than adhering strictly to one style, is encouraged. The example of Vanessa Arbuthnott's Cotswold home, filled with paintings, handcrafted ceramics, and vibrant ditsy fabrics, illustrates how a home should reflect personal taste and evoke happy memories. This approach allows for a mix of fabric designs, artworks, and furniture styles, from antique French to mid-century. Embracing tongue and groove paneling is another effective way to inject country style, particularly in new additions or for practical purposes like backsplashes, as demonstrated by Laura Stephens. Lastly, decorating with Arts & Crafts prints and nature-inspired patterns from companies like Lewis & Wood, which have strong ties to the Cotswolds' crafting heritage, serves to celebrate local craftsmanship and the natural environment. #EnglishCountryStyle #CotswoldsDecor #NaturalMaterials #VintageDecor #ArchitecturalFeatures #InteriorDesignTips #FabricLayering #PatternMixing #ArtsAndCrafts #NatureInspiredPrints

Teklan Studio, led by designer Tekla Evelina Severin, has unveiled the "Newstalgia" flooring collection for Italian carpet brand Radici. This textile collection aims to reimagine the elaborate patterns and vibrant aesthetics of the 1970s and 1980s, offering a fresh perspective on nostalgic design for contemporary living. The collection has earned recognition by being longlisted in the textile design category of the Dezeen Awards 2025. The Newstalgia collection features eight distinct geometric patterns, each characterized by a playful manipulation of color and proportion. Severin's signature design approach is evident in the unconventional color pairings, which include combinations such as peach and black with burgundy and baby blue. The designer describes Newstalgia as a "love letter to the atmospheres of the past," emphasizing its dual focus on reinventing historical design elements for present-day applications and ensuring its adaptability for future architectural and interior design projects. Severin highlights the collection's flexibility, stating that its scale and color palettes are intended to be customizable to meet the specific requirements of architects and the unique premises of projects in upcoming decades. This forward-thinking design philosophy underscores the collection's potential for longevity and versatility within the evolving design landscape. The carpets are prototyped on Radici's Bloom Back textile flooring, a custom-printed base that plays a crucial role in the collection's sustainable credentials. The Bloom Back base is manufactured using Econyl yarn, a regenerated nylon-based fabric. This material is derived from industrial waste sources, including fabric scraps and discarded fishing nets, illustrating a commitment to circular economy principles. Radici emphasizes that Bloom Back is not only lightweight and soft but also possesses acoustic properties, making it an appropriate choice for high-end contract and hospitality environments. Severin reinforces the environmental benefits of the material, noting that its "regenerated to be regenerable approach is a perfect example of circular economy in action." This commitment to sustainability, combined with the collection's aesthetic appeal, positions Newstalgia as a significant contribution to both design innovation and environmental responsibility in the flooring industry. #FlooringDesign #TextileDesign #NostalgicDesign #GeometricPatterns #InteriorDesign #SustainableDesign #CircularEconomy #RadiciCarpets #TeklanStudio

The Swedish brand Essem, known for its functional and durable design since the 1930s, is making its United States debut with the new Classic Collection by Kauppi & Kauppi. This collection offers a modern interpretation of the brand's iconic 1959 Classic Hat Rack, originally designed by Gunnar Bolin. The Classic Hat Rack, celebrated for its timeless form, simple aesthetic, and construction from bent metal tubes and a flat net, serves as the cornerstone for the expanded range. Kauppi & Kauppi's approach was to respect the original design's elegance and functional simplicity while introducing new, independent designs that utilize some of the Classic materials and dimensions, alongside new elements that point in a fresh direction. The collection is specifically designed to organize and enhance the entryway, a crucial space that sets the tone for a home and serves as a point of greeting and departure. The new Classic Collection consists of various pieces, each balancing practicality with a playful design. These include a freestanding coat stand characterized by an airy, bow-like top, and a hallway mirror that integrates storage hooks for items like keys or hats. Additional components feature a slim peg rail, a hook loop that pays homage to the 1950s hat rack, and wall-mounted knobs available in two sizes. These elements are designed to effectively manage clutter and contribute a graphic simplicity to wall spaces. A core principle of Essem’s design philosophy, carried through to this collection, is durability and sustainability, with each piece constructed for longevity and featuring replaceable parts. The entire collection is finished in Essem’s signature “Sun Yellow,” transforming these functional objects into vibrant focal points that can brighten any utilitarian area. Essem's expansion into the American market with the Classic Collection represents a significant milestone for the brand. It extends an invitation to integrate Swedish design principles of functionality, enduring style, and sustainability into American residences. The collection reflects Essem’s long-standing commitment to these values, which have guided the company since its inception in the 1930s, reinforcing the idea of timeless design. The collaboration with Kauppi & Kauppi ensures that the new collection not only honors Essem's rich heritage but also introduces contemporary relevance, making functional entryway solutions both aesthetically pleasing and robust. The new Classic Collection offers a cohesive and stylish way to organize entryways while embodying a cheerful and modern design sensibility. #SwedishDesign #EntrywayFurniture #HomeFurnishings #KauppiAndKauppi #Essem #ClassicCollection #ModernDesign #FunctionalDesign #InteriorDesign