Essem Brings Classic Swedish Design Heritage to the Entryway

Stockholm Design Week 2019, anchored by the Stockholm Furniture Fair (February 5-9), presented an array of exhibitions and installations that skillfully blended Swedish heritage, a commitment to sustainability, and the charm of village life with contemporary design. The event, held amid a snowy Stockholm, showcased numerous designers and studios, each contributing to a rich tapestry of Nordic aesthetics and innovative practices. Among the highlights was French designer Pauline Deltour's 'Rope Rug' for Hem. Deltour's meticulous process involved exploring 25 braiding techniques to create three distinct rug designs available in four modern tones: terracotta, seaweed, salt & pepper, and night blue. Produced in collaboration with Indian manufacturers, these rugs emphasize traditional craftsmanship and intricate dyeing, resulting in a rustic yet contemporary appeal. Note Design Studio, based in Stockholm, created the 'Snowtopped' installation for Tarkett, demonstrating the versatility of Tarkett’s sustainable vinyl flooring. This installation reimagined the Nordic landscape with layers of snowdrifts and dunes, showcasing the material's limitless possibilities beyond its functional use. The aim was to highlight the material's flexibility and adaptability in an unexpected way. Copenhagen-based Frama and Andreas Martin-Löf Arkitekter collaborated on 'Spatial Sensibilities.' This exhibition, located in a newly renovated architectural office overlooking the Riddarfjarden waterway, presented Frama’s minimalist designs and muted tones within a naturally lit modernist building. The setting offered a tranquil contrast to the bustling design week activities. Neri + Hu, the Chinese design duo, served as the guest of honor at the Stockholm Furniture Fair. Their site-specific installation, 'The Unfolding Village,' addressed the global issue of disappearing village cultures. Inspired by the alleyways and street life of clan-based villages, the structure, constructed from local timber, unfolded to reveal furniture designed by Neri + Hu, emphasizing the preservation of community and tradition. Färg & Blanche presented 'The Baker’s House' in an 1800s Swedish townhouse, which was the former home of co-founder Emma Marga Blanche’s great-great-grandfather. This personal exhibition featured new designs that referenced the Blanche family's historical Crispbread factory. The display included contributions from brands such as Petite Friture and Gärsnäs, merging personal history with modern design. Sight Unseen collaborated with Swedish brand Kasthall to showcase the capabilities of its new Rug Designer tool. The vibrant and graphic rug designs highlighted the bespoke potential of the digital service, allowing both designers and non-designers to experiment and create unique pieces. The inspiration for the designs subtly drew from the trompe l’oeil geometric patterns often seen on Milanese building facades. British architect David Chipperfield's product designs were featured in an exhibition displaying his work for brands like Alessi and e15. The exhibition also introduced new iterations of his ‘w102’ lamp for Wästberg, originally launched in brass, now available in a black steel finish and various configurations, including wall and floor mounts. The collaboration 'Sie Wohnen Hier' by Bukowskis x Magniberg brought together contemporary art and design from the auction house Bukowskis with textiles from Magniberg. The abstract showcase featured artful compositions, pairing oriental porcelain and cubist furniture with layered prints and textured surfaces, aiming to inspire design-led curiosity. Snøhetta's ‘s-1500’ chair for NCP reimagined Bendt Winge’s classic ‘R-48’ chair using recycled plastic waste from fish farming, including nets, ropes, and pipes. This exhibition at the fair highlighted the material and craft heritage of northern Norway and underscored Snøhetta's commitment to sustainability, encouraging other companies to rethink material repurposing. Claesson Koivisto Rune opened the Portal Bar in St. Eriksplan during Stockholm Design Week. This new space, owned by chef Klas Lindberg, hosted numerous events and featured interiors with murals by Jesper Waldensten, custom lighting by Wästberg, and furniture by Swedese, quickly becoming a central hub for social gatherings. Finally, Baux introduced 'Acoustic Pulp,' revolutionary acoustic tiles made from Swedish fir and pine trees, water, wheat bran, potato starch, plant wax, and fruit peels. This biodegradable, recyclable, lightweight, durable, and sound-absorbing material, originally developed for the coffin industry, showcases a true dedication to nature, with geometric patterns organically derived from the wheat content. These diverse presentations collectively underscored Stockholm Design Week's focus on innovation, heritage, and environmental responsibility. #StockholmDesignWeek #SwedishHeritage #SustainableDesign #NordicDesign #InteriorDesign #FurnitureFair #Craftsmanship #MaterialInnovation #ArchitecturalDesign

Ælfred, a new emporium for vintage Scandinavian design, has opened in Hackney Wick, East London, offering a wide array of democratically priced furniture, lighting, ceramics, and glassware. The 300 sq m space is the brainchild of Danish dealer Nina Hertig, who previously co-founded Sigmar, a high-end gallery on Kings’ Road specializing in pedigree Scandinavian pieces. In contrast to Sigmar's exclusive clientele and premium pricing, Ælfred aims to make Scandinavian design accessible to a broader audience, with prices ranging from £15 to £2,500. The concept behind Ælfred is to create a fun and accessible shopping experience that encourages people to reconnect with physical objects. The store features rows of 'PH' pendant lights, ceramics from Royal Copenhagen, lamps by Louis Poulsen, glassware, and vintage silver cutlery. The curated collection includes classic designs from Danish, Swedish, Norwegian, and Finnish designers, such as Børge Mogensen, Haslev, and Alvar Aalto’s Artek. Hertig emphasizes that the accessibility of Ælfred is achieved through scaling the business and maintaining a high turnover of stock. Containers of carefully selected vintage items arrive regularly from Denmark, with new shipments expected every two weeks. This business model allows for competitive pricing and a constantly evolving inventory. A key aspect of Ælfred's offering is the ability to mix and match items, particularly for glassware, silver cutlery, and crockery, allowing customers to purchase individual pieces rather than complete sets. Hertig highlights the enduring quality of these vintage items, noting that they were so well-made they have lasted for decades and still have plenty of life left in them, promoting sustainable consumption by giving new life to pre-owned goods. The name Ælfred is a playful nod to Alfred the Great, who famously defended Wessex against the Vikings. However, this Ælfred is designed to be welcoming to all things Scandinavian, embracing the design heritage it celebrates. The emporium is strategically located next to a new restaurant by Moro, designed by Hertig’s friends Nina Tolstrup and Jack Mama of Studiomama. This adjacency aims to create a destination for weekend visitors, inviting them to enjoy lunch and discover unique treasures in a physical setting, celebrating the traditional joy of in-person shopping and discovery. The venture represents a shift towards a more inclusive approach to vintage design, moving away from exclusive gallery models to a more community-oriented retail experience in East London. #ScandinavianDesign #VintageFurniture #EastLondon #InteriorDesign #Furniture #HomeDecor #SustainableShopping #DanishDesign #HackneyWick

Nordic Nest, an e-tailer established in 2002, has cultivated a distinctive niche in the Scandinavian interior design market by prioritizing storytelling and brand building. Unlike typical online retailers, Nordic Nest offers a curated experience that allows customers to explore and engage with Scandinavian design at their own pace. The platform serves as a primary destination for enthusiasts of Scandinavian interior design, emphasizing functional simplicity and timeless beauty, and is expanding its efforts to enhance the global visibility of Scandinavian design. The company's extensive catalog features over 60,000 Scandinavian design products from more than 300 brands. The selection is meticulously curated, highlighting craftsmanship and artistic expression. Nordic Nest supports a diverse range of creators, from emerging talents to established designers, providing year-round assistance through marketing collaborations, exclusive product launches, and international outreach. This commitment extends beyond transactional relationships, focusing on showcasing each studio's unique craftsmanship and innovative techniques through various channels, including digital campaigns, curated showcases, and events, thereby popularizing Scandinavian design globally. During the 2025 Stockholm Design Week, Nordic Nest hosted an intimate dinner at Stockholm’s Nationalmuseum, bringing together leading Scandinavian design brands such as Fritz Hansen, Iittala, Louis Poulsen, Gärsnäs, and Audo Copenhagen. This event celebrated both the enduring traditions and contemporary innovations within Scandinavian design, underscoring the company’s dedication to providing brands with a platform for increased visibility and recognition beyond the Nordic region. Among the highlights of the event was the unveiling of Iittala’s Solare collection, a new tableware line inspired by light. This collection, which includes glassware, textiles, and home accessories, captures the interplay of brightness and form, continuing Iittala’s legacy of avant-garde design and colored glass since its founding in 1881. Danish brand Audo also introduced the Pavot Collection, a collaboration with designer Colin King. This collection, featuring artfully crafted vessels like the Pavot Centerpiece, Bowl, and Vase, draws inspiration from the organic shape of a poppy seed head, blending ancient influences with modern craftsmanship. Each piece is cast in aluminum and finished with a brown bronzed patina, embodying a timeless yet contemporary aesthetic. Through these initiatives, Nordic Nest reinforces the notion that Scandinavian design is rooted in careful attention to detail and a profound sense of connection. #ScandinavianDesign #InteriorDesign #NordicNest #ECommerce #DesignRetail #BrandBuilding #DesignEvents #FurnitureDesign #HomeDecor

The perception of Scandinavian design, particularly Swedish design, has long been synonymous with minimalism: functional, pared-back aesthetics characterized by blond wood and stark white walls. However, a noticeable shift is occurring in Stockholm, where a resurgence of more colorful, richly textured, and historically inspired design elements is challenging this established notion. This movement is reintroducing forgotten periods of Swedish design history, injecting vibrancy into contemporary spaces. One prominent example of this evolving aesthetic is the Stockholm design shop Layered, housed in a 500-year-old building. Unlike the minimalist stereotype, Layered features marble pillars, gold scalloped moldings, and walls painted in deep turquoise and salmon. The interior is adorned with antique fringed lamps, furniture upholstered in dusty pink and marine blue velvets, and surrealist carpeting. This eclectic mix signals a departure from the purely functional and highlights a return to more ornate styles. This shift draws inspiration from several historical Swedish design trends. The gilded opulence of the 18th-century court of King Gustav III, known as Gustavian gilt, is making a comeback. Another significant influence is Josef Frank, a textile designer celebrated for his wild textiles and individualistic spirit. Additionally, the “Swedish Grace” movement, an appealing pastiche of Nordic folk motifs and ornate craftsmanship that emerged concurrently with Art Deco, is gaining renewed attention. Swedish Grace furniture and ceramics garnered international acclaim at the 1925 Paris world's fair and were exhibited at the Metropolitan Museum of Art, only to be overshadowed by functionalism and mass production in the 1930s, largely due to the rise of companies like Ikea. Andrew Duncanson, owner of Modernity, a vintage furniture gallery in Stockholm, notes the change, recalling a time when Swedish interiors were predominantly “50 shades of white.” He observes a current progression toward color, luxurious fabrics, and unexpected objects, executed with a distinctly subdued Scandinavian sensibility that sets it apart from trends in other European design hubs. This unique maximalism can be seen in historical sites like the Royal Swedish Opera and King Gustav III’s Pavilion, which showcase Sweden’s subtle interpretation of French Rococo, and Ragnar Ostberg’s mosaicked City Hall, a testament to Swedish Grace. The enduring Stockholm boutique Svenskt Tenn, which has carried Josef Frank's designs since 1934, also plays a role in this reawakening. A pivotal moment for this new aesthetic was the opening of Ett Hem, a hotel designed by British decorator Ilse Crawford in collaboration with Jeanette Mix. This 12-room Art Nouveau townhouse blends traditional Scandinavian elements, such as handwoven wicker chairs and tiled kakelugen stoves, with truffle-colored velvet sofas, snow-white marble, and classic candelabras from the 400-year-old brass foundry Skultuna. The Haymarket by Scandic Hotel further exemplifies this trend. Designed by the Stockholm firm Koncept, this hotel, housed in a 1920s department store, features interiors that lean more towards a "Miami than Scandi" aesthetic, incorporating palace red carpets, Deco wallpaper, and a kaleidoscope of velvet. Malin Glemme, the owner of Layered and a local designer, expresses her intention to rebel against the city’s long-standing aversion to ornamentation. She believes that minimalism has been dominant for too long and that Swedes are now more interested in expressing their individuality through design. #ScandinavianDesign #SwedishDesign #Maximalism #InteriorDesign #GustavianGilt #JosefFrank #SwedishGrace #StockholmArchitecture #DesignTrends

Emma Sims-Hilditch, a prominent figure in the interior design landscape, is celebrated for crafting serene yet practical interiors that exude an understated modern elegance. Her designs are equally suited for both rural and urban settings, reflecting a unique blend of sophistication and comfort. Her journey into interior design was unconventional, beginning with a career in film production in London, where she worked as a production assistant for Ridley Scott on films like 'Thelma and Louise' and 'Gladiator'. This experience proved invaluable, equipping her with essential skills in managing large-scale projects and budgets. Today, her design studio, comprising a team of 30 professionals, serves a diverse clientele, including British clients and international patrons seeking assistance with properties in the UK and abroad. Sims-Hilditch's design philosophy is deeply rooted in nature and the preservation of England's architectural heritage. Her signature aesthetic is characterized by calm color palettes, tactile textures, and a harmonious fusion of modern and classic elements, creating interiors that are both relaxing and highly functional for daily life. The Sims Hilditch studio, formally launched in 2009, evolved organically from Emma's initial foray into interior work. After leaving film production and relocating to Wiltshire, she renovated her own derelict, listed former school and established a professional curtain-making business. Her 'big break' came when she was commissioned to design the interior of a manor house, marking the true beginning of her acclaimed career. Emma's creative inclinations stem from a family history of artists and designers, including a great-grandfather who was a member of the Royal Academy of Arts and a mother who was a keen interior decorator. This early exposure to creativity, combined with her habit of redecorating her own room as a child, set her on a path towards design, despite initially pursuing a business studies degree. As her business expanded, she relocated her studio to a meticulously renovated 16th-century pub, The White Hart, on the Wiltshire/Gloucestershire border. This unique space, opened in 2014, not only accommodates her growing team of 30 but also provides an inspiring and comfortable environment for clients. A key aspect of Sims-Hilditch's work is her team's thoughtful and sensitive approach to renovating listed buildings. They take pride in preserving architectural heritage, integrating original features while reimagining layouts to suit modern living without compromising historical integrity. This commitment to heritage preservation is evident in projects like the renovation of a 500-year-old, nine-bedroom family home. Her designs prioritize longevity and quality over fleeting trends, ensuring that each scheme is client-focused and built to last. The studio also emphasizes the reuse and preservation of existing furniture, incorporating clients' pieces to add character and personality to each home, alongside curating items from local suppliers and antique dealers. The Sims Hilditch studio offers a comprehensive design service, encompassing furniture and furnishing specifications, a dedicated procurement team, and an in-house interior architectural service that covers spatial planning, kitchen and bathroom design, and bespoke joinery. Emma draws inspiration from museums, art galleries, and hotels, notably La Bastide de Marie Hotel in Provence, which influenced her own Wiltshire home. The English countryside also serves as a profound source of inspiration, with elements like color palettes reminiscent of rolling hills and timber floors inspired by woodlands often integrated into her designs. She advocates for exploring surroundings, whether in the countryside or urban centers like London, to spark creativity. Emma acknowledges the impact of technology on the design industry, embracing online platforms for outreach while emphasizing the importance of face-to-face meetings for personal connection. Her design icons include Axel Vervoordt, admired for his understated, natural, and elegant aesthetic. Currently, the studio is engaged in diverse projects, from new builds to extensive refurbishments, including a nine-bedroom family home in Northern England, a chalet in the Swiss Mountains, and various properties in London and the Cotswolds. Emma has also appointed Louise Wicksteed as Design Director, allowing her to focus on the creative direction of the business, while her family continues to demonstrate a strong creative lineage in fine art and film set decoration. #EmmaSimsHilditch #InteriorDesign #EnglishStyle #HistoricRenovation #DesignAesthetic #LuxuryHomes #ArchitecturalHeritage #TimelessDesign #WiltshireDesign

Bornstein Lyckefors, a Swedish architecture studio, has unveiled its latest residential project, Villa Hovås, a striking black house located in Gothenburg. This project follows their previous work, Villa Timmerman, which showcased sustainable architecture and aesthetic appeal. Villa Hovås is situated on a sloped site within an affluent seaside suburb, offering exceptional natural views. The two-level residence is strategically designed to maximize these views. The elongated structure is oriented east-west, featuring a fully glazed side facing the sea to the west and a more private, closed side facing the street to the east. This design ensures that the inhabitants can fully experience the panoramic coastal scenery while maintaining privacy from public view. The ground floor of Villa Hovås serves as the primary social hub. It encompasses a spacious living room and several bedrooms. The living room seamlessly extends onto an outdoor terrace, which is elegantly bordered by a swimming pool. This integration of indoor and outdoor spaces creates a fluid environment for relaxation and entertaining, allowing residents to enjoy the natural surroundings. Upstairs, additional bedrooms are located, providing private retreats. A unique architectural feature of Villa Hovås is its continuity of communal space. The living room on the ground floor is conceptually extended to the upper floor, where the kitchen is situated. From the kitchen, the view opens dramatically towards the sea, with the swimming pool in the foreground. This thoughtful arrangement creates an optical illusion, making the pool appear as a seamless extension of the ocean, enhancing the sense of an "endless ocean" experience for residents. Materiality plays a crucial role in defining the aesthetic and functional aspects of the villa. The exterior is clad in black wooden slats, which give the house a distinctive and sophisticated appearance. This dark cladding allows the structure to blend harmoniously with its natural environment while also making a subtle yet strong statement. Inside, the design contrasts with the exterior; lighter-colored timber is predominantly used, fostering a warm, inviting, and domestically comfortable atmosphere. This interior palette ensures that the vibrant green landscapes and expansive seaside vistas remain the dominant visual elements, framed by the subtle elegance of the wooden interiors. Strategic placement of openings throughout the villa is another key design element. These openings are carefully planned to facilitate the entry of natural light, which dynamically transforms the internal ambiance throughout the day. This creates varied atmospheres depending on the time, enhancing the living experience. Bornstein Lyckefors articulates that the design intent for Villa Hovås is to create an experience of "living in the view," allowing residents to immerse themselves in the scenery while also providing control over their privacy in daily life. This balance between openness and seclusion is central to the villa's design philosophy. The architectural choices in Villa Hovås reflect a deep consideration for its site, material use, and the desired living experience. The use of natural materials like wood, both externally and internally, ties the house to its environment. The contrasting exterior and interior finishes provide a dynamic visual experience, moving from a bold external presence to a serene internal haven. The focus on views and light, combined with the thoughtful layout, exemplifies a contemporary approach to residential architecture that prioritizes connection with nature and quality of life. #Architecture #ResidentialDesign #SwedishArchitecture #TimberConstruction #ModernHome #CoastalLiving #BornsteinLyckefors #SustainableDesign

Jennifer Mankins, owner of the indie fashion boutique Bird, along with her husband Niklas Arnegren, purchased a dilapidated Shelter Island home in 2017 that had been abandoned for nearly a decade. Despite extensive damage including mold, standing water, and overgrown greenery, Mankins, with her keen eye for design and previous renovation experience from a Brooklyn brownstone, envisioned a vibrant retreat. She enlisted the help of architect Lisa Ekle of E.G. Projects to transform the property. The original structure's simplicity appealed to Mankins, who sought a low-key year-round escape for family and friends. While the house was gutted to the studs, the original floor plan, featuring a central common area flanked by bedrooms, was maintained. The design philosophy focused on incorporating high-quality materials and adding characterful details. The primary challenge was to blend minimalist Scandinavian aesthetics, influenced by Arnegren's Swedish heritage, with Mankins's eclectic, world-traveled Texan style, a fusion she humorously refers to as "wacky-cool prints. The interior features an airy atmosphere, thanks to double-height windows and an open layout. Neutral, streamlined furniture serves as a backdrop for a diverse array of design elements, including Southwest-inspired modern art, striped light fixtures, woven patterned rugs, and Josef Frank floral roman shades. White oak benches and teak bureaus are adorned with Indian block prints and handcrafted Mexican ceramics. The kitchen showcases ash-wood cupboards and white countertops complemented by a sunset-hued backsplash made of chartreuse, raspberry, salmon, and turquoise tiles. Throughout the home, bold colors appear in glossy yellow side chairs, a floor-to-ceiling blue Heath ceramic tile shower, and mismatched mint and lemon pocket doors. More subtle color variations are present in the cedar-plank walls, which range from pale straw to milk chocolate, depending on the wood grain. The overall aesthetic achieves a harmonious blend of a Scandinavian winter cabin and a beach cottage, maintaining warmth even on cooler evenings, with a functional wall-to-wall white brick fireplace. Mankins's approach to combining disparate elements stems from her lifelong habit of mixing and matching, developed since childhood. Her extensive travels to Mexico, India, and the American Southwest have influenced her understanding of color, shape, and layering. She meticulously collects treasures, from small items like napkins to larger pieces such as rugs and throw pillows, storing them in curated closets for future use. Many of these collected items were integrated into the Shelter Island home's design. For instance, leftover kitchen tiles from her Bird boutique were supplemented with scavenged tiles from other projects to create a unique backsplash pattern. Similarly, extra linen from a Bird x Block Shop collaboration dress was repurposed into an upholstered bench, and Moroccan fabric scraps from a boutique chair became a stool topper. This resourceful repurposing extends to recycled denim wall insulation, Garza Marfa pillows crafted from kilim rugs, and Indian tablecloths from a birthday party serving as master bedroom coverlets. Mankins emphasizes that if she loves something, she finds a way to make it work, highlighting a philosophy of both aesthetic appreciation and practicality. Her bedroom exemplifies this eclectic yet cohesive style, featuring mustard sconces, a cane-back chair, Lars Nilsson striped window treatments, Tamar Mogendorff pink and blush velvet shell pillows, a Les Indiennes blue check duvet, and a boat painting by a hobby artist. Despite the varied elements, the designs achieve harmony. Mankins's decorating process involves fearlessly combining items and then stepping back to assess the result. She notes that when everything is bright and eclectic, nothing singularly stands out, creating a balanced blend. The unifying factor is the personal connection she has with each piece. Beyond aesthetics, practicality is a key consideration; Mankins avoids delicate, expensive items that might be damaged during family gatherings, ensuring that the home's furnishings serve as a durable and inviting backdrop for enjoyable times. #HomeTour #InteriorDesign #ShelterIsland #ScandinavianDesign #EclecticStyle #BoutiqueOwner #Renovation #ColorPalette #RepurposedDecor

This article showcases the unique interior design styles of three designers, Jenny Powell, Edward Girardi, and Biff Bartron, as demonstrated in their personal homes. Each designer offers insights into their design philosophy, material choices, and practical tips for creating functional and aesthetically pleasing living spaces. Jenny Powell, owner of Somethings Unique, resides in a spacious Landenberg home with her family. Her design approach emphasizes a blend of elegance and family-friendliness, incorporating a relaxed European style with Scandinavian influences. After moving into their home, the Powells lightened dark wood floors and painted walls in pastel yellow and beige to create a brighter atmosphere. Powell's design is characterized by mixing old and new elements, such as Swedish Rococo-style sidechairs paired with contemporary fabrics, and the use of natural light and preserved greenery. Key elements of her home include fauteuil chairs from Spain with a gray-blue glaze, silk curtains in two colors, and durable microsuede upholstery for family-friendly living. The kitchen features granite countertops and unique hammered metal hardware, while the sunroom offers a casual dining space with a pine farmhouse table. Powell's home is adorned with her father's art, and she advocates for mixing styles, choosing tactile materials, incorporating personal art, and using a soft Scandinavian color palette. Edward Girardi, a proponent of high-rise living, has transformed his 16th-floor condominium in Wilmington into a sophisticated urban sanctuary. His design focuses on maximizing space and functionality in a compact environment. Girardi converted an adjoining unit into an intimate media room, painted in a custom purple-tinged gray. He meticulously blends his own paint colors and uses a sophisticated neutral palette as a backdrop for his home. A large, self-painted contemporary artwork dominates the living room, complementing the angular, masculine aesthetic. He repurposed a cocktail table by replacing its gold top with etched glass and staining the wood mahogany. Girardi's philosophy includes investing in neutral basics and updating accessories with lively prints. He emphasizes grouping family photos for impact and keeping them current. The dining area features a glass and chrome table for spaciousness, and custom built-in cabinets hide a bar and storage. His galley kitchen is designed for efficiency, with ceiling-height cabinets, slate tiles, and cork flooring. In the bedroom, a contemporary pedestal bed is paired with Shaker nightstands, and the space is unified by painting moldings and doors the same color as the walls. Girardi's advice for small spaces includes using larger tiles, decluttering with built-in storage, grouping pictures, measuring furniture carefully, and using solid colors to enlarge a space. Biff Bartron, a partner in BW Design Group, showcases an elegant California ranch home in Wilmington that balances luxury with simplicity, reflecting his preference for peaceful, spa-like environments. Despite initially being in disrepair, Bartron envisioned an open, light-filled space. He renovated in stages, prioritizing the kitchen and bathrooms. The enlarged kitchen features two dishwashers, three microwave ovens, stainless steel sinks, granite counters, and porcelain tile floors that mimic limestone. Sleek cherry cabinets with frosted glass panels and a pass-through window enhance light. A clever design integrates a Sub-Zero refrigerator, with the back half extending into the garage. Bartron unified the public spaces by installing dark ebony-stained hardwood floors. The dining table has an acid-treated copper top, and the living room offers comfortable seating for 11 around a baby grand piano. A chocolate brown daybed and silk curtains frame a bay window, allowing the city lights to become part of the decor. His color palette and simple furniture highlight a dramatic art piece from Paris. The powder room features hand-painted bamboo shoots and polished river rocks in the sink, adding a surprise element. The master bath is a spa-like retreat with a large stone shower and bamboo accents. Guest rooms on the lower level open to a private garden, and a secondary kitchen caters to entertaining. Bartron upgraded lighting and installed a whole-house stereo system. His recent addition of an Asian-inspired front porch creates a tranquil entry. Bartron recommends an Asian-inspired palette, using frosted glass for light and privacy, pampering oneself with luxury baths and linens, keeping window treatments simple to preserve views, and choosing durable materials for pet and family-friendly living. #InteriorDesign #HomeDecor #DesignerHomes #ScandinavianDesign #UrbanLiving #ModernRanch #SpacePlanning #Renovation #HomeStyling

Scandinavian design, traditionally associated with utility, affordability, and simplicity, is experiencing a significant resurgence in luxury residential real estate, particularly in New York City. This trend, moving beyond its mass-produced roots like Ikea, is being embraced by high-end condo projects and reinterpreted by prominent design firms. Key to this shift is the design's underlying philosophy of “modest luxury,” characterized by refined and subtle aesthetics, understated elegance, and warmth, as articulated by interior designer Neal Beckstedt. It prioritizes purity, simplicity, clean lines, and natural materials like wood, often coupled with neutral color palettes and fine craftsmanship. The core of Scandinavian design blends aesthetics with functionality. Interior designer Tali Roth notes that while the high-end market often favors opulence, Scandinavian design emphasizes simplicity, where the overall impact derives from the thoughtful assembly of individual components. This concept resonates with the Swedish principle of “lagom,” advocating for “not too much, not too little,” succeeding the Danish “hygge” trend. This balanced approach has positioned Scandinavian design at the forefront of contemporary high-end design. The historical origins of Scandinavian design trace back to the early 20th century, influenced by Germany's Bauhaus school. The Bauhaus principle of creating a “total work of art,” integrating all aspects of architecture and interior design holistically, was adopted and evolved in the Nordic countries. Finnish architect Alvar Aalto, for instance, exemplified this by designing everything from the building structure to minute details like lamps and glassware. This movement gained significant traction in the U.S. in the 1950s. While sharing some overlap with Mid-Century Modern and Minimalism, Scandinavian design distinguishes itself through specific characteristics. Unlike Mid-Century Modern, which often uses darker hues, Scandinavian design prioritizes lightness and brightness, reflecting the long Nordic winters, and employs a muted color palette. In contrast to Minimalism's use of industrial materials like stainless steel and chrome, and reliance on geometric forms, Scandinavian design favors organic materials, subdued colors, and softer aesthetics. Beckstedt summarizes it as “form and function with warmth.” Contemporary luxury developments in NYC are actively incorporating Scandinavian influences. For instance, 145 President in Carroll Gardens, Brooklyn, promotes itself with the tagline “Scandinavian inspired. Brooklyn based.” The development's exterior features handmade Danish brick, and its interiors emphasize natural light, warm wood floors, custom cabinetry, and a Scandinavian-influenced material and color palette. Similarly, 505 West 19th Street in West Chelsea, designed by Danish architect Thomas Juul-Hansen, showcases natural materials, craftsmanship, and sophisticated interiors to create calm, comfortable, and private living spaces. The design ethos of simplicity and functionality translates into a curated and edited selection process for interiors. Designers like Tali Roth advocate for carefully chosen items rather than an abundance of possessions. Vanessa Antonelli, specializing in nurseries, highlights the desire for clutter-free, bright spaces with natural elements among her clients, often achieved through strategic storage solutions that double as décor. Chris Taylor of Morris Adjmi Architects notes that their firm's principles—simplicity, functionality, clean lines, light, natural materials, and craftsmanship—naturally align with Scandinavian design, as seen in projects like 211 Schermerhorn. This project features bright interiors with pale woods, large format plank floors, and integrated, handcrafted-looking cabinetry, evoking a handcrafted, artisanal feel through custom-stained white oak floors with varying widths and knotting. To incorporate this style, designers recommend choosing modern furniture with clean lines in natural wood, mixing natural elements like florals and plants with hard metals, and incorporating woven textiles to add softness, ultimately creating spaces that are both functional and warm. #ScandinavianDesign #LuxuryRealEstate #NYCDesignTrends #InteriorDesign #ArchitecturalInfluence #ModestLuxury #NaturalMaterials #BrooklynRealEstate #WestChelsea #ThomasJuulHansen

Stockholm Creative Edition, an independent design week established by Ulrika Kjellstöm Attar and Philippe Attar, showcases contemporary Swedish design from emerging and established artists and companies. This event, running through 29 September, contributes to Europe's dynamic design landscape, following Milan Design Week and 3 Days Of Design in Copenhagen. A central theme of the Stockholm Creative Edition is the innovative application of traditional Scandinavian materials: wood, glass, and metal. The various exhibitions, presentations, and workshops highlight both functional and futuristic interpretations of these classic elements. Monica Förster played a significant role in launching Subjective, a new brand founded by Ruben Schildt and Sebastian Schildt of Oxenstiernan restaurant. Initially, this collection, which includes plates, glasses, and tablecloths, was created for the Östermalm eatery. However, due to its success, it has now entered production. The items are crafted by local artisans with an emphasis on traditional methods and sustainability. Förster's notable contribution is the Babushka, a versatile glass container available in three sizes. Its lid is designed to function as a magnifying lens, enhancing the visual appeal of its contents, whether they are food items or decorative flowers. Glass is also prominently featured in the architectural design of Liljevalchs+, the recently completed extension of a beloved Stockholm museum. Architect Gert Wingårdh collaborated with potter and designer Ingegerd Råman to create the building's façade, which consists of a concrete wall embedded with 6,860 glass cups. This innovative solution ensures an ample flow of natural light into the interior. An exhibition at Liljevalchs+, running until 17 October, celebrates Råman's work, presenting a collection of unique glass vases that are the result of extensive experimentation with this material. In the realm of wood, Massproductions presents the Hercule, a coat-hanger made from oat or walnut. This piece, described as both playful and practical, is part of the exhibition 'Who Are You Hercule?' where the studio Specific Generic has reimagined it as an illustrated character. Designer Chris Martin noted that the product's shape often reminded people of an animal's nose or a human face, inspiring an installation that uses projections to animate illustrations by Patrik Mollwing. Asplund, a company known for promoting young Scandinavian designers since 1990, also features wood in its collection. Their Moci dining table showcases legs that gracefully connect with the tabletop, forming elegant curves and blending Swedish and Japanese design aesthetics. Creative director Sandra Adrian Asplund explains that the design was inspired by a coffee table created by Moa Sjöberg, which was seen at the Malmstens Linköping University graduate show. Metal is highlighted through Margarita Matiz Bergfeldt's Twilight, a wall-mounted candle-holder produced by Klong. Inspired by multigraph photography, which uses mirrors to multiply subjects, Bergfeldt aimed to achieve a similar effect with candlelight. The Twilight features metal surfaces in two finishes that amplify light, illuminating even the darkest areas of a home. This piece also serves as a vase. Metal is also a key component in office furniture, a sector where Swedish designers excel. Lammhults utilizes metal in its Corso Easy chair, a straightforward design based on a tubular metal structure and a leather or canvas seat, referencing Peter Andersson’s work. While designed for office environments, its rounded form allows it to be used in various settings. The chair is designed for disassembly and uses minimal materials, contributing to a lower environmental impact. #StockholmCreativeEdition #SwedishDesign #GlassDesign #WoodFurniture #MetalDesign #InteriorDesign #ProductDesign #SustainableDesign #NordicCreativity

Gemma Samuels, an interior decor designer and content creator, founded Happi Habitat with the mission of creating happy homes for her clients. Her passion for interiors began at a young age, influenced by her house-proud Caribbean mother and her own enjoyment of redecorating her bedroom. Despite initially pursuing psychology with aspirations of becoming a clinical psychologist, she discovered a preference for working independently through a fashion and jewelry business she started during university. The pivotal moment arrived after she moved into a new home with her partner and two children, solidifying her interest in interiors. Samuels' entry into the interior design industry was organic and unplanned. She initially intended to document her flat's decoration on a blog, but a photographer, impressed by her home, requested her help with decorating and offered payment. This led to an exchange of services where Samuels decorated the photographer's bedroom in return for professional photos of her work. Upon sharing these on Instagram, she began receiving inquiries from potential clients. Initially, she undersold her services due to her newness in the field, often working for free or only covering expenses. This period, however, allowed her to accurately gauge project durations and determine fair pricing, leading to a standardized pricing structure over two years. The name 'Happi Habitat' reflects her personal experience of a happy home with her children and her broader goal of enhancing clients' lives and family dynamics through design. The pandemic significantly impacted her business model; while her on-site bespoke design services were temporarily halted, her e-design services, conducted virtually, saw a notable increase as people spent more time at home and focused on their living spaces. A key lesson Samuels learned as a businesswoman is to trust her instincts, both in business decisions and design recommendations. She emphasizes that as the expert, she must stand her ground, even if it means short-term disagreement, as her advice ultimately benefits the client. Addressing the lack of diversity in interior design, Samuels highlights the significant underrepresentation of Black women in the industry. Her own career path was unconventional, as she did not see Black women in interior design roles growing up, which led her to believe it wasn't a viable option. She believes increased visibility of Black interior designers is crucial to inspire more individuals from underrepresented communities to pursue careers in the field. She notes that while she initially struggled to find Black women interior designers, her networking within the industry has since revealed many talented professionals. Samuels resides in a two-bedroom flat in East London, which she is currently renovating into a three-bedroom space to accommodate her growing business and the demands of e-design work. Her interior style is a blend of Scandinavian minimalism with industrial accents. Her favorite room is her children's room due to its colorful and fun ambiance, while her least favorite was her bathroom prior to renovation. She admitted to succumbing to pressure to choose marble tiles for her renovated bathroom, a choice she now regrets but cannot change due to the investment. Samuels avoids being overly influenced by trends, preferring timeless, classic styles, though she occasionally adopts trends she genuinely likes, such as pampas grass. She expresses a strong dislike for grey crushed velvet decor, a trend she finds unappealing. Her top three home furnishing stores are MADE, for its affordable and stylish lighting; Ikea, for its affordability and wide range of home items; and Homesense, for unique pieces at great prices, despite requiring diligent searching. #InteriorDesign #GemmaSamuels #HappiHabitat #HomeDecor #BusinessJourney #DiversityInDesign #PandemicImpact #ScandinavianIndustrialStyle #HomeRenovation

This article explores the enduring appeal of Scandinavian interior design by showcasing five distinct homes across Norway, Sweden, and Finland. Each home offers a unique interpretation of Scandi style, providing insights from the designers responsible for their creation. The first stop is a vibrant family home in Norway, where Koi Color Studio, led by Dagny Thurmann-Moe, embraces Norway's maximalist and colorful heritage. The kitchen features desaturated green cabinetry with bold zellige tiles, referencing traditional patterns, while the living room utilizes warm terracotta and red nuances from Pure & Original paints. The dining area continues this theme with a yellow ceiling and terracotta walls, balancing craftsmanship with maximalist decor, and the entryway is painted in Farrow & Ball's Crimson Red to create a dramatic, welcoming tone. Iconic Scandinavian pieces, like the Little Petra chair and Tiki sofa, are integrated throughout this home. In stark contrast, a midcentury modern home in Lidingö, Sweden, belonging to designer Joanna Lavén of Studio Lawahl, presents a sleek, pared-back aesthetic. Its striking feature is a sunken living room with a conversation pit, framed by new floor-to-ceiling windows. The color palette incorporates icy blues and winter whites, warmed by wood elements. The kitchen and dining area, on the second story, form a contemporary family space with a teak-clad island and midcentury modern furniture. A second living room combines light surfaces, wood, and green textiles, preserving an original limestone brick fireplace. The primary bedroom features soft blues and greens, a custom wall-to-wall headboard, and vintage lighting and decor elements. The third featured home is a historic boathouse on Värmdö island in the Stockholm archipelago, transformed into a romantic coastal holiday retreat. Painted in traditional Falu red, this home emphasizes gathering and showcasing the stunning lake view. The open-plan dining room incorporates Gustavian-style chairs with layered textiles, including Swedish floral prints and zebra patterns, to blend heritage with contemporary touches. The kitchen maintains an uncluttered look with open shelves and marble countertops, allowing displays to be both useful and aesthetically pleasing. The main bedroom continues the blue décor theme with contrasting floral prints, unified by variations of blue. Next, a top-floor apartment in Helsinki, Finland, updated by interior architect Elina Siltanen-Sjöberg of Interiors by Ess, showcases a cohesive color palette with a cozy, international Scandinavian feel. The living room features layers of grey, complemented by rattan furniture and patterned cushions. A compact breakfast nook is created with a vintage table and classic Carl Hansen CH24 wishbone chairs, set against Farrow & Ball's Tessella wallpaper and warm gray paint. The challenging-shaped bedroom uses Finnish/Scandinavian colors like sand, beige, and brown with red accents, incorporating patterns and mirrors to create an inviting space. A children's bedroom features playful Rosslyn 1908 wallpaper from Farrow & Ball, bunk beds from Avaroom, and custom playful elements. Finally, an 18th-century Swedish villa near Stockholm, also redesigned by Studio Lawahl, blends midcentury modern influences with high-end finishes and antiques. The entryway combines drama with welcome, featuring bespoke stone flooring, a curved ceiling, and a brass chandelier, alongside concealed storage in teak. The kitchen boasts bespoke dark brass cabinetry, classic paneling, Cielo marble worktops, and a two-tier island, with vintage lighting and designer chairs. The dining room includes a custom teak and glass cabinet, vibrant pink tones, and vintage Italian chairs, while the home office harmonizes traditional millwork with bespoke wood and marble pieces, vintage lighting by Oscar Torlasco, and iconic Arne Jacobsen chairs. #ScandinavianDesign #NordicInteriors #HomeTours #InteriorDesign #MidcenturyModern #ColorPalettes #SwedishHomes #NorwegianHomes #FinnishApartments

The article highlights seven influential Scandinavian interior designers who offer fresh and modern interpretations of the classic Scandi style. This design aesthetic, rooted in minimalism, natural simplicity, and functionality, has given rise to numerous renowned brands like Muuto, Gubi, and IKEA. The featured designers, while embodying the core principles of Scandinavian design, bring their unique perspectives, ranging from bold and colorful to rich and luxurious. Bjarte Sandal, founder of Smau Arkitektur, represents a sustainable approach, emphasizing warm tones, clean lines, and natural materials. His studio draws inspiration from mid-century architectural teachings, prioritizing form following function, and integrating contemporary construction with sustainable practices. Sandal's work aims for timeless quality, creating spaces that are both grounded and forward-looking, respecting the quiet strength of Scandinavian heritage through simple forms and thoughtful detailing. Gustaf Westman challenges the notion that Scandi interiors must be neutral, introducing a bold, playful, and contemporary interpretation. His eponymous furniture line is characterized by chunky, curvaceous shapes, pastel tones, and high-gloss finishes, offering a whimsical and expressive style that adds character and a touch of surrealism to any home. Pernille Lind, though London-based, integrates her Danish-Thai heritage into her designs, creating warm, minimalist, and contemporary spaces. Her studio is known for refined elegance that balances coziness and luxury, utilizing clean lines, neutral color palettes, and sophisticated natural textures like wood, drawing influence from 1930s and 1950s styles while crafting unique narratives for each project. David Thulstrup, a Danish architect, grounds his style in materiality, blending Scandinavian heritage with contemporary elements to achieve rich, minimalist environments. His approach exemplifies 'quiet luxury' within a Scandi context, as seen in his transformation of a historic Copenhagen warehouse, where he respected original features while making contemporary statements with a limited palette of natural materials. Beata Heuman, a Swedish-born designer based in London, champions a style inspired by Swedish folk design. Her work features pattern-rich rooms that are warm, inviting, and characterful, offering a modern sensibility to traditional aesthetics. Her designs are seen as a 'nouveau Scandi' approach, brimming with charm. Norm Architects, a Copenhagen-based studio comprising multiple designers and architects, adheres to a strict minimalist and neutral Scandi style. Their work embodies the maxim 'form follows function' and a humanist design approach, prioritizing the user's needs. They describe their style as 'Soft Minimalism,' focusing on refining spaces to their purest forms while maintaining a soft, warm, and textural design language. Lotta Agaton, a Stockholm-based interior designer, builds her studio on classic Scandi design principles. Her aesthetic is sophisticated and sumptuous, incorporating natural materials like wood and stone, contrasted with contemporary art, sculptures, and lighting. Her use of dark, earthy tones creates rich, cocoon-like spaces, appealing to those who appreciate a chic and warm Scandinavian ambiance. The article concludes by encouraging readers to incorporate these inspirations into their own homes, noting that achieving a Scandinavian feel does not require a complete overhaul. #ScandinavianDesign #InteriorDesigners #ScandiStyle #HomeDecor #MinimalistInteriors #SustainableDesign #ContemporaryDesign #LuxuryInteriors #DesignInspiration

Adie Kaplan Mears and her husband, Brian Mears, sought to create a new home in New Orleans' Freret neighborhood that blended New Orleans architecture with modern Scandinavian design principles. Having outgrown their previous home on the same lot, the couple decided to demolish the existing structure, retaining only the garage, to build a new 3,000-square-foot residence. Adie, with a background in architecture, spearheaded the design process, collaborating with Adamick Architecture, led by Alexander “Alec” Adamick, to realize their vision. The design incorporated key Scandinavian elements such as abundant natural light, natural materials like wood, and a palette of soft, muted colors, aiming for a sleek yet comfortable living space. A primary goal was to integrate the new home seamlessly into the New Orleans aesthetic, despite its modern inclination. Adamick Architecture proposed a New Orleans townhouse style, incorporating features like a distinctive bump-out at the front for the office and stained wood-plank siding on the front porch and bump-out, which adds warmth and visual interest against the painted siding. The exterior design, credited to Alex Barthel and Judy La, ensured the overall concept aligned with Adie's vision. The ground floor of the new home includes a front porch, a powder room, a pantry, and an open-concept kitchen, living, and dining area, along with a covered rear porch. A custom contemporary stairway leads to the second floor, which houses a children’s play area, a home office, a bathroom, two children’s bedrooms, a walk-in laundry room, and the primary suite. Strategic placement of the play area and office at the front of the house ensures privacy for the bedrooms, which are located away from street view. Throughout the interior, Adie made all material selections, and Adamick Architecture assisted in realizing specific custom features, such as the unique staircase, a custom niche at the top of the hall, and the master bathroom design. The Mears prioritized natural light and tall ceilings, achieving 10-foot ceilings on both floors to create an airy and modern, yet inviting, atmosphere. The open floor plan facilitates family interaction, allowing parents to oversee children while cooking and enhancing entertainment opportunities. Notable interior features include an upstairs playroom with a vertical stained-wood screen overlooking the stairs and a window seat/storage bench. The front entry also features a built-in bench and stained wood screen. The master bath includes a walk-in shower and soaking tub combo, designed to feel like a single wet room with floor-to-ceiling tile. The kitchen cabinets feature a built-in bench for dining, reflecting the family's desire for an informal dining setup. Custom elements extend to the front steps, a back screened porch with matching stained wood, and a distinctive front window in the home office. Budget constraints presented a challenge, but Adie’s careful sourcing of materials, such as cost-effective flooring, allowed for the realization of a sophisticated contemporary design. The interior color scheme predominantly features neutral tones, with light taupe kitchen cabinets, engineered white oak floors, and white walls. Bathrooms provided an opportunity for bolder color choices, including sage green wall tiles in the master bath and mint green tiles with black accents in the children’s bathroom. Adie also incorporated Farrow & Ball's Mizzle for a modern wainscoting effect in Avi’s room and a sun mural in Ayla’s room, painted by a colleague. The new home provides ample space and diverse areas for both individual privacy and family gatherings, with future plans to add a pool and convert the shed into a modern pool house. #NewOrleansArchitecture #ScandinavianDesign #UptownHome #ModernHomeDesign #InteriorDesign #CustomHome #Architecture #HomeRenovation

The Dwell House, a one-bedroom backyard house designed by Norm Architects in collaboration with Abodu, exemplifies Scandinavian simplicity through its focus on natural materials and light-filled spaces. Spanning 540 square feet, the design aims for warmth and tactility, making it versatile as a guesthouse, pool house, office, or gym. The lead architect, Sofie Thorning of Norm Architects, explains that the design process involved balancing broad appeal with a unique aesthetic, without a specific client. The team focused on elements that generally foster a sense of well-being, utilizing a simple and timeless design language to evoke comfort. A key feature of the Dwell House is its exterior cladding, which utilizes Real Cedar siding. This material is available in a natural or black finish and was chosen for its quality, durability, and high design appeal. The cedar seamlessly integrates with other premium materials, such as the building’s standing-seam aluminum roof and engineered oak floors. William Hanley, Dwell’s editor-in-chief, emphasized the deliberate choice of Real Cedar due to its authenticity as a wood cladding, its support from a consortium of mills, and its natural weathering properties. Furthermore, the wood is sourced from sustainably managed forests, contributing to a reduced environmental footprint for the home. Cedar’s inherent resilience makes it resistant to rot, decay, weather, and insects, ensuring a low-maintenance exterior. The material’s natural properties also mean it is free of pitch or resin, allowing for easy customization with stains, oils, and finishes. This flexibility in color and appearance was a significant factor in selecting Western Red Cedar, particularly for an Accessory Dwelling Unit (ADU) designed to complement various architectural styles of main homes. Hanley highlighted that the design objective was to create a structure that looks equally appropriate behind a Mission Revival or a contemporary house, while still maintaining its distinct character through details like the varying widths of the cedar cladding. The Dwell House’s exterior design elements, including the vertical cedar slats, contribute to a sophisticated facade. These slats are complemented by outdoor sconces from Brendan Ravenhill, which provide adjustable and dimmable light. The interplay of natural warmth, grain, and variability of the cedar creates a dynamic appearance, particularly when illuminated by sunlight. The thoughtful material palette, which includes the aluminum roof and window exteriors alongside the wood cladding, ensures a cohesive and visually harmonious design. The result is a backyard home that blends functionality with a refined, tactile aesthetic, designed to enhance well-being and seamlessly integrate into diverse residential settings. #DwellHouse #ScandinavianDesign #RealCedar #ADUDesign #NaturalMaterials #SustainableDesign #NormArchitects #ExteriorCladding #HomeDesign #ArchitecturalDetails

Widad and Ara Tachdjian, along with their two young children, relocated from France to North London, bringing with them a cherished collection of furniture and artwork. This collection, consisting of a dozen paintings, two sofas, a dining table and chairs, and other smaller items, became the foundation for their vision of a warm and vibrant home. Widad expressed a desire for a home filled with energy and color, incorporating various styles that reflect their travels and African heritage. Before realizing this vision, several structural changes were necessary. The Edwardian house, despite its high ceilings and solid structure, required a layout redesign to enhance flow and maximize its potential. Additionally, period features such as fireplaces, ceiling mouldings, and skirting boards, which had been removed previously, needed to be reinstated. The unique construction of the semi-detached house, connected at the back to another property, meant the only garden was at the front and there were no windows at the rear. This resulted in abundant light at the front but a dark back portion of the house. Specifically, the kitchen, situated behind a reception room, only received light from a small side window, and the stairwell lacked natural light entirely. To address these challenges, Widad and Ara enlisted the help of Zulufish, a London-based interior design and architectural practice. Caroline Milns from Zulufish spearheaded the creation of a large, light-filled family space on one half of the ground floor. This involved removing the wall between the former kitchen and front reception room to allow light from the front bay window to permeate the entire area. A glazed door was also added to the side window, providing garden access. Within this open-plan family space, distinct zones were created. The kitchen, featuring denim blue cabinetry built by Hux London (Zulufish's sister company), was visually separated by blue graphic floor tiles. Caroline noted the clients' adventurous spirit regarding color and pattern, which influenced the lively interiors. The dining and lounging areas, in contrast, featured honey-colored herringbone oak flooring, chosen for its classic appeal, and were softened with rugs and tactile upholstery. Modern globe lamps were a recurring lighting theme throughout the home, blending contemporary aesthetics with the period setting. A significant innovation was the removal of a corner section of the second reception room, replaced with an L-shaped Crittall-style glass panel and double doors. This transformation dramatically improved natural light in the previously dark hallway and stairs. Widad highlighted this change as having the most significant impact on the home's sense of openness while maintaining room separation and privacy. The Crittall-style panels were echoed in kitchen shelving and an expansive L-shaped ebony veneer bookcase in the second reception room, custom-made by Hux London. The second reception room also housed two velvet Roche Bobois sofas from France, one in midnight blue and the other with a graphic print, alongside colorful artworks by Ara’s uncle. The design process centered on integrating these personal items, ensuring they complemented the layout and that the color schemes, flooring, joinery, and furnishings harmonized with them. The overall palette of the house was directly influenced by the artworks, creating a cohesive and vibrant environment that breathed new life into the home. Widad’s vision for an eclectic, vibrant home filled with beloved family pieces was successfully realized. #EdwardianRenovation #HomeMakeover #InteriorDesign #ColorfulInteriors #OpenPlanLiving #KitchenDesign #LightingDesign #Zulufish #NorthLondonHome

This lookbook, sponsored by Danish design company D Line, showcases ten diverse interiors that effectively integrate architectural hardware and sanitary ware to provide both functional and aesthetic value. The article emphasizes how practical hardware, such as door handles, taps, and drawer pulls, serves as crucial physical touchpoints, influencing how individuals interact with and perceive a space. D Line, established in 1971, has a rich history of collaborating with renowned designers, including Knud Holscher, Arne Jacobsen, and Tom Dixon, to create products that offer timeless accents and complement natural material palettes in various settings. The featured projects span a range of environments, from educational institutions and restaurants to residential homes and medical facilities. One notable example is St Catherine's College at the University of Oxford, where Arne Jacobsen's modernist design from 1962 extended to every detail, including the AJ lever handles, which echo the college's overall curved forms. Similarly, the SAS Royal Hotel in Copenhagen, another Jacobsen project from 1960, utilized steel AJ lever handles that harmonized with the cool duck-egg blue walls and other silver hardware, preserving its original design intent in Room 606 despite subsequent remodelling. Norm Architects, a Danish studio, is highlighted for its work on two distinct projects. The Äng restaurant in Sweden, which features a greenhouse-like structure and a subterranean wine cellar, incorporates D Line's gunmetal finish L lever handles, matching other metal fixtures and structural components. In the Archipelago House in Sweden, a holiday home blending Scandinavian and Japanese aesthetics, charcoal L lever handles from D Line's Holscher range provide a graphic contrast to the light wood furnishings and neutral finishes. The Dentology+ clinic in Antwerp, also by Norm Architects, defies traditional clinical aesthetics by using soft, neutral finishes and charcoal-toned L lever handles to foster calmness. Residential projects further exemplify D Line's versatility. A private summer residence in Denmark by Rubow Architects employs the L lever handle to achieve an unobstructed finish, contributing to the home's indoor-outdoor ambiance, with its neutral tones and extensive use of floor-to-ceiling windows. Barbara Bendix Becker's atelier in Copenhagen showcases brass Arne Jacobsen lever handles alongside other Nordic design classics, seamlessly blending with warm-toned metal finishes and honey-coloured wooden elements. In a bathroom scheme by Emil Thorup in Copenhagen, D Line's Qtoo bathroom hardware in a brushed-steel finish provides a metallic contrast to sage-coloured walls and natural materials. The collaboration between &Shufl; and D Line offers customizable bar handles in various colours and finishes, designed to upgrade IKEA kitchens, bathrooms, and wardrobes. Finally, Luke Arthur Wells's interior scheme, featuring rounded furniture and soft textures, is further softened by D Line's FAT lever handle, a design by Tom Dixon, which is thicker and more rounded than conventional door furniture. Overall, the lookbook illustrates how D Line's architectural hardware, when thoughtfully integrated, can enhance the tactile and visual experience of interiors, contributing to a sense of timeless elegance and cohesion across diverse architectural styles and functions. The selection of projects emphasizes the importance of refined details in creating well-designed spaces that resonate with their natural surroundings and the intended user experience. #InteriorDesign #ArchitecturalHardware #NaturalMaterials #TimelessDesign #ScandinavianDesign #DLine #NormArchitects #ArneJacobsen #TomDixon