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Can we take a peek?
This article offers an exclusive tour of interior designer Gil Walsh's home on Bankers Way in Edgartown, Martha's Vineyard, showcasing her distinctive design aesthetic. Walsh, who has been in the interior design business for over 40 years, purchased the home two years prior to the article's publication. The original structure was built and designed by Patrick Ahearn Architects, with Walsh and her team subsequently adding custom touches that reflect her signature style, characterized by careful attention to detail, strategic pops of color, and a blend of antique and custom-made pieces.
The tour begins with the 'party barn,' a detached building featuring a cupola and weathervane. This space, originally a concrete garage, was transformed into a spacious sitting room with hand-laid brick floors, pine and floor-to-ceiling beadboard paneling. It is adorned with repurposed antiques and vintage displays, demonstrating Walsh's ability to integrate diverse elements into a cohesive design. An upstairs office within the barn serves as a workspace for Walsh and her project manager, Julie Sierputoski, highlighting the detailed craftsmanship evident in elements like a perfectly sculpted handrail. Architectural details in this area were enhanced by Joseph W. Dick-Architecture Inc., with Timothy McHugh Builders and Arthur Sierputoski Contractors also contributing to the project.
The outdoor area includes a pool, garden, and porch, framed by two trellises that create a 'secret garden' atmosphere. An elliptical window further enhances the architectural appeal. Inside the main house, the living spaces are a testament to Walsh's mastery of detail. The dining room features six upholstered chairs stenciled with a vine and leaf pattern, custom-cut antique pieces, an English setter weathervane by Travis Tuck, and Christopher Spitzmiller lamps in the living room. The design maintains a tactile symmetry, where individual elements, though varied, contribute to a harmonious whole.
The kitchen is equipped with marble quartz countertops, built-in cabinetry, a six-burner Wolf range, and white beadboard paneling with crown molding. Sierputoski emphasizes the interplay of layers and colors throughout the home, designed to evoke a sense of happiness. The foyer showcases a willow table with seashell inlay from the south of France and a rug from Egypt, underscoring Walsh's global sourcing for unique pieces.
The master suite, located on the first floor, is Walsh's favorite room. It features a light blue valance, a clean white comforter, and subtle pops of color from wall art and lampshades. Double doors provide access to the pool and porch. Walsh states that every room in her house is special, each possessing a unique architectural detail or a remarkable piece of furniture. The tour continues to the basement, which was transformed from a concrete space into a vibrant area with distinct rugs, an African tribal skirt, and antique sumo wrestler lamps. An ottoman covered with a red sari fabric demonstrates Walsh's creative use of materials to complement existing decor.
Upstairs, another sitting room features upholstered furniture and intricate details, described as whimsical and elegant. The guest bedrooms each have a distinct theme: the 'queen room' with floral valances from a previous home, the 'blue twin room' with twin beds and a multicolored rug, and the 'needle point room' with pastel throw pillows and a Victorian writing desk. Walsh's approach to design often begins with a standout painting or carpet, or a compelling fabric, and she advises looking to nature for color inspiration. The article concludes by inviting readers to suggest other interesting Martha's Vineyard homes for future features in the 'Can we take a peek?' series.
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