Old World Charm

The Cavendish Hotel, a British countryside establishment, recently underwent a significant redesign spearheaded by London-based interior designer Nicola Harding. The 18th-century property's interiors were reimagined using finishes from Paint & Paper Library and Pierre Frey wallcoverings. Harding's design approach emphasized a lived-in sophistication, incorporating repurposed antiques throughout the common areas and the 28 guest rooms. Examples include fire hydrants converted into lamps and sconces crafted from horse-drawn carriages. The hotel features a glass-enclosed Garden Room, which offers afternoon tea served on limestone tables sourced from Chatsworth’s archives. The Gallery, another space within the hotel, transitions from a bright daytime setting to an intimate, candlelit ambiance in the evening, offering locally sourced hearty English cuisine, such as Chatsworth farm lamb. In New York City, the seventh floor of Bergdorf Goodman hosts a multi-room exhibition curated by Salon Art + Design. This pop-up features collectible design and art pieces from six participant galleries: Onishi Gallery, Galerie Gabriel, J. Lohmann Gallery, Liz O’Brien, Verso, and Room 57 Gallery. The exhibition space is adorned in various shades of limewash paint, hand-applied by architectural finish producer Color Atelier, providing a distinctive backdrop for the showcased works. Artist Suzanne Kite's exhibition at the MIT Visual Arts Center focuses on indigenous knowledge systems, languages, and the interconnectedness of "stars, stones, and dreams." The multidisciplinary exhibition opened recently, offering a unique perspective on these themes. Phaidon is set to release "Defining Style: The Book of Interior Design" in March. This publication comprehensively outlines 150 residential interiors through 260 images and detailed text by Joan Barzilay Freund. The book serves as a resource for inspiration, categorizing diverse styles from tropical to maximalist. It features insights from numerous design leaders, including Atelier ND Monochrome, OKHA Collected, AGO Interiors, Shawn Henderson, and Alexandrea Tolstoy. Assouline, the Parisian publisher known for its collectible books, has expanded its presence with a new palatial library and lounge in Riyadh, Saudi Arabia. This new location, which includes a piano lounge and restaurant, reflects Assouline's approach to interiors. The space features gilt-inlaid carved wood paneling, velvet-upholstered seating in an oxblood shade, and a selection of Assouline titles. It also offers sweeping terrace vistas of the historic Diriyah district. Flamingo Estate, a Los Angeles-based brand known for its "from the garden" philosophy and range of beauty, wellness, and pantry staples, has launched a residency at Bloomingdale’s in New York. This pop-up, part of the department store's Carousel series, makes the brand's products, including cult-favorite scents like petrichor, tomato leaf, and night blooming jasmine, accessible to New Yorkers. The installation features a canopy of dried florals and will run until mid-March. Following the recent wildfires in Los Angeles, home furnishing and decor brand Blu Dot has committed to replacing, free of charge, any of their pieces purchased within the last year that were destroyed in the tragic events. John Christakos, co-founder and CEO of Blu Dot, stated that while furniture might not be the immediate concern, the company aims to support customers in rebuilding when they are ready. Customers can initiate the replacement process by visiting Blu Dot’s West Hollywood store to connect with the team. #HotelDesign #InteriorDesign #ArtExhibition #DesignBooks #LuxuryInteriors #RetailPopUp #DisasterRelief

The article highlights the efforts of cousins Pranidhi Tuladhar and Aabhushan Man Singh Tuladhar, who run an Instagram page called 'The Last of Kathmandu Valley.' Their initiative aims to document and preserve the rapidly disappearing old architectural heritage of Kathmandu Valley. Pranidhi, after returning from Paris, where she studied fashion management and photographed city architecture, noticed the decline of traditional buildings in her hometown. This prompted her to collaborate with her cousin Aabhushan, an architect, to create a platform that would draw attention to these overlooked historical structures. The cousins' work is driven by a deep appreciation for the unique character of Kathmandu's old houses, which they liken to individuals, present one day and gone the next. Aabhushan's interest in architecture was sparked by stories of his ancestral home and the opulent houses of Lhasa Newars, known for their exquisite woodwork. Pranidhi, a design consultant, grew up amidst these old houses in Asan and feels a nostalgic attachment to them, especially after her time abroad. She observed significant changes in Kathmandu's urban landscape post-2015 earthquake, noting the haphazard rebuilding efforts and the shift towards modern concrete structures, which she describes as lacking a distinct identity. The article traces the architectural evolution of Kathmandu, from its unique cultural continuity spanning over 2,000 years to the introduction of European neoclassical styles by Rana rulers after the 1934 earthquake. The construction of Juddha Sadak (New Road) and the subsequent adoption of concrete as a building material further transformed the city, leading to a "hotchpotch urbanscape." The 2015 earthquake exacerbated this trend, destroying many remaining old buildings and leaving others in disrepair. Maintaining these old houses is challenging due to the high costs and scarcity of skilled craftsmen, often leading owners to rent them out cheaply rather than undertake restoration. The Instagram page frequently receives messages from people sharing nostalgic memories associated with these houses, often inquiring about preservation methods. Pranidhi suggests that implementing strict laws and providing stipends for maintenance, similar to practices in Paris, could help save these structures. Another pressing issue is the fragmentation of building facades due to inheritance divisions, resulting in carved wooden windows being cut in half and old houses being rebuilt into narrow, tall structures. The cousins recount instances where they documented a house with five carved windows, only to find two of them demolished on a subsequent visit. They advocate for internal structural changes while preserving the external facades to maintain the city's architectural integrity. Despite witnessing the rapid disappearance of many old houses, they also encounter pleasant surprises, such as well-maintained and freshly painted homes that offer a glimmer of hope. Working with their full-time jobs, Pranidhi and Aabhushan photograph houses during their walks, sharing images and collaborating on captions for their Instagram page. They have expanded their content to include reels, with one clip about balconies garnering significant views. While currently focusing on photography, they aspire to incorporate personal memories and historical narratives associated with these houses. Their initiative, though not initially intended to be large-scale, aims to encourage public awareness and appreciation for the hidden beauty within Kathmandu Valley's traditional architecture, urging people to "look up" and notice what is often overlooked. #KathmanduArchitecture #HeritagePreservation #ArchitecturalHistory #UrbanDevelopment #CulturalHeritage #Nepal #TraditionalHouses #SocialMediaActivism #HomeDesign

This article showcases a new build with a chic farmhouse cottage feel, situated on a popular golf course. The home, part of Midwest Home's 2018 Luxury Home Tour, is located in Lake Elmo and was built by TJB Homes. It features a five-bedroom, five-bathroom, 4,700-square-foot design. The owner, Tom Budzynski, aimed to create unique areas within every space. The exterior of the home features a charming paver courtyard with a water feature, leading up to the front door. The design incorporates traditional cottage-inspired elements. Inside, an open-concept living area with large windows offers picturesque views of The Royal Club, an Arnold Palmer and Annika Sorenstam-designed championship golf course. The great room is defined by a stunning cathedral ceiling with white shiplap and dark wood beams. It includes a natural stone fireplace, built-in features, and oak flooring. The large windows in both the great room and the adjacent dining area emphasize the scenic outdoor views. A spacious deck off the main floor is designed for outdoor entertaining. Throughout the house, dark-stained wood and oak details are consistently used. The kitchen is anchored by a large white oak island with a light quartz countertop, complemented by a white oak range hood, granite countertops, and separate refrigerator and freezer units with a prep area in between. The master bedroom stands out with an eye-catching tiered ceiling featuring floating dark wood beams. A sliding barn door provides a farmhouse touch, leading to two separate large walk-in closets. These closets are located off the luxurious master bath, which is equipped with ceramic tiles, a soaking tub, and a rain shower. The lower level is designed for entertainment, featuring a striking glassed-in wine cellar adjacent to a wet bar. Across from the wet bar is a dining area that opens to a sizable outdoor patio. A bank of bar-inspired seating faces an inviting family room, which includes a stone fireplace and built-in cabinets. In addition to two extra bedrooms, the lower level also houses an exercise space, a billiards room, and a sauna. The overall aesthetic is described as upscale yet understated. #RusticCharm #LuxuryHomeTour #TJBHomess #FarmhouseStyle #GolfCourseLiving #InteriorDesign #HomeBuilding #ModernCottage #LakeElmo

This article highlights a collaboration between The Hudson Company, a custom mill based in upstate New York, and Schotten & Hansen, a German flooring company, to introduce a line of naturally finished wood products to the U.S. market. The Hudson Company specializes in sustainably sourced and reclaimed wood, and this partnership expands their offerings to include wood from Germany's Bavaria region, which is also sustainably harvested. The defining characteristic of this new product line is Schotten & Hansen's unique finishing process, which emphasizes sustainability and traditional craftsmanship. Unlike typical industrial finishing methods, Schotten & Hansen uses only natural ingredients to treat their wood floors. This commitment to natural processes extends to every stage of finishing, including the use of waxes, oils, and resins derived from natural sources, ensuring that the final product is free from synthetic chemicals. The process involves meticulous hand-finishing techniques that have been passed down through generations of German woodworking. Each piece of wood undergoes a series of manual treatments, including planing, brushing, smoking, and coloring. These traditional methods are not merely for aesthetic appeal but also contribute to the wood's durability and natural texture, creating an authentic old-world feel. The natural ingredients are carefully selected not only to enhance the wood's inherent beauty but also to fill knot holes and other natural imperfections, seamlessly integrating them into the overall design while maintaining the wood's organic character. This approach results in a luxurious natural finish that is both environmentally friendly and aesthetically rich. The partnership aims to cater to a growing demand for sustainable and artisan-crafted building materials in the American market. By combining The Hudson Company's expertise in sustainable sourcing with Schotten & Hansen's traditional German finishing techniques, the collaboration offers a unique product that stands out in the flooring industry. The availability of these products in the U.S. provides architects, designers, and homeowners with access to high-quality, eco-conscious wood flooring and paneling options that embody both natural beauty and historical craftsmanship. This initiative underscores a broader trend towards integrating sustainable practices and traditional artistry into modern home design and construction. #OldWorldCraftsmanship #SustainableWood #NaturalFinishes #GermanWoodworking #LuxuryFlooring #EcoFriendlyMaterials #WoodPaneling #TraditionalMethods #HomeDesign

The field of interior design is currently witnessing a resurgence of old-world products, which are being reinterpreted with modern sensibilities. This trend is particularly evident in the growing popularity of flecked surfaces, which are gaining traction among designers and consumers alike. These surfaces, often characterized by their intricate patterns and varied textures, offer a unique blend of historical charm and contemporary aesthetic appeal. The 2023 Hospitality Giants report highlights this movement, indicating a strong interest in incorporating these materials into modern design schemes. One prominent example of this trend is Max Lamb’s Marmoreal, a collection of large-aggregate terrazzo slabs and tiles available in White from Dzek. Terrazzo, a composite material made of chips of marble, quartz, granite, or glass set in a binder, has a rich history dating back to ancient Egypt. Lamb's interpretation reintroduces this classic material with a bold, contemporary scale, making it suitable for a wide range of applications, from wall coverings to furniture. The use of large aggregates creates a distinctive visual texture, providing a modern twist on a traditional material. Another notable contribution comes from StudioCharlie with their Fossili terrazzo charger by MIPA. This piece showcases the versatility of terrazzo beyond architectural surfaces, demonstrating its potential for decorative and functional objects within a space. The charger's design emphasizes the material's aesthetic qualities, transforming a utilitarian item into a statement piece that blends old-world craftsmanship with modern design principles. For those seeking more refined options, Artistic Tile offers the Geotzzo Ribbon Black honed terrazzo tile. This tile features a sophisticated black base with subtle flecks, presenting a sleek and elegant option for contemporary interiors. The honing process provides a smooth, matte finish, enhancing the natural beauty of the terrazzo and making it an ideal choice for luxury residential and commercial projects. Its wavy pattern adds a dynamic visual element while maintaining a sense of classic sophistication. Ann Sacks contributes to this trend with their Terrazzo Form Waterfall tile in Vicenza. This tile features a blend of white and darker flecks, creating a natural and organic appearance. The 'Waterfall' designation likely refers to its ability to create a seamless flow when installed, making it suitable for large surface areas like floors and walls. The Vicenza variant brings a regional Italian influence, connecting the material back to its historical European roots while presenting it in a modern format. Beyond traditional stone-based materials, innovation in flecked surfaces also extends to sustainable options. SAS Minimum's Le Pavé surfacing, made of crushed plastic waste, exemplifies this eco-conscious approach. This material, shown in a custom colorway at Sonia Rykiel in Paris, offers a vibrant and environmentally friendly alternative to conventional surfaces. The process of repurposing plastic waste into a durable and aesthetically pleasing material not only addresses sustainability concerns but also introduces a unique, rainbow-speckled texture that is distinctively modern. This application demonstrates that flecked surfaces can be both beautiful and responsible, aligning with contemporary values of environmental stewardship in design. These diverse examples highlight how flecked surfaces, whether through traditional terrazzo or innovative recycled materials, are bridging the gap between historical design and modern aesthetics, offering designers a rich palette of textures and patterns. #FleckedSurfaces #Terrazzo #InteriorDesign #ModernDesign #OldWorldStyle #SustainableMaterials #TileDesign #HospitalityDesign #ArchitecturalSurfaces

The Kaufman House, a historical landmark in Zelienople, Pennsylvania, originally built in 1902, has undergone a significant restoration after being severely damaged by a fire in 2011. This 121-year-old building, which served as a hotel, factory worker housing, and an iconic tavern, was a vital rest stop for travelers and a community focal point. After the fire, the building remained closed until 2020, facing potential demolition. However, the Zelienople Borough recognized its cultural and economic importance, purchasing it in 2017 with a state Redevelopment Assistance Capital Grant to ensure its preservation. The restoration project aimed to maintain the building's original aesthetic, particularly concerning its windows. James Druschel, former vice president of finance and CFO of Veka, played a crucial role by initiating the project and facilitating the donation of window profiles from Veka Inc. Wincore Windows contributed by charging only for labor, glass, and hardware. The choice was made to use residential windows, specifically the 7700 Series from Veka, to replicate the original single-hung, wood windows. These included double-hung, fixed, and awning glass windows, with picture windows on the street level and double-hung windows on the upper floors. The 7700 Series is an LC-rated product, deemed suitable for the project. Technical specifications include white interior and exterior frames and low-e argon insulated glass with a 0.29 U-value, totaling 51 double-hungs, 30 fixed, and 3 awning windows. Beyond windows, the restoration also involved reinforcing the Main Street-facing balcony on the second floor with beams and updating it with VEKAdeck in Signature Storm color and white Veka rails, with the contractor receiving a reduced price for these materials. The rehabilitation proved more extensive than initially anticipated, as structural deficiencies were progressively discovered. Many previous repairs had overlooked structural integrity, leading to a situation where 60 percent of the building's structural integrity was found to be compromised and required replacement. The interior was gutted, re-walled, rewired, and re-plumbed, essentially rebuilt to meet modern codes. In its reimagined state, the Kaufman House now serves multiple purposes. The ground floor has been re-established as a restaurant, coffee shop, and bar. The second floor features a banquet hall, retail and office spaces, and meeting rooms. The third floor accommodates the regional office of a marketing firm. The basement is designed to host entrepreneurs offering complementary products to the restaurant. To ensure compliance with local codes, an elevator and a new stairwell were installed. Looking ahead, the building is also slated to function as a boutique hotel and a training facility for the tourism, culinary arts, and hospitality industries, further cementing its role as a revitalized community asset. #HistoricPreservation #BuildingRestoration #ArchitecturalDesign #WindowRenovation #KaufmanHouse #CommunityRevitalization #VekaWindows #WincoreWindows #ZelienoplePennsylvania

In recent years, the architectural landscape has been dominated by large, white, and often simplistic designs. However, a noticeable shift is occurring, with a resurgence of interest in the Old World European aesthetic, characterized by its distinctive character and intricate details. This move away from contemporary uniformity signals a desire for unique and expressive homes, offering a refreshing alternative to the prevailing minimalist trends. J. Lambert Custom Homes, under the leadership of Jimmy Lambert, stands out in this evolving market by specializing in distinctive and highly customized residences. Lambert, a long-time resident of Southlake with 38 years of experience, transitioned from a fencing business to home building 23 years ago, driven by a vision to elevate design, construction, and customer service. His portfolio includes a wide range of styles, from modern designs to faithful reproductions of American Colonial and Mediterranean villas. A prime example of his unique approach is a Southlake property, designed as an Old World European-style castle, which embodies a blend of grandeur and personalized craftsmanship. The genesis of this particular castle began with Lambert's bold design for a home that evoked the charm of the English countryside. Confident in his vision, he believed that a well-executed, distinctive build would transcend typical pricing considerations. The project found its perfect match in a buyer with five young boys who had long dreamed of living in a castle. This alignment allowed for significant customization, tailoring the finish-out and features to the family's specific needs and aspirations. The construction process was meticulously managed, with Lambert overseeing every detail from the slab pour to various inspections, demonstrating an exceptional commitment to quality and client satisfaction. This thoroughness ensured that the home not only met the immediate needs of the family but also anticipated future desires. The resulting Old World European-style castle boasts multiple towers, impressive cathedral windows, and luxurious materials such as hardwood, marble, and brick floors. The interior is further enhanced by detailed hand-crafted wood and ironwork, contributing to its authentic and regal ambiance. Beyond the initial construction, Lambert's company distinguishes itself through a commitment to long-term client support. He and his loyal crew, many of whom worked on the original build, possess an unparalleled understanding of each home's intricacies. This enables them to provide ongoing service, guiding new owners through the home's unique features and potential customizations. For instance, one of the home's turrets is designed as an observatory, equipped to rotate with celestial movements, showcasing the thoughtful integration of innovative features. This dedication extends to significant additions and minor modifications alike. When the Southlake castle changed hands, Lambert returned to oversee the installation of an expansive, faux-painted garage capable of housing up to 15 cars. No request is deemed too small or too large, reflecting Lambert's philosophy of treating every homeowner as if the house was built specifically for them. The castle, now spanning 19,673 square feet, features eight ensuite bedrooms, four powder baths, a sophisticated wine cellar, and an accessible home theater with stadium seating, a full-service kitchen, and a commercial elevator equipped with advanced safety features. Additionally, a 1,300-square-foot craft room above the garage, complete with a ventilation system for a kiln, offers versatile space for hobbies, remote work, or homeschooling. The exterior of the Old World European-style castle is equally impressive. The 1.5-acre property includes multiple living areas, covered patios, and a picturesque grotto-style pool. Its advantageous location backs onto a wooded United States Army Corps of Engineers site, ensuring privacy and preventing future construction. Across the street, Bob Jones Park provides convenient access to a pond, playground, and dog park. The property, listed by Engel & Völkers Dallas Southlake Realtor Roxann Taylor, is currently available for $5 million. Taylor, who has a history with the property and a long-standing relationship with Lambert, highlights the home's spaciousness and potential as a multi-generational residence. To illustrate the potential for modern castle living, George Bass Stage & Design was brought in to furnish the home, presenting a contemporary interpretation of an Old World aesthetic, which even includes a secret room, adding to the home's mystique. #OldWorldArchitecture #CustomHomes #JLambertCustomHomes #SouthlakeRealEstate #EuropeanStyleCastle #LuxuryHomes #HomeDesign #ArchitecturalInnovation #DallasRealEstate

The San Francisco Proper, a luxury hotel located in the city's Mid-Market neighborhood, showcases the interior design prowess of Kelly Wearstler, often referred to as "the presiding grande dame of West Coast interior design" by The New Yorker. Wearstler was responsible for the interior public areas, restaurants, and guest rooms of the 131-room boutique hotel. The historic building, originally constructed in 1926 by architect Albert Pissis, features a facade of brick, stone, and terracotta. It was recently repurposed by the local firm Hornberger + Worstell into its current hotel iteration. Wearstler's design concept for the hotel revolves around a narrative of a bohemian woman. She envisioned the hotel as the home of this sophisticated individual, creating a series of living rooms that invite guests to linger in an eclectic, artful salon. This imaginative backstory adds a layer of character and intimacy to the hotel's ambiance, suggesting a sense of awaiting its intriguing inhabitant and her black cat, Charmaine. The aesthetic draws from various eras, blending contemporary sensibilities with old-world charm. Wearstler curated a collection of custom furniture, fabrics, lighting, and wallcoverings, complementing them with vintage pieces sourced from Paris, Milan, and San Francisco. This meticulous selection injects historical depth and a vibrant, modern feel into each space. The lobby salon exemplifies this approach, featuring unique artwork and furnishings arranged to evoke a residential setting. Art plays a significant role, with paintings by local artists such as Joe Ferriso and Jonathon Anzalone displayed prominently in the lobby. In the guest rooms, Wearstler’s innovative use of patterns is evident; she combines four different patterns to modernize classic designs, adding depth and dimension. She designed 32 original patterns exclusively for the hotel, drawing inspiration from vintage graphics across Europe. This diverse mix of textures and natural materials harmonizes with the original building's patina, introducing a touch of modern wit and comfort. The intimate dining room further showcases this fusion of styles, furnished with elements from an array of modernist designs. Throughout the hotel, thoughtful details abound. For instance, the bathrooms integrate different colored tiles on floors and walls for visual contrast. The guest rooms are distinguished by rich, warm oak floors, and some even feature stylish bunk beds, catering to families. Wearstler's overarching goal was to create an updated version of a European salon, a hotel that offers a residential atmosphere reminiscent of the comfortable, artful living spaces of the past. The San Francisco Proper stands as a testament to her vision, seamlessly marrying historical grandeur with a distinctly bohemian, contemporary spirit. #HotelDesign #InteriorDesign #BoutiqueHotel #SanFrancisco #KellyWearstler #BohemianStyle #VintageModern #LuxuryTravel #HospitalityDesign

The article explores the transformation of a 1910 Denver Square home into a functional and vibrant space for a family with twin boys, while meticulously preserving its historical character and managing the budget. Interior designers Katie Schroder and Erika Rundiks of Atelier Interior Design spearheaded the project, focusing on a harmonious blend of original details and contemporary design elements. From the exterior, the house maintains its classic appeal, but the interior reveals a surprising infusion of modern color and pattern. Key original features, such as leaded glass windows, the fireplace, and entry woodwork, were retained and highlighted. The designers even fought to keep an original Greek key pattern inlay in the wood floor, emphasizing the importance of preserving the home's intrinsic character. The renovation strategically targeted specific areas, including a full remodel of the dining room, kitchen, and family room. The kitchen, initially small for the house's size, underwent a significant transformation, involving the relocation of walls and the introduction of a substantial island to accommodate a tall family. A custom breakfast-nook banquette was added, designed with Old World-style paneling to seamlessly integrate with the home's existing historical casework. This approach ensured that new additions respected the architectural integrity of the original structure. Other design elements that were preserved include the wainscoting in the powder room and additional leaded glass panels throughout the house. The designers advocated for a balanced approach to renovation, advising against the need to match every new element to existing historical details. They encouraged homeowners to embrace unique features without feeling constrained by them. A notable aspect of the project was the client's openness to bold design choices, particularly patterned drapes, which introduced vibrant aesthetics into the home. The designers successfully blended different patterns, ensuring that scales and types (e.g., curvy organic with linear) complemented each other rather than clashing. The kitchen, despite its all-white cabinetry, was invigorated with pops of color from the backsplash, soapstone countertops, and purple Arborline stools, alongside modern pendant lights. A significant takeaway from the project is the emphasis on strategic renovation decisions. The designers advised tackling projects in stages and being selective about changes to avoid emotional and financial burnout. For instance, the master bath and bedroom's existing color palette was maintained because the designers and homeowners appreciated it, allowing resources to be allocated to other areas. The article also provides practical tips for homeowners dealing with older homes, such as embracing quirks like old hardware and plaster walls, which contribute to the home's character rather than being perceived as flaws. It suggests creative ways to update without major overhauls, like leathering granite countertops or using traditional pieces with organic touches to bridge historical and modern aesthetics. Furthermore, the designers recommend a mix of high-end and DIY art, emphasizing quality framing for all pieces, and splurging on statement elements like a distinctive backsplash to add personality without excessive cost. Custom built-ins are also presented as a cost-effective alternative to finished furniture, offering perfect fit and design flexibility. Ultimately, the project exemplifies how a historic home can be modernized for contemporary living while honoring its past, demonstrating that careful preservation, strategic updates, and a willingness to embrace unique design elements can result in a functional, vibrant, and character-rich space. The success of the renovation lies in the designers' ability to merge eras, creating a home that feels both timeless and current, all while keeping budget considerations in mind and respecting the existing architecture. #HomeRenovation #HistoricPreservation #InteriorDesign #DenverSquare #ModernTraditionalMix #BudgetFriendlyDesign #AtelierInteriorDesign #HomeDecor #ResidentialArchitecture

After a period dominated by minimalist and monochromatic interior design trends, there is a growing shift towards incorporating character-filled elements, drawing inspiration from old-world charm. This movement, often associated with the rising popularity of cottagecore, seeks to move beyond sterile modern aesthetics. Wallpaper emerges as a simple yet effective tool to transform spaces, offering a blend of historical patterns reinterpreted for contemporary tastes. These modern variations of old-world designs provide an instant sense of heritage and luxury, suitable for diverse living environments, from urban apartments to suburban bungalows. The article explores various old-world wallpaper patterns and provides guidance on how to style them effectively. Moody florals, for instance, are inspired by 17th-century Dutch still life paintings, featuring large, dramatic blooms often set against dark backgrounds. These patterns integrate well with modern furniture, allowing for either a continued moody aesthetic or a brighter, modernized look by highlighting accent colors. The Arts and Crafts movement, a 19th-century reaction to industrialism, provides wallpapers with rhythmic, exaggerated botanical patterns like wildflowers and acanthus leaves. When paired with wooden accents and furniture, these dense patterns can serve as a visual anchor in a room. Toile de Jouy, a recognizable old-world pattern, showcases monochromatic pastoral scenes. Originally a staple in 18th and 19th-century French courts, it can be styled for a shabby chic or a high-contrast minimalist look. Choosing navy or charcoal toile with dark metallics lends a luxe cottagecore feel, while lighter accents create an English countryside ambiance. Chinoiserie wallpaper, with its East Asian-inspired illustrations of birds and garden vines, offers a subtle way to add character. Styling involves extracting a color from the wallpaper's palette—such as sage green or dusty rose—and integrating it into furniture to create a cohesive aesthetic. For a neutral yet charming option, ticking stripes, derived from European farmhouse linens, provide a clean backdrop for various styles, from cottagecore to nautical modern. Damask wallpaper, inspired by luxurious woven textiles, introduces a rich, sumptuous feel, perfect for a 'castlecore' aesthetic. Tonal damask patterns add texture without overwhelming a space with color, and they pair well with classic furniture and dark millwork. Marbled paper, referring to the Ebru patterns of antique book covers, offers uniquely organic, swirling designs. Due to its intensity, it is recommended for unexpected doses, such as dining nooks or shelf linings, or balanced with monochromatic furniture. Herbarium prints, drawing from 18th-century botanist notebooks, feature antiqued depictions of plants and animals. These can create a vintage feel with dark millwork or a fresh, tropical vibe with textured accents like raffia. Gingham or tartan patterns, traditionally associated with rustic settings, are now considered heritage designs. They offer visual interest with a balanced palette, best paired with rich textures like leather, metallics, and natural fibers to achieve a dark academia or French countryside aesthetic. Finally, tin tile texture wallpapers mimic Victorian-era pressed metal, adding a three-dimensional element. Styling involves monochromatic paint-over-wallpaper techniques or metallic versions to enhance traditional old-world charm, while faux tapestry designs, inspired by verdure murals, create full-scale landscape scenes, ideally in unobstructed wall spaces like dining rooms or bedrooms, complemented by antique finishes or natural textures. #OldWorldDesign #WallpaperTrends #InteriorDesign #HomeDecor #Cottagecore #HistoricPatterns #DesignInspiration #HomeStyling #AccentWalls

This article details the renovation of a Victorian Colonial home in Hastings-on-Hudson, purchased by Peter and Brittney Walgren, New York City transplants. The couple, with a young son, Teddy, sought to infuse new life into the older home, moving from their West Village apartment. Brittney, with a background in floral design, found her aesthetic aligned with Greenwich-based designer Becca Casey's vision. Casey's approach aimed to visually refresh the home with light walls, transitional furnishings, and a slightly West Coast aesthetic, emphasizing vibrancy. Her style, described as neo-traditional, blends classic silhouettes with modern and light elements, incorporating textural barn woods against stucco walls, ethnic textiles layered with neutral ones, and deliberately worn found pieces to soften the space. The color palette for the home primarily features off-white walls, sage and chartreuse greens, and matte black, contributing to an understated arrangement. A key aspect of the design process was preserving and working with the home's original features, such as intricate carpentry, wood moldings, inlay floors, and glass door hardware, which spoke to its Victorian heritage. Paint played a crucial role in initiating the design transformation. The house previously had heavy moldings and red and blue walls, requiring a significant overhaul before achieving the desired fresh and family-friendly environment. To create visual harmony across rooms, walls and moldings were painted in Simply White by Benjamin Moore, while the original wood moldings around door casings were retained as natural room dividers. Casey's objective was to open up the space, create a warm canvas, and then layer in a mix of pieces. Specific design interventions included the creation of a "boot room" from a previously voided area off the foyer. This space now features custom-designed built-ins, replacing church-like benches, to serve the needs of a growing family. The boot room is further enhanced with Granada tile flooring and millwork finished in Farrow & Ball’s Pigeon, complemented by brass fixtures. The living room fireplace was redone with a stucco façade and terra cotta tiles, and the room incorporates a variety of textiles like bouclé, ticking, and an antique Khotan rug. A Herman Miller Eames chair provides a reading nook. Adjacent to the living room, the library was painted with Farrow & Ball’s Railings and furnished with a chartreuse settee and mixed throw pillows. A built-in was added to house the couple’s antique record player and a collection of records, each a wedding gift. In the dining room, an oak table with mid-century style chairs serves as a focal point, capable of seating eight guests. The dining room fireplace received a textural paint treatment to give it an older, worn appearance, and an original Egyptian artwork gifted by Brittney’s mother is displayed above it. The overall ambiance of the home is natural, establishing a strong connection to the outdoors, inspired by the surrounding bucolic gardens and views of the Hudson River. Despite the natural theme, elements of glamour are integrated through the use of brass and richly finished metals, which add depth, antiquity, and prevent sterility in the newly finished spaces. The article concludes by listing the design team involved: Becca Casey of Becca Interiors as the designer, Stephen Madoka of Floe Painting for the fireplace, and Olvin Caballeros of Cabelleros Wood Flooring for the flooring. #VictorianColonialRevival #HomeRenovation #InteriorDesign #BeccaCasey #HastingsOnHudson #NaturalElements #GlamDecor #NeoTraditionalDesign #FamilyHome

This blog post showcases the transformation of a 1915 Colonial Revival home in New Jersey, where designer Michael Maher skillfully blended historical charm with modern vibrancy. Following a significant addition that nearly doubled its original footprint, Maher implemented a gutsy color palette, wallpapered ceilings, and graphic painted floors to create a seamless and refreshed interior. The entrance features a visually engaging geometric pattern on the painted floor, complemented by a banquette in a Kravet stripe and 1940s French sconces, with walls painted in Farrow & Ball’s Parma Gray. The spacious foyer, connected to the dining room, serves as a functional and welcoming area. It includes an extra table for large gatherings, a banquette, and a wing chair, with an English round table from Balsamo and an armchair in a Colefax and Fowler print. The lighting is enhanced by a Charles Edwards pendant. The kitchen adopts a layered neutral scheme, with walls in Benjamin Moore’s Jute and cabinetry and trim in Farrow & Ball’s Hardwick White. It is equipped with a custom Waterworks sink and Vermont Danby marble countertops. Hickory Chair stools, upholstered in Larsen leather, and a Visual Comfort chandelier, matching one in the adjacent breakfast room, complete the look. Ann Sacks floor tiles add a refined touch. In the breakfast room, a 19th-century English pine mantel from Chesney’s anchors the space, while vintage Swedish chairs are painted in Farrow & Ball’s Hague Blue, contrasting with walls in Old White. Kilim rugs from Double Knot add warmth and texture. A highlight is the butler’s pantry, designed with a focus on color, pattern, and intricate details. It boasts glossy cabinetry and millwork in Farrow & Ball’s Hague Blue, Pomegranate wallpaper by Galbraith & Paul, and a mahogany countertop with brass banding and a copper sink, featuring a Perrin & Rowe faucet. The study, known as the Dukes Room, incorporates a Thibaut wallpapered ceiling and walls in Farrow & Ball’s Lichen, with a vintage Italian sofa covered in Lee Jofa fabric. The windows are left bare to emphasize the original architecture, and the room is furnished with a Visual Comfort pendant and Stark carpet. An antique secretary cabinet in the study showcases a collection of British commemorative cups. The dining room, located in the new wing, incorporates elaborate dentil moldings to harmonize with the home’s original architectural style. It is designed for comfortable entertaining with good lighting, comfortable chairs, and a five-foot-wide table. A personalized touch is added by a mural painted by Marylyn Modny, depicting the clients’ daughter within a historic New York Harbor scene, created in grisaille and including subtle details like the family’s children and dog. The living room is striking with its custom canary-yellow lacquered walls by Stephen and Lisa Longworth, creating a warm ambiance and complementing a palette of blue, coral, and ocher, especially luminous at night. Furnishings include an Ebanista sofa with Lee Jofa fabric pillows and curtains, and a Plexi-Craft cocktail table. The master bedroom is designed as a serene retreat overlooking the woods. Walls are wrapped in a mushroom silk from Phillip Jeffries, and the bed is adorned with a large-scale ikat in purple and pale blue from Carleton V, complementing a custom headboard. Curtains in Pierre Frey linen, a Vaughan sconce, and a Christopher Spitzmiller lamp enhance the luxurious and tranquil atmosphere. #NewJerseyColonial #HomeRenovation #InteriorDesign #ColorPalette #MichaelMaher #HistoricHome #WallpaperedCeilings #GraphicFloors #CustomInteriors

The Maker Hotel, a boutique establishment in Hudson, New York, is the creation of Lev Glazman and Alina Roytberg, co-founders of the skincare brand Fresh, and hospitality expert Damien Janowicz. This 11-room hotel is designed to embody an "old-world bohemian glamour" by integrating original decor features and a collection of vintage treasures. The hotel's concept revolves around celebrating craftsmanship and providing guests with inspiring and unique spaces. Glazman emphasized the desire to expand the hospitality experience by offering a dream-like atmosphere, a vision that he believed was perfectly suited for Hudson due to its rich artisan community, history, and design scene. The hotel's design intentionally moves away from standardized aesthetics, instead harmoniously blending various periods and styles to create an eclectic feel. Physically, The Maker Hotel is a complex of three historical buildings: a Georgian mansion, a Greek revival-style property, and a carriage house, all dating back to the early 1800s. Extensive construction was undertaken to connect the different rooms across the 14,000-square-foot (1,300 square meters) property. New structural additions include a central courtyard filled with lush greenery and a 'jewel box'-like conservatory, which now serves as the hotel's main restaurant. The interior design, largely overseen by Glazman, prioritized the preservation of original architectural elements. This involved retaining ornate fireplaces, hand-painted ceilings, stained-glass windows, and tiled mosaic flooring. Over 70% of the decorative items are either antique or custom-made, incorporating salvaged objects, with some artworks even sourced from Glazman's personal collection. This approach contributes to the hotel's distinct aesthetic, characterized by an unexpected fusion of global design influences acquired over decades of travel. The guest accommodations are categorized into five types: The Bedrooms, The Terrace Lofts, The Corner Studio, and The Maker Studios. Each of The Maker Studios is individually themed, drawing inspiration from different creative professions such as an architect, artist, gardener, and writer. For instance, The Artist room features a vintage easel, and The Writer room is adorned with book-lined shelves surrounding an oak fireplace. Beyond their rooms, guests have access to amenities including a pool, a cafe, and an intimate cocktail bar. The Maker Hotel joins a growing trend of getaway destinations outside Manhattan, offering a retreat from the city's fast pace. Another example mentioned is The Hoxton in Williamsburg, Brooklyn. Photography for The Maker Hotel was carried out by Francine Zaslow. #BoutiqueHotel #HotelInteriors #EclecticDesign #VintageDecor #HudsonNewYork #HistoricBuildings #Craftsmanship #HospitalityDesign

This article explores four distinct Indian homes, each embodying a unique blend of old-world charm and contemporary design. The first residence, an 80-year-old apartment in Mumbai's Art Deco quarter, was revitalized by Studio Mestry, led by Akshaya Mestry in collaboration with Bhakti Loonawat. The renovation focused on preserving the home's ancestral character while integrating modern functionality and comfort for a couple and their two daughters. Key design elements include luminous open-plan spaces, abundant natural light, high ceilings, wooden accents, chandeliers, monochrome palettes, traditional furniture, terrazzo flooring, and black granite, all contributing to an opulent, old-world atmosphere. The careful selection of materials like terrazzo, Indian marble, and wood created diverse patterns, giving each space a unique identity. The second home featured is a 5,000-square-foot apartment in Vadodara, Gujarat, designed by Surabhi Kankaria Shah and Arpit Jain. This residence seamlessly merges contemporary Indian design with classic vintage charm. The designers aimed for an accessible, simple, and functional space, characterized by light-filled interiors, spaciousness, and airiness. The design reflects the tranquil surroundings through open windows that maximize natural light and a soft color palette combined with natural elements. The living room showcases a sophisticated mix of modern and traditional aesthetics, incorporating organic textures and luxurious accents. A muted beige and brown palette in the family room emphasizes earthy tones, while cane-style furniture adds warmth. An attached balcony enhances the indoor-outdoor connection. The dining room, with its muted scheme, features a green wall adorned with nature-inspired artworks, a wood and brass dining table with a sleek marble top, and a distinctive lighting installation. The third property is a Victorian-era 2-BHK apartment in Bengaluru, nestled amidst lush greenery. Designed by Vinithra Amarnathan, principal designer at Weespaces, with Design Assistant Lavanya Chopra, this home was envisioned as a Victorian townhouse updated for a young couple with a newborn and a dog. The design retained the original structure's beauty, making minimal structural changes primarily in the main bedroom. The project presented challenges due to its smaller size compared to typical Bengaluru homes. The chosen palette was largely neutral, featuring greys and pastels, complemented by materials such as white marble, brass accents, and wood. The entryway, reminiscent of a colonial club, serves as the central axis of the home, leading to various rooms. A striking black and white harlequin flooring makes a significant visual impact, and three glass and brass 'handi' pendants introduce old-world glamour. An arched mirror at the hallway's end creates an illusion of expanded space. Finally, the article highlights an Art Deco apartment in Mumbai, known as Sunshine apartments, with surreal views of the Oval Maidan and iconic city structures. Interior designer Annkur Khosla undertook this project, drawing inspiration from her experiences in Paris. Built in the 1920s, the apartment embodies Bombay's Art Deco movement. Khosla's design ingeniously managed space and flow. The entrance foyer features a minimal floor pattern and a subtly fluted oak backdrop concealing a closet. A mirrored partition opens into the dining space, which is paneled with a similar ribbed effect. The open balcony retains original features like twin columns with Ionic capitals and a restored Art Deco grill. Khosla focused on custom hardware, including brass door handles, knobs, and intricate carpentry details. A tall brass handle at the apartment's end stands as a sculptural element. The design maintains a consistent visual language through custom furniture, unique carpeting, and art mounted on a waved wall. Wooden screens with geometric patterns function as versatile partitions, transforming private rooms into open public spaces, with varying wood finishes adding texture and depth. #IndianHomes #OldWorldCharm #VintageDesign #ArtDeco #ContemporaryInteriors #MumbaiHomes #VadodaraDesign #BengaluruArchitecture #InteriorDesign

The NoMad Hotel, located in Manhattan, offers a unique blend of Old World charm and modern-day influences, making it a distinctive destination for travelers. The hotel opened in a fully restored, turn-of-the-century Beaux-Arts building, with interiors designed by French designer Jacques Garcia. Garcia is renowned for his ability to integrate 17th- and 18th-century European aesthetics with contemporary design elements, a style evident throughout the hotel. Upon entering the guest rooms, visitors find reclaimed maple hardwood floors adorned with handmade vintage Heriz rugs, complementing French mahogany writing desks. The emphasis on luxurious comfort is further highlighted by linens, bedding, and bathrobes supplied by Sferra and Frette, along with Argan bath amenities. Many rooms elevate the bathing experience with the inclusion of freestanding, clawfoot bathtubs, offering a touch of classic indulgence. Art plays a significant role in the hotel's ambiance, with each room featuring pieces from a carefully curated art program. This collection includes vintage correspondence, antique travel collectibles, and original sketches and photography by contemporary artists, designed to immerse guests in a journey of discovery and intimacy. The aesthetic extends to common areas, where opulent textiles provide a rich and inviting atmosphere, and the staff's uniforms, designed by Bespoken, a New York-based menswear collective, reflect English tailoring traditions. A notable feature of The NoMad Hotel is its two-level library, which is connected by an original spiral staircase imported from the South of France and includes a mezzanine catwalk. This space provides a tranquil retreat for guests. Culinary excellence is a cornerstone of the hotel experience, with the restaurant managed by Chef Daniel Humm and Restaurateur Will Guidara, both acclaimed for their work at the three-Michelin-star-rated Eleven Madison Park. The stately dining room is characterized by dark oak furnishings and richly textured fabrics, creating an elegant setting. An original fireplace, sourced from a French château, adds historical grandeur to the common areas. The bar area features a dramatic 24-foot-long mahogany bar, and guests can enjoy a unique beer crafted exclusively for The NoMad by brewmaster Garrett Oliver of Brooklyn Brewery. A sunlit atrium dining space is created by natural light filtering through a glass roof, offering a bright and airy environment. The architectural firm Stonehill & Taylor played a crucial role in the historical renovation and conversion of the 1903 Johnston building into The NoMad Hotel. Beyond its design, the hotel is praised for its prime location at 1170 Broadway & 28th Street in New York City and its exceptionally friendly staff. The hotel's design highlights include European-style bathrooms with free-standing tubs and the distinctive curated artwork, all contributing to a memorable stay that blends historical elegance with modern comfort. #HotelDesign #InteriorDesign #LuxuryTravel #NewYorkCity #HistoricRenovation #BeauxArtsArchitecture #FrenchDesign #BoutiqueHotel #ManhattanHotels

This article highlights an Atlanta home in the Buckhead neighborhood, designed by Lyndsy Woods, that masterfully blends traditional architectural elements with modern touches and antique furnishings. The home, a new construction with Georgian architectural influences, was designed to incorporate classical features on the interior while maintaining a warm and inviting atmosphere suitable for a family with two young children. Lyndsy Woods worked with the family from the building stage, allowing her to understand their daily life and tailor the home's design to their specific needs and how they would utilize each space. The design approach focused on creating a soft, neutral shell with muted wall colors like Benjamin Moore York Gray (tinted at 50% strength) and White Dove for trim. This neutral backdrop ensures that the layered fabrics and furnishings, including the family's collection of antique pieces, are highlighted rather than overwhelmed. Built-in elements are kept tone-on-tone to avoid distraction. Even in more formal areas such as the dining room and family room, the aim was to evoke warmth and welcome. A key aspect of Woods's design philosophy, as detailed in the article, is the successful integration of formal and informal items. She avoids the heavy, museum-like feel that can result from too many antiques by pairing them with cleaner, modern elements. This mixing of styles creates a collected and unique aesthetic, preventing the space from feeling overly structured or stuffy. An example cited is the use of modern print fabrics in the dining room alongside gilded antiques, with a light background to tie everything together. The designer prefers cooler wall tones to balance the warmer, often reddish undertones of antique woods, thus toning down golden hues and creating a fresher look. Her personal style leans towards clean lines but with soft, livable palettes and rich textures. Specific rooms are showcased, illustrating this blend: the living room features a custom light fixture by Solaria Lighting and a linen sofa from Lee Industries, chosen for its timeless silhouette and adaptability to new looks with different pillows. The classic white kitchen is equipped with Walker Zanger tiles, Visual Comfort lighting, and Ballard Designs barstools. A butler's pantry is adorned with antiqued-mirror walls and a small sink for convenience. The family room continues the theme with Benjamin Moore's York Gray walls, an Aidan Gray chandelier, and an antique table. The dining room boasts Schumacher fabric on window treatments and upholstered chairs, with a Hickory Chair table, and a touch of pink adds a modern accent to the antique setting. The master bedroom, designed to feel like an upscale hotel suite, is furnished with antiques and features walls painted in a tinted version of Benjamin Moore’s Revere Pewter. The master bathroom is elevated with luxurious Duralee fabric window treatments, soft green shades, an abstract painting, and custom his-and-her vanities. The powder room is enlivened with Farrow & Ball wallpaper. The article concludes by emphasizing the home's welcoming nature and its beauty as a family residence, crediting designer Lyndsy Woods for her award-winning work and Marc Mauldin for the photography. #HomeDesign #InteriorDesign #AntiqueModernMix #LuxuryHomes #AtlantaRealEstate #LyndsyWoodsDesign #HomeFeatures #BuckheadHomes

In a departure from the growing trend of virtual interior design platforms and digital adjustments, designer Janet Brown has embraced a more traditional approach by expanding her physical showroom. Located in Scott’s Addition, her shop at 1124 N. Arthur Ashe Blvd. now incorporates an adjacent space, which she recently acquired. This expansion has allowed for a significantly enlarged gallery that serves multiple functions, including showcasing upholstered goods and case pieces, housing an extensive fabric and wallpaper library, and displaying various art pieces. Additionally, it features a curated selection of unique home decor items and a dedicated, brightly lit studio space for client consultations. Brown's decision to invest in a tangible showroom experience runs counter to the prevalent online decorating models. She emphasizes the importance of a tactile engagement with products, explaining that clients can physically interact with furniture—sitting on sofas and chairs—to assess critical elements such as arm height, back height, and overall pitch. This hands-on experience extends to fabrics, where clients can see, feel, and touch materials, a crucial aspect that virtual platforms cannot replicate. This physical interaction is deemed essential for clients to truly understand and appreciate the quality and comfort of the pieces before making purchasing decisions. Beyond custom upholstery, Janet Brown Interiors offers a diverse range of products. This includes lampshades crafted from designer fabrics and high-end bedding collections from renowned companies such as Matouk, SFERRA, and Home Treasures. The showroom's library is further augmented with an array of carpet samples and comprehensive catalogs for both upholstery and case goods, providing clients with a broad spectrum of choices for their interior design projects. The expansion aims to offer a holistic and immersive design experience, allowing clients to explore a wide variety of materials and finishes in person. One of the defining features of the enlarged space is the increased capacity to display unique and high-quality items. Brown takes pride in curating a collection that includes rare antique chairs, vibrant glass pieces, and distinctive paintings. She highlights her affection for color and the way natural light enhances certain glass items within the showroom, creating an inviting and dynamic atmosphere. Brown's philosophy centers on offering one-of-a-kind pieces, ensuring that customers encounter diverse items that might appeal to different individual tastes and preferences. This approach guarantees a fresh and varied selection, distinguishing her showroom from mass-market offerings. Many of the curated items in Janet Brown Interiors are discoveries from Brown's extensive travels both domestically and internationally. For example, she acquired blue-and-white pottery by artist George Pearlman during a recent trip to Maine. Her curation process involves a keen focus on the distinctive characteristics and cultural significance of pieces from various regions, ensuring that each item tells a story and contributes to a unique aesthetic. Currently, Janet Brown Interiors operates by appointment, though walk-in clients are also welcome. The establishment maintains a policy requiring masks for all visitors to ensure a safe environment for both clients and staff. #JanetBrownInteriors #HomeDecor #InteriorDesign #ScottsAddition #ShowroomExpansion #TactileExperience #CustomUpholstery #AntiqueFurniture #CuratedCollection