At the Cavendish Hotel, Old World Charm Meets Au Courant Sensibility

The San Francisco Proper, a luxury hotel located in the city's Mid-Market neighborhood, showcases the interior design prowess of Kelly Wearstler, often referred to as "the presiding grande dame of West Coast interior design" by The New Yorker. Wearstler was responsible for the interior public areas, restaurants, and guest rooms of the 131-room boutique hotel. The historic building, originally constructed in 1926 by architect Albert Pissis, features a facade of brick, stone, and terracotta. It was recently repurposed by the local firm Hornberger + Worstell into its current hotel iteration. Wearstler's design concept for the hotel revolves around a narrative of a bohemian woman. She envisioned the hotel as the home of this sophisticated individual, creating a series of living rooms that invite guests to linger in an eclectic, artful salon. This imaginative backstory adds a layer of character and intimacy to the hotel's ambiance, suggesting a sense of awaiting its intriguing inhabitant and her black cat, Charmaine. The aesthetic draws from various eras, blending contemporary sensibilities with old-world charm. Wearstler curated a collection of custom furniture, fabrics, lighting, and wallcoverings, complementing them with vintage pieces sourced from Paris, Milan, and San Francisco. This meticulous selection injects historical depth and a vibrant, modern feel into each space. The lobby salon exemplifies this approach, featuring unique artwork and furnishings arranged to evoke a residential setting. Art plays a significant role, with paintings by local artists such as Joe Ferriso and Jonathon Anzalone displayed prominently in the lobby. In the guest rooms, Wearstler’s innovative use of patterns is evident; she combines four different patterns to modernize classic designs, adding depth and dimension. She designed 32 original patterns exclusively for the hotel, drawing inspiration from vintage graphics across Europe. This diverse mix of textures and natural materials harmonizes with the original building's patina, introducing a touch of modern wit and comfort. The intimate dining room further showcases this fusion of styles, furnished with elements from an array of modernist designs. Throughout the hotel, thoughtful details abound. For instance, the bathrooms integrate different colored tiles on floors and walls for visual contrast. The guest rooms are distinguished by rich, warm oak floors, and some even feature stylish bunk beds, catering to families. Wearstler's overarching goal was to create an updated version of a European salon, a hotel that offers a residential atmosphere reminiscent of the comfortable, artful living spaces of the past. The San Francisco Proper stands as a testament to her vision, seamlessly marrying historical grandeur with a distinctly bohemian, contemporary spirit. #HotelDesign #InteriorDesign #BoutiqueHotel #SanFrancisco #KellyWearstler #BohemianStyle #VintageModern #LuxuryTravel #HospitalityDesign

The Kaufman House, a historical landmark in Zelienople, Pennsylvania, originally built in 1902, has undergone a significant restoration after being severely damaged by a fire in 2011. This 121-year-old building, which served as a hotel, factory worker housing, and an iconic tavern, was a vital rest stop for travelers and a community focal point. After the fire, the building remained closed until 2020, facing potential demolition. However, the Zelienople Borough recognized its cultural and economic importance, purchasing it in 2017 with a state Redevelopment Assistance Capital Grant to ensure its preservation. The restoration project aimed to maintain the building's original aesthetic, particularly concerning its windows. James Druschel, former vice president of finance and CFO of Veka, played a crucial role by initiating the project and facilitating the donation of window profiles from Veka Inc. Wincore Windows contributed by charging only for labor, glass, and hardware. The choice was made to use residential windows, specifically the 7700 Series from Veka, to replicate the original single-hung, wood windows. These included double-hung, fixed, and awning glass windows, with picture windows on the street level and double-hung windows on the upper floors. The 7700 Series is an LC-rated product, deemed suitable for the project. Technical specifications include white interior and exterior frames and low-e argon insulated glass with a 0.29 U-value, totaling 51 double-hungs, 30 fixed, and 3 awning windows. Beyond windows, the restoration also involved reinforcing the Main Street-facing balcony on the second floor with beams and updating it with VEKAdeck in Signature Storm color and white Veka rails, with the contractor receiving a reduced price for these materials. The rehabilitation proved more extensive than initially anticipated, as structural deficiencies were progressively discovered. Many previous repairs had overlooked structural integrity, leading to a situation where 60 percent of the building's structural integrity was found to be compromised and required replacement. The interior was gutted, re-walled, rewired, and re-plumbed, essentially rebuilt to meet modern codes. In its reimagined state, the Kaufman House now serves multiple purposes. The ground floor has been re-established as a restaurant, coffee shop, and bar. The second floor features a banquet hall, retail and office spaces, and meeting rooms. The third floor accommodates the regional office of a marketing firm. The basement is designed to host entrepreneurs offering complementary products to the restaurant. To ensure compliance with local codes, an elevator and a new stairwell were installed. Looking ahead, the building is also slated to function as a boutique hotel and a training facility for the tourism, culinary arts, and hospitality industries, further cementing its role as a revitalized community asset. #HistoricPreservation #BuildingRestoration #ArchitecturalDesign #WindowRenovation #KaufmanHouse #CommunityRevitalization #VekaWindows #WincoreWindows #ZelienoplePennsylvania

The Clifton, a historic inn in Charlottesville, Virginia, originally built in 1799, has undergone a significant interior revamp by Blackberry Farm Design. The 100-acre estate, once owned by Thomas Jefferson's son-in-law, Thomas Mann Randolph Jr., has operated as an inn since the mid-1980s. A recent change of ownership prompted a cosmetic refresh to introduce a more contemporary aesthetic while respecting the building's historical integrity. Blackberry Farm Design approached the renovation by keeping the structural elements of the inn intact, focusing instead on updating the 20 guest rooms and main living spaces. The previous neutral color scheme with traditional furnishings served as a "clean slate" for the Tennessee-based design firm. The renovation introduced new wallpaper, paint, artwork, and modern light fixtures and furnishings throughout the property. In the common areas, a balance between modern and traditional elements was key. The foyer features Phillip Jeffries’ tranquil blue Fade Sea Spray wallpaper, subtly referencing the nearby Blue Ridge Mountains visible from the property. The former check-in area was transformed into a sophisticated lounge, complete with a round "sociable sofa" upholstered in Kravet Verbier Diamond fabric in Leaf/Teal and banquettes in Lee Jofa’s Saranac Cord fabric in gold. The bar and an adjacent lounge area saw the most hands-on transformation, with the front desk removed and the bar elongated. A new bar-back, constructed from wood shelving supported by copper piping, enhances the space. The Library, now serving as a dining room, received a bold color scheme with walls and paneling painted in Farrow & Ball’s Stiffkey Blue, complemented by a lighter shade on the ceiling and a sleek Dallas Chandelier from Arteriors. Built-in bookcases and a long banquette, upholstered in Kravet’s Versailles Velvet fabric, were also installed. The veranda, a popular dining spot overlooking the back lawn, was brightened with soft green paint on the coffered-bead board ceilings and wrought iron chairs, along with new light fixtures. On the second floor, the six bedrooms were refreshed with new paint, light fixtures, and furnishings. Certain original pieces, such as rustic pine demitasse tables in the foyer, an armoire, and bedside tables in guest suites, were retained to maintain the inn's historical character, paired with modern additions to create an "unpredictable look" combining comfort, tradition, and contemporary style. Beyond the main inn, the original carriage house was converted into a bridal suite with three guest rooms, featuring large windows and vaulted ceilings for a bright atmosphere. Randolph’s former law office, now a garden cottage, also offers two updated bedrooms with crisp white paint, new linens, and light fixtures. The old livery, situated by the 20-acre Arabella Lake, was transformed into three guest suites with private patios, complete with cozy living areas and king-size beds upholstered in rich turquoise velvet. An infinity pool and cabanas provide a quiet retreat for guests. The renovation successfully blends the property's rich history with modern luxury, creating a unique guest experience. #HotelRemodel #HistoricRenovation #InteriorDesign #LuxuryHospitality #Charlottesville #VirginiaTravel #BlackberryFarmDesign #BoutiqueHotel #SouthernCharm

Design trends are currently favoring Mediterranean and European influences for outdoor spaces, incorporating sun-bleached neutrals, Greek tiles, and abundant greenery. Nicholas Trobiano of Trobiano Studios highlights the effortlessness of Mediterranean design, which features organic materials such as clay, stone, and wood, alongside sustainable elements like architectural salvage and antique furniture. This style is complemented by lush green landscapes, large palms, and seaside aesthetics. Robert Sicignano of Elite Pool Designs has observed a growing interest over the past five years in Greek tiles and Grecian-Roman pool shapes. Clients are increasingly drawn to green and blue color palettes, as well as architectural features like columns, vine-covered pergolas, and the strategic use of fire and water bowls near pools. For those in warmer climates, terracotta offers another avenue to introduce Mediterranean charm. While caution is advised for using terracotta as a tile due to its potential slipperiness, it is highly effective in other applications. Trobiano suggests incorporating terracotta pots for their warmth and aesthetic appeal, particularly when filled with orange and lemon trees, which thrive in environments like Florida. He also recommends using brown terracotta bowls and serveware for casual entertaining, noting that the rustic, earthen quality of fired clay creates an intimate and lived-in atmosphere. An easy method to infuse this ambiance into an outdoor space is by integrating terracotta pots or planters. Trobiano specifically recommends sago palms and olive trees, as they are sun-loving, drought-tolerant plants that flourish in large planters for many years. Additionally, collecting vintage ceramics or plaster sculptures for display on mantels or windowsills can further enhance the desired aesthetic. This approach to outdoor design marries natural elements with classic European sensibilities, creating inviting and elegant exterior environments. #MediterraneanDesign #EuropeanFlair #OutdoorSpaces #HomeDesignInspiration #HomeTrends #Terracotta #PoolDesign #Landscaping

Violino d’Oro, a five-star boutique hotel unveiled by Collezione Em from the Maestrelli family, is situated a short walk from St. Mark's Square in Venice. This property aims to offer an immersive experience into Venetian culture, blending tradition with contemporary design, sustainability, and an authentic Venetian spirit. The hotel reflects the Maestrelli family's over three decades of experience in hospitality, emphasizing respect for cultural heritage and excellence. It has been recognized by The Leading Hotels of the World, signifying its status among exclusive global destinations. The hotel is housed within three meticulously restored 17th-century buildings. The interior design prioritizes silence, texture, and natural light. Every detail, from the materials to the subtle scents, contributes to a unique atmosphere. Sara and Elena Maestrelli have guided the reimagining of Venetian hospitality with a focus on sophistication and human connection. The decor features fabrics by Rubelli, lamps by Venini, artisanal Venetian terrazzo floors, and a curated collection of Italian art and design, all harmoniously integrated. The 32 rooms and suites balance elegance and comfort, showcasing a blend of clean-lined Italian furniture, Oriental pieces, Venetian antiques, and contemporary elements. Canal views, high ceilings, and a soft color palette contribute to a serene and sophisticated ambiance. Sara Maestrelli describes the hotel as an “artisanal Italian project designed like a home,” with everything from glassware to headboards crafted locally in Venice and Tuscany, using noble materials and skilled craftsmanship. Velvets, brocades, and damasks from Rubelli, Carrara marble inlays, and hand-blown Murano glass lamps are prominent features, each with a unique story and tactile quality. Sustainability is a core philosophy at Violino d’Oro, extending beyond a marketing label. This commitment is evident in the use of local materials, support for artisan economies, and mindful resource management, reflecting a dedication to environmental responsibility and the future of luxury travel. The hospitality is characterized by warmth, attentiveness, and personalized service, with staff trained to anticipate guest needs, offering a balance of professionalism and approachability. Breakfasts are served in a sun-drenched dining room, featuring fresh, seasonal, and organic produce, artisanal pastries, and made-to-order coffee, catering to various dietary preferences. The serene atmosphere is designed to promote a sense of well-being. The hotel's culinary highlight is Il Piccolo, an intimate, Michelin-recognized restaurant with nine tables. It offers a contemporary, plant-forward menu based on local and seasonal ingredients, complemented by creative cocktails from head bartender Francesco. The menu evolves with the seasons, combining innovative techniques with traditional respect for ingredients. Violino d’Oro offers unique experiences connecting guests to the soul of Venice. These include Venetian cooking classes, yoga by the canals, mixology workshops, and private visits to artisan ateliers like Rubelli or Micheluzzi. Cultural tours provide access to lesser-known parts of the city, operas, or private palaces. Tailor-made experiences such as sunrise photography walks, guided strolls through Dorsoduro, private lagoon cruises, and food tours through traditional Venetian bacari are also available, aiming to foster a deep connection with the city. Excursions to Murano and Burano are also arranged, offering insights into glassmaking and lace-making traditions, respectively. Murano provides opportunities to observe glass artisans at work and purchase unique pieces, while Burano captivates with its colorful houses and the delicate craft of handmade lace. The hotel aims to provide a new way of experiencing Venice—authentic, sophisticated, and deeply emotional, a sanctuary that makes guests feel at home while offering an exceptional and unique stay. #VenetianLuxuryHotel #BoutiqueHotel #VeniceTravel #ItalianDesign #SustainableHospitality #CulturalImmersion #ArtisanCraftsmanship #MichelinRestaurant #HistoricRenovation

In Old Havana, a boutique hotel known as A|S Residence offers an intimate lodging experience, blending contemporary design with historical elements. The project is the result of a two-year restoration by Havana-born dancer and musician Sandy Solano Diahave and Dutch fashion designer and artist André Visser. The hotel, formerly a baroque 19th-century mansion, is situated in a city recognized for its diverse architectural heritage, encompassing Spanish colonial, Art Deco, and 1950s styles, many of which face challenges from environmental factors and economic conditions, despite their UNESCO protection. The A|S Residence comprises five suites and four junior suites. The restoration aimed to maintain the original character of the building while integrating modern design. This approach is evident in the preservation of architectural features such as towering five-meter-high ceilings, exposed brickwork, stripped doors, and woodwork. Original elements like carved columns, intricate ironwork, Carrara marble, and handmade floor tiles were meticulously conserved and serve as a foundation for the interior design choices. The interiors are curated with a mix of influences. Rooms feature Italian lighting and are adorned with Cuban art alongside Visser’s abstract canvases. The furniture selection includes modernist pieces, such as Barcelona lounge chairs, complemented by items crafted by local artisans. The blend of European and Cuban design sensibilities creates a distinctive atmosphere within the residence. Beyond accommodation, A|S Residence engages with the local community through its ground-floor establishment, HAV Coffee. This space functions as both a cafe, serving Cuban coffee and brunch, and an art gallery, showcasing works by emerging local and international artists. The hotel also boasts a rooftop terrace that offers views of Havana. This area is available for activities like yoga sessions and dance classes, and it also serves as a tranquil spot for guests to relax with a drink after exploring nearby attractions. The hotel's capacity is limited to ten guests, and it enforces a policy of no children under 16, contributing to its quiet and exclusive ambiance. The location of A|S Residence provides convenient access to significant landmarks and vibrant streets in Old Havana, including Obispo and Mercaderes Streets, Belém Convent, Plaza Belém, the Capitolio, the Museo Nacional de Bellas Artes, and the Gran Teatro de La Habana. The thoughtful restoration and design of A|S Residence contribute to the preservation of Havana’s architectural legacy while introducing a contemporary hospitality experience. #HavanaHotels #BoutiqueHotel #CubanDesign #ArchitecturalRestoration #OldHavana #InteriorDesign #ArtAndCulture #TravelCuba

The Captain Whidbey, a 100-plus-year-old inn located 30 miles north of Seattle in Washington’s Puget Sound, has been reimagined and reopened by brothers Mike and Matt French, along with designer Eric Cheong. Known for their work with the Pioneertown Motel and Ace Hotels, the team has a history of revitalizing historic properties. Their approach to the Captain Whidbey involved immersing themselves in the inn's existing environment for nine months before making significant changes, allowing them to connect with the landscape, history, and community that held many cherished memories of the beloved place. The renovation incorporated a collaborative spirit, inviting various designers to contribute their unique visions. The four stand-alone cabins, for instance, were given to different designers like We the Nomads, Glasswing, Whidbey Edit, and heritage company Filson, with no specific directives. This resulted in a diverse range of styles, from an airy space with nature-inspired palettes and hand-drawn heron wallpaper to a cabin designed by Filson to emulate a yacht's interior, utilizing reclaimed teak and bass from boats. This collaborative ethos extended throughout the property, engaging local artists, craftspeople, and experts. Handwoven woolen blankets were created by local weaver Hannah Ruth Levy, carrying on a family legacy of weaving on the island. Gardens by Salty Acres hosted chef talks, and Portland fashion designer Kate Towers designed fleece housecoats for guests. The bar featured hand-painted ceramic tiles by Portland’s Mixed Needs, depicting water species and a poem by South Whidbey poet David Whyte. An eccentric library was curated from Captain Rhys Balmer's childhood collection, filled with maritime children’s books, classic sea tales, obscure hippie counterculture stories, and sea survivalist handbooks. For the historic lodge itself, the design aimed for a natural, timeless, and quirk-embracing aesthetic with subtle, organic modern updates. The inn's location within Ebey’s Landing National Historic Reserve meant adhering to historic building restrictions, which Cheong, an avid sailor, viewed as boundaries that deepened the design narrative, much like restoring an old ship. The original building’s idiosyncratic style, influenced by Judge Still who hand-built the inn in 1907, was respected. The more than 100-year-old, hand-hewn Pacific madrone logs, known for their cinnamon bark that darkens to red with age, and a unique, hand-built stone fireplace, where guests traditionally left poems and love letters, became central design elements. These historical features were complemented by custom Scandinavian-inspired furniture and jewel-toned mohair fabric, creating a dialogue with the past while incorporating modern comfort and style. The project showcases a deep reverence for historical context, blending it with contemporary design without compromising the inn's unique character. #HotelRenovation #HistoricPreservation #PacificNorthwestDesign #CollaborativeDesign #InteriorDesign #BoutiqueHotel #WhidbeyIsland #SustainableDesign #CommunityEngagement

The Municipal Grand, a new boutique hotel from Midnight Auteur, a hospitality brand co-founded by the creators of Death & Co. cocktail empire and the Ramble Hotel in Denver, opened in Savannah, Georgia, on July 9. The hotel is housed in the former First Federal Savings and Loan Association building, a midcentury modern structure dating back to 1961, located in the city's historic district between Leopold’s Ice Cream and the Marshall House. Alex Day, Midnight Auteur's chief operating officer, stated that the building's unique character and Savannah's vibrant energy made it an ideal location for their first hotel venture. The hotel features an “all-day” lobby bar, the Municipal Bar, which serves as a communal gathering space for both hotel guests and the public, offering cocktails and an all-day restaurant menu. Later in the year, a more intimate basement bar is scheduled to open. The building's original blue tilework was incorporated into the interior design by AAmp Studio, in collaboration with Lynch Associates Architects and Ward Architecture + Preservation. The design team embraced the tilework, which Day initially questioned, showcasing a blend of the building’s midcentury heritage with modern aesthetics. Hotel guests have exclusive access to a rooftop pool and the Sun Club, a lounging area with panoramic views of Savannah, including church steeples, theater marquees, and cargo ships. This rooftop area is designed for relaxation and offers warm-weather cocktails, particularly at sunset. The guest rooms, totaling forty-four, feature plush minibars with arched millwork, marble tops, and a curated selection of spirits and coffee. Some rooms also include private terraces overlooking Broughton Street, further enhancing the guest experience. The bathrooms in the guest rooms are designed with handmade Moroccan tiles and red marble vanities, adding to the luxurious feel. The hotel's emphasis on both public and private spaces aims to integrate it into the local community while providing an exclusive experience for its guests. The Municipal Grand is positioned as a significant addition to Savannah's hospitality landscape, offering a blend of historic preservation and contemporary design. #SavannahHotel #MunicipalGrand #BoutiqueHotel #HotelDesign #MidcenturyModern #SavannahTravel #LuxuryHospitality #RooftopPool #CocktailBar

The Russell, a new 23-room boutique hotel in East Nashville, exemplifies adaptive reuse by transforming the historic Edgefield Cumberland Presbyterian Church. Developed by Anchor Investments and designed by Powell Architecture + Building Studio, the project aimed to preserve the building's impressive architectural heritage while infusing it with the vibrant, eclectic character of East Nashville. The hotel also has a philanthropic mission, with proceeds from its "Room for Rooms" program supporting Nashville’s homeless community through free housing, showers, and meals. The design narrative for The Russell is largely inspired by the building's original 1904 Romanesque facade and its two arresting, 16-foot stained-glass rose windows in the lobby. The color schemes throughout the property, including the bright tile arrangements and the herringbone wood floor pattern in the lobby, mirror the hues illuminated by these windows. The lobby itself is an airy space featuring a 40-foot ceiling, gold chenille curtains that create "confessional" alcoves, and a wall adorned with "church banners" hand-sewn and painted by Chicago-based artist Shelby Rodeffer of Finer Things. One notable banner, _Queens of Country_, pays tribute to Dolly Parton, Loretta Lynn, and Tammy Wynette, drawing inspiration from masonic regalia and local culture. During construction, a significant discovery was made: the church's attic possessed substantial unused volume and potential. This led Powell Architecture + Building Studio to swiftly revise their plans, incorporating the space into the design. The unexpected addition of a third floor resulted in five extra guest rooms, including a bi-level suite that creatively integrates the church’s imposing bell tower into a meditative sleeping area. The guest rooms, largely converted from former auditorium and classroom spaces, welcome guests with illuminated door markers crafted by New York lighting studio Rich Brilliant Willing, which are formatted like Biblical verses. The rooms feature exposed brick walls and headboards fashioned from vintage church pews, blending historical elements with contemporary design. A collective of over a dozen local artists and makers contributed to the modern touches, such as the arched wooden bathroom mirrors by Maple Built and powder-coated sconces by Southern Light Electric. Color-blocked walls, echoing the lobby’s stained-glass window hues, further tie the rooms to the building’s past. Efficient wardrobes designed by Holler Design integrate amenities like a built-in fridge, safe, coffeemaker, and desk. This thoughtful integration of old and new creates a welcoming and uniquely characterful experience for guests, all while contributing to a meaningful cause. #HotelConversion #AdaptiveReuse #ChurchRenovation #BoutiqueHotel #NashvilleDesign #HistoricPreservation #CommunityImpact #InteriorDesign #ArchitecturalHeritage

The NoMad Hotel, located in Manhattan, offers a unique blend of Old World charm and modern-day influences, making it a distinctive destination for travelers. The hotel opened in a fully restored, turn-of-the-century Beaux-Arts building, with interiors designed by French designer Jacques Garcia. Garcia is renowned for his ability to integrate 17th- and 18th-century European aesthetics with contemporary design elements, a style evident throughout the hotel. Upon entering the guest rooms, visitors find reclaimed maple hardwood floors adorned with handmade vintage Heriz rugs, complementing French mahogany writing desks. The emphasis on luxurious comfort is further highlighted by linens, bedding, and bathrobes supplied by Sferra and Frette, along with Argan bath amenities. Many rooms elevate the bathing experience with the inclusion of freestanding, clawfoot bathtubs, offering a touch of classic indulgence. Art plays a significant role in the hotel's ambiance, with each room featuring pieces from a carefully curated art program. This collection includes vintage correspondence, antique travel collectibles, and original sketches and photography by contemporary artists, designed to immerse guests in a journey of discovery and intimacy. The aesthetic extends to common areas, where opulent textiles provide a rich and inviting atmosphere, and the staff's uniforms, designed by Bespoken, a New York-based menswear collective, reflect English tailoring traditions. A notable feature of The NoMad Hotel is its two-level library, which is connected by an original spiral staircase imported from the South of France and includes a mezzanine catwalk. This space provides a tranquil retreat for guests. Culinary excellence is a cornerstone of the hotel experience, with the restaurant managed by Chef Daniel Humm and Restaurateur Will Guidara, both acclaimed for their work at the three-Michelin-star-rated Eleven Madison Park. The stately dining room is characterized by dark oak furnishings and richly textured fabrics, creating an elegant setting. An original fireplace, sourced from a French château, adds historical grandeur to the common areas. The bar area features a dramatic 24-foot-long mahogany bar, and guests can enjoy a unique beer crafted exclusively for The NoMad by brewmaster Garrett Oliver of Brooklyn Brewery. A sunlit atrium dining space is created by natural light filtering through a glass roof, offering a bright and airy environment. The architectural firm Stonehill & Taylor played a crucial role in the historical renovation and conversion of the 1903 Johnston building into The NoMad Hotel. Beyond its design, the hotel is praised for its prime location at 1170 Broadway & 28th Street in New York City and its exceptionally friendly staff. The hotel's design highlights include European-style bathrooms with free-standing tubs and the distinctive curated artwork, all contributing to a memorable stay that blends historical elegance with modern comfort. #HotelDesign #InteriorDesign #LuxuryTravel #NewYorkCity #HistoricRenovation #BeauxArtsArchitecture #FrenchDesign #BoutiqueHotel #ManhattanHotels

The Maker Hotel, a boutique establishment in Hudson, New York, is the creation of Lev Glazman and Alina Roytberg, co-founders of the skincare brand Fresh, and hospitality expert Damien Janowicz. This 11-room hotel is designed to embody an "old-world bohemian glamour" by integrating original decor features and a collection of vintage treasures. The hotel's concept revolves around celebrating craftsmanship and providing guests with inspiring and unique spaces. Glazman emphasized the desire to expand the hospitality experience by offering a dream-like atmosphere, a vision that he believed was perfectly suited for Hudson due to its rich artisan community, history, and design scene. The hotel's design intentionally moves away from standardized aesthetics, instead harmoniously blending various periods and styles to create an eclectic feel. Physically, The Maker Hotel is a complex of three historical buildings: a Georgian mansion, a Greek revival-style property, and a carriage house, all dating back to the early 1800s. Extensive construction was undertaken to connect the different rooms across the 14,000-square-foot (1,300 square meters) property. New structural additions include a central courtyard filled with lush greenery and a 'jewel box'-like conservatory, which now serves as the hotel's main restaurant. The interior design, largely overseen by Glazman, prioritized the preservation of original architectural elements. This involved retaining ornate fireplaces, hand-painted ceilings, stained-glass windows, and tiled mosaic flooring. Over 70% of the decorative items are either antique or custom-made, incorporating salvaged objects, with some artworks even sourced from Glazman's personal collection. This approach contributes to the hotel's distinct aesthetic, characterized by an unexpected fusion of global design influences acquired over decades of travel. The guest accommodations are categorized into five types: The Bedrooms, The Terrace Lofts, The Corner Studio, and The Maker Studios. Each of The Maker Studios is individually themed, drawing inspiration from different creative professions such as an architect, artist, gardener, and writer. For instance, The Artist room features a vintage easel, and The Writer room is adorned with book-lined shelves surrounding an oak fireplace. Beyond their rooms, guests have access to amenities including a pool, a cafe, and an intimate cocktail bar. The Maker Hotel joins a growing trend of getaway destinations outside Manhattan, offering a retreat from the city's fast pace. Another example mentioned is The Hoxton in Williamsburg, Brooklyn. Photography for The Maker Hotel was carried out by Francine Zaslow. #BoutiqueHotel #HotelInteriors #EclecticDesign #VintageDecor #HudsonNewYork #HistoricBuildings #Craftsmanship #HospitalityDesign

This article details the renovation of a Victorian Colonial home in Hastings-on-Hudson, purchased by Peter and Brittney Walgren, New York City transplants. The couple, with a young son, Teddy, sought to infuse new life into the older home, moving from their West Village apartment. Brittney, with a background in floral design, found her aesthetic aligned with Greenwich-based designer Becca Casey's vision. Casey's approach aimed to visually refresh the home with light walls, transitional furnishings, and a slightly West Coast aesthetic, emphasizing vibrancy. Her style, described as neo-traditional, blends classic silhouettes with modern and light elements, incorporating textural barn woods against stucco walls, ethnic textiles layered with neutral ones, and deliberately worn found pieces to soften the space. The color palette for the home primarily features off-white walls, sage and chartreuse greens, and matte black, contributing to an understated arrangement. A key aspect of the design process was preserving and working with the home's original features, such as intricate carpentry, wood moldings, inlay floors, and glass door hardware, which spoke to its Victorian heritage. Paint played a crucial role in initiating the design transformation. The house previously had heavy moldings and red and blue walls, requiring a significant overhaul before achieving the desired fresh and family-friendly environment. To create visual harmony across rooms, walls and moldings were painted in Simply White by Benjamin Moore, while the original wood moldings around door casings were retained as natural room dividers. Casey's objective was to open up the space, create a warm canvas, and then layer in a mix of pieces. Specific design interventions included the creation of a "boot room" from a previously voided area off the foyer. This space now features custom-designed built-ins, replacing church-like benches, to serve the needs of a growing family. The boot room is further enhanced with Granada tile flooring and millwork finished in Farrow & Ball’s Pigeon, complemented by brass fixtures. The living room fireplace was redone with a stucco façade and terra cotta tiles, and the room incorporates a variety of textiles like bouclé, ticking, and an antique Khotan rug. A Herman Miller Eames chair provides a reading nook. Adjacent to the living room, the library was painted with Farrow & Ball’s Railings and furnished with a chartreuse settee and mixed throw pillows. A built-in was added to house the couple’s antique record player and a collection of records, each a wedding gift. In the dining room, an oak table with mid-century style chairs serves as a focal point, capable of seating eight guests. The dining room fireplace received a textural paint treatment to give it an older, worn appearance, and an original Egyptian artwork gifted by Brittney’s mother is displayed above it. The overall ambiance of the home is natural, establishing a strong connection to the outdoors, inspired by the surrounding bucolic gardens and views of the Hudson River. Despite the natural theme, elements of glamour are integrated through the use of brass and richly finished metals, which add depth, antiquity, and prevent sterility in the newly finished spaces. The article concludes by listing the design team involved: Becca Casey of Becca Interiors as the designer, Stephen Madoka of Floe Painting for the fireplace, and Olvin Caballeros of Cabelleros Wood Flooring for the flooring. #VictorianColonialRevival #HomeRenovation #InteriorDesign #BeccaCasey #HastingsOnHudson #NaturalElements #GlamDecor #NeoTraditionalDesign #FamilyHome

The EVE Hotel in Sydney, situated at the convergence of Redfern and Surry Hills, serves as a contemporary tribute to its surroundings, integrating the area's urban character, Victorian architecture, Aboriginal heritage, and a lively culture of food, art, and design. The hotel is a collaborative effort, conceived by SJB under Adam Haddow's direction, with landscape architect Daniel Baffsky and interior architect George Livissianis. It represents the culmination of the Wunderlich Lane precinct's revitalization, bridging Sydney’s industrial history with its current creative vibrancy. The 102-room boutique hotel embodies Australian culture, nature, materiality, and craftsmanship. Guests are welcomed into the lobby through an enclosure of glazed terracotta tiles, leading to a space characterized by rendered walls, white glazed breeze blocks, and natural stone. The design aims to evoke the feeling of staying in the home of a stylish friend. Designer furniture is carefully chosen, with two aqua-hued, large ceramic reception desks serving as central focal points. A white rendered arched walkway, featuring leathered handrails and sculptural lighting by Henry Wilson, connects the lobby to the guest rooms, adding a refined architectural detail. The guest rooms are decorated with color palettes inspired by the local landscape, incorporating soft eucalyptus greens and rich red clays. Artworks by Louise Olsen and Tarryn Gill further enhance the local identity of the spaces. The hotel's design includes a tranquil central courtyard. The rooftop garden and a 20-meter pool, lined with Sukabumi tiles and surrounded by native plants, offer panoramic city views. The pool area is enhanced with retro-style umbrellas and spacious orange cabanas. The adjacent Lottie Mexican restaurant mirrors this aesthetic in its interiors. Interior architect George Livissianis explains that the aim was to create a space that feels external, surrounded by planting. Sandblasted travertines, Palladiana flooring, and an exposed concrete structure were used to create a textured, outdoor sensation within an urban setting. Bar Julius, located at the hotel's entrance, functions as both a social hub and a design statement. Its European-inspired interiors are vibrant and kaleidoscopic, combining classic materials with playful modern elements, reflecting the eclectic energy of the neighborhood. The lobby bar features a dramatic vaulted ceiling adorned with artwork by Louise Olsen, a prominent artist and gallery owner from Surry Hills. This artistic integration serves as an introduction to The EVE Hotel's design philosophy and foreshadows the experiences awaiting guests. The EVE Hotel, through the combined efforts of SJB, Daniel Baffsky, and George Livissianis, successfully weaves history and landscape into an immersive guest experience, celebrating Australian culture and offering diverse spaces for relaxation, dining, and socialization. #HotelDesign #InteriorArchitecture #SydneyHotels #BoutiqueHotel #AustralianCulture #UrbanDesign #HospitalityDesign #SJBArchitects #LandscapeArchitecture

The author reflects on a personal journey of appreciating mid-century modern architecture, a style initially overlooked despite growing up in a home built by his grandfather in this aesthetic. The author's childhood home in North Plymouth, a one-story ranch, featured streamlined kitchen cabinets, a patterned vinyl floor, a pink tiled bathroom, and a birch-paneled living room, embodying typical 1950s mid-century modern interiors. However, the author and his parents did not fully appreciate this style at the time, leading to a remodel in the late 1970s that transformed the house into a Cape style, removing all mid-century modern elements. This remodel included adding a Cape-style roof, two bedrooms, and a bath, along with updating the kitchen with cherry cabinets, orange countertops, and avocado-colored appliances. The author's perspective on mid-century modern design began to shift in 2018 when a house in Cedarville, near White Cliffs Country Club, came onto the real estate market. This particular home captivated the author with its distinctive features: a simple rectangular form with a mono-sloped roof, high, thin transom windows on the front, and extensive full-length glass walls at the rear. Inside, it retained original flagstone flooring and turquoise-colored appliances, creating a sense of a preserved time capsule. This discovery ignited an obsession, leading the author to realize that many homes in the Cedarville subdivision were, in fact, mid-century modern. Prompted by this realization, the author embarked on a quest to uncover the history behind these Cedarville homes, seeking information about their designers, planners, and builders. Initial searches through town records and mid-century modern websites yielded limited success. The breakthrough came from a Facebook post on the "Plymouth Remembering When" group, which garnered over 140 responses and provided crucial details. The land for Cedarville Landing was acquired in 1937 by Louis and Adelina Cavicke from Boston's North End. Development plans were delayed by World War II but resumed in the 1950s, leading to the creation of Cedarville Landing, a subdivision featuring homes designed by a Cambridge architect and offering modern amenities for the time. While the architect's name remains unknown, approximately a dozen homes were built in various styles and sizes, many of which still stand today, some preserved and others remodeled. The most significant revelation came during a conversation with the author's uncle, who disclosed that the author's grandfather, George Fornaciari, was the original builder of these Cedarville homes for the Cavicke family. This connection brought the author's mid-century modern journey full circle, highlighting the deep personal ties to the architectural style. The article concludes with the author's ongoing fascination with residential architecture, from 18th-century Capes to 20th-century bungalows and mid-century modern ranches, underscoring how age and experience can foster an appreciation for aspects of one's past. The author, Bill Fornaciari, an architect specializing in residential work and historic preservation, continues to advocate for the appreciation of rare mid-century homes in Plymouth. #MidCenturyModern #ArchitecturalHistory #CedarvilleHomes #PlymouthArchitecture #ResidentialDesign #ArchitecturalStyle #LocalHistory #HomeRenovation

Faraway Martha's Vineyard, a hotel in Edgartown, Massachusetts, represents the second property in Blue Flag Partners' bohemian-chic Faraway collection. This project involved the renovation of the 282-year-old Kelley House hotel, which comprised nine distinct buildings and the Newes From America pub, all of which were in need of significant modernization. Jason Brown, CEO of Blue Flag Capital, recognized the potential of the property, having grown up visiting Martha's Vineyard. The goal was to transform the Kelley House into a vibrant destination while respecting its historical context and the unique character of Edgartown. The design inspiration for the renovation was drawn from Carly Simon, a long-time island resident and music icon. This muse allowed for a blend of traditional New England Georgian architecture with a more eclectic interior aesthetic. Workshop/APD, a New York-based architecture and design firm, was responsible for the hotel's reinvention. The exterior architecture, characterized by local shingles, was largely preserved with historically appropriate updates. Inside, the design team aimed to infuse a "hipper, cooler" vibe, imagining what Simon might incorporate into an old New England home. The interior design combines a base layer of elements inspired by the 1950s, '60s, and '70s, integrating both vintage and modern decorative items. Guestrooms feature custom midcentury-inspired furniture and handwoven rugs, designed to evoke a sense of history and discovery, similar to items found at a flea market. The hotel's color scheme is warm and sandy, complemented by floor-to-ceiling drapery that conceals bric-a-brac within oversized cabinetry. Natural materials and greenery, including custom floral pieces, were incorporated to add a "mystical element" and encourage a prolonged stay. The property, previously a disjointed collection of buildings separated by a large parking lot, underwent a significant transformation in its layout and functionality. The main entrance received a new façade, awning, and landscaping. The lobby was expanded to double its height, and two former guestrooms were converted into an inviting library that leads to a new central courtyard. The pool, previously located in an awkward front corner, was relocated to this courtyard. A new cut-through path was created to traverse the grounds, connecting guests and locals to the revitalized space. Lush greenery and soft grasses were introduced to bring a touch of the island's natural, "up-island" wildness to the downtown area. The Faraway Martha's Vineyard now features 58 guestrooms, primarily within the Kelley House and five additional buildings. It also includes three food and beverage venues: the outdoor sushi bar Pelican Club, the poolside Snack Shack, and the existing Newes From America. The project aimed to center Edgartown, making the hotel a connectivity point for the entire island and integrating it more deeply into the local community. #HotelDesign #HospitalityDesign #MarthaVineyard #RenovationProject #WorkshopAPD #BlueFlagPartners #BoutiqueHotel #InteriorDesign #HistoricalRenovation

The highly anticipated TWA Hotel at John F. Kennedy Airport, New York, has been unveiled, showcasing a meticulous recreation of the 1962 era, centered around the iconic Eero Saarinen-designed TWA Flight Center. After three years of development, the 512-room hotel aims to be a shrine to the golden age of travel, with model rooms designed by New York-based firm Stonehill Taylor, reflecting a distinct 1960s aesthetic. The guest rooms feature martini bars, authentic midcentury furniture, and vintage rotary phones sourced from eBay. The bathroom vanities are inspired by Philip Johnson’s powder room at the former Four Seasons Hotel restaurant in Manhattan, further enhancing the period authenticity. To complete the immersive experience, a fleet of vintage cars, including a 1956 BMW Isetta 300 and a 1963 Lincoln Continental, will transport guests to their terminals. Tyler Morse, CEO of MCR and MORSE Development, emphasizes that the TWA Hotel is not merely a theme park but rather a deeply authentic experience rooted in the building's historical significance. Unlike other 'experiential' venues that rely on fabricated props, the TWA Hotel leverages its inherent historical narrative. This commitment to authenticity extends to the furniture, with each room featuring genuine Saarinen-designed Womb Chairs upholstered in Knoll fabrics in TWA’s signature chili red, complemented by Saarinen Pedestal tulip side tables. Morse highlights that while cheaper knockoffs were available, the developers prioritized authenticity, paying a premium for original pieces. Despite the retro facade, the hotel integrates contemporary amenities. The vintage rotary phones are retrofitted with pulse-to-tone converters for compatibility with modern VoIP equipment. Addressing concerns about airport noise, Morse points out the model suite's soundproof windows, which feature seven-panes of glass, measuring 4.5 inches thick—making them the second thickest in the world, surpassed only by the new U.S. Embassy in London. This innovative design promises guests an exceptionally quiet night's sleep. Categorized as a 4-star plus hotel, the TWA Hotel offers an extensive range of amenities. These include eight restaurants, six bars, conference facilities capable of accommodating 1,400 people, an in-house museum, and a 10,000-square-foot observation deck. Room rates start at $250 per night, with the hotel scheduled to open its doors to guests in spring 2019. Beyond typical airport travelers, Morse anticipates that the TWA Hotel will also attract aficionados of modern architecture and aviation enthusiasts, often referred to as 'AvGeeks,' for whom the hotel represents a 'nirvana.' The project successfully blends historical preservation with modern hospitality, creating a unique destination. #TWAHotel #JFKAirport #MidcenturyModern #HotelDesign #ArchitecturalPreservation #TravelExperience #1960sTheme #SaarinenDesign #LuxuryHospitality

Langdon Court, a 500-year-old Jacobean building in Down Thomas, has been meticulously restored by fashion designer Donna Ida Thornton and her husband Robert Walton MBE, President of the UK Restaurant Association. The Grade II*-listed property, once facing disrepair and vandalism, has been transformed into a high-end, 16-bedroom country house hotel, aiming to blend historical grandeur with modern luxury and comfort. The restoration project, which spanned two years and included an unexpected legal battle, was driven by the couple's vision to create a hotel that feels like a welcoming home. The house, characterized by Donna as embodying 'understated British elegance,' features sumptuous interiors that juxtapose glamorous elements like chandeliers with cozy furnishings and unique amenities such as a snack room with a popcorn machine. Each room is designed to be a treat, incorporating vintage lights, Soho Home furniture, and artwork by Tracy Emin. The bathrooms are particularly notable for their design, and the overall aesthetic harmonizes with the building's historical features, including Tudor flooring and art deco green tiles in the Palm Court, which is highlighted as a stunning area. The couple's appreciation for the building's history is evident in their careful preservation of details, such as a 19th-century graffiti etching on a windowpane. Langdon Court's rich history includes ownership by the Crown, inheritance by Henry VIII's sixth wife Catherine Parr, and later by the Calmady family in 1555. In the early 20th century, it was frequented by Edward VII during the ownership of the Cory family. After serving as a nursing home post-World War II, the property suffered from neglect, with period features being covered up and the building eventually becoming a target for vandals. Donna and Robert acquired the property in 2021, recognizing its 'incredible bones' despite its dilapidated state. The restoration process involved not only aesthetic and structural repairs but also significant modern updates to ensure comfort and efficiency, with each room's temperature controlled via an app. The couple's commitment to the project was fueled by a desire to preserve Langdon Court for future generations, viewing it as a legacy to Devon and England. Robert Walton emphasizes the therapeutic quality of the house and the couple's good fortune in being its custodians. The property is set within 10 acres of gardens and parkland, adding to its appeal. Beyond its architectural and historical significance, Langdon Court functions as a versatile venue, attracting guests for various events such as weddings, shooting parties, foodie gatherings, and corporate retreats. It also hosts unique experiences like the 'ultimate pyjama party,' involving candle making, meals, and movie viewings. The hotel's operational success is supported by a dedicated team, including a gardener and caretaker, who are essential to maintaining its grandeur and daily functions. The transformation of Langdon Court exemplifies a successful blend of historical preservation and contemporary hospitality, creating a unique destination that respects its past while embracing modern needs. #HistoricalProperty #LuxuryHotel #CountryHouse #RestorationProject #InteriorDesign #Devon #JacobeanArchitecture #HeritagePreservation #Hospitality #DonnaIdaThornton