Black Kite’s London office is a riot of colour and geometry

This article explores the transformation of a 300-year-old London building, which has served various purposes from the Blewcoat School in the 1700s to an information center and a bridal boutique, into the first brick-and-mortar outpost for design firm Studio Ashby. The new space functions as both a Sister showroom and an office. Founder and creative director Sophie Ashby faced significant challenges due to the building's Grade I historical status, which imposed strict regulations on even minor alterations, such as hanging artwork or touching up paint, requiring lengthy approval processes. Despite the hurdles and a two-year-long negotiation period with preservation councils, Sophie Ashby was determined to realize her vision for a vibrant Studio Ashby hub, complete with community events and a comprehensive fabric swatch library. She describes the design process as a "surface intervention" due to the inability to modify the building's original framework. The decision to invest in a physical gathering space during a pandemic was driven by Ashby's belief in the immersive experience of a well-designed store, aiming to replicate that captivating atmosphere for her team and clients. The design approach treated the workspace as a client project, intending for it to be a physical representation of Studio Ashby's design philosophy. The main floor is organized into areas resembling a home's parlor, living room, and dining area, with four existing columns naturally defining these zones. A round table serves as a breakfast nook for client consultations, while a deep sofa and leather armchair create a welcoming space for weekly happy hours. Privacy in the open layout is achieved through strategically placed shelves filled with shoppable ceramics, sectioning off a quieter meeting area featuring a travertine desk and armchairs upholstered in pale green toile. Sophie Ashby meticulously selected furniture and fabrics to complement the building's original, unchangeable fixtures, such as the grayscale marble vanity in the bathroom. The primary workspace for the team is located upstairs, chosen for its abundant natural light, which even lower ceilings cannot diminish. Leopard-print chairs are incorporated to add a bold design element. The sample library is distributed between mood boards upstairs and extensive open shelving in the basement, both brimming with design inspiration. Ashby's design philosophy emphasizes eclecticism for timelessness. This is evident in the juxtaposition of diverse elements, such as a recycled plastic side table placed beside a mustard yellow velvet sofa, and an antique burl-wood chest paired with a modern ceramic lamp. Art installations were carefully executed using picture wires to avoid construction delays. Ashby notes that the building's historical white-box nature enhances whatever is placed within it, allowing each design element to stand out. #InteriorDesign #OfficeDesign #StudioAshby #LondonArchitecture #HistoricBuilding #DesignPhilosophy #WorkplaceDesign #EclecticStyle #RenovationChallenges

Charleston, South Carolina-based interior designer Angie Hranowsky, known for her vibrant use of color, showcases her distinctive approach in her own design studio. For Hranowsky, color serves as a primary source of inspiration and creativity, a philosophy evident across her diverse projects, from residential spaces to commercial installations. Her design signature is marked by the incorporation of saturated brights, applied through various elements such as paint, upholstery, large-scale art, and especially wall treatments. An example of her bold style is her Charleston home, which features a magenta living room sofa paired with Roman shades in a similar vibrant pink. Another instance is her installation at the design emporium Fritz Porter, where pale peony walls are accented with angular turquoise sconces and emerald green silk drapery. When designing her own studio, which functions as a showcase, a brainstorming hub for her team, and a client meeting space, Hranowsky deliberately opted for a bold aesthetic. She chose turquoise as the dominant color for her office, situated in a 1920s brick building in downtown Charleston. Hranowsky views turquoise as a color that reflects earth, sky, and water, providing constant inspiration. To achieve the desired depth and texture, she enlisted decorative painter Suzanne Allen, who applied layers of pigmented plaster to the walls. This labor-intensive process resulted in a multifaceted, earthy variance in texture and tone, transforming the turquoise from a simple color into an artistic element. Hranowsky made a conscious decision to not paint the entire height of the walls, leaving the upper sections and ceiling white. This choice was strategic, as it created an airy feel and provided a necessary contrast to the rich turquoise below. In decorating a room already featuring such a strong foundational color, Hranowsky employed a formula of adding more color. She strategically introduced fuchsia and golden yellow, hues she considers to have equal value in terms of their dense saturation and jewel-like richness. These colors serve as perfect accents to the turquoise. Her selection of a groovy desk chair and an angular accent chair in complementary colors exemplifies her skill in creating contrasting yet harmonious elements. Additional touches of golden warmth are incorporated through brass light fixtures, yellow-flecked abstract artwork, and fresh Forsythia branches. To maintain visual order, Hranowsky organizes her extensive collection of design resources, including swatches, samples, and strike-offs, by hue. These are neatly stored in assigned drawers within a custom quartzite-topped island, readily accessible when developing new schemes. The only concessions Hranowsky made to a more neutral palette were for the countertop and floors. This choice was deliberate and effective, allowing textiles placed on the island or spread on the floor to stand out without distraction. Although she is her own most adventurous client, the studio is fundamentally designed as a workspace to foster her creativity, ultimately benefiting the homeowners with whom she collaborates. #AngieHranowsky #InteriorDesign #ColorTheory #DesignStudio #CharlestonDesign #WallTreatments #TurquoiseDecor #HomeDecor #ColorfulInteriors

The new Gearbox studio in Montreal, Canada, designed by Patriarche, showcases an innovative approach to office design within challenging architectural parameters. The primary challenge was the building's distinctively long and rectangular floor plan. Patriarche, an agency that practices "augmented architecture" by integrating technical, sociological, and scientific knowledge into its design process, tackled this by employing high color contrasts across walls, ceilings, and furnishings. This strategy serves a dual purpose: it injects energy into the various spaces and aids in wayfinding throughout the office, making it easier for employees and visitors to navigate the expansive layout. The collaboration between Gearbox and Patriarche was a continuation of a successful previous project that had received an award from the Grand Prix du Design, ensuring a high standard of both functionality and aesthetic appeal for the new workplace. The office provides a diverse range of workspaces designed to support different modes of work, accommodating the varied needs of a video game development team. It includes 208 open-space workstations for collaborative or individual tasks, 11 enclosed offices for more private work, 12 dedicated meeting rooms for team discussions and presentations, and 11 lounge areas for relaxation and informal interactions. This variety offers team members the flexibility to choose an environment best suited to their current tasks, promoting productivity and comfort throughout the day. The intentional division of space through color blocking not only creates visually stimulating zones but also subtly guides occupants, ensuring that despite the large and linear floor plan, different functions are clearly delineated and accessible. Beyond functionality, the design draws inspiration from Montreal's Old Port neighborhood, known for its urban and industrial character. Patriarche integrated elements of street art and 90s pop culture into the office environment, moving away from conventional neutral office aesthetics. This creative direction is evident in unexpected details such as stools shaped like tree trunks, a transparent yellow curtain repurposed from a welding workshop, and colored glass doors. These unconventional design choices deliberately reject the notion that office spaces must be bland or understated to foster creativity. Instead, they aim to create an inspiring and dynamic atmosphere that reflects the vibrant and innovative nature of the video game industry, encouraging a more playful and imaginative work environment. The comprehensive design ensures that the Montreal studio is not just a place to work, but a stimulating hub that supports collaboration, focused effort, and creative thinking. #CommercialDesign #OfficeDesign #ColorBlocking #Patriarche #GearboxMontreal #InteriorDesign #WorkplaceInnovation #MontrealArchitecture

Tarkett, a prominent global provider of recyclable flooring solutions, has officially opened its new UK and Ireland showroom, Tarkett Atelier, situated in the vibrant creative district of Clerkenwell, London. This innovative space, located at 47-53 St John Street, was designed in collaboration with Stockholm-based Note Design Studio and contractor Area Square, opening its doors on July 6th. The showroom aims to offer architects, designers, and end-users a comprehensive experience, showcasing the latest sustainable and design-led interior finishes and demonstrating how various materials can be creatively re-envisioned. The design ethos of Tarkett Atelier draws inspiration from Britain's industrial city heritage, adopting a 'soft industrial' aesthetic. A core principle of the design is sustainability and adaptability, evident in every curated aspect of the interior. The entire space utilizes materials from circular collections and is composed of 100% recyclable components. The showroom redefines the conventional showroom experience by seamlessly integrating technology with digital features, including interactive displays and virtual reality elements. This approach allows for a deeper engagement with the products and design possibilities. A distinctive feature of the showroom's interior is the thoughtful selection of contrasting materials and textures by Note Design Studio. These materials were chosen for their tactile qualities, durability, and striking industrial aesthetics. The design team employed an unconventional approach to traditional materials, particularly hard and soft flooring. These materials are imaginatively transformed into various functional elements, such as linoleum counter bases, work surfaces, vinyl tabletops, structural pillar cladding, and even lighting fixtures, highlighting their versatility beyond typical applications. The showroom prominently features several of Tarkett's key collections, including Desso Fields, Retrace, Linowall, iQ Granit, Natural, and Parade Excellent. A dedicated gallery area serves as a platform to exhibit Tarkett's flagship products and materials, providing visitors with an understanding of each product's benefits within a well-structured and purposefully designed environment that extends beyond simple samples. Furthermore, the space is designed to host bespoke art installations crafted from Tarkett flooring, showcasing artistic applications of their products. An open product lab is integral to the Atelier, fostering co-creation and experimentation. This lab enables visitors to develop their project ideas by selecting from Tarkett's extensive range of carefully curated materials and products. The multi-functional nature of Tarkett Atelier is further enhanced by incorporating areas for various activities, including socializing, hosting events, dedicated meeting rooms, quiet phone booths, and collaborative workspaces. The showroom provides a dynamic and inspiring environment that facilitates creativity, collaboration, and a deeper appreciation for sustainable and innovative interior design solutions. #TarkettAtelier #NoteDesignStudio #FlooringDesign #SustainableInteriors #ShowroomDesign #LondonArchitecture #MaterialInnovation #RecyclableMaterials #InteriorDesign

Design maverick Kit Kemp, co-founder of Firmdale Hotels and the Kit Kemp Design Studio, and her husband Tim Kemp, have significantly renovated their 1930s central London townhouse twice over two decades. The initial renovation was inspired by fellow designer Robert Kime's advice to make the kitchen the best room in the house. This led Kit to convert their large, barrel-shaped dining room, which overlooks the garden, into a kitchen that has since become the central living space. The bespoke cabinetry in the kitchen has undergone multiple color transformations over the years, and Kit has incorporated unique elements like beaded lampshades crafted from colorful Kurdi aprons. Following the kitchen transformation, a conservatory was added off the kitchen to serve as a dining area, featuring a Tord Boontje chandelier that creates intricate shadows at night. More recently, as their three daughters have grown and left home, the Kemps undertook a second major renovation. This involved knocking down a formerly unused front room to create an open-plan layout connecting it to the living room and subsequently to the kitchen. This new configuration provides the living space with abundant east-west light. In this bright living room, Kit combined an oversized One Way geometric linen with an exuberant botanical print, balancing these bold designs with a subtle paisley pattern. The vibrant patterns are complemented by antique pieces, including an 18th-century Spanish chest, above which hangs a portrait by Duncan Grant. Kit notes that the home's design is a collaboration with her husband, driven by their shared appreciation for Bloomsbury art. The walls display a collection of works by prominent Bloomsbury artists, chosen for their suitability to the London light. The redesign also involved moving the front door and enlarging the hallway. Kit began the redecoration of the entire house with this space, emphasizing the importance of giving character to 'in-between spaces' like hallways and landings to make a house feel more expansive. She adorned the hallway with her repeat 'Mythical Land' wallpaper design, creating an enchanting backdrop for an eclectic mix of objects, such as a Swedish wedding clock and an old beehive. A chair upholstered in an embroidered textile from Kazakhstan further enhances the unique aesthetic. On the first floor, one of the four bedrooms was converted into a walk-through music room, accommodating their grand piano. Kit humorously explains that placing the piano in this dedicated space was a practical choice, and lining the area with bookshelves may have inadvertently improved the acoustics. Upstairs, the main bedroom, nestled under the eaves, features a grand half-tester bed that accentuates the room's interesting architectural volumes. Kit has been meticulous in reusing and reupholstering existing pieces, demonstrating a commitment to sustainability by donating fabrics to charities and using offcuts for toys. Another bedroom showcases pieces from a showroom set she designed, including armchairs originally created for a Blithfield stand. A fantastical headboard, also designed by Kit for a showroom display, is complemented by a lamp base that serendipitously aligns with its aquatic theme. Creativity is central to Kit's design philosophy, a theme further explored in her latest book written during the pandemic, highlighting the increasing desire for personalized interiors and the move away from reliance on big designer names towards unique, custom-driven home decor. #InteriorDesign #KitKemp #LondonTownhouse #HomeRenovation #ColorAndPattern #BloomsburyArt #EclecticDecor #DesignPhilosophy #KitchenDesign

The fashion brand Peter Pilotto, known for its vibrant and intricately embroidered clothing, has expanded its creative vision into the realm of home design with a three-storey takeover of a townhouse in Cromwell Place, South Kensington, London. This initiative is part of the Brompton Design District’s ‘Other Stories’ for the London Design Festival. The pop-up space, which includes elements of a gallery, a vibrant home, and a showroom, is an extensive iteration of a temporary space the brand previously opened nearby. Central to this installation are the colourful ‘Arnold Circus’ stools by Martino Gamper, a long-time collaborator and friend of the brand. These angular stools, originally featured in Peter Pilotto’s A/W 2017 show, are now available upholstered in the brand's distinctive fabrics, bridging the gap between fashion and furniture. The pop-up features an eclectic assemblage of exclusive designs from a host of artists and designers, reflecting the brand's personal inspirations and collaborations. The curated two-room space showcases furnishings previously seen in Peter Pilotto’s A/W 2017 runway show, which was inspired by domestic interiors. This includes a triptych of paintings by Peter McDonald, a geometric print sofa designed by Bethan Laura Wood, and colourful tufty rugs by Max Lamb. Co-founder Peter Pilotto explains that the installation aims to share the inspirations that surround them and their brand, replicating the feeling of being in their friends' homes or studios. The South Kensington installation also features a large dressing room with colour-blocked mannequins, clothes hangers, and fabric screens. The third floor displays the brand’s A/W 2017 collection, which includes embroidered tweed outerwear, velvet dresses with leaf details, and knitwear adorned with Peruvian motif patches. These fashion pieces are interspersed with artworks and furnishings by McDonald, Lamb, Wood, and Schmid McDonagh. Further enriching the space are delicate vases and jugs by glassblower Jochen Holz, who also designed a range of organic curving earrings for the brand’s current collection. Hand-knotted rugs made by artisans in Ecuador and graphic blankets spun from recycled yarns from previous collections also contribute to the eclectic decor. Artist Francis Upritchard, a long-term collaborator, created the ceramics displayed throughout the space. Upritchard has previously collaborated with Peter Pilotto on scarves and incorporated her illustrations into the brand’s S/S 2017 collection. The decision to integrate catwalk details into more permanent settings stems from Peter Pilotto’s desire for longevity beyond fleeting show sets. The space demonstrates how design elements can be translated into different, more enduring applications. Martino Gamper, a frequent collaborator, highlights the conversational and collaborative nature of their work, where Peter and Christopher infuse their sensibility into his designs. The project underscores the brand's appreciation for the slower, more considered pace of the design world, contrasting it with the rapid seasonal cycle of the fashion industry. The founders emphasize the importance of London's supportive creative community, fostering a continuous exchange of ideas and mutual interest among designers. #PeterPilotto #LondonDesignFestival #TownhouseTakeover #MartinoGamper #InteriorDesign #FashionMeetsDesign #CreativeCollaboration #TextileArt #BethanLauraWood

Artist and architect Inés Esnal has unveiled her Prism installation, transforming the lobby of a new residential building in New York City. The artwork utilizes colorful elastic ropes to create intricate triangular formations that serve to filter light, producing a dynamic interplay of vivid colors and optical illusions. This installation provides a stark and compelling contrast to the lobby's existing concrete walls, injecting an element of artistic vibrancy into the otherwise stark architectural setting. The Prism installation is characterized by its use of stretched elastic ropes, meticulously arranged to form geometric patterns. These ropes, varying in color, intersect and overlap, creating a complex web that interacts with the ambient light. As light passes through these colored strands, it is fractured and dispersed, casting a spectrum of hues across the lobby space. This optical phenomenon changes throughout the day, depending on the angle and intensity of natural light, offering a constantly evolving visual experience for residents and visitors. The design intention behind Prism is to introduce an element of surprise and visual engagement within a functional architectural space. By contrasting the inherent rigidity and monochromatic nature of concrete with the fluidity and vibrant palette of the elastic ropes, Esnal challenges conventional perceptions of lobby design. The installation effectively redefines the entrance area, transforming it from a transitional zone into an immersive artistic environment. Esnal's work often explores the relationship between art, architecture, and human perception. In Prism, she employs principles of geometry and optics to manipulate space and light, thereby creating an illusory depth and movement within a static structure. The triangular shapes formed by the ropes evoke the concept of prisms, which are known for their ability to refract light into its constituent colors. This not only imbues the space with aesthetic appeal but also invites viewers to contemplate the scientific and artistic principles at play. The installation aims to enhance the sensory experience of the building's occupants, offering a momentary escape from the urban environment. The selection of elastic ropes as the primary material allows for flexibility in form and an ethereal quality that belies the material's strength. This choice also contributes to the lightweight and seemingly gravity-defying appearance of the artwork, further emphasizing its illusory nature. The vibrant colors chosen are intended to evoke a sense of energy and warmth, counteracting the potentially cold aesthetic of modern concrete architecture. The overall effect is one of harmony between the artistic intervention and the architectural context, demonstrating how art can profoundly alter and enrich built environments. #ArchitecturalInstallation #PublicArt #LobbyDesign #InesEsnal #OpticalIllusions #ElasticRopeArt #NYCArchitecture #ColorTheory #GeometricArt

The article highlights the collaboration between Ghanaian spatial design studio Limbo Accra and London-based multidisciplinary design practice Alaska Alaska, focusing on their shared philosophies regarding design communities and empowering the next generation of Black design innovators. Limbo Accra, founded by Dominique Petit-Frère, has established a robust network through global partnerships with prominent urban space-makers and architectural enthusiasts. This collaboration is part of a series exploring critical issues in contemporary design, such as design intention, intergenerationality, creativity, and change within Africa and its diaspora. Tawanda Chiweshe, the studio director of Alaska Alaska, is a key figure in this discussion. Described as a ‘creative navigator’ and designer, Chiweshe leads Alaska Alaska, a practice originally founded by Virgil Abloh. The studio's core mission is to foster young talent in the design industry, providing career-advancing opportunities and thereby empowering a new wave of Black design innovators. Chiweshe and Petit-Frère's connection was solidified during the development of Freedom Skate Park, Ghana’s inaugural recreational skate park. Their shared vision extends beyond this project, encompassing beliefs in the potency of design communities, the significance of serendipitous connections, and the practical application of these elements to develop tangible design solutions. Chiweshe addresses the exclusivity often present in the design world, acknowledging that the process, which is inherently instinctive, frequently marginalizes certain individuals. He emphasizes Alaska Alaska’s commitment to dismantling these barriers by empowering its team members to articulate their thoughts and encouraging those within their influence to do the same. This approach is crucial for fostering inclusivity and diverse perspectives within the design sphere. His personal experiences, from schooling in Hertfordshire to art school in London, reveal that his cultural background has often been considered an outlier. However, this background has also served as a steadfast 'anchor,' providing a unique lens through which new experiences are contextualized and understood. Chiweshe came to realize that design perspectives rooted in his heritage hold significant value and deserve the same recognition and esteem typically afforded to established figures like Le Corbusier. This realization underscores the broader theme of challenging conventional design hierarchies and embracing diverse cultural contributions. He argues that addressing complex issues within design requires 'intersectional solutions,' recognizing the interwoven nature of various social and cultural factors. Alaska Alaska’s work exemplifies this principle through its integration of both practical and theoretical approaches, which aim to uncover new design paradigms and make these changes tangible. The studio's efforts are pivotal in laying new design pathways for future generations, advocating for a re-evaluation of established design perspectives and values. Alaska Alaska serves as a crucial site where these transformative changes are actively taking place. Chiweshe also discusses his creative process, citing the concept of a ‘cutting room floor’ as a significant inspiration for a media piece. He views the elements typically discarded in the creative process as more important than the final product, seeking to present work in a state that is not yet finalized or conventionally showcased. This methodology involves displaying multiple pieces concurrently, allowing them to forge their own relationships and narratives. #SpatialDesign #BlackDesigners #DesignInnovation #CulturalHeritage #DesignCommunity #GhanaianDesign #LondonDesign #VirgilAbloh #IntersectionalDesign

James Baker's curiosity was piqued by a boxy building near the Baton Rouge Country Club, hidden behind a tall, vine-covered barrier, recognizing its departure from the traditional south Louisiana architectural style. One Sunday, he discovered the secluded home was for sale and scheduled an open house. This timing was serendipitous, as he and his wife, Marsha, had been contemplating building a new home. Upon visiting, they were immediately captivated by the property's design, which featured massive windows looking out onto a lush private garden and a dramatically designed pool. Within days, they made an offer on the house. The home’s appealing features—streamlined structural details, an open floor plan, ample space for art, and a seamless connection between indoor and outdoor living—are characteristic of the tropical modern architectural movement prevalent in Miami. The house, built a dozen years prior, reflected the original owner’s preference for this South Florida aesthetic. Consistent with tropical modern design, tall and wide windows and doors throughout the home offer expansive views of the landscape and water features. Polished marble flooring extends from the interior to the exterior, creating a cohesive and luxurious feel. The overall ambiance is Zen-like, filled with natural light, and conducive to relaxed living, offering a warmer interpretation of typical modernism. Despite their previous homes being more traditional, the Bakers found the contemporary vibe of this house perfectly suited for their extensive and growing art collection, which primarily consists of bold and abstract pieces. The home's empty white walls provided ideal gallery spaces for displaying art acquired during their travels, as well as works by Louisiana artists sourced through Ann Connelly Fine Art in Baton Rouge and Soren Christensen Gallery in New Orleans. For the renovation, the Bakers enlisted Todd Normand of Bernhard Normand Construction. The project involved relocating a bar nook in the main open room to a separate living area, adding a fireplace and bookshelves to the opposite side of the room, and redesigning the master bathroom to include a sleek vanity alcove. Designers Helaine Moyse and Patrick Tandy, long-term collaborators with the Bakers, helped integrate the couple’s existing classic furniture with new contemporary pieces. This blend is exemplified in the dining area, where an 8x8-foot abstract painting by Meredith Pardue is framed by Venetian glass sconces and paired with a weathered antique Spanish dining table. Marsha noted that the mix of antique and modern elements, encouraged by the designers, prevented the space from feeling overly contemporary, maintaining a sense of warmth. The existing kitchen, featuring contemporary glass, metal, and exotic wood cabinet panels, initially challenged Marsha’s preference for all-white kitchens. However, replacing the dark granite backsplash with a multi-hued linear version brightened the space, and she eventually grew to appreciate its unique style, especially noting James's enjoyment of cooking there. Marsha, alongside friends Stacey Davis and Stacy Johnson, recently launched Envy, a decorating firm that began with holiday décor and expanded into full-service design. Through Envy, Marsha sourced window treatments and other furnishings for their new home, adding personal touches to the already impressive structure. The couple also took on most of the landscaping themselves, incorporating ferns, elephant ears, and other tropical-inspired plants around existing palm trees, with some natural materials from Red Onion and additional trees from Steve Rowley of Hydro-Scapes. They enjoy working in the flowerbeds and spending evenings on their marble-floored porch, which remains shaded and comfortable, watching the sunset with their three dogs. The once-mysterious home has become a cherished, comfortable space for the Bakers. #ModernArchitecture #TropicalModernStyle #HomeRenovation #InteriorDesign #ArtCollection #OpenFloorPlan #OutdoorLiving #LouisianaHomes #BatonRouge

Fulcrum Studio, led by architect Husna Rahaman, has conceptualized and designed a unique office space in Bengaluru, aptly named 'The Cloud Office.' Spanning 7,000 square feet, the design diverges significantly from conventional office aesthetics, drawing inspiration from the ephemeral and fluid nature of clouds to foster creativity and unconstrained thinking among employees. The core philosophy behind the design is to create an environment where ideas can flow freely, unburdened by physical or mental limitations, mirroring the limitless possibilities suggested by clouds. A standout feature of 'The Cloud Office' is its 'floating walls.' These are not solid, floor-to-ceiling structures but rather angled planes that appear to hover above the ground, imparting a sense of weightlessness and openness. Crafted from a variety of materials with distinct textures and finishes, these partitions serve both functional and artistic purposes. They effectively delineate different zones within the office without creating a feeling of enclosure, thereby maintaining a connected and fluid environment reminiscent of cloud formations. The primary materials used for these walls include fabric glass and metallic surfaces, with a touch of antique gold on a wall strategically placed behind the reception desk, creating a striking visual impression upon entry. To further evoke the ethereal quality of clouds, the design incorporates foggy glass panels. These panels are not fully transparent but soften visibility, allowing light to filter through gently. This design choice aims to instill a sense of mystery and curiosity, akin to observing clouds from above, where just enough is revealed to spark imagination without full clarity. The interplay of light and transparency is a crucial element in achieving the desired ambiance. The flooring and ceiling treatments also contribute to the office's distinctive character. The flooring is kept raw, natural, and unpolished, mimicking the tactile sensation of natural earth. This deliberate choice creates a contrast with the refined upper elements, inviting occupants to experience a more primal and grounded connection to the space. The lighting scheme deviates from typical office illumination; instead of bright white light, a softer, warmer light (around 3000K) is used. While workstations are adequately lit to prevent eye strain, other areas feature more subdued lighting, creating intriguing shadows that mimic natural landscapes. The color palette, incorporating shades of grey, antique gold, lead, and silver, adds to the intriguing and sophisticated atmosphere. The CEO's cabin offers a blend of contrasting concepts and finishes. The desk, for instance, features a smooth, reflective surface, yet its shapes are inspired by the rugged boulders of Hampi. A unique architectural element in the cabin involves an existing column that has been softened and transformed into a contemporary Ganesha sculpture. This sculpture is ingeniously designed to straddle the original column and an additional quarter column that doesn't reach the ground, forming a sculptural and ephemeral focal point that serves as the primary artwork in the room. The overall material palette of the office thoughtfully combines matte surfaces, soft metallics, and translucent glass. This combination is intended to reflect and mimic the reflective and transient qualities of clouds. The dark flooring provides a grounding counterpoint, anchoring the seemingly weightless and fluid elements of the design. Ultimately, 'The Cloud Office' functions as a powerful metaphor for freedom, possibility, and boundless exploration, encouraging occupants to transcend the mundane and embrace creativity in their work. #BengaluruOffice #OfficeInteriorDesign #FulcrumStudio #CloudOffice #MetallicWalls #FloatingWalls #CreativeWorkspace #ModernOffice #ArchitecturalDesign

This article highlights the design of a contemporary and colorful home office in Greenwich, created by Cami Luppino and Alana Irwin, co-principals of Lulu Home. The design provides inspiration for home offices, especially in light of the increased prevalence of telecommuting. The entire home, built in the previous year, was designed for a repeat client, showcasing a clean and bold aesthetic that integrates seamlessly throughout the living spaces. The office, in particular, is visually significant due to its direct proximity to the foyer, necessitating both functionality and an exciting aesthetic moment upon entry into the home. The starting point for the office design was the custom built-in cabinetry. While appearing blue, these built-ins are actually a deep Nantucket green, chosen to reflect the homeowner's favorite color. These cabinets are adorned with brass accessories, which contrast effectively with the cabinetry's color, and are filled with books. Crucially, the built-ins are designed to conceal office essentials such as a printer and file cabinets, preventing clutter. They offer ample hidden storage, and all electrical cords are integrated, maintaining a tidy appearance. The rug in the office was specifically selected to complement the color of the cabinetry. Functionality and versatility were key considerations in the furniture selection. Luppino emphasizes the importance of creating multipurpose rooms, especially given the shift towards remote work. The homeowner primarily uses a laptop at her desk, and a strategically placed swivel chair allows her to easily transition between two distinct work surfaces. The office features a floating desk in the center of the room and a smaller desk integrated within the built-ins, creating two defined work zones that can accommodate more than one person. Additionally, two chairs placed opposite the main desk facilitate meetings, making the space more than just a personal workstation. The office benefits from abundant natural light streaming through two windows. A chain-link chandelier serves as a prominent decorative element above the desk. A triptych art piece depicting a horse, part of the homeowner's personal collection, was incorporated into the design, reflecting Luppino's preference for repeating forms in their spaces. The textured grasscloth wallpaper, featuring an embossed, grid-like pattern, complements the artwork. Irwin describes the overall design as a blend of "modern and traditional," emphasizing its glamorous and impactful qualities. The article concludes by providing a curated list of design elements and products used to achieve this look, including specific window treatments, rugs, wallcovering, a swivel chair, and the custom desk, along with their respective brands and websites. #HomeOfficeDesign #InteriorDesign #ModernTraditional #GreenwichHomes #CustomBuiltIns #LuluHome #OfficeInspiration #TelecommutingSpace

Alma-nac, a London-based architecture firm, undertook the renovation of Basing Street Rooms, a four-storey Victorian end-terrace house, transforming it into a long-stay hotel comprising guest suites for a record label. The design drew inspiration from the history of the recording studio across the street, abstracting elements from four specific record labels: Island Records, Stiff Records, ZTT, and Sarm. Instead of creating a direct archive, the architects aimed to distill the identity of each label into an abstract visual language, reinterpreting it within the context of the building's history and the functional requirements of the apartments. This approach resulted in a series of unique spaces, each associated with a particular label, while maintaining a common design thread throughout the hotel. Each of the four apartments, situated on separate floors, features a distinct colour theme influenced by record sleeve designs from the nearby studio's archive. All apartments share a similar layout, incorporating a combined living room and kitchen, a spacious bedroom, and a compact bathroom. Extensive rebuilding was necessitated by damage sustained during the Second World War, including the installation of a central plywood staircase, assembled off-site, on the ground floor. The lower-ground floor apartment is adorned with a navy, pale blue, and orange theme. The apartment on the floor above showcases herringbone patterns in shades of yellow, orange, and red in the hallway, extending through the front door. The kitchen in this unit features white cabinetry with red accents, and the wooden cupboards in the bedroom have bright orange-painted interiors. The orange and red herringbone pattern from the floor continues up the wall, encompassing the window seat. A red painted staircase leads to the first floor, with white lettering on each riser gradually spelling out song lyrics from top to bottom. A lighting installation consisting of clear glass bulbs suspended on red electrical cords hangs above this staircase. The first-floor apartment is characterized by shades of pink and red, featuring a glossy black kitchen unit, a dark chandelier, and a pink neon lighting installation on the living room wall. The top floor is decorated with a vibrant palette of bright yellow, white, blue, green, and pink. This apartment includes a yellow kitchen unit in the living space and a yellow lightning bolt tiled into the bathroom's shower wall. Externally, the building's brick frontage is painted blue with a red door and coloured window frames. A large mural on the external side wall depicts various artists who have recorded at the adjacent studio. The project utilized engineered parquet flooring, stained and arranged in detailed plans to define key activity areas within each apartment. Identifiable symbols and words from the record labels were abstracted and integrated into the design; for instance, the Stiff 'S' was reinterpreted as a pixelated lightning bolt, and the multiple misspellings of 'zang tumb tumb' formed a scrabble-board-like tile pattern in a bathroom. Alma-nac collaborated closely with the client and artists, incorporating a mural on the building's side and artwork directly onto internal walls, further embedding the studio's spirit into the hotel. The project successfully combined the building's historical context with a vibrant, music-inspired aesthetic, creating a unique and functional living space for visiting musicians. #ApartmentRenovation #LondonInteriors #HerringbonePatterns #ColourfulDesign #VictorianArchitecture #MusicInspiredDesign #BoutiqueHotel #InteriorDesign #AlmaNac

This article delves into the bold and unconventional interior design of a model home in Skye Isle at Covenant Hills in Ladera Ranch, which exclusively features a black and white color scheme. The residence, which sold for over $2 million, showcases a fearless approach to mixing textures, prints, and patterns within this strict monochromatic palette. The design concept was initiated by builder K. Hovnanian Homes, drawing inspiration from the colonial exterior of the home, which was adapted for Southern California living by William Hezmalhalch Architects. This adaptation involved traditional white clapboard siding contrasted with black-tiled roofs, softened by burnt sienna and brown bricks. Marni Duncan, founder and creative director of Model Home Source Inc., the firm responsible for the interior design, highlights the challenge of designing an entire home in black and white without the typical use of accent colors to add warmth. This was particularly demanding in an architectural context that leans more towards traditional and suburban aesthetics rather than urban and contemporary styles. Duncan’s goal was to achieve a "cosmopolitan without the hard edge" look. The article provides specific examples of how this theme was executed across various rooms. In the Foyer, a black-trimmed mirrored chest of drawers is paired with a ceramic umbrella stand featuring a Toile de Jouy print. The floor is an elliptical-shaped hall adorned with lattice-patterned wood and marble tiles, creating a striking entrance. The Living Room emphasizes drama with ink-black walls and white drapes. It includes a black baby grand piano, an L-shaped seating arrangement with a nailhead-trimmed black sofa, and two low black-framed chairs with soft white upholstery. These pieces are accented with throw pillows featuring grid and oversized tapestry-like patterns. Subtle touches of pewter, chrome, and silver in lamp bases, curtain rods, art frames, fixtures, and house plants provide metallic highlights rather than color. The Library presents a distinct contrast with a black ceiling, white walls, and white shutters, serving as a backdrop for a pair of zebra-print chaise longues. Deep-brown wood planks on the floors introduce a warm, natural break in the otherwise stark palette. The Kitchen incorporates warm woods, with cabinets finished in mahogany and a central island resembling a large butcher block in shades of dark and milk chocolate, maintaining the black and white theme while adding depth. The Master Suite features an elliptical sitting room, a "lovely little surprise," with vertically striped white drapes, elegant suede wingback chairs, and a white tufted silk ottoman, adding a touch of femininity. The article concludes by suggesting that individuals considering a similar black and white design for their own homes should view the color combination as a foundational narrative, akin to the artistic approach of Piet Mondrian. It proposes that incorporating an additional favorite color—such as pink, red, lime, yellow, cobalt, or orange—into each room could be the perfect way to complete the overall aesthetic and personalize the space, moving beyond the strict two-tone mandate to achieve a balanced and inviting environment. #HomeDesign #InteriorDecor #BlackAndWhite #MonochromaticScheme #LaderaRanch #ModelHome #CosmopolitanStyle #DesignChallenge

Urban Outfitters has collaborated with COAT Paints to introduce an exclusive collection of nine wall paint colors. This partnership brings together Urban Outfitters' youthful aesthetic with COAT Paints' commitment to eco-friendly formulations. The collection features a diverse palette, ranging from vibrant blues, pastel pinks, and a sunshine orange to neon green and various soft neutrals, designed to complement a wide array of interior schemes. The paints are formulated with a water-based, low-toxin, and solvent-free base, emphasizing sustainability. They are also vegan and cruelty-free, aligning with ethical consumer preferences. COAT Paints has achieved Carbon Neutral certification, further highlighting their dedication to environmental responsibility. The collection offers two finishes: a matt emulsion, priced at £40, and an eggshell finish, available for £25. The eggshell finish provides a moisture-proof soft sheen, making it suitable for areas like bathrooms, while the matt finish offers enhanced durability for other spaces. To facilitate color selection, sample stickers are provided, allowing customers to easily test shades on their walls before committing to a purchase. Rob Abrahams, Co-Founder of COAT Paints, expressed enthusiasm for the collaboration, noting that the new colors reflect a daring and purposeful edit with a distinct nod to 70s vintage styles, perfectly embodying the Urban Outfitters brand and its customer base. He also underscored the shared values between the two brands regarding sustainability, conscious manufacturing, and innovative product development, such as the Peel & Stick swatches that cater to Urban Outfitters’ fashion-forward audience. The article also provides an extensive list of 31 living room wallpaper ideas, offering readers diverse inspiration for decorating their homes. These ideas span various styles, from fresh floral prints and abstract designs to subtle ombré effects, geometric patterns, and rich botanical motifs. Specific suggestions include using wallpaper to create feature walls, paneling, or even to back shelves, transforming them into decorative elements. The recommendations also touch on practical considerations, such as using striped wallpaper to create the illusion of taller ceilings or opting for smaller, calming patterns for tranquil interiors. The featured wallpaper designs highlight different brands like John Lewis, Graham & Brown, Dunelm, Farrow & Ball, Little Greene, Woodchip & Magnolia, MINDTHEGAP, Paper Library, Cole & Son, Wallsauce, Nat Maks, Forest Homes, Elizabeth Ockford, I Love Wallpaper, Abigail Edwards, Scion, The Curious Department, and Mini Moderns, showcasing a broad spectrum of textures, colors, and artistic expressions. Themes range from rustic and tranquil scenes to glamorous touches and optical illusions, providing comprehensive inspiration for interior redecoration. #UrbanOutfitters #COATPaints #HomeDecor #WallPaint #EcoFriendly #InteriorDesign #PaintCollection #SustainableProducts #ColorTrends

The article presents a curated selection of Black-owned home decor items to refresh and revitalize living spaces for the spring season. Emphasizing the transition from 'old to new,' the piece suggests adopting brighter and fresher color palettes to open up spaces and introduce a new ambiance. Rather than undertaking a complete redecoration with new furniture, the focus is on incorporating unique and colorful decor items to provide a 'face-lift' without significant financial outlay. The featured items range from statement vases and classic glassware to accent pillows, all sourced from Black-owned businesses. The article highlights several specific products and their respective brands. The Oma Shop's Handblown Hammered Glass Serving Tray is presented as an item that elevates serving with its vibrant colors and distinct hammered texture. Dressing Rooms Interiors, founded by Ariene Bethea, is noted for its unique artisan decor, with a ceramic hand-painted bowl highlighted for adding splashes of color to a dining table. Expedition Subsahara, established by Senegalese American Sofi Seck, aims to introduce African decor, exemplified by its delicate Xalissa Lidded Basket, which is suggested to bring culture and texture into a home. Estelle Colored Glass offers champagne coupe stemware designed to enhance bar carts or china cabinets with its dazzling appearance. Bolé Road Textiles, created by New York-based Ethiopian interior designer Hana Getachew, showcases her heritage through items like a beautifully designed pillow, intended to brighten living rooms and couches. Lastly, Yowie’s Flat Vase is described as a unique piece with a hammered texture and sophisticated matte glaze, offering a contemporary aesthetic. Each item is presented with its availability and price. The article positions spring as an ideal time for home redecoration and revitalization. It underscores the importance of supporting Black-owned businesses by showcasing their contributions to the home decor market. The selection of products collectively demonstrates how small, impactful changes in decor can significantly alter the mood and appearance of a space. The recommendations are designed to be accessible, offering stylish solutions for updating home interiors without requiring extensive renovations or large-scale purchases. This approach allows readers to infuse their homes with fresh energy and personal style while championing diverse entrepreneurs. #BlackOwnedBusinesses #HomeDecor #InteriorDesign #SpringRefresh #ArtisanDecor #Lifestyle #Shopping

Black paint, often unfairly dismissed as oppressive, is gaining recognition as a versatile and dramatic interior design element. Far from being dingy, when applied correctly, black paint can infuse a room with a refined and sophisticated ambiance, making it a trending choice among interior designers. The article showcases five distinct examples of how black paint can be incorporated tastefully into a home, moving beyond the misconception that it's too dark for residential spaces. The first example highlights a luxurious living room designed by Far Studio, where black walls create a striking contrast with brassy, neutral accents. Interior designer Brittany Hakimfar emphasizes that the Farrow & Ball 'Off-Black' paint adds depth to the room, beautifully complementing custom-designed drywall niches and original reclaimed wooden beams. The combination of black walls with luxurious ochre velvet on the sofa and subtly patterned pillows elevates the space, creating a moody yet thoughtful atmosphere. The second illustration features a dining room by Jessica Gersten Interiors, where black plaster walls serve as a dramatic backdrop for statement gold artwork and accompanying gold accents. This design demonstrates how black can make other elements pop, showcasing its effectiveness in highlighting specific decor. The use of plaster for the walls ensures an earthy feel, avoiding a stark black appearance. Thirdly, a cozy study designed by Susannah Holmberg Studios employs 'Training Wheels from Portola Paints,' a 'black espresso tone,' to create a haven for deep focus. The deep, atmospheric color helps to drown out external distractions, cultivating an ideal work environment. This choice contrasts with other lighter spaces in the home, providing a distinct mental shift for the homeowner when entering the office. The fourth example presents a moody living room that evokes the glamor of a 1950s Golden Age Hollywood mansion, yet remains contemporary. Here, Benjamin Moore 'Temptation' is used to create a dramatic, enveloping black shade that, when combined with wood finishes, delivers a classic and rustic feel, transforming the space into a showstopper. Finally, a tranquil home office showcases a slightly blue-tinged black, 'Deep River by Benjamin Moore,' offering a subdued alternative to a true black. This matte near-black provides a less intense option for those exploring darker wall colors, contributing a calming and elegant touch. Ginger Curtis of Urbanology Designs explains that black with blue undertones creates a serene and sophisticated addition to the home, making it an excellent choice for a library or a calming workspace. These examples collectively argue that black paint, in its various undertones and applications, can transform interiors by adding drama, sophistication, and a sense of coziness, challenging conventional perceptions and encouraging its use in modern home design. #InteriorDesign #WallPaint #BlackWalls #HomeDecor #DramaticInteriors #PaintColors #ModernDesign #LuxuryInteriors #DesignTrends

This article details the transformation of a 1,700-square-foot loft in a century-old industrial building in Brooklyn, New York. Designed by Hormuz Batliboi of Batliboi Studio for Valerie Tsvetkova, the two-bedroom, two-bath residence blends historic industrial elements with a modern, playful aesthetic. The design process began by embracing the loft’s original character as a former manufacturing site. Hidden timber beams and steel joints, discovered during renovation behind a dropped ceiling, were intentionally exposed and integrated into the design, serving as visual anchors and contributing to the space’s authentic industrial feel. Initially, the loft presented challenges typical of converted spaces, including disjointed utilities and an inefficient kitchen layout. Batliboi addressed these issues by centralizing the utility infrastructure and strategically raising the floor in certain areas. This thoughtful alteration enabled a seamless integration of the kitchen into the heart of the home, optimizing both functionality and flow within the space. The renovation showcases an innovative approach to spatial planning, turning initial limitations into design opportunities. A prominent feature in the main living area, particularly the dining room, is a 15-foot sculptural shelf. This piece, characterized by its green, wave-like ripples, is constructed from layers of CNC-milled wood and precisely color-matched to the client’s existing pendant lights. It functions as both a practical sideboard and an artistic focal point, demonstrating the designer’s ability to merge utility with aesthetic appeal. This bespoke element adds a unique and dynamic visual texture to the loft, embodying its playful aesthetic. In the kitchen, the design combines sleek stainless steel countertops with brass accents and natural stone, creating a sophisticated yet warm ambiance. Rather than fully custom cabinetry, Batliboi utilized a flat-pack system from REFORM, carefully customizing it to achieve a high-end, built-in appearance. This cost-effective approach allowed for a luxurious aesthetic without excessive custom work, reflecting a sustainable design mindset. The integration of diverse materials and strategic use of pre-fabricated components contribute to the loft's refined industrial charm. The bathrooms feature contrasting material palettes to enhance the home’s eclectic character. One bathroom presents a moody design with deep black zellige tiles, matte black flooring, and a bold granite shower, amplified by natural light from an industrial window. Other areas incorporate a mix of penny tile and marble, providing a tactile and visual contrast. These carefully selected materials and custom fabrications, combined with clever spatial solutions, ensure that the home feels personalized, thoughtfully designed, and genuinely lived-in, successfully merging industrial edge with a playful modern aesthetic. #BrooklynLoft #IndustrialDesign #ModernAesthetic #InteriorDesign #BatliboiStudio #ResidentialArchitecture #CustomFabrication #SpatialPlanning