An Urban Hotel Inspired by Hong Kong’s Maritime and Industrial Era

The Maker Hotel, a boutique establishment in Hudson, New York, is the creation of Lev Glazman and Alina Roytberg, co-founders of the skincare brand Fresh, and hospitality expert Damien Janowicz. This 11-room hotel is designed to embody an "old-world bohemian glamour" by integrating original decor features and a collection of vintage treasures. The hotel's concept revolves around celebrating craftsmanship and providing guests with inspiring and unique spaces. Glazman emphasized the desire to expand the hospitality experience by offering a dream-like atmosphere, a vision that he believed was perfectly suited for Hudson due to its rich artisan community, history, and design scene. The hotel's design intentionally moves away from standardized aesthetics, instead harmoniously blending various periods and styles to create an eclectic feel. Physically, The Maker Hotel is a complex of three historical buildings: a Georgian mansion, a Greek revival-style property, and a carriage house, all dating back to the early 1800s. Extensive construction was undertaken to connect the different rooms across the 14,000-square-foot (1,300 square meters) property. New structural additions include a central courtyard filled with lush greenery and a 'jewel box'-like conservatory, which now serves as the hotel's main restaurant. The interior design, largely overseen by Glazman, prioritized the preservation of original architectural elements. This involved retaining ornate fireplaces, hand-painted ceilings, stained-glass windows, and tiled mosaic flooring. Over 70% of the decorative items are either antique or custom-made, incorporating salvaged objects, with some artworks even sourced from Glazman's personal collection. This approach contributes to the hotel's distinct aesthetic, characterized by an unexpected fusion of global design influences acquired over decades of travel. The guest accommodations are categorized into five types: The Bedrooms, The Terrace Lofts, The Corner Studio, and The Maker Studios. Each of The Maker Studios is individually themed, drawing inspiration from different creative professions such as an architect, artist, gardener, and writer. For instance, The Artist room features a vintage easel, and The Writer room is adorned with book-lined shelves surrounding an oak fireplace. Beyond their rooms, guests have access to amenities including a pool, a cafe, and an intimate cocktail bar. The Maker Hotel joins a growing trend of getaway destinations outside Manhattan, offering a retreat from the city's fast pace. Another example mentioned is The Hoxton in Williamsburg, Brooklyn. Photography for The Maker Hotel was carried out by Francine Zaslow. #BoutiqueHotel #HotelInteriors #EclecticDesign #VintageDecor #HudsonNewYork #HistoricBuildings #Craftsmanship #HospitalityDesign

The SO Sofitel Bangkok presents itself as a leading fashion-forward lifestyle hotel in Thailand, distinguished by its unique design collaboration with world-renowned fashion designer Monsieur Christian Lacroix and five prominent Thai designers. This urban luxury hotel offers a modern blend of Eastern and Western aesthetics, catering to style-conscious travelers. Monsieur Christian Lacroix's influence is evident throughout the property, from the staff uniforms and the hotel’s logo to the executive lounge, which features modernist artwork, vibrant furniture, and panoramic city views. The hotel's elegant rooms are categorized according to the five elements of Chinese culture, with each element's design concept executed by a different local artist. For instance, metal-themed rooms are characterized by brilliant white interiors, while water-themed rooms adopt rich, dark, and intimate palettes to evoke an underwater sensation. Earth suites offer a more unconventional design, resembling ancient grottoes with deep blue walls adorned with sketches of mammoths and other exotic animals. Beyond its distinctive accommodations, SO Sofitel Bangkok offers a diverse culinary experience. The hotel hosts a traditional street market-style food hall with live cooking stations, a sophisticated rooftop restaurant, and a boutique chocolate café. The award-winning Park Society restaurant is noted for its creative cuisine and unparalleled views of Lumpini Park, while Chocolab serves chocolates from Bonnat, one of the world’s oldest chocolatiers based in France. The hotel also boasts a prominent rooftop infinity pool in Bangkok, offering panoramic views over Lumpini Park. The SO Sofitel Bangkok aims to set a new standard for luxury leisure hotels in the city by seamlessly integrating style and elegance into its overall design and guest experience. The property's commitment to a design-led approach, combined with its unique artistic collaborations and diverse amenities, positions it as a notable destination in Bangkok's hospitality landscape. #HotelDesign #Bangkok #LuxuryHotel #InteriorDesign #FashionForward #ChristianLacroix #LifestyleHotel #ArchitecturalDesign #Hospitality

The San Francisco Proper, a luxury hotel located in the city's Mid-Market neighborhood, showcases the interior design prowess of Kelly Wearstler, often referred to as "the presiding grande dame of West Coast interior design" by The New Yorker. Wearstler was responsible for the interior public areas, restaurants, and guest rooms of the 131-room boutique hotel. The historic building, originally constructed in 1926 by architect Albert Pissis, features a facade of brick, stone, and terracotta. It was recently repurposed by the local firm Hornberger + Worstell into its current hotel iteration. Wearstler's design concept for the hotel revolves around a narrative of a bohemian woman. She envisioned the hotel as the home of this sophisticated individual, creating a series of living rooms that invite guests to linger in an eclectic, artful salon. This imaginative backstory adds a layer of character and intimacy to the hotel's ambiance, suggesting a sense of awaiting its intriguing inhabitant and her black cat, Charmaine. The aesthetic draws from various eras, blending contemporary sensibilities with old-world charm. Wearstler curated a collection of custom furniture, fabrics, lighting, and wallcoverings, complementing them with vintage pieces sourced from Paris, Milan, and San Francisco. This meticulous selection injects historical depth and a vibrant, modern feel into each space. The lobby salon exemplifies this approach, featuring unique artwork and furnishings arranged to evoke a residential setting. Art plays a significant role, with paintings by local artists such as Joe Ferriso and Jonathon Anzalone displayed prominently in the lobby. In the guest rooms, Wearstler’s innovative use of patterns is evident; she combines four different patterns to modernize classic designs, adding depth and dimension. She designed 32 original patterns exclusively for the hotel, drawing inspiration from vintage graphics across Europe. This diverse mix of textures and natural materials harmonizes with the original building's patina, introducing a touch of modern wit and comfort. The intimate dining room further showcases this fusion of styles, furnished with elements from an array of modernist designs. Throughout the hotel, thoughtful details abound. For instance, the bathrooms integrate different colored tiles on floors and walls for visual contrast. The guest rooms are distinguished by rich, warm oak floors, and some even feature stylish bunk beds, catering to families. Wearstler's overarching goal was to create an updated version of a European salon, a hotel that offers a residential atmosphere reminiscent of the comfortable, artful living spaces of the past. The San Francisco Proper stands as a testament to her vision, seamlessly marrying historical grandeur with a distinctly bohemian, contemporary spirit. #HotelDesign #InteriorDesign #BoutiqueHotel #SanFrancisco #KellyWearstler #BohemianStyle #VintageModern #LuxuryTravel #HospitalityDesign

The 'Hi Sea Floating Hotel,' envisioned as a 'floating island,' is situated 500 meters (1,640 feet) off the coast of China's southern Fujian province, near Dongshan Island in Zhangzhou City. This unique project, designed by Balance Design and led by Dong Xinmeng, provides guests with unobstructed views of the ocean, along with spectacular sunrises and sunsets. The remote marine location necessitated careful consideration of various environmental factors, including prevalent ocean currents and seasonal monsoons, to ensure the structural integrity and guest safety. The design team drew inspiration from traditional fish rafts to develop a robust system that guarantees the hotel's buoyancy. A critical aspect of the engineering focused on enabling the structure to withstand severe weather conditions, particularly hurricanes. The roof of the hotel is constructed from advanced, corrosion-resistant materials, similar to those employed in airport terminals and luxury yachts, ensuring durability in the harsh marine environment. The outdoor deck features weather-resistant flooring, which not only offers a texture akin to solid wood but also boasts environmental friendliness and fire protection properties. Electrical power for the entire facility is supplied through submerged cables, a testament to the thoughtful planning for its offshore existence. Inside, the hotel spans a total area of 500 square meters (5,382 sqf), comprising a shared living space, a fully equipped kitchen, and three individual guest rooms. The interior design emphasizes simplicity and a minimalist aesthetic, predominantly utilizing wooden tones throughout the spaces. Large openings are strategically incorporated to maximize the panoramic views of the surrounding water, creating an immersive experience for guests. Various seating arrangements, including comfortable couches and dedicated dining areas, are available, providing versatile options for individual relaxation or communal gatherings. Beyond the indoor amenities, guests have the opportunity to engage in activities such as fishing directly from the deck or unwinding in a specially integrated pool within the outdoor deck area. The project underscores an innovative approach to architectural design in challenging environments, combining aesthetic appeal with functional resilience. Completed in 2020, the 'Hi Sea Floating Hotel' represents a successful integration of modern living with natural surroundings, offering a unique remote retreat experience. The comprehensive design addresses both the comfort and safety of its occupants while harmonizing with the dynamic coastal landscape. Photographer Xia Zhi captured the essence of the project through a series of evocative images. #FloatingHotel #Architecture #BalanceDesign #DongshanIsland #CoastalLiving #SustainableDesign #HotelArchitecture #MarineEnvironment #RemoteResidences

The Mr. C Coconut Grove Hotel in Miami, Florida, is a luxury boutique hotel designed by Arquitectonica and Martin Brudnizki. The hotel is a creation of Ignazio and Maggio Cipriani, who drew upon their family's extensive history in the hospitality industry to establish a new upscale destination in Miami. The design concept for the hotel is deeply rooted in nautical aesthetics, influenced by coastal Italian culture and the sleek, sophisticated interiors of yachts. This thematic approach is evident throughout the property, from its architectural details to its interior furnishings. Key design elements include the prominent use of high-gloss timber and lacquer detailing, which evoke the polished finishes often found on marine vessels. These materials are seamlessly integrated with mid-century Italian furnishings, creating a blend of classic elegance and modernist architectural style. The hotel's architecture and interior design work in harmony to transport guests to a setting reminiscent of luxurious Italian coastal living, infused with a contemporary Miami sensibility. The six-story structure houses 100 meticulously designed guest rooms, each reflecting the hotel's distinctive nautical and Italian-inspired theme. Beyond its aesthetic appeal, The Mr. C Coconut Grove Hotel also features a range of premium amenities. A notable highlight is the rooftop pool area, which offers private cabanas, providing an exclusive and relaxing retreat for guests. The hotel also boasts two signature Italian dining establishments, further enhancing the immersive culinary experience aligned with its Italian heritage. These restaurants are designed to offer a taste of authentic Italian cuisine within a refined atmosphere. Sustainability is a significant aspect of the hotel's construction and operation. The property has achieved gold-level LEED certification, indicating its commitment to environmental responsibility. This certification highlights the hotel's efforts in implementing sustainable practices, including the use of green energy-efficient lighting throughout the premises. The focus on sustainability demonstrates a forward-thinking approach, combining luxury with ecological consciousness. Overall, The Mr. C Coconut Grove Hotel stands as a testament to sophisticated design, drawing inspiration from rich family history and specific cultural influences. Its blend of nautical aesthetics, mid-century Italian design, and modernist architecture creates a unique and luxurious experience for visitors, complemented by high-end amenities and a dedication to environmental sustainability. #HotelDesign #NauticalAesthetics #MiamiArchitecture #ItalianDesign #LuxuryHospitality #SustainableDesign #BoutiqueHotel #MidCenturyModern #InteriorDesign

The Nanxi Happy Pastoral Wild Hotel Tree House, located in Nanxi District of Yibin City, China, represents the second iteration of a successful treehouse product design by WH studio. This project follows the highly acclaimed Xianghu Treehouse in Hangzhou Senbo Resort Hotel, built in 2019, which quickly recouped its construction costs and gained significant media attention, both domestically and internationally. The success of the initial project, even being featured on My Modern Met, provided a strong foundation and a proven model for this new development in Yibin. The Nanxi treehouse maintains the core philosophy of its predecessor: offering guests an immersive experience in nature. The design emphasizes a connection with the surrounding environment, drawing inspiration from Tagore's 'Stray Birds' to create spaces that feel integrated with the natural landscape. Architects from WH studio, led by Wang Hui, developed a design that harmonizes with the picturesque setting, characterized by the use of natural materials and innovative structural solutions to elevate the accommodations among the trees. The hotel, covering an area of 1689 m², was completed in 2024. Key design elements likely include elevated structures that minimize ecological impact, large windows and balconies to maximize views and natural light, and interiors that blend rustic charm with modern amenities. The project aims to replicate the commercial and critical success of the Xianghu Treehouse by providing a unique hospitality experience that appeals to those seeking tranquility and a close relationship with nature. The project team involved collaborators such as Ding Chuhua, Liu Mengman, Ye Zichao, and Ye Yunfan, with construction drawing by Hu Bin, Zhou Li, Wang Yinan, and Ou Zhi, and project consultation by Zeng Piao and Tang Ting. The client for the project was Yibin Nanxi Xianyuan Cultural Tourism Development Co., Ltd. The project signifies a growing trend in sustainable and experience-driven tourism, particularly within the hospitality sector in China. By focusing on unique architectural forms and integration with nature, these treehouse hotels offer an alternative to conventional accommodations, attracting a diverse clientele interested in eco-tourism and distinctive travel experiences. The economic viability demonstrated by the first treehouse project suggests a strong market demand for such innovative designs, encouraging further development in this niche. Overall, the Nanxi Happy Pastoral Wild Hotel Tree House project showcases WH studio's expertise in designing culturally and environmentally sensitive hospitality structures. It builds upon a successful precedent, adapting the concept to a new location while retaining the essence of an intimate, nature-connected retreat. The design considers both aesthetic appeal and practical functionality, contributing to the evolving landscape of architectural innovation in the tourism industry. #HospitalityArchitecture #Hotels #TreehouseDesign #SustainableTourism #ArchitecturalInnovation #YibinChina #WHStudio #CulturalTourism

The Manner, a new hospitality concept by Standard International in SoHo, New York, aims to merge elements of a hotel, private residence, and members’ club. This establishment, designed by architect Hannes Peer in collaboration with Standard International's in-house team and chief design officer Verena Haller, is Peer's first hotel project. His design philosophy for The Manner draws inspiration from Aldo Rossi's concept of cities carrying layered memories, which he translated into a rich and varied material palette and a sense of curated intimacy throughout the space. The hotel is situated on a quiet street in SoHo, surrounded by local restaurants, coffee shops, boutiques, and various stores. This vibrant neighborhood served as a key reference point for Peer, who sought to emulate its diverse textures, colors, and styles within the hotel's interior. The lobby exemplifies this approach with its blend of marble, metal, leather, wood, ceramic, and cement. Notable artistic additions include a hand-glazed terracotta frieze by Giovanni De Francesco and a sculptural piece by Nicholas Shurey. The second-floor area, known as the Apartment, further showcases the hotel's unique design elements. It features a glossy cork ceiling, columns adorned with textured ceramic reliefs by Ben Medansky, and an elevator wall covered in over 5,000 bubble-like tiles, a subtle homage to Giò Ponti's Parco dei Principi. The 97 rooms and suites are characterized by a bold color scheme, incorporating jewel tones such as mango walls, lipstick-red headboards, and ultramarine closets. Custom furnishings are prevalent, and some rooms include serpentinite green or muted chartreuse sofas or banquettes, with the two-story terrace penthouse featuring rich red lacquer and velvet accents. The design emphasizes warmth and human connection, fostering an environment where guests feel like they are stepping into a series of curated, intimate residences rather than a conventional hotel. This vision is reflected in the absence of televisions in rooms and a traditional check-in desk, prioritizing privacy and a strong sense of intimacy. The Apartment space is designed for guests and their friends to relax and socialize, particularly during aperitivo hour. A rooftop lounge offering skyline views is also planned to open in the spring, adding another dimension to the guest experience. Beyond the guest accommodations, The Manner integrates various dining and social spaces. Chef Alex Stupak oversees The Otter, a ground-floor all-day restaurant featuring an international seafood menu, including lobster rolls, specialty cocktails, and scallop crudo. The restaurant's interior is distinguished by a large mural by Spanish muralist and architect Elvira Solana. Another highlight is Sloane’s, a moody bar on the second floor, which is described as Verena Haller's favorite space. Sloane's boasts a collection of art, lighting, furniture, and fabrics gathered from global travels, with an alcove decorated with gold leaf. This bar offers a unique take on classic New York dishes and cocktails, such as chicken nuggets and dirty martinis with caviar. Overall, The Manner aims to provide a distinctive hospitality experience in New York City, combining thoughtful design, diverse materials, artistic collaborations, and a focus on creating a welcoming and inclusive atmosphere that blurs the lines between a hotel, a private home, and a social club. #NewYork #SoHo #HospitalityDesign #HotelArchitecture #InteriorDesign #BoutiqueHotel #LuxuryTravel #HannesPeer #StandardInternational

The Hari Hong Kong, a distinguished hotel that recently received an award, was brought to fruition under challenging circumstances during a global pandemic. Interior designer Tara Bernerd, based in London, spearheaded the project remotely from lockdown, utilizing video calls and WhatsApp to oversee the final stages of design and preparation for its December 2020 opening. Despite not having physically visited the completed hotel, Bernerd's team emphasized a flexible design approach and a strong connection with nature in their work. Bernerd's collaboration on The Hari Hong Kong marked her second project with hospitality businessman Aron Harilela, following a successful prior engagement. The onset of the COVID-19 pandemic presented unforeseen obstacles, transforming the execution of the project into a blend of exhilaration and heartbreak. Anticipating the global spread of the virus, Bernerd proactively closed the London headquarters of Tara Bernerd & Partners (TB&P;) in February 2020, even before many other businesses in Britain. This decision necessitated a rapid shift from frequent international travel to a fully remote operational model for her and her team. The transition to remote work involved extensive use of digital communication platforms, particularly Zoom, to manage and coordinate the project. Bernerd credits her team's adaptability and quick reaction to the changing global landscape for successfully navigating the complexities of completing a large-scale project amidst widespread lockdowns. The primary challenge became maintaining design integrity and execution quality without the ability for in-person oversight, pushing the boundaries of traditional interior design processes. The project serves as a testament to the resilience and innovative spirit required to deliver high-quality design work under extraordinary constraints. Although the article provides a detailed account of the remote design process, it does not offer specific details about the materials used, the color palette, or particular design elements that contribute to the flexible design or the connection with nature. However, it implicitly suggests that the design incorporates elements that would resonate with a sense of calm and adaptability, given the challenging context of its creation. The successful opening and subsequent award for The Hari Hong Kong validate the effectiveness of Bernerd's remote design strategy and her team's commitment to their vision, despite geographical separation. #HotelDesign #InteriorDesign #RemoteWork #TaraBernerd #HongKong #LuxuryHotels #PandemicDesign #TravelAndLeisure #AwardWinningDesign

Copenhagen, a city known for its influential design landscape and progressive policies, has witnessed the opening of Hotel Hans by Brøchner Hotels, a 91-key boutique accommodation positioned to redefine the hospitality experience. Located between the vibrant Nørrebro and the more established Frederiksburg neighborhoods, this hotel deliberately moves away from the prevailing 'hygge' aesthetic, offering an elevated and sophisticated urban escape instead of a 'home away from home'. The design philosophy at Hotel Hans embraces a bold departure from the typical subdued Scandicore style, characterized by light-toned woods and whitewashed walls, which are often associated with Copenhagen's design trends. Upon entering, guests encounter a theatrical interplay of contrasts, featuring layers of textured marble that evoke a Milanese design sensibility. Concrete walls are paired with sleek stone, and a color palette of deep greens and black accents dominates the common areas and guest rooms. While the hotel generally steers clear of traditional Danish design tropes, it subtly incorporates site-responsive elements, such as a sparing use of wooden details and verdant tones in homage to Frederiksburg's tree-lined streets. This thoughtful integration ensures that while the design is distinct, it still acknowledges its local context. The hotel’s public spaces, including the lobby bar and the Mediterranean-inspired BOLO restaurant, are designed to create a dynamic atmosphere for both guests and locals. As one moves from these vibrant public areas to the private accommodations, the cohesive design scheme of dark grays and deep greens becomes somewhat tempered. Guest rooms and suites introduce elements like mustard yellow in armchairs and desk chairs, and darker-toned woods in built-in cabinetry and desks. Metallic finishes in coffee tables and bathroom vanities add a contemporary touch, balancing the reflective surfaces of floor and ceiling tiles. Many deluxe rooms offer private balconies, while select suites feature expansive 360-degree rooftop views of Copenhagen's skyline, blending picturesque old-world charm with architectural innovation. Hotel Hans is housed within a red brick building dating back to the early 1900s, originally designed by Emil Blichfeldt, who also contributed to the iconic Tivoli Gardens. This historic setting provides a unique architectural foundation for the hotel’s modern interior. The hotel’s unique offerings extend beyond its visual design to its 'soft product' propositions. These include the 'Vermouth Vibes' experience, which starts with a comprehensive 'Good morning it’s Organic' breakfast spread. In the evenings, the ground-level public venues transform into a lively 1980s-inspired cocktail lounge, specializing in various types of martinis. This blend of sophisticated design, historical architecture, and unique guest experiences positions Hotel Hans as a distinctive destination in Copenhagen, offering a fresh perspective on urban hospitality that consciously moves away from the comfort-centric 'hygge' concept. #HotelDesign #Copenhagen #BoutiqueHotel #InteriorDesign #Hospitality #DanishDesign #ModernArchitecture #LuxuryTravel

The Municipal Grand, a new boutique hotel from Midnight Auteur, a hospitality brand co-founded by the creators of Death & Co. cocktail empire and the Ramble Hotel in Denver, opened in Savannah, Georgia, on July 9. The hotel is housed in the former First Federal Savings and Loan Association building, a midcentury modern structure dating back to 1961, located in the city's historic district between Leopold’s Ice Cream and the Marshall House. Alex Day, Midnight Auteur's chief operating officer, stated that the building's unique character and Savannah's vibrant energy made it an ideal location for their first hotel venture. The hotel features an “all-day” lobby bar, the Municipal Bar, which serves as a communal gathering space for both hotel guests and the public, offering cocktails and an all-day restaurant menu. Later in the year, a more intimate basement bar is scheduled to open. The building's original blue tilework was incorporated into the interior design by AAmp Studio, in collaboration with Lynch Associates Architects and Ward Architecture + Preservation. The design team embraced the tilework, which Day initially questioned, showcasing a blend of the building’s midcentury heritage with modern aesthetics. Hotel guests have exclusive access to a rooftop pool and the Sun Club, a lounging area with panoramic views of Savannah, including church steeples, theater marquees, and cargo ships. This rooftop area is designed for relaxation and offers warm-weather cocktails, particularly at sunset. The guest rooms, totaling forty-four, feature plush minibars with arched millwork, marble tops, and a curated selection of spirits and coffee. Some rooms also include private terraces overlooking Broughton Street, further enhancing the guest experience. The bathrooms in the guest rooms are designed with handmade Moroccan tiles and red marble vanities, adding to the luxurious feel. The hotel's emphasis on both public and private spaces aims to integrate it into the local community while providing an exclusive experience for its guests. The Municipal Grand is positioned as a significant addition to Savannah's hospitality landscape, offering a blend of historic preservation and contemporary design. #SavannahHotel #MunicipalGrand #BoutiqueHotel #HotelDesign #MidcenturyModern #SavannahTravel #LuxuryHospitality #RooftopPool #CocktailBar

Hotel Hotel, a new boutique accommodation offering in Canberra's New Acton precinct, is the result of an extensive collaboration involving over fifty designers, architects, and artists. Located within Nishi, a mixed-use building, the hotel aims to transcend the sum of its individual design elements by engaging with complex urban systems, emphasizing diversity, sustainability, urbanism, arts patronage, and community development. The dramatic entry experience features a staircase designed by March Studio, constructed from more than 2,150 pieces of recycled timber. This intricate design element provides a striking contrast of rustic and baroque, high-tech and low-tech, and represents the project's multifaceted approach. The developer, Molonglo Group, intentionally fostered a pluralistic design process, believing that multiple voices and creative input, even if initially messy, lead to a richer and more challenging outcome. The hotel lobby, described as vaguely subterranean, showcases custom-developed furniture and objects by Broached Commissions and designers like Lucy McRae, Adam Goodrum, and Charles Wilson, alongside curated mid-century pieces by room designer Don Cameron. While Fender Katsalidis Architects and Japan’s Suppose Design Office designed the Nishi building, and March Studio was responsible for the lobby, the various design strands successfully integrate into a cohesive guest experience. Molonglo Group and Don Cameron collaborated to establish a sensibility for the hotel, drawing inspiration from the romantic ideal of the Australian shack. This concept translates into a focus on authenticity and sustainability through the use of enduring, quality materials and vintage furnishings. The aim was to create hotel rooms that feel like a home – inviting, tactile, and designed to age gracefully, similar to a cherished leather jacket or pair of shoes. The lobby features expressed materials like lightly finished timber and raw concrete, while the rooms offer textured surfaces, autumnal colors, and carefully tempered lighting to evoke a sense of being transported. Beyond its interior aesthetics, Hotel Hotel's genius lies in its holistic understanding of urban ecology. Situated above 220 private apartments, the hotel's lobby functions as a semi-public arcade with a cafe-bar and retail tenancies, supporting the amenity for both hotel guests and permanent residents. The Nishi building also houses a cinema and a 6-Star Greenstar office, providing recycled water and other services to its neighbors, further integrating the hotel within a broader sustainable and community-focused environment. The Molonglo Group emphasizes breaking down traditional boundaries of development to create truly great places that benefit the entire neighborhood. Through the work of numerous skilled individuals, Hotel Hotel is characterized by meticulous design and subtle details. However, it is the Molonglo Group’s deep appreciation for the intricate systems that define successful urban environments that truly elevates the project, allowing it to surpass the individual excellence of its components and contribute significantly to Canberra’s burgeoning New Acton precinct. #HotelDesign #Hospitality #InteriorDesign #SustainableDesign #UrbanDevelopment #ArchitecturalCollaboration #CanberraArchitecture #RecycledMaterials #BoutiqueHotel

In Situ & Partners, an international architectural and interior design firm, developed a sophisticated pied-à-terre in Hong Kong Central, featuring panoramic city views. The project integrates Japanese design principles with contemporary elegance, emphasizing a minimalist aesthetic. Yacine Bensalem, Principal at In Situ & Partners, highlighted that the "less is more" philosophy of Japanese design guided the project, resulting in a space defined by clean lines, natural materials, and a calming neutral color palette. The 2000-square-foot apartment offers a tranquil atmosphere from the moment of entry. The residence's primary living area is an expansive T-shaped space, thoughtfully divided into a dining room, living room, and a traditional tatami tea room. This layout facilitates distinct functional zones while maintaining an open feel. Light parquet flooring and warm wood cabinetry establish a cohesive backdrop, complemented by European design objects. To introduce fluidity, a custom rug with a wavy pattern, evoking Zen garden sand designs, was incorporated. All technological components are discreetly concealed within the ceiling to maintain an uncluttered aesthetic. Bensalem expressed appreciation for the interior's elegant rigor, noting its simplicity and strong connection to nature. Each element is harmoniously integrated to uphold the home’s aesthetic coherence. Adjacent to the living area, a studio space separated by a glass and wood screen provides a communal desk with city views, continuing the theme of natural elements. The kitchen features sleek, custom-made cabinetry in matte lacquer, aligning with the apartment's overall minimalist design. The primary bedroom is designed as a sanctuary, utilizing soft textiles and tranquil colors. Adhering to feng shui principles, a Japanese landscape silk painting is displayed above a custom-made fabric headboard, and the window ledge is upholstered in brown leather. The en-suite his and hers walk-in closets feature checkered glass doors and traditional washi paper accents, adding a refined touch. A highlight of the residence is the authentic Japanese-style primary bathroom, which features original fixtures and materials. A circular bathtub, crafted by Japanese artisans, is the focal point, surrounded by fragrant wood fluted panels and Italian Ceppo di Gre stone. This design element underscores the blend of traditional Japanese craftsmanship with modern luxurious materials, creating a unique and serene bathing experience. The overall design prioritizes harmony, functionality, and a seamless integration of cultural influences. #JapaneseDesign #HongKongApartment #PiedATerre #MinimalistInterior #InSituAndPartners #TatamiTeaRoom #ZenGardenInspired #NaturalMaterials #FengShui

The highly anticipated TWA Hotel at John F. Kennedy Airport, New York, has been unveiled, showcasing a meticulous recreation of the 1962 era, centered around the iconic Eero Saarinen-designed TWA Flight Center. After three years of development, the 512-room hotel aims to be a shrine to the golden age of travel, with model rooms designed by New York-based firm Stonehill Taylor, reflecting a distinct 1960s aesthetic. The guest rooms feature martini bars, authentic midcentury furniture, and vintage rotary phones sourced from eBay. The bathroom vanities are inspired by Philip Johnson’s powder room at the former Four Seasons Hotel restaurant in Manhattan, further enhancing the period authenticity. To complete the immersive experience, a fleet of vintage cars, including a 1956 BMW Isetta 300 and a 1963 Lincoln Continental, will transport guests to their terminals. Tyler Morse, CEO of MCR and MORSE Development, emphasizes that the TWA Hotel is not merely a theme park but rather a deeply authentic experience rooted in the building's historical significance. Unlike other 'experiential' venues that rely on fabricated props, the TWA Hotel leverages its inherent historical narrative. This commitment to authenticity extends to the furniture, with each room featuring genuine Saarinen-designed Womb Chairs upholstered in Knoll fabrics in TWA’s signature chili red, complemented by Saarinen Pedestal tulip side tables. Morse highlights that while cheaper knockoffs were available, the developers prioritized authenticity, paying a premium for original pieces. Despite the retro facade, the hotel integrates contemporary amenities. The vintage rotary phones are retrofitted with pulse-to-tone converters for compatibility with modern VoIP equipment. Addressing concerns about airport noise, Morse points out the model suite's soundproof windows, which feature seven-panes of glass, measuring 4.5 inches thick—making them the second thickest in the world, surpassed only by the new U.S. Embassy in London. This innovative design promises guests an exceptionally quiet night's sleep. Categorized as a 4-star plus hotel, the TWA Hotel offers an extensive range of amenities. These include eight restaurants, six bars, conference facilities capable of accommodating 1,400 people, an in-house museum, and a 10,000-square-foot observation deck. Room rates start at $250 per night, with the hotel scheduled to open its doors to guests in spring 2019. Beyond typical airport travelers, Morse anticipates that the TWA Hotel will also attract aficionados of modern architecture and aviation enthusiasts, often referred to as 'AvGeeks,' for whom the hotel represents a 'nirvana.' The project successfully blends historical preservation with modern hospitality, creating a unique destination. #TWAHotel #JFKAirport #MidcenturyModern #HotelDesign #ArchitecturalPreservation #TravelExperience #1960sTheme #SaarinenDesign #LuxuryHospitality

Ministry of Design has completed the interiors for The Standard Singapore, aiming to evoke a "quirky tropical oasis" and "mellow party pad" experience. Situated in Singapore's retail district, near Orchard Road, the hotel is the latest venture from The Standard brand, recognized for its distinctive approach to hospitality design. The project's core brief involved capturing the essence of The Standard brand while ensuring relevance and uniqueness to its Singaporean locale. In response, Ministry of Design integrated extensive greenery throughout the interior spaces, complemented by several custom-designed elements. The vision articulated by Ministry of Design founder Colin Seah was to create an environment that is both disarming and energizing. This was achieved through a strategic use of plants and a thoughtful selection of materials. The hotel comprises 143 rooms and suites, along with various public areas, including a signature restaurant, developed in collaboration with The Standard's in-house design team. The guest experience commences in a double-height entrance lobby and reception area. This space also houses a cafe that offers views of a stepped garden courtyard, immediately establishing the hotel's green theme. The lobby's ambiance is defined by potted plants and furniture with a mid-century influence, fostering a calm and inviting atmosphere. Natural materials such as wood, stone, and terrazzo are prominently featured, contributing to the organic feel of the space. A standout element in the lobby is the custom-made reception counter, meticulously designed by Ministry of Design to resemble an oversized terrarium. This glass-fronted installation showcases a botanically-inspired arrangement by artist Eric Tobua, featuring a tropical ecosystem complete with palm trees, giant snails, and vibrant flora. Curving walls and timber-battened columns seamlessly connect the lobby to the adjoining Cafe Standard. This cafe features a bar, plant-filled seating nooks, and a bespoke lighting installation, further reinforcing the hotel's natural and inviting aesthetic. The pervasive greenery within the hotel is a deliberate homage to Singapore's identity as a "city in a garden," drawing inspiration from other local projects like the Pan Pacific Orchard skyscraper and the CapitaSpring building, which are known for their integration of lush landscapes. The botanical theme extends to the first-floor Kaya restaurant, where a wallpaper mural by artist Saran Yen Panya, rich with botanically-inspired motifs, creates an immersive garden-like setting. The hotel's rooftop pool area also incorporates large planters, enhancing the tropical oasis feel, and includes a swim-up bar for guest convenience. The guest rooms, reflecting The Standard's understated and classic design philosophy, incorporate local materials and subtle mid-century references. King and twin rooms are distinguished by timber canopies extending over the beds, a design element consistent with other Standard hotels. Vibrant primary colors punctuate the rooms and circulation areas, adding personality. For instance, a glowing red lift echoes The Standard's iconic logo. Red accents are also strategically used in the rooms to highlight custom joinery, such as the mini-bar, which features two contrasting yet complementary sections. Bathrooms are uniformly clad in yellow tiles on both floors and walls, while lift lobbies and corridors are adorned with vibrant blue joinery and a bespoke carpet designed by Ministry of Design, featuring an oversized terrazzo pattern. Each guest room is equipped with a full-height glass facade, offering views of either the pool, its surrounding greenery, or the bustling Orchard Road shopping district. The suites elevate this experience with corner glass walls and double-height living areas, providing panoramic views of the city skyline. Ministry of Design, an architecture and interior design studio established in 2004 by Colin Seah, is headquartered in Singapore with additional offices in Beijing and Kuala Lumpur. The firm has a portfolio that includes its self-designed Singapore studio, characterized by an all-white interior organized by a steel framework, a plant-filled hub for Citibank Singapore, and a futuristic sports store in Singapore airport. This project aligns with The Standard's global presence, which includes hotels in a converted brutalist building in London and a former movie theatre in Ibiza. #HotelDesign #InteriorDesign #SingaporeArchitecture #TropicalOasis #MinistryOfDesign #HospitalityDesign #UrbanGreening #TheStandardHotel #BiophilicDesign

In Old Havana, a boutique hotel known as A|S Residence offers an intimate lodging experience, blending contemporary design with historical elements. The project is the result of a two-year restoration by Havana-born dancer and musician Sandy Solano Diahave and Dutch fashion designer and artist André Visser. The hotel, formerly a baroque 19th-century mansion, is situated in a city recognized for its diverse architectural heritage, encompassing Spanish colonial, Art Deco, and 1950s styles, many of which face challenges from environmental factors and economic conditions, despite their UNESCO protection. The A|S Residence comprises five suites and four junior suites. The restoration aimed to maintain the original character of the building while integrating modern design. This approach is evident in the preservation of architectural features such as towering five-meter-high ceilings, exposed brickwork, stripped doors, and woodwork. Original elements like carved columns, intricate ironwork, Carrara marble, and handmade floor tiles were meticulously conserved and serve as a foundation for the interior design choices. The interiors are curated with a mix of influences. Rooms feature Italian lighting and are adorned with Cuban art alongside Visser’s abstract canvases. The furniture selection includes modernist pieces, such as Barcelona lounge chairs, complemented by items crafted by local artisans. The blend of European and Cuban design sensibilities creates a distinctive atmosphere within the residence. Beyond accommodation, A|S Residence engages with the local community through its ground-floor establishment, HAV Coffee. This space functions as both a cafe, serving Cuban coffee and brunch, and an art gallery, showcasing works by emerging local and international artists. The hotel also boasts a rooftop terrace that offers views of Havana. This area is available for activities like yoga sessions and dance classes, and it also serves as a tranquil spot for guests to relax with a drink after exploring nearby attractions. The hotel's capacity is limited to ten guests, and it enforces a policy of no children under 16, contributing to its quiet and exclusive ambiance. The location of A|S Residence provides convenient access to significant landmarks and vibrant streets in Old Havana, including Obispo and Mercaderes Streets, Belém Convent, Plaza Belém, the Capitolio, the Museo Nacional de Bellas Artes, and the Gran Teatro de La Habana. The thoughtful restoration and design of A|S Residence contribute to the preservation of Havana’s architectural legacy while introducing a contemporary hospitality experience. #HavanaHotels #BoutiqueHotel #CubanDesign #ArchitecturalRestoration #OldHavana #InteriorDesign #ArtAndCulture #TravelCuba

The Kin, a 15-room design-forward boutique hotel in Mumbai, has opened its doors in a leafy lane in Dadar, offering a unique blend of eclectic design and heartfelt hospitality. Co-founded by siblings Imrun Singh Sethi and Guneet Singh, the hotel occupies a three-storey building that previously operated as a two-star establishment run by their grandfather. The siblings undertook a four-year renovation project to transform the space into its current iteration, aiming to preserve the grandfather’s ethos of running it like a home, but with a modern flair. Upon entering, guests are greeted by a light-filled passage with a mild floral aroma. To the right, fresh, colorful blooms from the nearby Dadar flower market are arranged, while to the left, a concept store showcases an eclectic array of curios, including scented candles, coffee table books, vases, and tote bags. The store features skylights, mirrors on the ceiling, and marble flooring, leading guests to the reception desk, where the hotel's nuanced detailing begins to unfold. Samir Raut, principal architect at Atelier Nowhere, skillfully executed the interiors, reflecting the siblings' design sensibilities. Many items within the hotel, including light fixtures, artworks, decor pieces, sKIN toiletries, and even some furniture, are available for purchase or pre-order, with the exception of bed linen, beds, and curtains. Guneet Singh personally curated and designed many of the products for both the store and the guest rooms, collaborating with ACKM Studio for technical detailing. Each of the 15 rooms, spread across three floors, boasts a distinct design, layout, and size, ranging from 215 to 320 square feet, with an additional connecting family room spanning almost 550 square feet. This intentional variety aims to offer guests multiple unique "experiences of stay" in Mumbai. The flooring across the rooms combines hand-laid terrazzo in various hues with Indian marbles. While individual rooms vary in color scheme, orientation, and major interior details, cohesive elements such as circular and slanted windows, open wardrobes, retro-style analog phones, and custom KIN cushions and stationery create a unified aesthetic throughout the hotel. Beyond the guest rooms, The Kin offers additional amenities designed to enhance the guest experience. A well-equipped gym is located on the terrace, providing fitness options with city views. The adjacent Terttulia restaurant, also managed by Sethi, offers both in-room dining and a seated dining experience, providing convenient and delicious meal options. These features, combined with the integrated concept store, demonstrate The Kin's ability to maximize substance and style within a compact footprint, presenting a chic and spirited boutique hotel experience in the bustling city of Mumbai. #MumbaiHotel #BoutiqueHotel #InteriorDesign #HotelDesign #EclecticStyle #DesignForward #HomeDecoration #TravelIndia

The Ion City Hotel in Reykjavik, Iceland, offers a unique blend of modern design and traditional Nordic charm, making it an appealing accommodation choice for design enthusiasts and travelers. This property, an outpost of the Ion Hotel, was designed by the architecture studio MINARC. It features 18 distinct rooms and suites, with interiors that subtly incorporate elements of Icelandic design and the country's natural landscape. The hotel's aesthetic is characterized by a sophisticated color palette of grays, whites, and blacks, intentionally chosen to mirror the rugged Icelandic environment, including its glaciers and lava fields. Even the hallways leading to the guest rooms are designed to evoke the country's terrain, utilizing specific lighting techniques to create an ambiance reminiscent of the natural landscape. A thoughtful design detail is evident in the room window seats: those in north-facing rooms are colored blue, symbolizing the surrounding ocean, while those in south-facing rooms are red, reflecting the vibrant metal roofs commonly seen across Reykjavik's cityscape. The guest rooms are further enhanced with furniture and decor that celebrate Iceland's rich design heritage, featuring pieces by renowned Icelandic designer Sveinn Kjarval and blankets inspired by traditional weaving techniques, also designed by MINARC. MINARC's influence extends to the hotel's public areas, where they designed various bespoke furniture and fixtures. Notable examples include a chandelier at the reception desk, conceptualized to resemble a bird's nest, and the unique Dropi metal chair, suspended from the ceiling and shaped like a teardrop. Additionally, the XitTable, with its distinctive tilted appearance, is strategically placed beside the Dropi chair, contributing to the hotel's modern and artistic atmosphere. For an elevated experience, guests opting for the Junior Suite are provided with a private balcony that includes a sauna, offering a luxurious retreat after a day of exploration. The hotel also boasts a range of on-site amenities, such as a well-equipped gym, a private dining room, and a restaurant known for its farm-fresh cuisine. The bar serves as a popular spot for both hotel guests and local residents. Guests staying in the Panorama Suite have the exclusive option of requesting a private bartender or chef, ensuring a highly personalized and convenient stay. With rooms starting at approximately $250 per night, the Ion City Hotel presents itself as a compact yet richly designed destination, embodying Nordic elegance and Icelandic thematic elements throughout its structure and offerings. #HotelDesign #Reykjavik #IcelandicDesign #NordicCharm #ModernArchitecture #MINARC #BoutiqueHotel #InteriorDesign #Travel