Industrial Facility models Dalston lamp on London's warehouse lighting

This article explores the growing appeal of industrial-style lighting, demonstrating how it can integrate into diverse interior design preferences beyond typical 'hipster' aesthetics. It highlights 21 distinct industrial lamp designs, showcasing a range of materials, forms, and functionalities. The selection aims to prove that industrial decor, often characterized by its raw and functional appearance, can be both chic and widely appreciated. The featured lamps include the Geo pendant lamp, a metal geometric fixture suitable for accent or conversation. The Art desk table pipe lamp offers a handmade, edgy artist vibe with its wire shade. A vintage basket lamp combines retro and modern elements for a stunning and chic effect. The Mint wire-cage table light introduces color into industrial design, while a repurposed vintage battery-charger lamp provides a nostalgic yet modern touch. A customizable beer-bottle lamp allows for personal expression, and a minimalist light is presented as a versatile option for any room. Other notable designs include an angled gold wall lamp, a desk lamp made from recycled iron piping, and an iron metal-cage hanging lamp designed to brighten rooms with both light and style. Bunsen burner lamps are featured for their creative conversion to resemble burning flames, alongside an industrial pipe table lamp combining brass and Edison light bulbs for a blend of industrial, modern, and throwback aesthetics. A rust metal floor lamp offers an eclectic touch, while a simple industrial evolution table lamp evokes a cozy, writerly atmosphere. The article also presents bottle lamps that use multiple bottles for more light and visual interest, and a galvanized steel and hardwood table lamp distinguished by its blue cloth accent. Bookend lamps provide a functional yet personalized element for bookshelves. A Steampunk Victorian lamp is highlighted for its unique fusion of styles. Industrial floor lamps, such as one with a pulley and gold-corded wire, offer a vintage feel. A custom steel pipe lamp is showcased for its potential to add uniqueness above a mantelpiece or in a restaurant setting. Finally, chrome lamps are presented for their juxtaposition of rustic wood and edgy metal, creating a compelling lighting combination. Each lamp is sourced from various retailers like Urban Outfitters, Etsy, Junkyard Lighting, Shades of Light, LampsPlus.com, and Wayfair, providing price points and direct links for readers. #IndustrialLighting #HomeDecor #LampDesign #InteriorDesign #ModernLighting #EclecticDecor #LightingFixtures #UrbanStyle

This article explores the enduring appeal of loft living, showcasing 12 distinct examples of modern lofts from the Dwell Magazine archives. Lofts are characterized by their industrial flavor, open floor plans, and their ability to blend work and home life seamlessly, appealing to a creative, city-dwelling demographic. The featured lofts demonstrate a wide range of transformations, from historical factory buildings and warehouses to more compact, unconventional spaces, each maintaining a distinctive industrial aesthetic while serving as modern residences or live/work environments. The article begins by highlighting a 17th-century manufacturing plant in Paris, reimagined as author and French designer Daniel Rozensztroch's industrial loft. This space retains its historical character with vintage iron cabinets and industrial-inspired lighting. Next, a Barcelona warehouse is presented as a live/work space for an architect and artist, featuring a courtyard that provides a transition between living and working areas. A compact three-story brick boiler room in San Francisco is shown to have been ingeniously transformed into a loft-like guesthouse, maximizing vertical space within a small footprint. Further examples include a renovated apartment in an 1864 factory building in Tribeca, New York, where partitions were removed and ceilings raised to create a spacious feel. A modern live/work space in Chicago, constructed from concrete panels, pays homage to its industrial neighborhood's history. Copenhagen features a converted loft in a former Viking pencil factory, adapted for a modern family. In Jersey City, a 19th-century Wells Fargo horse-and-carriage facility became a flexible art studio and residence for a pair of artists. The article also features an industrial loft in Italy, a 200-year-old factory transformed into an inviting home by designer Paola Navone. In Brooklyn, the founders of Calico Wallpaper reside in a rental flat that was once a 19th-century warehouse, preserving exposed structural beams. A cinder-block duplex in Charleston, Virginia, was creatively challenged and transformed into an elegant, gallery-like New York-style loft. An auto repair garage in San Francisco's South of Market neighborhood became an artist's loft, serving as a perfect live/work retreat with space for an art gallery, studio, and office. Finally, a former Portland, Oregon, warehouse and auto repair shop was renovated into a versatile live/work space. These diverse projects collectively illustrate the versatility and appeal of industrial-style loft conversions, demonstrating how historical structures can be adapted into functional and aesthetically pleasing modern homes. #LoftLiving #IndustrialDesign #LiveWorkSpaces #UrbanHomes #AdaptiveReuse #ModernLofts #InteriorDesign #ArchitecturalRenovation #WarehouseConversion

From Lighting, an independent brand specializing in innovative illumination solutions, has introduced Piazza, a magnetic wall lamp designed for versatility and aesthetic impact. Co-founded by industrial designers Tobias Nitsche and Cesare Bizzotto, From Lighting emphasizes deep technological research, a poetic approach, rigorous aesthetics, and meticulous attention to detail in its product development. The Piazza lamp exemplifies these principles, offering a user-friendly yet visually striking lighting fixture. The core functionality of the Piazza lamp lies in its magnetic design. The lamp features heads that can rotate 360 degrees, allowing users to direct light precisely where needed. This flexibility is achieved through a magnetic, powder-coated steel base, which was developed in-house, alongside a die-cast aluminum shell. The magnetic attachment enables the lamp to be moved freely and easily across a metal board surface, adapting to various lighting requirements within a space. Tobias Nitsche highlights that the lamp head, measuring 16 by 16 cm, is the central element of the design. This flat panel houses the LED light source, giving the lamp a contemporary appearance reminiscent of an electronic device, such as an iPad or a TV screen, rather than a traditional light fixture. This design choice contributes to its futuristic aesthetic and distinguishes it from conventional wall lamps. The Piazza lamp is available in two configurations: a linear version and a circular version. Both variations are suitable for providing ambient lighting for tasks like reading or working, showcasing their adaptability to different environments and user preferences. Sustainability is a key value for From Lighting, as articulated by Nitsche. The primary components of the Piazza lamp are made from aluminum, a material known for its recyclability. The company is committed to using eco-friendly packaging and recyclable materials throughout its production process. Furthermore, From Lighting aims to create durable products that customers will retain for an extended period, thereby promoting longevity and reducing waste. This focus on sustainability is integral to the brand's ethos and product development. The design of the Piazza lamp is characterized by its minimal yet impactful appearance, contributing significant sculptural presence to any architectural setting. Nitsche notes that the abstract aesthetic of the lamp head, devoid of a classic light bulb or lampshade, reinforces its modern and technological identity. This tech-inspired look is intentionally contrasted with the human interaction involved in manually adjusting the lamp's position. This interplay between advanced technology and intuitive user experience is a defining feature of the Piazza lamp, making it both functional and a distinctive design element. #LightingDesign #MagneticLamp #WallLamp #IndustrialDesign #SustainableDesign #ModernLighting #HomeDecor #InteriorDesign #ProductInnovation

This article explores the transformation of a 300-year-old London building, which has served various purposes from the Blewcoat School in the 1700s to an information center and a bridal boutique, into the first brick-and-mortar outpost for design firm Studio Ashby. The new space functions as both a Sister showroom and an office. Founder and creative director Sophie Ashby faced significant challenges due to the building's Grade I historical status, which imposed strict regulations on even minor alterations, such as hanging artwork or touching up paint, requiring lengthy approval processes. Despite the hurdles and a two-year-long negotiation period with preservation councils, Sophie Ashby was determined to realize her vision for a vibrant Studio Ashby hub, complete with community events and a comprehensive fabric swatch library. She describes the design process as a "surface intervention" due to the inability to modify the building's original framework. The decision to invest in a physical gathering space during a pandemic was driven by Ashby's belief in the immersive experience of a well-designed store, aiming to replicate that captivating atmosphere for her team and clients. The design approach treated the workspace as a client project, intending for it to be a physical representation of Studio Ashby's design philosophy. The main floor is organized into areas resembling a home's parlor, living room, and dining area, with four existing columns naturally defining these zones. A round table serves as a breakfast nook for client consultations, while a deep sofa and leather armchair create a welcoming space for weekly happy hours. Privacy in the open layout is achieved through strategically placed shelves filled with shoppable ceramics, sectioning off a quieter meeting area featuring a travertine desk and armchairs upholstered in pale green toile. Sophie Ashby meticulously selected furniture and fabrics to complement the building's original, unchangeable fixtures, such as the grayscale marble vanity in the bathroom. The primary workspace for the team is located upstairs, chosen for its abundant natural light, which even lower ceilings cannot diminish. Leopard-print chairs are incorporated to add a bold design element. The sample library is distributed between mood boards upstairs and extensive open shelving in the basement, both brimming with design inspiration. Ashby's design philosophy emphasizes eclecticism for timelessness. This is evident in the juxtaposition of diverse elements, such as a recycled plastic side table placed beside a mustard yellow velvet sofa, and an antique burl-wood chest paired with a modern ceramic lamp. Art installations were carefully executed using picture wires to avoid construction delays. Ashby notes that the building's historical white-box nature enhances whatever is placed within it, allowing each design element to stand out. #InteriorDesign #OfficeDesign #StudioAshby #LondonArchitecture #HistoricBuilding #DesignPhilosophy #WorkplaceDesign #EclecticStyle #RenovationChallenges

This article highlights ten new lighting designs featured on Dezeen Showroom, a platform for brands to showcase new products and connect with a global audience. The collection includes various lighting types, from floor and pendant lamps to wall lights and outdoor sconces, demonstrating a range of styles and functionalities. These products are developed by a mix of established and emerging designers for international brands, emphasizing both aesthetic appeal and practical innovation in contemporary lighting. Among the featured designs are the Ozz lamps by Paolo Cappello and Simone Sabatti for Italian brand Miniforms. This collection is characterized by its exaggerated curved forms, including a bedside lamp with an ash wood table, a floor lamp anchored by a concrete base, and a wall light with an adjustable lampshade. Another innovative design is Trypta by Stephen Burks for Luceplan, a pendant light engineered to enhance spatial acoustics. It comprises three sound-absorbing panels upholstered in flame-retardant fabric, available in eight colors, affixed to a cylindrical bar with either a matt-black or aluminum finish. Atelier de Troupe from California presents Compas Pendants, a series of handcrafted brass pendant lights. These lights feature an ellipse-shaped single sheet of brass for their shades, offered in perforated brass or a satin-white finish. Karim Rashid designed the Cyborg light for Martinelli Luce, a table lamp with long legs available in indoor and outdoor versions. The outdoor model is made from high-resistance concrete, while the indoor version is constructed from cast and lacquered aluminum. Marset, a Barcelona-based lighting brand, introduces Ginger C outdoor lights, a collection of circular sconces designed for illuminating paths and passageways. The rust-colored aluminum shades diffuse soft light from their centers. Ocrum Studios from New York offers the Dew & Drop pendant light, inspired by the form of dewdrops. This light consists of two hand-blown glass hemispheres encasing an LED light on a single fixture. Astro Lighting, a British brand, presents the Tacoma sconce, a wall-mounted light inspired by Gothic architecture. It features a mouth-blown glass globe shade in various finishes and a metal mount in matt black, antique brass, or polished chrome. Shakúff, a Brooklyn-based studio, created the Tamar Wand pendant lights, made from blown glass. These tubular shades have brushed brass and chrome details, with a drizzled texture created by thinly-blown borosilicate glass. Anglepoise expanded its Type 80 collection with the W2 and W3 wall lights. These lights feature a conical shade and an angular arm with flexible joints, allowing for adjustable light direction. Finally, Mayice Studio designed the Dune light for LZF Lamps, a hand-blown pendant light. An LED rod is housed within a single piece of hand-blown borosilicate glass that forms an organic, ballooning shape in the middle. These selections collectively illustrate contemporary trends in lighting design, focusing on innovative materials, forms, and functionalities. #LightingDesign #InteriorLighting #PendantLights #FloorLamps #WallLights #TableLamps #OutdoorLighting #DesignInnovation #DezeenShowroom

A well-lit workspace is crucial for productivity and inspiration in creative endeavors, prompting a curated selection of iconic designer table lamps that serve as both functional illumination and sophisticated art. This collection features masterfully crafted lamps that infuse a workspace with elegance and personality, many of which draw inspiration from the Mid-Century Modern design era or were originally conceived during that period. The article acknowledges the high price point of these designer pieces and, in response, provides affordable alternatives that emulate the aesthetic without compromising on quality or style. This approach caters to both design professionals and enthusiasts who appreciate beautiful and functional objects, aiming to elevate their spaces and foster creative work. Six specific designer table lamps are highlighted, each with a corresponding budget-friendly dupe. The first is the Flowerpot VP3 by Verner Panton, a Modernist lamp from 1969 inspired by the Flower Power era, known for its minimalist dome shape and soft, ambient lighting. Its budget alternative is the Dome Table Lamp by M&S, offering a stylish, contemporary design with a vintage feel in nude or green. Next, the Astep Nox Lamp by Alfredo Häberli is presented as a refined piece of lighting technology. Crafted from opal glass and aluminum, this elegant, cylindrical lamp is versatile and portable due to its rechargeable battery and touch-sensitive dimming. The Ikea DEJSA lamp, designed by Hanna-Kaarina Heikkilä, serves as its affordable counterpart, featuring sleek, mouth-blown opal glass shades that provide a warm, dimmable glow. The Atollo Lamp by Vico Magistretti, designed in 1977, redefined table lamp silhouettes with its bold cylindrical, conical, and hemispheric configuration, earning a Gold Compass award. Constructed from high-quality opal glass and metal, it offers versatile integration into various interior styles while providing soft ambient lighting. John Lewis’s Mushroom Lamp is the budget alternative, an energy-efficient LED lamp with three adjustable brightness settings and an eight-hour cordless battery life. The Anglepoise Type 75 Desk Lamp, an iteration of a 1930s design by George Carwardine, combines British design heritage with modern functionality. Its pioneering spring mechanism allows exceptional flexibility and stability for optimal task lighting, and it uses energy-efficient LEDs. The Elliot lamp by John Lewis is a well-made and affordable task lamp with an adjustable arm and a glossy painted finish, offering a stylish alternative. Additionally, the Louis Poulsen PH 2/1 Table Lamp by Poul Henningsen, a Danish design philosophy icon, features a meticulous three-layered opal glass shade system for glare-free, uniform light diffusion and an Art Nouveau aesthetic. The TALLBYN lamp by IKEA, designed by Francis Cayouette, provides a classic and robust budget option with nickel-plated metal and mouth-blown opal white glass. Lastly, the Flos Snoopy Table Lamp by Achille and Pier Giacomo Castiglioni, designed in 1967, captures the playful yet sophisticated spirit of Mid-Century Modernism. Named after the cartoon dog, it features a thick glass disk atop a Carrara marble base and an enameled black metal shade, providing direct and diffused light with a touch-sensor dimmer. The Glossy table lamp by Lampsy, a Reddot Design Award winner by Maria Berntsen, offers a sophisticated Nordic minimalist alternative, combining solid marble, brass, and opal-white glass for a soft, inviting ambiance. #DesignerLamps #TableLamps #WorkspaceLighting #HomeOfficeDecor #InteriorDesign #MidCenturyModern #LightingDesign #AffordableDupes #CreativeWorkspace

Decimal, a company with bases in Vancouver and Mexico City, is at the forefront of integrating design and technology to produce innovative 3D printed light fixtures. The company emphasizes a novel approach to lighting, departing from the traditional lightbulb and socket paradigm that has persisted since 1879. Instead, Decimal centers its products around a single, high-quality LED module, engineered for longevity and superior performance. These LED modules are designed to last up to 70,000 hours, offering a sustainable and efficient lighting solution. The unique forms of Decimal's light fixtures are made possible through additive manufacturing, commonly known as 3D printing. This technology allows for the creation of intricate and previously impossible shapes and designs, offering a significant advancement in the aesthetic and functional possibilities of lighting. The company highlights that these fixtures are highly customizable, with a variety of attractive colors and finishings available to suit diverse preferences and interior design schemes. This level of customization ensures that each fixture can be tailored to meet specific aesthetic requirements. Decimal operates on a collaborative platform, engaging tech-savvy designers from around the globe to create its 3D printed shades. This international collaboration fosters a diverse range of design perspectives and constantly pushes the boundaries of lighting design. The company aims to appeal to individuals worldwide who possess a passion for both design and technology, offering them access to cutting-edge lighting solutions that merge artistry with engineering. The integration of LED technology and additive manufacturing represents a transformative period in the lighting industry. LED technology provides endless design possibilities by liberating designers from the constraints of traditional light sources, allowing for greater flexibility in form and function. Concurrently, additive manufacturing empowers the creation of complex geometries and intricate details that would be unachievable with conventional manufacturing methods. Decimal positions itself at this intersection, leveraging these advancements to deliver a new generation of light fixtures that are both visually striking and technologically sophisticated. By focusing on a single, optimized LED light source and utilizing the creative potential of 3D printing, Decimal is challenging conventional notions of lighting. Their products are not merely functional items but serve as contemporary design elements that embody the synergy of modern technology and global design talent. This approach promises to reshape consumer expectations for lighting, offering products that are durable, energy-efficient, customizable, and aesthetically revolutionary. #3DPrinting #LightFixtures #LEDTechnology #ProductDesign #AdditiveManufacturing #HomeDecor #TechnologicalInnovation #SustainableDesign

The article highlights the importance of adequate lighting in workspaces to prevent eye strain and headaches, especially given that many individuals spend significant time at their desks. It presents a curated selection of 10 modern desk and task lamps available from Lumens, emphasizing their design, functionality, and historical significance. Each lamp is described with specific details regarding its features and aesthetic. One of the featured lamps is the CSYS Task Lamp by Jake Dyson, noted for its sleek, non-bulky design inspired by construction cranes. This lamp incorporates an advanced adjustment mechanism, allowing for precise positioning of light and boasts an LED light source with an estimated lifespan of over 37 years. The VL38 LED Table Lamp by Louis Poulsen, designed in 1940, combines a white shade and base with a brushed brass stem, showcasing a classic and enduring aesthetic that has remained relevant for almost eight decades. Jonathan Adler's Havana Table Task Lamp for Robert Abbey introduces a vintage-inspired design with a white shade featuring a laser-cut perforated pattern. Its polished nickel body and dimming switch offer both style and adjustable illumination. The Quattro LED Task Lamp by Robert Sonneman for SONNEMAN Lighting is presented in a distinctive red/yellow/black option, which draws inspiration from Piet Mondrian's color-block paintings. This lamp’s geometric form, with a square base and shade, offers a minimalist yet striking presence. The Tizio Classic Task Lamp by Richard Sapper for Artemide, originally designed in 1972, is recognized for its enduring modern design, ease of adjustability, and industrial silhouette. Its significance is underscored by its inclusion in the permanent 20th Century Design Collections of the New York Museum of Modern Art and the Metropolitan Museum. For a more dramatic and artistic statement, the Cleo Desk Lamp by Kelly Wearstler for Visual Comfort features sculptural geometric components, a brass arm, and a white, cone-shaped shade, designed to be a piece of art in itself. John August's Giraffa LED Table Lamp for Pablo Designs, available in Copper, Black, or White, functions as both a task and accent light. Its cylindrical components allow for rotational adjustment, maintaining its distinctive giraffe-inspired form. The Grasshopper Table Lamp by Greta Grossman for Gubi, a mid-century design from 1948, maintains a modern industrial aesthetic. It features a brass arm with an organic curve that effectively angles the adjustable shade for directed light. Finally, the Horizon LED Task Light by Peter Stathis for Humanscale utilizes Thin Film Technology to provide a wide, glare-free warm light. This compact and streamlined lamp, characterized by its slim rectangular shade, is constructed from recycled aluminum. The special edition Type 75 Desk Lamp by Kenneth Grange and Margaret Howell for Anglepoise is also highlighted for its unique collaboration, which revives the original desaturated Yellow Ochre color from a 1970s lamp, offering a distinctive classic option. #DeskLamps #TaskLighting #ModernDesign #HomeFurnishings #LightingDesign #InteriorDesign #Lumens #ProductRoundup #OfficeLighting

iGuzzini introduces an innovative smart lighting system featuring the Newfo spot and the Filorail track, designed to seamlessly integrate into architectural spaces while providing advanced lighting capabilities. This system represents a significant advancement in lighting design, offering a blend of modern aesthetics and cutting-edge technology. The primary goal is to provide versatile lighting solutions for diverse environments such as museums, exhibitions, retail spaces, and hospitality venues, emphasizing both functionality and visual appeal. The core of this new infrastructure is the Filorail track, distinguished by its incredibly slender design with a 3.6 mm opening, making it almost invisible once installed. This micro-connected track facilitates the easy attachment of various lighting systems, including the Newfo spot, Libera suspension, Palco LV, Robin, Laser Blade XS, and Laser. Its discreet nature allows for creative lighting compositions on vertical surfaces and ceilings, accommodating both linear and curved configurations. The track operates on low voltage, ensuring high efficiency and aligning with iGuzzini’s broader commitment to sustainable and smart lighting. It also supports multiple control protocols such as PWM, BLE, and DALI Powerline, offering flexible and intelligent management of lighting setups. The Newfo spot is specifically engineered to work with the electrified Filorail track, offering a wide array of lighting designs that transcend the limitations of traditional systems. This contemporary lighting fixture draws inspiration from the 1977 UFO spotlight, which was notable for bringing theatrical lighting precision to architectural applications. The Newfo spot features a distinctive squircle design, combining elements of a square and a circle, which contributes to its compact and elegant form factor. This design not only enhances its aesthetic integration but also ensures that the fixture itself remains unobtrusive while delivering powerful and precise illumination. iGuzzini, a renowned Italian company in the lighting industry, bases its philosophy on 'Light That Moves.' This approach reflects their dedication to developing lighting solutions that are not only functional but also capable of transforming spaces, influencing culture, and enhancing human well-being. Their products are meticulously designed with an emphasis on connectivity and integration, enabling smart lighting management systems that prioritize energy efficiency and visual comfort. The introduction of the Filorail track and Newfo spot further exemplifies this commitment by offering an infrastructure that is both technologically advanced and aesthetically refined, catering to the evolving demands of modern architectural lighting. Ultimately, the combination of the Filorail track and Newfo spot delivers a comprehensive and adaptable lighting solution. It allows designers and architects to achieve sophisticated lighting schemes with minimal visual intrusion, providing an intelligent and human-centric approach to illumination. The system's versatility and smart features make it suitable for a broad range of applications, ensuring that spaces are not only well-lit but also dynamically enhanced to meet specific atmospheric and functional requirements. #SmartLighting #ArchitecturalLighting #iGuzzini #FilorailTrack #NewfoSpot #LightingDesign #InvisibleInfrastructure #EnergyEfficiency #RetailLighting

The Dyson Lightcycle Morph is a task light that integrates advanced technology to provide adaptive illumination. It utilizes machine learning, in-built light and motion sensors, and a GPS-driven algorithm to automatically adjust brightness and warmth based on the user's location and time of day. This functionality is enabled through synchronization with the Dyson Link app on a smartphone. Upon entering a room, the Lightcycle Morph activates and transitions its light temperature to match the natural day-night cycle, further fine-tuning settings according to the user's age and local environmental conditions. Despite its compact light source and unique design, the Lightcycle Morph delivers powerful illumination. An improvement over its 2019 predecessor, the original Lightcycle, this model features a new rotational arm that extends for greater reach and can rotate 360 degrees vertically. This allows the light to be bounced off surfaces or directed upwards, capabilities not typically found in conventional task lights. A standout feature is its 'morphing' ability, where the entire arm retracts into a perforated stand, held by a magnet, transforming it into an ambient mood lamp. This offers a subtle light ideal for winding down or watching movies. Maintaining Dyson's signature minimalist and futuristic aesthetic, the Lightcycle Morph showcases a matte metallic silver arm and stand contrasted with a glossy white lightbulb cover and base. Standing at 523mm (20.6 inches), it is a tall desk lamp that includes a USB-C port on its stand for slow device charging. Assembly is straightforward, involving two main parts (arm and stand, and base) and a power brick. Visual instructions are conveniently printed inside the box lid, and a QR code facilitates Dyson Link app installation. While manual controls for power, brightness, and warmth are present on the lightbulb section, they are noted to be less responsive than the app-based controls, which offer a smoother user experience. The arm and stand are robust, with well-engineered axes and pulley-like attachments ensuring smooth swiveling motions. The extended reach of the Lightcycle Morph's arm is a significant advantage over the previous model, enhancing its versatility for various tasks by allowing light to be directed across larger areas or bounced off walls. However, unlike the original Lightcycle, this model cannot be physically moved downwards for precision tasks such as drawing or miniature painting. This necessitates maximizing brightness to compensate, which may not fully replicate the precision of closer proximity lighting. Ultimately, the Dyson Lightcycle Morph serves as a versatile variant rather than a direct replacement for the original Lightcycle. Both models offer 1,000 lux brightness, but their utility differs; the Morph is considered a generalist due to its adaptability and wider range of light direction, while the original is more specialized for precision work. Priced at S$799 (S$1,199 for the Floor variant), the Lightcycle Morph offers substantial utility and is presented as a compelling option for those seeking a sophisticated and adaptable desk lighting solution. #DysonLightcycleMorph #TaskLight #SmartLighting #HomeTech #DeskLamp #AdaptiveLighting #HomeOffice #DysonReview #LightingTechnology

This article showcases a curated selection of innovative lighting designs, originally featured in the October 2023 issue of Wallpaper* magazine, derived from highlights of Euroluce at Milan's Salone del Mobile 2023. The featured products span offerings from established brands like Lasvit, Cassina, and Flos, as well as independent studios such as Pelle and Ross Gardam. The presentation of these designs emphasizes a unique photographic approach, employing both digital and film techniques, with a particular focus on film photography to create optical contrasts and surface textures, exploring the interplay of light and shadow. Among the showcased designs is the 'Polaris' floor lamp by David Rockwell for Lasvit, part of the Constellation collection. Inspired by the celestial mural at Grand Central Terminal, this hand-crafted metal and glass lamp functions as both a dazzling focal point and a unifying element within any setting. Laurids Gallée's 'Pool 02' lamp, a limited-edition polymer resin light, explores the incorporation of traditional elements with experimental materials. This ice-blue lamp, which emits a warm yellow glow when illuminated, features a fluid shape and soft ridges that evoke the dynamic reflections of light on water. Herzog & de Meuron's 'Dreispitz' lamp, produced for Artemide, is a graphically appealing pendant available in black, silver, and a vibrant green. Originally conceived for the architects' Dreispitz project in Helsinki, this lamp can accommodate three distinct light sources that integrate into its triangular base, forming a clover-like profile. It offers various lengths and lighting options, designed for environmental sustainability through its high efficiency, optimized industrial processes, and the use of partially recycled and recyclable materials. Dirk Winkel's 'W225 Ion' lamp for Wästberg represents a deceptively simple design, the culmination of extensive research focused on creating well-being through optimal lighting. Its core innovation is a sophisticated miniature friction joint with a cordless power connection, enabling 360-degree rotation. The lamp's versatility is enhanced by a choice of arm lengths, mounting options, and two optical systems, providing illumination for wide-angle workspaces or focused reading. The 'Vestige' table lamp by Ross Gardam and Peter Kovacsy aims to evoke a sense of wonder. This brutalist-inspired sculptural form features a solid parabolic cone of cast crystal glass, created by Peter Kovacsy, emerging from a rectangular base. The design celebrates the allure and texture of glass, with bubbles within the glass creating a speckled pattern when illuminated, and is paired with a raw aluminum base and a machined conical dimmer. Bocci's '44T' table lamp distinguishes itself with its unique, irregular aluminum canopy, formed through various processes like blowing, pouring, carving, and polishing. Each lamp is individual, reflecting Bocci’s research into dendrite-like shapes. A notable feature is the use of spherical light bulbs that glow without visible electrical cables, as low-voltage electricity passes directly through the cast metal structure. The 'Channel' lamp by Pelle, known for its 'Bubble' chandelier, addresses the practical need for illuminating large table surfaces while brightening the overall room. This ceiling fixture comprises a sleek horizontal body in waxed brushed aluminum, housing four lighting components—two upward-facing and two downward-facing beams—with thin steel cables serving as power conduits. Michele Groppi’s 'Vis à Vis' table lamp for Davide Groppi is designed to seamlessly integrate into any environment. Made entirely of transparent glass, from its thin cylindrical stem to its circular canopy, it appears to float lightly and is rechargeable, allowing for mobility without visible electric cables. Finally, Philippe Malouin’s 'Bilboquet' table lamps for Flos, his first design for the brand, are based on experiments with magnetic elements. Named after a 16th-century French game, the lamp consists of two colored cylinders connected by a magnetic sphere, allowing for flexible orientation and acting as a decorative element, designed to adapt to changing lighting needs throughout the day. Jordi Canudas' 'Dipping' pendant for Marset, inspired by an experiment of dipping a switched-on light-bulb in paint, features a brilliant white hand-blown glass globe, hand-dipped multiple times to create concentric rings of color in various hues, with different layers of paint moderating light intensity. The 'Bijou' pendants by Antoni Arola for Santa & Cole and the 'Eitie' table lamp and pendant by Tobia Scarpa for Cassina offer further examples of innovative design, with 'Bijou' providing exceptional lighting and reflections, and 'Eitie' offering reconfigurable luminous strokes through unique black metal circular connectors. #LightingDesign #InteriorDesign #Euroluce #SaloneDelMobile #ProductDesign #ArchitecturalLighting #ContemporaryDesign #SustainableDesign #ArtisanCraft

Jamb founders Will Fisher and Charlotte Freemantle, known for their bespoke lighting tailored for leading interior designers, are set to launch their new Deco collection. This collection, which will debut at London Design Week, features five distinct pieces that deliberately eschew current trends, focusing instead on timeless design and exceptional craftsmanship. The duo, operating from their London home and studio, emphasizes traditional skills and meticulous attention to detail, a philosophy that stands in contrast to the rapid-fire launch cycles common in contemporary design. The Deco collection is characterized by a glamorous and somewhat majestic aesthetic, designed to soften the edges of each piece in a romantic fashion. This romantic sensibility extends from their previous work, including their distinctive pink room at the Wow! House at Chelsea Harbour Design Centre. Will Fisher's background in studying antique objects heavily influences their design process. The team initiates new designs by identifying original antique pieces that serve as the foundational inspiration. Their deep immersion in historical objects led to the early twentieth-century themes evident in the Deco collection, drawing from movements and periods such as The Bloomsbury Group, the Roaring Twenties, and the Belle Époque. The collection highlights a focus on rich materiality, combining hand-planished metal, luminous alabaster, and shimmering silk textiles to create compelling juxtapositions. Some designs incorporate hand-carved patterns, which are then cast using the traditional lost wax technique, a method Will Fisher describes as the "noblest form of manufacture." Charlotte Freemantle is particularly interested in integrating decorative fabrics, a concept carried over from the Wow! House show, into their new product lines. She notes that drapery softens and diffuses light in a room, and similarly, the textiles in their collection evoke the gentle glow of candlelight, enhancing the overall ambiance. Often described as the "jewelry of the home," lighting in the Deco collection aims to create unique and inviting atmospheres. The pieces are designed to complete and complement diverse interior aesthetics, whether mid-century modern or traditional, effectively bucking trends and potentially establishing new ones. To illustrate their versatility, the designers have photographed the collection in various in situ settings, demonstrating how these objects can seamlessly integrate into different environments. The article specifically mentions pieces like the Hopper Alabaster wall sconce, the Thelma pendant light with its hand-stippled brass frame and optional linen or silk skirt, a new floor lamp styled with antique furniture, and the Hatton Rod, which embodies the Art Deco aesthetic with its alabaster bowl and brass detailing, offering both down and uplighting. The collection will be available from Jamb at 95-97 Pimlico Road, London, and through their website. #JambLighting #DecoCollection #LondonDesignWeek #BespokeLighting #InteriorDesignTrends #AntiqueInspired #Craftsmanship #AlabasterLighting #LuxuryLighting

Stickbulb, a sustainable lighting company founded by Yale University architecture graduates Russell Greenberg and Chris Beardsley, recently opened its first showroom in Long Island City, New York. Previously operating from a cramped space with limited shelving, the company acquired a 10,000-square-foot former steel factory to accommodate its growing operations. The new location, featuring terracotta walls and wooden floors, not only provides ample space but also reflects the company's commitment to sustainability and modern design. Stickbulb's core mission revolves around sustainability, utilizing salvaged wood from demolished buildings and dismantled water towers for its LED light fixtures. This approach allows each product to carry a unique history, traceable back to its original source. The founders emphasized the importance of this narrative, noting that the wood, often high-grade and knot-free from water towers with a 40-year lifespan, is no longer actively harvested, making its reclamation both environmentally conscious and integral to the product's character. The company’s design process is highly collaborative, focusing on iterating on a foundational system of wooden sticks with embedded LEDs and various metal connector pieces. This modular approach allows for the creation of a diverse range of lighting solutions, including linear pendants, chandeliers, wall sconces, and even functional pieces like side tables, all while maintaining the common element of the reclaimed wooden sticks. A notable art piece in the showroom, "Ambassador," was inspired by Russell Greenberg's sketch of a water tower. This sculpture aims to convey the history and urban context of the reclaimed water tower redwood without explicit words, highlighting the material's past in a sculptural form. The decision to use water tower wood was driven by its iconic presence in New York and other Northeastern urban centers, its consistent supply due to replacement cycles, and its high quality, being free of defects. The new showroom consolidates all aspects of Stickbulb's business—design, production, sales, and marketing—under one roof, a long-held dream for the founders. This unified space allows visitors to not only view the finished products but also observe the manufacturing process and meet the team behind them. The design of the showroom itself was approached with flexibility in mind, incorporating elements like curtains to easily reconfigure the space. While currently enjoying their expanded premises, the founders expressed confidence in the space's ability to support future growth. #Stickbulb #LongIslandCity #SustainableDesign #LEDLighting #ReclaimedWood #ArchitecturalSalvage #ShowroomDesign #ProductDesign #NewYorkCity #InteriorLighting

Note Design Studio has expanded its 'Silo' lighting collection for Zero, a lighting company, with the introduction of 'Silo Trio' pendant lights and 'Silo Floor' lamps. These new additions will be officially launched at the 2014 Stockholm Furniture Fair. The original 'Silo' collection was inspired by the classic shape of a grain silo, a design concept that is carried through into these new variations. The 'Silo Trio' pendant lights are designed to resemble three wild strawberries hanging from a straw, an imaginative visual that softens the industrial inspiration. The 'Silo Floor' lamp, on the other hand, stands as a steady and robust fixture, maintaining the collection's core aesthetic. Both new designs maintain the industrial simplicity and distinctive typology that defined the initial 'Silo' pendant light. These expansions to the collection were developed in response to specific requests from architects, indicating a demand for versatile lighting solutions that uphold the collection's aesthetic principles. The 'Silo Trio' and 'Silo Floor' models will be available in a selection of three colors: classic black, pristine white, and a vibrant red-orange. This color palette offers options that can either blend seamlessly into various interior schemes or provide a striking visual accent. The exhibition of these new lighting fixtures will take place at the Note Open exhibition, held at the historic Old Luma Factory during the Stockholm Furniture Fair. Note Design Studio, a Swedish firm, is known for its ability to blend functional design with artistic inspiration. Their collaboration with Zero Lighting has resulted in a collection that balances minimalist form with practical illumination. The 'Silo' collection, with its distinctive silhouette, aims to offer lighting solutions that are both aesthetically pleasing and suitable for a range of architectural and interior applications. The expansion reflects a continued commitment to developing cohesive product lines that address professional and consumer needs while maintaining a strong, recognizable design identity. #NoteDesignStudio #SiloLighting #PendantLights #FloorLamps #ZeroLighting #StockholmFurnitureFair #IndustrialDesign #LightingDesign #InteriorLighting

Knowhow Shop, a design/build firm based in Los Angeles, has created an experimental micro-office named Lighthouse in Highland Park. This 154-square-foot structure serves as both their office and a showcase of their innovative design and construction capabilities. The firm, founded by Kagan Taylor and Justin Rice, sought to challenge their skills by constructing a modern office that deviates from traditional architectural practices. The project aimed to free up space in their main fabrication and machine shop while also demonstrating their expertise in experimental design. The Lighthouse draws inspiration from various sources, including boatbuilding techniques, and centrally features custom-built structural insulated panels (SIPs). These SIPs, combined with a lightweight, prefabricated construction system and oversized glazed openings, contribute to the building's moniker. Taylor and Rice personally undertook the entire construction process, including tasks they had no prior experience with, such as installing glazing, fiberglass, and a topcoat, as well as the interior fit-out and finishes. This hands-on approach allowed them to bypass conventional architectural production methods and fully leverage their design/build model. Operating with an approximate budget of $50,000, including labor time, the project was completed entirely in-house between other client projects. The design emphasized fundamental architectural elements—door, window, and skylight—approaching the construction more like crafting a piece of furniture than a conventional building. The custom front door features an August Smart Lock and eschews right angles, reflecting the project's unconventional aesthetic. A custom-made skylight integrates traditional boatbuilding materials with elements inspired by car sunroofs. The interior worktops are made from Formica 2297 Terril, and a custom Douglas Fir bookshelf echoes the angular geometry of the office. Flexibility and mobility were key design considerations. The micro-office is not set on a traditional foundation but rather on industrial casters, similar to those used for roll-off dumpsters, allowing it to be easily moved around the shop-yard. Its asymmetrical wedge shape was partly influenced by the need to accommodate forklift clearances for transporting plywood into their adjacent shop. The flooring is Douglas Fir with an OSMO finish, while the angled walls and ceiling are constructed from Douglas Fir Marine Grade Plywood with a whitewash finish. Taylor and Rice envision Lighthouse as more than just an office; it functions as a testament to their craftsmanship and a practical example of rethinking architectural design and construction methods. They hope that future iterations of "Lighthouses" could inspire a movement towards smaller, sustainable buildings that incorporate contemporary architectural principles. The project includes detailed floor plans and wall sections, highlighting the innovative construction. It was published in October 2018, emphasizing its relevance to small spaces and modern workplace design. #MicroOffice #ExperimentalArchitecture #DesignBuildFirm #StructuralInsulatedPanels #PrefabricatedConstruction #LosAngelesDesign #SmallSpaces #ModernDesign #MobileArchitecture

This article highlights seven iconic lamps that interior designers consider timeless classics, influencing contemporary home lighting trends. It emphasizes that while iconic furniture pieces often have widespread name recognition, iconic lamps less frequently do, despite their significant impact on design. The piece aims to familiarize readers with these influential lighting designs, drawing insights from seven interior designers featured in the 1stDibs 50, an annual list recognizing designers committed to extraordinary and original design. The first iconic lamp discussed is the Noguchi Model 24N Table Lamp for Akari, designed by Isamu Noguchi in the 1950s in a Mid-Century Modern style. Brigitte Romanek, founder of Romanek Design Studio, praises its "poetry in light form," noting its serene, soft glow and blend of traditional Japanese materials with modern design. The article mentions that Noguchi's paper shades are currently a significant trend in interior design, offering a calming and chic ambient touch. Readers are advised that while genuine pieces are available on platforms like 1stDibs and End Clothing, they should also be cautious when looking for deals on eBay to ensure authenticity. Next, the Robert Mathieu Pendulum Floor Lamp, Model 56, from the 1950s, also in a Mid-Century Modern style, is chosen by Damon Liss of Damon Liss Design. Liss highlights Mathieu's background as a watchmaker, which translates into the lamp's precision, expertise, and ingenuity, prioritizing function over form. The lamp's counterweight system allows for adjustable height and exemplifies elegance and lightness. The article notes that smaller, authentic Robert Mathieu lamps can be found on eBay. Roberto Giulio Rida's Ghiande Alga Table Lamps, featuring Murano glass and brass, are selected by Bryan O'Sullivan of Bryan O'Sullivan Studio. These lamps are described as quintessential examples of Rida's extravagant Mid-century modern style, meticulously crafted with fusion glass and handmade brass. O'Sullivan suggests they are ideal for bedside tables or drawing rooms. The Adolf Loos Jegendstil Silk and Brass Table Lamp, dating from the early 1900s, represents the Jugendstil (German Art Nouveau) style. Fern Santini of Fern Santini Inc. commends its timeless quality, calling it "quirky and discreetly elegant." The lamp, with its silk skirt, introduces softness to any interior setting, embodying decorative trends relevant even today. The Polimnia Floor Lamp by Studio BBPR, designed in the 1960s, is a choice from Adam Charlap Hyman of Charlap Hyman & Herrero. This lamp is seen as emblematic of the Milanese architectural partnership's signature style, which merged Medieval and Space Age influences. Constructed from stainless steel and featuring a glass lampshade with "Sputnik"-style legs, it reflects the futuristic aesthetic of its era. This lamp is part of the Museum of Modern Art's permanent collection. Cedric Hartman's 1UWV Lamp from the 1960s is Leyden Lewis's pick. Lewis, founder of Leyden Lewis Design Studio, emphasizes Hartman's ability to design lighting that is elegantly structured and functional without unnecessary embellishments. This floor lamp's base has been widely replicated in modern lighting design, underscoring its enduring influence. Finally, the Graphic Table Lamp by Olivia Cognet, from the 2010s, is Monica Fried's modern classic selection. Fried, founder of Monica Fried Design, admires Cognet's post-modern, abstract designs, which she believes are destined to become classics. These ceramic lamps, with their sculptural, undulating forms and raw clay authenticity, are presented as artistic pieces that transcend mere functionality. The article concludes by noting that these iconic designs continue to inspire contemporary lighting trends. It offers alternative, more affordable options that capture the essence of these classics, such as the Sherman Task Floor Lamp (reminiscent of Cedric Hartman), the Common Paper Shade (inspired by Noguchi), the Martha Table Lamp (echoing Adolf Loos), the Yearby 62'' Novelty Lamp (channeling Studio BBPR), an Arc Floor Lamp (reflecting Robert Mathieu), and an Abstract Resin Table Lamp (similar to Olivia Cognet's work), all available from various retailers. #IconicLamps #LightingDesign #InteriorDesign #MidCenturyModern #HomeDecor #DesignClassics #TableLamps #FloorLamps #ArchitecturalLighting

Conway Electric, a California-based company, has introduced two task lamps: the Jax Fade and the Jax Raw. The Jax Fade lamp is designed with practical features for hotel rooms, including an easy-to-find switch, directable light, and both USB and standard-plug power outlets. It also integrates a surge protector and offers a variant with a brass rotary wheel for dimming. This model is currently available for purchase at a price of $275. In an innovative approach to manufacturing and product development, Conway Electric briefly capitalized on what are typically considered quality control (QC) rejects to create the Jax Raw variant of their task lamp. This version intentionally embraces the aesthetic of raw, unfinished materials, giving it a distinctive, boutique hotel-like appearance. The design specifications for the Jax Raw highlight its unique material treatment: The cast aluminum casing is left unpolished and untreated, retaining its natural uneven and imperfect texture directly from the mold. Raw brass inserts are used as they come off the lathe, without further treatment. The steel tube is sandblasted and left uncoated, allowing a rust patina to develop naturally over time. Similarly, the cover plate is stamped and sandblasted. Both the steel tube and the cover plate were originally QC finish rejects, where the finish had been burned off, then sandblasted, and subsequently left untreated and uncoated. The stainless spun shade is also used directly as it emerges from the mold, preserving its unrefined state. This strategy allowed the company to transform manufacturing imperfections into a desirable design feature, catering to a market segment that appreciates industrial and raw aesthetics. While the Jax Raw variant is no longer available, its production demonstrated a unique perspective on material utilization and design, contrasting with the more refined Jax Fade. The article suggests that embracing these raw characteristics can create a product that stands out in the market, appealing to a niche aesthetic preference for unpolished, authentic materials. #ConwayElectric #JaxRawLamp #TaskLamp #IndustrialDesign #ProductDesign #QualityControl #RawMaterials #LightingDesign #HomeDecor